Delicate Escape Quotes

The initial journey towards sobriety is a delicate balance between insight into one's desire for escape and abstinence from one's addiction.

Travis slammed into my back, wrapping his arms around my waist. “You scared the shit outta me!” I complained. He ran his hands over my skin. I noticed they felt different; slow and deliberate. I closed my eyes when he pulled me against him and buried his face in my hair, nuzzling my neck. Feeling his bare skin against mine, it took me a moment to protest. “Travis…,” He pulled my hair to one side and grazed his lips along my back from one shoulder to the other, unsnapping the clasp of my bra. He kissed the bare skin at the base of my neck and I closed my eyes, the warm softness of his mouth felt oo good to make him stop. A quiet moan escaped from his throat when he pressed his pelvis against mine, and I could feel how much he wanted me through his boxers. I held my breath, knowing the only thing keeping us from that big step I was so opposed to a few moments before was two thin pieces of fabric. Travis turned me to face him, and then pressed against me, leaning my back against the wall. Our eyes met, and I could see the ache in his expression as he scanned the bare pieces of my skin. I had seen him peruse women before, but this was different. He didn’t want to conquer me; he wanted me to say yes. He leaned in to kiss me, stopping just an inch away. I could feel the heat from his skin radiating against my lips, and I had to stop myself from drawing him in the rest of the way. His fingers were digging into my skin as he deliberated, and then his hands slid from my back to the hem of my panties. His index fingers slid down my hips, in between my skin and the lacey fabric, and in the same moment that he was about to slip the delicate threads down my legs, he hesitated. Just when I opened my mouth to say yes, he clenched his eyes shut. “Not like this,” he whispered, brushing his lips across mine. “I want you, but not like this.

I didn’t go to the moon, I went much further — for time is the longest distance between two places. Not long after that I was fired for writing a poem on the lid of a shoe-box. I left Saint Louis. I descended the steps of this fire escape for a last time and followed, from then on, in my father’s footsteps, attempting to find in motion what was lost in space. I traveled around a great deal. The cities swept about me like dead leaves, leaves that were brightly colored but torn away from the branches. I would have stopped, but I was pursued by something. It always came upon me unawares, taking me altogether by surprise. Perhaps it was a familiar bit of music. Perhaps it was only a piece of transparent glass. Perhaps I am walking along a street at night, in some strange city, before I have found companions. I pass the lighted window of a shop where perfume is sold. The window is filled with pieces of colored glass, tiny transparent bottles in delicate colors, like bits of a shattered rainbow. Then all at once my sister touches my shoulder. I turn around and look into her eyes. Oh, Laura, Laura, I tried to leave you behind me, but I am more faithful than I intended to be! I reach for a cigarette, I cross the street, I run into the movies or a bar, I buy a drink, I speak to the nearest stranger — anything that can blow your candles out! For nowadays the world is lit by lightning! Blow out your candles, Laura — and so goodbye. . .

The ears of our generation have been made so delicate by the senseless multitude of flatterers that, as soon as we perceive that anything of ours is not approved of, we cry out that we are being bitterly assailed; and when we can repel the truth by no other pretence, we escape by attributing bitterness, impatience, intemperance, to our adversaries.

Now take a man who is sensitive, cultured, and of delicate conscience. What he feels kills him more surely than the material punishment. The judgement which he himself pronounces on his crime is more pitiless than that of the most severe tribunal, the most Draconian law. He lives side by side with another convict, who has not once during all his time in prison reflected on the murder he is expiating. He may even consider himself innocent. Are there not also poor devils who commit crimes in order to be sent to hard labour, and thus escape from a freedom which is much more painful than confinement?

This is what true pleasure feels like. It’s not just the softness of a kiss. It’s not just the delicate touch of hands on breasts and tongues on skin. It’s the bite of pain, the threat of danger, the risk taken in dancing with the devil. I come hard against Zeth’s mouth. He leans into it, growling and sucking and licking as I scream out my release, hands locked on my hips, pulling me into his face.  “Fuck, Zeth! Stop! Please stop!” His back hitches as he laughs, still teasing me with his tongue. My legs scrabble against the bed, desperately trying to escape the intense post-orgasm rushes. He gets up after that, raising one eyebrow at me.

When we are uncaring, when we lack compassion, when we are unforgiving, we will always pay the price for it. It is not, however, we alone who suffer. Our whole community suffers, and ultimately our whole world suffers. We are made to exist in a delicate network of interdependence. We are sisters and brothers, whether we like it or not. To treat anyone as if they were less than human, less than a brother or a sister, no matter what they have done, is to contravene the very laws of our humanity. And those who shred the web of interconnectedness cannot escape the consequences of their actions. In

when an open sewage system had forced MPs out of the Houses of Parliament, with delicate handkerchiefs held up to their noses to escape the clash of the classes via their asses.

Strength doesn’t matter when we’re at our best; it matters when we’re at our worst.

Doesn’t take a lifetime to see a change in someone. Sometimes, it just takes one honest moment to reach them.

You, who only know love when in love, do not ask what it is, nor do you look for it. But when a woman once asked you if you were in love with love itself, you were evasive and escaped by answering: I love you. She persisted: Do you not love love? You said: I love you, because of you. She left you, because you could not be trusted with her absence. Love is not an idea. It is an emotion that can cool down or heat up. It comes and goes. It is an embodied feeling and has five, or more, senses. Sometimes it appears as an angel with delicate wings that can uproot us from the earth. Sometimes it charges at us like a bull, hurls us to the ground, and walks away. At other times it is a storm we only recognize in its devastating aftermath. Sometimes it falls upon us like the night dew when a magical hand milks a wandering cloud.

But we can’t let one bad experience sour the rest of our lives. We can’t let the bad win. Make us stop living. If we lock ourselves down, we don’t just keep out the bad. We keep out the good, too.

He firmly pulled her body against his and he brushed her lips with his. Staring into her eyes, he lightly slid his tongue across her bottom lip. She drew a deep, staggered breath in response to the wave of heat she felt flushing through her. Derrick smiled at her. Then, he softly kissed her. He lightly swept his tongue between her lips, pressing his warm, soft lips to hers. He slid his hands up her body and cradled her face with his hands. Then, he passionately kissed her, tickling her tongue with his. He sucked her lips, gently, as though he was sampling nectar on a delicate petal. Then, with an intense urgency, he dipped his tongue past her lips, caressing her tongue with his. She felt fluttering inside. Anne’s body craved him. A shallow hum escaped from within her in response to how he was making her feel. She could feel his body responding to her. He was breathing heavier which was waking Anne’s primal needs. The tidal wave of lust that had just churned within her was slowly calming as his kiss became more subtle and tender. He gently pressed his lips against hers. He pulled back a little and looked away, exhaling.

But I’m starting to see just how convincing evil can be. Sometimes, it comes in a pretty or unassuming package. And I don’t want to be the kind of person who searches for the bad in everyone who crosses my path. I don’t want to let what happened change me.

Shirt off.” Neil stared at her. “Why?” “I can’t check track marks through cotton, Neil.” “I don’t do drugs.” “Good on you,” Abby said. “Keep it that way. Now take it off.” […] “I want to make this as painless as possible, but I can’t help you if you can’t help me. Tell me why you won’t take off your shirt.” Neil looked for a delicate way to say it. The best he managed was, “I’m not okay.” She put a finger to his chin and turned his face back toward her. “Neil, I work for the Foxes. None of you are okay. Chances are I’ve seen a lot worse than whatever it is you’re trying to hide from me.” Neil’s smile was humorless. “I hope not. “Trust me,” Abby said. “I’m not going to judge you. I’m here to help, remember? I’m your nurse now. That door is closed, and it comes with a lock. What happens in here stays in here.” […] “You can’t ask me about them,” he said at last. “I won’t talk to you about it. Okay?” “Okay,” Abby agreed easily. “But know that when you want to, I’m here, and so is Betsy.” Neil wasn’t going to tell that psychiatrist a thing, but he nodded. Abby dropped her hand and Neil pulled his shirt over his head before he could lose his nerve. Abby thought she was ready. Neil knew she wouldn’t be, and he was right. Her mouth parted on a silent breath and her expression went blank. She wasn’t fast enough to hide her flinch, and Neil saw her shoulders go rigid with tension. He stared at her face as she stared at him, watching her gaze sweep over the brutal marks of a hideous childhood. It started at the base of his throat, a looping scar curving down over his collarbone. A pucker with jagged edges was a finger-width away, courtesy of a bullet that hit him right on the edge of his Kevlar vest. A shapeless patch of pale skin from his left shoulder to his navel marked where he’d jumped out of a moving car and torn himself raw on the asphalt. Faded scars crisscrossed here and there from his life on the run, either from stupid accidents, desperate escapes, or conflicts with local lowlifes. Along his abdomen were larger overlapping lines from confrontations with his father’s people while on the run. His father wasn’t called the butcher for nothing; his weapon of choice was a cleaver. All of his men were well-versed in knife-fighting, and more than one of them had tried to stick Neil like a pig. And there on his right shoulder was the perfect outline of half a hot iron. Neil didn’t remember what he’s said or done to irritate his father so much.

The ears of our generation have been made so delicate by the senseless multitude of flatterers that, as soon as we perceive that anything of ours is not approved of, we cry out that we are being bitterly assailed; and when we can repel the truth by no other pretence, we escape by attributing bitterness, impatience, intemperance, to our adversaries. What would be the use of salt if it were not pungent, or of the edge of the sword if it did not slay? Accursed is the man who does the work of the Lord deceitfully.

Alone isn't a place. It's a state of being. And no one can stay that way forever. Every person on this planet needs others. Needs to share their burdens with someone.

We all carry with us the weight of our experiences. The hard things change us. Sometimes, they scar us. But it’s never all bad. They grow our empathy, understanding, and the way we care for others around us.

Jean Chappe spent months travelling to Siberia by coach, boat and sleigh, nursing his delicate instruments over every perilous bump, only to find the last vital stretch blocked by swollen rivers, the result of unusually heavy spring rains, which the locals were swift to blame on him after they saw him pointing strange instruments at the sky. Chappe managed to escape with his life, but with no useful measurements.

Because everything about you screams that you’ve been fighting alone for too damn long Thorn, you need some one to help carry the weight for a while. I might not be able to fix everything but I can help carry the load.

These were the rains that drove people close to the walls, under the balconies, or sent them dashing madly through the squares, and drenched the fluttering ribbons and bright trappings of the horses so that their flanks were streaked with delicate watercolors. The storms washed the streets so that little streams of brown water went roaring along the gutters toward the sea, and thundered on the roofs of the cafés where people were crowded together laughing in the steam and half darkness. I loved those rains; they were of the sort that is welcomed by everyone, preceded by hot, oppressive hours of stillness; they came the way storms come in the islands but did not last as long, and often the sun came out when they had passed. I was happy whenever the rain caught me walking about in the streets, for then I would rush into the nearest café, along with all the others who were escaping from the weather, all of us crushing laughing through the doors. The rain allowed me to go anywhere, to form quick, casual friendships, forced to share one of the overcrowded tables, among the beaming waiters who pushed good-naturedly through the throngs carrying cups of steaming apple cider.

