Deep Insult Quotes

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Beauty is only skin deep, but ugly goes clean to the bone.
Dorothy Parker
Get away from my ex-girlfriend, you moany little whinge-bag.' Caelen took a deep breath, like he was in pain, and stood up. His voice was low, guttural. 'I was hoping I'd get the chance to kill you.' 'You won't be killing anyone, you sad little emo git.' 'You've stood in the way of our love for long enough.' 'Just listening to you makes me want to top myself, you self-pitying Paranormal Romance novel reject.' Caelen glared. 'Stop insulting me.' 'Why? If you cry will your mascara run?
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
There was a soft chuckle beside me, and my heart stopped. "So this is Oberon's famous half-blood," Ash mused as I whirled around. His eyes, cold and inhuman, glimmered with amusement. Up close, he was even more beautiful, with high cheekbones and dark tousled hair falling into his eyes. My traitor hands itched, longing to run my fingers through those bangs. Horrified, I clenched them in my lap, trying to concentrate on what Ash was saying. "And to think," the prince continued, smiling, "I lost you that day in the forest and didn't even know what I was chasing." I shrank back, eyeing Oberon and Queen Mab. They were deep in conversation and did not notice me. I didn't want to interrupt them simply because a prince of the Unseelie Court was talking to me. Besides, I was a faery princess now. Even if I didn't quite believe it, Ash certainly did. I took a deep breath, raised my chin, and looked him straight in the eye. "I warn you," I said, pleased that my voice didn't tremble, "that if you try anything, my father will remove your head and stick it to a plaque on his wall." He shrugged one lean shoulder. "There are worse things." At my horrified look, he offered a faint, self-derogatory smile. "Don't worry, princess, I won't break the rules of Elysium. I have no intention of facing Mab's wrath should I embarrass her. That's not why I'm here." "Then what do you want?" He bowed. "A dance." "What!" I stared at him in disbelief. "You tried to kill me!" "Technically, I was trying to kill Puck. You just happened to be there. But yes, if I'd had the shot, I would have taken it." "Then why the hell would you think I'd dance with you?" "That was then." He regarded me blandly. "This is now. And it's tradition in Elysium that a son and daughter of opposite territories dance with each other, to demonstrate the goodwill between the courts." "Well, it's a stupid tradition." I crossed my arms and glared. "And you can forget it. I am not going anywhere with you." He raised an eyebrow. "Would you insult my monarch, Queen Mab, by refusing? She would take it very personally, and blame Oberon for the offense. And Mab can hold a grudge for a very, very long time." Oh, damn. I was stuck.
Julie Kagawa (The Iron King (The Iron Fey, #1))
You're screening your calls?" "Why not? It saves me from conversations with idiots." "Is that an insult?" His voice dropped into a deep growl. "You're not an idiot," I told him. "You're just a deadly psychopath with a god complex.(...)
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
If there are words and wrongs like knives, whose deep inflicted lacerations never heal - cutting injuries and insults of serrated and poison-dripping edge - so, too, there are consolations of tone too fine for the ear not fondly and for ever to retain their echo: caressing kindnesses - loved, lingered over through a whole life, recalled with unfaded tenderness, and answering the call with undimmed shine, out of that raven cloud foreshadowing Death himself.
Charlotte Brontë (Villette)
Nat Parson says it's the devil's mark." "Nat Parson's a gobshite." Maddy was torn between a natural feeling of sacrilege and a deep admiration of anyone who dared call a parson 'gobshite.
Joanne Harris (Runemarks (Runemarks, #1))
Yes, such has been my lot since childhood. Everyone read signs of non-existent evil traits in my features. But since they were expected to be there, they did make their appearance. Because I was reserved, they said I was sly, so I grew reticent. I was keenly aware of good and evil, but instead of being indulged I was insulted and so I became spiteful. I was sulky while other children were merry and talkative, but though I felt superior to them I was considered inferior. So I grew envious. I was ready to love the whole world, but no one understood me, and I learned to hate. My cheerless youth passed in conflict with myself and society, and fearing ridicule I buried my finest feelings deep in my heart, and there they died. I spoke the truth, but nobody believed me, so I began to practice duplicity. Having come to know society and its mainsprings, I became versed in the art of living and saw how others were happy without that proficiency, enjoying for free the favors I had so painfully striven for. It was then that despair was born in my heart--not the despair that is cured with a pistol, but a cold, impotent desperation, concealed under a polite exterior and a good-natured smile. I became a moral cripple; I had lost one half of my soul, for it had shriveled, dried up and died, and I had cut it off and cast it away, while the other half stirred and lived, adapted to serve every comer. No one noticed this, because no one suspected there had been another half. Now, however, you have awakened memories of it in me, and what I have just done is to read its epitaph to you. Many regard all epitaphs as ridiculous, but I do not, particularly when I remember what rests beneath them.
