Deer Poems Quotes

O Solitude! if I must with thee dwell, Let it not be among the jumbled heap Of murky buildings; climb with me the steep,— Nature’s observatory—whence the dell, Its flowery slopes, its river’s crystal swell, May seem a span; let me thy vigils keep ’Mongst boughs pavillion’d, where the deer’s swift leap Startles the wild bee from the fox-glove bell. But though I’ll gladly trace these scenes with thee, Yet the sweet converse of an innocent mind, Whose words are images of thoughts refin’d, Is my soul’s pleasure; and it sure must be Almost the highest bliss of human-kind, When to thy haunts two kindred spirits flee.

Often when I imagine you, your wholeness cascades into many shapes. You run like a herd of luminous deer, and I am dark; I am forest.

My heart's in the Highlands, my heart is not here; My heart's in the Highlands a-chasing the deer; A-chasing the wild-deer, and following the roe, My heart's in the Highlands wherever I go.

Little deer, I've stuffed all the world's diseases inside you. / Your veins are thorns // and the good cells are lost in the deep dark woods / of your organs.

Girls, be good to these spirits of music and poetry that breast your threshold with their scented gifts. Lift the lyre, clear and sweet, they leave with you. As for me, this body is now so arthritic I cannot play, hardly even hold the instrument. Can you believe my white hair was once black? And oh, the soul grows heavy with the body. Complaining knee-joints creak at every move. To think I danced as delicate as a deer! Some gloomy poems came from these thoughts: useless: we are all born to lose life, and what is worse, girls, to lose youth. The legend of the goddess of the dawn I’m sure you know: how rosy Eos madly in love with gorgeous young Tithonus swept him like booty to her hiding-place but then forgot he would grow old and grey while she in despair pursued her immortal way.

Never ran this hard through the valley never ate so many stars I was carrying a dead deer tied on to my neck and shoulders deer legs hanging in front of me heavy on my chest People are not wanting to let me in Door in the mountain let me in

I WANT her though, to take the same from me. She touches me as if I were herself, her own. She has not realized yet, that fearful thing, that I am the other, she thinks we are all of one piece. It is painfully untrue. I want her to touch me at last, ah, on the root and quick of my darkness and perish on me, as I have perished on her. Then, we shall be two and distinct, we shall have each our separate being. And that will be pure existence, real liberty. Till then, we are confused, a mixture, unresolved, unextricated one from the other. It is in pure, unutterable resolvedness, distinction of being, that one is free, not in mixing, merging, not in similarity. When she has put her hand on my secret, darkest sources, the darkest outgoings, when it has struck home to her, like a death, "this is _him!_" she has no part in it, no part whatever, it is the terrible _other_, when she knows the fearful _other flesh_, ah, dark- ness unfathomable and fearful, contiguous and concrete, when she is slain against me, and lies in a heap like one outside the house, when she passes away as I have passed away being pressed up against the _other_, then I shall be glad, I shall not be confused with her, I shall be cleared, distinct, single as if burnished in silver, having no adherence, no adhesion anywhere, one clear, burnished, isolated being, unique, and she also, pure, isolated, complete, two of us, unutterably distinguished, and in unutterable conjunction. Then we shall be free, freer than angels, ah, perfect. VIII AFTER that, there will only remain that all men detach themselves and become unique, that we are all detached, moving in freedom more than the angels, conditioned only by our own pure single being, having no laws but the laws of our own being. Every human being will then be like a flower, untrammelled. Every movement will be direct. Only to be will be such delight, we cover our faces when we think of it lest our faces betray us to some untimely fiend. Every man himself, and therefore, a surpassing singleness of mankind. The blazing tiger will spring upon the deer, un-dimmed, the hen will nestle over her chickens, we shall love, we shall hate, but it will be like music, sheer utterance, issuing straight out of the unknown, the lightning and the rainbow appearing in us unbidden, unchecked, like ambassadors. We shall not look before and after. We shall _be_, _now_. We shall know in full. We, the mystic NOW. (From the poem the Manifesto)

The fount of joy was bubbling in thine eyes, Dancing was in thy feet, And on thy lips a laugh that never dies, Unutterably sweet. Dance on! for ever young, for ever fair, Lightfooted as a frightened bounding deer, Thy wreath of vine-leaves twisted in thy hair, Through all the changing seasons of the year...

