Dense Clouds Quotes

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While an elderly man in his mid-eighties looks curiously at a porno site, his grandson asks him from afar, “‘What are you reading, grandpa?’” “‘It’s history, my boy.’” “The grandson comes nearer and exclaims, “‘But this is a porno site, grandpa, naked chicks, sex . . . a lot of sex!’” “‘Well, it’s sex for you, my son, but for me it’s history,’ the old man says with a sigh.” All of people in the cabin burst into laughter. “A stale joke, but a cool one,” added William More, the man who just told the joke. The navigator skillfully guided the flying disc among the dense orange-yellow blanket of clouds in the upper atmosphere that they had just entered. Some of the clouds were touched with a brownish hue at the edges. The rest of the pilots gazed curiously and intently outwards while taking their seats. The flying saucer descended slowly, the navigator’s actions exhibiting confidence. He glanced over at the readings on the monitors below the transparent console: Atmosphere: Dense, 370 miles thick, 98.4% nitrogen, 1.4% methane Temperature on the surface: ‒179°C / ‒290°F Density: 1.88 g/cm³ Gravity: 86% of Earth’s Diameter of the cosmic body: 3200 miles / 5150 km.
Todor Bombov (Homo Cosmicus 2: Titan: A Science Fiction Novel)
I was thirty-seven then, strapped in my seat as the huge 747 plunged through dense cloud cover on approach to the Hamburg airport.
Haruki Murakami (Norwegian Wood)
The atmosphere surrounding this problem is terrible. Dense clouds of language lie about the crucial point. It is almost impossible to get through to it.
Ludwig Wittgenstein
I am reminded of an image...that living with a terminal disease is like walking on a tightrope over an insanely scary abyss. But that living without disease is also like walking on a tightrope over an insanely scary abyss, only with some fog or cloud cover obscuring the depths a bit more -- sometimes the wind blowing it off a little, sometimes a nice dense cover.
Nina Riggs (The Bright Hour: A Memoir of Living and Dying)
LONDON. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest. Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds. Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time — as the gas seems to know, for it has a haggard and unwilling look. The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.
Charles Dickens (Bleak House)
The aspirant would do well to avoid those ‘spiritual teachers’ who delight in pointing out the evils of the world. These are immature egos attempting to discard their own negativities by projecting them onto others. The true yogi is one who is like a lion with himself, always striving to eradicate that which shadows his inner light, and like a lamb with others, always striving to see their inner light, no matter how dense may be the clouds that hide it. He is the king of the jungle of his world. He hides from no one and seeks escape from nothing. (88)
Prem Prakash (The Yoga of Spiritual Devotion A Modern Translation of the Narada Bhakti Sutras (Transformational Bo)
Oh, outcast of all outcasts most abandoned! --to the earth art thou not forever dead? to its honors, to its flowers, to its golden aspirations? --and a cloud, dense, dismal, and limitless, does it not hang eternally between thy hopes and heaven?
Edgar Allan Poe (William Wilson)
You saved me, you moron!" she yelled. "You're being deliberately stupid and dense about this! My God, you ask a lot of yourself!" He touched his forehead to hers. "I can't help it," he blurted. "I love you.
Shannon McKenna (Blood and Fire (McClouds & Friends #8))
She could smell the storm on him, like the lightning had followed him home, like he was made of the same dense rain clouds.
Leigh Bardugo (Summer Days and Summer Nights: Twelve Love Stories)
The Ticket-wallah, whose pimples bubbled as I watched, was as intractably dense as his counterpart in King's Cross. The Corporation breeds them from the same stem cell.
David Mitchell (Cloud Atlas)
Oh! if, when we oppress and grind our fellow-creatures, we bestowed but one thought on the dark evidences of human error, which, like dense and heavy clouds, are rising, slowly it is true, but not less surely, to Heaven, to pour their after-vengeance on our heads; if we heard but one instant, in imagination, the deep testimony of the dead men's voices, which no power can stifle, and no pride shut out; where would be the injury and injustice: the suffering, misery, cruelty, and wrong: that each day's life brings with it!
Charles Dickens (Oliver Twist)
No,” Maeve had said in her lilting voice. “I miss a good cup of tea, dancing, boys—definitely not rain.” “We dance,” Diana protested. Maeve had just laughed. “You dance differently when you know you won’t live forever.” Then she’d stretched, freckles like dense clouds of pollen on her white skin.
Leigh Bardugo (Wonder Woman: Warbringer (DC Icons, #1))
One morning at the end of the two years, as I was writing a letter to his dictation, he came and bent over me, and said--"Jane, have you a glittering ornament round your neck?" I had a gold watch-chain: I answered "Yes." "And have you a pale blue dress on? I had. He informed me then, that for some time he had fancied the obscurity clouding one eye was becoming less dense; and that now he was sure of it.
Charlotte Brontë (Jane Eyre)
The truest love that ever heart Felt at its kindled core, Did through each vein, in quickened start, The tide of being pour. Her coming was my hope each day, Her parting was my pain; The chance that did her steps delay Was ice in every vein. I dreamed it would be nameless bliss, As I loved, loved to be; And to this object did I press As blind as eagerly. But wide as pathless was the space That lay our lives between, And dangerous as the foamy race Of ocean-surges green. And haunted as a robber-path Through wilderness or wood; For Might and Right, and Woe and Wrath, Between our spirits stood. I dangers dared; I hindrance scorned; I omens did defy: Whatever menaced, harassed, warned, I passed impetuous by. On sped my rainbow, fast as light; I flew as in a dream; For glorious rose upon my sight That child of Shower and Gleam. Still bright on clouds of suffering dim Shines that soft, solemn joy; Nor care I now, how dense and grim Disasters gather nigh. I care not in this moment sweet, Though all I have rushed o'er Should come on pinion, strong and fleet, Proclaiming vengeance sore: Though haughty Hate should strike me down, Right, bar approach to me, And grinding Might, with furious frown, Swear endless enmity. My love has placed her little hand With noble faith in mine, And vowed that wedlock's sacred band Our nature shall entwine. My love has sworn, with sealing kiss, With me to live--to die; I have at last my nameless bliss. As I love--loved am I!
Charlotte Brontë (Jane Eyre)
In all, there were ten different types of clouds: cumulus, stratos, cumulonimbus, stratocumulus, nimbostratus, altocumulus, altostratus, cirrocumulus, cirrostratus, and cirrus – each with their own personality: fluffy, detached, transparent, thin, continuous, gray, heavy, dense, semi-transparent, and layered, which I use to describe my own moods and feelings at any given time.
Sia Figiel (FREELOVE)
He wants to feel lighter, to feel brighter, but the room darkens, and he can feel a storm creeping in. He was twelve when the first one rolled through. He didn't see it coming. One day the skies were blue and the next the clouds were low and dense, and the next, the wind was up and it was pouring rain. It would be years before Henry learned to think of those dark times as storms, to believe that they would pass, if he could simply hold on long enough.
V.E. Schwab (The Invisible Life of Addie LaRue)
Or else the cloud hovered, having barely left the lips, dense and slow, and suggested another vision: the exhalations that hang over the roofs of the metropolises, the opaque smoke that is not scattered, the hood of miasmata that weighs over the bituminous streets. Not the labile mists of memory nor the dry transparence, but the charring of burned lives that forms a scab on the city, the sponge swollen with vital matter that no longer flows, the jam of past, present, future that blocks existences calcified in the illusion of movement: this is what you would find at the end of your journey.
Italo Calvino (Invisible Cities)
My dream, I have faith in you! Tell me that reality won't vanquish you; it won't crush my lively spirit into wafts of sorrowful aches, that's what you should vow. I remember you, you used to make me smile for a hope I have always desired, it made my pain worth its dreadfulness. I waited for the sunshine and it made me love and enjoy the rain. We were trapped by dense clouds, now I think I am free.. to breathe again. Like the sea waves, hope visits my shore carrying the light for the frozen heart and the darkened soul.
Noha Alaa El-Din (Norina Luciano)
Love Letter" Not easy to state the change you made. If I'm alive now, then I was dead, Though, like a stone, unbothered by it, Staying put according to habit. You didn't just tow me an inch, no- Nor leave me to set my small bald eye Skyward again, without hope, of course, Of apprehending blueness, or stars. That wasn't it. I slept, say: a snake Masked among black rocks as a black rock In the white hiatus of winter- Like my neighbors, taking no pleasure In the million perfectly-chisled Cheeks alighting each moment to melt My cheeks of basalt. They turned to tears, Angels weeping over dull natures, But didn't convince me. Those tears froze. Each dead head had a visor of ice. And I slept on like a bent finger. The first thing I was was sheer air And the locked drops rising in dew Limpid as spirits. Many stones lay Dense and expressionless round about. I didn't know what to make of it. I shone, mice-scaled, and unfolded To pour myself out like a fluid Among bird feet and the stems of plants. I wasn't fooled. I knew you at once. Tree and stone glittered, without shadows. My finger-length grew lucent as glass. I started to bud like a March twig: An arm and a leg, and arm, a leg. From stone to cloud, so I ascended. Now I resemble a sort of god Floating through the air in my soul-shift Pure as a pane of ice. It's a gift.
Sylvia Plath (Crossing the Water)
Laughing, he’d flung dense clouds of earth and stone skyward to blind them.
Steven Erikson (Gardens of the Moon (The Malazan Book of the Fallen, #1))
haboobs, those nasty walls of sand and dust that moved in like dense clouds, making travel, and even breathing, near impossible.