Many of us have forgotten how we used to be bedazzled by such everyday wonders as marveling at a spider web, finding an animal shape in the clouds, exploring the delicate intricacy of the pistils and stamens of a flower. It is time to rediscover the emotional vitality of the child within us. Our inner child can find enduring satisfaction in simple pleasures because s/he does not pursue them purely to escape inner emotional turmoil. Perhaps the vision of the emotionally vital poet Walt Whitman will motivate you to reconnect with the ardor of your abandoned inner child: I believe a leaf of grass is no less than the journey-work of the stars, And the running blackberry would adorn the parlours of heaven, And a mouse is miracle enough to stagger sextillions of infidels . . . And I or you pocketless of a dime may purchase the pick of the earth, And to glance with an eye or show a bean in its pod confounds the learning of all times . . .

A burn lit behind my eyes, fiercer this time, and I couldn’t stop the tears from welling. “Why are you putting up with me?” I asked, my voice little more than a hoarse whisper. Shep’s eyes locked with mine. “Because everything about you screams that you’ve been fighting alone for too damn long, Thorn. You need someone to help carry the weight for a little while.

Then there were her childhood book: Anne of Green Gables, Heidi, What Katy did next, Pollyanna - stories about girls who were good. All Pollyanna had ever done wrong was ruin her parasol. Beth in Little Women was so perfect she was only fit for heaven. Why were girls in novels exemplary, almost saintly? Grace preferred adventure stories, histories and romances about what to do if you were damned and female, tales about women who were kind, likeable and believable, who escaped unpunished. No thin Quakers with lace caps. No beatific consumptives coughing delicately. No unloved, eternally jolly orphans. Grace craved books about girls like herself: good women, normal women in a world bigger and more powerful than themselves.

We are lucidly aware that achieving through mere physical force establishes the rules of a game from which there is no escape. When one grants oneself the moral justification to use force, one cannot logically deny it in one's enemies, for all moralities are relative. The dissimilarity between different human cultures alone suggests that one cannot establish universal goods and evils.

It was history’s first co-operative international scientific venture, and almost everywhere it ran into problems. Many observers were waylaid by war, sickness or shipwreck. Others made their destinations but opened their crates to find equipment broken or warped by tropical heat. Once again the French seemed fated to provide the most memorably unlucky participants. Jean Chappe spent months travelling to Siberia by coach, boat and sleigh, nursing his delicate instruments over every perilous bump, only to find the last vital stretch blocked by swollen rivers, the result of unusually heavy spring rains, which the locals were swift to blame on him after they saw him pointing strange instruments at the sky. Chappe managed to escape with his life, but with no useful measurements. Unluckier

It was astonishing how loudly one laughed at tales of gruesome things, of war’s brutality-I with the rest of them. I think at the bottom of it was a sense of the ironical contrast between the normal ways of civilian life and this hark-back to the caveman code. It made all our old philosophy of life monstrously ridiculous. It played the “hat trick” with the gentility of modern manners. Men who had been brought up to Christian virtues, who had prattled their little prayers at mothers’ knees, who had grown up to a love of poetry, painting, music, the gentle arts, over-sensitized to the subtleties of half-tones, delicate scales of emotion, fastidious in their choice of words, in their sense of beauty, found themselves compelled to live and act like ape-men; and it was abominably funny. They laughed at the most frightful episodes, which revealed this contrast between civilized ethics and the old beast law. The more revolting it was the more, sometimes, they shouted with laughter, especially in reminiscence, when the tale was told in the gilded salon of a French chateau, or at a mess-table. It was, I think, the laughter of mortals at the trick which had been played on them by an ironical fate. They had been taught to believe that the whole object of life was to reach out to beauty and love, and that mankind, in its progress to perfection, had killed the beast instinct, cruelty, blood-lust, the primitive, savage law of survival by tooth and claw and club and ax. All poetry, all art, all religion had preached this gospel and this promise. Now that ideal had broken like a china vase dashed to hard ground. The contrast between That and This was devastating. It was, in an enormous world-shaking way, like a highly dignified man in a silk hat, morning coat, creased trousers, spats, and patent boots suddenly slipping on a piece of orange-peel and sitting, all of a heap, with silk hat flying, in a filthy gutter. The war-time humor of the soul roared with mirth at the sight of all that dignity and elegance despoiled. So we laughed merrily, I remember, when a military chaplain (Eton, Christ Church, and Christian service) described how an English sergeant stood round the traverse of a German trench, in a night raid, and as the Germans came his way, thinking to escape, he cleft one skull after another with a steel-studded bludgeon a weapon which he had made with loving craftsmanship on the model of Blunderbore’s club in the pictures of a fairy-tale. So we laughed at the adventures of a young barrister (a brilliant fellow in the Oxford “Union”) whose pleasure it was to creep out o’ nights into No Man’s Land and lie doggo in a shell-hole close to the enemy’s barbed wire, until presently, after an hour’s waiting or two, a German soldier would crawl out to fetch in a corpse. The English barrister lay with his rifle ready. Where there had been one corpse there were two. Each night he made a notch on his rifle three notches one night to check the number of his victims. Then he came back to breakfast in his dugout with a hearty appetite.

Why, all our art treasures of to-day are only the dug-up commonplaces of three or four hundred years ago. I wonder if there is real intrinsic beauty in the old soup-plates, beer-mugs, and candle-snuffers that we prize so now, or if it is only the halo of age glowing around them that gives them their charms in our eyes. The “old blue” that we hang about our walls as ornaments were the common every-day household utensils of a few centuries ago; and the pink shepherds and the yellow shepherdesses that we hand round now for all our friends to gush over, and pretend they understand, were the unvalued mantel-ornaments that the mother of the eighteenth century would have given the baby to suck when he cried. Will it be the same in the future? Will the prized treasures of to-day always be the cheap trifles of the day before? Will rows of our willow-pattern dinner-plates be ranged above the chimneypieces of the great in the years 2000 and odd? Will the white cups with the gold rim and the beautiful gold flower inside (species unknown), that our Sarah Janes now break in sheer light-heartedness of spirit, be carefully mended, and stood upon a bracket, and dusted only by the lady of the house? That china dog that ornaments the bedroom of my furnished lodgings. It is a white dog. Its eyes blue. Its nose is a delicate red, with spots. Its head is painfully erect, its expression is amiability carried to verge of imbecility. I do not admire it myself. Considered as a work of art, I may say it irritates me. Thoughtless friends jeer at it, and even my landlady herself has no admiration for it, and excuses its presence by the circumstance that her aunt gave it to her. But in 200 years’ time it is more than probable that that dog will be dug up from somewhere or other, minus its legs, and with its tail broken, and will be sold for old china, and put in a glass cabinet. And people will pass it round, and admire it. They will be struck by the wonderful depth of the colour on the nose, and speculate as to how beautiful the bit of the tail that is lost no doubt was. We, in this age, do not see the beauty of that dog. We are too familiar with it. It is like the sunset and the stars: we are not awed by their loveliness because they are common to our eyes. So it is with that china dog. In 2288 people will gush over it. The making of such dogs will have become a lost art. Our descendants will wonder how we did it, and say how clever we were. We shall be referred to lovingly as “those grand old artists that flourished in the nineteenth century, and produced those china dogs.” The “sampler” that the eldest daughter did at school will be spoken of as “tapestry of the Victorian era,” and be almost priceless. The blue-and-white mugs of the present-day roadside inn will be hunted up, all cracked and chipped, and sold for their weight in gold, and rich people will use them for claret cups; and travellers from Japan will buy up all the “Presents from Ramsgate,” and “Souvenirs of Margate,” that may have escaped destruction, and take them back to Jedo as ancient English curios.

What did I do now?” He reluctantly pulled the car the curb. I needed to get out of this car – like now. I couldn’t breathe. I unbuckled and flung open the door. “Thanks for the ride. Bye.” I slammed the door shut and began down the sidewalk. Behind me, I heard the engine turn off and his door open and shut. I quickened my stride as James jogged up to me. I slowed down knowing I couldn’t escape his long legs anyway. Plus, I didn’t want to get home all sweaty and have to explain myself. “What happened?” James asked, matching my pace. “Leave me alone!” I snapped back. I felt his hand grab my elbow, halting me easily. “Stop,” he ordered. Damn it, he’s strong! “What are you pissed about now?” He towered over me. I was trapped in front of him, if he tugged a bit, I’d be in his embrace. “It’s so funny huh? I’m that bad? I’m a clown, I’m so funny!” I jerked my arm, trying to break free of his grip. “Let me go!” “No!” He squeezed tighter, pulling me closer. “Leave me alone!” I spit the words like venom, pulling my arm with all my might. “What’s your problem?” James demanded loudly. His hand tightened on my arm with each attempt to pull away. My energy was dwindling and I was mentally exhausted. I stopped jerking my arm back, deciding it was pointless because he was too strong; there was no way I could pull my arm back without first kneeing him in the balls. We were alone, standing in the dark of night in a neighborhood that didn’t see much traffic. “Fireball?” he murmured softly. “What?” I replied quietly, defeated. Hesitantly, he asked, “Did I say something to make you sad?” I wasn’t going to mention the boyfriend thing; there was no way. “Yes,” I whimpered. That’s just great, way to sound strong there, now he’ll have no reason not to pity you! “I’m sorry,” came his quiet reply. Well maybe ‘I’m sorry’ just isn’t good enough. The damage is already done! “Whatever.” “What can I do to make it all better?” “There’s nothing you could–” I began but was interrupted by him pulling me against his body. His arms encircled my waist, holding me tight. My arms instinctively bent upwards, hands firmly planted against his solid chest. Any resentment I had swiftly melted away as something brand new took its place: pleasure. Jesus! “What do you think you’re doing?” I asked him softly; his face was only a few inches from mine. “What do you think you’re doing?” James asked back, looking down at my hands on his chest. I slowly slid my arms up around his neck. I can’t believe I just did that! “That’s better.” Our bodies were plastered against one another; I felt a new kind of nervousness touch every single inch of my body, it prickled electrically. “James,” I murmured softly. “Fireball,” he whispered back. “What do you think you’re doing?” I repeated; my brain felt frozen. My heart had stopped beating a mile a minute instead issuing slow, heavy beats. James uncurled one of his arms from my waist and trailed it along my back to the base of my neck, holding it firmly yet delicately. Blood rushed to the very spot he was holding, heat filled my eyes as I stared at him. “What are you doing?” My bewilderment was audible in the hush. I wasn’t sure I had the capacity to speak anymore. That function had fled along with the bitch. Her replacement was a delicate flower that yearned to be touched and taken care of. I felt his hand shift on my neck, ever so slightly, causing my head to tilt up to him. Slowly, inch by inch, his face descended on mine, stopping just a breath away from my trembling lips. I wanted it. Badly. My lips parted a fraction, letting a thread of air escape. “Can I?” His breath was warm on my lips. Fuck it! “Yeah,” I whispered back. He closed the distance until his lush lips covered mine. My first kiss…damn! His lips moved softly over mine. I felt his grip on my neck squeeze as his lips pressed deeper into

How about this one?" I pointed to a graceful, feathery vine with small, delicate, star-shaped red blooms. "That's a cypress vine," he said. "Ipomoea quamoclit. It's an escapee and not native to her garden. People think it's an annual, but with a little help from nature, it's self-seeding ability means it can pop up in new places year after year and thrive far away from its original home." Something niggled at the back of my mind. If the vine could escape and start over again somewhere new, why couldn't a person? If Jack's grandmother's plants were strong enough to survive neglect, why couldn't I?

I had first thought of Milly's absurdities, to which, in description, I cannot do justice, simply because so many details have, by distance of time, escaped my recollection. But her ways and her talk were so indescribably grotesque that she made me again and again quiver with suppressed laughter. But there was a pitiable and even a melancholy meaning underlying the burlesque. This creature, with no more education than a dairy-maid, I gradually discovered had fine natural aptitudes for accomplishment - a very sweet voice, and wonderfully delicate ear, and a talent for drawing which quite threw mine into the shade. It was really astonishing.