Song of the Sheep (to Yasuhara Yoshihiro) III She trusted me completely, confided in me completely, her heart was the colour of an orange; that tenderness did not overflow, nor did it cringe away, like a deer. I forgot everything I was doing; that time was the only time I savoured.

A vision had seized hold of me, like the demented fury of a hound that has sunk its teeth into the leg of a deer carcass and is shaking and tugging at the downed game so frantically that the hunter gives up trying to calm him. It was the vision of a large steamship scaling a hill under its own steam, working its way up a steep slope in the jungle, while above this natural landscape, which shatters the weak and the strong with equal ferocity, soars the voice of Caruso, silencing all the pain and all the voices of the primeval forest and drowning out all birdsong. To be more precise: bird cries, for in this setting, left unfinished and abandoned by God in wrath, the birds do not sing; they shriek in pain, and confused trees tangle with one another like battling Titans, from horizon to horizon, in a steaming creation still being formed. Fog-panting and exhausted they stand in this unreal misery - and I, like a stanza in a poem written in an unknown foreign tongue, am shaken to the core.

Whoso List to Hunt Whoso list to hunt, I know where is an hind, But as for me, helas! I may no more. The vain travail hath worried me so sore, I am of them that furthest come behind. Yet may I by no means, my worried mind Draw from the deer; but as she fleeth afore Fainting I follow. I leave off therefore, Since in a net I seek to hold the wind. Who list her hunt, I put him out of doubt, As well as I, may spend his time in vain; And graven in diamonds in letters plain There is written, her fair neck round about, "Noli me tangere, for Caesar's I am, And wild to hold, though I seem tame." Sir Thomas Wyatt

Fox-Trot By the stream the fox and she-fox stood Nose to nose beneath the stars Dancing the music of the woods. The deer rapped a beat with their hooves, The ravens sang from raven hearts As by the stream the fox and she-fox stood. The great owl called as a great owl would, The squirrels all shimmied in the dark, Dancing the music of the woods. Then from the north a fierce wind blew And broke the starry dance apart By the stream where the fox and she-fox stood.

These ears aren't to be trusted. The keening in the night, didn't you hear? Once I believed all the stories didn’t have endings, but I realized the endings were invented, like zero, had yet to be imagined. The months come around again, and we are in the same place; full moons, cherries in bloom, the same deer, the same frogs, the same helpless scratching at the dirt. You leave poems I can’t read behind on the sheets, I try to teach you songs made of twigs and frost. you may be imprisoned in an underwater palace; I'll come riding to the rescue in disguise. Leave the magic tricks to me and to the teakettle. I've inhaled the spells of willow trees, spat them out as blankets of white crane feathers. Sleep easy, from behind the closet door I'll invent our fortunes, spin them from my own skin. (from, The Fox-Wife's Invitation)

Yes You Are! Like the Blossoming rose, Like the Rays of hope. Like a deer in the forest, Like an athlete full of zest. Like a lamp in temple, Like the life feeling ample. Like the feel of the dawn, Like the grace of the swan. Like the melody of sitar, Like the rage of guitar. Like a group of angels in the sky, Like the pot that makes you high. Like the peacock's dance, Like she is the romance. Like the silent talk, Like the wine from Medoc. Like the colors of life, Like the music from the fife. Like the calmness of the cold wind Like the beauty of the hind.

She trusted me completely, confided in me completely, her heart was the colour of an orange; that tenderness did not overflow, nor did it cringe away, like a deer. I forgot everything I was doing; that time was the only time I savoured.

Weary of all who come with words, words but no language, I make my way to the snow-covered island. The untamed has no words. The unwritten pages spread out on every side! I come upon the tracks of deer in the snow. Language but no words.

No outsider was allowed to glimpse the mansion when Elisabeth was in residence. She could go walking for hours, observing the deer (she always carried wooden rattles with her to protect her from wild boars, who were afraid of the noise) or composing poems.

When monks talk about happiness, they tell the story of the musk deer, a tale derived from a poem by Kabir, a fifteenth-century Indian mystic and poet. The musk deer picks up an irresistible scent in the forest and chases it, searching for the source, not realizing that the scent comes from its own pores. It spends its whole life wandering fruitlessly. In the same way we search for happiness, finding it elusive, when it can be found within us.

