“
Oh, my sweet summer child," Old Nan said quietly, "what do you know of fear?
Fear is for the winter, my little lord, when the snows fall a hundred feet
deep and the ice wind comes howling out of the north. Fear is for the long
night, when the sun hides its face for years at a time, and little children
are born and live and die all in darkness while the direwolves grow gaunt and
hungry, and the white walkers move through the woods
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
Letting out a deep breath, he pressed his forehead down to mine. With his eyes closed, he whispered, “That’s what love is … It’s scary not knowing what’s expected, but I know it’ll be the best frightening love we’ve ever had.” - Marcus (Disastrous)
”
”
E.L. Montes (Disastrous (Disastrous, #1))
“
Life isn't sure, life is scary, It doesn't mean you stop living it.
”
”
Susan May Warren (My Foolish Heart (Deep Haven, #4))
“
She tossed him a small mirror so that he could see the results, and what he saw horrified him. The boiling concoction left a deep trail of burnt skin that stretched from the crown of his head all the way to his chin – almost like an artificial sluice that burned his flesh to form a large rivulet that ran down the center of his face.
”
”
Harvey Havel (The Odd and The Strange: A Collection of Very Short Fiction)
“
I shrug, trapped. I don’t want to lose him. In spite of all his demands, his need to control, his scary vices. I have never felt as alive as I do now. It’s a thrill to be sitting here beside him. He’s so unpredictable, sexy, smart, and funny. But his
moods… oh – and he wants to hurt me. He says he’ll think about my reservations, but it still scares me. I close my eyes. What can I say? Deep down I would just like more, more affection, more playful Christian, more… love.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
The caption reads, “Emperor Andon-Roon enjoys a surge in popularity after brokering a peace deal with Caderyn after twelve cycles of war.” For some reason this evokes strong emotions in her—deep sorrow, anger—and she stares at the screen transfixed, as if straining to find herself in the story.
”
”
Stephen Alder (Deehabta’s Song)
“
Deep down, instead of princes, I thought maybe every woman wanted gentle monsters. Someone strong—scary enough to keep all the bad things away—and gentle only to those he loved.
”
”
Michelle Gross (One Percent of You)
“
We're on vacation, Kaia, Strider grumbled. You weren't invited.
She waved away his words as if they were unimportant. Deep down I know you meant to invite me, so ta-da. Here I am. You're welcome.
It's scary how well you know us. Here, pay for this, William said, dumping his candy into Strider's arms. We'll be in the care. Making out.
”
”
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
“
There will be times when standing alone feels too hard, too scary, and we’ll doubt our ability to make our way through the uncertainty. Someone, somewhere, will say, “Don’t do it. You don’t have what it takes to survive the wilderness.” This is when you reach deep into your wild heart and remind yourself, “I am the wilderness.
”
”
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
“
You get used to the amazing, that's all. Mermaids and IMAX, giants and cell phones. If it's in your world, you go with it. It's wonderful, right? Only look at it another way, and it's sort of awful. Think Gogmagog is scary? Our world is sitting on a potentially world-ending supply of nuclear weapons, and if that's not black magic, I don't know what is.
”
”
Stephen King (Fairy Tale)
“
Too often we try to avoid that scary place where we love so deep, so much, our hearts could break. But without the bitterness, we would never appreciate the sweetness.
”
”
Sara Hagerty (Every Bitter Thing Is Sweet: Tasting the Goodness of God in All Things)
“
That grin was pulling me into the deep end of the pool. The scary part, the part that made me search desperately for some other task I could lose myself in, was that there was a small, insistent voice urging me to dive right in.
”
”
Robin Constantine (The Promise of Amazing)
“
sometimes the shifting of rocks is deep, deep below, and it's powerful and scary down there, but that all we feel on the surface is a slight tremor. Only a slight tremor.
”
”
Khaled Hosseini
“
She'd been acting the role of the scary woman for years because deep down inside she was scared. Scared of being alone. Scared that she'd had all her chances at happiness and blown each and every one of them.
”
”
Lisa Jewell (I Found You)
“
Sometimes you just know... And then it doesn't even seem scary. Just certain and joyful. Like a deep stream, flowing steady and strong, jumping and splashing and churning as it passes around and over the land in which it is grounded. And for this knowing, and flowing, I am grateful.
”
”
Vashti Lsc
“
Nakata let his body relax, switched off his mind, allowing things to flow through him. This was natural for him, something he'd done ever since he was a child, without a second thought. Before long the borders of his consciousness fluttered around, just like the butterflies. Beyond these borders lay a dark abyss. Occasionally his consciousness would fly over the border and hover over that dizzying black crevasse. But Nakata wasn't afraid of the darkness or how deep it was. And why should he be? That bottomless world of darkness, that weighty silence and chaos, was an old friend, a part of him already. Nakata understood this well. In that world there was no writing, no days of the week, no scary Governor, no opera, no BMWs. No scissors, no tall hats. On the other hand, there was also no delicious eel, no tasty bean-jam buns. Everything is there, but there are no parts. Since there are no parts, there's no need to replace one thing with another. No need to remove anything, or add anything. You don't have to think about difficult things, just let yourself soak it all in. For Nakata, nothing could be better.
”
”
Haruki Murakami (Kafka on the Shore)
“
The lake's deep...and dark...and dangerous.
”
”
Mary Downing Hahn (Deep and Dark and Dangerous (A Ghost Story))
“
Falling in love was overwhelmingly scary. It was also becoming the easiest thing I had ever done.
”
”
J. Daniels (Down Too Deep (Dirty Deeds, #4))
“
We all make mistakes. We all mess up. The trick is to wake up the next day and keep trying, keep showing up, keep jumping into the deep end even when it’s scary.
”
”
Avery Sawyer (Notes to Self)
“
When you start figuring out how full of shit you are, it's like opening a tunnel to all the lies you've ever told yourself. The tunnel is really deep and scary, but you're suspicious about it and you want to see what's down there.
”
”
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
“
Once this kid came into the world, Sally knew, she would live in constant terror of somehow injuring or losing her. Having her tucked deep inside her belly was the safest she would ever feel about the child, and even that was scary.
”
”
J. Courtney Sullivan (Commencement)
“
Can you believe it? They made me an ensign."
"I didn't realize that things were going so bad."
"Scary, isn't it?
”
”
Diane Carey (Sacrifice of Angels (Star Trek: Deep Space Nine: The Dominion War, #4))
“
Depths of Friendship
...under fathoms deep
of dark and bitter cold
an eerie oscillation
reverberated brash and bold...
”
”
Muse (Enigmatic Evolution)
“
Fear and hopelessness washed over her. She was looking her own mortality in the face, and it was a horrifying thing to do.
”
”
Rose Wynters (The Vampire's House of Pleasure Part 2 (The Vampire's House of Pleasure #2))
“
Up near the top, the view pierces me so totally I have one of those flash thoughts about tossing myself into the ocean. Surrender to the enormous wildness, the water's churning gray force, the solid rocks. It doesn't seem so scary. The idea. It seems like it could bring a lot of quiet. Endless quiet.
”
”
Amy McNamara (Lovely, Dark and Deep)
“
There's so much going on here, and out there, and places we don't even know about. Everything's so scary and uncertain. We never know when fate will shake it all up."
"That's pretty deep."
"You gotta wonder how we'll ever make it through."
"I guess we can fall back on what's gotten us this far."
"A positive attitude and lots of denial?
”
”
Paul Dini (Countdown to Final Crisis, Vol. 4)
“
You are cold and infuriating and, I admit, a little scary. But you are also patient and supportive and brilliant. You inspire me to chase my dreams and drive away my nightmares. You are everything I didn’t know I needed, and you make me feel safer than anyone else on the planet.” I took a deep breath. “What I’m trying to say—again—is, I love you, Alex Volkov. Every part of you, even the parts I want to slap.
”
”
Ana Huang (Twisted Love (Twisted, #1))
“
Deep inside my soul there is a locked room, known to no one. It's dark so I don't go in there willingly, but when I did it last night, you were the dangling light bulb from the ceiling and it wasn't scary anymore.
”
”
Ismaaciil C. Ubax
“
He wanted you to be the small, quiet girl from Abnegation," Four says softly. "He hurt you because your strength made him feel weak. No other reason."
I nod and try to believe him.
"The others won't be as jealous if you show some vulnerability. Even if it isn't real."
"You think I have to pretend to be vulnerable?" I ask, raising an eyebrow.
"Yes,I do." He takes the ice pack from me, his fingers brushing mine, and holds it against my head himself. I put my hand down, too eager to relax my arm to object. Four stands up. I stare at the hem of his T-shirt.
Sometimes I see him as just another person, and sometimes I feel the sight of him in my gut, like a deep ache.
"You're going to want to march into breakfast tomorrow and show your attackers they had no effect on you," he adds, "but you should let that bruise on your cheek show, and keep your head down."
The idea nauseates me.
"I don't think I can do that," I say hollowly. I lift my eyes to his.
"You have to."
"I don't think you get it." Heat rises into my face. "They touched me."
His entire body tightens at my words, his hand clenching around the ice pack. "Touched you," he repeates, his dark eyes cold.