Anne Frasier (Find Me (Inland Empire, #1))
WAS 37 then, strapped in my seat as the huge 747 plunged through dense cloud cover on approach to Hamburg airport. Cold November rains drenched
Haruki Murakami (Norwegian Wood)
He raised his eyes and searched out a small patch of blue sky visible through the dense, green branches of the pines. A white wisp of cloud drifted by. That's what dying will be like, he told himself. Just floating up in the air. Nothing bad about that. He smiled a little.
Donald Ray Pollock (The Devil All the Time)
According to the strange mathematics of the god of mutual affinity, the shadows that clouded their pasts when united became only half as dense instead of darker. - The World And The Door
O. Henry
As gale-winds swirl and shatter under the shrilling gusts on days when drifts of dust lie piled thick on the roads and winds whip up the dirt in a dense whirling cloud- so the battle broke, storming chaos, troops inflamed, slashing each other with bronze, carnage mounting, manslaughtering combat bristling with rangy spears, the honed lances brandished in hand and ripping flesh and the eyes dazzled now, blind with the glare of bronze, glittering helmets flashing, breastplates freshly burnished, shields fiery in sunlight, fighters plowing on in a mass. Only a veteran steeled at heart could watch that struggle and still thrill with joy and never feel the terror.
Homer (The Iliad)
In my life, no three miles have been flat and no three days have had sun. I've been brave in the past, but now I'm beyond devastated. My grief is like dense clouds that cannot be dispersed. I can't think beyond the blackness of my clothes and heart.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
THE NEXT DAY WAS BETTER... AND WORSE. It was better because it wasn't raining yet, though the clouds were dense and black. It was easier because i knew better what to expect of the day [...] It was worse because i was tired; i still couldn't sleep with the rain beating on the house.
Stephenie Meyer (Twilight / Life and Death)
It was a September evening, and not yet seven o'clock, but the day had been a dreary one, and a dense drizzly fog lay low upon the great city. Mud-colored clouds drooped sadly over the muddy streets. Down the Strand the lamps were but misty splotches of diffused light which threw a feeble circular glimmer upon the slimy pavement. The yellow glare from the shop-windows streamed out into the steamy, vaporous air, and threw a murky, shifting radiance across the crowded thoroughfare.
Arthur Conan Doyle (Sherlock Holmes: The Ultimate Collection)
कंदर्प अगणित अमित छवी नव नील नीरज सुन्दरम। पट्पीत मानहु तडित रूचि शुचि नौमी जनक सुतावरम॥ To Sri Ram, whose beauty is incomparable, I am bowing, His body like a newly formed dense blue cloud I am seeing, His shining yellow robes over his body are like lightening, He is the consort of Janak’s daughter his beauty is gleaming.
Munindra Misra (Chants of Hindu Gods and Godesses in English Rhyme)
One day the skies were blue and the next the clouds were low and dense, and the next, the wind was up and it was pouring rain.
V.E. Schwab (The Invisible Life of Addie LaRue)
Beowulf’s picture was far more elaborate than those of his siblings, and it did need a bit more work coloring in the background, but the gist of it was on full, frightening view. In the sky: a full moon, its eerie glow partially obscured by dark, swirling clouds. In the foreground: the dense, ferny undergrowth of a forest, bordered by a few gnarled tree trunks rising upward. In the center of the page: an old woman, wrapped in a cloak. Her mouth hung open in a leering smile, and her teeth were large and razor sharp, with a prominent set of gleaming white incisors. From the back of her shroudlike garments poked a long, wolfish tail. Cassiopeia and Alexander clapped and barked with admiration, but Penelope’s skin went cold.
Maryrose Wood (The Hidden Gallery (The Incorrigible Children of Ashton Place, #2))
Have you ever watched a storm approaching on a hot summer’s day? It’s especially spectacular in the mountains. At first there’s nothing to see, but you feel a sort of weariness that tells you something is in the air. Then you hear thunder - just a rumble here and there- you can’t quite tell where it is coming from. All of a sudden, the mountains seem strangely near. There isn't a breath of wind, yet dense clouds pile up in the sky. And now the mountains have almost vanished behind a wall of haze. Clouds rush in from all sides, but still there’s no wind. There’s more thunder now, and everything around looks eir and menacing. You wait and wait. And then, suddenly, it erupts. At first it is almost a release. The storm descends into the valley. There’s thunder and lightning everywhere. The rain clatters down in huge drops. The storm is trapped in the narrow cleft of the valley and thunderclaps echo and reverberate off the steep mountain sides. The wind buffets you from every angle. And when the storm finally moves away, leaving in its place a clear, still, starlit night, you can hardly remember where those thunderclouds were, let alone which thunderclap belonged to which flash of lightning.
E.H. Gombrich (A Little History of the World)
He wants to feel lighter, to feel brighter, but the room darkens, and can feel a storm creeping in. He was twelve when the first one rolled through. He didn’t see it coming. One day the skies were blue and the next the clouds were low and dense, and the next, the wind was up and it was pouring rain.
V.E. Schwab (The Invisible Life of Addie LaRue)
In Views of Nature Humboldt showed how nature could have an influence on people’s imagination. Nature, he wrote, was in a mysterious communication with our ‘inner feelings’. A clear blue sky, for example, triggers different emotions than a heavy blanket of dark clouds. Tropical scenery, densely filled with banana and palm trees, has a different effect than an open forest of white-stemmed slender birches. What we might take for granted today – that there is a correlation between the external world and our mood – was a revelation to Humboldt’s readers. Poets had engaged with such ideas but never a scientist.
Andrea Wulf (The Invention of Nature: Alexander von Humboldt's New World)
The intruder took a step forward, and Moody’s voice asked, “Severus Snape?” Then the dust figure rose from the end of the hall and rushed him, raising its dead hand. “It was not I who killed you, Albus,” said a quiet voice. The jinx broke: The dust-figure exploded again, and it was impossible to make out the newcomer through the dense gray cloud it left behind. Harry pointed his wand into the middle of it. “Don’t move!” He had forgotten the portrait of Mrs. Black: At the sound of his yell, the curtains hiding her flew open and she began to scream, “Mudbloods and filth dishonoring my house--” Ron and Hermione came crashing down the stairs behind Harry, wants pointing, like his, at the unknown man now standing with his arms raised in the hall below. “Hold your fire, it’s me, Remus!” “Oh, thank goodness,” said Hermione weakly, pointing her wand at Mrs. Black instead; with a bang, the curtains swished shut again and silence fell.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Returning to the arched window, she lifted her eyes- scowling, poor dim-sighted Hepzibah, in the face of heaven!- and strove hard to send up a prayer through the dense grey pavement of clouds. Those mists had gathered , as if to symbolize a great, brooding mass of human trouble, doubt, confusion, and chill indifference, between earth and the better regions. Her faith was too weak; the prayer to heavy to be thus uplifted. It fell back, a lump of lead, upon her heart. It smote her with the wretched conviction that Providence intermeddled not in these petty wrongs of one individual to his fellow, nor had any balm for these little agonies of a solitary soul; but shed it's justice , and it's mercy, in a broad, sunlike sweep, over half the universe at once. It's vastness made it nothing. But Hepzibah did not see that, just as there comes a warm sunbeam into every cottage window, so comes a lovebeam of God's care and pity for every separate need
Nathaniel Hawthorne (The House of the Seven Gables)
The air grew colder, as day came slowly on; and the mist rolled along the ground like a dense cloud of smoke. The grass was wet; the pathways, and low places, were all mire and water; the damp breath of an unwholesome wind went languidly by, with a hollow moaning. Still, Oliver lay motionless and insensible on the spot where Sikes had left him. Morning drew on apace. The air become more sharp and piercing, as its first dull hue—the death of night, rather than the birth of day—glimmered faintly in the sky. The objects which had looked dim and terrible in the darkness, grew more and more defined, and gradually resolved into their familiar shapes.
Charles Dickens (Oliver Twist)
As soon as we fail to promptly obey the senses of smell and taste, they grow more lax in the fulfilment of their duty, and gradually allow harmful matter to pass unchallenged into the body. You are aware how one can become used to sitting in dense clouds of tobacco-smoke and inhaling it just as if it were healthy fresh air. The tongue has been still further corrupted, and we know that it can gradually be habituated to most unnatural food. Need I remind you of the different dishes and beverages which we now think indispensable, all of which were unknown some centuries ago? To these the present generation has grown so accustomed, that it would rather renounce a natural diet than give them up.
Anonymous
It was a September evening, and not yet seven o'clock, but the day had been a dreary one, and a dense drizzly fog lay low upon the great city. Mud-colored clouds drooped sadly over the muddy streets. Down the Strand the lamps were but misty splotches of diffused light which threw a feeble circular glimmer upon the slimy pavement. The yellow glare from the shop-windows streamed out into the steamy, vaporous air, and threw a murky, shifting radiance across the crowded thoroughfare. There was, to my mind, something eerie and ghost-like in the endless procession of faces which flitted across these narrow bars of light,—sad faces and glad, haggard and merry. Like all human kind, they flitted from the gloom into the light, and so back into the gloom once more.
Arthur Conan Doyle (Sherlock Holmes: The Ultimate Collection)
Waiting is one of the forms of boredom, as it can be one of the shapes of fear. The thing you wait for compels you time after time toward the same feelings, which become only further repetitive elements in the sameness of the days. Here, even the weather enforces monotony. The mornings curve over, one like another, for a week, two weeks, three weeks, unchanging in temperature, light, color, humidity, or if changing, changing by predictable small gradations that amount to no changes at all. Never a tempest, thunderstorm, high wind; never a cumulus cloud, not at this season. Hardly a symptom to tell you summer is passing into autumn, unless it is the dense green of the tarweed that late in summer…in recollection, those weeks of waiting telescope for me as all dull time does.