From the twilight of day till the twilight of evening, a leopard, in the last years of the thirteenth century, would see some wooden planks, some vertical iron bars, men and women who changed, a wall and perhaps a stone gutter filled with dry leaves. He did not know, could not know, that he longed for love and cruelty and the hot pleasure of tearing things to pieces and the wind carrying the scent of a deer, but something suffocated and rebelled within him and God spoke to him in a dream: "You live and will die in this prison so that a man I know of may see you a certain number of times and not forget you and place your figure and symbol in a poem which has its precise place in the scheme of the universe. You suffer captivity, but you will have given a word to the poem." God, in the dream, illumined the animal's brutishness and the animal understood these reasons and accepted his destiny, but, when he awoke, there was in him only an obscure resignation, a valorous ignorance, for the machinery of the world is much too complex for the simplicity of a beast.

The Law of the Jungle NOW this is the Law of the Jungle — as old and as true as the sky; And the Wolf that shall keep it may prosper, but the Wolf that shall break it must die. As the creeper that girdles the tree-trunk the Law runneth forward and back — For the strength of the Pack is the Wolf, and the strength of the Wolf is the Pack. Wash daily from nose-tip to tail-tip; drink deeply, but never too deep; And remember the night is for hunting, and forget not the day is for sleep. The Jackal may follow the Tiger, but, Cub, when thy whiskers are grown, Remember the Wolf is a Hunter — go forth and get food of thine own. Keep peace withe Lords of the Jungle — the Tiger, the Panther, and Bear. And trouble not Hathi the Silent, and mock not the Boar in his lair. When Pack meets with Pack in the Jungle, and neither will go from the trail, Lie down till the leaders have spoken — it may be fair words shall prevail. When ye fight with a Wolf of the Pack, ye must fight him alone and afar, Lest others take part in the quarrel, and the Pack be diminished by war. The Lair of the Wolf is his refuge, and where he has made him his home, Not even the Head Wolf may enter, not even the Council may come. The Lair of the Wolf is his refuge, but where he has digged it too plain, The Council shall send him a message, and so he shall change it again. If ye kill before midnight, be silent, and wake not the woods with your bay, Lest ye frighten the deer from the crop, and your brothers go empty away. Ye may kill for yourselves, and your mates, and your cubs as they need, and ye can; But kill not for pleasure of killing, and seven times never kill Man! If ye plunder his Kill from a weaker, devour not all in thy pride; Pack-Right is the right of the meanest; so leave him the head and the hide. The Kill of the Pack is the meat of the Pack. Ye must eat where it lies; And no one may carry away of that meat to his lair, or he dies. The Kill of the Wolf is the meat of the Wolf. He may do what he will; But, till he has given permission, the Pack may not eat of that Kill. Cub-Right is the right of the Yearling. From all of his Pack he may claim Full-gorge when the killer has eaten; and none may refuse him the same. Lair-Right is the right of the Mother. From all of her year she may claim One haunch of each kill for her litter, and none may deny her the same. Cave-Right is the right of the Father — to hunt by himself for his own: He is freed of all calls to the Pack; he is judged by the Council alone. Because of his age and his cunning, because of his gripe and his paw, In all that the Law leaveth open, the word of your Head Wolf is Law. Now these are the Laws of the Jungle, and many and mighty are they; But the head and the hoof of the Law and the haunch and the hump is — Obey!

The Dream" I met her as a blossom on a stem Before she ever breathed, and in that dream The mind remembers from a deeper sleep: Eye learned from eye, cold lip from sensual lip. My dream divided on a point of fire; Light hardened on the water where we were; A bird sang low; the moonlight sifted in; The water rippled, and she rippled on. She came toward me in the flowing air, A shape of change, encircled by its fire. I watched her there, between me and the moon; The bushes and the stones danced on and on; I touched her shadow when the light delayed; I turned my face away, and yet she stayed. A bird sang from the center of a tree; She loved the wind because the wind loved me. Love is not love until love’s vulnerable. She slowed to sigh, in that long interval. A small bird flew in circles where we stood; The deer came down, out of the dappled wood. All who remember, doubt. Who calls that strange? I tossed a stone, and listened to its plunge. She knew the grammar of least motion, she Lent me one virtue, and I live thereby. She held her body steady in the wind; Our shadows met, and slowly swung around; She turned the field into a glittering sea; I played in flame and water like a boy And I swayed out beyond the white seafoam; Like a wet log, I sang within a flame. In that last while, eternity’s confine,

