Defending A Woman's Honor Quotes

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You going to let him talk to me like that?” Driggs said to Lex. “Defend my honor, woman.” “Defend your own honor,
Gina Damico (Rogue (Croak, #3))
It is lamentably common among chivalrous sorts that they are more intent on defending a woman's honor than listening to the actual wishes of said woman.
Jonathan Auxier (Sophie Quire and the Last Storyguard (Peter Nimble, #2))
To begin with, this case should never have come to trial. The state has not produced one iota of medical evidence that the crime Tom Robinson is charged with ever took place... It has relied instead upon the testimony of two witnesses, whose evidence has not only been called into serious question on cross-examination, but has been flatly contradicted by the defendant. Now, there is circumstantial evidence to indicate that Mayella Ewel was beaten - savagely, by someone who led exclusively with his left. And Tom Robinson now sits before you having taken the oath with the only good hand he possesses... his RIGHT. I have nothing but pity in my heart for the chief witness for the State. She is the victim of cruel poverty and ignorance. But my pity does not extend so far as to her putting a man's life at stake, which she has done in an effort to get rid of her own guilt. Now I say "guilt," gentlemen, because it was guilt that motivated her. She's committed no crime - she has merely broken a rigid and time-honored code of our society, a code so severe that whoever breaks it is hounded from our midst as unfit to live with. She must destroy the evidence of her offense. But what was the evidence of her offense? Tom Robinson, a human being. She must put Tom Robinson away from her. Tom Robinson was to her a daily reminder of what she did. Now, what did she do? She tempted a *****. She was white, and she tempted a *****. She did something that, in our society, is unspeakable. She kissed a black man. Not an old uncle, but a strong, young ***** man. No code mattered to her before she broke it, but it came crashing down on her afterwards. The witnesses for the State, with the exception of the sheriff of Maycomb County have presented themselves to you gentlemen, to this court in the cynical confidence that their testimony would not be doubted, confident that you gentlemen would go along with them on the assumption... the evil assumption that all Negroes lie, all Negroes are basically immoral beings, all ***** men are not to be trusted around our women. An assumption that one associates with minds of their caliber, and which is, in itself, gentlemen, a lie, which I do not need to point out to you. And so, a quiet, humble, respectable *****, who has had the unmitigated TEMERITY to feel sorry for a white woman, has had to put his word against TWO white people's! The defendant is not guilty - but somebody in this courtroom is. Now, gentlemen, in this country, our courts are the great levelers. In our courts, all men are created equal. I'm no idealist to believe firmly in the integrity of our courts and of our jury system - that's no ideal to me. That is a living, working reality! Now I am confident that you gentlemen will review, without passion, the evidence that you have heard, come to a decision and restore this man to his family. In the name of GOD, do your duty. In the name of God, believe... Tom Robinson
Harper Lee (To Kill a Mockingbird)
When we leave the realm of cinema, it is obvious that the dynamics of white supremacist capitalist patriarchy---which has historically represented black females as "undesirable mates" even if they are desirable sex objects, and so rendered it socially unacceptable for powerful white males to seek committed relationships with black women---continue to inform the nature of romantic partnership in our society. What would happen to the future of white supremacist patriarchy if heterosexual white males were choosing to form serious relationships with black females? Clearly, this structure would be under mined. Significantly, The Bodyguard reaffirms this message. Frank Farmer is portrayed as a conservative Republican patriarch, a defender of the nation. Once he leaves the black woman "she devil" who has seduced and enthralled him, he returns to his rightful place as keeper of the nation's patriarchal legacy. In the film, we see him protecting the white male officers of state. These last scenes suggest that loving a black woman would keep him from honoring and protecting the nation.
bell hooks (Outlaw Culture)
My Uncle Jimbo never challenged a man to a duel to defend his honor, but he did win a $20 bet by eating a bologna sandwich while sitting on a dead mule. My grandmother prayed a tornado away, and punched a city woman in the eye.