Mikhail Lermontov (A Hero of Our Time)
Life would be so much easier if, when we hit a snag in a relationship, any relationship, we would stop, address it, and move ahead smoothly. The truth is, in most cases, we could do just that. The reality is, we don’t do it! We keep moving. We allow little insults to become raging angers, little arguments to become festering feuds, little pains to become deep wounds, and we keep moving. In many cases, we keep hurting. When the relationship at issue is an intimate, loving one, the attempt to move forward without addressing the pain only complicates matters, further poisoning the relationship.
Iyanla Vanzant (In the Meantime: Finding Yourself and the Love You Want)
There are no injuries that run so deep that one can't add insult to them and make them feel even worse.
Matthew S. Williams
To be incapable of taking one's enemies, one's accidents, even one's misdeeds seriously for very long—that is the sign of strong, full natures in whom there is an excess of the power to form, to mold, to recuperate and to forget (a good example of this in modem times is Mirabeau, who had no memory for insults and vile actions done him and was unable to forgive simply because he—forgot). Such a man shakes off with a single shrug many vermin that eat deep into others; here alone genuine 'love of one's enemies' is possible—supposing it to be possible at all on earth. How much reverence has a noble man for his enemies!—and such reverence is a bridge to love.—For he desires his enemy for himself, as his mark of distinction; he can endure no other enemy than one in whom there is nothing to despise and very much to honor! In contrast to this, picture 'the enemy' as the man of ressentiment conceives him—and here precisely is his deed, his creation: he has conceived 'the evil enemy,' 'the Evil One,' and this in fact is his basic concept, from which he then evolves, as an afterthought and pendant, a 'good one'—himself!
Friedrich Nietzsche (On the Genealogy of Morals / Ecce Homo)
Very often the test of one's allegiance to a cause or to a people is precisely the willingness to stay the course when things are boring, to run the risk of repeating an old argument just one more time, or of going one more round with a hostile or (much worse) indifferent audience. I first became involved with the Czech opposition in 1968 when it was an intoxicating and celebrated cause. Then, during the depressing 1970s and 1980s I was a member of a routine committee that tried with limited success to help the reduced forces of Czech dissent to stay nourished (and published). The most pregnant moment of that commitment was one that I managed to miss at the time: I passed an afternoon with Zdenek Mlynar, exiled former secretary of the Czech Communist Party, who in the bleak early 1950s in Moscow had formed a friendship with a young Russian militant with an evident sense of irony named Mikhail Sergeyevitch Gorbachev. In 1988 I was arrested in Prague for attending a meeting of one of Vaclav Havel's 'Charter 77' committees. That outwardly exciting experience was interesting precisely because of its almost Zen-like tedium. I had gone to Prague determined to be the first visiting writer not to make use of the name Franz Kafka, but the numbing bureaucracy got the better of me. When I asked why I was being detained, I was told that I had no need to know the reason! Totalitarianism is itself a cliché (as well as a tundra of pulverizing boredom) and it forced the cliché upon me in turn. I did have to mention Kafka in my eventual story. The regime fell not very much later, as I had slightly foreseen in that same piece that it would. (I had happened to notice that the young Czechs arrested with us were not at all frightened by the police, as their older mentors had been and still were, and also that the police themselves were almost fatigued by their job. This was totalitarianism practically yawning itself to death.) A couple of years after that I was overcome to be invited to an official reception in Prague, to thank those who had been consistent friends through the stultifying years of what 'The Party' had so perfectly termed 'normalization.' As with my tiny moment with Nelson Mandela, a whole historic stretch of nothingness and depression, combined with the long and deep insult of having to be pushed around by boring and mediocre people, could be at least partially canceled and annealed by one flash of humor and charm and generosity.
Christopher Hitchens (Hitch 22: A Memoir)
Who needed to argue and exchange insults when you could just annoy the hell out of someone by being overly friendly and bubbly?