This city was going to burn,' he thought with a narrow smile. Going out the door with Lady Glenwood, however, he did not like the defiant way her young sister-in-law held his gaze as she picked up the child and braced him against her hip. Though Miss Montague looked as delicate and demure as any young English gentlewoman, he read a strength of character in her wary blue eyes that gave him pause. Bardou turned away, shrugging off the odd sensation that the girl could somehow see through his charade as a Prussian nobleman. 'Absurd.' Eager to escape her cool, blue stare, he escorted Lady Glenwood out to the Stafford's waiting carriage, which he had borrowed.

I assume that you have read it. I also assume that you set it down as idiotic—a series of words without sense. You are quite right; it is. But now imagine it intoned as it were designed to be intoned. Imagine the slow tempo of a public speech. Imagine the stately unrolling of the first clause, the delicate pause upon the word “then”—and then the loud discharge of the phrase “in understanding,” “in mutuality of interest,” “in concern for the common good,” each with its attendant glare and roll of the eyes, each with a sublime heave, each with its gesture of a blacksmith bringing down his sledge upon an egg—imagine all this, and then ask yourself where you have got. You have got, in brief, to a point where you don’t know what it is all about. You hear and applaud the phrases, but their connection has already escaped you. And so, when in violation of all sequence and logic, the final phrase, “our tasks will be solved,” assaults you, you do not notice its disharmony—all you notice is that, if this or that, already forgotten, is done, “our tasks will be solved.” Whereupon, glad of the assurance and thrilled by the vast gestures that drive it home, you give a cheer. That is, if you are the sort of man who goes to political meetings, which is to say, if you are the sort of man that Dr. Harding is used to talking to, which is to say, if you are a jackass.

Closing the distance between them, he had savored the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile. As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes. His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen. His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place. Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things. 'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.

A caravan from China comes; For miles it sweetens all the air With fragrant silks and dreaming gums, Attar and myrrh -- A caravan from China comes. O merchant, tell me what you bring, With music sweet of camel bells; How long have you been travelling With these sweet smells? O merchant, tell me what you bring. A lovely lady is my freight, A lock escaped of her long hair, -- That is this perfume delicate That fills the air -- A lovely lady is my freight. Her face is from another land, I think she is no mortal maid, -- Her beauty, like some ghostly hand, Makes me afraid; Her face is from another land. The little moon my cargo is, About her neck the Pleiades Clasp hands and sing; Hafiz, 't is this Perfumes the breeze -- The little moon my cargo is.

My taste in poetry is for delicate and fragile things—to honest, for artificial things. I like a frail but perfectly articulated stanza, a sonnet wrought like ivory, a song full of glowing nouns, verbs, adjectives, adverbs, pronouns, conjunctions, prepositions and participles, but without much hard sense to it. Poetry, to me, has but two meanings. On the one hand, it is a magical escape from the sordidness of metabolism and the class war, and on the other hand it is a subtle, very difficult and hence very charming art, like writing fugues or mixing mayonnaise. I do not go to poets to be taught anything, or to heated up to indignation, or to have my conscience blasted out of its torpor, but to soothed and caressed, to be lulled with sweet sounds, to be wooed into forgetfulness, to be tickled under the metaphysical chin.

The man—male—down the alley was Fae. After ten years, after all the executions and burnings, a Fae male was prowling toward her. Pure, solid Fae. There was no escaping him as he emerged from the shadows yards away. The vagrant in the alcove and the others along the alley fell so quiet Celaena could again hear those bells ringing in the distant mountains. Tall, broad-shouldered, every inch of him seemingly corded with muscle, he was a male blooded with power. He paused in a dusty shaft of sunlight, his silver hair gleaming. As if his delicately pointed ears and slightly elongated canines weren’t enough to scare the living shit out of everyone in that alley, including the now-whimpering madwoman behind Celaena, a wicked-looking tattoo was etched down the left side of his harsh face, the whorls of black ink stark against his sun-kissed skin.

Fortunately the essence of this revelation did not escape Mary despite the angel's obscure speech, and, much surprised, she asked him, So Jesus is my son and the son of the Lord, Woman, what are you saying, show some respect for rank and precedence, what you must say is the son of the Lord and me, Of the Lord and of you, No, of the Lord and of you, You're confusing me, just answer my question, is Jesus our son, You mean to say the Lord's son because you only served to bear the child, So the Lord didn't choose me, Don't be absurd (...) Is there any real proof that it was the Lord's seed which engendered my first-born, Well, it's a delicate matter, and what you're demanding is nothing less than a paternity test which in these mixed unions, no matter how many analyses, tests, and globule counts one carries out, can never give conclusive results.

Sara noticed that his white teeth were slightly snaggled, giving his smile the appearance of a friendly snarl. It was then that she understood why so many women had been seduced by him. His grin held a wickedly irresistible appeal. She stared at his chest as he untied the laces and positioned her cap correctly. "Thank you," she murmured, and tried to take the strings of the cap from his fingers. But he didn't let go. He held the laces at her chin, his fingers tightening. Glancing up at him in confusion, Sara saw that his smile had vanished. In a decisive motion he pulled the concealing lace from her hair and let it fall. The cap fluttered to a patch of mud and rested there limply. Sara lifted her hand to the loose braided coil of her hair, which threatened to tumble from its pins. The chestnut locks gleamed with fiery highlights, escaping in delicate wisps around her face and throat. "Mr. Craven," she scolded breathlessly. "I find your behavior untoward and a-and offensive, not to mention-oh!" She stammered in astonishment as he reached for her spectacles and plucked them from her face. "Mr. Craven, h-how dare you..." She fumbled to retrieve them. "I... I need those..." Derek held them out of reach as he stared at her uncovered face. This was what she had kept hidden beneath the old-maid disguise... pale, luminous skin, a mouth shaped with surprising lushness, a pert little nose, marked at the delicate bridge where the edge of her spectacles had pressed. Angel-blue eyes, pure and beguiling, surmounted by dark winged brows. She was beautiful. He could have devoured her in a few bites, like a fragrant red apple. He wanted to touch her, take her somewhere and pull her beneath him, as if he could somehow erase a lifetime of sin and shame within the sweetness of her body.

The rock has split, the egg has hatched, the prismatically plumed bird of life has escaped from its cage. It spreads its wings and is perched now on the peak of the huge African mountain Kilimanjaro. Strange recompense, in the depths of our despair at the unfathomable mist into which all mankind is plunging, a curious force awakens. It is Hope long asleep, aroused once more. Wilson has taken an army of advisers and sailed for England. The ship has sunk. But the men are all good swimmers. They take the women on their shoulders and buoyed on by the inspiration of the moment they churn the free seas with their sinewy arms, like Ulysses, landing all along the European seaboard. Yes, hope has awakened once more in men's hearts. It is NEW! Let us go forward! The imagination, freed from the handcuffs of "Art", takes the lead! Her Feet are bare and not too delicate. In fact those who come behind her have much to think of. Hm. Let it pass.

Having perfected his arrangements, he would get my pipe, and, lighting it, would hand it to me. Often he was obliged to strike a light for the occasion, and as the mode he adopted was entirely different from what I had ever seen or heard of before I will describe it. A straight, dry, and partly decayed stick of the Hibiscus, about six feet in length, and half as many inches in diameter, with a small, bit of wood not more than a foot long, and scarcely an inch wide, is as invariably to be met with in every house in Typee as a box of lucifer matches in the corner of a kitchen cupboard at home. The islander, placing the larger stick obliquely against some object, with one end elevated at an angle of forty-five degrees, mounts astride of it like an urchin about to gallop off upon a cane, and then grasping the smaller one firmly in both hands, he rubs its pointed end slowly up and down the extent of a few inches on the principal stick, until at last he makes a narrow groove in the wood, with an abrupt termination at the point furthest from him, where all the dusty particles which the friction creates are accumulated in a little heap. At first Kory-Kory goes to work quite leisurely, but gradually quickens his pace, and waxing warm in the employment, drives the stick furiously along the smoking channel, plying his hands to and fro with amazing rapidity, the perspiration starting from every pore. As he approaches the climax of his effort, he pants and gasps for breath, and his eyes almost start from their sockets with the violence of his exertions. This is the critical stage of the operation; all his previous labours are vain if he cannot sustain the rapidity of the movement until the reluctant spark is produced. Suddenly he stops, becoming perfectly motionless. His hands still retain their hold of the smaller stick, which is pressed convulsively against the further end of the channel among the fine powder there accumulated, as if he had just pierced through and through some little viper that was wriggling and struggling to escape from his clutches. The next moment a delicate wreath of smoke curls spirally into the air, the heap of dusty particles glows with fire, and Kory-Kory, almost breathless, dismounts from his steed.

Before them were soups and stews filled with various tubers, roasted venison, long hot loaves of sourdough bread, and rows of honeycakes dripped with raspberry preserve. In a bed of greens lay filleted trout garnished with parsley, and on the side, pickled eel stared forlornly at an urn of cheese, as if hoping to somehow escape back into a river. A swan sat on each table, surrounded by a flock of stuffed partridges, geese, and ducks. Mushrooms were everywhere: broiled in juicy strips, placed atop a bird’s head like a bonnet, or carved in the shape of castles amid moats of gravy. An incredible variety was on display, from puffy white mushrooms the size of Eragon’s fist, to ones he could have mistaken for gnarled bark, to delicate toadstools sliced neatly in half to showcase their blue flesh. Then the centerpiece of the feast was revealed: a gigantic roasted boar, glistening with sauce. At least Eragon thought it was a boar, for the carcass was as large as Snowfire and took six dwarves to carry. The tusks were longer than his forearms, the snout as wide as his head. And the smell, it overwhelmed all others in pungent waves that made his eyes water from their strength.

A late yellow butterfly hovering past caught at his attention, and he watched it dance downward and settle on a dusty stem of shepherd's purse beside the way. And for a sort of gleam of time, he seemed to see it not only with his eyes, but with all of himself, the delicate veining of the yellow wings that quivered and half-closed and fanned open again, the dark velvety nap on the butterfly's slender body, the gray-green heart-shaped seedpods of the shepherd's purse, stirring in the stray breath of wind, sharing with the butterfly the last warmth of the autumn sun, and the shadow of both tangled in the hillside grass. Part of him longed to catch the butterfly, to hold it very carefully prisoned in his cupped hands and feel the life of it there and the flutter of its wings against his hollowed palms, as though in that way he could keep the small, shining moment from escaping. He had tried that once, when he was much younger, but the butterfly had turned broken and dead in his hands, and he had killed the moment and the shine and the beauty instead of keeping it, and been left with nothing but an empty feeling of desolation in his stomach because he could not mend the butterfly again.

A sigh escaped her as her brother’s truthful words battled her stubborn nature. Much as she hated giving in to their no driving order— well-intentioned or not— she wouldn’t operate a motor vehicle if she could prove a danger to others. “Fine, so if I can’t drive myself, then who is taking me home?” Six pairs of eyes found the ceiling suddenly intensely interesting. Irritation made her lips draw tight. “Oh, come on. Surely one of you idiots can handle my car?” Kendrick cleared his throat before speaking. “Um, the last time Mitchell drove your car, you almost castrated him because he didn’t shift it to your satisfaction. You told us never to touch your car again, or else.” Naomi blew out a breath. Pussies. How could they blame her for taking offence at the brutish manner with which they drove her baby? They’d deserved each, and every, smack. And then, they had the nerve to wonder why she wanted to get away from the shifters and their violence. They bloody well drove her to it. “I am not staying here.” Not with her mother due home within the hour from work. Once her mom walked through that door, Naomi would be lucky if she got to leave a bed within the next three days. The men in her family might fear their baby sister even as they coddled her, but everyone obeyed their mother. Nobody owned the balls not to.