"Not...in the way you're thinking." I clear my throat. I didn't realize when I said it how awkward it would be to talk about. "But...almost."
I look away.
He is silent and still for so long that eventually,I have to say something.
"What is it?"
"I don't want to say this," he says, "but I feel like I have to.It is more important for you to be safe than right, for the time being. Understand?"
His straight eyebrows are drawn low over his eyes. My stomach writhes, partly because I know he makes a good point but I don't want to admit it, and partly because I want something I don't know how to express; I want to press against te space between us until it disappears.
I nod.
"But please,when you see an opportunity..." He pesses his hand to my cheek,cold and strong, and tilts my head up so I have to look at him. His eyes glint. They look almost predatory. "Ruin them."
I laugh shakily. "You're a little scary, Four."
"Do me a favor," he says, "and don't call me that."
"What should I call you,then?"
"Nothing." He takes his hand from my face. "Yet.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
He's seen all the worst parts of me, and it hasn't scared him off yet." Those words hit something deep inside of me, and I knew they were going to linger. "That...must be nice." "Sure makes the world seem less scary." he said.
”
”
Cristin Terrill (Here Lies Daniel Tate)
“
Leni stared down at her father. She saw the man who had used his fists when he was angry, saw the blood on his hands and the mean set to his jaw. But she saw the other man, too, the one she’d crafted from photographs and her own need, the one who’d loved them as much as he could, his capacity for love destroyed by war. Leni thought maybe that he would haunt her. Not just him, but the idea of him, the sad and scary truth that you could love and hate the same person at the same time, that you could feel a deep and abiding loss and shame for your own weakness and still be glad that this awful thing had been done.
”
”
Kristin Hannah (The Great Alone)
“
My hands trembled, so I took a deep drag to calm my frayed nerves. I just wanted to forget that terrible sight, but questions multiplied in my mind as the smoke furled.
”
”
Katherine McIntyre (Snatched)
“
The days may last forever, but the years pass by in a blink; the secret to survival is actually remembering to take a deep breath every now and then and enjoy ourselves along the way.
”
”
Jill Smokler (Confessions of a Scary Mommy: An Honest and Irreverent Look at Motherhood: The Good, The Bad, and the Scary)
“
The thing is, Sara, writing's scary. You have to be prepared to go deep......And when your brain's shouting, 'No, no, no, I'm not going to think that thought; it's too dirty, it's too scary, it's too painful,' that's when you must make yourself think it and make yourself write it.
”
”
Felicity Everett (The People at Number 9)
“
Just because we are the crest of the wave does not mean the ocean does not exist. What has been before will be again. We are reverberations of our Ancestors and songs of our present selves. It is very quiet in the future, as it is in the deep past. The Quiet. We always live alongside the dead. It’s scary but the Quiet is our true home.
”
”
Tanya Tagaq (Split Tooth)
“
I remembered the lesson my mom taught me at age seven in a swimming pool in Hawaii. I was a shy little girl and an only child, so on vacations I was usually playing alone, too afraid to go up to the happy groups of kids and introduce myself. Finally, on one vacation, my mom asked me which I'd rather have: a vacation with no friends, or one scary moment... After that, one scary moment became something I was always willing to have in exchange for the possible payoff. I became a girl who knew how to take a deep breath, suck it up, and walk into any room by herself.
”
”
Kristin Newman (What I Was Doing While You Were Breeding)
“
We live now in an information technology. Flowers have always lived in an information technology. Flowers gather information all day. At night, they process it. This is called photosynthesis.
As our neocortex comes into full use, we, too will practice photosyntesis. As a matter of fact, we already do, but compared for flowers, our kind is primitive and limited.
For one thing, information gathered from daily newspapers, soap operas, sales conferences and coffee klatches is inferior to information gathered from sunlight....
Either because our data is insufficient or because our processing equipment is not fully on line, our own noctural processing is part-time work. The information our conscious minds receive during waking hours is processed by our unconscious during so called "deep sleep". We are in deep sleep only two or three hours a night. For the rest of our sleeping session, the unconscious mind is off duty. It gets bored. It craves recreation. So it plays with the material at hand. In a sense, it palys with itself. It scrambles memories, juggles images, rearranges data, invents scary or titillating stories. This is what we call "dreaming".
”
”
Tom Robbins (Jitterbug Perfume)
“
I took a deep breath, inhaling the musty scent of unbrushed velvet and candle wax. So the room was blood red, dark, and scary. I was here to get yelled at and maybe fired by a hooker in a sari, not sacrificed to Satan on a stone altar. p.250
”
”
Sarah Katherine Lewis (Indecent: How I Make It and Fake It as a Girl for Hire)
“
You want to hear it? Fine. It’s a simple story really, about a pretty girl who was pretty stupid. She let a man touch her because she was scared to say no, and then she told her parents because she was scared to say nothing. Then they were scared to do anything that might ruin their pretty little lives, so they told the girl that it was nothing. That just being touched wasn’t enough to fight for. Too scared to prove them wrong, she kept going like it was nothing, and she let more people touch her, never knowing that she was handing out pieces of herself. Or, hell, maybe she knew deep down, and she just hated herself so much that she was glad to be rid of them. And life wasn’t pretty, but it also wasn’t scary until she met a man with two names who touched her without taking and made her miss the pieces she had lost. And now things aren’t just scary, they’re fucking terrifying, and I can’t do it. I can’t live like this, knowing all that I’ve ruined and that it can’t be fixed.
”
”
Cora Carmack (Finding It (Losing It, #3))
“
But I took a deep breath, and she sat there listening to me across my dirty coffee table, and we talked about community and family and authenticity. It’s easy to talk about it, and really, really hard sometimes to practice it. This is why the door stays closed for so many of us, literally and figuratively. One friend promises she’ll start having people over when they finally have money to remodel. Another says she’d be too nervous that people wouldn’t eat the food she made, so she never makes the invitation. But it isn’t about perfection, and it isn’t about performance. You’ll miss the richest moments in life—the sacred moments when we feel God’s grace and presence through the actual faces and hands of the people we love—if you’re too scared or too ashamed to open the door. I know it’s scary, but throw open the door anyway, even though someone might see you in your terribly ugly half-zip.
”
”
Shauna Niequist (Bread and Wine: A Love Letter to Life Around the Table with Recipes)
“
It's not an honest face. It's not a kind face. It's a face made of anger and secrets and lies. From the tight, guarded mouth to the clenched, square jaw to the glossy shimmer of I-dare-you that coats the surface of her eyes, Aimee's face is a scary place for Meghan's gaze to rest. But beneath the gloss, behind the sharpness and tension, deep at Aimee's core, Meghan can see something warm and real. It's the same unnameable thing she saw in the sickroom on the first day of school. It's the same thing she feels pulsing softly deep in her own chest.
”
”
Madeleine George (Looks)
“
Losing a grasp in reality or being misunderstood, being lonely always rises from isolation, dark, and frightening nights. They are scary and full of deep loneliness. The thing is, it becomes so hard to survive the night lying in the bed awake and serving the up-time like a nice warm glass of regret.
”
”
Rabin Paudel
“
Sometimes I dream that I'm drowning. It's always in a big blue ocean that's too deep for me to see the bottom. But I tell myself I'm not going to die no matter how much water gets in my lungs or how deep I sink, I am not going to die. Because I say so.
Suddenly, I can breathe underwater. I can swim. The ocean isn't scary anymore. It's actually kinda cool. I even learn how to control it.
But I'm awake, I'm drowning, and I don't know how to control any of this.
”
”
Angie Thomas (On the Come Up)
“
Long black hair and deep clean blue eyes and skin pale white and lips blood red she's small and thin and worn and damaged. She is standing there.
What are you doing here?
I was taking a walk and I saw you and I followed you.
What do you want.
I want you to stop.
I breathe hard, stare hard, tense and coiled. There is still more tree for me to destroy I want that fucking tree. She smiles and she steps towards me, toward toward toward me, and she opens he r arms and I'm breathing hard staring hard tense and coiled she puts her arms around me with one hand not he back of my head and she pulls me into her arms and she holds me and she speaks.
It's okay.
I breathe hard, close my eyes, let myself be held.
It's okay.
Her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and my heart slows and I stop shaking an the Fury melts into her safety an she holds me and she says.
Okay.
Okay.
Okay.
Something else comes and it makes me feel weak and scared and fragile and I don't want to be hurt and this feeling is the feeling I have when I know I can be hurt and hurt deeper and more terribly than anything physical and I always fight it and control it and stop it but her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and if she let me go right now I would fall and the need and confusion and fear and regret and horror and shame and weakness and fragility are exposed to the soft strength of her open arms and her simple word okay and I start to cry. I start to cry. I want to cry.
It comes in waves. THe waves roll deep and from deep the deep within me and I hold her and she holds me tighter and i let her and I let it and I let this and I have not felt this way this vulnerability or allowed myself to feel this way this vulnerability since I was ten years old and I don't know why I haven't and I don't know why I am now and I only know that I am and that it is scary terrifying frightening worse and better than anything I've ever felt crying in her arms just crying in her ams just crying.