This morning when I looked out the roof window before dawn and a few stars were still caught in the fragile weft of ebony night I was overwhelmed. I sang the song Louis taught me: a song to call the deer in Creek, when hunting, and I am certainly hunting something as magic as deer in this city far from the hammock of my mother’s belly. It works, of course, and deer came into this room and wondered at finding themselves in a house near downtown Denver. Now the deer and I are trying to figure out a song to get them back, to get all of us back, because if it works I’m going with them. And it’s too early to call Louis and nearly too late to go home. [from poem, "Song for the Deer and Myself to Return On"]

Ascent To The Sierras poet Robinson Jeffers #140 on top 500 poets Poet's PagePoemsCommentsStatsE-BooksBiographyQuotationsShare on FacebookShare on Twitter Poems by Robinson Jeffers : 8 / 140 « prev. poem next poem » Ascent To The Sierras Beyond the great valley an odd instinctive rising Begins to possess the ground, the flatness gathers to little humps and barrows, low aimless ridges, A sudden violence of rock crowns them. The crowded orchards end, they have come to a stone knife; The farms are finished; the sudden foot of the slerra. Hill over hill, snow-ridge beyond mountain gather The blue air of their height about them. Here at the foot of the pass The fierce clans of the mountain you'd think for thousands of years, Men with harsh mouths and eyes like the eagles' hunger, Have gathered among these rocks at the dead hour Of the morning star and the stars waning To raid the plain and at moonrise returning driven Their scared booty to the highlands, the tossing horns And glazed eyes in the light of torches. The men have looked back Standing above these rock-heads to bark laughter At the burning granaries and the farms and the town That sow the dark flat land with terrible rubies... lighting the dead... It is not true: from this land The curse was lifted; the highlands have kept peace with the valleys; no blood in the sod; there is no old sword Keeping grim rust, no primal sorrow. The people are all one people, their homes never knew harrying; The tribes before them were acorn-eaters, harmless as deer. Oh, fortunate earth; you must find someone To make you bitter music; how else will you take bonds of the future, against the wolf in men's hearts?

Summer Nocturne" Let us love this distance, since those who do not love each other are not seperaated. --Simone Weil Night without you, and the dog barking at the silence, no doubt at what's in the silence, a deer perhaps pruning the rhododendron or that racoon with its brilliant fingers testing the garbage can lid by the shed. Night I've chosen a book to help me think about the long that's in longing, "the space across which desire reaches." Night that finally needs music to quiet the dog and whatever enormous animal night itself is, appetite without limit. Since I seem to want to be hurt a little, it's Stan Getz and "It Never Entered My Mind," and to back him up Johnnie Walker Black coming down now from the cabinet to sing of its twelve lonely years in the dark. Night of small revelations, night of odd comfort. Starting to love this distance. Starting to feel how present you are in it.

Dog Talk … I have seen Ben place his nose meticulously into the shallow dampness of a deer’s hoofprint and shut his eyes as if listening. But it is smell he is listening to. The wild, high music of smell, that we know so little about. Tonight Ben charges up the yard; Bear follows. They run into the field and are gone. A soft wind, like a belt of silk, wraps the house. I follow them to the end of the field where I hear the long-eared owl, at wood’s edge, in one of the tall pines. All night the owl will sit there inventing his catty racket, except when he opens pale wings and drifts moth-like over the grass. I have seen both dogs look up as the bird floats by, and I suppose the field mouse hears it too, in the pebble of his tiny heart. Though I hear nothing. Bear is small and white with a curly tail. He was meant to be idle and pretty but learned instead to love the world, and to romp roughly with the big dogs. The brotherliness of the two, Ben and Bear, increases with each year. They have their separate habits, their own favorite sleeping places, for example, yet each worries without letup if the other is missing. They both bark rapturously and in support of each other. They both sneeze to express plea- sure, and yawn in humorous admittance of embarrassment. In the car, when we are getting close to home and the smell of the ocean begins to surround them, they both sit bolt upright and hum. With what vigor and intention to please himself the little white dog flings himself into every puddle on the muddy road. Somethings are unchangeably wild, others are stolid tame. The tiger is wild, the coyote, and the owl. I am tame, you are tame. The wild things that have been altered, but only into a semblance of tameness, it is no real change. But the dog lives in both worlds. Ben is devoted, he hates the door between us, is afraid of separation. But he had, for a number of years, a dog friend to whom he was also loyal. Every day they and a few others gathered into a noisy gang, and some of their games were bloody. Dog is docile, and then forgets. Dog promises then forgets. Voices call him. Wolf faces appear in dreams. He finds himself running over incredible lush or barren stretches of land, nothing any of us has ever seen. Deep in the dream, his paws twitch, his lip lifts. The dreaming dog leaps through the underbrush, enters the earth through a narrow tunnel, and is home. The dog wakes and the disturbance in his eyes when you say his name is a recognizable cloud. How glad he is to see you, and he sneezes a little to tell you so. But ah! the falling-back, fading dream where he was almost there again, in the pure, rocky weather-ruled beginning. Where he was almost wild again, and knew nothing else but that life, no other possibility. A world of trees and dogs and the white moon, the nest, the breast, the heart-warming milk! The thick-mantled ferocity at the end of the tunnel, known as father, a warrior he himself would grow to be. …