Rick Bragg (My Southern Journey: True Stories from the Heart of the South)
The next morning Shinn asked for a continuance. Being in a strange bed, and an even stranger place, he hadn't slept well the night before, and he didn't eel he could effectively defend his client. These were not all of his troubles, Shinn admitted. "I am now having marital problems, Your Honor. My wife thinks I am spending the night with some other woman. She doesn't read English. Now my dog won't even talk to me." Declining comment on his domestic woes, Older suggested that Shinn catch a nap during the noon recess. Motion denied.
Vincent Bugliosi (Helter Skelter: The True Story of the Manson Murders)
Many young men and women join the U.S. forces under the misleading propaganda of the U.S. government, which makes people believe that the Armed Forces are nothing but a big Battle of Honor: if you join the Army, you are a living martyr; you’re defending not only your family, your country, and American democracy but also freedom and oppressed people all around the world. Great, there is nothing wrong with that; it may even be the dream of every young man or woman. But the reality of the U.S. forces is a little tiny bit different. To go directly to the bottom line: the rest of the world thinks of Americans as a bunch of revengeful barbarians.
Mohamedou Ould Slahi (The Mauritanian (originally published as Guantánamo Diary))
Blood for honor. That was the price then, as it was the price now. It was always the price of honor. Always blood. Always pain. And as the queen was scourged, he wondered if such a thing as honor really existed at all. For what was honor if it could not strip the pride from a barbarian woman even as she was beaten before her people? What was honor if he could only defend his own by doing this to her? Honor, Decianus thought, was just an excuse for war and mayhem. An excuse for taking. Whether the taking of a woman or the taking of one tribe against another, one empire over another, one emperor over the world. An emperor like the one he served . . . If this was honor, he wanted no part in it.
Ruth Downie (A Year of Ravens)
What did she say that has you so eager to take a beating?" Bourne ignored the question, the explosion of pain in his cheek not doing its job, failing to take away all thought of what had happened earlier with his wife. Of how her blue eyes had flashed as she'd accused him of using her body to secure his interests. Of how she'd squared her shoulders and defended her own honor- something he should have done for her. Of how she'd looked at him, truth and tears in her eyes, and told him that she'd missed him. The words had taken his breath away- the idea that pure, perfect Penelope had thought of him, had worried about him. Because he had missed her, too. It had taken him years to forget- years that were erased in one moment of honesty, when she'd looked into his eyes and accused him of leaving her. Of dishonoring her. And there, in the pit of his stomach, still unmasked by the pain of Temple's beating, was the emotion he'd feared since the beginning of this charade. Guilt. She'd been right. He'd misused her. He'd treated her as less than she deserved. And she'd defended herself with strength and pride. Remarkably. And even as he'd tried to let her go, to push her from him, he'd known that he wanted her. He didn't fool himself into thinking that the desire was new. He'd wanted her in Surrey, when she'd stood in the darkness with nothing but a lantern to protect her. But now... want had become something more serious. More visceral. More dangerous. Now, he wanted her- his strong, intelligent, kindhearted wife, who became more tempting every day as she shifted and blossomed into someone new and different than the girl he'd met on that dark Surrey evening.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
He hadn’t been aware of staring, but when her questioning gaze locked with his, Grey felt as though he’d been smacked upside the head by the open palm of idiocy. “Is something troubling you, Grey?” He loved the sound of his name on her tongue, and hated that he loved it. She made him weak and stupid. One sweet glance from her and he was ready to drop to his knees. It wasn’t love. It wasn’t even infatuation. It was pure unmitigated lust. He could admit that. Hell, he embraced it. Lust could be managed. Lust could be mastered. And lust would eventually fade once she was out of his care and out of his life. That was the cold, hard, blessed truth of it. “I was wondering if you were eagerly anticipating Lady Shrewsbury’s ball tomorrow evening?” How easily the lie rolled off his tongue as he lifted a bite of poached salmon to his mouth. She smiled softly, obviously looking forward to it very much. “I am. Thank you.” Camilla shared her daughter’s pleasure judging from her coy grin. “Rose has renewed