“
While an elderly man in his mid-eighties looks curiously at a porno site, his grandson asks him from afar, “‘What are you reading, grandpa?’” “‘It’s history, my boy.’” “The grandson comes nearer and exclaims, “‘But this is a porno site, grandpa, naked chicks, sex . . . a lot of sex!’” “‘Well, it’s sex for you, my son, but for me it’s history,’ the old man says with a sigh.” All of people in the cabin burst into laughter. “A stale joke, but a cool one,” added William More, the man who just told the joke. The navigator skillfully guided the flying disc among the dense orange-yellow blanket of clouds in the upper atmosphere that they had just entered. Some of the clouds were touched with a brownish hue at the edges. The rest of the pilots gazed curiously and intently outwards while taking their seats. The flying saucer descended slowly, the navigator’s actions exhibiting confidence. He glanced over at the readings on the monitors below the transparent console: Atmosphere: Dense, 370 miles thick, 98.4% nitrogen, 1.4% methane Temperature on the surface: ‒179°C / ‒290°F Density: 1.88 g/cm³ Gravity: 86% of Earth’s Diameter of the cosmic body: 3200 miles / 5150 km.
”
”
Todor Bombov (Homo Cosmicus 2: Titan: A Science Fiction Novel)
“
I was thirty-seven then, strapped in my seat as the huge 747 plunged through dense cloud cover on approach to the Hamburg airport.
”
”
Haruki Murakami (Norwegian Wood)
“
The atmosphere surrounding this problem is terrible. Dense clouds of language lie about the crucial point. It is almost impossible to get through to it.
”
”
Ludwig Wittgenstein
“
I am reminded of an image...that living with a terminal disease is like walking on a tightrope over an insanely scary abyss. But that living without disease is also like walking on a tightrope over an insanely scary abyss, only with some fog or cloud cover obscuring the depths a bit more -- sometimes the wind blowing it off a little, sometimes a nice dense cover.
”
”
Nina Riggs (The Bright Hour: A Memoir of Living and Dying)
“
LONDON. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest.
Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds.
Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time — as the gas seems to know, for it has a haggard and unwilling look.
The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.
”
”
Charles Dickens (Bleak House)
“
Oh, outcast of all outcasts most abandoned! --to the earth art thou not forever dead? to its honors, to its flowers, to its golden aspirations? --and a cloud, dense, dismal, and limitless, does it not hang eternally between thy hopes and heaven?
”
”
Edgar Allan Poe (William Wilson)
“
The aspirant would do well to avoid those ‘spiritual teachers’ who delight in pointing out the evils of the world. These are immature egos attempting to discard their own negativities by projecting them onto others. The true yogi is one who is like a lion with himself, always striving to eradicate that which shadows his inner light, and like a lamb with others, always striving to see their inner light, no matter how dense may be the clouds that hide it. He is the king of the jungle of his world. He hides from no one and seeks escape from nothing. (88)
”
”
Prem Prakash (The Yoga of Spiritual Devotion A Modern Translation of the Narada Bhakti Sutras (Transformational Bo)
“
Or else the cloud hovered, having barely left the lips, dense and slow, and suggested another vision: the exhalations that hang over the roofs of the metropolises, the opaque smoke that is not scattered, the hood of miasmata that weighs over the bituminous streets. Not the labile mists of memory nor the dry transparence, but the charring of burned lives that forms a scab on the city, the sponge swollen with vital matter that no longer flows, the jam of past, present, future that blocks existences calcified in the illusion of movement: this is what you would find at the end of your journey.
”
”
Italo Calvino (Invisible Cities)
“
You saved me, you moron!" she yelled. "You're being deliberately stupid and dense about this! My God, you ask a lot of yourself!"
He touched his forehead to hers. "I can't help it," he blurted. "I love you.
”
”
Shannon McKenna (Blood and Fire (McClouds & Friends #8))
“
The truest love that ever heart
Felt at its kindled core,
Did through each vein, in quickened start,
The tide of being pour.
Her coming was my hope each day,
Her parting was my pain;
The chance that did her steps delay
Was ice in every vein.
I dreamed it would be nameless bliss,
As I loved, loved to be;
And to this object did I press
As blind as eagerly.
But wide as pathless was the space
That lay our lives between,
And dangerous as the foamy race
Of ocean-surges green.
And haunted as a robber-path
Through wilderness or wood;
For Might and Right, and Woe and Wrath,
Between our spirits stood.
I dangers dared; I hindrance scorned;
I omens did defy:
Whatever menaced, harassed, warned,
I passed impetuous by.
On sped my rainbow, fast as light;
I flew as in a dream;
For glorious rose upon my sight
That child of Shower and Gleam.
Still bright on clouds of suffering dim
Shines that soft, solemn joy;
Nor care I now, how dense and grim
Disasters gather nigh.
I care not in this moment sweet,
Though all I have rushed o'er
Should come on pinion, strong and fleet,
Proclaiming vengeance sore:
Though haughty Hate should strike me down,
Right, bar approach to me,
And grinding Might, with furious frown,
Swear endless enmity.
My love has placed her little hand
With noble faith in mine,
And vowed that wedlock's sacred band
Our nature shall entwine.
My love has sworn, with sealing kiss,
With me to live--to die;
I have at last my nameless bliss.
As I love--loved am I!
”
”
Charlotte Brontë (Jane Eyre)
“
The Ticket-wallah, whose pimples bubbled as I watched, was as intractably dense as his counterpart in King's Cross. The Corporation breeds them from the same stem cell.
”
”
David Mitchell (Cloud Atlas)
“
She could smell the storm on him, like the lightning had followed him home, like he was made of the same dense rain clouds.
”
”
Leigh Bardugo (Summer Days and Summer Nights: Twelve Love Stories)
“
He wants to feel lighter, to feel brighter, but the room darkens, and he can feel a storm creeping in.
He was twelve when the first one rolled through. He didn't see it coming. One day the skies were blue and the next the clouds were low and dense, and the next, the wind was up and it was pouring rain.
It would be years before Henry learned to think of those dark times as storms, to believe that they would pass, if he could simply hold on long enough.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
Oh! if, when we oppress and grind our fellow-creatures, we bestowed but one thought on the dark evidences of human error, which, like dense and heavy clouds, are rising, slowly it is true, but not less surely, to Heaven, to pour their after-vengeance on our heads; if we heard but one instant, in imagination, the deep testimony of the dead men's voices, which no power can stifle, and no pride shut out; where would be the injury and injustice: the suffering, misery, cruelty, and wrong: that each day's life brings with it!
”
”
Charles Dickens (Oliver Twist)
“
No,” Maeve had said in her lilting voice. “I miss a good cup of tea, dancing, boys—definitely not rain.” “We dance,” Diana protested. Maeve had just laughed. “You dance differently when you know you won’t live forever.” Then she’d stretched, freckles like dense clouds of pollen on her white skin.
”
”
Leigh Bardugo (Wonder Woman: Warbringer (DC Icons, #1))
“
One morning at the end of the two years, as I was writing a letter to his dictation, he came and bent over me, and said--"Jane, have you a glittering ornament round your neck?"
I had a gold watch-chain: I answered "Yes."
"And have you a pale blue dress on?
I had. He informed me then, that for some time he had fancied the obscurity clouding one eye was becoming less dense; and that now he was sure of it.
”
”
Charlotte Brontë (Jane Eyre)
“
In all, there were ten different types of clouds: cumulus, stratos, cumulonimbus, stratocumulus, nimbostratus, altocumulus, altostratus, cirrocumulus, cirrostratus, and cirrus – each with their own personality: fluffy, detached, transparent, thin, continuous, gray, heavy, dense, semi-transparent, and layered, which I use to describe my own moods and feelings at any given time.
”
”
Sia Figiel (FREELOVE)
“
According to the strange mathematics of the god of mutual affinity, the shadows that clouded their pasts when united became only half as dense instead of darker.
- The World And The Door
”
”
O. Henry
“
My dream, I have faith in you!
Tell me that reality won't vanquish you;
it won't crush my lively spirit into wafts of sorrowful aches,
that's what you should vow.
I remember you,
you used to make me smile for a hope
I have always desired,
it made my pain worth its dreadfulness.
I waited for the sunshine and
it made me love and enjoy the rain.
We were trapped by dense clouds,
now I think I am free.. to breathe again.
Like the sea waves,
hope visits my shore
carrying the light for the frozen heart
and the darkened soul.
”
”
Noha Alaa El-Din (Norina Luciano)
“
He raised his eyes and searched out a small patch of blue sky visible through the dense, green branches of the pines. A white wisp of cloud drifted by. That's what dying will be like, he told himself. Just floating up in the air. Nothing bad about that. He smiled a little.
”
”
Donald Ray Pollock (The Devil All the Time)
“
Love Letter"
Not easy to state the change you made.
If I'm alive now, then I was dead,
Though, like a stone, unbothered by it,
Staying put according to habit.
You didn't just tow me an inch, no-
Nor leave me to set my small bald eye
Skyward again, without hope, of course,
Of apprehending blueness, or stars.
That wasn't it. I slept, say: a snake
Masked among black rocks as a black rock
In the white hiatus of winter-
Like my neighbors, taking no pleasure
In the million perfectly-chisled
Cheeks alighting each moment to melt
My cheeks of basalt. They turned to tears,
Angels weeping over dull natures,
But didn't convince me. Those tears froze.
Each dead head had a visor of ice.
And I slept on like a bent finger.
The first thing I was was sheer air
And the locked drops rising in dew
Limpid as spirits. Many stones lay
Dense and expressionless round about.
I didn't know what to make of it.
I shone, mice-scaled, and unfolded
To pour myself out like a fluid
Among bird feet and the stems of plants.
I wasn't fooled. I knew you at once.
Tree and stone glittered, without shadows.
My finger-length grew lucent as glass.
I started to bud like a March twig:
An arm and a leg, and arm, a leg.
From stone to cloud, so I ascended.
Now I resemble a sort of god
Floating through the air in my soul-shift
Pure as a pane of ice. It's a gift.
”
”
Sylvia Plath (Crossing the Water)
“
As gale-winds swirl and shatter under the shrilling gusts on days when drifts of dust lie piled thick on the roads and winds whip up the dirt in a dense whirling cloud- so the battle broke, storming chaos, troops inflamed, slashing each other with bronze, carnage mounting, manslaughtering combat bristling with rangy spears, the honed lances brandished in hand and ripping flesh and the eyes dazzled now, blind with the glare of bronze, glittering helmets flashing, breastplates freshly burnished, shields fiery in sunlight, fighters plowing on in a mass. Only a veteran steeled at heart could watch that struggle and still thrill with joy and never feel the terror.