In a little while the guest became sensible of the fragrance of the yet untasted coffee. He quaffed it eagerly. The subtle essence acted on him like a charmed draught, and caused the opaque substance of his animal being to grow transparent, or, at least, translucent; so that a spiritual gleam was transmitted through it, with a clearer lustre than hitherto. “More, more!” he cried, with nervous haste in his utterance, as if anxious to retain his grasp of what sought to escape him. “This is what I need! Give me more!” Under this delicate and powerful influence he sat more erect, and looked out from his eyes with a glance that took note of what it rested on. It was not so much that his expression grew more intellectual; this, though it had its share, was not the most peculiar effect. Neither was what we call the moral nature so forcibly awakened as to present itself in remarkable prominence. But a certain fine temper of being was now not brought out in full relief, but changeably and imperfectly betrayed, of which it was the function to deal with all beautiful and enjoyable things. In a character where it should exist as the chief attribute, it would bestow on its possessor an exquisite taste, and an enviable susceptibility of happiness. Beauty would be his life; his aspirations would all tend toward it; and, allowing his frame and physical organs to be in consonance, his own developments would likewise be beautiful.

Claude didn’t sound every note. He must’ve been playing from memory. There is an unguarded quality in musicians unaware of listening ears. Intimate, hearing the piece like that, played for no one, played from far away, the sound escaping onto a stairwell presumed empty. Sheherazade spun out her tales over a thousand and one Arabian nights. Her tales were her demand for life: I deserve to live so long as I can unravel such intrigue into the world. do not kill me now. Do not strangle me at dawn. I wondered if that trapped animal of a boy had left off rocking to listen. That pitiful youth, did he understand rapture? There was a terrible pain across my chest. It was the old pain, the old loss. This paper room at the top of the stairs in which, yesterday, my father had been, and now this unassuming beauty welling out of it, unbidden. Sunlight was spilling through the glass door on to the landing; the dust motes might have been there since time began. It was all immensely delicate and just beyond my reach. There were pockets of wonder all over the earth, I knew, like wild animals in glades, and I happened upon them now and then. Less so in America, because it was not my home, but there were pockets in America too, and I prized them all the more for their rarity. Once I blundered into them, the wonder took flight; it evaporated like dew. It was a matter of not blundering into them, of letting them be, of trying to live on the brink of them without intruding.

It is easy for the student to feel that with all his labour he is collecting only a few leaves, many of them now torn or decayed, from the countless foliage of the Tree of Tales, with which the Forest of Days is carpeted. It seems vain to add to the litter. Who can design a new leaf? The patterns from bud to unfolding, and the colours from spring to autumn were all discovered by men long ago. But that is not true. The seed of the tree can be replanted in almost any soil, even in one so smoke-ridden (as Lang said) as that of England. Spring is, of course, not really less beautiful because we have seen or heard of other like events: like events, never from world's beginning to world's end the same event. Each leaf, of oak and ash and thorn, is a unique embodiment of the pattern, and for some this very year may be the embodiment, the first ever seen and recognized, though oaks have put forth leaves for countless generations of men. We do not, or need not, despair of drawing because all lines must be either curved or straight, nor of painting because there are only three 'primary' colours. We may indeed be older now, in so far as we are heirs in enjoyment or in practice of many generations of ancestors in the arts. In this inheritance of wealth there may be a danger of boredom or of anxiety to be original, and that may lead to a distaste for fine drawing, delicate pattern, and 'pretty' colours, or else to mere manipulation and over-elaboration of old material, clever and heartless. But the true road of escape from such weariness is not to be found in the willfully awkward, clumsy, or misshapen, not in making all things dark or unremittingly violent; nor in the mixing of colours on through subtlety to drabness, and the fantastical complication of shapes to the point of silliness and on towards delirium. Before we reach such states we need recovery. We should look at green again, and be startled anew (but not blinded) by blue and yellow and red. We should meet the centaur and the dragon, and then perhaps suddenly behold, like the ancient shepherds, sheep, and dogs, and horses – and wolves. This recovery fairy-stories help us to make. In that sense only a taste for them may make us, or keep us, childish.

I never dreamed it would be as amazing as that,” she whispered. “I did.” “Really?” Her soft voice was a caress. Everything about her was as smooth and silky and sweet as whipped cream. Well, except for her tart opinions. And her fierce determination to make him tell everything in his soul. Though he had to admit that after confessing his secret fears to her earlier, he felt freer, as if the boulder he’d been carrying for years had dropped from his back. “I knew it would be perfect.” He gave her a lingering kiss, then drew back to cup her pinkening cheek. “With you it could be nothing less.” Shyly avoiding his gaze, she finger-combed his short hair. “Nancy always said that sharing a man’s bed was something to ‘endure.’ That marriage was more pleasant without it, but it was required for having children so she’d had to put up with it.” He skimmed a hand down her lightly freckled arm. “And what do you think, now that you’ve experienced it for yourself?” “I think I could ‘endure’ it with great enthusiasm.” Jane flashed him a mischievous smile. “But I’m not really sure. Should we try it again so I can make certain?” Stifling a laugh, he tried to look stern. “We’re lucky none of the grooms have stumbled over us already.” He managed to sound even-toned, though the prospect of taking her again--here, now--was already making him hard. “Speaking of that, we’d better get dressed, before someone finds us here naked.” A sigh escaped her. “You do have a point. Though I don’t know how you can be so sensible and industrious when all I feel is lazy and content.” “I’m not being sensible and industrious at all.” Reluctantly he slipped from her arms to go hunt up his drawers. “I’m simply being selfish. The longer you stay naked, the more chance that I will attempt to ravish you again.” “That sounds perfectly…awful,” she said as she struck a seductive pose. God save him. He swept his gaze over her thrusting breasts, her slender belly with its delicate navel, and her auburn thatch of curls. The taste of her was still on his lips, the smell of her still in his nostrils. He wanted her again. And again and again… Muttering a curse under his breath, he tossed her shift at her. “Put some clothes on before I combust.” She laughed, a delicate tinkling sound that tightened his cock. Fortunately for his self-restraint, she did as he bade and donned her shift. Only then was he able to breathe, to concentrate on putting on his trousers rather than on the erotic sight of her drawing her stockings up those luscious legs. He turned and nearly stumbled over the carriage lamps. “These are a lost cause, now that I recklessly dashed them to the floor in my…er…enthusiasm, sweeting.” “Good,” she said cheerily. “Now you can’t run off to London without me tonight.

Closing the distance between them, he had saved the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile. As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes. His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen. His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place. Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things. 'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.

A whimper escaped her as he slid low between her thighs, his head bending to the swollen place he had been tormenting with his fingers. He put his mouth on her, licking along the delicate, salty strait, spreading her with his thumbs. She tried to sit bolt-upright, but fell back against the pillows as he found what he wanted, his tongue strong and wet. She was spread beneath him like a pagan sacrifice, illuminated by the daylight that now flooded the room. Merripen worshipped her with hot, glassy licks, savoring the taste of her pleasured flesh. Moaning, she closed her legs around his head, and he turned deliberately to nibble and lick at one pale inner thigh, then the other. Feasting on her. Wanting everything. Win curled her fingers desperately in his hair, lost to shame as she guided him back, her body arching wordlessly...here, please, more, more, now...and she groaned as he fastened his mouth over her with a fast, flicking rhythm. Pleasure seized her, wrenching an astonished cry from her, holding her stiff and paralyzed for excruciating seconds. Every movement and measure and pulse of the universe had distilled to the compelling, slippery heat, riveted there on that crucial place, and then it all released, the feeling and tension shattering exquisitely, and she was racked with hard, blissful shudders. Win relaxed helplessly as the spasms faded. She was filled with glowing weariness, a sense of peace too pervasive to allow movement. Merripen let go of her just long enough to undress completely. Naked and aroused, he came back to her. He gathered her up with brute, masculine need, settling over her. She lifted her arms to him with a drowsy murmur. His back was tough and sleek beneath her fingers, the muscles twitching eagerly at her touch. His head descended, his shaven cheek rasping against hers. She met his power with utter surrender, flexing her knees and tilting her hips to cradle him. He pushed gently at first. The innocent flesh resisted, smarting at the intrusion. He thrust more strongly and Win caught her breath at the burning pain of his entrance. Too much of him, too hard, too deep. She writhed in reaction, and he buried himself heavily and pinned her down, gasping for her to be still, telling her to wait, he wouldn't move, it would be better. They both stilled, breathing hard. "Should I stop?" Merripen whispered raggedly, his face taut. Even now in this flash point of need, he was concerned for her. Understanding what it had cost him to ask, how much he needed her, Win was overwhelmed with love. "Don't even think of stopping now," she whispered back. Reaching down his lean flanks, she stroked him in shy encouragement. He groaned and began to move, his entire body trembling as he pressed within her. Although every thrust caused a sharp burn where they were joined, Win tried to pull him even deeper. The feeling of having him inside her went far beyond the pain or pleasure. It was necessary.

By the time Jessica Buchanan was kidnapped in Somalia on October 25, 2011, the twenty-four boys back in America who had been so young during the 1993 attack on the downed American aid support choppers in Mogadishu had since grown to manhood. Now they were between the ages of twenty-three and thirty-five, and each one had become determined to qualify for the elite U.S. Navy unit called DEVGRU. After enlisting in the U.S. Navy and undergoing their essential basic training, every one of them endured the challenges of BUDS (Basic Underwater Demolition/SEAL) training, where the happy goal is to become “drownproofed” via what amounts to repeated semidrowning, while also learning dozens of ways to deliver explosive death and demolition. This was only the starting point. Once qualification was over and the candidates were sworn in, three-fourths of the qualified Navy SEALS who tried to also qualify for DEVGRU dropped out. Those super-warriors were overcome by the challenges, regardless of their peak physical condition and being in the prime of their lives. This happened because of the intensity of the training. Long study and practice went into developing a program specifically designed to seek out and expose any individual’s weakest points. If the same ordeals were imposed on captured terrorists who were known to be guilty of killing innocent civilians, the officers in charge would get thrown in the brig. Still, no matter how many Herculean physical challenges are presented to a DEVGRU candidate, the brutal training is primarily mental. It reveals each soldier’s principal foe to be himself. His mortal fears and deepest survival instinct emerge time after time as the essential demons he must overcome. Each DEVGRU member must reach beyond mere proficiency at dealing death. He must become two fighters combined: one who is trained to a state of robotic muscle memory in specific dark skills, and a second who is fluidly adaptive, using an array of standard SEAL tactics. Only when he can live and work from within this state of mind will he be trusted to pursue black operations in every form of hostile environment. Therefore the minority candidate who passes into DEVGRU becomes a member of the “Tier One” Special Mission Unit. He will be assigned to reconnaissance or assault, but his greatest specialty will always be to remain lethal in spite of rapidly changing conditions. From the day he is accepted into that elite tribe, he embodies what is delicately called “preemptive and proactive counterterrorist operations.” Or as it might be more bluntly described: Hunt them down and kill them wherever they are - and is possible, blow up something. Each one of that small percentage who makes it through six months of well-intended but malicious torture emerges as a true human predator. If removing you from this world becomes his mission, your only hope of escaping a DEVGRU SEAL is to find a hiding place that isn’t on land, on the sea, or in the air.

