Defines Your Character Quotes

Did you ever want to set someone's head on fire, just to see what it looked like? Did you ever stand in the street and think to yourself, I could make that nun go blind just by giving her a kiss? Did you ever lay out plans for stitching babies and stray cats into a Perfect New Human? Did you ever stand naked surrounded by people who want your gleaming sperm, squirting frankincense, soma and testosterone from every pore? If so, then you're the bastard who stole my drugs Friday night. And I'll find you. Oh, yes.

Life will throw different character tests at you that are designed to see how well you do. The key to passing these tests is having the right values in place that you've developed over time and that now define your character.

LAW 25 Re-Create Yourself Do not accept the roles that society foists on you. Re-create yourself by forging a new identity, one that commands attention and never bores the audience. Be the master of your own image rather than letting others define if for you. Incorporate dramatic devices into your public gestures and actions – your power will be enhanced and your character will seem larger than life.

I am a strong and powerful woman. I am proud to be a woman and I celebrate the qualities that I have as a woman. I am not defined by other people’s opinion of who I should be or what I should do as a woman. I determine that, not anyone else. I am not passed up for a position, title, or promotion because I am a woman. I fully deserve all the good things that comes my way. Irrespective of what anyone might think, being a woman places no boundaries or limits on my abilities. I can do anything I set my mind to. I celebrate my womanhood and I am beautiful both inside and out.

One of the things I love about books is being able to define and condense certain portions of a character's life into chapters. It's intriguing, because you can't do this with real life. You can't just end a chapter, then skip the things you don't want to live through, only to open it up to a chapter that better suits your mood. Life can't be divided into chapters... only minutes. The events of your life are all crammed together one minute right after the other without any time lapses or blank pages or chapter breaks because no matter what happens life just keeps going and moving forward and words keep flowing and truths keep spewing whether you like it or not and life never lets you pause and just catch your fucking breath. I need one of those chapter breaks. I just want to catch my breath, but I have no idea how.

[A Letter to the Culture that Raised Me] I'm not here to be on display. And my body is not for public consumption. I will not be reduced to an object, or a pair of legs to sell shoes. I'm a soul, a mind, a servant of God. My worth is defined by the beauty of my soul, my heart, my moral character. So I won't worship your beauty standards, and I don't submit to your fashion sense. My submission is to something higher.

Words only reveal half of your heart. Service defines the other half. Character is the combination of the two.

You are not defined by the clothes on your body, the shoes on your feet, or the money in your pocket. You are defined by the choices you make, the character that you choose to have, and the respect you show yourself and to those around you.

The day you find out who you are is when you look back and realize that it was never the words, rather your actions that defined you.

Life is too short to be anything but real with the cast of characters God has placed in the story of your life. Love well, laugh often, and find your life in Christ. Don't hide away or be a follower. Be the wonderful unique person God made you to be, and know that your purpose will always be best when defined by your faith in him

How often you impress people when you have nothing and how often you oppress them when you have everything is what defines your real character!

Your personal core values define who you are, and a company's core values ultimately define the company's character and brand. For individuals, character is destiny. For organizations, culture is destiny.

Your actions define your character, your words define your wisdom, but your treatment of others defines REAL you.

Do not give anyone the power to define your character. Let your character define and bring out the good in you as a person.

It is not your beauty, success or money that should define you; neither should your church calling, your charitable contributions or talents. Humility is the cornerstone of character, by which God judges our truth worth, and wisdom is the door he opens when we use it.

How you correct your mistakes will define your character and commitment to a higher power.

The beauty of being shattered is how the shards become our character and our marks of distinction. This is how we are refined by our pain. When the storm rips you to pieces, you get to decide how to put yourself back together again. The storm gives us the gift of our defining choices. You will be a different person after the storm, because the storm will heal you from your perfection. People who stay perfect and unblemished never really get to live fully or deeply. You will not be the same after the storms of life; you will be stronger, wiser and more alive than ever before!

Your attitude defines your personality. Your personality refines your attitude. Together they make up your character.

life can be organized like a business plan. First you take an inventory of your gifts and passions. Then you set goals and come up with some metrics to organize your progress toward those goals. Then you map out a strategy to achieve your purpose, which will help you distinguish those things that move you toward your goals from those things that seem urgent but are really just distractions. If you define a realistic purpose early on and execute your strategy flexibly, you will wind up leading a purposeful life. You will have achieved self-determination, of the sort captured in the oft-quoted lines from William Ernest Henley’s poem “Invictus”: “I am the master of my fate / I am the captain of my soul.

One of the most memorably unexpected events I experienced in the course of doing this book came in a dissection room at the University of Nottingham in England when a professor and surgeon named Ben Ollivere (about whom much more in due course) gently incised and peeled back a sliver of skin about a millimeter thick from the arm of a cadaver. It was so thin as to be translucent. “That,” he said, “is where all your skin color is. That’s all that race is—a sliver of epidermis.” I mentioned this to Nina Jablonski when we met in her office in State College, Pennsylvania, soon afterward. She gave a nod of vigorous assent. “It is extraordinary how such a small facet of our composition is given so much importance,” she said. “People act as if skin color is a determinant of character when all it is is a reaction to sunlight. Biologically, there is actually no such thing as race—nothing in terms of skin color, facial features, hair type, bone structure, or anything else that is a defining quality among peoples. And yet look how many people have been enslaved or hated or lynched or deprived of fundamental rights through history because of the color of their skin.

Black Girls… Strive to be a woman of substance! Don’t solely allow your big butt, thick thighs, wide hips, large breasts, and overall good looks to define you as a woman. Your looks alone shouldn’t define who you are. What more do you have to offer? What is your TRUE character? How is your attitude? What have you accomplished? Do you have respect for yourself? What do you represent? Everywhere you look, there’s another beautiful, stunning, fine looking sista. Stand out from the rest and dare to be different! Your good looks should only be a bonus, not the main factor. #RealTalk

It’s dialogue that gives your cast their voices, and is crucial in defining their characters—only what people do tells us more about what they’re like,

Past a certain point, maybe, a person's character defines itself and stays fixed in your mind.

I got a demerit, professor." There was a kind of naughty amusement in her eyes that I found myself really liking. I smiled slowly. "Why did you do, Miss Dearly?" "She henpecked Elpinoy in a most spectacular fashion," Renfield offered. "I think at one point she was actually hanging on his back." Nora made a sound of annoyance. "Alas, I was looking at a computer screen with Dr. Samedi at the time, and thus I'm afraid that neither of us can vouch for this with certainty." The laughter bubbled out of me before I could hold it back. "Were you?" I asked her. "Define 'hanging.'" "Bra,." Elpinoy appeared in one of the lab doorways. He gestured to the exterior doors. "Take her out. Now. Never in my life have I encountered such a little-" "Lady?" I asked, trying to keep a straight face. "Out." "'Phone call,'" Nora said, affecting his tone of voice and looking right at him. "'Let-ter.'" "Not until Wolfe orders it!" Elpinoy marched into his lab again and slammed the door behind him. Nora stood up, her skirt bouncing a bit atop its puffy petticoat. "That man is an infuriating ponce." "And you're an excellent judge of character.