She guides me to the ground, but she doesn't let me go. THe Gates are open and thirteen years of addiction, violence, hell and their accompaniments are manifesting themselves in dense tears and heavy sobs and a shortness of breath and a profound sense of loss. THe loss inhabits, fills and overwhelms me. It is the loss of a childhood of being a Teeenager of normalcy of happiness of love of trust anon reason of God of Family of friends of future of potential of dignity of humanity of sanity f myself of everything everything everything. I lost everything and I am lost reduced to a mass of mourning, sadness, grief, anguish and heartache. I am lost. I have lost. Everything. Everything.
It's wet and Lilly cradles me like a broken Child. My face and her shoulder and her shirt and her hair are wet with my tears. I slow down and I start to breathe slowly and deeply and her hair smells clean and I open my eyes because I want to see it an it is all that I can see. It is jet black almost blue and radiant with moisture. I want to touch it and I reach with one of my hands and I run my hand from the crown along her neck and her back to the base of her rib and it is a thin perfect sheer and I let it slowly drop from the tips of my fingers and when it is gone I miss it. I do it again and again and she lets me do it and she doesn't speak she just cradles me because I am broken. I am broken. Broken.
THere is noise and voices and Lilly pulls me in tighter and tighter and I know I pull her in tighter and tighter and I can feel her heart beating and I know she can feel my heart beating and they are speaking our hearts are speaking a language wordless old unknowable and true and we're pulling and holding and the noise is closer and the voices louder and Lilly whispers.
You're okay.
You're okay.
You're okay.
”
”
James Frey
“
And I know, deep down, that it was the right thing to do, but my chest still hurts the same way it does on the last day of school or New Year's Eve or the night before my birthday. It's the end of a chapter in my life. And, yes, another one will eventually open where this one closed, but it's scary, taking away that piece of comfort. Of routine.
”
”
Brandy Colbert (The Voting Booth)
“
Just because we are the crest of the wave does not mean the ocean does not exist. What has been before will be again. We are reverberations of our Ancestors and songs of our present selves. It is very quiet in the future, as it is in the deep past. The Quiet. We always live alongside the dead. It’s scary but the Quiet is our true home. This is why we
”
”
Tanya Tagaq (Split Tooth)
“
Sticking one's head in the sand is a deep human impulse. Like when you feel some kind of bump or growth on the back of your neck, and your heart jumps, because, Christ, that could be something bad, I should see a doctor right away. But then you don't, because it's too scary, and what if they do find something, and...and besides: maybe it will just go away!
”
”
Bill Maher (When You Ride Alone You Ride With Bin Laden: What the Government Should Be Telling Us to Help Fight the War on Terrorism)
“
That was the moment he felt it. Deep inside. So deep, it was scary, like maybe it was a lock that had been there all along, but Verity Gwynn somehow held the key.
”
”
Katy Regnery (Dark Sexy Knight (A Modern Fairytale #4))
“
Minnesota doesn’t sound scary, but if you ever saw Garrison Keillor coming at you down a dark alley gnawing on a deep-fried Snickers, you’d be shitting kittens.
”
”
Dick Wybrow (The InBetween (Hell Inc. #4))
“
Quick charm will always be easier for me than deep connection. People out there are easier than the ones in here. But quick charm is like sugar—it rots us. It winds us up and leaves us jonesing, but it doesn’t feed us. Only love feeds us. And love happens over years, repetitive motions, staying, staying, staying. Showing up again. Coming clean again, being seen again. That’s how love is built. And if you can wean yourself off the drug of quick charm, off the drug of being good at something, losing yourself in something, the drug of work or money or information or marathon training—whatever it is you do to avoid the scary intimacy required for a rich home life—that’s when love can begin. But only then. It’s all in here, not out there.
”
”
Shauna Niequist (Present Over Perfect: Leaving Behind Frantic for a Simpler, More Soulful Way of Living)
“
Under fun’s new administration, writing fiction becomes a way to go deep inside yourself and illuminate precisely the stuff you don’t want to see or let anyone else see, and this stuff usually turns out (paradoxically) to be precisely the stuff all writers and readers share and respond to, feel. Fiction becomes a weird way to countenance yourself and to tell the truth instead of being a way to escape yourself or to present yourself in a way you figure you will be maximally likable. This process is complicated and confusing and scary, and also hard work, but it turns out to be the best fun there is.
The fact that you can now sustain the fun of writing only by confronting the very same unfun parts of yourself you’d first used writing to avoid or disguise is another paradox, but this one isn’t any kind of bind at all. What it is is a gift, a kind of miracle, and compared to it the reward of strangers’ affection is as dust, lint.
”
”
David Foster Wallace (Both Flesh and Not: Essays)
“
The South was a scary new world. The first time I saw a possum in my driveway, I shook a bony fist at the sky and cursed this godforsaken rustic hellhole. My ancestors spent centuries in the hills of County Kerry, waist-deep in sheep shit, getting shot at by English soldiers, and my grandparents crossed the ocean in coffin ships to come to America, just so I could get possum rabies?
”
”
Rob Sheffield
“
Breccan stood for a second, deep in thought of what Darius had just described. "Dude, seriously, you gotta get a hobby. Oh, and anyone else want their mothers right now? Cause, damn, that was some scary shit," he added.
”
”
Madison Thorne Grey (Magnificence (Gwarda Warriors #1))
“
What do you know about me, Isabeau?"
He leaned forward, and I forced myself to stay still instead of shying away. He was so close that I could smell the subtle notes of his cologne: musk and wood with a hint of leather.
What did he want me to say? That everyone said he was an ogre? Or that they all wanted to sleep with him anyway?
"I..."
"Go on. You won't hurt my feelings."
He was still smiling, slight dimples visible in both cheeks. The sight was destracting, to say the least.
"I know that you're the youngest CEO and partner in the company's history, and I know that you earned the spot by working your way up after graduate school instead of using your inheritance as a crutch."
"Everyone knows that. What do you know about me? The real stuff. None of this press release bullshit."
I looked down at my hands, anything not to have to look up at his face so close to me.
"Um. People say... they say that you're scary. And that your assistants don't last long."
He laughed, a deep, warm sound that seemed to fill up the office. I glanced up to see him smirking at me. I relaxed my grip on the desk a little. Maybe I wasn't being fired after all.
"What else do they say?"
Oh, God. He can't possibly want me to tell him everything. Does he? The look on his face confirmed that he did. It was clear by the way he looked at me that I wasn't leaving this office until I gave him exactly what he wanted.
"They say. Um... They say that you're very, uh, good looking... and impossible to please."
"Oh they do, do they?" He sat back, and tented his fingers beneath his chin. "Well, do you agree with them? Do you think I'm scary, handsome and woefully unsatisfied?"
My mouth dropped open, and I quickly closed it with a snap.
"Yes. I mean, no! I mean, I don't know..."
He stood, then, and leaned in close, towering over me. "You were right the first time."
Anxiety coursed through me, but I have to admit, being this close to him, smelling his scent and feeling the heat radiating off his body, it made me wonder what it would be like to be in his arms. To be his. To be owned by him...
His face was almost touching mine when he whispered to me. "I am unsatisfied, Isabeau. I want you to be my new assistant. Will you do that for me? Will you be at my beck and call?"
My breath left me as his words sunk in. When I finally regained it, I felt like I was trembling from head to toe. His beck and call.
"Wh-what about your old assistant?"
Mr. Drake leaned back again and took my chin in his hand, forcing my eyes to his. "What about her? I want you."
His touch on my skin was electric. Are we still talking about business?
"Yes, Mr. Drake."
His thumb stroked my cheek for the briefest of moments, and then he released me, breathless, and wondering what I'd just agreed to.
”
”
Delilah Fawkes (At His Service (The Billionaire's Beck and Call, #1))
“
His prescription to experience a deep sense of meaning, then, was remarkably pragmatic. He had three recommendations: 1. Have a project to work on, some reason to get out of bed in the morning and preferably something that serves other people. 2. Have a redemptive perspective on life’s challenges. That is, when something difficult happens, recognize the ways that difficulty also serves you. 3. Share your life with a person or people who love you unconditionally. Frankl called this treatment logotherapy, or a therapy of meaning. And surprisingly, it worked. He was put in charge of the mental-health division of the Viennese hospital system because they had lost far too many patients to suicide. When Frankl came aboard, he had more than thirty thousand suicidal patients under his care. The challenge was phenomenal. Frankl created community groups for the patients and taught counselors to identify projects the patients could contribute to, serious work the world needed that would give them a reason to get out of bed in the morning. Frankl also had the patients circle the difficult experiences they’d had and while allowing them to grieve, also asked them to list benefits that had come from their pain. The result of the program was transformational. Not one patient committed suicide on Frankl’s watch.
”
”
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
“
My rib cage clenched all of the organs and muscles within it. It pulsed, full of life and warmth and gummy bears and glitter. This was... I don't know how to explain it—it was like Christmas morning when you were a kid. It was everything I’d wanted.
Each of his thumbs curved over the shells of my ears. "That's my girl."
His girl.
After all the crap that I'd gone through today, there couldn't have been three better words to hear.