Philip had cultivated a certain disdain for idealism. He had always had a passion for life, and the idealism he had come across seemed to him for the most part a cowardly shrinking from it. The idealist withdrew himself, because he could not suffer the jostling of the human crowd; he had not the strength to fight and so called the battle vulgar; he was vain, and since his fellows would not take him at his own estimate, consoled himself with despising his fellows. For Philip his type was Hayward, fair, languid, too fat now and rather bald, still cherishing the remains of his good looks and still delicately proposing to do exquisite things in the uncertain future; and at the back of this were whiskey and vulgar amours of the street. It was in reaction from what Hayward represented that Philip clamoured for life as it stood; sordidness, vice, deformity, did not offend him; he declared that he wanted man in his nakedness; and he rubbed his hands when an instance came before him of meanness, cruelty, selfishness, or lust: that was the real thing. In Paris he had learned that there was neither ugliness nor beauty, but only truth: the search after beauty was sentimental. Had he not painted an advertisement of chocolat Menier in a landscape in order to escape from the tyranny of prettiness? But here he seemed to divine something new. He had been coming to it, all hesitating, for some time, but only now was conscious of the fact; he felt himself on the brink of a discovery. He felt vaguely that here was something better than the realism which he had adored; but certainly it was not the bloodless idealism which stepped aside from life in weakness; it was too strong; it was virile; it accepted life in all its vivacity, ugliness and beauty, squalor and heroism; it was realism still; but it was realism carried to some higher pitch, in which facts were transformed by the more vivid light in which they were seen. He seemed to see things more profoundly through the grave eyes of those dead noblemen of Castile; and the gestures of the saints, which at first had seemed wild and distorted, appeared to have some mysterious significance. But he could not tell what that significance was. It was like a message which it was very important for him to receive, but it was given him in an unknown tongue, and he could not understand. He was always seeking for a meaning in life, and here it seemed to him that a meaning was offered; but it was obscure and vague. He was profoundly troubled. He saw what looked like the truth as by flashes of lightning on a dark, stormy night you might see a mountain range. He seemed to see that a man need not leave his life to chance, but that his will was powerful; he seemed to see that self-control might be as passionate and as active as the surrender to passion; he seemed to see that the inward life might be as manifold, as varied, as rich with experience, as the life of one who conquered realms and explored unknown lands.

Surely you’re not going to destroy another book, are you?” “I’ve decided my obsession with reading has gotten me absolutely nowhere, so . . . I’m tossing all the nonsense out of my life and intend to travel forth with less baggage.” “You love to read.” “And I’ll occasionally indulge that love, but enough is enough.” She held up her copy of Pride and Prejudice. “This, for all intent and purposes, is a fairy tale. I’m done with fairy tales for good, as well as anything by Shakespeare. I loathe his stories, don’t understand most of what he’s written, and I was only reading them because of any future children I hoped to have. But since I’m destined to remain a spinster forever . . . I’m chucking them into the fire.” “What do Shakespeare and any children you might have in the future have in common?” Millie sent him a look that clearly said she found him a little dense. “I wanted to be knowledgeable so that my children wouldn’t suffer any embarrassment because of my ignorance and lack of education.” Everett’s mouth dropped open before he had the presence of mind to snap it shut when she shot him a glare. Bracing himself in case she got it into her head to punch him as she’d done Mr. Victor, Everett stepped closer to her and pried the copy of Pride and Prejudice out of her hand. “Any child would be lucky to call you mother, Millie. You’re smart, well-read, curious about everything, and have a true love for children.” Staring at him for a long moment, Millie tilted her head. “I knew we should have summoned the physician to take a look at you after your last brawl.” “My wits are not addled, Millie. Quite honestly, my mind is clearer right now than it’s been in years.” He brought her hand up to his lips and kissed it, relieved when her eyes widened just a bit. “And I have to tell you something else.” “What?” she asked in a voice that sounded somewhat breathless. “I can’t allow you to burn any Jane Austen book—but especially not Pride and Prejudice.” “That’s what you have to say to me—that I can’t burn a silly book?” “I finished the story, Millie. I read Pride and Prejudice from cover to cover, and . . . I’m your Mr. Darcy and you’re my Lizzy.” “You . . . finished . . . the story?” “Indeed. And if you didn’t hear me the first time, I’m Mr. Darcy.” “I’m fairly certain Mr. Darcy would have had an English accent, but since Lizzy did enjoy reading, I suppose it’s not too much of a stretch to compare me with her, although. . . .” As Millie continued talking, really rapidly at that, Everett simply watched her, taking in every detail of her face. Her green eyes were sparkling and her cheeks were flushed a delicate shade of pink. Brown curls had begun to escape the pins someone had put in her hair, and a spray of flowers that had been tucked into that hair was hanging somewhat forlornly over her ear. Her lips were still moving incredibly fast, but the second his gaze settled on them, he couldn’t seem to look away. They were delightful lips, just the right shade of pink, and . . . Everett leaned forward and claimed those rapidly moving lips with his own. For

*Wife's Letter* Pt1 ... It was not the mask that died among the boots, but you. The girl with the yoyo was not the only one to know about your masked play. From the very first instant, when, elated with pride, you talked about the distortion of the magnetic field, I too saw through you completely. Please don’t insult me any more by asking how I did it. Of course, I was flustered, confused, and frightened to death. Under any circumstances, it was an unimaginably drastic way of acting, so different from your ordinary self. It was hallucinatory, seeing you so full of self-confidence. Even you knew very well that I had seen through you. You knew and yet demanded that we go on with the play in silence. I considered it a dreadful thing at first, but I soon changed my mind, thinking that perhaps you were acting out of sympathy for me. Then, though the things you did seemed a little embarrassing, they began to present the appearance of a delicate and suave invitation to a dance. And as I watched you become amazingly serious and go on pretending to be deceived, my heart began to fill with a feeling of gratitude, and so I followed after you meekly. But you went from one misunderstanding to the next, didn’t you? You write that I rejected you, but that’s not true. Didn’t you reject yourself all by yourself? I felt that I could understand your wanting to. In view of the accident and all, I had more than half resigned myself to sharing your suffering. For that very reason, your mask seemed quite good to me. In a happy frame of mind, I reflected that love strips the mask from each of us, and we must endeavor for those we love to put the mask on so that it can be taken off again. For if there is no mask to start with, there is no pleasure in removing it, is there? Do you understand what I mean? I think you do. After all, don’t even you have your doubts? Is what you think to be the mask in reality your real face, or is what you think to be your real face really a mask? Yes, you do understand. Anyone who is seduced is seduced realizing this. But the mask did not return. At first you were apparently trying to get your own self back by means of the mask, but before you knew it you had come to think of it only as your magician’s cloak for escaping from yourself. So it was not a mask, but somewhat the same as another real face, wasn’t it? You finally revealed your true colors. It was not the mask, but you yourself. It is meaningful to put a mask on, precisely because one makes others realize it is a mask. Even with cosmetics, which you abominate so, we never try to conceal the fact that it is make-up. After all, it was not that the mask was bad, but that you were too unaware of how to treat it. Even though you put the mask on, you could not do a thing while you were wearing it. Good or bad, you could not do a thing. All you could manage was to wander through the streets and write long, never-ending confessions, like a snake with its tail in its mouth. It was all the same to you whether you burned your face or didn’t, whether you put on a mask or didn’t. You were incapable of calling the mask back. Since the mask will not come back, there is no reason for me to return either.

Sara noticed that his white teeth were slightly snaggled, giving his smile the appearance of a friendly snarl. It was then that she understood why so many women had been seduced by him. His grin held a wickedly irresistible appeal. She stared at his chest as he untied the laces and positioned her cap correctly. "Thank you," she murmured, and tried to take the strings of the cap from his fingers. But he didn't let go. He held the laces at her chin, his fingers tightening. Glancing up at him in confusion, Sara saw that his smile had vanished. In a decisive motion he pulled the concealing lace from her hair and let it fall. The cap fluttered to a patch of mud and rested there limply. Sara lifted her hand to the loose braided coil of her hair, which threatened to tumble from its pins. The chestnut locks gleamed with fiery highlights, escaping in delicate wisps around her face and throat. "Mr. Craven," she scolded breathlessly. "I find your behavior untoward a-and offensive, not to mention-oh!" She stammered in astonishment as he reached for her spectacles and plucked them from her face. "Mr. Craven, h-how dare you..." She fumbled to retrieve them. "I... I need those..." Derek held them out of reach as he stared at her uncovered face. This was what she had kept hidden beneath the old-maid disguise... pale, luminous skin, a mouth shaped with surprising lushness, a pert little nose, marked at the delicate bridge where the edge of her spectacles had pressed. Angel-blue eyes, pure and beguiling, surmounted by dark winged brows. She was beautiful. He could have devoured her in a few bites, like a fragrant red apple. He wanted to touch her, take her somewhere and pull her beneath him, as if he could somehow erase a lifetime of sin and shame within the sweetness of her body.

He caressed her skillfully, circling the point of delicate fire. Her buttocks lifted away from the hard length of his erection as her hips strained toward his hand. He brushed the swollen bud with the calloused tip of his thumb as he slid his middle finger inside her, until it was completely submerged in the luscious channel. Lottie's breath shortened, and her thighs clamped around his hand as he thrust and withdrew his finger in an easy rhythm. He felt her inner muscles tauten as she labored and twisted, fighting instinctively for release from the excruciating tension. Nick lowered his head to her breasts once more. The tips were taut and rosy now, and he blew against one of them softly before drawing it into his mouth. With his finger sunk inside her, and her nipples throbbing against his tongue, he experienced a triumph he had never known before. Lottie struggled helplessly as climax remained elusive, a moan of frustration escaping her.

An object is immutable if: Its state cannot be modifled after construction; All its flelds are final;[12] and [12] It is technically possible to have an immutable object without all fields being final—String is such a class—but this relies on delicate reasoning about benign data races that requires a deep understanding of the Java Memory Model. (For the curious: String lazily computes the hash code the first time hashCode is called and caches it in a nonfinal field, but this works only because that field can take on only one nondefault value that is the same every time it is computed because it is derived deterministically from immutable state. Don't try this at home.) It is properly constructed (the this reference does not escape during construction).

shoppers were choosing on the basis of price alone – the brands were completely substitutable. To escape this death spiral, P&G decided to slash their brand portfolio and target each of the remaining brands at specific washing needs. Thus initially evolved separate brands for the washing of clothes, skin and hair, which further evolved over time into separate brands for work-clothes, delicates, colours, whites, oily skin, dry skin, sensitive skin, dry hair, oily hair, dandruff-laden hair, blonde hair, coloured hair ad infinitum.