Suzanne Wright (Consumed (Deep in Your Veins, #4))
You can recognize deep narcissists by the following behavior patterns: If they are ever insulted or challenged, they have no defense, nothing internal to soothe them or validate their worth. They generally react with great rage, thirsting for vengeance, full of a sense of righteousness. This is the only way they know how to assuage their insecurities. In such battles, they will position themselves as the wounded victim, confusing others and even drawing sympathy. They are prickly and oversensitive. Almost everything is taken personally. They can become quite paranoid and have enemies in all directions to point to.
Robert Greene (The Laws of Human Nature: Robert Greene)
If you have to insult to make a point, the point is not worth making.
Zain Abdul Nassir
To be incapable of taking one’s enemies, one’s accidents, even one’s misdeeds seriously for very long - that is the sign of strong full natures in whom there is an excess of power to form, to mold, to recuperate and to forget. Mirabeau had no memory for insults and vile actions done to him and was unable to forgive simply because he - forgot. Such a man shakes off with a single shrug the many vermin that eat deep into others.
Friedrich Nietzsche
Once you are in a relationship you start taking each other for granted—that’s what destroys all love affairs. The woman thinks she knows the man, the man thinks he knows the woman. Nobody knows either! It is impossible to know the other, the other remains a mystery. And to take the other for granted is insulting, disrespectful. To think that you know your wife is very, very ungrateful. How can you know the woman? How can you know the man? They are processes, they are not things. The woman that you knew yesterday is not there today. So much water has gone down the Ganges; she is somebody else, totally different. Relate again, start again, don’t take it for granted. And the man that you slept with last night, look at his face again in the morning. He is no more the same person, so much has changed. So much, incalculably much has changed. That is the difference between a thing and a person. The furniture in the room is the same, but the man and the woman, they are no more the same. Explore again, start again. That’s what I mean by relating. Relating means you are always starting, you are continuously trying to become acquainted. Again and again, you are introducing yourself to each other. You are trying to see the many facets of the other’s personality. You are trying to penetrate deeper and deeper into his realm of inner feelings, into the deep recesses of his being. You are trying to unravel a mystery that cannot be unraveled. That is the joy of love: the exploration of consciousness. And
Osho (Love, Freedom, and Aloneness: On Relationships, Sex, Meditation, and Silence)
When demand for her attention exceeds supply on a grand scale, it is not surprising to find practices of men trying to turn the heads of women previously unknown to them—via catcalling and wolf-whistling and various forms of online trolling (from the patently abusive to ostensibly reasonable demands for rational debate, which unfortunately sometimes result in her being belittled, insulted, or mansplained to). In public settings, she is told to smile or asked what she’s thinking by many a (male) stranger—especially when she appears to be “deep inside her own head” or “off in her own little world,” i.e., appearing to think her own thoughts, her attention inwardly, rather than outwardly, focused. These gestures are then supposed to either make her look, or else force her to stonewall—a withholding, rather than sheer absence, of reaction. So her silence is icy; her neutral expression, sullen. Her not looking is snubbing; her passivity, aggression. But an ice queen, a bitch, a temptress—or an angel, for that matter—each has something in common: they are human, all too human, female characters.
Kate Manne (Down Girl: The Logic of Misogyny)
I am sure that deep down Ikhmenev was in a state of turmoil and pain as he witnessed the tears and torment of his poor wife; I am sure it was more agonizing for him than for her - but he could not control himself. This is what happens sometimes even with the most kind-hearted of people, who are nevertheless weak-willed, and who, despite their kind-heartedness, are apt to get carried off into a state of ecstasy when unburdening themselves of their grief and anger, even at the expense of hurting someone innocent, more often than not someone who is dear to them.
Fyodor Dostoevsky (The Insulted and Humiliated)
Here is one of the great truths of the human condition: when you need Stayfree Maxi Pads to absorb the expectorants produced by your insulted body, you are in serious fucking trouble.
Stephen King (11/22/63)
People with no desire to live have no right to exist,” he says, “They’re insults to the meaning of life.” His deep voice whispers like a spell as if a new code is added to the laws of the universe with all the will in his heart, with all the frequencies in his voice, and with all the persuasion in his soul.
Misba (The High Auction (Wisdom Revolution, #1))
Charity is salt in the wound. It is painful. The state gives charity with the bitter hatred of a victim to his blackmailer. The receiver of free money is subjected to harassment, insult, and profound humiliation. Newspapers are enlisted to heap scorn on the arrogant bastards who choose to beg instead of starve or let their children starve. It is made clear that the poor seek charity as a great and sordid chicanery in which they delight. And there are some who do. As there are people who take delight in sticking hot needles deep into their abdomens, swallow pieces of broken bottles. A special taste. Speaking for humanity in general, the poor accept charity with a shame and loss of self-respect that is truly pitiful.