Wallace Stegner (All the Little Live Things)
Pareva a me che nube ne coprisse lucida, spessa, solida e polita, quasi adamante che lo sol ferisse. Per entro sè l’eterna margarita ne recepette, com’acqua recepe raggio di luce, permanendo unita. “Meseemed a cloud enveloped us, shining, dense, firm and polished, like diamond smitten by the sun. Within itself the eternal pearl received us, as water doth receive a ray of light, though still itself uncleft”.
T.S. Eliot (The Varieties of Metaphysical Poetry)
THE MEETING" "Scant rain had fallen and the summer sun Had scorched with waves of heat the ripening corn, That August nightfall, as I crossed the down Work-weary, half in dream. Beside a fence Skirting a penning’s edge, an old man waited Motionless in the mist, with downcast head And clothing weather-worn. I asked his name And why he lingered at so lonely a place. “I was a shepherd here. Two hundred seasons I roamed these windswept downlands with my flock. No fences barred our progress and we’d travel Wherever the bite grew deep. In summer drought I’d climb from flower-banked combe to barrow’d hill-top To find a missing straggler or set snares By wood or turmon-patch. In gales of March I’d crouch nightlong tending my suckling lambs. “I was a ploughman, too. Year upon year I trudged half-doubled, hands clenched to my shafts, Guiding my turning furrow. Overhead, Cloud-patterns built and faded, many a song Of lark and pewit melodied my toil. I durst not pause to heed them, rising at dawn To groom and dress my team: by daylight’s end My boots hung heavy, clodded with chalk and flint. “And then I was a carter. With my skill I built the reeded dew-pond, sliced out hay From the dense-matted rick. At harvest time, My wain piled high with sheaves, I urged the horses Back to the master’s barn with shouts and curses Before the scurrying storm. Through sunlit days On this same slope where you now stand, my friend, I stood till dusk scything the poppied fields. “My cob-built home has crumbled. Hereabouts Few folk remember me: and though you stare Till time’s conclusion you’ll not glimpse me striding The broad, bare down with flock or toiling team. Yet in this landscape still my spirit lingers: Down the long bottom where the tractors rumble, On the steep hanging where wild grasses murmur, In the sparse covert where the dog-fox patters.” My comrade turned aside. From the damp sward Drifted a scent of melilot and thyme; From far across the down a barn owl shouted, Circling the silence of that summer evening: But in an instant, as I stepped towards him Striving to view his face, his contour altered. Before me, in the vaporous gloaming, stood Nothing of flesh, only a post of wood.
John Rawson (From The English Countryside: Tales Of Tragedy: Narrated In Dramatic Traditional Verse)
He wants to feel lighter, to feel brighter, but the room darkens, and he can feel a storm creeping in. He was twelve when the first one rolled through. He didn’t see it coming, one day the skies were blue and the next the clouds were low and dense. And the next, the wind was up and it was pouring rain. It would be years later before Henry learned to think of those dark times as storms, to believe that they would pass, if he could simply hold on long enough.
V.E. Schwab (The Invisible Life of Addie LaRue)
The glimmering before the final closing down of darkness showed woods blackening against the sunset, woods bearing names of Odin and Thor. Rocks going up blackly into the gloaming were said to be the altars of the Druids: rain from the northern clouds had fallen into these rock-basins unprofaned by the human hand. Those bridges, becoming dense and iron thick in their blue-blackness as they spanned river and broad stream , were many of them the work of Roman soldiery.
Ethel Carnie Holdsworth (Helen of Four Gates)
An oceanic expanse of pre-dawn gray white below obscures a checkered grid of Saskatchewan, a snow plain nicked by the dark, unruly lines of woody swales. One might imagine that little is to be seen from a plane at night, but above the clouds the Milky Way is a dense, blazing arch. A full moon often lights the planet freshly, and patterns of human culture, artificially lit, are striking in ways not visible in daylight. One evening I saw the distinctive glows of cities around Delhi diffused like spiral galaxies in a continuous deck of stratus clouds far below us. In Algeria and on the Asian steppes, wind-whipped pennants of gas flared. The jungle burned in incandescent spots in Malaysia and Brazil. One clear evening at 20,000 feet over Manhattan, I could see, it seemed, every streetlight halfway to the end of Long Island. A summer lightning bolt unexpectedly revealed thousands of bright dots on the ink-black veld of the northern Transvaal: sheep.
Barry Lopez (About This Life: Journeys on the Threshold of Memory)
Every inch of space was used. As the road narrowed, signs receded upwards and changed to the vertical. Businesses simply soared from ground level and hung out vaster, more fascinatingly illuminated shingles than competitors. We were still in a traffic tangle, but now the road curved. Shops crowded the pavements and became homelier. Vegetables, spices, grocery produce in boxes or hanging from shop lintels, meats adangle - as always, my ultimate ghastliness - and here and there among the crowds the alarming spectacle of an armed Sikh, shotgun aslant, casually sitting at a bank entrance. And markets everywhere. To the right, cramped streets sloped down to the harbor. To the left, as we meandered along the tramlines through sudden dense markets of hawkers' barrows, the streets turned abruptly into flights of steps careering upwards into a bluish mist of domestic smoke, clouds of washing on poles, and climbing. Hong Kong had the knack of building where others wouldn't dare.
Jonathan Gash (Jade Woman (Lovejoy, #12))
It is interesting how one word can spark memories that one believes she has buried beyond recognition. War reminded me of the sharp and bittersweet smell of burning homes, temples, and palaces. It made my eyes cloud over with a haze of dense smoke, kicked up dirt as people went running and careening around corners, and the flashing colors of different garments as citizens ran in all directions, their lives suddenly meaningless. The word war made me twelve years old again and frightened beyond sanity.
Mandy Nachampassack-Maloney (Asha in Time)
Ashes were already falling, not as yet very thickly. I looked round: a dense black cloud was coming up behind us, spreading over the earth like a flood. 'Let us leave the road while we can still see,'I said,'or we shall be knocked down and trampled underfoot in the dark by the crowd behind.' We had scarcely sat down to rest when darkness fell, not the dark of a moonless or cloudy night, but as if the lamp had been put out in a closed room. You could hear the shrieks of women, the wailing of infants, and the shouting of men; some were calling their parents, others their children or their wives, trying to recognize them by their voices. People bewailed their own fate or that of their relatives, and there were some who prayed for death in their terror of dying. Many besought the aid of the gods, but still more imagined there were no gods left, and that the universe was plunged into eternal darkness for evermore. ~Pliny the Younger Trust me…history will record the battle at the Puerto Rico Trench the same way. ~High Commander Mustafa
Pliny the Younger (The Letters of the Younger Pliny: Literally Translated (Classic Reprint))
The flat area immediately below was broken up into a formal pattern of beds containing oleander and more clipped clouds of box, a southern imitation of the grand parterres of aristocratic chateaux. A rose garden beyond was the first in a series of gardens created on descending levels, apparently linked by a magnificently overgrown wisteria. Dense lines of cypress hid any farther areas from view, including the memorial garden that was her special brief. As a whole, the garden was charming, luxuriant, but- from a professional point of view- dilapidated.
Deborah Lawrenson (The Sea Garden)
King of Qin, rides a tiger, touring eight poles Sword's light shining in empty sky from jade Xihe strikes the sun, as glass is sounded Robbed ashes fly to ends, past, present level Dragon head, flows out wine, inviting wine star Golden groove, pipa in the night: “cheng cheng” Dongting rain, upon the feet, comes blowing sheng Wine hearty, drinking moon, causes change of shape Silver clouds, dense and denser, jade temple bright Palace gates, holding affairs, announces one watch Flower house, jade phoenix, sounds seductive, fierce Sea silk fabric, red text, fragrance shallow, clear Yellow beauty, stumbles dance, thousand year vessel Celestial being, candle’s plant wax smoking lightly Goddess of Qing, drunk, tears of deepest waters
Li He
What is of interest is what our minds retain, what our lives have given to the air. The witches are gone, vanished; we were just an interval in their lives, and they in ours. But as Sukie’s blue-green ghost continues to haunt the sun-struck pavement, and Jane’s black shape to flit past the moon, so the rumors of the days when they were solid among us, gorgeous and doing evil, have flavored the name of the town in the mouths of others, and for those of us who live here have left something oblong and invisible and exciting we do not understand. We meet it turning the corner where Hemlock meets Oak; it is there when we walk the beach in offseason and the Atlantic in its blackness mirrors the dense packed gray of the clouds: a scandal, life like smoke twisted into legend.
John Updike (The Witches of Eastwick)
After the departure of her cousin and his companions she roamed more than usual; she carried her somber spirit from one familiar shrine to the other. Even when Pansy and the Countess were with her she felt the touch of a vanished world. The carriage, leaving the walls of Rome behind, rolled through narrow lanes where the wild honeysuckle had begun to tangle itself in the hedges, or waited for her in quiet places where the fields lay near, while she strolled further and further over the flower-freckled turf, or sat on a stone that had once had a use and gazed through the veil of her personal sadness at the splendid sadness of the scene — at the dense, warm light, the far gradations and soft confusions of colour, the motionless shepherds in lonely attitudes, the hills where the cloud-shadows had the lightness of a blush.
Henry James (The Portrait of a Lady)
There are many paradoxes in the world and one of them is this, that wherever the landscape is immense, the sky unlimited, clouds intimately dense, feelings unfathomable ⎯ that is to say where infinitude is manifest ⎯ its fit companion is one solitary person; a multitude there seems so petty, so distracting. An individual and the infinite are on equal terms, worthy to gaze on one another, each from his own throne. But where many men are, how small both humanity and infinitude become, how much they have to knock off each other, in order to fit in together! Each soul wants so much room to expand that in a crowd it needs must wait for gaps through which to thrust a little craning piece of a head from time to time. So the only result of our endeavour to assemble is that we become unable to fill our joined hands, our outstretched arms, with this endless, fathomless expanse.