her acquaintance with the honorable Kellan Maxwell. He requested that she save the first waltz of the evening for him.” The fish caught in Grey’s throat. He took a drink of wine to force it down. “The same Kellan Maxwell who courted you during your first season?” Rose’s smile faded a little. No doubt she heard the censure in his tone, his disapproval. “The same,” she replied with an edge of defensiveness. The same idiot who abandoned his pursuit of Rose when Charles lost everything and scandal erupted. The little prick who hadn’t loved her enough to continue his courtship regardless of her situation. “Mm,” was what he said out loud. Rose scowled at him. “We had no understanding. We were not engaged, and Mr. Maxwell behaved as any other young man with responsibilities would have.” “You defend him.” It was difficult to keep his disappointment from showing. He never thought her to be the kind of woman who would forgive disloyalty when she was so very loyal herself. She tilted her head. “I appreciate your concern, but I’m no debutante, Grey. If I’m to find a husband this season I shouldn’t show prejudice.” Common sense coming out of anyone else. Coming out of her it was shite. “You deserve better.” She smiled a Mona Lisa smile. “We do not always get what we deserve, or even what we desire.” She knew. Christ in a frock coat, she knew. Her smile faded. “If we did, Papa would be here with us, and Mama and I wouldn’t be your responsibility.” She didn’t know. Damn, what a relief. “The two of you are not a responsibility. You are a joy.” For some reason that only made her look sadder, but Camilla smiled through happy tears. She thanked him profusely, but Grey had a hard time hearing what she was saying-he was too intent on Rose, who had turned her attention to her plate and was pushing food around with little interest. He could bear this no longer. He didn’t know what was wrong with her, or why she seemed so strange with him. And he couldn’t stand that he cared. “Ladies, I’m afraid I must beg your pardon and take leave of you.” Rose glanced up. “So soon?” He pushed his chair back from the table. “Yes. But I will see you at breakfast in the morning.” She turned back to her dinner. Grey bid farewell to Camilla and then strode from the room as quickly as he could. If he survived the Season it would be a miracle.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Don’t be ridiculous, dear. There is no reason for you to carry on as you are. I can give you everything you need—lovely clothes, servants, and maids; grand parties, balls, and soirees. You will entertain dignitaries, diplomats, and naval officers, take tea with members of your own fair sex instead of crossing swords with criminals, killers, and rogues. By God, never again will you have to steal just to feed yourself, fight just to defend your honor! I will take care of you, Maeve. I will love you. As my wife you shall enjoy the life you deserve to have, one of grandeur, society, and status.” “But that is not the life I want.” He drew back, hurt. “What do you mean? Isn’t that what every woman wants?” “It is not what I want. And I am not ‘every woman.’” “Well, what do you want, then?” He twisted the purple ribbon in his hands, looking bewildered, confused, lost. “Ask, Maeve, and you shall have it.
Danelle Harmon (My Lady Pirate (Heroes of the Sea #3))
You may love Arcadias. But he doesn’t love you. If Arcadias truly loved you he would not lead you into harm’s way, he would lead you away from harm. An honorable man should defend and protect his woman at all times, even to the point of laying down his life for her. Arcadias isn’t doing that for you,” Annie said. “I’m sorry to have to say that, Iris, but everyone in this room can see Arcadias is thinking only of himself.” Iris wiped at her eyes as she digested Annie’s statement. “Okay, but I can’t do anything about your hands and the plastic cuffs. I can only untie your feet.” Iris moved toward Rafter and squatted down near his feet. “No, Iris, untie Mr. Jepson first, and then Annie. Save me for last,
Mark Romang (The Treasure Box (The Grace Series Book 2))
If you have the power—if you are the editor of a series of textbooks to be read by millions of young people—you can so constrict the language or so distort it as to ensure that thought-crime does not occur. You can, for instance, make sure that pictures of soldiers are female, and pictures of hair stylists are male. You can studiously avoid the words “mother” and “father.” You can avoid all reference to such virtues as womanliness and manliness. You can excise all stories of masculine honor and camaraderie. You can excise all stories of feminine gentleness and their care for children. You want them not to have the very tools they need to form the idea of a virtuous man or a virtuous woman. You couch everything in an unnatural language, such as Newspeak.