”
”
Homer (The Iliad)
“
WAS 37 then, strapped in my seat as the huge 747 plunged through dense cloud cover on approach to Hamburg airport. Cold November rains drenched
”
”
Haruki Murakami (Norwegian Wood)
“
Laughing, he’d flung dense clouds of earth and stone skyward to blind them.
”
”
Steven Erikson (Gardens of the Moon (The Malazan Book of the Fallen, #1))
“
haboobs, those nasty walls of sand and dust that moved in like dense clouds, making travel, and even breathing, near impossible.
”
”
Anne Frasier (Find Me (Inland Empire, #1))
“
In my life, no three miles have been flat and no three days have had sun. I've been brave in the past, but now I'm beyond devastated. My grief is like dense clouds that cannot be dispersed. I can't think beyond the blackness of my clothes and heart.
”
”
Lisa See (Shanghai Girls (Shanghai Girls, #1))
“
THE NEXT DAY WAS BETTER... AND WORSE. It was better because it wasn't raining yet, though the clouds were dense and black. It was easier because i knew better what to expect of the day [...] It was worse because i was tired; i still couldn't sleep with the rain beating on the house.
”
”
Stephenie Meyer (Twilight / Life and Death (The Twilight Saga))
“
कंदर्प अगणित अमित छवी नव नील नीरज सुन्दरम।
पट्पीत मानहु तडित रूचि शुचि नौमी जनक सुतावरम॥
To Sri Ram, whose beauty is incomparable, I am bowing,
His body like a newly formed dense blue cloud I am seeing,
His shining yellow robes over his body are like lightening,
He is the consort of Janak’s daughter his beauty is gleaming.
”
”
Munindra Misra (Chants of Hindu Gods and Godesses in English Rhyme)
“
One day the skies were blue and the next the clouds were low and dense, and the next, the wind was up and it was pouring rain.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
Waiting is one of the forms of boredom, as it can be one of the shapes of fear. The thing you wait for compels you time after time toward the same feelings, which become only further repetitive elements in the sameness of the days. Here, even the weather enforces monotony. The mornings curve over, one like another, for a week, two weeks, three weeks, unchanging in temperature, light, color, humidity, or if changing, changing by predictable small gradations that amount to no changes at all. Never a tempest, thunderstorm, high wind; never a cumulus cloud, not at this season. Hardly a symptom to tell you summer is passing into autumn, unless it is the dense green of the tarweed that late in summer…in recollection, those weeks of waiting telescope for me as all dull time does.
”
”
Wallace Stegner (All the Little Live Things)
“
Returning to the arched window, she lifted her eyes- scowling, poor dim-sighted Hepzibah, in the face of heaven!- and strove hard to send up a prayer through the dense grey pavement of clouds. Those mists had gathered , as if to symbolize a great, brooding mass of human trouble, doubt, confusion, and chill indifference, between earth and the better regions. Her faith was too weak; the prayer to heavy to be thus uplifted. It fell back, a lump of lead, upon her heart. It smote her with the wretched conviction that Providence intermeddled not in these petty wrongs of one individual to his fellow, nor had any balm for these little agonies of a solitary soul; but shed it's justice , and it's mercy, in a broad, sunlike sweep, over half the universe at once. It's vastness made it nothing. But Hepzibah did not see that, just as there comes a warm sunbeam into every cottage window, so comes a lovebeam of God's care and pity for every separate need
”
”
Nathaniel Hawthorne (The House of the Seven Gables)
“
It was a September evening, and not yet seven o'clock, but the day had been a dreary one, and a dense drizzly fog lay low upon the great city. Mud-colored clouds drooped sadly over the muddy streets. Down the Strand the lamps were but misty splotches of diffused light which threw a feeble circular glimmer upon the slimy pavement. The yellow glare from the shop-windows streamed out into the steamy, vaporous air, and threw a murky, shifting radiance across the crowded thoroughfare.
”
”
Arthur Conan Doyle (Sherlock Holmes: The Ultimate Collection)
“
Beowulf’s picture was far more elaborate than those of his siblings, and it did need a bit more work coloring in the background, but the gist of it was on full, frightening view. In the sky: a full moon, its eerie glow partially obscured by dark, swirling clouds. In the foreground: the dense, ferny undergrowth of a forest, bordered by a few gnarled tree trunks rising upward. In the center of the page: an old woman, wrapped in a cloak. Her mouth hung open in a leering smile, and her teeth were large and razor sharp, with a prominent set of gleaming white incisors. From the back of her shroudlike garments poked a long, wolfish tail. Cassiopeia and Alexander clapped and barked with admiration, but Penelope’s skin went cold.
”
”
Maryrose Wood (The Hidden Gallery (The Incorrigible Children of Ashton Place, #2))
“
Have you ever watched a storm approaching on a hot summer’s day? It’s especially spectacular in the mountains. At first there’s nothing to see, but you feel a sort of weariness that tells you something is in the air. Then you hear thunder - just a rumble here and there- you can’t quite tell where it is coming from. All of a sudden, the mountains seem strangely near. There isn't a breath of wind, yet dense clouds pile up in the sky. And now the mountains have almost vanished behind a wall of haze. Clouds rush in from all sides, but still there’s no wind. There’s more thunder now, and everything around looks eir and menacing. You wait and wait. And then, suddenly, it erupts. At first it is almost a release. The storm descends into the valley. There’s thunder and lightning everywhere. The rain clatters down in huge drops. The storm is trapped in the narrow cleft of the valley and thunderclaps echo and reverberate off the steep mountain sides. The wind buffets you from every angle. And when the storm finally moves away, leaving in its place a clear, still, starlit night, you can hardly remember where those thunderclouds were, let alone which thunderclap belonged to which flash of lightning.
”
”
E.H. Gombrich (A Little History of the World)
“
He wants to feel lighter, to feel brighter, but the room darkens, and can feel a storm creeping in.
He was twelve when the first one rolled through. He didn’t see it coming. One day the skies were blue and the next the clouds were low and dense, and the next, the wind was up and it was pouring rain.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
In Views of Nature Humboldt showed how nature could have an influence on people’s imagination. Nature, he wrote, was in a mysterious communication with our ‘inner feelings’. A clear blue sky, for example, triggers different emotions than a heavy blanket of dark clouds. Tropical scenery, densely filled with banana and palm trees, has a different effect than an open forest of white-stemmed slender birches. What we might take for granted today – that there is a correlation between the external world and our mood – was a revelation to Humboldt’s readers. Poets had engaged with such ideas but never a scientist.
”
”
Andrea Wulf (The Invention of Nature: Alexander von Humboldt's New World)
“
Nine balls of julienned vegetables sit above a dense chicken vinaigrette. The plate looks like a game of noughts and crosses (tic-tac-toe). The table is bathed in a cloud of chicken vapour with a few sprays of eau-de-cologne of roasted chicken. In this way the chicken is everywhere and nowhere all at once.
”
”
Massimo Bottura (Never Trust A Skinny Italian Chef)
“
The intruder took a step forward, and Moody’s voice asked, “Severus Snape?” Then the dust figure rose from the end of the hall and rushed him, raising its dead hand.
“It was not I who killed you, Albus,” said a quiet voice.
The jinx broke: The dust-figure exploded again, and it was impossible to make out the newcomer through the dense gray cloud it left behind.
Harry pointed his wand into the middle of it.
“Don’t move!”
He had forgotten the portrait of Mrs. Black: At the sound of his yell, the curtains hiding her flew open and she began to scream, “Mudbloods and filth dishonoring my house--”
Ron and Hermione came crashing down the stairs behind Harry, wants pointing, like his, at the unknown man now standing with his arms raised in the hall below.
“Hold your fire, it’s me, Remus!”
“Oh, thank goodness,” said Hermione weakly, pointing her wand at Mrs. Black instead; with a bang, the curtains swished shut again and silence fell.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
The air grew colder, as day came slowly on; and the mist rolled along the ground like a dense cloud of smoke. The grass was wet; the pathways, and low places, were all mire and water; the damp breath of an unwholesome wind went languidly by, with a hollow moaning. Still, Oliver lay motionless and insensible on the spot where Sikes had left him. Morning drew on apace. The air become more sharp and piercing, as its first dull hue—the death of night, rather than the birth of day—glimmered faintly in the sky. The objects which had looked dim and terrible in the darkness, grew more and more defined, and gradually resolved into their familiar shapes.
”
”
Charles Dickens (Oliver Twist)
“
As soon as we fail to promptly obey the senses of smell and taste, they grow more lax in the fulfilment of their duty, and gradually allow harmful matter to pass unchallenged into the body. You are aware how one can become used to sitting in dense clouds of tobacco-smoke and inhaling it just as if it were healthy fresh air. The tongue has been still further corrupted, and we know that it can gradually be habituated to most unnatural food. Need I remind you of the different dishes and beverages which we now think indispensable, all of which were unknown some centuries ago? To these the present generation has grown so accustomed, that it would rather renounce a natural diet than give them up.
”
”
Anonymous
“
It was a September evening, and not yet seven o'clock, but the day had been a dreary one, and a dense drizzly fog lay low upon the great city. Mud-colored clouds drooped sadly over the muddy streets. Down the Strand the lamps were but misty splotches of diffused light which threw a feeble circular glimmer upon the slimy pavement. The yellow glare from the shop-windows streamed out into the steamy, vaporous air, and threw a murky, shifting radiance across the crowded thoroughfare. There was, to my mind, something eerie and ghost-like in the endless procession of faces which flitted across these narrow bars of light,—sad faces and glad, haggard and merry. Like all human kind, they flitted from the gloom into the light, and so back into the gloom once more.
”
”
Arthur Conan Doyle (Sherlock Holmes: The Ultimate Collection)
“
Pareva a me che nube ne coprisse lucida, spessa, solida e polita, quasi adamante che lo sol ferisse. Per entro sè l’eterna margarita ne recepette, com’acqua recepe raggio di luce, permanendo unita. “Meseemed a cloud enveloped us, shining, dense, firm and polished, like diamond smitten by the sun. Within itself the eternal pearl received us, as water doth receive a ray of light, though still itself uncleft”.
”
”
T.S. Eliot (The Varieties of Metaphysical Poetry)
“
THE MEETING"
"Scant rain had fallen and the summer sun
Had scorched with waves of heat the ripening corn,
That August nightfall, as I crossed the down
Work-weary, half in dream. Beside a fence
Skirting a penning’s edge, an old man waited
Motionless in the mist, with downcast head
And clothing weather-worn. I asked his name
And why he lingered at so lonely a place.