Well, there were three other words I'd like to hear but I'd take these from him. That didn't mean that he was the only one who knew how to give. He'd given enough. My bones and heart knew that there was nothing for me to fear. I loved him and sometimes there were consequences of it that were scary, but it—the emotion itself—wasn't. I knew that now.
What kind of life was I living if I let my fears steer me? This was a gift I’d forgotten to appreciate lately. For so long I’d been happy to just be alive but now...now I had Dex. I had my entire life ahead of me, and I needed to quit being a wuss and grab life by the balls. In this case, I’d take his nipple piercings.
“What’cha thinkin’, Ritz?”
I held my hands out for him to see how badly they were shaking. “I’m thinking that I love you so much it scares me. See?”
Dex's thumbs tipped my chin back so that I could look at his face—at his beautiful, scruffy face. "Baby." He said my name like a purr that reached the vertebrae of my spine.
"And even though it really scares the living crap out of me, I love you, and I want you to know that. Everything you've done for me..." Oh hell. I had to let out a long gust of breath. "Thank you. You're the best thing that ever yelled at me."
He murmured my name again, low and smooth. The pads of his thumbs dug a little deeper into the soft tissue on the underside of my jaw. "If all the shit I do for you, and all the shit I'd be willin' to do for you doesn't tell you how deep you've snuck into me, honey, then I'll tell you."
He lowered his mouth right next to my ear, his teeth nipping at my lobe before he whispered, "Love you."
The feeling that swamped me was indescribable.
He gave me hope. This big, ex-felon with a temper, reminded me of how strong I was, and then made me stronger on top of it.
"Dex," I exhaled his name.
He nipped my ear again. "I love you, Ritz." The scruff of his jaw scraped my own before he bit it gently. "Love your fuckin' face, your that's what she said jokes, your dorky ass high-fives and your arm, but I really fuckin' love how much of a little shit you are. You got nuts bigger than your brother, baby."
I choked out a laugh.
Dex tipped my head back even further, holding the weight on his long fingers as he bit the curve of my chin. "And those are gonna be my nuts, you little bad ass."
Fire shot straight through my chest. "Yeah?" I panted.
"Yeah." He nodded, biting my chin even harder. "I already told you I keep what's mine.
”
”
Mariana Zapata (Under Locke)
“
I want to make this point: it’s not that things aren’t scary. They are, and they will continue to be. But each of us has to come to a deep, personal realization that God has already conquered fear—and by the power of His Spirit we can live completely free from fear.
”
”
Sadie Robertson (Live Fearless: A Call to Power, Passion, and Purpose)
“
. . . a nightmarish thing that frightens Love, haunting her, weighing her down, the thing that she's supposed to love, the way the world initially instructs children to love clowns even though we all know deep down that they're creepy, old, puffy men in masks leering at children.
”
”
Caroline Kepnes (Hidden Bodies (You, #2))
“
Jaxon is . . . living. Fresh air. An endless sky dotted with possibilities. He’s the deep breath before a scary step, the thundering of your pulse as you close your eyes and jump. He’s life beyond four suffocating walls, where stepping outside is like seeing in color for the first time.
”
”
Becka Mack (Fall with Me (Playing for Keeps, #4))
“
We got a room full of people here, who weren't given anything. We got a room full of people here who had to fight for what they believe in. We have a room full of people here, who had to reach down deep, and no matter how hard it was, no matter how scary it looked, they found what they needed to find and they brought it up and they took care of the people they love," Warren said, lifting her hand from a downward-pointed forefinger summoning the depths of one's soul to the clenched fist of resolve. "They fought the fights they believe in—that's how they got into these seats today.
”
”
Elizabeth Warren
“
Names are the way we humans build relationship, not only with each other but with the living world. I’m trying to imagine what it would be like going through life not knowing the names of the plants and animals around you. Given who I am and what I do, I can’t know what that’s like, but I think it would be a little scary and disorienting—like being lost in a foreign city where you can’t read the street signs. Philosophers call this state of isolation and disconnection “species loneliness”—a deep, unnamed sadness stemming from estrangement from the rest of Creation, from the loss of relationship.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
And there he stood looking like... RON WEASLEY to be precise….and that’s where it all started.
People found him "boring" , "dumb" but did I really see what others couldn't ? Or was I blinded with that deep Infatuation.
Well he din't have the perfect body , his hair was always messy like a frizzy bear, stammered when he spoke but his flaws had swept me off by my feet like a Supernova. From the time we knew about each others existence on planet earth we din’t really like each other reason being we had fought on a whole new level in a page on Facebook [ lame, but we were young].
Then as we reached high school… things became different, there was a drastic change.
“WE BECAME FRIENDS”
First it was really scary but as time passed we became inseparable. But I din’t realize that amidst all that small inside jokes , teasing , recalling our embarassing past …I fell for him. And that too for the first time and believe me I fell hard. In a blink of an eye he who was a complete “moron” turned out to be the person who mattered the most to me. . .
”
”
Biipso
“
Frankl theorized a sense of meaning was existential, that it was something that passed through us not unlike the recognition of beauty or a feeling of gratitude. And he believed life could be structured in such a way people would experience meaning. His prescription to experience a deep sense of meaning, then, was remarkably pragmatic. He had three recommendations: 1. Have a project to work on, some reason to get out of bed in the morning and preferably something that serves other people. 2. Have a redemptive perspective on life’s challenges. That is, when something difficult happens, recognize the ways that difficulty also serves you. 3. Share your life with a person or people who love you unconditionally.
”
”
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
“
what I want to know is, is there a you independent of circumstances? Is there a way-down-deep me who is an actual, real person, the same person if she has money or not, the same person if she has a boyfriend or not, the same if she goes to this school or that school? Or am I only a set of circumstances?” “I don’t follow how that would make you fictional.” “I mean, I don’t control my thoughts, so they’re not really mine. I don’t decide if I’m sweating or get cancer or C. diff or whatever, so my body isn’t really mine. I don’t decide any of that—outside forces do. I’m a story they’re telling. I am circumstances.” She nodded. “Can you apprehend these outside forces?” “No, I’m not hallucinating,” I said. “It’s . . . like, I’m just not sure that I am, strictly speaking, real.” Dr. Singh placed her feet on the floor and leaned forward, her hands on her knees. “That’s very interesting,” she said. “Very interesting.” I felt briefly proud to be, for a moment anyway, not not uncommon. “It must be very scary, to feel that your self might not be yours. Almost a kind of . . . imprisonment?
”
”
John Green (Turtles All the Way Down)
“
Pffft! I ain’t scared of no zombie. Bring it on! I don’t care if you got a deep, scary voice.” MWAHAHAHAHA! The scary laughter echoed throughout the place. Then a huge shiny figure emerged from the shadows. It was the zombie commander! Steve screamed and fainted. I don’t know if he was pretending to play dead, but he looked pretty lifeless. I nudged him a few times with my foot, but he didn’t move.
”
”
Steve the Noob (Diary of Herobrine the Anti-Hero (Unofficial Minecraft Book))
“
It's scary, and downing, that I make my best music when I'm going through my depression... At that moment, all i can see is black, darkness and shadows, but in the bigger picture.. it's a blessing. When I look through all my work, my art, I wouldn't change or take away my depression and anxiety for ANYTHING.. because when i get those days of rainbows, and colors.. i know deep down, i'm only honest when i'm at the deepest of the oceans.. so it's like listening to a different side of my mind, that i never realize exists, until i get that little peek through the blinds, and finally see the sunlight.. THEN on those simple moments, even if they only last a few minutes, i know deep down... maybe i do have a talent. Maybe I have got something, a "gift", that some people call... So really, if it wasn't for my depression, i would never, truly believe I have anything worth giving. So I will NOT sit back and wish i wasn't clinically depressed, I will learn to embrace it, live with it, and talk my brain into believing, and fully knowing, I HAVE A GIFT. I AM WORTHY. I DO HAVE SOMETHING TO GIVE THE WORLD. I will not let my depression or anxiety control me. They can live here(in my mind), but they best know, I AM STILL, AND WILL ALWAYS BE IN CONTROL. .. BUT This is my home, and you're just living under it.
”
”
scott mcgoldrick
“
Owl Hollow Road by Stewart Stafford
On a bracing night walk,
On leafy Owl Hollow Road,
A raspy voice whispered to me,
Like a deep-croaking old toad.
I moved rapidly on my path,
And then heard phantom feet,
Looked around, empty space,
Only silence replaced the beat.
At my most pressing pace now,
A shadow pointed past my shoulder,
An SUV slammed into my side,
And I broke my back on a boulder.
© Stewart Stafford, 2022. All rights reserved
”
”
Stewart Stafford
“
A prickle of awareness made the hairs at the back of his neck stand. A deep chill sank into his flesh to settle around his heart, squeezing it. Skeletal fingers scraped along his spine and he wanted to look back over his shoulder, but couldn’t. No, he didn’t dare. If he saw what caused the sound it might be more than he could handle. Rooted to the ground, he couldn’t twitch a finger or twist his head around. His lips glued together, so he couldn’t speak.