Rabindranath Tagore (Glimpses of Bengal)
THE darkness of which the soul here speaks relates, as I have said,1 to the desires and powers of sense, interior and spiritual, all of which are deprived of their natural light in this night, that, being purified as to this, they may be supernaturally enlightened. The desires of sense and spirit are lulled to sleep and mortified, unable to relish anything either human or divine; the affections of the soul are thwarted and brought low, become helpless, and have nothing to rest upon; the imagination is fettered, and unable to make any profitable reflections, the memory is gone, and the will, too, is dry and afflicted, and all the faculties are empty and useless,2 and, moreover, a dense and heavy cloud overshadows the soul, distresses it and holds it as if it were far away from God. This is the darkness in which the soul says that it travels in safety. 2. The reason of this
Juan de la Cruz (Dark Night of the Soul)
Given their relationship with the locals and their general enthusiasm level, Doherty and Byrne had been assigned to go through a bazillion hours of closed-circuit TV footage, looking for regular unexplained visitors to Glenskehy, but the cameras hadn’t been positioned with this in mind and the best they could come up with was that they were fairly sure no one had driven into or out of Glenskehy by a direct route between ten and two on the night of the murder. This made Sam start talking about the housemates again, which made Frank point out the multiple ways someone could have got to Glenskehy without being picked up on CCTV, which made Byrne get snippy about suits who swanned down from Dublin and wasted everyone’s time with pointless busywork. I got the sense that the incident room was blanketed by a dense, electric cloud of dead ends and turf wars and that nasty sinking feeling.
Tana French (The Likeness (Dublin Murder Squad #2))
Philosophy is the theory of multiplicities, each of which is composed of actual and virtual elements. Purely actual objects do not exist. Every actual surrounds itself with a cloud of virtual images. This cloud is composed of a series of more or less extensive coexisting circuits, along which the virtual images are distributed, and around which they run. These virtuals vary in kind as well as in their degree of proximity from the actual particles by which they are both emitted and absorbed. They are called virtual in so far as their emission and absorption, creation and destruction, occur in a period of time shorter than the shortest continuous period imaginable; it is this very brevity that keeps them subject to a principle of uncertainty or indetermination. The virtuals, encircling the actual, perpetually renew themselves by emitting yet others, with which they are in turn surrounded and which go on in turn to react upon the actual: ‘in the heart of the cloud of the virtual there is a virtual of a yet higher order ... every virtual particle surrounds itself with a virtual cosmos and each in its turn does likewise indefinitely.’ It is the dramatic identity of their dynamics that makes a perception resemble a particle: an actual perception surrounds itself with a cloud of virtual images, distributed on increasingly remote, increasingly large, moving circuits, which both make and unmake each other. These are memories of different sorts, but they are still called virtual images in that their speed or brevity subjects them too to a principle of the unconsciousness. It is by virtue of their mutual inextricability that virtual images are able to react upon actual objects. From this perspective, the virtual images delimit a continuum, whether one takes all of the circles together or each individually, a spatium determined in each case by the maximum of time imaginable. The varyingly dense layers of the actual object correspond to these, more or less extensive, circles of virtual images. These layers, whilst themselves virtual, and upon which the actual object becomes itself virtual, constitute the total impetus of the object. The plane of immanence, upon which the dissolution of the actual object itself occurs, is itself constituted when both object and image are virtual. But the process of actualization undergone by the actual is one which has as great an effect on the image as it does on the object. The continuum of virtual images is fragmented and the spatium cut up according to whether the temporal decompositions are regular or irregular. The total impetus of the virtual object splits into forces corresponding to the partial continuum, and the speeds traversing the cut-up spatium. The virtual is never independent of the singularities which cut it up and divide it out on the plane of immanence. As Leibniz has shown, force is as much a virtual in the process of being actualized as the space through which it travels. The plane is therefore divided into a multiplicity of planes according to the cuts in the continuum, and to the divisions of force which mark the actualization of the virtual. But all the planes merge into one following the path which leads to the actual. The plane of immanence includes both the virtual and its actualization simultaneously, without there being any assignable limit between the two. The actual is the complement or the product, the object of actualization, which has nothing but virtual as its subject. Actualization belongs to the virtual. The actualization of the virtual is singularity whereas the actual itself is individuality constituted. The actual falls from the plane like a fruit, whist the actualization relates it back to the plane as if to that which turns the object back into a subject.
Gilles Deleuze (Dialogues II)
As he approached the swire at the head of the dell – that little delightful verge from which in one moment the eastern limits and shores of the Lothian arise on the view, - as he approached it, I say, and a little space from the height, he beheld, to his astonishment, a bright halo in the cloud of haze, that rose in a semi-circle over his head like a pale rainbow. He was struck motionless at the view of the lovely vision; for it so chanced that he had never seen the same appearance before, though common at early morn. But he soon perceived the cause of the phenomenon, and that it proceeded from the rays of the sun from a pure unclouded morning sky striking upon this dense vapour which refracted them. But the better all the works of nature are understood, the more they will be ever admired. That was a scene that would have entranced the man of science with delight, but which the uninitiated and sordid man would have regarded less than the mole rearing up his hill in silence and in darkness.
James Hogg (The Private Memoirs and Confessions of a Justified Sinner)
He broke off because of an ugly little sucking sound that ended in a tiny plop. In the hazy glow from the nobles’ quarter they saw a horridly supernatural sight: the Mouser’s bloody dagger poised above Gis’s punctured eye socket, supported only by a coiling white tentacle of the fog which had masked their attackers and which had now grown still more dense, as if it had sucked supreme nutriment—as indeed it had—from its dead servitors in their dying. Eldritch dreads woke in the Mouser and Fafhrd: dreads of the lightning that slays from the storm-cloud, of the giant sea-serpent that strikes from the sea, of the shadows that coalesce in the forest to suffocate the mighty man lost, of the black smoke-snake that comes questing from the wizard’s fire to strangle. All around them was a faint clattering of steel against cobble: other fog-tentacles were lifting the four dropped swords and Gis’s knife, while yet others were groping at that dead cutthroat’s belt for his undrawn weapons. It was as if some great ghost squid from the depths of the Inner Sea were arming itself for combat.
Fritz Leiber (Swords in the Mist (Fafhrd and the Gray Mouser, #3))
She kissed his lips and felt his smile form. Alone in this beautiful space, Blake and Livia made things right. Blake kissed her slowly and patiently, like he had all the time in the world. Carefully, they eased back to lie down, and Blake braced himself above her. He smelled of mint and fresh soap. Livia put her hands on his chest and felt the densely packed muscles there. Empowered by his adoration, she shrugged off her fleece shirt, enjoying the feeling of being trapped between his arms. Blake’s eyes became stormy seas. “Damn it all to hell,” he cursed. Despite his words, Livia believed she was winning this battle of seduction. Blake kissed her mouth and sucked on her bottom lip. He moved to her earlobe and breathed, “First, I will blow, then I will lick, last I will bite.” Holy crap. Blake blew a gentle stream of minty breath along the outside of Livia’s ear, down to her neck, and along the edge of her breasts where they peeked out of her bright blue bra. Blake took his time creating an elaborate pattern on her stomach, and Livia was pretty sure he’d spelled the word torture. He increased the pressure of his breath as he grazed below her belly button to the top of her jeans. He skipped back to her mouth and gave her another long, slow kiss. “And now I lick,” he murmured. Livia bit back the embarrassingly loud moan she felt building. He gently traced the same trail his breath had left, this time with his tongue. When he reached her breast, she lost control and grabbed his hair, intent on kissing him. “No. No.” Blake held her wrists above her head. “I’ve done this to you so many times in my mind. I won’t have you rush me.” Livia groaned and arched her back in an effort to change his mind. But his slow, sexy smile told her he was doing it his way. “Fine.” Livia dutifully kept her hands above her head as he picked up where he’d left off. His tongue had her making noises that surely scared the wildlife. He spent an inordinate amount of time licking just above her belt buckle. Then again he was back to her mouth. He spoke through his kiss. “I’m going to bite you now.” Blake began down the same flaming path on Livia’s body with his teeth, nibbling in time with her heartbeat. When it speeded up, he bit slightly harder. After what seemed to be sixteen million glorious years, Blake was at the top of her jeans again. A light, almost invisible, mist from the gray clouds now gave the clearing a slick sheen. The cool rain and his hot mouth were ecstasy. Blake unbuckled her belt and used his tongue and teeth to unbutton her jeans. He chuckled as he flipped her zipper with his teeth. Each pop of the releasing zipper filled the woods as he blew again on the newly revealed skin. Livia knew what to expect this time: blow, lick, bite. Oh, sweet God! This is heaven. At last, Livia could no longer obey and reached her hands down to his angelic face. Blake glanced up as if to rebuke her, but quickly smiled and let her sit up to meet his lips. Love. Crazy, soon, ever. Love, Livia’s mind raged. She tried to tell him with kisses, but it wasn’t enough. Blake knelt before her, and Livia straddled his thighs. She pulled back to try putting it into words and noticed how Blake glistened, covered in tiny raindrops. The clear, cool pond she’d described to Cole had just exploded over them. But instead of drowning, they wore it like a cloak.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Again she heard that crackling hiss, and her nose filled with the smell of burning sugar. It was stronger this time, a sweet, dense cloud of perfume. Suddenly, she was back at the Menagerie, a thick hand grasping her wrist, demanding. Inej had gotten good at anticipating when a memory might seize her, bracing for it, but this time she wasn’t prepared. It came at her, more insistent than the wind on the wire, sending her mind sprawling. Though he smelled of vanilla, beneath it, she could smell garlic. She felt the slither of silk all around her as if the bed itself were a living thing. Inej didn’t remember all of them. As the nights at the Menagerie had strung together, she had become better at numbing herself, vanishing so completely that she almost didn’t care what was done to the body she left behind. She learned that the men who came to the house never looked too closely, never asked too many questions. They wanted an illusion, and they were willing to ignore anything to preserve that illusion. Tears, of course, were forbidden. She had cried the first night. Tante Heleen had used the switch on her, then the cane, then choked her until she’d passed out. The next time, Inej’s fear was greater than her sorrow. She learned to smile, to whisper, to arch her back and make the sounds Tante Heleen’s customers required. She still wept, but the tears were never shed. They filled the empty place inside her, a well of sadness where, each night, she sank like a stone. The Menagerie was one of the most expensive pleasure houses in the Barrel, but its customers were no kinder than those who frequented the dollar houses and alley girls. In some ways, Inej came to understand, they were worse. When a man spends that much coin, said the Kaelish girl, Caera, he thinks he’s earned the right to do whatever he wants. There were young men, old men, handsome men, ugly men. There was the man who cried and struck her when he could not perform. The man who wanted her to pretend it was their wedding night and tell him that she loved him. The man with sharp teeth like a kitten who had bitten at her breasts until she’d bled. Tante Heleen added the price of the blood-speckled sheets and the days of work Inej missed to her indenture. But he hadn’t been the worst.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
It appears that during the early years of the solar system Venus was only slightly warmer than Earth and probably had oceans. But those few degrees of extra warmth meant that Venus could not hold on to its surface water, with disastrous consequences for its climate. As its water evaporated, the hydrogen atoms escaped into space, and the oxygen atoms combined with carbon to form a dense atmosphere of the greenhouse gas CO2. Venus became stifling. Although people of my age will recall a time when astronomers hoped that Venus might harbor life beneath its padded clouds, possibly even a kind of tropical verdure, we now know that it is much too fierce an environment for any kind of life that we can reasonably conceive of. Its surface temperature is a roasting 470 degrees centigrade (roughly 900 degrees Fahrenheit), which is hot enough to melt lead, and the atmospheric pressure at the surface is ninety times that of Earth, or more than any human body could withstand. We lack the technology to make suits or even spaceships that would allow us to visit. Our knowledge of Venus’s surface is based on distant radar imagery and some startled squawks from an unmanned Soviet probe that was dropped hopefully into the clouds in 1972 and functioned for barely an hour before permanently shutting down.