“I was a shepherd here. Two hundred seasons
I roamed these windswept downlands with my flock.
No fences barred our progress and we’d travel
Wherever the bite grew deep. In summer drought
I’d climb from flower-banked combe to barrow’d hill-top
To find a missing straggler or set snares
By wood or turmon-patch. In gales of March
I’d crouch nightlong tending my suckling lambs.
“I was a ploughman, too. Year upon year
I trudged half-doubled, hands clenched to my shafts,
Guiding my turning furrow. Overhead,
Cloud-patterns built and faded, many a song
Of lark and pewit melodied my toil.
I durst not pause to heed them, rising at dawn
To groom and dress my team: by daylight’s end
My boots hung heavy, clodded with chalk and flint.
“And then I was a carter. With my skill
I built the reeded dew-pond, sliced out hay
From the dense-matted rick. At harvest time,
My wain piled high with sheaves, I urged the horses
Back to the master’s barn with shouts and curses
Before the scurrying storm. Through sunlit days
On this same slope where you now stand, my friend,
I stood till dusk scything the poppied fields.
“My cob-built home has crumbled. Hereabouts
Few folk remember me: and though you stare
Till time’s conclusion you’ll not glimpse me striding
The broad, bare down with flock or toiling team.
Yet in this landscape still my spirit lingers:
Down the long bottom where the tractors rumble,
On the steep hanging where wild grasses murmur,
In the sparse covert where the dog-fox patters.”
My comrade turned aside. From the damp sward
Drifted a scent of melilot and thyme;
From far across the down a barn owl shouted,
Circling the silence of that summer evening:
But in an instant, as I stepped towards him
Striving to view his face, his contour altered.
Before me, in the vaporous gloaming, stood
Nothing of flesh, only a post of wood.
”
”
John Rawson (From The English Countryside: Tales Of Tragedy: Narrated In Dramatic Traditional Verse)
“
He wants to feel lighter, to feel brighter, but the room darkens, and he can feel a storm creeping in.
He was twelve when the first one rolled through. He didn’t see it coming, one day the skies were blue and the next the clouds were low and dense. And the next, the wind was up and it was pouring rain.
It would be years later before Henry learned to think of those dark times as storms, to believe that they would pass, if he could simply hold on long enough.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
The glimmering before the final closing down of darkness showed woods blackening against the sunset, woods bearing names of Odin and Thor. Rocks going up blackly into the gloaming were said to be the altars of the Druids: rain from the northern clouds had fallen into these rock-basins unprofaned by the human hand. Those bridges, becoming dense and iron thick in their blue-blackness as they spanned river and broad stream , were many of them the work of Roman soldiery.
”
”
Ethel Carnie Holdsworth (Helen of Four Gates)
“
An oceanic expanse of pre-dawn gray white below obscures a checkered grid of Saskatchewan, a snow plain nicked by the dark, unruly lines of woody swales. One might imagine that little is to be seen from a plane at night, but above the clouds the Milky Way is a dense, blazing arch. A full moon often lights the planet freshly, and patterns of human culture, artificially lit, are striking in ways not visible in daylight. One evening I saw the distinctive glows of cities around Delhi diffused like spiral galaxies in a continuous deck of stratus clouds far below us. In Algeria and on the Asian steppes, wind-whipped pennants of gas flared. The jungle burned in incandescent spots in Malaysia and Brazil. One clear evening at 20,000 feet over Manhattan, I could see, it seemed, every streetlight halfway to the end of Long Island. A summer lightning bolt unexpectedly revealed thousands of bright dots on the ink-black veld of the northern Transvaal: sheep.
”
”
Barry Lopez (About This Life: Journeys on the Threshold of Memory)
“
Every inch of space was used. As the road narrowed, signs receded upwards and changed to the vertical. Businesses simply soared from ground level and hung out vaster, more fascinatingly illuminated shingles than competitors. We were still in a traffic tangle, but now the road curved. Shops crowded the pavements and became homelier. Vegetables, spices, grocery produce in boxes or hanging from shop lintels, meats adangle - as always, my ultimate ghastliness - and here and there among the crowds the alarming spectacle of an armed Sikh, shotgun aslant, casually sitting at a bank entrance. And markets everywhere. To the right, cramped streets sloped down to the harbor. To the left, as we meandered along the tramlines through sudden dense markets of hawkers' barrows, the streets turned abruptly into flights of steps careering upwards into a bluish mist of domestic smoke, clouds of washing on poles, and climbing. Hong Kong had the knack of building where others wouldn't dare.
”
”
Jonathan Gash (Jade Woman (Lovejoy, #12))
“
It is interesting how one word can spark memories that one believes she has buried beyond recognition. War reminded me of the sharp and bittersweet smell of burning homes, temples, and palaces. It made my eyes cloud over with a haze of dense smoke, kicked up dirt as people went running and careening around corners, and the flashing colors of different garments as citizens ran in all directions, their lives suddenly meaningless. The word war made me twelve years old again and frightened beyond sanity.
”
”
Mandy Nachampassack-Maloney (Asha in Time)
“
Ashes were already falling, not as yet very thickly. I looked round: a dense black cloud was coming up behind us, spreading over the earth like a flood.
'Let us leave the road while we can still see,'I said,'or we shall be knocked down and trampled underfoot in the dark by the crowd behind.'
We had scarcely sat down to rest when darkness fell, not the dark of a moonless or cloudy night, but as if the lamp had been put out in a closed room.
You could hear the shrieks of women, the wailing of infants, and the shouting of men; some were calling their parents, others their children or their wives, trying to recognize them by their voices. People bewailed their own fate or that of their relatives, and there were some who prayed for death in their terror of dying. Many besought the aid of the gods, but still more imagined there were no gods left, and that the universe was plunged into eternal darkness for evermore. ~Pliny the Younger
Trust me…history will record the battle at the Puerto Rico Trench the same way. ~High Commander Mustafa
”
”
Pliny the Younger (The Letters of the Younger Pliny: Literally Translated (Classic Reprint))
“
The flat area immediately below was broken up into a formal pattern of beds containing oleander and more clipped clouds of box, a southern imitation of the grand parterres of aristocratic chateaux. A rose garden beyond was the first in a series of gardens created on descending levels, apparently linked by a magnificently overgrown wisteria. Dense lines of cypress hid any farther areas from view, including the memorial garden that was her special brief. As a whole, the garden was charming, luxuriant, but- from a professional point of view- dilapidated.
”
”
Deborah Lawrenson (The Sea Garden)
“
King of Qin, rides a tiger, touring eight poles
Sword's light shining in empty sky from jade
Xihe strikes the sun, as glass is sounded
Robbed ashes fly to ends, past, present level
Dragon head, flows out wine, inviting wine star
Golden groove, pipa in the night: “cheng cheng”
Dongting rain, upon the feet, comes blowing sheng
Wine hearty, drinking moon, causes change of shape
Silver clouds, dense and denser, jade temple bright
Palace gates, holding affairs, announces one watch
Flower house, jade phoenix, sounds seductive, fierce
Sea silk fabric, red text, fragrance shallow, clear
Yellow beauty, stumbles dance, thousand year vessel
Celestial being, candle’s plant wax smoking lightly
Goddess of Qing, drunk, tears of deepest waters
”
”
Li He
“
Philosophy is the theory of multiplicities, each of which is composed of actual and virtual elements. Purely actual objects do not exist. Every actual surrounds itself with a cloud of virtual images. This cloud is composed of a series of more or less extensive coexisting circuits, along which the virtual images are distributed, and around which they run. These virtuals vary in kind as well as in their degree of proximity from the actual particles by which they are both emitted and absorbed. They are called virtual in so far as their emission and absorption, creation and destruction, occur in a period of time shorter than the shortest continuous period imaginable; it is this very brevity that keeps them subject to a principle of uncertainty or indetermination. The virtuals, encircling the actual, perpetually renew themselves by emitting yet others, with which they are in turn surrounded and which go on in turn to react upon the actual: ‘in the heart of the cloud of the virtual there is a virtual of a yet higher order ... every virtual particle surrounds itself with a virtual cosmos and each in its turn does likewise indefinitely.’ It is the dramatic identity of their dynamics that makes a perception resemble a particle: an actual perception surrounds itself with a cloud of virtual images, distributed on increasingly remote, increasingly large, moving circuits, which both make and unmake each other. These are memories of different sorts, but they are still called virtual images in that their speed or brevity subjects them too to a principle of the unconsciousness.
It is by virtue of their mutual inextricability that virtual images are able to react upon actual objects. From this perspective, the virtual images delimit a continuum, whether one takes all of the circles together or each individually, a spatium determined in each case by the maximum of time imaginable. The varyingly dense layers of the actual object correspond to these, more or less extensive, circles of virtual images. These layers, whilst themselves virtual, and upon which the actual object becomes itself virtual, constitute the total impetus of the object. The plane of immanence, upon which the dissolution of the actual object itself occurs, is itself constituted when both object and image are virtual. But the process of actualization undergone by the actual is one which has as great an effect on the image as it does on the object. The continuum of virtual images is fragmented and the spatium cut up according to whether the temporal decompositions are regular or irregular. The total impetus of the virtual object splits into forces corresponding to the partial continuum, and the speeds traversing the cut-up spatium. The virtual is never independent of the singularities which cut it up and divide it out on the plane of immanence. As Leibniz has shown, force is as much a virtual in the process of being actualized as the space through which it travels. The plane is therefore divided into a multiplicity of planes according to the cuts in the continuum, and to the divisions of force which mark the actualization of the virtual. But all the planes merge into one following the path which leads to the actual. The plane of immanence includes both the virtual and its actualization simultaneously, without there being any assignable limit between the two. The actual is the complement or the product, the object of actualization, which has nothing but virtual as its subject. Actualization belongs to the virtual. The actualization of the virtual is singularity whereas the actual itself is individuality constituted. The actual falls from the plane like a fruit, whist the actualization relates it back to the plane as if to that which turns the object back into a subject.
”
”
Gilles Deleuze (Dialogues II)
“
What is of interest is what our minds retain, what our lives have given to the air. The witches are gone, vanished; we were just an interval in their lives, and they in ours. But as Sukie’s blue-green ghost continues to haunt the sun-struck pavement, and Jane’s black shape to flit past the moon, so the rumors of the days when they were solid among us, gorgeous and doing evil, have flavored the name of the town in the mouths of others, and for those of us who live here have left something oblong and invisible and exciting we do not understand. We meet it turning the corner where Hemlock meets Oak; it is there when we walk the beach in offseason and the Atlantic in its blackness mirrors the dense packed gray of the clouds: a scandal, life like smoke twisted into legend.