Anthony Esolen (Defending Marriage: Twelve Arguments for Sanity)
You’re really going to kick me out?” “Yes, I really am.” Mrs. Wattlesbrook folded her arms. Jane bit her lip and bent her head back to look at the sky. Funny that it looked so far away. It felt as if it were pressing down on her head, shoving her into the dirt. What a mean bully of a sky. Much of the household was present now. Miss Heartwright was huddled with the main actors, whispering, like rubberneckers shocked at a roadside accident but unable to look away. A couple of gardeners strolled up as well, tools in hand. Martin wiped his brow, confusion (sadness?) heavy on his face. Jane was embarrassed to see him, remembering how she’d ended things, and feeling less than appealing at the moment. The whole scene was rather Hester Prynne, and Jane imagined herself on a scaffold with a scarlet C for “cell phone” on her chest. She realized she was still holding her croquet mallet and wondered that no one felt threatened by her. She hefted it. Would it be fun to bash in a window? Nah. She handed it to Miss Charming. “Go get ‘em, Charming.” “Okay,” Miss Charming said uncertainly. “If you would be so kind as to step into the carriage,” said Mrs. Wattlesbrook. Curse the woman. Jane had just started to have such fun, too. Why didn’t one of the gentlemen come forward to defend her? Wasn’t that, like, their whole purpose of existence? She supposed they’d be fired if they did. The cowards. She stood on the carriage’s little step and turned to face the others. She’d never left a relationship with the last word, something poetic and timeless, triumphant amid her downfall. Oh, for a perfect line! She opened her mouth, hoping something just right would come to her, but Miss Heartwright spoke first. “Mrs. Wattlesbrook! Oh dear, I have only now realized what transpired.” She lifted the hem of her skirts and minced her way to the carriage. “Please wait, this is all my fault. Poor Miss Erstwhile was only doing me a favor. You see, the modern contraption was mine. I did not realize I had it until I arrived, and I was so distressed, Miss Erstwhile kindly offered to keep it for me among her own things where I would not have to look upon it.” Jane stood very still. She thought to wonder what instinct made her body rigid when shocked. Was she prey by nature? A rabbit afraid to move when a hawk wheels overhead? Mrs. Wattlesbrook had not moved either, not even to blink. A silent minute limped forward as everyone waited. “I see,” the proprietress said at last. She looked at Jane, at Miss Heartwright, then fumbled with the keys at her side. “Well, now, ahem, since it was an accident, I think we should forget it ever happened. I do hope, Miss Heartwright, that you will continue to honor us with your presence.” Ah, you old witch, Jane thought. “Yes, of course, thank you.” Miss Heartwright was in her best form, all proper feminine concern, artless and pleasant. Her eyes twinkled. They really did. Everyone began to move off, nothing disturbing left to view. Jane caught a glimpse of Martin smiling, pleased, before he turned away. “I’m so sorry, Jane. I do hope you will forgive me.” “Please don’t mention it, Miss Heartwright.” “Amelia.” She held Jane’s hand to help her descend from the carriage. “You must call me Amelia now.” “Thank you, Amelia.” It was such a sisterly moment, Jane thought they might actually embrace. They didn’t.