Bill Bryson (A Short History of Nearly Everything)
129 Love Letter Not easy to state the change you made. If I’m alive now, then I was dead, Though, like a stone, unbothered by it, Staying put according to habit. You didn’t just toe me an inch, no— Nor leave me to set my small bald eye Skyward again, without hope, of course, Of apprehending blueness, or stars. That wasn’t it. I slept, say: a snake Masked among black rocks as a black rock In the white hiatus of winter— Like my neighbors, taking no pleasure In the million perfectly-chiseled Cheeks alighting each moment to melt My cheek of basalt. They turned to tears, Angels weeping over dull natures, But didn’t convince me. Those tears froze. Each dead head had a visor of ice. And I slept on like a bent finger. The first thing I saw was sheer air And the locked drops rising in a dew Limpid as spirits. Many stones lay Dense and expressionless round about. I didn’t know what to make of it. I shone, mica-scaled, and unfolded To pour myself out like a fluid Among bird feet and the stems of plants. I wasn’t fooled. I knew you at once. Tree and stone glittered, without shadows. My finger-length grew lucent as glass. I started to bud like a March twig: An arm and a leg, an arm, a leg. From stone to cloud, so I ascended. Now I resemble a sort of god Floating through the air in my soul-shift Pure as a pane of ice. It’s a gift. 16 October 1960
Sylvia Plath (The Collected Poems)
Neutrons and protons occupy the atom's nucleus. The nucleus of an atom is tiny- only one millionth of a billionth of the full volume of an atom- but fantastically dense, since it contains virtually all the atom's mass. As Cropper has put it, if an atom were expanded to the size of a cathedral, the nucleus would only be about the size of a fly- but a fly many thousands of times heavier than the cathedral... The picture that nearly everybody has in mind of an atom is of an electron or two flying around a nucleus, like planets orbiting a sun. This image... is completely wrong... In fact, as physicists were soon to realize, electrons are not like orbiting planets at all, but more like the blades of a spinning fan, managing to fill every bit of space in their orbits simultaneously (but with the crucial difference that the blades of a fan only seem to be everywhere at once; electrons are)... So the atom turned out to be quite unlike the image that most people had created. The electron doesn't fly around its sun, but instead takes on the more amorphous aspect of a cloud. The "shell" of an atom isn't some hard shiny casing, as illustrations sometimes encourage us to suppose, but simply the outermost of these fuzzy electron clouds. The cloud itself is essentially just a zone of statistical probability marking the area beyond which the electron only very seldom strays. Thus an atom, if you could see it, would look more like a very fuzzy tennis ball than a hard-edged metallic sphere (but not much like either, or, indeed, like anything you've ever seen; we are, after all, dealing here with a world very different from the one we see around us. p145
Bill Bryson (A Short History of Nearly Everything by Bryson, Bill Published by Broadway Books 1st (first) edition (2004) Paperback)
Gian Pero Frau, one of the most important characters in the supporting cast surrounding S'Apposentu, runs an experimental farm down the road from the restaurant. His vegetable garden looks like nature's version of a teenager's bedroom, a rebellious mess of branches and leaves and twisted barnyard wire. A low, droning buzz fills the air. "Sorry about the bugs," he says, a cartoonish cloud orbiting his head. But beneath the chaos a bloom of biodynamic order sprouts from the earth. He uses nothing but dirt and water and careful observation to sustain life here. Every leaf and branch has its place in this garden; nothing is random. Pockets of lettuce, cabbage, fennel, and flowers grow in dense clusters together; on the other end, summer squash, carrots, and eggplant do their leafy dance. "This garden is built on synergy. You plant four or five plants in a close space, and they support each other. It might take thirty or forty days instead of twenty to get it right, but the flavor is deeper." (There's a metaphor in here somewhere, about his new life Roberto is forging in the Sardinian countryside.) "He's my hero," says Roberto about Gian Piero. "He listens, quietly processes what I'm asking for, then brings it to life. Which doesn't happen in places like Siddi." Together, they're creating a new expression of Sardinian terreno, crossing genetic material, drying vegetables and legumes under a variety of conditions, and experimenting with harvesting times that give Roberto a whole new tool kit back in the kitchen. We stand in the center of the garden, crunching on celery and lettuce leaves, biting into zucchini and popping peas from their shells- an improvised salad, a biodynamic breakfast that tastes of some future slowly forming in the tangle of roots and leaves around us.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
As Mrs. Armiger drew near, the fountain clerk put my sundae in front of me. “Here you are,” he said. “I made this one especially for you, Andrew. Plenty of chocolate sauce and whipped cream--just the way you like it.” Glad Andrew and I had at least one thing in common, I scooped up a big spoonful of ice cream. My mouth was watering for chocolate, but before I had a chance to taste it, Mrs. Armiger pounced on me. “How wonderful to see you up and about, dear boy. I was just plain worried to death when I heard you’d come down with diphtheria.” Her perfume hung around me in a cloud so dense I could hardly breathe. “Yes, ma’am,” I stammered, trying hard not to cough. “Thank you, ma’am.” Laying a plump hand on my shoulder, Mrs. Armiger smiled. “Why, Andrew, I believe a touch of the dark angel’s wings has improved your manners.” Theo gave me one of the sharp little kicks he specialized in. Blowing through his straw, he made loud bubbling sounds in his drink. He expected me to do something outrageous too. They all did--the whole family was watching, waiting for me to mortify them. I could almost hear Mama holding her breath. I knew Andrew would never have sat as still as a stone, ears burning with embarrassment, but, unlike him, I couldn’t think what to do or say. “That’s a very rude noise, Theodore,” Mrs. Armiger said. Mama snatched Theo’s glass. “If you want to finish your phosphate, apologize to Mrs. Armiger.” Without looking at anyone, Theo mumbled, “I’m sorry.” Mama wasn’t satisfied. “Sorry for what, Theodore Aloysius?” Theo kept his head down. Trying not to giggle, he said, “I’m sorry for making a rude noise, Mrs. Armiger.” Mama gave him his phosphate. “That’s better.” Theo kicked me again, harder this time. From the way he was scowling, I guessed he was mad that he’d gotten into trouble and I hadn’t.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
It was true what Doc had said, that Christmas succeeds Christmas rather than the days it follows. That had become apparent to Smoky in the last few days. Not because of the repeated ritual, the tree sledded home, the antique ornaments lovingly brought out, the Druid greenery hung on the lintels. It was only since last Christmas that all that had become imbued for him with dense emotion, an emotion having nothing to do with Yuletide, a day which for him as a child had nothing like the fascination of Hallowe'en, when he went masked and recognizable (pirate, clown) in the burnt and smoky night. Yet he saw that it was an emotion that would cover him now, as with snow, each time the season came. She was the cause, not he to whom he wrote. "Any," he began again, "my desires this year are a little clouded. I would like one of those instruments you use to sharpen the blades of an old-fashioned lawn mower. I would like the missing volume of Gibbon (Vol. II) which somebody's apparently taken out to use as a doorstop or something and lost." He thought of listing publisher and date, but a feeling of futility and silence came over him, drifting deep. "Santa," he wrote, "I would like to be one person only, not a whole crowd of them, half of them always trying to turn their backs and run whenever somebody" - Sophie, he meant, Alice, Cloud, Doc, Mother; Alice most of all - "looks at me. I want to be brave and honest and shoulder my burdens. I don't want to leave myself out while a bunch of slyboots figments do my living for me." He stopped, seeing he was growing unintelligible. He hesitated over the complimentary close; he thought of using "Yours as ever," but thought that might sound ironic or sneering, and at last wrote only "Yours &c.," as his father always had, which then seemed ambiguous and cool; what the hell anyway; and he signed it: Evan. S. Barnable.