”
”
Pamela K. Kinney, "Let Demon Dogs Lie," Southern Haunts: Devils in the Darkness
“
I’ll leave you with this. There will be times when standing alone feels too hard, too scary, and we’ll doubt our ability to make our way through the uncertainty. Someone, somewhere, will say, “Don’t do it. You don’t have what it takes to survive the wilderness.” This is when you reach deep into your wild heart and remind yourself, “I am the wilderness.” To my father: Thank you for insisting that I always speak up and take a stand— even when you passionately disagree
”
”
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
“
Because grief is like a monster under your bed. It can stay hidden for a long time. You know it’s there. You think you have it at bay. But then, one day, you wake up and hear the noise, because it decides to come out. No matter how strong you think you’ve become, you panic when it crawls out, stands straight, and looms over you with its monstrous form. It suffocates you, presses down on you, and makes everything else disappear but the blackness. Deep. Scary. Drowning.
”
”
Lexi Ray (Outcast (Ruthless Paradise, #1))
“
tell me off or worse—beat me? What can I say? I stare momentarily out of the window. The car is heading back across the bridge. We are both shrouded in darkness, masking our thoughts and feelings, but we don’t need the night for that. “Why, Anastasia?” Christian presses me for an answer. I shrug, trapped. I don’t want to lose him. In spite of all his demands, his need to control, his scary vices, I have never felt as alive as I do now. It’s a thrill to be sitting here beside him. He’s so unpredictable, sexy, smart, and funny. But his moods…oh—and he wants to hurt me. He says he’ll think about my reservations, but it still scares me. I close my eyes. What can I say? Deep down I would just like more, more affection, more playful Christian, more…love. He squeezes my hand. “Talk to me, Anastasia. I don’t want to lose you. This last week…” We’re coming near to the end of the bridge, and the road is once more bathed in the neon light of the street lamps so his face is intermittently in the light and the dark. And it’s such a
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
Want to know what would have made me feel alone and worse at the airport? Sympathy. If Suzanne had said, “I’m so sorry. You poor thing.” Or “I can’t imagine how hard this must be for you.” She didn’t feel bad for me. She felt pain with me. Empathy is feeling with people. Sympathy is feeling for them. Empathy fuels connection. Sympathy drives disconnection. I always think of empathy as this sacred space where someone’s in a deep well, and they shout out from the bottom, “It’s dark and scary down here. I’m overwhelmed.
”
”
Brené Brown (Dare to Lead: Brave Work. Tough Conversations. Whole Hearts.)
“
As the nurses busied themselves with other patients and statistics, Livia slid her hand over his. She needed to feel his skin. She tucked his hand under the thin blanket and held it without protection. The same tingling she’d felt when they first held hands flooded her skin. He’s still in there. They can tell me anything they want. Blake’s right here.
She scooted her chair closer to his head. The deep, monotonous breaths the ventilator forced him to take sounded scary, but Livia held tight to his hand.
“I love you, Blake Hartt,” she whispered. “I’ll love you forever.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
Every artist who moves us, from a movie maker to Beethoven or Shakespeare, is a bit of a
hypnotist. In this sense that seemingly stupid and mechanical contraption we call "society" must rank as the greatest artist on the planet. For instance, when I was seven or eight, and feeling superior to the kids who closed their eyes "during the scary parts," I was entering a deep hypnosis created by another Virtual Reality called language. This hypnosis was a worse nightmare than the Wicked Witch of the West or King Kong or the Wolf-Man or any of their kith and kin, but it made me a "member of society".
”
”
Hyatt S. Christopher (To Lie Is Human: Not Getting Caught Is Divine)
“
These are big, fat women who have to take a deep breath in the middle of each sentence. Hopelessly puff-faced pudgies who obviously couldn’t run a step. Women in such hideously bad shape, it’s scary. They all tell me that they agree entirely about exercise and are already hard at it. Well, that is nonsense! Outrageous nonsense! Please, please, please, whatever you tell me, whatever you tell Old Fred, whatever you tell your God . . . quit lying to yourself! You are not doing anywhere near enough if you’re fat as butter. If you’re short of breath. If you look like hell. Do not lie! You are getting in your own way.
”
”
Chris Crowley (Younger Next Year for Women: Live Strong, Fit, and Sexy - Until You're 80 and Beyond)
“
Nakata let his body relax, switched off his mind, allowing things to flow through him. This was natural for him, something he’d done ever since he was a child, without a second thought. Before long the borders of his consciousness fluttered around, just like the butterflies. Beyond these borders lay a dark abyss. Occasionally his consciousness would fly over the border and hover over that dizzying, black crevass. But Nakata wasn’t afraid of the darkness or how deep it was. And why should he be? That bottomless world of darkness, that weighty silence and chaos, was an old friend, a part of him already. Nakata understood this well. In that world there was no writing, no days of the week, no scary Governor, no opera, no BMWs.
”
”
Haruki Murakami (Kafka on the Shore)
“
Valerie, I love you so much. I wanted you to have a normal
childhood—so I lived a double life. Hiding in plain
sight. Living modestly.” He began to pace the room, the
words tumbling out of him. “I tried to keep it up, but I’ve
been so disrespected. Even by my own wife. I couldn’t do it
anymore. I’ve settled for far less than I deserved, and I just
couldn’t do it anymore. I decided it was time to leave for
the city....For richer hunting grounds.” Cesaire was snarling
now, a scary, powerful force. Valerie felt herself being
drawn to it....
She took a deep, steadying breath. It was not just fear
that she felt. What she felt was so much more complex
than that, something she couldn’t understand. “Then why
didn’t you just go?”
“Because I loved you girls, and I wanted you to come
with me. To share the wealth.”
“But you had to wait until the blood moon.
”
”
Sarah Blakley-Cartwright (Red Riding Hood Bonus Chapter)
“
Uneducated therapists often have an inability to cope with the behaviors of persecutory alters. They commonly focus on helping one side of the personality system and battling with the other side. When “Satan” or some similar part talks in a deep scary voice to you or to the client, it is easy to think this is a nasty perpetrator or a supernatural being, and to and to oppose it or fight with it or try to banish it. However, if you do this, you will engender the hostility of this part, who has probably been very badly hurt and told a lot of lies. You will foster internal splitting in this way, and get nowhere fast.
Once you recognize that these alters have a protective intent, you can see that working with them involves enlisting them in the service of healing, just as they were originally enlisted in the cause of safety. You will see examples of these kinds of errors, which often result in clients leaving their therapists, in survivor LisaBri's story: When therapists make mistakes.
”
”
Alison Miller (Healing the Unimaginable: Treating Ritual Abuse and Mind Control)
“
Cassandra, I can't marry you and go about business as usual the next day. Newlyweds need privacy."
He had a point. But he looked so disgruntled, Cassandra couldn't resist teasing. With a glance of wide-eyed innocence, she asked, "What for?"
Tom appeared increasingly flustered as he tried to come up with an explanation.
Cassandra waited, gnawing on the inside of her lips.
Tom's face changed as he saw the dance of laughter in her eyes. "I'll show you what for," he said, and lunged for her.
Cassandra fled with a shriek, skirting nimbly around the table, but he was as fast as a leopard. After snatching her up with ease, he deposited her on the settee, and pounced. She giggled and twisted as the amorous male weight of him lowered over her.
The scent of him was clean but salted with sweat, a touch of bay rum cologne sharpened with body warmth. His face was right above hers, a few locks of dark hair tumbling on his forehead. Grinning at her efforts to dislodge him, he braced his forearms on either side of her head.
She'd never played with a man like this, and it was incredibly entertaining and fun, and the tiniest bit scary in a way that excited her. Her giggles collapsed slowly, like champagne froth, and she wriggled as if to twist away from him even though she had no intention of doing so. He countered by settling more heavily into the cradle of her hips, pressing her into the cushions. Even through the mass of her skirts, she felt an unfamiliar pressure of his arousal. The thick ridge fit perfectly against the juncture of her thighs, aligning intimately with her in a way that was both embarrassing and stirring.
A stab of desire went through her as she realized this was how it would be... the anchoring weight of him, all hard muscle and heat... his eyes heavy-lidded and hot as he stared down at her.
Dazedly she reached up and pulled his head to hers. A whimper of pleasure escaped her as he kissed her thoroughly, wringing sensation from her softness, licking deep.
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
Mostly I love Halloween because it is the orange-and-black beginning of a season that tumbles into Thanksgiving, which tumbles into Christmas. And Zombies just seem a little out of place in that. Thanksgiving should have nothing to do with armies of shuffling undead. Don’t get me started on Christmas. The only undead at Christmas should be Jacob Marley, wailing about greed.
The iconic image of Halloween should be the pun’kin. The pun’kin, carved into faces that are scary only because we want them to be, winking from every porch. The pun’kin cast in plastic, swinging from the hands of knee-high princesses, leering back from department store shelves, until it gives way to tins of butter cookies.
But I fear for the pun’kin. How long before before he is kicked down the street by zombie hordes, booted into obscurity? Young people tell me that no one—no one— wants to dress up like a pun’kin any more. All a pun’kin does they say is sit there, and glow.