Mitchell Maxwell’s Maxims • You have to create your own professional path. There’s no longer a roadmap for an artistic career. • Follow your heart and the money will follow. • Create a benchmark of your own progress. If you never look down while you’re climbing the ladder you won’t know how far you’ve come. • Don’t define success by net worth, define it by character. Success, as it’s measured by society, is a fleeting condition. • Affirm your value. Tell the world “I am an artist,” not “I want to be an artist.” • You must actively live your dream. Wishing and hoping for someday doesn’t make it happen. Get out there and get involved. • When you look into the abyss you find your character. • Young people too often let the fear of failure keep them from trying. You have to get bloody, sweaty and rejected in order to succeed. • Get your face out of Facebook and into somebody’s face. Close your e-mail and pick up the phone. Personal contact still speaks loudest. • No one is entitled to act entitled. Be willing to work hard. • If you’re going to buck the norm you’re going to have to embrace the challenges. • You have to love the journey if you’re going to work in the arts. • Only listen to people who agree with your vision. • A little anxiety is good but don’t let it become fear, fear makes you inert. • Find your own unique voice. Leave your individual imprint on the world, not a copy of someone else. • Draw strength from your mistakes; they can be your best teacher.

In this way, moral formation is not individual; it is relational. Character is not something you build sitting in a room thinking about the difference between right and wrong and about your own willpower. Character emerges from our commitments. If you want to inculcate character in someone else, teach them how to form commitments—temporary ones in childhood, provisional ones in youth, permanent ones in adulthood. Commitments are the school for moral formation. When your life is defined by fervent commitments, you are on the second mountain.

Politicians in our times feed their clichés to television, where even those who wish to disagree repeat them. Television purports to challenge political language by conveying images, but the succession from one frame to another can hinder a sense of resolution. Everything happens fast, but nothing actually happens. Each story on televised news is ”breaking” until it is displaced by the next one. So we are hit by wave upon wave but never see the ocean. The effort to define the shape and significance of events requires words and concepts that elude us when we are entranced by visual stimuli. Watching televised news is sometimes little more than looking at someone who is also looking at a picture. We take this collective trance to be normal. We have slowly fallen into it. More than half a century ago, the classic novels of totalitarianism warned of the domination of screens, the suppression of books, the narrowing of vocabularies, and the associated difficulties of thought. In Ray Bradbury’s Fahrenheit 451, published in 1953, firemen find and burn books while most citizens watch interactive television. In George Orwell’s 1984, published in 1949, books are banned and television is two-way, allowing the government to observe citizens at all times. In 1984, the language of visual media is highly constrained, to starve the public of the concepts needed to think about the present, remember the past, and consider the future. One of the regime’s projects is to limit the language further by eliminating ever more words with each edition of the official dictionary. Staring at screens is perhaps unavoidable, but the two-dimensional world makes little sense unless we can draw upon a mental armory that we have developed somewhere else. When we repeat the same words and phrases that appear in the daily media, we accept the absence of a larger framework. To have such a framework requires more concepts, and having more concepts requires reading. So get the screens out of your room and surround yourself with books. The characters in Orwell’s and Bradbury’s books could not do this—but we still can.

You aren't defined by your Qualification, Profession or Possession, but Character

The definition of your life is you and your character. So define yourself in your own way.

If you define yourself by the title of coach or boss, you’ll never earn real trust from your players or employees.

Everyone goes through multiple storms in life. It's how you come out on the other side that defines your character, strength, and ability to achieve your God given greatness.

No matter how rich or educated you are, how you treat people defines your character.

Our decisions define our lives. We are the people we choose to be in the ways that most matter. Choose wisely. You will live with the choices you make. The choices you make define your character. And your character defines how you feel about yourself. That image of you is projected in hundreds of ways to others.

Love hurts. Think back over romance novels you’ve loved or the genre-defining books that drive our industry. The most unforgettable stories and characters spring from crushing opposition. What we remember about romance novels is the darkness that drives them. Three hundred pages of folks being happy together makes for a hefty sleeping pill, but three hundred pages of a couple finding a way to be happy in the face of impossible odds makes our hearts soar. In darkness, we are all alone. So don’t just make love, make anguish for your characters. As you structure a story, don’t satisfy your hero’s desires, thwart them. Make sure your solutions create new problems. Nurture your characters doubts and despair. Make them earn the happy ending they want, even better…make them deserve it. Delay and disappointment charge situations and validate character growth. Misery accompanies love. It’s no accident that many of the stories we think of as timeless romances in Western Literature are fiercely tragic: Romeo and Juliet, Tristan and Isolde, Cupid and Psyche… the pain in them drags us back again and again, hoping that this time we’ll find a way out of the dark. Only if you let your characters get lost will we get lost in them. And that, more than anything else, is what romance can and should do for its protagonists and its readers: lead us through the labyrinth, skirt the monstrous despair roaming its halls, and find our way into daylight.

Love grows like a dance, my lamb. It is a series of steps, a string of decisions both you and Solomon will make. Sometimes, when Solomon withdraws, you must pursue him, while other times you must step back and let him return to you.” His tears glistened in the moonlight. “Remember, a man’s character is defined by more than a single decision, and love is made of more than a single step. Keep listening to Jehovah. He will set the tempo of your dance.

Many people define who they are, based upon what the world sees when it looks at them. They build themselves with their foundation set upon the perceptions of others. Do others think they are good, kind, smart, loving? But I define who I am, based upon the person who looks back at me in the mirror. If you were the only person on Earth, with nobody to see you, know your name, or ever be aware of your existence; what kind of person would you be? Live for the person who looks back at you in the mirror and be that person even if you are the last human being on Earth. Too many people live for what the world will think and will see; too few people live for their own soul. Are you smart, successful, got lots of super ideas? But those are not important questions. This is the most important question: do you know how to love? I do not care if nobody on Earth were to know my name; do I know my own soul? Do I know how to love? These are the questions I ask myself.

Your faith is your conscience, and your conscience is your faith. You cannot have faith without a conscience, but you can have a conscience without faith. Man was designed to be good with or without religion, yet the challenge for many is staying good. Some people claim to be religious but have no conscience, while some people without religion are very much aware of their conscience. Therefore, a religious label does not define your character or validate your worth. In the end, all men will be judged by the amount of truth in them and the weight of their hearts. The heavier the conscience, the heavier the truth. The lighter the heart, the higher it goes. The only spiritual currency one has in the afterlife is amassed in the form of light, in that, the amount you have depends on the weight of your words and deeds in the living. Conscience is everything. Conscience is what connects us to the truth and light of the highest power source of all. God. The cosmic heart of the universe.