”
”
John Updike (The Witches of Eastwick)
“
Then he took him by the hand, and led him into a very large parlor full of dust, as if it had never been swept. The Interpreter called to a man and told him to sweep. The man grabbed a broom and swept and in so doing stirred a thick cloud of dust into the air. The dust grew so dense it almost choked Christian. The Interpreter then spoke to a woman who stood nearby. “Bring some water here and sprinkle the room.” The woman did as she was told and the entire room was easily swept and cleaned. Christian asked, “What does this mean?” The Interpreter answered, “This parlor is the heart of a man who was never sanctified by the sweet grace of the gospel. The dust is his sin and inward corruption which has defiled the whole man. The one who began to sweep at first is the law, but she who brought water and sprinkled it is the gospel. Interpreter shows Christian the room full of dust “Now while you saw the room fill with the great cloud of dust when first swept, the dust flew about in such a way that the room could not be cleansed and its dust almost choked you. This is to show you that the law, instead of cleansing the heart from sin, does in fact arouse it. (So that without the law I lived for some time; but when the commandment came, sin revived, and I died. – Rom. 7:9) It also gives it greater strength (The sting of death is sin, and the power of sin is the law. – 1 Cor. 15:56), and causes sin to flourish in the soul (Moreover the law entered that the offence might abound. But where sin abounded, grace did much more abound. – Rom. 5:20), for even as the law uncovers sin and forbids it, it does not provide the power to subdue it. “In the same way, the woman you saw sprinkle the room with water which made it easy to clean – this is to show you that when the gospel comes with its sweet and precious influences and indwells the heart, just like the dust settled by sprinkling the floor with water, sin is also vanquished and subdued and the soul made clean, through faith. Consequently, the soul becomes a suitable place for the King of Glory to inhabit.” (Now to him that is able to confirm you according to my gospel and the preaching of Jesus Christ, according to the revelation of the mystery which was concealed from times eternal but now is made manifest, and by the writings of the prophets, by the commandment of God eternal, declared unto all the Gentiles, that they might hear and obey by faith. – Rom. 16:25, 26)
”
”
John Bunyan (Pilgrim's Progress)
“
After the departure of her cousin and his companions she roamed more than usual; she carried her somber spirit from one familiar shrine to the other. Even when Pansy and the Countess were with her she felt the touch of a vanished world. The carriage, leaving the walls of Rome behind, rolled through narrow lanes where the wild honeysuckle had begun to tangle itself in the hedges, or waited for her in quiet places where the fields lay near, while she strolled further and further over the flower-freckled turf, or sat on a stone that had once had a use and gazed through the veil of her personal sadness at the splendid sadness of the scene — at the dense, warm light, the far gradations and soft confusions of colour, the motionless shepherds in lonely attitudes, the hills where the cloud-shadows had the lightness of a blush.
”
”
Henry James (The Portrait of a Lady)
“
There are many paradoxes in the world and one of them is this, that wherever the landscape is immense, the sky unlimited, clouds intimately dense, feelings unfathomable ⎯ that is to say where infinitude is manifest ⎯ its fit companion is one solitary person; a multitude there seems so petty, so distracting.
An individual and the infinite are on equal terms, worthy to gaze on one another, each from his own throne. But where many men are, how small both humanity and infinitude become, how much they have to knock off each other, in order to fit in together! Each soul wants so much room to expand that in a crowd it needs must wait for gaps through which to thrust a little craning piece of a head from time to time.
So the only result of our endeavour to assemble is that we become unable to fill our joined hands, our outstretched arms, with this endless, fathomless expanse.
”
”
Rabindranath Tagore (Glimpses of Bengal)
“
THE darkness of which the soul here speaks relates, as I have said,1 to the desires and powers of sense, interior and spiritual, all of which are deprived of their natural light in this night, that, being purified as to this, they may be supernaturally enlightened. The desires of sense and spirit are lulled to sleep and mortified, unable to relish anything either human or divine; the affections of the soul are thwarted and brought low, become helpless, and have nothing to rest upon; the imagination is fettered, and unable to make any profitable reflections, the memory is gone, and the will, too, is dry and afflicted, and all the faculties are empty and useless,2 and, moreover, a dense and heavy cloud overshadows the soul, distresses it and holds it as if it were far away from God. This is the darkness in which the soul says that it travels in safety. 2. The reason of this
”
”
Juan de la Cruz (Dark Night of the Soul)
“
Given their relationship with the locals and their general enthusiasm level, Doherty and Byrne had been assigned to go through a bazillion hours of closed-circuit TV footage, looking for regular unexplained visitors to Glenskehy, but the cameras hadn’t been positioned with this in mind and the best they could come up with was that they were fairly sure no one had driven into or out of Glenskehy by a direct route between ten and two on the night of the murder. This made Sam start talking about the housemates again, which made Frank point out the multiple ways someone could have got to Glenskehy without being picked up on CCTV, which made Byrne get snippy about suits who swanned down from Dublin and wasted everyone’s time with pointless busywork. I got the sense that the incident room was blanketed by a dense, electric cloud of dead ends and turf wars and that nasty sinking feeling.
”
”
Tana French (The Likeness (Dublin Murder Squad #2))
“
He pulled back onto the empty road. There were a few ranch lights miles away, the black sky against the black terrain drawing them into the hem of the starry curtain. As he drove toward the clangor and flash of the noon arena he considered the old saddle bronc rider rubbing leather for thirty-seven years, Leecil riding off into the mosquito-clouded Canadian sunset, the ranch hand bent over a calf, slitting the scrotal sac. The course of life’s events seemed slower than the knife but not less thorough. There was more to it than that, he supposed, and heard again her hoarse, charged voice saying “Everything.” It was all a hard, fast ride that ended in the mud. He passed a coal train in the dark, the dense rectangles that were the cars gliding against indigo night, another, and another, and another. Very slowly, as slowly as light comes on a clouded morning, the euphoric heat flushed through him, or maybe just the memory of it.
”
”
Annie Proulx (Close Range)
“
I tell you, I know what it is.” “What is it? What is it? Is it hard or soft? Harry. Is it blue? Is it red? Does it have polka dots?” It hits Rabbit depressingly that he really wants to be told. Underneath all this I-know-more-about-it-than-you heresies-of-the-early-Church business he really wants to be told about it, wants to be told that it is there, that he’s not lying to all those people every Sunday. As if it’s not enough to be trying to get some sense out of this crazy game you have to carry around this madman trying to swallow your soul. The hot strap of the bag gnaws at his shoulder. “The truth is,” Eccles tells him with womanish excitement, in a voice embarrassed but determined, “you’re monstrously selfish. You’re a coward. You don’t care about right or wrong; you worship nothing except your own worst instincts.” They reach the tee, a platform of turf beside a hunchbacked fruit tree offering fists of taut ivory-colored buds. “Let me go first,” Rabbit says. “ ’Til you calm down.” His heart is hushed, held in mid-beat, by anger. He doesn’t care about anything except getting out of this tangle. He wants it to rain. In avoiding looking at Eccles he looks at the ball, which sits high on the tee and already seems free of the ground. Very simply he brings the clubhead around his shoulder into it. The sound has a hollowness, a singleness he hasn’t heard before. His arms force his head up and his ball is hung way out, lunarly pale against the beautiful black blue of storm clouds, his grandfather’s color stretched dense across the north. It recedes along a line straight as a ruler-edge. Stricken; sphere, star, speck. It hesitates, and Rabbit thinks it will die, but he’s fooled, for the ball makes its hesitation the ground of a final leap: with a kind of visible sob takes a last bite of space before vanishing in falling. “That’s it!” he cries and, turning to Eccles with a grin of aggrandizement, repeats, “That’s it.
”
”
John Updike (Rabbit, Run (Rabbit Angstrom, #1))
“
As he approached the swire at the head of the dell – that little delightful verge from which in one moment the eastern limits and shores of the Lothian arise on the view, - as he approached it, I say, and a little space from the height, he beheld, to his astonishment, a bright halo in the cloud of haze, that rose in a semi-circle over his head like a pale rainbow. He was struck motionless at the view of the lovely vision; for it so chanced that he had never seen the same appearance before, though common at early morn. But he soon perceived the cause of the phenomenon, and that it proceeded from the rays of the sun from a pure unclouded morning sky striking upon this dense vapour which refracted them. But the better all the works of nature are understood, the more they will be ever admired. That was a scene that would have entranced the man of science with delight, but which the uninitiated and sordid man would have regarded less than the mole rearing up his hill in silence and in darkness.
”
”
James Hogg (The Private Memoirs and Confessions of a Justified Sinner)
“
He broke off because of an ugly little sucking sound that ended in a tiny plop. In the hazy glow from the nobles’ quarter they saw a horridly supernatural sight: the Mouser’s bloody dagger poised above Gis’s punctured eye socket, supported only by a coiling white tentacle of the fog which had masked their attackers and which had now grown still more dense, as if it had sucked supreme nutriment—as indeed it had—from its dead servitors in their dying. Eldritch dreads woke in the Mouser and Fafhrd: dreads of the lightning that slays from the storm-cloud, of the giant sea-serpent that strikes from the sea, of the shadows that coalesce in the forest to suffocate the mighty man lost, of the black smoke-snake that comes questing from the wizard’s fire to strangle. All around them was a faint clattering of steel against cobble: other fog-tentacles were lifting the four dropped swords and Gis’s knife, while yet others were groping at that dead cutthroat’s belt for his undrawn weapons. It was as if some great ghost squid from the depths of the Inner Sea were arming itself for combat.
”
”
Fritz Leiber (Swords in the Mist (Fafhrd and the Gray Mouser, #3))
“
She kissed his lips and felt his smile form. Alone in this beautiful space, Blake and Livia made things right. Blake kissed her slowly and patiently, like he had all the time in the world. Carefully, they eased back to lie down, and Blake braced himself above her.
He smelled of mint and fresh soap. Livia put her hands on his chest and felt the densely packed muscles there.
Empowered by his adoration, she shrugged off her fleece shirt, enjoying the feeling of being trapped between his arms.
Blake’s eyes became stormy seas. “Damn it all to hell,” he cursed.
Despite his words, Livia believed she was winning this battle of seduction. Blake kissed her mouth and sucked on her bottom lip. He moved to her earlobe and breathed, “First, I will blow, then I will lick, last I will bite.”
Holy crap.
Blake blew a gentle stream of minty breath along the outside of Livia’s ear, down to her neck, and along the edge of her breasts where they peeked out of her bright blue bra. Blake took his time creating an elaborate pattern on her stomach, and Livia was pretty sure he’d spelled the word torture. He increased the pressure of his breath as he grazed below her belly button to the top of her jeans. He skipped back to her mouth and gave her another long, slow kiss.