This may be true, all of it, but try to make a pie out of a zombie, and see where that gets you. Though I hear that, when it comes to pies, your canned zombie is the way to go.
”
”
Rick Bragg (Where I Come From: Stories from the Deep South)
“
I jumped then. It seemed I heard a child laugh. My imagination, of course. And then, when I should have known better, I headed for the closet and the high and narrow door at the very back end and the steep and narrow dark stairs. A million times I’d ascended these stairs. A million times in the dark, without a candle, or a flashlight. Up into the dark, eerie, gigantic attic, and only when I was there did I feel around for the place where Chris and I had hidden our candles and matches.
Still there. Time did stand still in this place. We’d had several candle holders, all of pewter with small handles to grasp. Holders we’d found in an old trunk along with boxes and boxes of short, stubby, clumsily made candles. We’d always presumed them to be homemade candles, for they had smelled so rank and old when they burned.
My breath caught! Oh! It was the same! The paper flowers still dangled down, mobiles to sway in the drafts, and the giant flowers were still on the walls. Only all the colors had faded to indistinct gray—ghost flowers. The sparkling gem centers we’d glued on had loosened, and now only a few daisies had sequins, or gleaming stones, for centers. Carrie’s purple worm was there only now he too was a nothing color. Cory’s epileptic snail didn’t appear a bright, lopsided beach ball now, it was more a tepid, half-rotten squashy orange. The BEWARE signs Chris and I had painted in red were still on the walls, and the swings still dangled down from the attic rafters. Over near the record player was the barre Chris had fashioned, then nailed to the wall so I could practice my ballet positions. Even my outgrown costumes hung limply from nails, dozens of them with matching leotards and worn out pointe shoes, all faded and dusty, rotten smelling.
As in an unhappy dream I was committed to, I drifted aimlessly toward the distant schoolroom, with the candelight flickering. Ghosts were unsettled, memories and specters followed me as things began to wake up, yawn and whisper. No, I told myself, it was only the floating panels of my long chiffon wings . . . that was all. The spotted rocking-horse loomed up, scary and threatening, and my hand rose to my throat as I held back a scream. The rusty red wagon seemed to move by unseen hands pushing it, so my eyes took flight to the blackboard where I’d printed my enigmatic farewell message to those who came in the future. How was I to know it would be me?
We lived in the attic,
Christopher, Cory, Carrie and me—
Now there are only three.
Behind the small desk that had been Cory’s I scrunched down, and tried to fit my legs under. I wanted to put myself into a deep reverie that would call up Cory’s spirit that would tell me where he lay.
”
”
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
“
Richie had felt a mad, exhilarating kind of energy growing in the room […] He thought he recognized the feeling from childhood, when he had felt it every day and had come to take it merely as a matter of course. He supposed that, if he had ever thought about that deep-running aquifer of energy as a kid, he would have simply dismissed it as a fact of life, something that would always be there, like the color of his eyes or his disgusting hammertoes. Well, that hadn’t turned out to be true. The energy you drew on so extravagantly when you were a kid, the energy you thought would never exhaust itself- that slipped away somewhere between eighteen and twenty-four, to be replaced by something much duller, something as bogus as a coke-high: purpose, maybe, or goals, or whatever rah-rah Junior Chamber of Commerce word you wanted to use.
It was no big deal; it didn’t go all at once, with a bang. And maybe, Richie thought, that’s the scary part. How you don’t stop being a kid all at once, with a big explosive bang, like one of that clown’s trick balloons with the Burma-Shave slogans on the side. The kind in you just leaked out, like the air out of a tire. And one day you looked in the mirror and there was a grown-up looking back at you. You could go on wearing blue jeans, you could keep going to Springsteen and Seger concerts, you gould dye your hair, but that was a grown-ups face in the mirror just the same.
”
”
Stephen King (It)
“
What’s the verdict?” Kimmie asks, peering back at me.
I stare down at the jumble of words. “I can’t quite tell yet.”
“Give us a clue,” Wes says. “I love puzzles.”
“That’s because you are one,” Kimmie jokes.
I read them the list of words: ARE, ALONE, YOU, NEVER, EYE, WATCHING, ALWAYS, AM.
Not five seconds later, Wes has the whole thing figured out. “YOU ARE NEVER ALONE. EYE AM ALWAYS WATCHING!” he says, making his voice all deep and throaty.
“Wait, seriously?” I ask, completely bewildered by the idea that he’d be able to unravel the message so quickly. I look at the individual words, making sure they’re all included, and that he didn’t add any extra.
“What can I say? I’m good at puzzles.”
“Are you good at making them, too?” Kimmie asks. “Because it’s a little scary how you were able to figure that out so fast.”
“Do you think it matters that the “eye” in the puzzle is the noun and not the pronoun?” I ask them.
“Since when is it a requirement for psychos to be good in English?” Wes asks.
“Only you would know.” Kimmie glares at him.
“Plus, it’s a puzzle,” he says, ignoring her comment. “You have to expect a few quirks.”
“I don’t know,” I say, still staring at the words. “Maybe there’s some other message here. Maybe we need to try unscrambling it another way.”
“Such as ‘EYE AM NEVER ALONE. YOU ARE ALWAYS WATCHING,’” he suggests. “Or perhaps the ever-favorite. ‘YOU ARE NEVER WATCHING. EYE AM ALWAYS ALONE.’”
Kimmie scoots farther away from him in her seat. “Okay, you really are starting to scare me.
”
”
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
“
Life is pretty short yet magnanimous if we know just how to live right. It isn't that easy, it takes a lot of our soul, sometimes too many broken pieces to finally come together in binding a masterpiece that smiles like a solitary star forever gazing around at the music of an eternal cosmos.
The most brutal yet beautiful truth about Life is that It is marked, marked with Time where every moment takes us closer to death, it doesn't have to sound or feel bad or scary because death is the most inevitable truth in this mortal world. While the knowledge of death jolts our mind with the uncertainty of Life, clutches us in the emotion of fear to think of pain or the loss of bonds, when we acknowledge that as a part of our souls' journey and take every moment as our precious gift, a blessing to experience this Life with its beautiful garden of emotions blossoming with wonderful smiles that we can paint on others, then we make our Life magnanimous, then we make even the very face of death as that of an angel coming to take us to a different voyage, soaked in a lot of memories and experiences beautifully binding our soul.
I have realised that when we live each day as if it's the last day of our life, we become more loving and gentle to everyone around and especially to our own selves. We forgive and love more openly, we grace and embrace every opportunity we get to be kind, to stay in touch with everything that truly matters. I have realised that when we rise every morning with gratitude knowing that the breath of air still passes through our body, just in the mere understanding that we have one more day to experience Life once again, we stay more compassionate towards everything and everyone around and invest more of our selves into everything and everyone that truly connect and resonate with our soul. I have realised that when we consciously try to be good and kind, no matter however bad or suffocating a situation is we always end up taking everything at its best holding on to the firm grip of goodness, accepting everything as a part of our souls' lesson or just a turn of Time or Fate and that shapes into our strength and roots our core with the truest understanding of Life, the simple act of going on and letting go. Letting go of anything and everything that chains our Soul while going on with a Heart open to Love and a Soul ready to absorb all that falls along the pathway of this adventure called Life. I have realised that when we are kind and do anything good for another person, that gives us the most special happiness, something so pure that even our hearts don't know how deep that joy permeates inside our soul. I have realised that at the end of the day we do good not because of others but because of our own selves, for if tomorrow death comes to grace me I hope to smile and say I have Lived, loved unconditionally and embraced forgiveness, kindness and goodness and all the other colours of Love with every breath I caught, I have lived a Life magnanimous.
So each time someone's unkind towards you, hold back and smile, and try to give your warmth to that person. Because Kindness is not a declaration of who deserves it, it's a statement of who you are. So each time some pieces of your heart lay scattered, hold them up and embrace everyone of them with Love. Because Love is not a magic potion that is spilled from a hollow space, it's a breath of eternity that flows through the tunnel of your soul. So each time Life puts up a question of your Happiness, answer back with a Smile of Peace. Because Happiness is not what you look for in others, it's what you create in every passing moment, with the power of Life, that is pretty short when we see how counted it stands in days but actually turns out absolutely incredibly magnanimous when loved and lived in moments.
”
”
Debatrayee Banerjee
“
Just above Tommy’s face were the Maiden and the Troll, two of his oldest wall people. The troll lived in a cave deep in the woods. He was big (Tommy knew the troll was even bigger than his daddy, and if the troll told his daddy to sit down and shut up, he would in a second), and he looked scary, with his little eyes and crooked teeth like fangs, but he had a secret. The secret was that he wasn’t scary at all. He liked to read, and play chess by mail with a gnome from over by the closet wall, and he never killed anything. The troll was a good troll, but everyone judged him by his looks. And that, Tommy knew, was a mean thing to do, though everyone did it.
The maiden was very beautiful. Even more beautiful than Tommy’s mommy. She had long blonde hair that fell in heavy curls to her waist, and big blue eyes, and she always smiled even though her family was poor. She came into the woods near the troll’s cave to get water from a spring, for her family. The spring bubbled out of Tommy’s wall right next to where his hand lay when he was asleep. Sometimes she only came and filled her jug and left. But other times she would sit awhile, and sing songs of love lost, and sailing ships, and the kings and queens of Elfland. And the troll, so hideous and so kind, would listen to her soft voice from the shadows just inside the entrance of his cave, which sat just below the shelf where Tommy kept his favorite toys and books.