Mario Puzo (The Fortunate Pilgrim)
You know, I’ve never understood that. How being named for a woman’s nethers is somehow more grievous than any other insult. Seems to me calling someone after a man’s privates is worse. I mean, what do you picture when you hear a fellow called a cock?’ Tric shrugged, befuddled at the strange turn in conversation. ‘You imagine an oaf, don’t you?’ Mia continued. ‘Someone so full of wank there’s no room for wits. A slow-minded bastard who struts about full of spunk and piss, completely ignorant of how he looks to others.’ An exhalation of clove-sweet grey into the air between them. ‘Cock is just another word for “fool”. But you call someone a cunt, well …’ The girl smiled. ‘You’re implying a sense of malice there. An intent. Malevolent and self-aware. Don’t think I name Consul Scaeva a cunt to gift him insult. Cunts have brains, Don Tric. Cunts have teeth. Someone calls you a cunt, you take it as a compliment. As a sign that folk believe you’re not to be lightly fucked with.’ A shrug. ‘I think they call that irony.’ Mia sniffed, staring at the wastes laid out below them. ‘Truth is, there’s no difference between your nethers and mine. Aside from the obvious, of course. But one doesn’t carry any more weight than the other. Why should what’s between my legs be considered any smarter or stupider, any worse or better? It’s all just meat, Don Tric. In the end, it’s all just food for worms. Just like Duomo, Remus, and Scaeva will be.’ One last drag, long and deep, as if drawing the very life from her smoke. ‘But I’d still rather be called a cunt than a cock any turn.’ The girl sighed grey, crushed her cigarillo out with her boot heel. Spat into the wind. And just like that, young Tric was in love.
Jay Kristoff (Nevernight (The Nevernight Chronicle #1))
They were nearly to Annie's by now, and they made the rest of the trip in silence, Peter frowning out at the road with a look of deep concentration. Emma didn't blame him; after all, she'd insulted his entire system of beliefs. But how were you every supposed to get anywhere if you always stuck to the same route? He spent so much time charting out the world that he barely had a chance to get lost in it.
Jennifer E. Smith (You Are Here)
I swear to Christ, man. Sometimes I think you’re just a potato with four limbs.” “If you’re gonna insult me”—Bran’s grin remained in place—“at least get it right. I’m a really well-hung potato with four limbs.” “How
Julie Ann Walker (Hell or High Water (Deep Six, #1))
Inferiority is not banal or incidental even when it happens to women. It is not a petty affliction like bad skin or circles under the eyes. It is not a superficial flaw in an otherwise perfect picture. It is not a minor irritation, nor is it a trivial inconvenience, an occasional aggravation, or a regrettable but (frankly) harmless lapse in manners. It is not a “point of view” that some people with soft skins find “ offensive. ” It is the deep and destructive devaluing of a person in life, a shredding of dignity and self-respect, an imposed exile from human worth and human recognition, the forced alienation of a person from even the possibility of wholeness or internal integrity. Inferiority puts rightful self-love beyond reach, a dream fragmented by insult into a perpetually recurring nightmare; inferiority creates a person broken and humiliated inside. The fragments— scattered pieces and sharp slivers of someone who can never be made whole—are then taken to be the standard of what is normal in her kind: women are like that. The insult that hurt her—inferiority as an assault, ongoing since birth—is seen as a consequence, not a cause, of her so-called nature, an inferior nature. In English, a graceful language, she is even called a piece. It is likely to be her personal experience that she is insufficiently loved. Her subjectivity itself is second-class, her experiences and perceptions inferior in the world as she is inferior in the world. Her experience is recast into a psychologically pejorative judgment: she is never loved enough because she is needy, neurotic, the insufficiency of love she feels being in and of itself evidence of a deep-seated and natural dependency. Her personal experiences or perceptions are never credited as having a hard core of reality to them. She is, however, never loved enough. In truth; in point of fact; objectively: she is never loved enough. As Konrad Lorenz wrote: “ I doubt if it is possible to feel real affection for anybody who is in every respect one’s inferior. ” 1 There are so many dirty names for her that one rarely learns them all, even in one’s native language.