I began to consider, upon the thought of "permanently" relocating, everything New York had made me. When I arrived, I was like a half-carved sculpture, my personality still and undefined image. But the city wears you down, chisels away at everything you don't need, streamlines your emotions and character until you are hard cut, fully defined, and perfect like a Rodin sculpture. That is something truly wonderful, the kind of self-crystallyzation not available in any other city. But then, if you stay too long, it keeps on wearing you down, chipping away at traits you cherish, character that you've earned. Stay forever, and it will grind you down to nothing.

There is one final point, the point that separates a true multivolume work from a short story, a novel, or a series. The ending of the final volume should leave the reader with the feeling that he has gone through the defining circumstances of Main Character's life. The leading character in a series can wander off into another book and a new adventure better even than this one. Main Character cannot, at the end of your multivolume work. (Or at least, it should seem so.) His life may continue, and in most cases it will. He may or may not live happily ever after. But the problems he will face in the future will not be as important to him or to us, nor the summers as golden.

Life changes. It’s usually in the blink of an eye. One minute everything’s fine, if not stagnant; then, it’s not. But your character’s not defined by what happens to you but by how you respond to those emotionally significant events. Who will you become when your life turns on a dime?

Outfits don't define your character, your behavior does. Great achievements are born, not from fancy suits, but from great minds. And great minds do not need suits to feel and look important. Only the shallow look at outfits, but the wise knows to look beyond. Look at the person beyond the outfit.

Your character defines your destiny!

Another friend of mine defines writing as: Torturing your characters for fun and profit.

Your vibes define your character. Be the one for whom people demand, When you know you are destined for greatness, You feel incomplete until you succeed.

One of the things I love about books is being able to define and condense certain portions of a character's life into chapters. It’s intriguing, because you can’t do this with real life. You can’t just end a chapter, then skip the things you don’t want to live through, only to open it up to a chapter that better suits your mood. Life can’t be divided into chapters...only minutes. The events of your life are all crammed together one minute right after the other without any time lapses or blank pages or chapter breaks because no matter what happens life just keeps going and moving forward and words keep flowing and truths keep spewing whether you like it or not and life never lets you pause and just catch your fucking breath.

The characteristics of a value-based leader are: other-centredness, calling, competence, and finally character. How do i define character? Two aspects: Integrity ( you must keep your promises, you must live out your life, you must be genuine) and Morality.

‎..:"The trouble that comes to your life, doesn't come to break you, it comes to introduce you to your God in a new and fresh way." Every storm comes into our lives to teach us somethings. Whether be humbleness, patience, perseverance, or character, it always comes to teach us something. Its not the circumstances nor storms that are the promblem, is the way we see and persive things. It's how we react to each and every one of them that defines us and influences in our growth. That's why it is so important that we renew our minds constantly 'coz by doing so we'll be able to see things as they are, not as they might seem. If we renew our minds, we have a better chance at seeing the opportunities hidden within each storm… Within each circumstance… Have a bless day:..

But sometimes you’re aiming for a clearly defined, concrete goal that can’t be redefined. For these, you will need a nonstandard relationship with failing. You may do all the things you’re supposed to do, without getting where you’re trying to go, only to end up somewhere else pretty amazing. Or, as Douglas Adams’s character Dirk Gently puts it, “I rarely end up where I was intending to go, but often I end up somewhere that I needed to be.” Widen your focus to see the inadvertent benefits you stumble across along the way.

She asked him to come in, if only for a minute, as it would seem so odd otherwise, and as if she had been out alone in the dark. He gave way, and followed her in. Immediately that the door was opened he found, in addition to her parents, several neighbours sitting round. They all spoke in a congratulatory manner, and took him seriously as Arabella's intended partner. They did not belong to his set or circle, and he felt out of place and embarrassed. He had not meant this: a mere afternoon of pleasant walking with Arabella, that was all he had meant. He did not stay longer than to speak to her stepmother, a simple, quiet woman without features or character; and bidding them all good night plunged with a sense of relief into the track over the down. But that sense was only temporary: Arabella reasserted her sway in his soul. He walked as if he felt himself to be another man from the Jude of yesterday. What were his books to him? what were his intentions, hitherto adhered to so strictly, as to not wasting a single minute of time day by day? 'Wasting!' It depended on your point of view to define that: he was just living for the first time: not wasting life. It was better to love a woman than to be a graduate, or a parson; ay, or a pope!

Life is too short to be but real with the cast God of characters God has placed in the story of your life. Love well, laugh often, and find your life in Christ. Don't hide away or be a follower. Be the wonderful unique person God made you to be, and know that your purpose will always be best when defined by your faith in Him.

Dawn's Spawn: Cause and Effect Criticizing the next generation reflects on us. We hold the power to carve out good citizens who will take over the planet and wrest control from us. Step up with your hammer and chisel to create a defined character. Give up your cowardly position as friend and brave the battle of good parenting. Kamil Ali

One of the things I love about books is being able to define and condense certain portions of a characters' life into chapters. It’s intriguing, because you can’t do this with real life. You can’t just end a chapter, then skip the things you don’t want to live through, only to open it up to a chapter that better suits your mood. Life can’t be divided into chapters...only minutes.

A lot can be determined by the choices we make, even if the action is initiated by self-preservation. Many ... no, most ... of our choices are driven by fear: fear of death, fear of humiliation, fear of loneliness. But it's how we respond to fear that matters. It's what defines us. What makes us who we are. So maybe in your mind you acted selfishly, but I'm alive because of the choice you made. So I'll remember it as an act of kindness and yes, even bravery.

It’s like they’re introducing the child to a tribe. There's a ritual. You hold your child above your head, bring him toward some Wizard of Oz like set up, place him down as an offering and say, ‘watch this!’ Then, you watch him, watching Star Wars, trying to figure out just what you have in common with your kid, see which character he’ll identify with, who he’ll root for...If you can find a common language that runs from 5 to 85 you’ve got yourself something. And Star Wars fans have something. In a way it’s as if they know they have this great gift to bestow and they want to bestow it as perfectly as possible: the perfect time, the perfect place, the perfect situation for passing on this life-defining experience. And the kids will always remember for their entire lives how they first felt when they first saw their now favorite movie. And they were given this gift by their parents and can now share it together, truly a family affair.