“And now I lick,” he murmured.
Livia bit back the embarrassingly loud moan she felt building. He gently traced the same trail his breath had left, this time with his tongue. When he reached her breast, she lost control and grabbed his hair, intent on kissing him.
“No. No.” Blake held her wrists above her head. “I’ve done this to you so many times in my mind. I won’t have you rush me.”
Livia groaned and arched her back in an effort to change his mind. But his slow, sexy smile told her he was doing it his way.
“Fine.” Livia dutifully kept her hands above her head as he picked up where he’d left off.
His tongue had her making noises that surely scared the wildlife. He spent an inordinate amount of time licking just above her belt buckle. Then again he was back to her mouth.
He spoke through his kiss. “I’m going to bite you now.”
Blake began down the same flaming path on Livia’s body with his teeth, nibbling in time with her heartbeat. When it speeded up, he bit slightly harder.
After what seemed to be sixteen million glorious years, Blake was at the top of her jeans again. A light, almost invisible, mist from the gray clouds now gave the clearing a slick sheen. The cool rain and his hot mouth were ecstasy.
Blake unbuckled her belt and used his tongue and teeth to unbutton her jeans. He chuckled as he flipped her zipper with his teeth. Each pop of the releasing zipper filled the woods as he blew again on the newly revealed skin.
Livia knew what to expect this time: blow, lick, bite. Oh, sweet God! This is heaven. At last, Livia could no longer obey and reached her hands down to his angelic face.
Blake glanced up as if to rebuke her, but quickly smiled and let her sit up to meet his lips.
Love. Crazy, soon, ever. Love, Livia’s mind raged. She tried to tell him with kisses, but it wasn’t enough. Blake knelt before her, and Livia straddled his thighs. She pulled back to try putting it into words and noticed how Blake glistened, covered in tiny raindrops. The clear, cool pond she’d described to Cole had just exploded over them. But instead of drowning, they wore it like a cloak.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
Again she heard that crackling hiss, and her nose filled with the smell of burning sugar. It was stronger this time, a sweet, dense cloud of perfume. Suddenly, she was back at the Menagerie, a thick hand grasping her wrist, demanding. Inej had gotten good at anticipating when a memory might seize her, bracing for it, but this time she wasn’t prepared. It came at her, more insistent than the wind on the wire, sending her mind sprawling. Though he smelled of vanilla, beneath it, she could smell garlic. She felt the slither of silk all around her as if the bed itself were a living thing. Inej didn’t remember all of them. As the nights at the Menagerie had strung together, she had become better at numbing herself, vanishing so completely that she almost didn’t care what was done to the body she left behind. She learned that the men who came to the house never looked too closely, never asked too many questions. They wanted an illusion, and they were willing to ignore anything to preserve that illusion. Tears, of course, were forbidden. She had cried the first night. Tante Heleen had used the switch on her, then the cane, then choked her until she’d passed out. The next time, Inej’s fear was greater than her sorrow. She learned to smile, to whisper, to arch her back and make the sounds Tante Heleen’s customers required. She still wept, but the tears were never shed. They filled the empty place inside her, a well of sadness where, each night, she sank like a stone. The Menagerie was one of the most expensive pleasure houses in the Barrel, but its customers were no kinder than those who frequented the dollar houses and alley girls. In some ways, Inej came to understand, they were worse. When a man spends that much coin, said the Kaelish girl, Caera, he thinks he’s earned the right to do whatever he wants. There were young men, old men, handsome men, ugly men. There was the man who cried and struck her when he could not perform. The man who wanted her to pretend it was their wedding night and tell him that she loved him. The man with sharp teeth like a kitten who had bitten at her breasts until she’d bled. Tante Heleen added the price of the blood-speckled sheets and the days of work Inej missed to her indenture. But he hadn’t been the worst.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Ashmond hesitated a moment, and Rob sensed a stirring anxiety within him before he finally answered. When he did, he opened himself, revealing an aspect of his essence and some of his anxiety so Rob could understand what bothered him. He showed a series of images and the shifting landscape of the north. “You worry I’m going to be attacked and captured,” Rob said. “It’s happened before,” he said. “I know enough to avoid captivity,” Rob said. “We thought our prior Nelah did, as well. And yet…” Rob smiled and nodded. “The Netheral won’t capture me. I understand what he’s going to do and can stay aware of any attempt of him infesting my mind, corrupting me. If he attempts to do so, I can react and shear it off.” “You can’t do that for yourself,” Ashmond said. “I think I can,” Rob countered. With what he experienced, he thought he could shear off any attempt the Netheral made to roll through his mind, unless he encountered too dense of a cloud. In that case, he might need outside help. He didn’t think he could use the other dragon souls, as there was a real risk of corrupting them if he tried to connect to them. But there was another possibility, and it was one he hadn’t tested, as he didn’t know whether it was possible, but he thought that, given his connection
”
”
Dan Michaelson (Dragon Blood (Blood of the Ancients, #7))
“
It appears that during the early years of the solar system Venus was only slightly warmer than Earth and probably had oceans. But those few degrees of extra warmth meant that Venus could not hold on to its surface water, with disastrous consequences for its climate. As its water evaporated, the hydrogen atoms escaped into space, and the oxygen atoms combined with carbon to form a dense atmosphere of the greenhouse gas CO2. Venus became stifling. Although people of my age will recall a time when astronomers hoped that Venus might harbor life beneath its padded clouds, possibly even a kind of tropical verdure, we now know that it is much too fierce an environment for any kind of life that we can reasonably conceive of. Its surface temperature is a roasting 470 degrees centigrade (roughly 900 degrees Fahrenheit), which is hot enough to melt lead, and the atmospheric pressure at the surface is ninety times that of Earth, or more than any human body could withstand. We lack the technology to make suits or even spaceships that would allow us to visit. Our knowledge of Venus’s surface is based on distant radar imagery and some startled squawks from an unmanned Soviet probe that was dropped hopefully into the clouds in 1972 and functioned for barely an hour before permanently shutting down.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
Neutrons and protons occupy the atom's nucleus. The nucleus of an atom is tiny- only one millionth of a billionth of the full volume of an atom- but fantastically dense, since it contains virtually all the atom's mass. As Cropper has put it, if an atom were expanded to the size of a cathedral, the nucleus would only be about the size of a fly- but a fly many thousands of times heavier than the cathedral...
The picture that nearly everybody has in mind of an atom is of an electron or two flying around a nucleus, like planets orbiting a sun. This image... is completely wrong... In fact, as physicists were soon to realize, electrons are not like orbiting planets at all, but more like the blades of a spinning fan, managing to fill every bit of space in their orbits simultaneously (but with the crucial difference that the blades of a fan only seem to be everywhere at once; electrons are)...
So the atom turned out to be quite unlike the image that most people had created. The electron doesn't fly around its sun, but instead takes on the more amorphous aspect of a cloud. The "shell" of an atom isn't some hard shiny casing, as illustrations sometimes encourage us to suppose, but simply the outermost of these fuzzy electron clouds. The cloud itself is essentially just a zone of statistical probability marking the area beyond which the electron only very seldom strays. Thus an atom, if you could see it, would look more like a very fuzzy tennis ball than a hard-edged metallic sphere (but not much like either, or, indeed, like anything you've ever seen; we are, after all, dealing here with a world very different from the one we see around us. p145
”
”
Bill Bryson (A Short History of Nearly Everything by Bryson, Bill Published by Broadway Books 1st (first) edition (2004) Paperback)
“
Gian Pero Frau, one of the most important characters in the supporting cast surrounding S'Apposentu, runs an experimental farm down the road from the restaurant. His vegetable garden looks like nature's version of a teenager's bedroom, a rebellious mess of branches and leaves and twisted barnyard wire. A low, droning buzz fills the air. "Sorry about the bugs," he says, a cartoonish cloud orbiting his head.
But beneath the chaos a bloom of biodynamic order sprouts from the earth. He uses nothing but dirt and water and careful observation to sustain life here. Every leaf and branch has its place in this garden; nothing is random. Pockets of lettuce, cabbage, fennel, and flowers grow in dense clusters together; on the other end, summer squash, carrots, and eggplant do their leafy dance. "This garden is built on synergy. You plant four or five plants in a close space, and they support each other. It might take thirty or forty days instead of twenty to get it right, but the flavor is deeper." (There's a metaphor in here somewhere, about his new life Roberto is forging in the Sardinian countryside.)
"He's my hero," says Roberto about Gian Piero. "He listens, quietly processes what I'm asking for, then brings it to life. Which doesn't happen in places like Siddi." Together, they're creating a new expression of Sardinian terreno, crossing genetic material, drying vegetables and legumes under a variety of conditions, and experimenting with harvesting times that give Roberto a whole new tool kit back in the kitchen.
We stand in the center of the garden, crunching on celery and lettuce leaves, biting into zucchini and popping peas from their shells- an improvised salad, a biodynamic breakfast that tastes of some future slowly forming in the tangle of roots and leaves around us.
”
”
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
“
As Mrs. Armiger drew near, the fountain clerk put my sundae in front of me. “Here you are,” he said. “I made this one especially for you, Andrew. Plenty of chocolate sauce and whipped cream--just the way you like it.”
Glad Andrew and I had at least one thing in common, I scooped up a big spoonful of ice cream. My mouth was watering for chocolate, but before I had a chance to taste it, Mrs. Armiger pounced on me. “How wonderful to see you up and about, dear boy. I was just plain worried to death when I heard you’d come down with diphtheria.”
Her perfume hung around me in a cloud so dense I could hardly breathe. “Yes, ma’am,” I stammered, trying hard not to cough. “Thank you, ma’am.”
Laying a plump hand on my shoulder, Mrs. Armiger smiled. “Why, Andrew, I believe a touch of the dark angel’s wings has improved your manners.”
Theo gave me one of the sharp little kicks he specialized in. Blowing through his straw, he made loud bubbling sounds in his drink.
He expected me to do something outrageous too. They all did--the whole family was watching, waiting for me to mortify them. I could almost hear Mama holding her breath. I knew Andrew would never have sat as still as a stone, ears burning with embarrassment, but, unlike him, I couldn’t think what to do or say.
“That’s a very rude noise, Theodore,” Mrs. Armiger said.
Mama snatched Theo’s glass. “If you want to finish your phosphate, apologize to Mrs. Armiger.”
Without looking at anyone, Theo mumbled, “I’m sorry.”
Mama wasn’t satisfied. “Sorry for what, Theodore Aloysius?”