Andrea Dworkin (Intercourse)
The richness of our ethnic insults vocabulary was wide and deep. It reflected, all too easily, the more elaborate predjiduces of our parents (not my parents), which in their rabid form, had already resulted in tribal bloodbaths.
Andrei Codrescu
You slutty, little whore.” Her lips twisted cruelly. The sun hit her eyes and reflected a flaming red color, her pupils narrowing.I should have been terrified, but instead I just felt exhausted and really, really annoyed. I took a deep breath, anger wrapping around my muscles.I was done—so done—with this bullshit. I strode towards her.“Little?” I said. “If you’re going to insult me, at least make me a big, slutty whore. Little makes me sound so incompetent.
Stacey Marie Brown
She sits and listens with crossed legs under the batik house-wrap she wears, with her heavy three-way-piled hair and cigarette at her mouth and refuses me - for the time being, anyway - the most important things I ask of her. It's really kind of tremendous how it all takes place. You'd never guess how much labor goes into it. Only some time ago it occurred to me how great an amount. She came back from the studio and went to take a bath, and from the bath she called out to me, "Darling, please bring me a towel." I took one of those towel robes that I had bought at the Bon Marche' department store and came along with it. The little bathroom was in twilight. In the auffe-eua machine, the brass box with teeth of gas burning, the green metal dropped crumbs inside from the thousand-candle blaze. Her body with its warm woman's smell was covered with water starting in a calm line over her breasts. The glass of the medicine chest shone (like a deep blue place in the wall, as if a window to the evening sea and not the ashy fog of Paris. I sat down with the robe over my; shoulder and felt very much at peace. For a change the apartment seemed clean and was warm; the abominations were gone into the background, the stoves drew well and they shone. Jacqueline was cooking dinner and it smelled of gravy. I felt settled and easy, my chest free and my fingers comfortable and open. And now here's the thing. It takes a time like this for you to find out how sore your heart has been, and, moreover, all the while you thought you were going around idle terribly hard work was taking place. Hard, hard work, excavation and digging, mining, moiling through tunnels, heaving, pushing, moving rock, working, working, working, working, panting, hauling, hoisting. And none of this work is seen from the outside. It's internally done. It happens because you are powerless and unable to get anywhere, to obtain justice or have requital, and therefore in yourself you labor, you wage and combat, settle scores, remember insults, fight, reply, deny, blab, denounce, triumph, outwit, overcome, vindicate, cry, persist, absolve, die and rise again. All by yourself? Where is everybody? Inside your breast and skin, the entire cast.
Saul Bellow (All Marbles Accounted for)
[H]umans live in a world where it's words and not deeds that have power, where the ultimate skill is mastery of language. This is a terrible thing because basically we are primates who've been programmed to eat, sleep, reproduce, conquer and make our territory safe, and the ones who are most gifted at that, the most animal types among us, always get screwed by the others, the fine talkers, despite these latter being incapable of defending their own garden or bringing a rabbit home for dinner or procreating properly. Humans live in a world where the weak are dominant. This is a terrible insult to our animal nature, a sort of perversion or a deep contradiction.
Muriel Barbery (The Elegance of the Hedgehog)
Mocho was a Spanish word that meant maimed or referred to something that had been lopped off like a stump. To call Homer el mocho was, essentially, to call him "Stumpy" or "the maimed one." It doesn't sound particularly flattering, but among Spanish speakers the giving of nicknames is tantamount to a declaration of love. Things that would sound insulting outright in English were tokens of deep affection when said in Spanish.
Gwen Cooper (Homer's Odyssey)
You have a mind like the rings of Saturn. A million miles wide and an inch deep.
Kim Stanley Robinson
Grief is one of those ideas you think you understand until you meet it face-to-face, gut-to-gut. After a sledgehammer of an introduction it insults you further by taking up residence deep inside your soul. It has the obnoxious melodrama of a teenage girl and the hormonal pulse of a bitter pregnant woman – not to mention the nocturnal stamina of a fucking vampire.
Marley Jacobs (Goodnight, Nic)
While the sound mixing was underway, Bonzo was on the loose, taking care of buisness his own way. One night he showed up backstage at a Deep Purple concert at the Nassau Coliseum on Long Island. Bonzo was drunk and in very high spirits, and was wobbling on his feet in the wings when he noticed a free microphone during a lull in the music. Staggering forward, Bonzo walked out onto the stage before the Deep Purple roadies could grab him. The group stopped playing, amazed, as Bonzo grabbed the mike and shouted, 'My name is John Bonham of Led Zeppelin, and I just wanna tell ya that we got a new album comin' out and that it's fuckin' great!!' Then Bonzo turned to leave, but before he went he turned back and gratuitously insulted Deep Purple's guitarist. 'And as far as Tommy Bolin is concerned, he can't play for shit!!