Hamlet' dwarfs 'Hamilton' - it dwarfs pretty much everything - but there's a revealing similarity between them. Shakespeare's longest play leaves its audience in the dark about some basic and seemingly crucial facts. It's not as if the Bard forgot, in the course of all those words, to tell us whether Hamlet was crazy or only pretending: He wanted us to wonder. He forces us to work on a puzzle that has no definite answer. And this mysteriousness is one reason why we find the play irresistible. 'Hamilton' is riddled with question marks. The first act begins with a question, and so does the second. The entire relationship between Hamilton and Burr is based on a mutual and explicit lack of comprehension: 'I will never understand you,' says Hamilton, and Burr wonders, 'What it is like in his shoes?' Again and again, Lin distinguishes characters by what they wish they knew. 'What'd I miss?' asks Jefferson in the song that introduces him. 'Would that be enough?' asks Eliza in the song that defines her. 'Why do you write like you're running out of time?' asks everybody in a song that marvels at Hamilton's drive, and all but declares that there's no way to explain it. 'Hamilton', like 'Hamlet', gives an audience the chance to watch a bunch of conspicuously intelligent and well-spoken characters fill the stage with 'words, words, words,' only to discover, again and again, the limits to what they can comprehend.

One theft, however, does not make a thief . . Action which defines a man, describes his character, is action which has been repeated over and over and so has come in time to be a coherent and relatively independent mode of behavior. At first it may have been fumbling and uncertain, may have required attention, effort, will - as when first drives a car, first makes love, first robs a bank, first stands up against injustice. If one perseveres on any such course it comes in time to require less effort, less attention, begins to function smoothly; its small component behaviors become integrated within a larger pattern which has an ongoing dynamism and cohesiveness, carries its own authority. Such a mode then pervades the entire person, permeates other modes, colors other qualities, in some sense is living and operative even when the action is not being performed, or even considered. . . . Such a mode of action tends to maintain itself, to resist change. A thief is one who steals; stealing extends and reinforces the identity of a thief, which generates further thefts, which further strengthen and deepen the identity. So long as one lives, change is possible; but the longer such behavior is continued the more force and authority it acquires, the more it permeates other constant bodes, subordinates other conflicting modes; changing back becomes steadily more difficult; settling down to an honest job, living on one's earnings becomes ever more unlikely. And what is said here of stealing applies equally to courage, cowardice, creativity . . . or any other of the myriad ways of behaving, and hence of being.

Hey Pete. So why the leave from social media? You are an activist, right? It seems like this decision is counterproductive to your message and work." A: The short answer is I’m tired of the endless narcissism inherent to the medium. In the commercial society we have, coupled with the consequential sense of insecurity people feel, as they impulsively “package themselves” for public consumption, the expression most dominant in all of this - is vanity. And I find that disheartening, annoying and dangerous. It is a form of cultural violence in many respects. However, please note the difference - that I work to promote just that – a message/idea – not myself… and I honestly loath people who today just promote themselves for the sake of themselves. A sea of humans who have been conditioned into viewing who they are – as how they are seen online. Think about that for a moment. Social identity theory run amok. People have been conditioned to think “they are” how “others see them”. We live in an increasing fictional reality where people are now not only people – they are digital symbols. And those symbols become more important as a matter of “marketing” than people’s true personality. Now, one could argue that social perception has always had a communicative symbolism, even before the computer age. But nooooooothing like today. Social media has become a social prison and a strong means of social control, in fact. Beyond that, as most know, social media is literally designed like a drug. And it acts like it as people get more and more addicted to being seen and addicted to molding the way they want the world to view them – no matter how false the image (If there is any word that defines peoples’ behavior here – it is pretention). Dopamine fires upon recognition and, coupled with cell phone culture, we now have a sea of people in zombie like trances looking at their phones (literally) thousands of times a day, merging their direct, true interpersonal social reality with a virtual “social media” one. No one can read anymore... they just swipe a stream of 200 character headlines/posts/tweets. understanding the world as an aggregate of those fragmented sentences. Massive loss of comprehension happening, replaced by usually agreeable, "in-bubble" views - hence an actual loss of variety. So again, this isn’t to say non-commercial focused social media doesn’t have positive purposes, such as with activism at times. But, on the whole, it merely amplifies a general value system disorder of a “LOOK AT ME! LOOK AT HOW GREAT I AM!” – rooted in systemic insecurity. People lying to themselves, drawing meaningless satisfaction from superficial responses from a sea of avatars. And it’s no surprise. Market economics demands people self promote shamelessly, coupled with the arbitrary constructs of beauty and success that have also resulted. People see status in certain things and, directly or pathologically, use those things for their own narcissistic advantage. Think of those endless status pics of people rock climbing, or hanging out on a stunning beach or showing off their new trophy girl-friend, etc. It goes on and on and worse the general public generally likes it, seeking to imitate those images/symbols to amplify their own false status. Hence the endless feedback loop of superficiality. And people wonder why youth suicides have risen… a young woman looking at a model of perfection set by her peers, without proper knowledge of the medium, can be made to feel inferior far more dramatically than the typical body image problems associated to traditional advertising. That is just one example of the cultural violence inherent. The entire industry of social media is BASED on narcissistic status promotion and narrow self-interest. That is the emotion/intent that creates the billions and billions in revenue these platforms experience, as they in turn sell off people’s personal data to advertisers and governments. You are the product, of course.

Walter came from a strong line of self-motivated, determined folk: not grand, not high-society, but no-nonsense, family-minded, go-getters. His grandfather had been Samuel Smiles, who, in 1859, authored the original motivational book, titled Self-Help. It was a landmark work, and an instant bestseller, even outselling Charles Darwin’s The Origin of Species when it was first launched. Samuel’s book Self-Help also made plain the mantra that hard work and perseverance were the keys to personal progress. At a time in Victorian society where, as an Englishman, the world was your oyster if you had the get-up-and-go to make things happen, his book Self-Help struck a chord. It became the ultimate Victorian how-to guide, empowering the everyday person to reach for the sky. And at its heart it said that nobility is not a birthright but is defined by our actions. It laid bare the simple but unspoken secrets for living a meaningful, fulfilling life, and it defined a gentleman in terms of character not blood type. Riches and rank have no necessary connection with genuine gentlemanly qualities. The poor man with a rich spirit is in all ways superior to the rich man with a poor spirit. To borrow St. Paul’s words, the former is as “having nothing, yet possessing all things,” while the other, though possessing all things, has nothing. Only the poor in spirit are really poor. He who has lost all, but retains his courage, cheerfulness, hope, virtue, and self-respect, is still rich. These were revolutionary words to Victorian, aristocratic, class-ridden England. To drive the point home (and no doubt prick a few hereditary aristocratic egos along the way), Samuel made the point again that being a gentleman is something that has to be earned: “There is no free pass to greatness.