Tommy felt bad for the troll. He loved the maiden who came to his spring, but she would never love him. He knew from listening to his parents and the stuff they watched on television when he was supposed to be asleep that beautiful people didn’t love ugly people. Ugly people were either to laugh at or to be frightened of. That was how the whole world worked.
Tommy rolled over on his side, just a small seven year old boy in tan cargo shorts and a plain white T-shirt. He let his eyes drift over the bedroom wall, which was lumpy in some places and just gone in others. There was a part of the wall down near the floor where he could see the yellow light of the naked bulb down in the basement, and sometimes he wondered what might live down there. Nothing good, of that he was sure.
”
”
Michael Kanuckel (Small Matters)
“
Marlboro Man paused, his eyes piercing through to my marrow. We’d started out watching the sunset over the ranch, sitting on the tailgate of his pickup, legs dangling playfully over the edge. By the time the sun had gone down, we were lying down, legs overlapping, as the sky turned blacker and blacker. And making out wildly. Making out, oh, so very wildly.
I didn’t want to wait for him to bring it up again--the dreaded subject of Chicago. I’d avoided it like the plague for the past several days, not wanting to face the reality of my impending move, of walking away from my new love so soon after we’d found each other. But now the subject wasn’t so scary; it was safe. I’d made the decision, at least for now, to stay--I just had to tell Marlboro Man. And finally, in between kisses, the words bubbled suddenly and boldly to the surface; I could no longer contain them. But before I had a chance to say them, Marlboro Man opened his mouth and began to speak.
“Oh no,” he said, a pained expression on his face. “Don’t tell me--you’re leaving tomorrow.” He ran his fingers through my hair and touched his forehead to mine.
I smiled, giggling inside at the secret I was seconds away from spilling. A herd of cows mooed in the distance. Serenading us.
“Um…no,” I said, finding it hard to believe what I was about to tell him. “I’m not…I’m…I’m not going.”
He paused, then pulled his face away from mine, allowing just enough distance between us for him to pull focus. “What?” he asked, is strong fingers still grasping my hair. A tentative smile appeared on his face.
I breathed in a deep dose of night air, trying to calm my schoolgirl nervousness. “I, umm…” I began. “I decided to stick around here a little while.” There. I’d said it. This was all officially real.
Without a moment of hesitation, Marlboro Man wrapped his ample arms around my waist. Then, in what seemed to be less than a second, he hoisted me from my horizontal position on the bed of his pickup until we were both standing in front of each other. Scooping me off my feet, he raised me up to his height so his icy blue eyes were level with mine.
“Wait…are you serious?” he asked, taking my face in his hands. Squaring it in front of his. Looking me in the eye. “You’re not going?”
“Nope,” I answered.
“Whoa,” he said, smiling and moving in for a long, impassioned kiss on the back of his Ford F250. “I can’t believe it,” he continued, squeezing me tightly.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
I realized something tonight when you were in the arena doing your thing.”
She took another deep breath of the roses’ scent. “What was it?”
“I love you, Elle.”
Her eyes flared wide to search his and her heart stopped.
“Do you love me?”
“Yes, I love you, Chase.”
Simple, sure, an indisputable fact she couldn’t’ve held on her tongue if she’d wanted to. But was she ready to love somebody who loved her back?
Was she?
“You had me since Spin Master,” he said, with that grin she loved. “But I didn’t know it ‘til tonight.”
“Oh, well, then, I get it,” she said, smiling back. “You only loved me ‘cause I saved your life.”
“I want you to save it again.”
He stood up to pull something out of the front pocket of his starched jeans. He reached for her hand.
“I’m asking you to marry me, Elle. Will you?”
Tears blurred her vision. They caught in her throat. Oh, God, how could she ever be a wife again? But how could she ever leave Chase?
She tried to buy herself a little time to think. “You said you don’t trust women.”
“Only you. I trust you. I trusted you with my life the first time I ever saw you.”
That made her grin. And then she felt very solemn. He was looking right into her soul, holding her hand in his big calloused one. She clung to it.
“You’re in a league of your own, Elle. Not just was a bull-fighter, but in every way.”
She didn’t know what to say. She didn’t know what to think. She knew she loved him, but this was scary.
“You’re not the marrying kind, Chase. You’ve told me that a dozen times.”
“I changed my mind.”
“I’ve been married, Chase. It didn’t last. I left him.”
He lifted one big shoulder.
“What will last is that I love you,” he said. “That’ll never change. I’ll follow you all over the country if I have to, just to get a glimpse of you. Just to hear you laugh. You can work as many rodeos as you want. You can do anything you want and even if I’m not there, wherever I am, I’ll be loving you. Until I die.”
“You’re looking at me as if it’s a done deal,” she said, smiling.
His grin broadened. “It is. I can convince you. I know I’m good.”
She laughed.
“You might as well save us some time. You know I got no quit in me.”
“Yes, I do know that.”
“So what do you say?”
“The main problem is that you’re not the man who’ll do everything I say. I told you that’s what I have to have before I’ll marry again.”
“How d’you know I’m not him? I’ve been pretty pliable here lately, wouldn’t you say?”
“You are so full of it, Chase Lomax.”
“You’re the one who told me I have to get a life after rodeo. Well, that’s exactly what I’m tryin’ to do, right here.
”
”
Genell Dellin (Montana Gold)
“
Priests, because they hear confessions and forgive sins and give counsel, are often called doctors of souls. You might call us the specialist surgeons of souls. We find the hidden problems, that people won’t speak about and couldn’t even if they would. We delve into the worst that human beings do—into the things that even they can’t explain—in order to find the person buried underneath the sin. Then we do our best to bring them back up with us. We see some of the harshest ugliness there is. Do you know why a person would cheat on their loving spouse with the full knowledge that it will wreck their children’s lives when the family falls apart? Do you know why a man would turn his own children against their mother so that they refuse to talk to her? Do you know why a woman would torture her children without leaving a mark, and scare them into not telling anyone? Do you know why people fake crimes and get their spouse arrested and sent to prison?” He stared at her expecting an answer, with an intensity that was almost frightening. She tried to voice an answer or two, but in the face of that earnest inquiry, they died unspoken. Easy answers and joking evasions wouldn’t do. She shook her head in the negative. “I do,” he said. “I’ve seen every one of those at least twice. And do you know what it’s taught me?” “What?” she asked, faintly. Sonia felt like she was talking with a monster. She was almost afraid of what lessons it had learned from the worst that human beings had to offer. “That the love of God is greater than all human evil. That where sin abounds, grace abounds more. I’ve seen some of the worst there is, and it doesn’t prove that life is meaningless. It proves that life is worth living. And it proves that we need God. I’m probably the most cynical person you’ve ever met, or ever will meet. But that doesn’t mean that I think life is bad. It means I know how much evil can exist in a good world. That’s what the faith gives me: I can stare evil in the face without blinking, because I know that it’s not the whole story.” He took a deep breath, then continued, a little more relaxed. “I’m sure that’s scary, if you’re used to blinking. I don’t know what to tell you, except that closing your eyes is not the way to be happy. If there’s something that you’re not supposed to look at, then look at it. If there’s something you’re not supposed to think about, then think about it. If something is too horrible to face, face it. Because the truth will set you free.” “You scare me,” she said, but it was an observation, neither a criticism nor a request to stop. He shrugged his shoulders. “Comfort is overrated,” he said. They stood there in silence for a few moments.