Thomas glanced back at the stairs, excited nerves leaping in his stomach. “Is Eliza coming?” After the words escaped his mouth he realized how comical he sounded. Of course she was coming. “I mean to say, is Eliza ready?” A wide grin washed over Kitty’s face, as if she were hiding something. “She’ll be down shortly.” Thomas nodded and rested his fidgety hands on the back of the embroidered chair. Nathaniel led Kitty to the other seat and helped her to sit. At that moment, the dainty tap of Eliza’s shoes on the stairs forced Thomas to whirl around. Nathaniel came up behind him. “Steady, boy.” Thomas clenched his jaw to keep it from gaping and dropped his hands to his sides. His eyes traced Eliza’s dainty form. She was even more radiant in that gown than he’d imagined and her face glittered with the most magnificent smile he’d ever seen. The fitted gown accentuated her perfect curves and impossibly tiny waist. The white lace around the neckline tickled her creamy skin, while the dusty-pink color drew out the rosy nature of her cheeks and lips. He tried, but he couldn’t stop staring. Her hair was curled like Kitty’s and wrapped with a delicate ribbon that matched the color of her gown. Her creamy complexion and the velvety look of her long neck were so enticing he had to fight the sudden urge to taste it. Eliza curtsied low and dipped her head. Upon rising she lifted her lashes and spoke to him in a tantalizing timbre. “Good evening, Thomas.” Thomas’s heart beat with such profound strength, it ripped every word from his mind. He wanted to say how beautiful she was. He wanted to tell her he was sorry for keeping his distance when she needed him. Even more than that, he wanted to move his face near hers, and inhale her graceful rose scent deep into his lungs before tasting her lips once again. Every appropriate response fled his mind as his blood raced around his body. He bowed. “Good evening, Eliza.” “Do my eyes deceive me?” Nathaniel, back to his charismatic self, pushed Thomas aside and kissed Eliza’s hand as he bowed with dramatic flare. “You are even more alluring than Aphrodite herself, my dear.” Eliza smiled again and giggled low in her throat. “You are too generous, Doctor.” “I am too enamored. You and your sister shine like the stars themselves.” A hearty grin flashed across his proud face. “Shall we go in to dinner?” He took his place beside Kitty and sent a flashing glance to Thomas, no doubt intended to instruct him to make the most of the moment. Thomas could kill himself. Good evening? That’s all he could say? Eliza’s body faced away from him, but she turned in his direction and the rest of her followed, her gown sweeping across the floor. Thomas closed the space between them, offering his arm. “Shall we go in?” Her slender hand grasped his arm. “You look very nice this evening, Thomas.” Thomas’s tongue dried up in his mouth, shriveling his ability to speak. He could never compete with Nathaniel’s theatrical praises. He’d have to just say what he thought. “You’re a vision, Eliza.” Her

Why did you stop?” Her innocence humbled him, and despite the danger, he pulled her to him, resting her head against his chest. He remained quiet, unable to answer as he tried to force his surging emotions to settle. But such a task was impossible. “What do my actions tell you now?” he whispered. She made no sound, only looked up and stroked his face with her delicate fingers. Her endless eyes shimmering back with such love, his heart swelled until it nearly stopped his lungs. “Eliza?” “Yes?” she answered, a husky sound to her voice. “I want you to be my wife.” The words toppled out of his mouth and he bit his tongue. He hadn’t intended to ask her, but apparently his inner desires, no matter how suppressed, could no longer be ignored. She pushed away and looked up at him, disbelief painting her face. “Your wife?” He tucked a long strand of hair behind her ear. “What do you say?” The muscles in his shoulders tensed. Maybe she did truly love Samuel. “Will you accept me?” She must have seen the emotions he attempted to disguise. Her slender fingers moved over his dipping eyebrows and the sweetest of smiles graced her enticing mouth. “There’s no need for your brow to furrow so. Of course I accept you.” Joy rose in his heart like a surging sea. Thomas moved his hands further around her waist, hoping such closeness would erase all other men from her mind. “You’re not wishing you would have accepted the man who asked before me?” An impish grin chased across her mouth. “Never. You’ve surprised me, that is all. I couldn’t be happier.” “So you do accept me?” he asked. A petite laugh escaped her. “Have I not already answered? What do my actions tell you, Thomas?

She came to him toward morning. She entered very carefully, moving silently, floating through the chamber like a phantom; the only sound was that of her mantle brushing her naked skin. Yet this faint sound was enough to wake the witcher—or maybe it only tore him from the half-slumber in which he rocked monotonously, as though traveling through fathomless depths, suspended between the seabed and its calm surface amid gently undulating strands of seaweed. He did not move, did not stir. The girl flitted closer, threw off her mantle and slowly, hesitantly, rested her knee on the edge of the large bed. He observed her through lowered lashes, still not betraying his wakefulness. The girl carefully climbed onto the bedclothes, and onto him, wrapping her thighs around him. Leaning forward on straining arms, she brushed his face with hair which smelled of chamomile. Determined, and as if impatient, she leaned over and touched his eyelids, cheeks, lips with the tips of her breasts. He smiled, very slowly, delicately, grasping her by the shoulders, and she straightened, escaping his fingers. She was radiant, luminous in the misty brilliance of dawn. He moved, but with pressure from both hands, she forbade him to change position and, with a light but decisive movement of her hips, demanded a response. He responded. She no longer backed away from his hands; she threw her head back, shook her hair. Her skin was cool and surprisingly smooth. Her eyes, glimpsed when her face came close to his, were huge and dark as the eyes of a water nymph. Rocked, he sank into a sea of chamomile as it grew agitated and seethed.

Nuage. Tinted the palest lavender, the inner petals nearly white, folded tightly, preserving their secrets. The outer petals a pinkish purple, delicately ruffled at the edges, offering up their gift of feminine sensuality. “Smell,” she said, and I bent and inhaled. A bit spicy, a bit sweet. Exactly right. Exactly Hope.

Cyrion, escaped prey, stood immobile, the sword free of its sheath and poised, almost delicately, in his right hand. His face betrayed only the mildest surprise at what was before him, a being surely minted in hell.

The suggestive patterning and often delicate precision of detail in such coincidences notoriously escape the net of objective assessments and experimental tests. Synchronicities seem to constitute a lived reality the experience of which depends deeply on the sensitive perception of context and nature.

If I do this … if I entered witness protection …” Her hands worried at one another, and her eyes searched the darkness for words she didn’t know how to say. “What, princesa? If you do this, what?” I placed my fingers at the back of her neck and ran my thumb along her delicate jaw. “Then … I’ll never see you again.” Her words were a whispered confession—an admission and a plea—so unexpected they winded me. Reyna Vargas was drawn to me enough that she was wary to take her best chance at escape for fear she’d lose me. Any man would be a fool to let such beauty and fidelity slip between his fingers. “Then I’ll just have to go with you,” I said without reservation. I was spellbound by the woman before me and could think of no better purpose in life than to stand by her side.

Don’t think I don’t want you there, Thorn. I want you wherever I can get you. Why do you think I’ve been coming to the bakery every day for months? I don’t even like sweets.

They walked slowly past fire-swallowers, conjurors and tumblers, pausing to purchase a skin of new wine. Daisy drank carefully from the wineskin, but a drop escaped from the corner of her lips. Matthew smiled and began to reach into his pocket for a handkerchief, then appeared to think better of it. Instead he ducked his head and kissed away the wine droplet. “You’re supposed to be protecting me from impropriety,” she said with a grin, “and instead you’re leading me astray.” The backs of his knuckles stroked gently against the side of her face. “I’d like to lead you astray,” he murmured. “In fact, I’d like to lead you straight into those woods and…” He seemed to lose his train of thought as he stared into her soft, dark eyes. “Daisy Bowman,” he whispered. “I wish—” But she was never to find out what his wish was, because she was abruptly pushed into him as a crowd jostled past. Everyone was bent on obtaining a view of a pair of jugglers who had clubs and hoops spinning in the air between them. In the rush the wineskin was knocked from Daisy’s hands and trampled underfoot. Matthew put his arms around her protectively. “I dropped the wine,” Daisy said regretfully. “Just as well.” His mouth lowered to her ear, his lips brushing the delicate outer rim. “It might have gone to my head. And then you might have taken advantage of me.” Daisy smiled and snuggled against his hard form, her senses delighting in the reassuring warmth of his embrace. “Are my designs on you that obvious?” she asked in a muffled voice. He nuzzled into the soft space beneath her earlobe. “I’m afraid so.

What else did her mother tell you?” Ethan asked, looking for any advantage in his task of winning her over. “That she’d call us later and give us pointers on wooing her daughter. Apparently, Naomi has something of a stubborn nature.” A snort escaped him. “I hadn’t noticed.” Javier paced the living room as Ethan stroked Naomi’s silky hair, unable to resist running his fingers through the long brown strands. “What are you thinking?” “That fate is laughing at me.” A chuckle made Ethan’s chest vibrate, causing Naomi’s head to jiggle. He cradled her head in his big palm to prevent her from falling before replying. “She’s certainly not what either of us expected, that’s for sure.” Javier shot him a dark look. “No shit, Sherlock. I mean don’t get me wrong, short and curvy works fine for me, but I always expected, if ever fate was cruel enough to curse me, she’d at least give me a woman who likes me.” “I’m sure she will in time. We took her by surprise, not to mention she’s in pain. Besides, I kind of like that she’s feisty. She’ll need it to keep up with us.” Round eyes and an open mouth met his answer. “You, my friend, are insane. One ball too many to the head I think. I mean, not only does she not want you, shouldn’t you be more pissed that it looks like she’s meant for both of us?” Ethan shrugged. “I’ll admit, I never expected to share, but if fate says that’s my lot, then at least it chose someone I could tolerate. And beat in a wrestling match if I need to. Besides, I’ll only have to share if you bother to stick around to mark her.” “Oh, I’m staying, so you can forget about keeping her for yourself,” Javier replied shooting him a dark look. “What happened to I’m not meant for monogamy?” Ethan pitched his voice mockingly. A sigh emerged from Javier’s mouth before he slumped in the chair across from him. “I haven’t thought that far ahead. It’s hard to think at all with my damned cat yammering for me to bite her. Mayhap if you were to claim her first, the need for me to do so would vanish?” The optimism in his friend’s voice made him laugh again. “Sorry, no such luck I’m afraid. From everything I’ve ever heard, once you find the one, you’re done for. The need to mark her, claim her, just gets stronger and stronger.” Already the urge to take her rode Ethan hard. It didn’t help that he held her cuddled on his lap, her sweet fragrance tickling his nose while her lush body pressed against his turgid cock.

Halias looked up at our approach and rose to kneel at the bars, hooking his fingers through them. Miranna mirrored his position, grasping his hand, her upper lip trembling. “Don’t be sad,” he murmured to her, brushing back her curly locks with his free hand. “It’s all right.” “How can you say that?” she whispered, tears flowing freely. “You’re going to die and there’s nothing right about it.” Miranna closed her eyes, pressing her delicate face against his large palm. “How can I bear losing you?” “Listen to me,” Halias said gently. “When the Overlord came, I escaped death. Now I’m going where I belong, with Destari and the rest of those men.” “Don’t say that. You don’t belong in a grave. Those other men were murdered--they deserved life. You deserve life.” “I’m sorry. But it is a noble death, Miranna. I’m not afraid. I’m doing this for you, and for all of Hytanica. How can that be a cause for sadness?” “Because…” Miranna gave a small gasp in an attempt to control her weeping. “Because I love you.” “It is because I love you that I can face tomorrow without regret.” They sat together for what seemed like hours, until Miranna fell asleep, exhausted from sadness and tears. Temerson lifted her, cradling her against his chest. “Thank you,” Halias said softly to me and to Narian. “If you hadn’t brought her, I don’t know how much strength I would have.” Narian nodded, and I whispered my own “I’m sorry.” There were no other words that could convey what I was feeling. Bravery like his was rare, and somehow made it that much harder to meet his gaze.