To be ridiculously sweeping: baby boomers and their offspring have shifted emphasis from the communal to the individual, from the future to the present, from virtue to personal satisfaction. Increasingly secular, we pledge allegiance to lowercase gods of our private devising. We are concerned with leading less a good life than the good life. In contrast to our predecessors, we seldom ask ourselves whether we serve a greater social purpose; we are more likely to ask ourselves if we are happy. We shun self-sacrifice and duty as the soft spots of suckers. We give little thought to the perpetuation of lineage, culture or nation; we take our heritage for granted. We are ahistorical. We measure the value of our lives within the brackets of our own births and deaths, and we’re not especially bothered by what happens once we’re dead. As we age—oh, so reluctantly!—we are apt to look back on our pasts and question not did I serve family, God and country, but did I ever get to Cuba, or run a marathon? Did I take up landscape painting? Was I fat? We will assess the success of our lives in accordance not with whether they were righteous, but with whether they were interesting and fun. If that package sounds like one big moral step backward, the Be Here Now mentality that has converted from sixties catchphrase to entrenched gestalt has its upsides. There has to be some value in living for today, since at any given time today is all you’ve got. We justly cherish characters capable of living “in the moment.”…We admire go-getters determined to pack their lives with as much various experience as time and money provide, who never stop learning, engaging, and savoring what every day offers—in contrast to the dour killjoys who are bitter and begrudging in the ceaseless fulfillment of obligation. For the role of humble server, helpmate, and facilitator no longer to constitute the sole model of womanhood surely represents progress for which I am personally grateful. Furthermore, prosperity may naturally lead any well-off citizenry to the final frontier: the self, whose borders are as narrow or infinite as we make them. Yet the biggest social casualty of Be Here Now is children, who have converted from requirement to option, like heated seats for your car. In deciding what in times past never used to be a choice, we don’t consider the importance of raising another generation of our own people, however we might choose to define them. The question is whether kids will make us happy.

Many of us believe we are our emotions, our circumstances. I AM depressed I AM angry I AM poor These emotions and circumstances are passing through. What you grab and hold in your mind can define you in the moment but is really transitory. As we move into reframing our world, focusing on what we want rather than being blown around and just reacting, it can be like learning a new script. You may feel awkward at first but the more you go into character, learning the lines of "As you Like it.." the easier it gets and you become that role. In truth the role behind any mask is the I AM, the divine. May you be aware of your true nature as you walk through this play called life.

the Bible is sufficient, meaning that it tells us all we need to know about who God is, who we are, and what we need for the abundant life (as defined by God). Just remember—no matter what you’re reading or listening to—psychology must always bend the knee to theology. Does the teaching you’re listening to line up with who God says He is in the Bible? Or does it belittle Him by taking away from His character or ways? Does the teaching line up with who the Bible says we are? Or does it elevate our callings or gifts higher than the Bible does? Does the teaching call out sin for what it is and include the absolute necessity of repentance? Or does it soften the definition of sin (“mistakes, messiness”) and minimize its effects?

Psycho-compulsion is therefore not just about instilling people with a so-called correct employability mindset. It is a mechanism for penalising deviation from what it defines as the right set of attitudes and behaviours. ‘What psycho-compulsion therefore attempts to do is silence alternative discourses to the neoliberal myth that you are to blame for your unemployment,’ said Friedli. ‘At the same time, it undermines and erodes alternative frameworks around which people can come together in solidarity to act against the social causes of worklessness.’ In short, psycho-compulsion not only pathologises and punishes a claimant’s dissent, it depoliticises the causes of joblessness (which discourages collective action), and it does so by resuscitating Margaret Thatcher’s earlier myth that unemployment can be reduced to character deficiencies.

One of the most memorably unexpected events I experienced in the course of doing this book came in a dissection room at the University of Nottingham in England when a professor and surgeon named Ben Ollivere (about whom much more in due course) gently incised and peeled back a sliver of skin about a millimeter thick from the arm of a cadaver. It was so thin as to be translucent. “That,” he said, “is where all your skin color is. That’s all that race is—a sliver of epidermis.” I mentioned this to Nina Jablonski when we met in her office in State College, Pennsylvania, soon afterward. She gave a nod of vigorous assent. “It is extraordinary how such a small facet of our composition is given so much importance,” she said. “People act as if skin color is a determinant of character when all it is is a reaction to sunlight. Biologically, there is actually no such thing as race—nothing in terms of skin color, facial features, hair type, bone structure, or anything else that is a defining quality among peoples.

The word character comes from the Ancient Greek, 'kharakter,' meaning they mark that is left on a coin during its manufacture. Character is also the mark left on you by life, and the mark we leave on life. It's the impact you make when you're here, the trace you leave once you've gone. Character rises out of our values, our purpose, the standards we set ourselves, our sacrifice and commitment, and the decisions we make under pressure, but it is primarily defined by the contribution we make, the responsibility we take, the leadership we show. [...] John Wooden said, 'Be more concerned with your character than your reputation, because your character is what you really are, while your reputation is merely what others think you are.' Character is forged by the way we respond to the challenges of life and business, by the way we lead our life and teams. If we value life, life values us. If we devalue it, we dishonour ourselves and our one chance at living. THIS is our time. Leadership is surely the example we set. The way we lead our own life is what makes us a leader.

LEADING LESSONS Use your fears; don’t let them direct or define you. Fear sends your brain a message that it’s time to make a decision--like when I decided I would ride that coaster. You can also decide to do nothing; you can stand watching the world zip by from the sidelines. I choose to see my fears as a green light. They mean go, not stop, and you’re always in the driver’s seat. Don’t give fear any more power than it already has. As I said, I was often afraid of failure. But instead of letting the fear keep me from reaching my goals, I let it propel me. In the movie After Earth, Will Smith’s character states that fear is simply made up by our own imaginations. “Danger is real, but fear is a choice.” Who knew Will was such a gifted philosopher? I agree 100 percent. Why is one person afraid of something and another other person isn’t? We’re all humans, but we’ve all had different experiences and therefore we have different associations. It’s personal. The possibility of freedom exists wherever fear lies. When you realize that it’s you who is creating this fear, the fear loses its ability to control you.

Something else changed when querinalo changed. Our immortality began to become—it is difficult to explain. None of us began to age, nor did we lose our vitality. Rather it was as if what was resilient within us began to stiffen. Traits of character became not merely habits, but defining elements. I suppose for me that it was fortunate — or unfortunate, given my current situation as your prisoner — that one of my defining traits has always been curiosity. Curiosity is one of the seeds of creativity, so that remained to me as well, but many of my associates were less fortunate. "Remember that Virim recruited us all because we shared a certain idealism. However, I fear that not much time needs to pass for idealism to become dogmatism. This was the case for many of my associates. They became dogmatic, but not regarding the same things." Firekeeper wondered what dogs had to do with ideas, but thought she understood. Dogs, like wolves, were pack animals, but unlike wolves, dogs retained a juvenile desire to follow. So these spellcasters had been Virim's dogs, and when this stiffening happened, they had become even more doglike. It made sense in a way.