Stephen Davis (Hammer of the Gods)
It seems like deep inside, I actually hate people. It just seems that my own attitude, my own goals in life prevent me from saying anything at all. Their insults make them stupid, while they make me stronger. Their aggressive actions hurt me, but make me hard like rock. What's the use of being part of their isults and actions? Being reasonable and quiet is better than being senseless like others.
Vanessa Carreon
The perturbations, anxieties, depravations, deaths, exceptions in the physical or moral order, spirit of negation, brutishness, hallucinations fostered by the will, torments, destruction, confusion, tears, insatiabilities, servitudes, delving imaginations, novels, the unexpected, the forbidden, the chemical singularities of the mysterious vulture which lies in wait for the carrion of some dead illusion, precocious & abortive experiences, the darkness of the mailed bug, the terrible monomania of pride, the inoculation of deep stupor, funeral orations, desires, betrayals, tyrannies, impieties, irritations, acrimonies, aggressive insults, madness, temper, reasoned terrors, strange inquietudes which the reader would prefer not to experience , cants, nervous disorders, bleeding ordeals that drive logic at bay, exaggerations, the absence of sincerity, bores, platitudes, the somber, the lugubrious, childbirths worse than murders, passions, romancers at the Courts of Assize, tragedies,-odes, melodramas, extremes forever presented, reason hissed at with impunity, odor of hens steeped in water, nausea, frogs, devilfish, sharks, simoon of the deserts, that which is somnambulistic, squint-eyed, nocturnal, somniferous, noctambulistic, viscous, equivocal, consumptive, spasmodic, aphrodisiac, anemic, one-eyed, hermaphroditic, bastard, albino, pederast, phenomena of the aquarium, & the bearded woman, hours surfeited with gloomy discouragement, fantasies, acrimonies, monsters, demoralizing syllogisms, ordure, that which does not think like a child, desolation, the intellectual manchineel trees, perfumed cankers, stalks of the camellias, the guilt of a writer rolling down the slope of nothingness & scorning himself with joyous cries, that grind one in their imperceptible gearing, the serious spittles on inviolate maxims, vermin & their insinuating titillations, stupid prefaces like those of Cromwell, Mademoiselle de Maupin & Dumas fils, decaying, helplessness, blasphemies, suffocation, stifling, mania,--before these unclean charnel houses, which I blush to name, it is at last time to react against whatever disgusts us & bows us down.
Comte de Lautréamont (Chants de Maldoror (French Edition))
We never really had a beginning. For months, we fought and insulted each other. Then we combusted into bed. We pretended what happened didn't matter, but it did, Blondie. You matter." "Braeden," I whispered and took a step farther into the room. He shook his head. "All the shit with Missy, and Zach… hell, even with my father, it got in our way. I let it. This is me swearing I won't let it again. This is me swearing this is our beginning. You're it for me." He took a breath, and I watched his chest rise with it. His dark, chocolate eyes latched onto mine. "Because I still don't like you, Blondie." I started to roll my eyes. "I love you." My heart stopped. Everything stopped. That place deep down inside me burned and tingled. "I don't like you either." My voice wobbled. The intensity of his stare drilled right into me, like he was seating desperately for my reply. "I love you so damn much," I confessed. -Braeden & Ivy
Cambria Hebert (#Selfie (Hashtag, #4))
Wanting to hurt, degrade, insult, or discriminate against a person or a group of people because of their sexual orientation is an abomination. I got a firsthand lesson in how deep and grotesque the hate and injustice toward my LGBT comrades run in our culture.
Rainn Wilson (The Bassoon King: My Life in Art, Faith, and Idiocy)
It's one of my profound thoughts, but it came from another profound thought. It was one of Papa's guests, at the dinner party yesterday, who said: "Those who can, do; those who can't, teach; those who can't teach teach the teachers; and those who can't teach the teachers, go into politics." Everyone seemed to find this very inspiring but for the wrong reasons . . . It doesn't mean what you think it does at the outset. If people could climb higher in the social hierarchy in proportion to their incompetence, I guarantee the world would not go around the way it does. But that's not even the problem. What his sentence means isn't that incompetent people have found their place in the sun, but that nothing is harder or more unfair than human reality: humans live in a world where it's words and not deeds that have power, where the ultimate scale is mastery of language. This is a terrible thing because basically we are primates who've been programmed to eat, sleep, reproduce, conquer and make our territory safe, and the ones who are most gifted at that, the most animal types among us, always get screwed by the others, the fine talkers, despite these latter being incapable of defending their own garden or bringing a rabbit home for dinner or procreating properly. Humans live in a world where the weak are dominant. This is a terrible insult to our animal nature, a sort of perversion or a deep contradiction.