Theo kept his head down. Trying not to giggle, he said, “I’m sorry for making a rude noise, Mrs. Armiger.”
Mama gave him his phosphate. “That’s better.”
Theo kicked me again, harder this time. From the way he was scowling, I guessed he was mad that he’d gotten into trouble and I hadn’t.
”
”
Mary Downing Hahn (Time for Andrew: A Ghost Story)
“
It was true what Doc had said, that Christmas succeeds Christmas rather than the days it follows. That had become apparent to Smoky in the last few days. Not because of the repeated ritual, the tree sledded home, the antique ornaments lovingly brought out, the Druid greenery hung on the lintels. It was only since last Christmas that all that had become imbued for him with dense emotion, an emotion having nothing to do with Yuletide, a day which for him as a child had nothing like the fascination of Hallowe'en, when he went masked and recognizable (pirate, clown) in the burnt and smoky night. Yet he saw that it was an emotion that would cover him now, as with snow, each time the season came. She was the cause, not he to whom he wrote.
"Any," he began again, "my desires this year are a little clouded. I would like one of those instruments you use to sharpen the blades of an old-fashioned lawn mower. I would like the missing volume of Gibbon (Vol. II) which somebody's apparently taken out to use as a doorstop or something and lost." He thought of listing publisher and date, but a feeling of futility and silence came over him, drifting deep. "Santa," he wrote, "I would like to be one person only, not a whole crowd of them, half of them always trying to turn their backs and run whenever somebody" - Sophie, he meant, Alice, Cloud, Doc, Mother; Alice most of all - "looks at me. I want to be brave and honest and shoulder my burdens. I don't want to leave myself out while a bunch of slyboots figments do my living for me." He stopped, seeing he was growing unintelligible. He hesitated over the complimentary close; he thought of using "Yours as ever," but thought that might sound ironic or sneering, and at last wrote only "Yours &c.," as his father always had, which then seemed ambiguous and cool; what the hell anyway; and he signed it: Evan. S. Barnable.
”
”
John Crowley (Little, Big)
“
Sometimes the sun is covered by dense layers of dark clouds. A person looking up would swear that there is no sun. But still the sun shines. At night, when there is no light, still the sun shines. During rain or hail or hurricane or tornado, still the sun shines.
Does the sun ask itself, "Am I good? Am I worthwhile? Is there enough of me?" No, it burns and it shines. Does the sun ask itself, "What does the moon think of me? How does Mars feel about me today?" No, it burns, it shines. Does the sun ask itself, "Am I as big as other suns in other galaxies?" No, it burns, it shines.
In this country in the coming years, I think that there will be a terrible storm. I think that the skies will darken beyond all recognition. Those who walk the streets will walk them in darkness. Those who are in prisons and mental institutions will not see the sky at all, only the dark out of barred windows. Those who are hungry and in despair may not look up at all. They will see the darkness as it lies on the ground in front of their feet. Those who are raped will see the darkness as they look up into the face of the rapist. Those who are assaulted and brutalized by madmen will stare intently into the darkness to discern who is moving toward them at every moment. It will be hard to remember, as the storm is raging, that still, even though we cannot see it, the sun shines. It will be hard to remember that still, even though we cannot see it, the sun burns. We will try to see it and we will try to feel it, and we will forget that it warms us still, that if it were not there, burning, shining, this earth would be a cold and desolate and barren place.
As long as we have life and breath, no matter how dark the earth around us, that sun still burns, still shines. There is no today without it. There is no tomorrow without it. There was no yesterday without it. That light is within us—constant, warm, and healing. Remember it, sisters, in the dark times to come.
”
”
Andrea Dworkin (Our Blood: Prophecies and Discourses on Sexual Politics)
“
FALL, SIERRA NEVADA
This morning the hermit thrush was absent at breakfast,
His place was taken by a family of chickadees;
At noon a flock of humming birds passed south,
Whirling in the wind up over the saddle between
Ritter and Banner, following the migration lane
Of the Sierra crest southward to Guatemala.
All day cloud shadows have moved over the face of the mountain,
The shadow of a golden eagle weaving between them
Over the face of the glacier.
At sunset the half-moon rides on the bent back of the Scorpion,
The Great Bear kneels on the mountain.
Ten degrees below the moon
Venus sets in the haze arising from the Great Valley.
Jupiter, in opposition to the sun, rises in the alpenglow
Between the burnt peaks. The ventriloquial belling
Of an owl mingles with the bells of the waterfall.
Now there is distant thunder on the east wind.
The east face of the mountain above me
Is lit with far off lightnings and the sky
Above the pass blazes momentarily like an aurora.
It is storming in the White Mountains,
On the arid fourteen-thousand-foot peaks;
Rain is falling on the narrow gray ranges
And dark sedge meadows and white salt flats of Nevada.
Just before moonset a small dense cumulus cloud,
Gleaming like a grape cluster of metal,
Moves over the Sierra crest and grows down the westward slope.
Frost, the color and quality of the cloud,
Lies over all the marsh below my campsite.
The wiry clumps of dwarfed whitebark pines
Are smoky and indistinct in the moonlight,
Only their shadows are really visible.
The lake is immobile and holds the stars
And the peaks deep in itself without a quiver.
In the shallows the geometrical tendrils of ice
Spread their wonderful mathematics in silence.
All night the eyes of deer shine for an instant
As they cross the radius of my firelight.
In the morning the trail will look like a sheep driveway,
All the tracks will point down to the lower canyon.
“Thus,” says Tyndall, “the concerns of this little place
Are changed and fashioned by the obliquity of the earth’s axis,
The chain of dependence which runs through creation,
And links the roll of a planet alike with the interests
Of marmots and of men.
”
”
Kenneth Rexroth (Collected Shorter Poems)
“
The two men, unable to see each other, kept silent till the lighter, slipping before the fitful breeze, passed out between almost invisible headlands into the still deeper darkness of the gulf. For a time the lantern on the jetty shone after them. The wind failed, then fanned up again, but so faintly that the big, half-decked boat slipped along with no more noise than if she had been suspended in the air.
‘We are out in the gulf now,’ said the calm voice of Nostromo. A moment after he added, ‘Señor Mitchell has lowered the light.’
‘Yes,’ said Decoud; ‘nobody can find us now.’
A great recrudescence of obscurity embraced the boat. The sea in the gulf was as black as the clouds above. Nostromo, after striking a couple of matches to get a glimpse of the boat-compass he had with him in the lighter, steered by the feel of the wind on his cheek.
It was a new experience for Decoud, this mysteriousness of the great waters spread out strangely smooth, as if their restlessness had been crushed by the weight of that dense night. The Placido was sleeping profoundly under its black ponho.
The main thing now for success was to get away from the coast and gain the middle of the gulf before day broke. The Isabels were somewhere at hand. ‘On your left as you look forward, señor,’ said Nostromo suddenly. When his voice ceased, the enormous stillness, without light or sound, seemed to affect Decoud’s senses like a powerful drug. He didn’t even know at times whether he were asleep or awake. Like a man lost in slumber, he heard nothing, he saw nothing. Even his hand held before his face did not exist for his eyes. The change from the agitation, the passions and the dangers, from the sights and sounds of the shore, was so complete that it would have resembled death had it not been for the survival of his thoughts. In this foretaste of eternal peace they floated vivid and light, like unearthly clear dreams of earthly things that may haunt the souls freed by death from the misty atmosphere of regrets and hopes. Decoud shook himself, shuddered a bit, though the air that drifted past him was warm. He had the strangest sensation of his soul having just returned into his body from the circumambient darkness in which land, sea, sky, the mountains, and the rocks were as if they had not been.
”
”
Joseph Conrad (Nostromo)
“
The masses of dense foliage all round became prison walls, impassable circular green ice-walls, surging towards her; just before they closed in, I caught the terrified glint of her eyes.
On a winter day she was in the studio, posing for him in the nude, her arms raised in a graceful position. To hold it for any length of time must have been a strain, I wondered how she managed to keep so still; until I saw the cords attached to her wrists and ankles.
Instead of the darkness, she faced a stupendous sky-conflagration, an incredible glacial dream-scene. Cold coruscations of rainbow fire pulsed overhead, shot through by shafts of pure incandescence thrown out by mountains of solid ice towering all round. Closer, the trees round the house, sheathed in ice, dripped and sparkled with weird prismatic jewels, reflecting the vivid changing cascades above. Instead of the familiar night sky, the aurora borealis formed a blazing, vibrating roof of intense cold and colour, beneath which the earth was trapped with all its inhabitants, walled in by those impassable glittering ice-cliffs. The world had become an arctic prison from which no escape was possible, all its creatures trapped as securely as were the trees, already lifeless inside their deadly resplendent armour.
Frozen by the deathly cold emanating from the ice, dazzled by the blaze of crystalline ice-light, she felt herself becoming part of the polar vision, her structure becoming one with the structure of ice and snow. As her fate, she accepted the world of ice, shining, shimmering, dead; she resigned herself to the triumph of glaciers and the death of her world.
Fear was the climate she lived in; if she had ever known kindness it would have been different. The trees seemed to obstruct her with deliberate malice. All her life she had thought of herself as a foredoomed victim, and now the forest had become the malign force that would destroy her. In desperation she tried to run, but a hidden root tripped her, she almost fell. Branches caught in her hair, tugged her back, lashed out viciously when they were disentangled. The silver hairs torn from her head glittered among black needles; they were the clues her pursuers would follow, leading them to their victim. She escaped from the forest at length only to see the fjord waiting for her. An evil effluence rose from the water, something primitive, savage, demanding victims, hungry for a human victim.
It had been night overhead all along, but below it was still daylight. There were no clouds. I saw islands scattered over the sea, a normal aerial view. Then something extraordinary, out of this world: a wall of rainbow ice jutting up from the sea, cutting right across, pushing a ridge of water ahead of it as it moved, as if the flat pale surface of sea was a carpet being rolled up. It was a sinister, fascinating sight, which did not seem intended for human eyes. I stared down at it, seeing other things at the same time. The ice world spreading over our world. Mountainous walls of ice surrounding the girl. Her moonwhite skin, her hair sparkling with diamond prisms under the moon. The moon’s dead eye watching the death of our world.