Reading Group Questions and Topics for Discussion 1. Maya Angelou begins her autobiography with a moment of public humiliation in church. Why do you think she chose this scene in particular? Do themes in this scene reappear throughout the memoir? 2. To Marguerite, her mother seems alternately charming elusive, unreliable, and strong. Which episodes in the novel illuminate her character? Do you think she was a good mother? 3. Mrs. Flowers “encouraged [Marguerite] to listen carefully to what country people called mother wit. That in those homely sayings was couched the collective wisdom of generations” (this page). What are some of the maxims that Angelou remembers hearing from Momma and Mother? Did any of these maxims strike a particular chord with you? Are there examples of “mother wit” that you remember from your own childhood, or pass on to those around you? 4. Angelou describes Marguerite as “superstitious” (this page). Can you find some examples of Marguerite's superstition? 5. How does Angelou describe her molestation and later her rape at the hands of Mr. Freeman? Were you surprised by her emotions? Was this terrible experience the defining moment of the novel or of Angelou's childhood? Why or why not? 6.

THE SEVEN KEY CHARACTERIZATION VARIABLES Think of these as realms, as areas of potential character illumination. Here they are, in no particular order: Surface affectations and personality—What the world sees and perceives about a character, including quirks, ticks, habits, and visual presentation. Backstory—All that happened in the character’s life before the story begins that conspires to make him who he is now. Character arc—How the character learns lessons and grows (changes) over the course of the story, how she evolves and conquers her most confounding issues. Inner demons and conflicts—The nature of the issues that hold a character back and define his outlook, beliefs, decisions, and actions. Fear of meeting new people, for example, is a demon that definitely compromises one’s life experience. Worldview—An adopted belief system and moral compass; the manifested outcome of backstory and inner demons. Goals and motivations—What drives a character’s decisions and actions, and the belief that the benefits of those decisions and actions outweigh any costs or compromises. Decisions, actions, and behaviors—The ultimate decisions and actions that are the sum of all of the above. Everything about your characters depends on this final variable, and the degree to which the character’s decisions, actions, and behaviors have meaning and impact depends on how well you’ve manipulated the first six variables before, during, and after the moment of decision or action.

(3) Theology of Exodus: A Covenant People “I will take you as my own people, and I will be your God” (Exod 6:7). When God first demanded that the Egyptian Pharaoh let Israel leave Egypt, he referred to Israel as “my … people.” Again and again he said those famous words to Pharaoh, Let my people go.56 Pharaoh may not have known who Yahweh was,57 but Yahweh certainly knew Israel. He knew them not just as a nation needing rescue but as his own people needing to be closely bound to him by the beneficent covenant he had in store for them once they reached the place he was taking them to himself, out of harm's way, and into his sacred space.58 To be in the image of God is to have a job assignment. God's “image”59 is supposed to represent him on earth and accomplish his purposes here. Reasoning from a degenerate form of this truth, pagan religions thought that an image (idol) in the form of something they fashioned would convey to its worshipers the presence of a god or goddess. But the real purpose of the heavenly decision described in 1:26 was not to have a humanlike statue as a representative of God on earth but to have humans do his work here, as the Lord's Prayer asks (“your will be done on earth as it is in heaven,” Matt 6:10). Although the fall of humanity as described in Genesis 3 corrupted the ability of humans to function properly in the image of God, the divine plan of redemption was hardly thwarted. It took the form of the calling of Abraham and the promises to him of a special people. In both Exod 6:6–8 and 19:4–6 God reiterates his plan to develop a people that will be his very own, a special people that, in distinction from all other peoples of the earth, will belong to him and accomplish his purposes, being as Exod 19:6 says “a kingdom of priests and a holy nation.” Since the essence of holiness is belonging to God, by belonging to God this people became holy, reflecting the character of their Lord as well as being obedient to his purposes. No other nation in the ancient world ever claimed Yahweh as its God, and Yahweh never claimed any other nation as his people. This is not to say that he did not love and care for other nations60 but only to say that he chose Israel as the focus of his plan of redemption for the world. In the New Testament, Israel becomes all who will place faith in Jesus Christ—not an ethnic or political entity at all but now a spiritual entity, a family of God. Thus the New Testament speaks of the true Israel as defined by conversion to Christ in rebirth and not by physical birth at all. But in the Old Covenant, the true Israel was the people group that, from the various ethnic groups that gathered at Sinai, agreed to accept God's covenant and therefore to benefit from this abiding presence among them (see comments on Exod 33:12–24:28). Exodus is the place in the Bible where God's full covenant with a nation—as opposed to a person or small group—emerges, and the language of Exod 6:7, “I will take you as my own people, and I will be your God,” is language predicting that covenant establishment.61

Unconditional blame is the tendency to explain all difficulties exclusively as the consequence of forces beyond your influence, to see yourself as an absolute victim of external circumstances. Every person suffers the impact of factors beyond his control, so we are all, in a sense, victims. We are not, however, absolute victims. We have the ability to respond to our circumstances and influence how they affect us. In contrast, the unconditional blamer defines his victim-identity by his helplessness, disowning any power to manage his life and assigning causality only to that which is beyond his control. Unconditional blamers believe that their problems are always someone else’s fault, and that there’s nothing they could have done to prevent them. Consequently, they believe that there’s nothing they should do to address them. Unconditional blamers feel innocent, unfairly burdened by others who do things they “shouldn’t” do because of maliciousness or stupidity. According to the unconditional blamer, these others “ought” to fix the problems they created. Blamers live in a state of self-righteous indignation, trying to control people around them with their accusations and angry demands. What the unconditional blamer does not see is that in order to claim innocence, he has to relinquish his power. If he is not part of the problem, he cannot be part of the solution. In fact, rather than being the main character of his life, the blamer is a spectator. Watching his own suffering from the sidelines, he feels “safe” because his misery is always somebody else’s fault. Blame is a tranquilizer. It soothes the blamer, sheltering him from accountability for his life. But like any drug, its soothing effect quickly turns sour, miring him in resignation and resentment. In order to avoid anxiety and guilt, the blamer must disown his freedom and power and see himself as a plaything of others. The blamer feels victimized at work. His job is fraught with letdowns, betrayals, disappointments, and resentments. He feels that he is expected to fix problems he didn’t create, yet his efforts are never recognized. So he shields himself with justifications. Breakdowns are never his fault, nor are solutions his responsibility. He is not accountable because it is always other people who failed to do what they should have done. Managers don’t give him direction as they should, employees don’t support him as they should, colleagues don’t cooperate with him as they should, customers demand much more than they should, suppliers don’t respond as they should, senior executives don’t lead the organization as they should, administration systems don’t work as they should—the whole company is a mess. In addition, the economy is weak, the job market tough, the taxes confiscatory, the regulations crippling, the interest rates exorbitant, and the competition fierce (especially because of those evil foreigners who pay unfairly low wages). And if it weren’t difficult enough to survive in this environment, everybody demands extraordinary results. The blamer never tires of reciting his tune, “Life is not fair!