John Crowley (Little, Big)
I tell you, I know what it is.” “What is it? What is it? Is it hard or soft? Harry. Is it blue? Is it red? Does it have polka dots?” It hits Rabbit depressingly that he really wants to be told. Underneath all this I-know-more-about-it-than-you heresies-of-the-early-Church business he really wants to be told about it, wants to be told that it is there, that he’s not lying to all those people every Sunday. As if it’s not enough to be trying to get some sense out of this crazy game you have to carry around this madman trying to swallow your soul. The hot strap of the bag gnaws at his shoulder. “The truth is,” Eccles tells him with womanish excitement, in a voice embarrassed but determined, “you’re monstrously selfish. You’re a coward. You don’t care about right or wrong; you worship nothing except your own worst instincts.” They reach the tee, a platform of turf beside a hunchbacked fruit tree offering fists of taut ivory-colored buds. “Let me go first,” Rabbit says. “ ’Til you calm down.” His heart is hushed, held in mid-beat, by anger. He doesn’t care about anything except getting out of this tangle. He wants it to rain. In avoiding looking at Eccles he looks at the ball, which sits high on the tee and already seems free of the ground. Very simply he brings the clubhead around his shoulder into it. The sound has a hollowness, a singleness he hasn’t heard before. His arms force his head up and his ball is hung way out, lunarly pale against the beautiful black blue of storm clouds, his grandfather’s color stretched dense across the north. It recedes along a line straight as a ruler-edge. Stricken; sphere, star, speck. It hesitates, and Rabbit thinks it will die, but he’s fooled, for the ball makes its hesitation the ground of a final leap: with a kind of visible sob takes a last bite of space before vanishing in falling. “That’s it!” he cries and, turning to Eccles with a grin of aggrandizement, repeats, “That’s it.
John Updike (Rabbit, Run (Rabbit Angstrom, #1))
FALL, SIERRA NEVADA This morning the hermit thrush was absent at breakfast, His place was taken by a family of chickadees; At noon a flock of humming birds passed south, Whirling in the wind up over the saddle between Ritter and Banner, following the migration lane Of the Sierra crest southward to Guatemala. All day cloud shadows have moved over the face of the mountain, The shadow of a golden eagle weaving between them Over the face of the glacier. At sunset the half-moon rides on the bent back of the Scorpion, The Great Bear kneels on the mountain. Ten degrees below the moon Venus sets in the haze arising from the Great Valley. Jupiter, in opposition to the sun, rises in the alpenglow Between the burnt peaks. The ventriloquial belling Of an owl mingles with the bells of the waterfall. Now there is distant thunder on the east wind. The east face of the mountain above me Is lit with far off lightnings and the sky Above the pass blazes momentarily like an aurora. It is storming in the White Mountains, On the arid fourteen-thousand-foot peaks; Rain is falling on the narrow gray ranges And dark sedge meadows and white salt flats of Nevada. Just before moonset a small dense cumulus cloud, Gleaming like a grape cluster of metal, Moves over the Sierra crest and grows down the westward slope. Frost, the color and quality of the cloud, Lies over all the marsh below my campsite. The wiry clumps of dwarfed whitebark pines Are smoky and indistinct in the moonlight, Only their shadows are really visible. The lake is immobile and holds the stars And the peaks deep in itself without a quiver. In the shallows the geometrical tendrils of ice Spread their wonderful mathematics in silence. All night the eyes of deer shine for an instant As they cross the radius of my firelight. In the morning the trail will look like a sheep driveway, All the tracks will point down to the lower canyon. “Thus,” says Tyndall, “the concerns of this little place Are changed and fashioned by the obliquity of the earth’s axis, The chain of dependence which runs through creation, And links the roll of a planet alike with the interests Of marmots and of men.
Kenneth Rexroth (Collected Shorter Poems)
The two men, unable to see each other, kept silent till the lighter, slipping before the fitful breeze, passed out between almost invisible headlands into the still deeper darkness of the gulf. For a time the lantern on the jetty shone after them. The wind failed, then fanned up again, but so faintly that the big, half-decked boat slipped along with no more noise than if she had been suspended in the air. ‘We are out in the gulf now,’ said the calm voice of Nostromo. A moment after he added, ‘Señor Mitchell has lowered the light.’ ‘Yes,’ said Decoud; ‘nobody can find us now.’ A great recrudescence of obscurity embraced the boat. The sea in the gulf was as black as the clouds above. Nostromo, after striking a couple of matches to get a glimpse of the boat-compass he had with him in the lighter, steered by the feel of the wind on his cheek. It was a new experience for Decoud, this mysteriousness of the great waters spread out strangely smooth, as if their restlessness had been crushed by the weight of that dense night. The Placido was sleeping profoundly under its black ponho. The main thing now for success was to get away from the coast and gain the middle of the gulf before day broke. The Isabels were somewhere at hand. ‘On your left as you look forward, señor,’ said Nostromo suddenly. When his voice ceased, the enormous stillness, without light or sound, seemed to affect Decoud’s senses like a powerful drug. He didn’t even know at times whether he were asleep or awake. Like a man lost in slumber, he heard nothing, he saw nothing. Even his hand held before his face did not exist for his eyes. The change from the agitation, the passions and the dangers, from the sights and sounds of the shore, was so complete that it would have resembled death had it not been for the survival of his thoughts. In this foretaste of eternal peace they floated vivid and light, like unearthly clear dreams of earthly things that may haunt the souls freed by death from the misty atmosphere of regrets and hopes. Decoud shook himself, shuddered a bit, though the air that drifted past him was warm. He had the strangest sensation of his soul having just returned into his body from the circumambient darkness in which land, sea, sky, the mountains, and the rocks were as if they had not been.
Joseph Conrad (Nostromo)
Then he took him by the hand, and led him into a very large parlor full of dust, as if it had never been swept. The Interpreter called to a man and told him to sweep. The man grabbed a broom and swept and in so doing stirred a thick cloud of dust into the air. The dust grew so dense it almost choked Christian. The Interpreter then spoke to a woman who stood nearby. “Bring some water here and sprinkle the room.” The woman did as she was told and the entire room was easily swept and cleaned. Christian asked, “What does this mean?” The Interpreter answered, “This parlor is the heart of a man who was never sanctified by the sweet grace of the gospel. The dust is his sin and inward corruption which has defiled the whole man. The one who began to sweep at first is the law, but she who brought water and sprinkled it is the gospel. Interpreter shows Christian the room full of dust “Now while you saw the room fill with the great cloud of dust when first swept, the dust flew about in such a way that the room could not be cleansed and its dust almost choked you. This is to show you that the law, instead of cleansing the heart from sin, does in fact arouse it. (So that without the law I lived for some time; but when the commandment came, sin revived, and I died. – Rom. 7:9) It also gives it greater strength (The sting of death is sin, and the power of sin is the law. – 1 Cor. 15:56), and causes sin to flourish in the soul (Moreover the law entered that the offence might abound. But where sin abounded, grace did much more abound. – Rom. 5:20), for even as the law uncovers sin and forbids it, it does not provide the power to subdue it. “In the same way, the woman you saw sprinkle the room with water which made it easy to clean – this is to show you that when the gospel comes with its sweet and precious influences and indwells the heart, just like the dust settled by sprinkling the floor with water, sin is also vanquished and subdued and the soul made clean, through faith. Consequently, the soul becomes a suitable place for the King of Glory to inhabit.” (Now to him that is able to confirm you according to my gospel and the preaching of Jesus Christ, according to the revelation of the mystery which was concealed from times eternal but now is made manifest, and by the writings of the prophets, by the commandment of God eternal, declared unto all the Gentiles, that they might hear and obey by faith. – Rom. 16:25, 26)
John Bunyan (Pilgrim's Progress)
The masses of dense foliage all round became prison walls, impassable circular green ice-walls, surging towards her; just before they closed in, I caught the terrified glint of her eyes. On a winter day she was in the studio, posing for him in the nude, her arms raised in a graceful position. To hold it for any length of time must have been a strain, I wondered how she managed to keep so still; until I saw the cords attached to her wrists and ankles. Instead of the darkness, she faced a stupendous sky-conflagration, an incredible glacial dream-scene. Cold coruscations of rainbow fire pulsed overhead, shot through by shafts of pure incandescence thrown out by mountains of solid ice towering all round. Closer, the trees round the house, sheathed in ice, dripped and sparkled with weird prismatic jewels, reflecting the vivid changing cascades above. Instead of the familiar night sky, the aurora borealis formed a blazing, vibrating roof of intense cold and colour, beneath which the earth was trapped with all its inhabitants, walled in by those impassable glittering ice-cliffs. The world had become an arctic prison from which no escape was possible, all its creatures trapped as securely as were the trees, already lifeless inside their deadly resplendent armour. Frozen by the deathly cold emanating from the ice, dazzled by the blaze of crystalline ice-light, she felt herself becoming part of the polar vision, her structure becoming one with the structure of ice and snow. As her fate, she accepted the world of ice, shining, shimmering, dead; she resigned herself to the triumph of glaciers and the death of her world. Fear was the climate she lived in; if she had ever known kindness it would have been different. The trees seemed to obstruct her with deliberate malice. All her life she had thought of herself as a foredoomed victim, and now the forest had become the malign force that would destroy her. In desperation she tried to run, but a hidden root tripped her, she almost fell. Branches caught in her hair, tugged her back, lashed out viciously when they were disentangled. The silver hairs torn from her head glittered among black needles; they were the clues her pursuers would follow, leading them to their victim. She escaped from the forest at length only to see the fjord waiting for her. An evil effluence rose from the water, something primitive, savage, demanding victims, hungry for a human victim. It had been night overhead all along, but below it was still daylight. There were no clouds. I saw islands scattered over the sea, a normal aerial view. Then something extraordinary, out of this world: a wall of rainbow ice jutting up from the sea, cutting right across, pushing a ridge of water ahead of it as it moved, as if the flat pale surface of sea was a carpet being rolled up. It was a sinister, fascinating sight, which did not seem intended for human eyes. I stared down at it, seeing other things at the same time. The ice world spreading over our world. Mountainous walls of ice surrounding the girl. Her moonwhite skin, her hair sparkling with diamond prisms under the moon. The moon’s dead eye watching the death of our world.