Essay So many poems about the deaths of animals. Wilbur’s toad, Kinnell’s porcupine, Eberhart’s squirrel, and that poem by someone—Hecht? Merrill?— about cremating a woodchuck. But mostly I remember the outrageous number of them, as if every poet, I too, had written at least one animal elegy; with the result that today when I came to a good enough poem by Edwin Brock about finding a dead fox at the edge of the sea I could not respond; as if permanent shock had deadened me. And then after a moment I began to give way to sorrow (watching myself sorrowlessly the while), not merely because part of my being had been violated and annulled, but because all these many poems over the years have been necessary,—suitable and correct. This has been the time of the finishing off of the animals. They are going away—their fur and their wild eyes, their voices. Deer leap and leap in front of the screaming snowmobiles until they leap out of existence. Hawks circle once or twice around their shattered nests and then they climb to the stars. I have lived with them fifty years, we have lived with them fifty million years, and now they are going, almost gone. I don’t know if the animals are capable of reproach. But clearly they do not bother to say good-bye.

Toward an Organic Philosophy SPRING, COAST RANGE The glow of my campfire is dark red and flameless, The circle of white ash widens around it. I get up and walk off in the moonlight and each time I look back the red is deeper and the light smaller. Scorpio rises late with Mars caught in his claw; The moon has come before them, the light Like a choir of children in the young laurel trees. It is April; the shad, the hot headed fish, Climbs the rivers; there is trillium in the damp canyons; The foetid adder’s tongue lolls by the waterfall. There was a farm at this campsite once, it is almost gone now. There were sheep here after the farm, and fire Long ago burned the redwoods out of the gulch, The Douglas fir off the ridge; today the soil Is stony and incoherent, the small stones lie flat And plate the surface like scales. Twenty years ago the spreading gully Toppled the big oak over onto the house. Now there is nothing left but the foundations Hidden in poison oak, and above on the ridge, Six lonely, ominous fenceposts; The redwood beams of the barn make a footbridge Over the deep waterless creek bed; The hills are covered with wild oats Dry and white by midsummer. I walk in the random survivals of the orchard. In a patch of moonlight a mole Shakes his tunnel like an angry vein; Orion walks waist deep in the fog coming in from the ocean; Leo crouches under the zenith. There are tiny hard fruits already on the plum trees. The purity of the apple blossoms is incredible. As the wind dies down their fragrance Clusters around them like thick smoke. All the day they roared with bees, in the moonlight They are silent and immaculate. SPRING, SIERRA NEVADA Once more golden Scorpio glows over the col Above Deadman Canyon, orderly and brilliant, Like an inspiration in the brain of Archimedes. I have seen its light over the warm sea, Over the coconut beaches, phosphorescent and pulsing; And the living light in the water Shivering away from the swimming hand, Creeping against the lips, filling the floating hair. Here where the glaciers have been and the snow stays late, The stone is clean as light, the light steady as stone. The relationship of stone, ice and stars is systematic and enduring: Novelty emerges after centuries, a rock spalls from the cliffs, The glacier contracts and turns grayer, The stream cuts new sinuosities in the meadow, The sun moves through space and the earth with it, The stars change places. The snow has lasted longer this year, Than anyone can remember. The lowest meadow is a lake, The next two are snowfields, the pass is covered with snow, Only the steepest rocks are bare. Between the pass And the last meadow the snowfield gapes for a hundred feet, In a narrow blue chasm through which a waterfall drops, Spangled with sunset at the top, black and muscular Where it disappears again in the snow. The world is filled with hidden running water That pounds in the ears like ether; The granite needles rise from the snow, pale as steel; Above the copper mine the cliff is blood red, The white snow breaks at the edge of it; The sky comes close to my eyes like the blue eyes Of someone kissed in sleep. I descend to camp, To the young, sticky, wrinkled aspen leaves, To the first violets and wild cyclamen, And cook supper in the blue twilight. All night deer pass over the snow on sharp hooves, In the darkness their cold muzzles find the new grass At the edge of the snow.