Shannon Hale (Austenland (Austenland, #1))
What cheek!" Lady Brookhampton declared, staring at Juliet in offended shock. "Yes. We colonials speak our minds." "Perhaps, then, I too should speak my mind," Katharine said, with a superior little smile as she nodded toward Charlotte. "Why, look at you, married less than a week and already toting his brat. I dare say, Lord Gareth works fast, does he not, Mama?" "Juliet is not the first woman Lord Gareth has ruined. But she just said she doesn't want to hear anything bad about her husband, Katharine." Juliet smiled sweetly. "Oh, but Lord Gareth wasn't the one who ruined me."  Both women looked at her. "Charles was." "What?!"  The word shot from Lady Brookhampton's mouth like a ball from a musket; beside her, her daughter's jaw nearly fell off its hinges. Juliet said, "You know, Charles? The one you all think was so perfect?"  Good Lord, would you listen to me, defending Gareth over Charles!  "He and I met in Boston in the winter of '74. We were engaged to be married, but he died in the fighting near Concord last year, and the legal union was never made. I came to England seeking the Duke of Blackheath's help, as Charles had bid me to do should anything happen to him."  Juliet's steady, dark green gaze never wavered as she faced down her husband's detractors. "Lord Gareth is an honorable and selfless man. He married me so that his brother's baby would bear the de Montforte name. I think that is most noble of him. Don't you?" Lady Brookhampton's jaw was working up and down as she fought to find words. "Well, I ... well, yes, I suppose it is." Her daughter's face had gone a very unattractive red. "You mean to say you were engaged to ... to my Charles?" "Was he your Charles?"  Juliet smiled sweetly and got to her feet. "I'm sorry. He didn't mention it. I thought he was mine. And now, if you'll excuse me, I have things to do. Good day."   ~~~~
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
What good is a man if he will not defend the honor of the woman he loves? And
Nancy Horan (Under the Wide and Starry Sky)
At one point, Joylene (a large woman from HR with four framed photos of her cats and one of her deceased father holding a trout on her desk) actually stated, “Ooo, I love Excel.”    Who says, “Ooo, I love Excel.”? How is it even a sentence? Each time Joylene had a question, she waved her pen, with a huge rainbow colored feather taped to the end, above her head while making excited “uh, uh, um, uh” noises.   “Yes, Joylene?” “If I want my columns color coded, am I able to mix my own preferred range of blues from a palette or do I have to select from the four-thousand shades of blue it already has?” “And that, your Honor, is when the defendant leapt across the desk. I enter into evidence the rainbow feather pen.”   If there ever comes a time where I’m typing numbers into boxes and decide I’d really like those boxes with numbers to be a specific shade of blue, it will be time to turn off the computer, pack my things, and start a fire.
David Thorne (That's Not How You Wash a Squirrel)
Jesus and Women As we look at Jesus and how He interacted with women, we see Him dignifying, validating, and championing them—all in contrast to a misogynist culture. In addition, women played a prominent role in Jesus’ earthly ministry. As John Bunyan put it, “They were women that wept when he was going to the cross, and women that followed him from the cross, and that sat by his sepulcher when he was buried. They were women that was [sic] first with him at his resurrection morn, and women that brought tidings first to his disciples that he was risen from the dead.”2 In an ancient world, where many disregarded the testimony of women, Jesus’ high regard for them bordered on the scandalous. The fact that all these accounts are included in the Canon of Scripture actually verify the resurrection accounts of Christ. Remember, God saw fit that the first eyes to behold the risen Jesus were those of a woman—all during an era where a woman’s testimony had no credibility in a court of law. Women, therefore, were the first evangelists. The only way a man can discover how to treat a woman is by looking at how Jesus interacted with them. Your Lord was the defender of women. He stepped in to save a broken, scandalized woman from the murderous plot of a group of self-righteous men. He lifted the weight of her shame, writing a new destiny for her in the dirt. He saw value in an “unclean” Samaritan woman who was disregarded, despised, and viewed as damaged goods. He honored a prostitute in the house of a Pharisee. He healed a pariah woman whose flow of blood excommunicated her. He exalted a woman who anointed Him for burial by commissioning her story to be rehearsed wherever the gospel message was heard. He never talked down to a woman, but made them heroes in His parables. And that for which Jesus came to die was a woman . . . His woman, the very bride of Christ. Put simply, your Lord is in the business of loving, honoring, and defending women.3 And God chose the womb of a woman to enter this world.