Muriel Barbery (The Elegance of the Hedgehog)
He did look like an Italian of the worse type, though Vic didn't think he was, and it was an insult to the Italian race to assume that he was. He resembled no particular race, only an amalgamation of the worst elements of various Latin peoples. He looked as if he had spent all his life dodging blows that were probably aimed at him for good reason.
Patricia Highsmith (Deep Water)
By the time I visited those battlefields, I knew that they had been retrofitted as the staging ground for a great deception, and this was my only security, because they could no longer insult me by lying to me. I knew—and the most important thing I knew was that, somewhere deep with them, they knew too. I like to think that knowing might have kept me from endangering you, that having understood and acknowledged the anger, I could control it. I like to think that it could have allowed me to speak the needed words to the woman and then walk away. I like to think this, but I can’t promise it. The struggle is really all I have for you because it is the only portion of this world under your control.
Ta-Nehisi Coates (Between the World and Me)
And I hope one day, when you realise I’m right about this, that you lie awake in deep regret that those words were the last thing you ever said to me.
Leeanne Slade (The Rebound)
Flinging himself from his horse, he made, in his rage, as if he would breast the flood. Standing knee-deep in water he hurled at the faithless woman all the insults that have ever been the lot of her sex. Faithless, mutable, fickle, he called her; devil, adulteress, deceiver; and the swirling waters took his words, and tossed at his feet a broken pot and a little straw.
Virginia Woolf
Of all the griefs, that harass the distressed, Sure the most bitter is a scornful jest; Fate never wounds more deep the generous heart, Than when a blockhead's insult points the dart.   Has
Samuel Johnson (The Major Works of Samuel Johnson)
She blinked at him, mouth open. "Do you really think it's wise to insult a woman who's holdin' a needle this far away? - she held her fingers an inch apart - "From your Grand Master of Ceremonies?
Julie Ann Walker (Devil and the Deep (Deep Six, #2))
Some whites, who had never really understood, were offended by this sudden death of their role as the “good white leading the poor black out of the jungle.” Many of these were among the saddest people of our time, good-hearted whites who had dedicated themselves to helping black people become imitation whites, to “bringing them up to our level,” without ever realizing what a deep insult this attitude can be.
John Howard Griffin (Black Like Me)
You hit me!” I yelled at the sky, and it was almost humorous to hear Rome’s deep voice so full of feminine outrage. “Oh.” Yael sounded genuinely shocked. “It really is her. Rome just dropped like a bag of rocks.
Jaymin Eve (Seduction (Curse of the Gods, #3))
We heard of this woman who was out of control. We heard that she was led by her feelings. That her emotions were violent. That she was impetuous. That she violated tradition and overrode convention. That certainly her life should not be an example to us. (The life of the plankton, she read in this book on the life of the earth, depends on the turbulence of the sea) We were told that she moved too hastily. Placed her life in the stream of ideas just born. For instance, had a child out of wedlock, we were told. For instance, refused to be married. For instance, walked the streets alone, where ladies never did, and we should have little regard for her, even despite the brilliance of her words. (She read that the plankton are slightly denser than water) For she had no respect for boundaries, we were told. And when her father threatened her mother, she placed her body between them. (That because of this greater heaviness, the plankton sink into deeper waters) And she went where she should not have gone, even into her sister's marriage. And because she imagined her sister to be suffering what her mother had suffered, she removed her sister from that marriage. (And that these deeper waters provide new sources of nourishment) That she moved from passion. From unconscious feeling, allowing deep and troubled emotions to control her soul. (But if the plankton sinks deeper, as it would in calm waters, she read) But we say that to her passion, she brought lucidity (it sinks out of the light, and it is only the turbulence of the sea, she read) and to her vision, she gave the substance of her life (which throws the plankton back to the light). For the way her words illuminated her life we say we have great regard. We say we have listened to her voice asking, "of what materials can that heart be composed which can melt when insulted and instead of revolting at injustice, kiss the rod?" (And she understood that without light, the plankton cannot live and from the pages of this book she also read that the animal life of the oceans, and hence our life, depends on the plankton and thus the turbulence of the sea for survival.) By her words we are brought to our own lives, and are overwhelmed by our feelings which we had held beneath the surface for so long. And from what is dark and deep within us, we say, tyranny revolts us; we will not kiss the rod.