Anna Kavan (Ice)
the formerly majestic towers and skyscrapers collapsing in on themselves in confetti-bursts of jewel and glass. It could have been beautiful, except for the dense, black mushroom cloud of smoke that hovered ominously over the skyline. I was a long-ass way from Kansas.
Danielle Paige (The Wicked Will Rise (Dorothy Must Die, #2))
Distorted, clawed hands hung the bag of precious herbs around the thick, muscular neck of the wolf, and then the animal took off in a dead run, racing the climbing sun as it burned away the thick cloud covering. Fur began to smoke, and blisters rose beneath the thick pelt. Thunder cracked unexpectedly. Thick black clouds, heavy with rain, blew across the sky, providing Mikhail with dense cover from the sun. The storm rolled in over the forest fast, with wild winds kicking up leaves and swaying branches. A bolt of lightning sizzled across the sky in a fiery whip of dancing light. The sky darkened to an ominous cauldron of boiling clouds. Mikhail bounded into the cave and raced along the narrow maze of passages toward the main chamber, shape-shifting as he ran. Gregori’s cool silver gaze slid over him as Mikhail relinquished the herbs. “It is a wonder you have been able to tie your shoes without me all of these centuries.” Mikhail sank down beside his brother, one hand over his burning eyes. “It is more of a wonder you have stayed alive with your ostentatious displays. Remind me to remove my impressionable brother from your disrespectful presence before your winning ways rub off on him.
Christine Feehan (Dark Prince (Dark, #1))
The mosquitoes were a formidable enemy, coming in thick clouds so dense as to be almost palpable, obscuring each man’s vision of those near him. The insects buzzed and whined around them, clinging to every part of their bodies, getting into ears and nose and mouth.
Michael Crichton (Pirate Latitudes)
STAR TROTTED THROUGH THE DENSE PINE FOREST, alone. He wanted to practice his flying where the herd couldn’t see him. The sharp screech of a hawk drew his eyes skyward in time to see a band of pegasi pierce the drifting clouds.
Jennifer Lynn Alvarez (Starfire (The Guardian Herd #1))
Most other places I know, water is a discrete entity. It is hemmed in by well-defined boundaries: lakeshores, stream banks, the great rocky coastline. You can stand at its edge and say “this is water” and “this is land.” But here in these misty forests those edges seem to blur, with rain so fine and constant as to be indistinguishable from air and cedars wrapped with clouds so dense that only their outlines emerge. After hours in the penetrating rain, I am suddenly damp and chilled and the path back to the cabin is a temptation. I could so easily retreat to tea and dry clothes, but I cannot pull myself away. However alluring the thought of warmth, there is no substitute for standing in the rain to waken every sense—senses that are muted within four walls, where my attention would be on me instead of all that is more than me. I could not bear the loneliness of being dry in a wet world. Here in the rainforest, I don’t want to just be a bystander to rain, passive and protected; I want to be part of the downpour, to be soaked, along with the dark humus that squishes underfoot.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants)
Even in darkness, if you close your eyes and try to walk, a serenade of light guides you. And it is not just blank philosophy, it's absolutely true and something that we actually know in the deepest corner of our heart, if only our minds let us look deep enough. And at this time when the world is seeped in a cloud of uncertainty, a shade of darkness that is so dense that an unknown fear clutch us and we fall deep inside that pit of fire, I hope we do not forget that often fire is the most potent element in this Earth to purify us, and even from the ashes one can rise provided we hold on to that Hope, that is the very wings of Faith. This time, this quarantine as they call it, or this Solitude as I call it is making us realize so much and each time I come across a post breathing with life be it music, art, introspective words, I know that this time is letting some of us sink deep in the realm of spiritual growth, even if the outer countenance of that is limited to a shape. The paintings, the songs, the dance and act performances, the cooking dishes, the motivating words, the happiness of spending time with family, the mirth and laughter, even in the frugalities showing the battles of survival, and actually in every littlest post, all I can see is how everyone is getting hold of their inner light and delving into something that gives them the fuel to this light. Sometimes a wreck of clouds bring in a burst of rainfall that perhaps had been long due and yet a silver lining often lurks around as a surprising gift of that grey canopy of clouds. The rain might jolt on the fields of harvest but brings in the promise of a better harvest, and soothes the earth with the harmony of tranquil serenity. The sky shines with a rainbow that we embrace in our hearts through that belief in our abilities and the joy of love, the complete invincible love for ourselves with each and every particle of our soul, and there we rise in compassion and shine in gratitude. I believe, I always believe that anything that we practice often, again and again and yet again, becomes a part of us and sometimes all of us. And perhaps the best practice that we can all indulge in at the moment is the practice of mindfulness, of knowing what truly we want not what we are programmed to want but what lies deep dormant in the innermost vicinity of our hearts where we as souls reside because once we know that, we would know how silence speaks in the sharpest tongue beckoning us again and again onto the path of love, where a serenade of light leads us even through the darkest of gloom.
Debatrayee Banerjee
Of American cities, Pittsburgh was the smokiest, partly because of its location, partly because of its heavy industry. The Victorian novelist Anthony Trollope, visiting Canada and the United States in 1861, judged Pittsburgh to be “the blackest place which I ever saw.” The site was “picturesque,” Trollope thought, “for the spurs of the mountains come down close round the town, and the rivers are broad and swift.” Pittsburgh’s setting at the foot of the Alleghenies, in a deep valley at the junction of two rivers, was one reason it collected smoke: “Even the filth and wondrous blackness of the place are picturesque when looked down upon from above. The tops of the churches are visible, and some of the larger buildings may be partially traced through the thick, brown, settled smoke. But the city itself is buried in a dense cloud.”11
Richard Rhodes (Energy: A Human History)
Even the stars had been obscured, their light stolen by Dyson masks: dense orbiting habitat clouds, even solid spheres, asteroids and planets dismantled and made into traps for every stray photon. It was a depressing sight: an engineered sky, a sky full of scaffolding and ruins.
Stephen Baxter (Manifold: Space (Manifold, #2))
Valerie started to practice the breathing and cloud imagery after each visit with her mother, on a bench outside the facility. She let herself feel the heaviness and thickness of guilt, and the tightness of anger. Then she imagined her breath as a wind that could blow through these dark clouds. She imagined the feelings becoming less dense, less suffocating.
Kelly McGonigal (The Willpower Instinct: How Self-Control Works, Why It Matters, and What You Can Do To Get More of It)
A constant, low hum filled the air. It was the buzz of flies, Heinrich. Thousands of them. Dense, whirling clouds of them, their bodies glistening black and green when they came to rest upon me. I still hear that loathsome insect drone. I will see the sheen of their eyes until the day I die. I’d fallen into a pit of corpses, and the flies had come to feed.” The old man cannot bring himself to share the details that followed. Eleanor Farrell is already looking at him in dismay. Yet he can’t help recalling Heldt’s description of the flies gathering around his eyes, of the flies clogging his nostrils and worming their way between his lips.
Ellen Datlow (Final Cuts: New Tales of Hollywood Horror and Other Spectacles)
It was mid-day when you went away. The sun was strong in the sky. I had done my work and sat alone on my balcony when you went away. Fitful gusts came winnowing through the smells of many distant fields. The doves cooed tireless in the shade, and a bee strayed in my room humming the news of many distant fields. The village slept in the noonday heat. The road lay deserted. In sudden fits the rustling of the leaves rose and died. I glazed at the sky and wove in the blue the letters of a name I had known, while the village slept in the noonday heat. I had forgotten to braid my hair. The languid breeze played with it upon my cheek. The river ran unruffled under the shady bank. The lazy white clouds did not move. I had forgotten to braid my hair. It was mid-day when you went away. The dust of the road was hot and the fields panting. The doves cooed among the dense leaves. I was alone in my balcony when you went away.