Frank Viola (The Day I Met Jesus: The Revealing Diaries of Five Women from the Gospels)
I should have rid myself of you when I learned I was with child. But it would have been a mortal sin.” She stared at him, and in her eyes, he saw nothing but hatred. “I’ve suffered every day you lived. And I will not stand by and let you ruin another woman’s life.” He expected Rose to speak, to say something to defend them. But her silence was damning. Though she continued to hold his hand, he could feel her grip loosening. She didn’t want him any more than his mother had. He should have expected it. And although he ought to let her go, now that she knew he was a bastard, damned if he wanted to. His only thread of honor had snapped in front of a truth he didn’t want to face. Iain stared at the women with no regrets for what he was about to do. He tightened his hand upon hers. “Most of the men and women in that ballroom will believe that I have compromised Lady Rose,” he said coolly. “I intend to marry her, no matter what anyone says about me.” “I cannot allow that,” Lady Wolcroft interrupted. “My granddaughter believed that you were an earl, a man who could provide a future for her. I believed that, too.” To Moira, she admitted, “I am sorry for my interference. You never told any of us about . . . why you hid him from the world. I thought you were merely estranged.” “I kept Iain away so that this would never happen,” his mother admitted. “I could not bring shame upon my husband.” It was as if he weren’t in the room at all. Iain refused to remain silent while they discussed his future. Ignoring all of them, he turned back to Rose. “Before all this happened, I asked you to marry me. Have your feelings changed, now that you know the truth?” The frozen expression on her face revealed her own doubts. “I feel as if I’ve stepped into the midst of a storm. I need a moment, Iain.” With that, she let go of his hand. The women closed in on her, and Lady Wolcroft sent him a dark look. “I think it’s best if you leave now, Ashton.” She opened the door and waited. Iain didn’t move. Instead, he locked his gaze upon Rose. “This is about what you want, a ghrá. They don’t matter.” She still wouldn’t look at him. But her hands were trembling as she gripped them together. “I—I need time to think.” It was as if he’d been imprisoned within panes of glass. He’d wanted to believe that she would be different. That she would love him enough to overlook the broken shards of the life he had. He didn’t want to leave her here with these vultures who would tell her how to live her life and what to do now. But when he saw her pale expression, his worst fears were confirmed. Love wasn’t enough to overcome the revelation that he was worth nothing. She’d wanted an earl, not a bastard. And no matter how much it broke him, the right thing was to let her go.
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
Have I mentioned that I grew up working in my much older brother’s dojo?” “Dojo?” Kerry repeated. “As in karate? Judo?” “Tae kwon do,” Maddy said. She shot a knowing grin Kerry’s way. “Ah,” Kerry said, understanding dawning. “And what color would your belt be, jongyeonghaneun yeosong?” Maddy laughed. “I don’t know if I’m an honorable woman,” she said, surprising Kerry by understanding her very rough Korean. “But my belt, it is black.” Maddy sketched a quick martial arts bow, making both women laugh. They glanced toward the back of the bar at the same time, only to find a grinning Hardy looking their way. “See? He’s the guy who assumes women are always talking about him,” Kerry said. “Well, we are,” Maddy replied. “He can’t know we’re discussing how best to dismantle his manhood if he so much as thinks about laying a finger on me.” She said all this with a serene smile. Hardy lifted his beer in a salute, presumably to Maddy, before downing the rest in a single gulp, as if beer consumption somehow proved his manly man prowess. “Poor Hardy,” Kerry said with a mock sigh. “But then, he never did seem big on wanting to have children. Just ask his ex-wife.” She ducked her chin as both women shared another laugh before continuing with their work. After that, the rest of the night didn’t seem all that arduous. Maddy was happy to return Kerry’s wingman favor, and between the two of them, they managed to distract, deflect, or defend much of the ribbing being thrown Kerry’s way and actually had a much better time doing it than Kerry would have imagined.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
At least when she'd been a soldier in the army, she'd had a clear idea of what was expected of her: fight to defend China. But the war was over, and thanks to her, Shan-Yu had been defeated. It was unheard of for a woman to be a military hero, and the last thing Mulan had anticipated was for the Emperor himself to publicly honor her in front of the entire capital, then ask her to become one of his advisors--- the most coveted and respected position in the Imperial City, offered only to the top scholars in all of China!