”
”
Christopher Lansdown (The Dean Died Over Winter Break (The Chronicles of Brother Thomas, #1))
“
What did you say was chasing you?” Liz sighed in frustration. Apparently the Kindred weren’t big into stuffed animals. “It was this little fuzzy blue thing that came at me when I was in the kitchen—what you called the food-prep area,” she clarified, seeing his confusion. “At first I thought it was cute and tried to pet it. But then it opened its mouth and it had these long, sharp—Omigod! There it is!” She pointed behind Baird where the bright blue teddy bear had suddenly appeared. “Where?” He turned at once, putting himself between her and the perceived threat. Liv couldn’t help noticing he moved with incredible speed for such a large man. She waited breathlessly for the murderous teddy bear to attack but nothing happened. Then, to her dismay, Baird began to laugh. It was a deep, rumbling noise that came from the bottom of his chest and it might have been nice to hear if it wasn’t so obviously directed at her. “What?” Liv glared at him. “Would you mind telling me what’s so damn funny?” “I’m sorry, Olivia. It’s just…I can’t believe you were scared of Bebo.” Baird laughed again. “Bebo? What the hell is a Bebo?” Liv demanded, still keeping her distance from the bright blue teddy bear which was eyeing her mistrustfully. “Bebo’s his name. He’s a zicther—an animal native to my home world, Rageron.” “Rageron?” Liv frowned, wondering why the name of his home planet evoked strange images in her head. Baird nodded. “It’s a jungle planet with a helluva lot more scary animals than Bebo here.” He crouched down to scratch the little animal under its chin. Its large eyes closed and it made a sort of grunting purr as it submitted to his caress. “A jungle planet,” Liv murmured. “Only instead of green, most of the vegetation is blue.” “That’s right.” Baird looked up from where he was crouched on the floor, a startled expression on his chiseled features. “How did you know that?” “I saw it in a dream.” Liv blushed and looked down. “One of the dreams we shared I think. I saw you…never mind.” She shook her head. “Anyway, that accounts for his bright blue fur. I still don’t understand why he tried to attack me though.” “He tried to attack you?” Though he was clearly trying to keep the skepticism from his voice, Baird wasn’t succeeding too well. “Well, he bared his teeth at me!” Liv said, irritated. Of course now that its master was home the little animal was acting like butter wouldn’t melt in its alien mouth. Its alien mouth filled with shark teeth, she reminded herself. “That’s just a greeting stance. He probably did it because he was meeting you for the first time.” Baird rose and dusted blue feathery fur off his large hands. “I’m sorry if he scared you. He’s not dangerous though, just curious.” “Curious
”
”
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
“
Another growing genre of film, science fiction, also tried to play on anti-Communist emotions during and after the war. Following such films as When Worlds Collide (1951) and War of the Worlds (1953), "sci-fi flicks" became increasingly popular in the 1950s. Many of these movies need no deep analysis. Others, such as Them (1953) and Invasion of the Body Snatchers (1956), were truly scary, arousing fears of monsters—perhaps mutations from atomic testing. Common themes in the sci-fi movies featured "good" scientists and public officials contending with dangerous conspirators, aliens, or monsters from the "other.
”
”
James T. Patterson (Grand Expectations: The United States, 1945-1974 (Oxford History of the United States Book 10))
“
pranced to her cub's side. "Lucky!" she yelled. "How many times do I have to tell you to go home and stay with your siblings? You are a tiny lion cub, not a brave adventurer!" The mother lizard smiled up at Lucky. "Actually, I'm not so sure," she said. "This little cub travelled across the entire jungle and brought my lost baby home. That makes him the bravest, greatest adventurer this jungle has ever seen!" Lucky's mother's jaw dropped. She looked at the lizard. She looked at Lucky. Then she smiled. "You have proven me wrong. You really are a great adventurer! But a tiny cub like you, traveling across the entire jungle? How did you do it?" she asked. "Roar!" Lucky cried. He stood tall, puffed up his chest and said; "Because I am Lucky!" Lucky and Pec the parrot’s great adventure! The next day, Lucky was feeling especially brave. After all he saved a little lizard from the dangers of the jungle and brought him safely home. His mother was so proud of him that she didn't even punish him for not babysitting his brothers and sisters! She even gave him the best part of their meal for dinner. And he had permission to spend 2 hours in the jungle this very morning. But he had to stay close to home and come back in time to babysit his younger brother and sisters. "There is much adventuring to be done in just 2 hours!" he said to himself, as walked under the shady green canopy, following a path into the jungle. "But I am the bravest, greatest adventurer in the jungle. Watch out jungle! Here I come! Roooaaaar! “Suddenly he saw the tall grass to his right sway, but there wasn't any wind. The grass rustled as if someone was moving around. Lucky crouched down in his stalking pose that he had practiced as part of his adventure skills. He crept forward, his golden-green eyes wide and fixed on the swaying grass. Slowly, oh so slowly he moved closer and closer. He was right in front of the tall green grass, and heard the rustling again. "ROOOOOAAAARRR!" He burst through the grass with his very best roar and his very best pounce. "AAAAACCCCCCKKKKKK" screeched a large shiny grey parrot. "What is wrong with you?! It is extremely rude to just bust into a parrot's home without knocking! I swear, kids these days just don't have any manners!" The parrot shrieked right into Lucky's ear. "Owwww. Stop it! I am a brave adventurer and I am saving you!" Lucky snapped back, "It's also rude to yell in the ear of the lion saving your life" The parrot's head feathers stood up on the back of his head like he had a mohawk, and he glared at Lucky from piercing yellow eyes. "Lions are known to eat birds like me. I am not going to let my glorious self, become your breakfast. I am a mighty warrior and if you eat me, I will give you a very upset belly. I promise". Lucky laughed a barky lion laugh, "I do not eat birds. My mother is a great hunter and brings home only the biggest and fattest of animals for us to eat. Besides, I will be a great adventurer, the greatest and bravest in the jungle". Pec's shimmering grey head feathers slowly lowered. He shook his head, stuck his beak under his wing and looked at Lucky from the corner of his yellowish eye. "A brave adventurer, hmm? You look more like a little lion cub getting into mischief" he said as he brought his head from under his wing. “My name is Pec. What is yours?" he asked. "My name is Lucky and I don't get into mischief. Just yesterday I saved a lizard from a deep, scary crack in the ground. He could have died. I even took him home and it was a long ways away" Lucky said as proudly as he could after being squawked at by a big feathery bird. Pec's eyes twinkled at him and he opened his sharply hooked beak letting out a squeaky laugh. "I believe you, young Lucky. And, since you are so good at helping others, could you
”
”
Mary Sue (Lucky The Lion Cubs Quest)
“
We must have the stubbornness to accept our gladness in the ruthless furnace of this world.
Without bravery, their lives would remain small-far smaller than they probably wanted their lives to be.
Do you have the courage to bring forth the treasures that are hidden within you?
I believe this is one of the oldest and most generous tricks the universe plays on us human beings, both of its own amusement and for ours.
The universe buries strange jewels deep within all of us, and then stands back to see if we can find them.
The hunt to uncover those jewels - that's creative living.
The often surprising results of that hunt- that's what I call Big Magic.
Argue for your limitations and you get to keep them
Bravery means doing something crazy
Fearlessness means not even understanding what the word scary means
We must understand that the drive for perfectionism is a corrosive waste of time, because nothing is ever beyond criticism.
People's attention may be drawn to you for a moment (if you succeed or fail spectacularly and publicly, for instance), but that attention will soon enough revert right back to where it's always been - on themselves.
So if you can just complete something- merely complete it! - you're already miles ahead of the pack, right there.
”
”
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
“
We should do some research on voodoo, too,” Roo reminded them. “Lots of people around here practiced secret voodoo rituals.”
“How do you know that?”
“Why wouldn’t she know that?” Parker returned. “She of the Deep Underworld who keeps decomposing mice and many other dead things in her locker.”
Roo’s stare was calm disdain. “One mouse.”
“We still don’t know how it got in Roo’s locker,” Ashley explained, looking distressed at the memory. “But she threw her books in and squashed it.”
“It was hiding. How was I supposed to know it was there.”
“Maybe if you cleaned out your locker once in a while?”
“Hey!” Snapping his fingers, Parker gave an exaggerated gasp of excitement. “I think we should put Roo’s locker on our tour! The mummy of the murdered mouse!”
Gage held back a smile. “Why don’t we just put Roo on our tour?”
“No, no, mon Dieu, way too scary.
”
”
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
“
I fell deep into Theo’s black sea because it’d been so long since I felt this. It wasn’t scary, and it wasn’t sticky or dark. I… liked it. The dark, clashing waves he created within me, the feeling of floating, drifting—so far gone while with him.
”
”
Shanora Williams (Tainted Black (Tainted Black, #1))
“
You know, some people say grief is like an ocean,” I said. “I think that’s true. It’s deep and dark and bigger than you can even wrap your mind around. It takes you to places that are scary and unknown. But none of it is wrong. If feeling angry right now helps you get out of bed in the morning and go on, then feel it. It won’t last forever.
”
”
Brenda Rothert (The Complete Fire on Ice Series (Fire on Ice, #1-5))
“
The oceans, it turns out, are full of bone-eating worms
”
”
Helen Scales (The Brilliant Abyss)
“
Leni thought maybe that he would haunt her. Not just him, but the idea of him, the sad and scary truth that you could love and hate the same person at the same time, that you could feel a deep and abiding loss and shame for your own weakness and still be glad that this awful thing had been done.
”
”
Kristin Hannah (The Great Alone)
“
I’ll leave you with this. There will be times when standing alone feels too hard, too scary, and we’ll doubt our ability to make our way through the uncertainty. Someone, somewhere, will say, “Don’t do it. You don’t have what it takes to survive the wilderness.” This is when you reach deep into your wild heart and remind yourself, “I am the wilderness.
”
”
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
“
I’m coming,” she called
“Good.”
It was a man at her door, his voice deep and stern. Ash’s heart beat faster. She walked towards the front door, her heels clicking loudly against the floorboards. “If you’re here to do any weird shit, you should know that my boyfriend’s asleep in the other room and he’s a…” she racked her brain for something scary “…convicted sex offender.
”
”
Eve Dangerfield (Open Hearts (Bennett Sisters #2))
“
Sometimes familiar things were bad because they kept you stuck. Sometimes, no matter how much you've been hurt, no matter how scary something feels, it's imortant to take a deep breath, take the leap and do those scary things anyway, because they move you forward in life.
”
”
Olivia Spring