”
”
Anna Kavan (Ice)
“
To me she was a woman who had something supernatural about her. Her face reminded me so strongly of the confounding oblivion of other people's faces that, upon seeing her, my whole body began to shake, and my knees gave way. I saw the whole painful story of my life behind her large eyes, her extremely large eyes, wet and glistening eyes, like black diamond balls thrown into tears. In her eyes, in her black eyes, I found the eternal night, the dense darkness that I had been searching for. I plunged into its awesome, enchanting darkness. I felt as though some force was being extracted from my being; the ground shook underneath my feet. At that moment, If I had fallen to the ground, I would have drawn an indescribable pleasure from that fall. My heart stopped. Fearing that my breath might make her disappear, as if she were a piece of cloud or a puff of smoke, I restrained myself from breathing. Her silence was like a miracle. It was as though a glass wall intervened between us. This Moment, this hour, this eternity was choking me. Her weary eyes, as if witnessing something extraordinary that others could not see—as if seeing death—were gradually closing. Eventually, her eyelids closed. The intensity of the moment shook me. I felt like a drowning man who was coming to the surface for air. With the edge of my sleeve, I wiped the perspiration on my forehead.
”
”
Sadegh Hedayat (The Blind Owl)
“
If 'the Buddha' is taken to signify the Ultimate, that which theistic mystics call the Godhead, it will be seen that these tremendous words ['I am the Buddha'] embody the very essence of mystical perception. One who understands them perceives himself to be both worshipper and worshipped, the individual and the universal, a being seeming insignificant but in truth divine! From this perception stem three obligations: to treat all beings, however outwardly repugnant, as embodiments of the sacred essence; to recognize all sounds, no matter how they offend the ear, as components of sacred sound; and to recollect that nowhere throughout the universe is other than Nirvana, however dense the dark clouds of illusion. Therefore, whatever befalls, the adept is clothed in divinity; with his eye of wisdom, he perceives the holiness of all beings, all sounds, all objects; and his heart of wisdom generates measureless compassion.
From the moment an aspirant begins seeking deliverance from within, abandons the dualism of worshipper and worshipped and recognizes the identity of 'self-power' and 'other-power' as sources of spiritual inspiration, the shakles of ego-consciousness are loosened; and as the power of the illusory ego wanes, the qualities of patience, forebearance and compassion blossom. Even so, a great danger inheres in the liberating concept 'I am the Buddha'; improperly understood, it leads to grossly irresponsible behaviour and to overweaning pride which, by inflating the ego instead of diminishing it, enmeshes the aspirant ever more tightly in delusion's bonds. Therefore this knowledge was formerly hidden from the profane and therefore the lamas teach skillful means for counteracting that grave hazard. Never must one reflect 'I am the Buddha' without recalling that, at the level of absolute truth, there is no such entity as 'I'!
”
”
John Blofeld (Mantras: Sacred Words of Power)
“
She entered her home and stood in the kitchen, stopped cold by an aroma that was so thick and familiar it overwhelmed her: a mix of cigarette smoke and coffee, bacon grease, fruity pies and cakes, thick beef and venison stews that Nineva simmered on the stove for days, steam from the canning of stewed tomatoes and a dozen vegetables, wet leather from Pete’s boots in a corner, the sweet soapy smell of Nineva herself. Liza was staggered by the dense fragrances and leaned on a counter. In the darkness, she could hear the voices of her children as they giggled over breakfast and got themselves shooed away from the stove by Nineva. She could see Pete sitting there at the kitchen table with his coffee and cigarettes reading the Tupelo daily. A cloud moved somewhere and a ray of moonlight entered through a window. She focused and her kitchen came into view. She breathed as slowly as possible, sucking in the sweet smells of her former life.
”
”
John Grisham (The Reckoning)
“
Beyond, he could glimpse high, tumescent hills of unnaturally perfect smoothness, each crowned with an ivory-coloured column of stone. Between the hills ran valleys dense with pallid vegetation. Bank upon bank of cloud hung frozen in a still, pale sky. Though his vantage point commanded great distance, some curious distortion of perspective rendered everything - near and far - equally sharp to the eye. And nowhere could he see a shadow.
It was as if he had stepped over the border of a wonderful and subtly disturbing illustration in some long-forgotten, childhood book. The land lay before him like a vast and awful glyph, waiting to be read, and he knew at once that he must go on, just a little further, or regret it all the days of his life.
"The White Road
”
”
Ron Weighell (The White Road)
“
The mosquitoes were a formidable enemy, coming in thick clouds so dense as to be almost palpable, obscuring each man’s vision of those near him. The insects buzzed and whined around them, clinging to every part of their bodies, getting into ears and nose and mouth.
”
”
Michael Crichton (Pirate Latitudes)
“
Such then is the nature of quasispecies : the density of the sequence cloud at any point in sequence space is determined by the relative fitness of the sequence; regions of the cloud representing sequences of lesser fitness will be less densely populated and those with higher fitness, most populated. Here lies the most powerful quality of viral quasispecies: the density distribution of fitness variants dictates that sequences are represented at frequencies in relation to their relative fitness. Genomes with lower fitness will replicate poorly, or not at all, and the fittest genomes will replicate most efficiently. It therefore follows that there is a large bias toward the production of well-adapted genotypes: there are more of them, and they undergo most replicative cycles. This can permit viruses to experience evolutionary adaptation at rates that are orders of magnitude higher than those that could be achieved by truly random unbiased mutation. Sequences rapidly condense around the fittest area of the sequence space. Should the environment change, and, therefore, selective pressures change, a quasispecies can opportunistically exploits its inherent adaptive potential. Genotypes rapidly and ever-faster gravitate toward the cloud's new notational center of gravity. Changes in the fitness landscape of the sequence space that is occupied by a quasispecies are the natural consequence of altered selective pressures operating on the virus population. Such alterations may be the consequence of changed immunologic pressures exerted by the host, the application of antiviral drug therapy, or even cross-species transmission requiring the virus to adapt to a new host. Genotypes that once occupied the 'central' space, reserved for the fittest genotypes, are reduced in frequency and now occupy the more sparsely populated fringes of the fitness landscape; the very edge of the sequence cloud if you will. Here too lies an advantage for a quasispecies: it has a memory. The once best-adapted genotypes, now at a fitness disadvantage, can persist in the quasispecies as minor sequence variants. Under circumstances of fluctuating selective pressures, the ability of the population to recall an 'old' genome variant is a great asset. The quasispecies can rapidly respond and adapt by plucking out a preexisting variant and quickly coalescing around it to recreate an optimal fitness landscape.
”
”
Michael G. Cordingley (Viruses: Agents of Evolutionary Invention)
“
Growing up in upstate New York, one of the grayest parts of the U.S., meant whole weeks might pass with no more than a fleeting ray of light, a momentary sun escape before it was swallowed up again by dense, omnipresent clouds.
”
”
Rachel Friedman (The Good Girl's Guide to Getting Lost: A Memoir of Three Continents, Two Friends, and One Unexpected Adventure)
“
On both sides of them lay a dense forest of towering evergreens. Ice was forming along the banks, which in places were strewn with rugged boulders or rose in steep, rocky upthrusts. As the afternoon wore on, the wind grew stronger and more bitter. Dark clouds closed in from the northwest. René muttered, “The snow, she come soon, I think.
”
”
Franklin W. Dixon (The Short-Wave Mystery (Hardy Boys, #24))
“
The name Erdosain gave to this mood of dreams and disquiet that led him to roam like a sleepwalker through the days was “the anguish zone”. He imagined this zone floating above cities, about two metres in the air, and pictured it graphically like an area of salt flats or deserts that are shown on maps by tiny dots, as dense as herring roe. This anguish zone was the product of mankind’s suffering. It slid from one place to the next like a cloud of poison gas, seeping through walls, passing straight through buildings, without ever losing its flat horizontal shape; a two-dimensional anguish that left an after-taste of tears in throats it sliced like a guillotine.
”
”
Roberto Arlt (The Seven Madmen (New York Review Books Classics))
“
After an hour of sodden stomping they saw ghostly figures beckoning them through the dense cloud. Highland snow gums, colour-swirled and hardy, and alpine yellow gums, splashed with shades of lemon and olive. Skeletal in the mist. When they reached them, they saw fluorescent pink tags hanging from the twisted artwork of their branches. Orange bike lights hammered into dolerite boulders, beneath flakes of minty lichen. (p.193)
”
”
Robbie Arnott (Limberlost)
“
spent years unaware that i was running away from myself, always seeking company or entertainment so that i would not have to face the dark clouds storming inside of me every moment was an opportunity for diversion; friendships were a means of escape, pleasure a temporary relief from pain i did not notice that my relationships were shallow because of how far away i was from myself i did not understand why solitude felt unbearable and why “fun” could not permanently settle turbulent emotions for far too long i was unaware that the only way for life to improve, for my relationships to feel rich, and for my mind to finally experience ease was for me to explore and embrace the anxious unknown that dwelled within you can change your location, meet new people, and still have the same old problems. to truly change your life, you need to look inward, get to know and love yourself, and heal the trauma and dense conditioning in your mind. this is how you get to the root. internal changes have a significant external impact.
”
”
Yung Pueblo (Clarity & Connection (The Inward Trilogy))
“
Two groups of Ju 87 Stukas, I./StG 76 and I./StG 2, were supposed to demonstrate high-angle attacks for the waiting dignitaries. However, a dense blanket of early morning ground fog, combined with low cloud cover over the target, precipitated an aerial disaster. The Stukas dove through the clouds, expecting clear sky with at least 900m clearance above ground, but in fact there was none. Thirteen Ju 87 Stukas plunged into the ground and exploded, killing a total of 26 aircrew. Hitler decided to keep the Neuhammer disaster secret, lest it harm morale in the Wehrmacht on the eve of Fall Weiss.
”
”
Robert Forczyk (Case White: The Invasion of Poland 1939)
“
Whatever happened with me today has had a profound reason, and it was not just an accident. They say, “Any day above the ground is a blessing.” I think this statement has to be rephrased as “any unblessed day on the ground is not a day.” How long should I pretend to be happy? How long should I await for the silver lining to emerge out of the dense clouds?