I have indeed inveighed sharply against impious doctrines, and I have not been slack to censure my adversaries on account, not of their bad morals, but of their impiety. And for this I am so far from being sorry that I have brought my mind to despise the judgments of men and to persevere in this vehement zeal, according to the example of Christ, who, in His zeal, calls His adversaries a generation of vipers, blind, hypocrites, and children of the devil. Paul, too, charges the sorcerer with being a child of the devil, full of all subtlety and all malice; and defames certain persons as evil workers, dogs, and deceivers. In the opinion of those delicate-eared persons, nothing could be more bitter or intemperate than Paul's language. What can be more bitter than the words of the prophets? The ears of our generation have been made so delicate by the senseless multitude of flatterers that, as soon as we perceive that anything of ours is not approved of, we cry out that we are being bitterly assailed; and when we can repel the truth by no other pretence, we escape by attributing bitterness, impatience, intemperance, to our adversaries. What would be the use of salt if it were not pungent, or of the edge of the sword if it did not slay? Accursed is the man who does the work of the Lord deceitfully.

May we expect that there is something corresponding to be learnt with regard to the phenomenon of consciousness? If so, it would not be mass that would need to be large for the phenomenon to become apparent-at least not only mass-but some kind of delicate physical organization. According to the arguments put forward in Part I, such organization would have to have found a way of making use of some hidden non-computational ingredient already present in the behaviour of ordinary matter-an ingredient that, like the light-cone tilting of general relativity, would have totally escaped attention had that attention been confined to the study of the behaviour of tiny particles.

David started up the wheeled stairs to the upper floors with his sword at the ready. He expected to encounter Blackadder warriors, protecting the lady of the castle. But there were none on the stairs and none guarding the door on the first floor. Damn it. She must have escaped. He gritted his teeth as he envisioned the lady’s guards leading her through the tunnel. He was about to open the chamber door to make sure it was empty when Brian, one of his best men, came down the stairs. “Laird, I checked all the chambers while ye were in the hall,” he said. David’s jaw ached from clenching it. “There’s one door on the floor just above us that wouldn’t open with the latch,” Brian said. “Shall I break it down?” David waved him aside and pulled the ax from his belt as he raced up the stairs. “Open it!” he shouted and pounded on the door. He did not wait. She could be escaping through a secret door this very moment. Three hard whacks with his ax, and the door split. He kicked it until it swung open, then stepped through. At his first sight of the woman, his feet became fixed to the floor. He felt strange, and his vision was distorted, as if as if he had swallowed a magical potion that narrowed his sight. He could see nothing in the room but her. She was extraordinarily lovely, with violet eyes, pale skin, and shining black hair. But there was something about her, something beyond her beauty, that held him captive. She was young, much younger than he expected, and her features and form were delicate, in marked contrast to the violent emotion in her eyes. David knew to the depths of his soul that a brute like him should not be the man to claim this fragile flower, even while the word mine beat in his head like a drum. He had no notion of how long he stood staring at her before he became aware that she held a sword. It was longer still before he noticed the two wee lasses peeking out from behind her like frightened kittens. Anger boiled up in his chest. Every Blackadder man in the castle who could still draw breath should have been here, standing between him and their lady. Instead, she faced him alone with a sword she could barely lift with both hands. It was a brave, but ridiculous gesture. There was no defense against him.

A delicate balance. In summary, nuclei are held together by a delicate balance among (a) the attractive strong force between nucleons, (b) the electrical repulsion between protons, (c) the dilution of this repulsive force by neutrons, and (d) the instability created by the Exclusion Principle if there are too many neutrons. Thus, for a given number of protons there is a narrow range of allowable neutron numbers: not enough and the protons will fly apart because of electrical repulsion: too many and the nucleus will be unstable because of the Exclusion Principle.

prophets? The ears of our generation have been made so delicate by the senseless multitude of flatterers that, as soon as we perceive that anything of ours is not approved of, we cry out that we are being bitterly assailed; and when we can repel the truth by no other pretence, we escape by attributing bitterness, impatience, intemperance, to our adversaries.

Darkness towered above Joe Pike like an ominous black cloud. He did not know when or where he was, or how he came to be trapped here with this awful thing. He only knew the giant shadow would smother him with a darkness he could not escape. The shadow fell over him with the delicate grace of fog, but held him with the awful weight of concrete, a rising pool of blackness that would fill his mouth and nose and ears. Pike fought desperately to scramble away, but his arms and legs would not move. He strained to break free, grunting, hissing, spit and tears flying as his head whipped side to side. Pike did not know what it was, this shadow. He did not understand how it held him, or why he could not escape. It rose from the dark as always, and one day it would kill him . . . as he feared it had killed him before.

Vane met her wide gaze, and managed not to smile wolfishly- no need to frighten the prey. The view he now had- of delectable curves filling a gown of ivory sprigged muslin in a manner he fully approved- was every bit as enticing as the view that first held him- the gorgeous curves of her derriere clearly delineated beneath taut fabric. When she'd shifted, so had those curves. He couldn't remember when a sight had so transfixed him, had so tantalized his rake's senses. She was of average height, her forehead level with his throat. Her hair, rich brown, lustrously sheening, was confined in a sleek knot, bright tendrils escaping to wreathe about her ears and nape. Delicate brown brows framed large eyes of hazel brown, their expression difficult to discern in the gloom. Her nose was straight; her complexion creamy. Her pink lips simply begged to be kissed. He'd come within a whisker of kissing them, but tasting an unknown lady before the requisite introductions was simply not good form. His silence had allowed her to steady her wits; he sensed her growing resistance, sensed the frown gathering in her eyes. Vane let his lips curve. He knew precisely what he wanted to do- to her, with her; the only questions remaining were where and when.

He skimmed his knuckles over her jaw before roaming lower to the satiny column of her neck, then back up again. "Surely you could stay for dinner? You said yourself your aunt is away. I can't believe you would prefer eating alone." Her frown increased. "No, but-" "Then stay. My cook sets an excellent table. Delicious fare designed to tempt any palate. Tell me your favorites and I'll send word to her to make them especially for you." Sliding his arm around her back, he bent and pressed his mouth to the base of her throat. "Do you like roast beef?" "Ahh, I..." "Too heavy, you're right," he stated, dropping kisses against her skin in a leisurely pattern. "What about venison? Unless you are worried it might be gamey. Hmm, I agree." Her eyelids fluttered, one hand coming up to catch in the fabric of his coat. Working his way up, he paused and breathed a gentle gust of warm, brandy-scented air into her ear. She shuddered, a tiny moan escaping her lips. "Partridge, perhaps? In a sweet vermouth with plump raisins and orange peel. How does that sound?" "Delightful." He smiled, wondering if she was referring to the food or his kisses. He definitely hoped the latter. "Or I know," he whispered, brushing his mouth ever so lightly against hers. "Lobster and oysters. Light and delicate, with a taste as fresh as the sea. Shall we try that? I could feed them to you bite by delectable bite.

Because everything about you screams that you’ve been fighting alone for too damn long, Thorn. You need someone to help carry the weight for a little while. I might not be able to fix everything, but I can help carry the load.

Sounds like tortured cats reaching for those high notes,

You’re worthy, Shepard Colson. You don’t have to fix anything to be that. You don’t have to dig a million trenches or replace feet of corroded piping. You’re worthy just for who you are.

Not nearly bad enough. I’m going with…eaten by piranhas, starting with his dick.

Often Khaster heard noises in the night he could not identify. They were the sounds made by animals, but had a human resonance to them. Sometimes gouts of light would spurt into the sky-red, turquoise, gold-and some moments later thunder would come, but from beneath the earth rather than the heavens. Strange smells, bitter yet musky and sweet, would occasionally come in through an open window to haunt a room. Khaster knew that the priest-mages of Madragore employed a regiment of alchemists who worked in a shuttered citadel on the east of the city. Its huge domed roof, which was covered in flaky verdigis scales rose up from an area of factories and tanning shops. Stories leaked out of the citadel along with the fumes. Creatures were made there, homunculi, golems, beasts of war. Sometimes the creatures escaped or were let out to roam the city by their keepers. That accounted for the strange nocturnal noises. But perhaps these were only stories after all. Perhaps the citadel hid secrets of a more mundane yet brutal nature. Prisoners could be interrogated there, tortured with corrosive steams. The alchemists made killing perfumes for use on the battlefield. Khaster had heard tales of a liquid that when released into the air corroded all the flesh from anyone who smelled its delicate aroma. The alchemists made weapons; if not magical beasts, then mordant potions and poisons. They had to test them on someone.

We hardly need to be reminded that we are living in an age of confusion. A lot of us have traded in our beliefs for bitterness and cynicism, or for a heavy package of despair, or even a quivering portion of hysteria. Opinions can be picked up cheap in the marketplace, while such commodities as courage and fortitude and faith are in alarmingly short supply. Around us all-now high like a distant thunderhead, now close upon us with the wet choking intimacy of a London fog-there is an enveloping cloud of fear. There is a physical fear, the kind that drives some of us to flee our homes and burrow into the ground in the bottoms of a Montana valley like prairie dogs to try to escape, if only for a little while, the sound and fury of the A-bombs or the hell bombs or whatever may be coming. There is a mental fear, which provokes others of us to see the images of witches in a neighbor’s yard and stampedes us to burn down his house. And there is a creeping fear of doubt-doubt of what we have been taught, of the validity of so many things we have long since taken for granted to be durable and unchanging. It has become more difficult than ever to distinguish black from white, good from evil, right from wrong. What truths can a human being afford to furnish the cluttered nervous room of his mind with when he no real idea how long a lease he has on his future. It is to try to meet the challenge of such questions that we have prepared these broadcasts. It has been a difficult task and a delicate one. Except for those who think in terms of pious platitudes or dogma or narrow prejudice-and those thoughts we aren’t interested in-people don’t speak their beliefs easily or publicly.

As she gazed across the water, she saw a feather, white and perfect, drifting past her. Her eyes followed it as it moved gently with the current. It looked so delicate, so fragile—and yet it glided down the river with all the strength and balance of a boat. It was not struggling to escape. It was simply allowing itself to go where time and the water would take it.

If he were champagne, full of fizz threatening to escape the bottle, she was a delicate liqueur, subtle and languid.

I made you nervous? I was ready to get on my knees, Em." My heart flipped over in my chest, and I covered the moment by fumbling with the string holding the box closed. It slipped free with a jerk, and the box, designed to open like a flower, revealed its gift. A gasp escaped me. Nestled in a white cloud of spun sugar was a perfect little sphere-shaped gâteau covered in chocolate so dark and glossy it shone like midnight. But that wasn't what had my mouth falling open in awe. Resting on the very top of the orb was a pink-and-gold butterfly made of sugar glass. The delicate wings were so fine and thin the light shone through them. It looked so real I half expected it to fly away. "Lucian..." "This is how I see you sometimes," he said in a low voice, eyes on the gâteau. "Beautiful and rare, something not to be contained but treasured.

As a leader, there is no way to escape the responsibility for walking that delicate line and making those delicate judgments between the rights of the group versus the rights of the individual.

The message left Kiel at a speed of 300,000 kilometres per second. The sequence of words keyed into Erwin Suess’s laptop at the Geomar Centre entered the net in digital form. Converted by laser diodes into optical pulses, the information raced along with a wavelength of 1.5 thousandths of a millimetre, shooting down a transparent fibreoptic cable with millions of phone conversations and packets of data. The fibres bundled the stream of light until it was no thicker than two hairs, while total internal reflection stopped it escaping. Whizzing towards the coast, the waves surged along the overland cable, speeding through amplifiers every fifty kilometres until the fibres vanished into the sea, protected by copper casing and thick rubber tubing, and strengthened by powerful wires. The underwater cable was as thick as a muscular forearm. It stretched out across the shelf, buried in the seabed to protect it from anchors and fishing-boats. TAT 14, as it was officially known, was a transatlantic cable linking Europe to the States. Its capacity was higher than that of almost any other cable in the world. There were dozens of such cables in the North Atlantic alone. Hundreds of thousands of kilometres of optical fibre extended across the planet, making up the backbone of the information age. Three-quarters of their capacity was devoted to the World Wide Web. Project Oxygen linked 175 countries in a kind of global super Internet. Another system bundled eight optical fibres to give a transmission capacity of 3.2 terabits per second, the equivalent of 48 million simultaneous phone conversations. The delicate glass fibres on the ocean bed had long since supplanted satellite technology.