Never be limited by others’ inability to think of you in terms big enough or dreams grand enough. Never allow yourself to define what is possible for you in your life by others’ limited vision of what they believe is possible for them in theirs.

To Aristotle, eudaimonia is not a fleeting positive emotion. Rather, it is something you do. Leading a eudaimonic life, Aristotle argued, requires cultivating the best qualities within you both morally and intellectually and living up to your potential. It is an active life, a life in which you do your job and contribute to society, a life in which you are involved in your community, a life, above all, in which you realize your potential, rather than squander your talents. Psychologists have picked up on Aristotle’s distinction. If hedonia is defined as “feeling good,” they argue, then eudaimonia is defined as “being and doing good”—and as “seeking to use and develop the best in oneself” in a way that fits with “one’s deeper principles.” It is a life of good character. And it pays dividends. As three scholars put it, “The more directly one aims to maximize pleasure and avoid pain, the more likely one is to produce instead a life bereft of depth, meaning, and community.” But those who choose to pursue meaning ultimately live fuller—and happier—lives. It’s difficult, of course, to measure a concept like meaning in the lab, but, according to psychologists, when people say that their lives have meaning, it’s because three conditions have been satisfied: they evaluate their lives as significant and worthwhile—as part of something bigger; they believe their lives make sense; and they feel their lives are driven by a sense of purpose.

One of the characters was trying to define what love means, and I always liked his definition. He said that love was the condition that exists whenever another person's happiness and well-being is necessary for your own happiness and well-being.” He chewed his bottom lip for a few seconds. “I don't have a clue what it feels like to be in love, but if we look at that definition and accept it, then I guess we can say that I love you. I like it when you smile, I like it when you laugh—I don't like it when you're hurt or unhappy. It seems to me that your happiness and well-being are essential to whatever equivalent of those I might have, so that fits.

At any point in one’s life, a person can make a major mistake or misstep which others might use to define that person’s character. I believe that the true definition of one’s character doesn’t end with that mistake or misstep, but that a person can redefine themselves by their very persistence and determination for redemption. It’s not what you have done to fail that’s important. It’s what you have done to redeem that failure which bears the essence of your character or being.

Failing to fulfill your responsibilities is not only a reflection of your priorities, but also your integrity. Your actions define your character not the words you utter.

The popular culture has also lowered the threshold on public shaming rituals. It is not only suppressing certain speech on college campuses, but making public denunciation of certain classes of people into a form of popular entertainment. The masters of the funny cheap shot are comedians Jon Stewart and Stephen Colbert, who routinely and cleverly skewer conservatives as stupid bigots. After the Supreme Court ruling on same-sex marriage, for example, Stewart asked what was wrong with opponents of same-sex marriage, as if a view held for thousands of years, even not very long ago by both Barack Obama and Hillary Clinton, were incomprehensible. The use of humor is a cultural trick. It provides a cultural permission slip to be nasty because, or so the assumption goes, the enemies of "the people" are so unattractive that they deserve whatever Stewart or Colbert throws at them. When Stewart compares Senator Ted Cruz to the Harry Potter character Voldemort, he knows we will then think of Cruz as the book's author describes Voldemort, "a raging psychopath, devoid of the normal human responses to other people's suffering". It may seem futile to complain about the crudeness of American mass culture. It has been around for decades, and it is not about to change anytime soon. The thin line that exists these days between politics and entertainment (witness the rise of Donald Trump) is undoubtedly coarsening our politics. It is becoming more culturally acceptable to split the world into us-versus-them schemata and to indulge in all sorts of antisocial and illiberal fantasies about crushing one's enemies. Only a few decades ago most liberals had a different idea of tolerance. Most would explain it with some variation of Evelyn Beatrice Hall's line about Voltaire's philosophy of free speech: "I disapprove of what you say, but I will defend to the death your right to say it". That is no longer the case. It is now deemed necessary, indeed even noble, to be intolerant in the cause of tolerance. Any remark or viewpoint that liberals believe is critical of minorities is by definition intolerant. A liberal critique of conservatives or religious people, on the other hand, is, again by definition, incapable of being intolerant. It is a willful double standard. For liberals, intolerance is a one-way street leading straight to conservatism.

Your Christ-following character is not defined by what happens to you, but rather by how you react to what happens to you.

Your actions and values define you.

15. Shedding The Heavy Unnecessary So, before we go too much further, now is a good chance to acknowledge that maybe, just maybe, we are all a little guilty of sometimes living someone else’s aspirations for us instead of our own. And this is a great time to say ‘No more!’ to living out of fear and other people’s expectations. It is never an easy time to face some of those old negative feelings, but it is always a good time to change the way we pack and what we choose to carry further down the road of our lives and adventures. Ultimately, the more ‘bad’ equipment we carry, the slower we go and the less far we travel. Each of us gets to choose. But when we shed the bad and travel lighter, a few things happen. First up, I bet that you will laugh more, you will worry less and you are much more likely to achieve your dream. Travelling light also keeps us free to adapt our adventures or careers. Free to listen to the calling. How often do great opportunities come to people, but they are too ‘busy’ or maybe too cynical to even notice them, let alone walk through an exciting new doorway. Winston Churchill (him again!) once said words to the effect that everyone gets the chance to make their fortune once, but not everybody takes it. If you’re weighed down, head down and bunged up with emotional junk, you might miss that chance. So look wisely at the ‘baggage’ you carry and your attitudes to the world. They will define you. Do they enhance your life and increase your chances of reaching your dream, or do they hold you back?

29. Instinct Is The Nose Of The Mind - Trust It Instinct is almost impossible to define but it can be so important when we come to a crossroads on our journey through life. Sometimes things just don’t ‘feel’ right - even if all the outward signs seem to be pointing us towards a certain course of action. When that happens, listen to that voice. It is God-given and it is our deep subconscious helping us. You see, we all tend to act in accordance with our rational, conscious minds. But we have a clever, far more knowing and intelligent part of us that the smart adventurer learns to use as a key part of his arsenal - it is called our intuition, and no amount of money can buy it. Talented climbers and adventurers know that to reach a summit or achieve a goal we have to use all the ‘weapons’ in our arsenal - not just the obvious ones, like strength, fitness and skill, which many people rely upon alone. Sometimes that final push to the summit requires something beyond the normal. So don’t fight against that inner voice if it is speaking loudly to you. It is there to guide and protect you. Listening carefully to this voice is how we distinguish ourselves from the rest of the crowd who so often barge through life, too busy or too proud even to acknowledge their intuition’s existence.

No one defines your character better than yourself. Want to live in the perfect environment? Start imagining it from now on.

No one defines your character better than yourself. Want to live in the perfect environment? Start imagining it from now on

Don't judge a person by your narrow mind, your inability to understand others doesn't define a person's character.