”
”
Zeeshan Najafi (Wisely Stupid)
“
Kilimanjaro offered a diverse and riveting selection of ways to die: malaria, typhoid fever, yellow fever, hepatitis, meningitis, polio, tetanus, and cholera. Those, of course, could be vaccinated against. There was no injection to protect you from the fog, which could roll in fast and as dense as clouds. According to one hiker’s online testimonial, “At lunch . . . the fog was so thick, I did not know what I was eating until it was in my mouth. Even then, it was a guess.” With zero visibility, people wandered off the trail and died of exposure. Even on a clear day, one could step on a loose rock and slide to an exhilarating demise. Or sometimes the mountain just came to you. In June 2006, three American climbers had been killed by a rockslide traveling 125 miles per second. Some of the boulders had been the size of cars, and scientists suspected the ice that held them in place had melted due to global warming. On the other end, hypothermia was also a concern. Temperatures could drop below zero at night. Then there was this heartening tidbit I came across in my research: “At 20,000 feet, Mount Kilimanjaro is Africa’s highest peak and also the world’s tallest volcano. And although classified as dormant, Kilimanjaro has begun to stir, and evidence suggests that a massive landslide could rip open the side of the mountain causing a cataclysmic flow of hot gases and rock, similar to Mount St. Helens.” A volcano?! They’re still making volcanoes? But the biggest threat on Kilimanjaro was altitude sickness. It happened when you ascended too quickly. Symptoms could be as mild as nausea, shortness of breath, and a headache. At its worst it resulted in pulmonary edema, where your lungs filled up with fluid (essentially, drowning on land), or cerebral edema, where your brain swelled. Eighty percent of Kilimanjaro hikers got altitude sickness. Ten percent of those cases became life threatening or caused brain damage. Ten percent of 80 percent? I didn’t like those odds. Maybe this trip was too dangerous. My
”
”
Noelle Hancock (My Year with Eleanor: A Memoir)
“
STAR TROTTED THROUGH THE DENSE PINE FOREST, alone. He wanted to practice his flying where the herd couldn’t see him. The sharp screech of a hawk drew his eyes skyward in time to see a band of pegasi pierce the drifting clouds.
”
”
Jennifer Lynn Alvarez (Starfire (The Guardian Herd #1))
“
STAR TROTTED THROUGH THE DENSE PINE FOREST, alone. He wanted to practice his flying where the herd couldn’t see him. The sharp screech of a hawk drew his eyes skyward in time to see a band of pegasi pierce the drifting clouds. They swooped toward land impressively and then circled around, tapping wings as they passed one another in midair. They were Sun Herd yearlings, out with their flight instructor. Star reared, stretching toward them, trying to fly, but his giant wings hung off him like dead tree branches—useless. He sagged against a coarse fir tree, already sweating. It was getting hotter each day, and soon it would be time to migrate to the cooler grasslands in the north. He looked up again and watched the yearlings soar in easy loops. They’d been flying since the day they were born. But he—his wings never worked. If he could just tuck them onto his back, he wouldn’t look so foolish walking amid the Sun Herd steeds in the grasslands. Familiar voices pierced the silence, wafting on the breeze from Feather Lake. Star pricked
”
”
Jennifer Lynn Alvarez (Starfire (The Guardian Herd #1))
“
Distorted, clawed hands hung the bag of precious herbs around the thick, muscular neck of the wolf, and then the animal took off in a dead run, racing the climbing sun as it burned away the thick cloud covering. Fur began to smoke, and blisters rose beneath the thick pelt.
Thunder cracked unexpectedly. Thick black clouds, heavy with rain, blew across the sky, providing Mikhail with dense cover from the sun. The storm rolled in over the forest fast, with wild winds kicking up leaves and swaying branches. A bolt of lightning sizzled across the sky in a fiery whip of dancing light. The sky darkened to an ominous cauldron of boiling clouds. Mikhail bounded into the cave and raced along the narrow maze of passages toward the main chamber, shape-shifting as he ran.
Gregori’s cool silver gaze slid over him as Mikhail relinquished the herbs. “It is a wonder you have been able to tie your shoes without me all of these centuries.”
Mikhail sank down beside his brother, one hand over his burning eyes. “It is more of a wonder you have stayed alive with your ostentatious displays. Remind me to remove my impressionable brother from your disrespectful presence before your winning ways rub off on him.
”
”
Christine Feehan (Dark Prince (Dark, #1))
“
It was mid-day when you went away. The sun was strong in the sky. I had done my work and sat alone on my balcony when you went away. Fitful gusts came winnowing through the smells of many distant fields. The doves cooed tireless in the shade, and a bee strayed in my room humming the news of many distant fields. The village slept in the noonday heat. The road lay deserted. In sudden fits the rustling of the leaves rose and died. I glazed at the sky and wove in the blue the letters of a name I had known, while the village slept in the noonday heat. I had forgotten to braid my hair. The languid breeze played with it upon my cheek. The river ran unruffled under the shady bank. The lazy white clouds did not move. I had forgotten to braid my hair. It was mid-day when you went away. The dust of the road was hot and the fields panting. The doves cooed among the dense leaves. I was alone in my balcony when you went away.
”
”
Rabindranath Tagore (The Gardener)
“
the formerly majestic towers and skyscrapers collapsing in on themselves in confetti-bursts of jewel and glass. It could have been beautiful, except for the dense, black mushroom cloud of smoke that hovered ominously over the skyline. I was a long-ass way from Kansas.
”
”
Danielle Paige (The Wicked Will Rise (Dorothy Must Die, #2))
“
The human body cannot survive being in temperatures over 200 degrees centigrade for more than a few moments, especially in the fast moving current of a surge. Trying to breathe in the dense cloud of hot ash in the absence of oxygen would lead to unconsciousness in a few breaths, as well as causing severe burns to the respiratory tract... On the other hand, survival is possible in the more distal parts of a surge if there is adequate shelter to protect against the surge flow and its high temperature, as well as the missiles (rocks, building materials) entrained in the moving cloud of material.
”
”
Encylopaedia of Volcanoes
“
Protogenesis The Seven Secret
Sayings of God Before athe beginning when God created the heaven and the earth, and the earth was without form, and void: and darkness was upon the face of the deep, God said bI AM THAT. And it is so. Also, being in eternity which is neither linear nor sequential, where all is nowever, God said, YOU MUST DRAW THE LINE SOMEWHERE. And it was drawn. But it was no dreary straight line or flat wall, for God then said, HAVE A BALL. And there was a ball, in the image whereof all stars and planets came to be formed. Thereupon God said, THERE ARE TWO SIDES TO EVERYTHING. And there are: the inside and the outside, the dense and the spacious, the right and the wrong, the left and the taken, for, as it is written, cOne shall be taken, and the other left. And God said, IT MUST BE IN TIME. And thereafter it was, is, and will be, for as it is written again, dAs it was in the beginning is now, and ever shall be, through all ages of ages. Amen. And forthwith God said, SPACE IT OUT. Whereupon it came to pass that, beside this and that and now and then, there is also here and there. And God beheld ehow firm a foundation this was and said unto himself, GET LOST. And there you are.
”
”
Alan W. Watts (Cloud-hidden, Whereabouts Unknown)
“
Dense clouds have swallowed the moon and stars—the
”
”
Paula McLain (Circling the Sun)
“
She was born with a melancholic disposition. Despite her best efforts to bury it beneath countless layers of smiles, and a heavy coat of mascara, the sadness in her eyes remained as unmistakable as the sun piercing through dense clouds on a stormy day.
”
”
Shahid Hussain Raja
“
The propellers of Damon's Whizzer will be of the pusher type, and will revolve in dense, compressed air, almost like water, and that will do away with high speed motors, with all their complications, and make traveling in the clouds as simple as taking out a little one-cylinder motor boat. How's that, Tom Swift? How's that for an idea?
”
”
Victor Appleton (Tom Swift and His Air Scout, or, Uncle Sam's Mastery of the Sky (Tom Swift Sr, #22))
“
or trepidation, like they wanted to run away as fast as they could once the photo was taken. But Manfred Lange appeared happy to be photographed. His occupation was listed as art historian, and his date of birth as 29 June 1871. All consistent with what Anna knew about him. She flipped the little cardboard folder of his work permit over. Underneath was a membership card to the NSDAP, the Nazi Party. Again, his unapologetic face stared out at her. Member number 149578. So he had been a party member. Anna twinged a little. Had he told her he had been a party member? People with important jobs usually had to be, and it didn’t necessarily mean they were true believers, or even sympathizers. Still, it bothered her. She scanned the room trying not to appear furtive but failing. She quickly flipped pages to see if she could find his Fragebogen, the questionnaire the Americans would have made him complete. But it wasn’t there, of course, because these were the Germans’ files, not the Americans’. Deeply uncomfortable, she flipped back to the party membership card. The date of issue was 20 April 1933. Hitler’s birthday. Manfred Lange had been what the Germans called a March Violet—a late bloomer. March Violets were those who joined the party right after Hitler had seized full authority in March of 1933. Many with elite jobs and who considered themselves to have standing in society, rushed to join the party in order to be on the right side of the power grab. Probably that’s what Manfred Lange had done, too, like millions of others. She closed the folder indicating she was ready to go. She wanted to be out of the building and far away. “Find anything we should know about?” Bender asked, as he held the door for her. “No,” she lied. “Okay. I’ll take your word for it,” he said, climbing into the driver’s seat. The air had turned colder and the sky was socked in with dense clouds. “Looks like we’re in the clear for now. At least with the folks working for us.” He shot her a look. “Should you have let me see Herr Lange’s information?” Anna retaliated to deflect any further line of questioning. He smiled as he started the engine. “Probably not,” he said, “but I can’t help it. I’m so nosy.” Six “Where were you? I couldn’t find you at all yesterday.” Cooper was flustered and irritated but a smile appeared when Anna looked up at him from her desk. Things had piled up while she was out with Bender, so she had come in early to catch up. Anna honestly couldn’t remember if Manfred Lange had mentioned being a party member; she could only recall that he was very against the Nazis’ attitude toward art and free speech to the point where the memories had upset him. She hated that these misgivings lived on and probably would forever. One day, Amalia would ask her what she had done in the war. “I went with Bender to Darmstadt. I thought you knew about that,” she said. “He told me he had checked with you.” “That’s right. Of course. Was it a successful trip?” He sat down in the chair next to her table, intent on something. “I think so. He asked me to help him translate some paperwork. He was checking on some personnel? I didn’t find anything.” “Sounds like good news. For us, anyway. We already had to fire some people when their past caught up with them.” “Because they were party members?” “Or worse. Makes sense, but we had to let some very qualified people go. And with all these government types breathing down our necks, we can’t afford a single screw up. Washington is just waiting for something to go wrong so they can scrap this whole operation.” His face sank back into the shadows it had carried for the past weeks. He leaned forward and dropped his face into his hands. Anna felt sorry for him. “That won’t happen,” she said. “You will make sure of it.” She placed a hand on his shoulder. Without looking at her, Cooper took her hand in his and held it in place, his
”
”
C.F. Yetmen (What is Forgiven (The Anna Klein Trilogy #2))
“
Somehow I always thought I’d die in London,” said Wright. “In the rain.”
“Death has no nation,” said Malthus, puffing out a dense cloud of cigar smoke. “You can find him anywhere if you look hard enough.
”
”
Guy Winter (Billionaire Suicide Club)