To get a sense of their exchange, you should know a little about how the system functioned, or rather how it still does, because in this particular matter, I believe that little to nothing has changed. The peasant who cannot write, and needs something written, goes looking for a person who knows the art, and chooses someone, as best he can, from among members of his own class, since he is intimidated by others or doesn’t trust them. He explains the background, with some degree of order and clarity, and in the same fashion, he dictates what needs to be put down on paper. The writer, in equal parts understanding and misunderstanding, offers some advice, proposes a few changes, and says, “Leave it to me.” He picks up his pen, puts down the other person’s thoughts in written form as best he can, corrects them, improves them, emphasizes some parts, and softens or leaves out others, depending on what he thinks sounds best; because—there’s no escaping it—a man who knows more than others does not want to be a tool in their hands. When he delves into their business, he wants to do things slightly in his own way. Still, the writer does not always manage to say everything he means. Sometimes he even ends up saying the opposite; the same thing also happens to me when I write for the press. When a letter composed in such a manner reaches the addressee, who, like the sender, is also unschooled in the ABC’s, he or she must turn to another learned man of similar status to read and explain the message. Questions over interpretation arise since the recipient, who is familiar with the background, claims that certain words mean one thing, while the reader, based on his experience with composition, claims that they mean something else. In the end, the one who cannot write must submit to the one who can and entrust him with the reply; a reply that, following the pattern of the previous letter, is subject to the same style of interpretation. And if, moreover, the subject of the correspondence is a little delicate, and involves secret matters that should be indecipherable to a third person if the letter happens to go astray; and if, in this regard, there is also a deliberate intention not to say things clearly, then, no matter how brief the correspondence, the two parties will end up understanding each other as well as two medieval scholars might have, in the olden days, after debating the meaning of Aristotle’s entelechy for four hours (I have shied away from using a more modern example to avoid getting my ears boxed!).

The year before, at an evening party, he had heard a piece of music played on the piano and violin. At first he had appreciated only the material quality of the sounds which those instruments secreted. And it had been a source of keen pleasure when, below the delicate line of the violin-part, slender but robust, compact and commanding, he had suddenly become aware of the mass of the piano-part beginning to surge upward in plashing waves of sound, multiform but indivisible, smooth yet restless, like the deep blue tumult of the sea, silvered and charmed into a minor key by the moonlight. But then at a certain moment, without being able to distinguish any clear outline, or to give a name to what was pleasing him, suddenly enraptured, he had tried to grasp the phrase or harmony—he did not know which—that had just been played and that had opened and expanded his soul, as the fragrance of certain roses, wafted upon the moist air of evening, has the power of dilating one's nostrils. Perhaps it was owing to his own ignorance of music that he had received so confused an impression, one that are nonetheless the only purely musical impressions, limited in their extent, entirely original, and irreducible to any other kind. An impression of this order, vanishing in an instant, is, so to speak, an impression sine materia. Doubtless the notes which we hear at such moments tend to spread out before our eyes over surfaces of varying dimensions, to trace arabesques, to give us the sensation of breadth or tenuity, stability or caprice. But the notes themselves have vanished before these sensations have developed sufficiently to escape submersion under those which the succeeding or even simultaneous notes have already begun to awaken in us. And this impression would continue to envelop in its liquidity, its ceaseless overlapping, the motifs which from time to time emerge, barely discernible, to plunge again and disappear and drown, recognised only by the particular kind of pleasure which they instill, impossible to describe, to recollect, to name, ineffable—did not our memory, like a labourer who toils at the laying down of firm foundations beneath the tumult of the waves, by fashioning for us facsimiles of those fugitive phrases, did not enable us to compare and to contrast them with those that follow. And so, scarcely had the exquisite sensation which Swann had experienced died away, before his memory had furnished him with an immediate transcript, sketchy, it is true, and provisional, which he had been able to glance at while the piece continued, so that, when the same impression suddenly returned, it was no longer impossible to grasp. He could picture to himself its extent, its symmetrical arrangement, its notation, its expressive value; he had before him something that was no longer pure music, but rather design, architecture, thought, and which allowed the actual music to be recalled. This time he had distinguished quite clearly a phrase which emerged for a few moments above the waves of sound. It had at once suggested to him a world of inexpressible delights, of whose existence, before hearing it, he had never dreamed, into which he felt that nothing else could initiate him; and he had been filled with love for it, as with a new and strange desire.

Ashiana… has no one ever told you?” He reached out to tilt her chin up, his touch as gentle as his voice. “I am not teasing when I call you sundar. Your eyes are the color of ocean waves in the morning sun. Your skin is like the silk the Hindus call ‘the white of the clouds when the rain is spent.’ And the rest of you…” His voice deepened. “… is delicate and feminine and perfect.

My life was sustained between those stolen glances of heaven. His face was so delicate and beautiful, now just a nostalgic phantom in my fading memory. All these years, those three words never escaped my lips, and yet, he knew, he always knew.

We hardly need to be reminded that we are living in an age of confusion. A lot of us have traded in our beliefs for bitterness and cynicism, or for a heavy package of despair, or even a quivering portion of hysteria. Opinions can be picked up cheap in the marketplace, while such commodities as courage and fortitude and faith are in alarmingly short supply. Around us all-now high like a distant thunderhead, now close upon us with the wet choking intimacy of a London fog-there is an enveloping cloud of fear. There is a physical fear, the kind that drives some of us to flee our homes and burrow into the ground in the bottoms of a Montana valley like prairie dogs to try to escape, if only for a little while, the sound and fury of the A-bombs or the hell bombs or whatever may be coming. There is a mental fear, which provokes others of us to see the images of witches in a neighbor’s yard and stampedes us to burn down his house. And there is a creeping fear of doubt-doubt of what we have been taught, of the validity of so many things we have long since taken for granted to be durable and unchanging. It has become more difficult than ever to distinguish black from white, good from evil, right from wrong. What truths can a human being afford to furnish the cluttered nervous room of his mind with when he no real idea how long a lease he has on his future. It is to try to meet the challenge of such questions that we have prepared these broadcasts. It has been a difficult task and a delicate one. Except for those who think in terms of pious platitudes or dogma or narrow prejudice-and those thoughts we aren’t interested in-people don’t speak their beliefs easily or publicly

We hardly need to be reminded that we are living in an age of confusion. A lot of us have traded in our beliefs for bitterness and cynicism, or for a heavy package of despair, or even a quivering portion of hysteria. Opinions can be picked up cheap in the marketplace, while such commodities as courage and fortitude and faith are in alarmingly short supply. Around us all-now high like a distant thunderhead, now close upon us with the wet choking intimacy of a London fog-there is an enveloping cloud of fear. There is a physical fear, the kind that drives some of us to flee our homes and burrow into the ground in the bottoms of a Montana valley like prairie dogs to try to escape, if only for a little while, the sound and fury of the A-bombs or the hell bombs or whatever may be coming. There is a mental fear, which provokes others of us to see the images of witches in a neighbor’s yard and stampedes us to burn down his house. And there is a creeping fear of doubt-doubt of what we have been taught, of the validity of so many things we have long since taken for granted to be durable and unchanging. It has become more difficult than ever to distinguish black from white, good from evil, right from wrong. What truths can a human being afford to furnish the cluttered nervous room of his mind with when he no real idea how long a lease he has on his future. It is to try to meet the challenge of such questions that we have prepared these broadcasts. It has been a difficult task and a delicate one. Except for those who think in terms of pious platitudes or dogma or narrow prejudice-and those thoughts we aren’t interested in-people don’t speak their beliefs easily or publicly.

Both the American and Chinese militaries acknowledge that the US has lost, or at least failed to win, four of the five major wars it has entered since World War II.21 (Korea was at best a draw, Vietnam a loss, and Iraq and Afghanistan unlikely to turn out well. Only President George H. W. Bush’s war in 1991 to force Saddam Hussein’s Iraq to retreat from Kuwait counts as a clear win.) Reflecting on that record, former secretary of defense Robert Gates stated the obvious: “In my opinion, any future defense secretary who advises the president to again send a big American land army into Asia or into the Middle East or Africa should ‘have his head examined,’ as General MacArthur so delicately put it.”22

I only want thee." Her breath was a soft whisper on his face. He allowed himself to be submersed in her, the feel of her skin so pliant under his searching fingertips, the soft sounds escaping her throat, the feel of her lips. His hands found the delicate bones at her collar, stroked the slim shoulders and down her back. He inhaled deeply, wanting to make this magical feeling last, so thoroughly did it chase away the blackness that engulfed him. His hands spanned her waist, outlining her ribs, feeling the rise and fall of her breath, feeling her delicacy and appreciating the form of a woman in a way he never had. So feminine and sweet. "Like none other in all creation," he murmured into the curve of her neck. He felt her smile.

Depending on the form it takes, perfectionism is not necessarily a block to creativity... Characteristics of what psychologists view as healthy perfectionism include striving for excellence and holding others to similar standards, planning ahead, and strong organizational skills. Healthy perfectionism is internally driven in the sense that it’s motivated by strong personal values for things like quality and excellence. Conversely, unhealthy perfectionism is externally driven. External concerns show up over perceived parental pressures, needing approval, a tendency to ruminate over past performances, or an intense worry about making mistakes... everyone has some combination of both forms of perfectionism, so escaping from the grip of unhealthy perfectionism, while allowing healthy perfectionist impulses to drive us is a delicate balance.

Nothing stays I’ve come to understand that even my slightest breath escapes- flying between leaves nothing stays this will just end in piles of smoke with all my tears swimming on the floor they are so delicate like a flower I keep wondering if they can swim? will they survive? like wet paint that never gets to dry so your footprints wash away dragging our memories along don’t be sad I’ve heard we were one of the lucky ones that’s how it was supposed to happen I, alone, writing poetry and painting your face in my mind and you happy with someone else in some other place maybe it was just not our time maybe it never was maybe all you were supposed to do was to make me into a poet.

Nothing stays I’ve come to understand that even my slightest breath escapes- flying between leaves nothing stays this will end in piles of smoke with all my tears swimming on the floor they are so delicate like a flower I keep wondering if they can swim? will they survive? like wet paint that never gets to dry so our footprints wash away dragging our memories with time don’t be sad I’ve heard we are one of the lucky ones that’s how it was supposed to happen I, alone, writing poetry and painting your face in my mind and you happy with someone else in some unknown place maybe it was just not our time maybe it never was maybe all you were supposed to do was to make me into a poet.

Nothing stays I’ve come to understand that even my slightest breath escapes- flying between leaves nothing stays this will end in piles of smoke with all my tears swimming on the floor they are so delicate like a flower can they swim? will they survive? like wet paint that never gets to dry so your footprints fade washing our memories away don’t be sad I’ve heard we were one of the lucky ones that’s how it is, now I, alone, writing poetry painting your face inside my mind and you happy with someone else in some unknown place maybe it was not our time maybe it never was maybe we gave all we had maybe we hid more maybe nothing's supposed to stay maybe all you were to do was to make me into a poet.