FALL, SIERRA NEVADA This morning the hermit thrush was absent at breakfast, His place was taken by a family of chickadees; At noon a flock of humming birds passed south, Whirling in the wind up over the saddle between Ritter and Banner, following the migration lane Of the Sierra crest southward to Guatemala. All day cloud shadows have moved over the face of the mountain, The shadow of a golden eagle weaving between them Over the face of the glacier. At sunset the half-moon rides on the bent back of the Scorpion, The Great Bear kneels on the mountain. Ten degrees below the moon Venus sets in the haze arising from the Great Valley. Jupiter, in opposition to the sun, rises in the alpenglow Between the burnt peaks. The ventriloquial belling Of an owl mingles with the bells of the waterfall. Now there is distant thunder on the east wind. The east face of the mountain above me Is lit with far off lightnings and the sky Above the pass blazes momentarily like an aurora. It is storming in the White Mountains, On the arid fourteen-thousand-foot peaks; Rain is falling on the narrow gray ranges And dark sedge meadows and white salt flats of Nevada. Just before moonset a small dense cumulus cloud, Gleaming like a grape cluster of metal, Moves over the Sierra crest and grows down the westward slope. Frost, the color and quality of the cloud, Lies over all the marsh below my campsite. The wiry clumps of dwarfed whitebark pines Are smoky and indistinct in the moonlight, Only their shadows are really visible. The lake is immobile and holds the stars And the peaks deep in itself without a quiver. In the shallows the geometrical tendrils of ice Spread their wonderful mathematics in silence. All night the eyes of deer shine for an instant As they cross the radius of my firelight. In the morning the trail will look like a sheep driveway, All the tracks will point down to the lower canyon. “Thus,” says Tyndall, “the concerns of this little place Are changed and fashioned by the obliquity of the earth’s axis, The chain of dependence which runs through creation, And links the roll of a planet alike with the interests Of marmots and of men.

You sit by the window and it is snowing-- your hair is white and your hands-- but in both mirrors of your white face summer has been maintained: Land for meadows raised into the invisible-- potions for shadow deer at night. But mourning I sink into your whiteness, your snow-- which life leaves ever so quietly as after a prayer is spoken to the end-- O to fall asleep in your snow with all my grief in the fiery breath of the world. While the delicate lines on your brow drown already in the ocean of night for a new birth.

You’ve learned by now to wait without waiting; as if it were dusk look into light falling: in deep relief things even out. Be careless of nothing. See what you see. from “How to See Deer

(Did you know when you bait a deer it's called a violation, but when you poison a girl it's called a date.)

Frida Kahlo, San Miguel, Ash Wednesday You faded so long ago but here in the souvenir arcade you’re everywhere: the printed cotton bags, the pierced tin boxes, the scarlet T-shirts, the beaded crosses; your coiled braids, your level stare, your body of a deer or martyr. It’s a meme you can turn into if your ending’s strange enough and ardent, and involves much pain. The rope of a hanged man brings good luck; saints dangle upside down or offer their breasts on a plate and we wear them, we invoke them, insert them between our flesh and danger. Fireworks, two streets over. Something’s burning somewhere, or did burn, once. A torn silk veil, a yellowing letter: I’m dying here. Love on a skewer, a heart in flames. We breathe you in, thin smoke, grief in the form of ashes. Yesterday the children smashed their hollowed eggs on the heads of others, baptizing them with glitter. Shell fragments litter the park like the wings of crushed butterflies, like sand, like confetti: azure, sunset, blood, your colours.

longed for her return every time I went to my Place. In fact, the hope of seeing her again was half the impetus to head out there at least once a week. She only returned once, which was a little disappointing and confusing, until I read about a similar encounter Mary Oliver captured in her poem, “The Place I Want to Get Back To.” The poem, which is about a numinous visit by two does, explains that “such gifts, bestowed, can’t be repeated.”1 They can, however, become beacons to show you the way. Numinous presence through deer became an important beckoning toward the divine for me, a gentle nudge to pay attention.