Rabindranath Tagore (The Gardener)
Dense clouds have swallowed the moon and stars—the
Paula McLain (Circling the Sun)
Protogenesis The Seven Secret Sayings of God Before athe beginning when God created the heaven and the earth, and the earth was without form, and void: and darkness was upon the face of the deep, God said bI AM THAT. And it is so. Also, being in eternity which is neither linear nor sequential, where all is nowever, God said, YOU MUST DRAW THE LINE SOMEWHERE. And it was drawn. But it was no dreary straight line or flat wall, for God then said, HAVE A BALL. And there was a ball, in the image whereof all stars and planets came to be formed. Thereupon God said, THERE ARE TWO SIDES TO EVERYTHING. And there are: the inside and the outside, the dense and the spacious, the right and the wrong, the left and the taken, for, as it is written, cOne shall be taken, and the other left. And God said, IT MUST BE IN TIME. And thereafter it was, is, and will be, for as it is written again, dAs it was in the beginning is now, and ever shall be, through all ages of ages. Amen. And forthwith God said, SPACE IT OUT. Whereupon it came to pass that, beside this and that and now and then, there is also here and there. And God beheld ehow firm a foundation this was and said unto himself, GET LOST. And there you are.
Alan W. Watts (Cloud-hidden, Whereabouts Unknown)
Nine balls of julienned vegetables sit above a dense chicken vinaigrette. The plate looks like a game of noughts and crosses (tic-tac-toe). The table is bathed in a cloud of chicken vapour with a few sprays of eau-de-cologne of roasted chicken. In this way the chicken is everywhere and nowhere all at once.
Massimo Bottura (Never Trust A Skinny Italian Chef)
as the buddha put forth in his teaching, craving itself gives birth to attachment. this dense form of clinging to what we crave not only causes much mental struggle, tension, and dissatisfaction, but it also clouds our ability to objectively observe what is happening within and around
Yung Pueblo (Clarity & Connection (The Inward Trilogy))
When you add the Alka-Seltzer, it reacts with the water to make tiny bubbles of carbon dioxide gas. These bubbles attach to the blobs of colored water (food colored water) and float to the top. When the bubbles pop at the top, the colored blobs drop to the bottom. When you apply heat to the mixture (flashlight), the heavier liquid (water) absorbs the heat and expands because it becomes less dense. Since the density of water and oil is similar the moment the water is heated, it becomes lighter than the oil and also causes the colored water blob to rise. It sometimes changes the shape of the bubbled-blobs from the Alka-Seltzer, making the shapes and colors prettier and different. When it cools, it drops back down. The Alka-Seltzer will ultimately finish, at which point you can put more Alka-Seltzer. You can also try a stronger light source for more heat to adjust the view. 16. Cloud in a Jar Question: How is a cloud formed? Hypothesis (Form Your Educated Guess Here): _________________________________________________________________________ _________________________________________________________________________ Materials: Jar Hot water Food coloring Matches Paper towel Plastic baggie with ice cubes Procedure:
JoJo Sabra (Science Projects for Kids. Making Science Fun in 10 Minutes or Less. (21 Science Experiments For Kids Ages 4 - 8 Book 1))
We used to sit on the sand, our shoulders grazing for the warmth that beat the chillness of the early morning. The skies would change colours constantly. From dark black to dense grey to dreamy pink to descending blue to a definite yellow to a destined mix of colours where the metamorphosis is more than that of a butterfly. There is no hurry. There are no stop clocks. Slow and steady, everything falls into place. Nature doesn’t rush at all, but still makes the most beautiful pieces of art in the blink of our eyes. That high when the first ray of sunlight hits our face through the creek of the cloud is inexplicable. A lot of things in life, especially love, are so.
Maverick Prem (When Souls Make Love)
On both sides of them lay a dense forest of towering evergreens. Ice was forming along the banks, which in places were strewn with rugged boulders or rose in steep, rocky upthrusts. As the afternoon wore on, the wind grew stronger and more bitter. Dark clouds closed in from the northwest. René muttered, “The snow, she come soon, I think.
Franklin W. Dixon (The Short-Wave Mystery (Hardy Boys, #24))
seamless layer of grey clouds lay as heavy and dense as a sheet of blotting paper over the city, soaking up its energy.
Joe Joyce (Echowave (Echoland, #3))
Baryonic matter continues to condense, though, to form the familiar disk shape of galaxies. Within these disks, many galaxies, including our own, form spiral arms which are moderately denser than their surroundings. And within these spiral arms, yet denser Giant Molecular Clouds form. Although denser than their surroundings, they are not very dense. A volume of a Giant Molecular Cloud the size of the Earth would have a mass of just 360 kilograms (kg), and if squashed down to a manageable size could be carried down the stairs by two strong movers. Still, Giant Molecular Clouds are dense enough that most of the hydrogen in them forms into hydrogen molecules (H2) consisting of two hydrogen atoms. That is why the clouds are called ‘molecular’. Within one such Giant Molecular Cloud, a smaller clump began to form, and the more matter there is in a given volume, the stronger its gravity, so the more matter is sucked in. This clump ultimately gave rise to our Solar System. The chemical composition of the Solar System suggests that the process got its initial nudge from the explosion of one or more nearby supernovae, which were themselves the product of massive, short-lived stars that formed in the same Giant Molecular Cloud as the Sun. In fact, hundreds to thousands of other stars, ranging from a few percent of the Sun’s mass to upwards of ten times the Sun’s mass formed in the same cloud.
Raymond T. Pierrehumbert (Planetary Systems: A Very Short Introduction (Very Short Introductions))
Ashmond hesitated a moment, and Rob sensed a stirring anxiety within him before he finally answered. When he did, he opened himself, revealing an aspect of his essence and some of his anxiety so Rob could understand what bothered him. He showed a series of images and the shifting landscape of the north. “You worry I’m going to be attacked and captured,” Rob said. “It’s happened before,” he said. “I know enough to avoid captivity,” Rob said. “We thought our prior Nelah did, as well. And yet…” Rob smiled and nodded. “The Netheral won’t capture me. I understand what he’s going to do and can stay aware of any attempt of him infesting my mind, corrupting me. If he attempts to do so, I can react and shear it off.” “You can’t do that for yourself,” Ashmond said. “I think I can,” Rob countered. With what he experienced, he thought he could shear off any attempt the Netheral made to roll through his mind, unless he encountered too dense of a cloud. In that case, he might need outside help. He didn’t think he could use the other dragon souls, as there was a real risk of corrupting them if he tried to connect to them. But there was another possibility, and it was one he hadn’t tested, as he didn’t know whether it was possible, but he thought that, given his connection
Dan Michaelson (Dragon Blood (Blood of the Ancients, #7))
God's ways are not my ways—but they are infinitely better. The cloud is not so dense but love-rays shine through. In time the revealing "winds shall clear" away the dark and dreadful mystery. Kind words of sympathy steal into the shadowed room of suffering.
Theodore Ledyard Cuyler (GOD'S LIGHT ON DARK CLOUDS)
Just then, the snow geese, a wide band of glittering white on the cerulean water, took off. The sky sprang to life with dazzling wings tinged with black. The birds hovered above us and drifted into a cloud formation, dense and massive like Kalidasa's cloud messenger-- who carried messages of love between two separated lovers-- showering us with cosmic blessings as we left our refuge.
Priyanka Kumar (Conversations with Birds)
Even more attractive, in terms of the ability to turn it off easily, is the idea of a fleet of oceangoing cloud machines. In 1990 atmospheric physicist John Latham came up with the idea of significantly brightening Earth’s albedo by simply adding more water droplets to the stratocumulus clouds that cover a third of the oceans.
Stewart Brand (Whole Earth Discipline: Why Dense Cities, Nuclear Power, Transgenic Crops, Restored Wildlands, and Geoengineering Are Necessary)
To dissipate 1.8 percent of the sunlight reaching Earth, which would be enough to offset a doubling of CO 2 in the atmosphere, Angel would float 16 trillion two-foot disks in a cloud eight thousand miles wide and sixty thousand miles long, aligned between the Sun and Earth.
Stewart Brand (Whole Earth Discipline: Why Dense Cities, Nuclear Power, Transgenic Crops, Restored Wildlands, and Geoengineering Are Necessary)
when desire combines with tension, it morphs into craving. attachment is when you start craving things to be a certain way. craving is an extreme form of desire that quickly attaches to different ways of feeling and the objects/situations/people that produce these feelings. attachment is also when you try to place restrictions on the unexpected and natural movements of reality. it is a heightened form of the desire for control. as the buddha put forth in his teaching, craving itself gives birth to attachment. this dense form of clinging to what we crave not only causes much mental struggle, tension, and dissatisfaction, but it also clouds our ability to objectively observe what is happening within and around
Yung Pueblo (Clarity & Connection (The Inward Trilogy))
The sun had just set behind the mountains, and a red cloud was blooming across the western sky. Pale saffron rays of light shone on the mountains while the great peaks on either side of the river cast their dense shadows on the valley.
Lu Yao (Life)
The name Erdosain gave to this mood of dreams and disquiet that led him to roam like a sleepwalker through the days was “the anguish zone”. He imagined this zone floating above cities, about two metres in the air, and pictured it graphically like an area of salt flats or deserts that are shown on maps by tiny dots, as dense as herring roe. This anguish zone was the product of mankind’s suffering. It slid from one place to the next like a cloud of poison gas, seeping through walls, passing straight through buildings, without ever losing its flat horizontal shape; a two-dimensional anguish that left an after-taste of tears in throats it sliced like a guillotine.
Roberto Arlt (The Seven Madmen (New York Review Books Classics))
After an hour of sodden stomping they saw ghostly figures beckoning them through the dense cloud. Highland snow gums, colour-swirled and hardy, and alpine yellow gums, splashed with shades of lemon and olive. Skeletal in the mist. When they reached them, they saw fluorescent pink tags hanging from the twisted artwork of their branches. Orange bike lights hammered into dolerite boulders, beneath flakes of minty lichen. (p.193)
Robbie Arnott (Limberlost)