It’s crucial to have enough self-awareness so you can articulate your 3Ps and your One Thing. Let's look at these by asking a few questions: What am I passionate about and how can I do more of that? What do I value, and how can I develop these principles, so they define my character for the rest of my life? What is my purpose? Who am I and what am I here for? Once you understand your 3Ps, you can then ask: What is the one thing I am supposed to accomplish in my life, and what does that mean for me right now?

Organizations wisely expect their leaders to be men and women of character. They intuitively understand that people won’t follow leaders they don’t respect and trust. In the Scripture, the Lord gives clear qualifications for leading others in the church. The overseer must be above reproach, gentle and hospitable, not greedy, lead his family well, and have a good reputation with outsiders.1 If there are clearly defined qualifications for leading, then one can be disqualified from leading others.2

Life doesn’t have to provide you any options at all. It can easily define your course from the outset and keep you in check through all manner of rough and subtle mechanics. To have even one year when you’re presented with choices that can alter your circumstances, your character, your course—that’s by the grace of God alone. And it shouldn’t come without a price. I love Val.

PATRONISING defines your character..

1. It should be clear, concise, and understandable. Dilbert defines a vision statement as a “long awkward sentence that demonstrates management’s inability to think clearly.” Make sure you prove the notorious cartoon character wrong. 2. It should communicate, in actionable ways, the things you need to do to satisfy, impress, and keep your customers. 3. It should be consistent with other things you tell employees about the organization’s mission, brand promise, and purpose. 4. It should pass the employee “snicker test”: Reading it, whether on paper or out loud, should help your people better understand what to do, how to do it, and why to do it, not make them giggle, guffaw, and roll their eyes heavenward. It’s important that the service vision be ambitious yet grounded in reality, and not written as if it’s an advertising slogan.

Whatever may be open to disagreement, there is one act of evil that may not, the act that no man may commit against others and no man may sanction or forgive. So long as men desire to live together, no man may initiate—do you hear me? no man may start—the use of physical force against others. “To interpose the threat of physical destruction between a man and his perception of reality, is to negate and paralyze his means of survival; to force him to act against his own judgment, is like forcing him to act against his own sight. Whoever, to whatever purpose or extent, initiates the use of force, is a killer acting on the premise of death in a manner wider than murder: the premise of destroying man’s capacity to live. “Do not open your mouth to tell me that your mind has convinced you of your right to force my mind. Force and mind are opposites; morality ends where a gun begins. When you declare that men are irrational animals and propose to treat them as such, you define thereby your own character and can no longer claim the sanction of reason—as no advocate of contradictions can claim it. There can be no ‘right’ to destroy the source of rights, the only means of judging right and wrong: the mind.

An important factor here is that Bond does not see himself as a victim. This feels like it should be an increasingly important aspect of the character given the extent which society consistently urges us to define ourselves in this way. This is an issue not necessarily linked to how life has treated us. […] To not be a victim does not mean that you become an oppressor. It means that you are able to accept responsibility for your actions and circumstances and are prepared to withstand pressure when necessary. It means that you are willing to stand up and use your voice even at times when to do so is futile or against your own self interest. It is to not give in to fear, to act when necessary and to not be coward by the realities of the world. This is especially appealing in an era when so many suffer from anxiety. These are usually portrayed as idealised masculine qualities but they are more universal than that. [If you] don’t act like a victim, in the modern world it can be enough to mark you out as a hero.

Life is like a book. You’re born and you die. Your first and last chapter. What you do with your life between the two defines you!” “Live your life with Character and a sense of purpose!

When I arrived, I was like a half-carved sculpture, my personality still an undefined image. But the city wears you down, chisels away at everything you don’t need, streamlines your emotions and character until you are hard cut, fully defined, and perfect like a Rodin sculpture. That is something truly wonderful, the kind of self-crystallization not available in any other city.

All good stories follow a similar storyline: The protagonist embarks on an adventure that leads him or her into the unknown. Along the way, the main chracter encounters challenges and temptations. He or she is helped by mentors or guides who gift them with insights and revelations. In the end, they experience triumph and transformation. This popular pattern is known as "the hero's journey", and it is what your soul came here to experience. [...] [Before you came into this life, as a soul,] you chose this role and the other actors with whom you would interact. You agreed to the overall plot and to specific milestones within the story, but for much of it, the details are unscripted. You are free to choose your reactions and responses to every new experience. That's what makes it so exciting for the soul and you, the hero of this story. The problems occur when [...] ]you forget you are a soul playing a temporary human role and] you allow the role to define who you are. [...] This is like a method actor who begins to beleive he or she IS the character they are portraying. The idea is to] maintain soul awareness and step out of character every so often [and re-connect with the soul and its wise understanding of the world].

The 140-Character Mission Statement Let’s break down the planning process into a very simple exercise: defining the mission statement for your business (or your business idea) in 140 characters or less. That is the maximum amount of text for an update on Twitter and a good natural limit for narrowing down a concept.

Your leadership principles give that unique character to your leadership brand. When all your responses, decisions, choices and leadership practices are filtered through your well defined principles, you have automatically connected yourself to making the success of your leadership excellence brand more deliberate.

I have often thought the best way to define a man’s character would be to seek out the particular mental or moral attitude in which, when it comes upon him, he felt himself most deeply and intensely active and alive. At such moments there is a voice inside which speaks and says: “This is the real me!” —William James

Enlightenment – whether defined as spiritual awakening, liberation, or other form of illumination and attentiveness – requires inner transformation brokered by study of our limitations and application of a welcoming spirit of conscious appreciation. Self-knowledge commences by looking for the sacred light of awareness essential to spawn profound change in a person’s character.

From a couch across the room, Cedric listens intently. That last thing about the danger of accepting limits strikes a nerve in him. He looks down, his mind racing. While his blackness is the identity carrying the highest voltage in this room, or almost any room in America, the sheet in his hand is still blank. "It's not that complicated," Cedric says suddenly, his voice high pitched with frustration. All eyes turn to him. "Your identity, I think, should be something that you are proud of. I wouldn't be proud to say that I had only one leg and I could just barely walk, you know, on one leg. That may be true, but I wouldn't let it define who I was." ..."I said I think your identity should come from something you take pride in. It shouldn't be something that just sets you apart from other people, it should be one of those things that, you know, people generally understand is a good thing, something we all share, rather than what separates us. I mean, the things that make up identity are deeper things than skin color or whatever. Things, I don't know, like character or our faith or how we treat other people.

Being afraid does not define your character, but what you do in the face of fear does.

been waiting all my life to meet you? Well, it applies to children. First as babies, but particularly once they’ve gotten old enough to have well-defined characters. It’s completely true—you realize that you really have been waiting all your life to meet this person. There’s nothing to compare to it.