Elizabeth Lim (A Twisted Tale Anthology)
She can’t die, and not just because there’s a chance I won’t survive. She can’t die because I know I can’t live without her even if I do. Somewhere between the shock of our attraction at the top of that turret to realizing she risked her own life by giving up a boot for someone else on the parapet that first day to her throwing those daggers at my head under the oak tree, I wavered. I should have realized the danger of getting too close the first time I put her on her back and showed her how easily she could kill me on the mat—a vulnerability I’ve allowed no one else—but I brushed it off as an undeniable attraction to a uniquely beautiful woman. When I watched her conquer the Gauntlet, then defend Andarna at Threshing, I stumbled, stunned by both her cunning and her sense of honor. When I burst into her room and found Oren’s treacherous hand at her throat, the rage that made it so easy to kill all six of them without batting an eye should have told me I was headed for a cliff. And when she smiled at me after mastering her shield in mere minutes, her face lighting up as the snow fell around us, I fucking fell. We hadn’t even kissed, and I fell. Or maybe it was when she threw her knives at Barlowe or when jealousy ate me alive seeing Aetos kiss the mouth I’d dreamed about countless times. Looking back, there were a thousand tiny moments that pulled me over the edge for the woman asleep in the bed I always pictured her in.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
She can’t die, and not just because there’s a chance I won’t survive. She can’t die because I know I can’t live without her even if I do. Somewhere between the shock of our attraction at the top of that turret to realizing she risked her own life by giving up a boot for someone else on the parapet that first day to her throwing those daggers at my head under the oak tree, I wavered. I should have realized the danger of getting too close the first time I put her on her back and showed her how easily she could kill me on the mat—a vulnerability I’ve allowed no one else—but I brushed it off as an undeniable attraction to a uniquely beautiful woman. When I watched her conquer the Gauntlet, then defend Andarna at Threshing, I stumbled, stunned by both her cunning and her sense of honor. When I burst into her room and found Oren’s treacherous hand at her throat, the rage that made it so easy to kill all six of them without batting an eye should have told me I was headed for a cliff. And when she smiled at me after mastering her shield in mere minutes, her face lighting up as the snow fell around us, I fucking fell.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
She can't die, and not just because there's a chance I won't survive. She can't die because I know I can't live without her even if I do. Somewhere between the shock of our attraction at the top of the turret to realizing she risked her own life by giving up a boot for someone else on the parapet that first day to her throwing those daggers at my head under the oak tree, I wavered. I should have realized the danger of getting too close the first time I put her on her back and showed her how easily she could kill me on the mat—a vulnerability I've allowed no one else—but I brushed it off as an undeniable attraction to a uniquely beautiful woman. When I watched her conquer the Gauntlet, then defend Andarna at Threshing. I stumbled, stunned by both her cunning and her sense of honor. When I burst into her room and found Oren's treacherous hand at her throat, the rage that made it so easy to kill all six of them without batting an eye should have told me I was headed for a cliff. And when she smiled at me after mastering her shield in mere minutes, her face lighting up as the snow fell around us, I fucking fell. We hadn't even kissed, and I fell. Or maybe it was when she threw her knives at Barlowe or when jealously ate me alive seeing Aetos kiss the mouth I'd dreamed about countless times. Looking back, there were a thousand tiny moments that pulled me over the edge for the woman asleep in the bed I always pictured her in.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))