His antlers trace celestial arcs in the misty dawn, a kaleidoscope of shapes that play with the first timid rays of light.

late in the afternoon deer drift toward the bank gazing with wakeful eyes at houses that throughout the day start to rise as if the wind among the leaves the river flowing past had strangely come to rest no farther place to reach

I wish I had someone I could call without feeling guilty. Someone I could tell about my day, about the weird things going on in my head, the poems I’m thinking about writing, and they would listen and care and tell me about how their cat has gone to throwing up in their shoes, and the way the fall leaves make them feel, about how hard it’s been lately. We could both share, and feel heard. We could both listen, and feel understood. I just want a connection that doesn’t feel one sided.

WHO MAKES THESE CHANGES? Who makes these changes? I shoot an arrow right. It lands left. I ride after a deer and find myself chased by a hog. I plot to get what I want and end up in prison. I dig pits to trap others and fall in. I should be suspicious of what I want. DROWNING

But the point I wish to make against Mr. Hollis is this: Mr. Lewis’ teleology does not invoke the dour Calvinistic dogma of “you can’t take it with you” but rather the exactly opposite doctrine of that sweet Scottish mystic, George MacDonald, his and Chesterton’s “owne maister deere,” who used to preach in sermon, poem and fantastic novel that you really can take it with you in the last analysis—all that counts, anyway, wife and child and candlelight and old cat purring on the hearth; toy theater and tavern; for man will remain man.

Beauty is your eyes in your downturned face, your hair when the wind breaks, softly waving to your tired shoulder, it's beautiful when I see your face, then my heart is like a deer of fear, afraid my love will fall, afraid to string dreams, because the heart is so vulnerable, from the wound, from crispy, beauty is when the full moon turns pomegranate, The shade grows on your wet lips. Lull the wind to melodiousing song

Crux: Something that occasions difficulty. Shed me a tear! For I am wrought Upon your crossed arms Stretched tight Like the gutted deer. Chaliced In your double-lip I no longer hear the sounds.

Guardian Of The Forest by Stewart Stafford Follow the stag, a voice whispered, For he is the guardian of the forest, Fleeing danger to well-worn tracks, Rejuvenating stream water sheen. Pulchritudinous spiked crown atop, Surveying all subjects of his realm, From snow-capped ermine peaks, Defying resistance of challengers. Hunters inch closer to their quarry, In bloodlust desecration, blinded, To the martyred immortal nobility, Soaring to the Heavens in rebirth. © Stewart Stafford, 2024. All rights reserved.

Deers, dolphins, and cryptic Silvermist carves a delicate blanket as they kissed

Shed me a tear! For I am wrought Upon your crossed arms Stretched tight Like the gutted deer. Chaliced In your double-lip I no longer hear The sounds.

End of autumn - heavy frost and dew; At dawn, I rise and go to the hidden valley. Yellow leaves cover stream and bridge, In the empty village, just ancient trees. Cold flowers are scattered, each alone, Hidden stream breaks off, and reappears. My heart’s plans are long forgotten now, What can it be that startles the deer?

The deer and the dachshund are one. Well, the gods grow out of the weather. The people grow out of the weather; The gods grow out of the people. Encore, encore, encore les dieux … The distance between the dark steeple And cobble ten thousand and three Is more than a seven-foot inchworm Could measure by moonlight in June. Kiss, cats; for the deer and the dachshund Are one. My window is twenty-nine three And plenty of window for me. The steeples are empty and so are the people, There’s nothing whatever to see

blue red yellow flowers, flies picking through a deer's fur until bone

that this dying landscape belongs to the dead, the crofters and fighters and fishermen whose larochs sink into the bracken by Loch Assynt and Loch Crochach? - to men trampled under the hoofs of sheep and driven by deer to the ends of the earth - to men whose loyalty was so great it accepted their own betrayal by their own chiefs and whose descendants now are kept in their place by English businessmen and the indifference of a remote and ignorant government.