Susan Griffin (Woman and Nature: The Roaring Inside Her)
They found a coin and helped him to the telescope. He complained and insulted them, but they helped him look at each individual letter in turn. The first letter was a 'w,' the second an 'e.' Then there was a gap. An 'a' followed, then a 'p,' an 'o,' and an 'l.' Marvin paused for a rest. After a few moments they resumed and let him see the 'o,' the 'g,' the 'i,' the 'z,' and the 'e.' The next two words were 'for' and 'the.' The last one was a long one, and Marvin needed another rest before the could tackle it. It started with 'i,' then 'n,' then 'c.' Next came an 'o' and an 'n,' followed by a 'v,' an 'e,' another 'n,' and an 'i.' After a final pause, Marvin gathered his strength for the last stretch. He read the 'e,' the 'n,' the 'c,' and at last the final 'e,' and staggered back into their arms. 'I think,' he murmured at last from deep within his corroding, rattling thorax, 'I feel good about it.' The lights went out in his eyes for absolutely the very last time ever.
Douglas Adams (So Long, and Thanks for All the Fish (Hitchhiker's Guide to the Galaxy, #4))
Verbal abuse is as damaging as physical abuse, and in some cases, it does even more damage to a child. Insulting names, degrading comments and constant criticism all leave deep emotional scars that hinder feelings of self-worth and personal agency.
Susan Forward (Toxic Parents: Overcoming Their Hurtful Legacy and Reclaiming Your Life)
Thoughtful conversations have been substituted by social media snark and insult, where your opponent is assumed to have the worst intentions—simply because they are an opponent. Fairness and due process have been supplanted by self-righteous hysteria and public shaming. The meme has replaced good argument, the tweet has replaced the well-reasoned op-ed, and the op-ed has replaced objective journalism. The result is nothing short of information chaos, a culture of contempt, and a deep sense of unhappiness that is blamed on everyone but ourselves
Dan Crenshaw (Fortitude: Resilience in the Age of Outrage)
He could not consent to allow himself to be insulted, still less to allow himself to be treated as a rag, and, above all, to allow a thoroughly vicious man to treat him so. No quarrelling, however, no quarrelling! Possibly if some one wanted, if some one, for instance, actually insisted on turning Mr. Golyadkin into a rag, he might have done so, might have done so without opposition or punishment (Mr. Golyadkin was himself conscious of this at times), and he would have been a rag and not Golyadkin - yes, a nasty, filthy rag; but that rag would not have been a simple rag, it would have been a rag possessed of dignity, it would have been a rag possessed of feelings and sentiments, even though dignity was defenceless and feelings could not assert themselves, and lay hidden deep down in the filthy folds of the rag, still the feelings there...
Fyodor Dostoevsky (The Double)
He took a drink of the juice and cursed. "What is this shit? Poison?" Nykyrian took his acerbic tone in stride. "You can't live on alcohol." "Wanna bet?" "Wanna die?" Nykyrian pushed the juice back toward Syn. "Drink it and quit bitching." Syn mouthed those words back mockingly and added an extremely obscene insult to it. "You know, you're a little hairy to be my mother." He pulled out a small flask and added it to the juice. Nykyrian let out a deep, fierce growl that actually scared her. Syn ignored it as he drank the alcohol-laced juice. "Much better." -Syn & Nykyrian
Sherrilyn Kenyon (Born of Night (The League: Nemesis Rising, #1))
Harry, open up!” He had shouted out, he knew it. He got up and unbolted the door; Hermione toppled inside at once, regained her balance, and looked around suspiciously. Ron was right behind her, looking unnerved as he pointed his wand into the corners of the chilly bathroom. “What were you doing?” asked Hermione sternly. “What d’you think I was doing?” asked Harry with feeble bravado. “You were yelling your head off!” said Ron. “Oh yeah…I must’ve dozed off or--” “Harry, please don’t insult our intelligence,” said Hermione, taking deep breaths. “We know your scar hurt downstairs, and you’re white as a sheet.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Goldfish in a glass bowl are harmless to the human mind, maybe even helpful to minds casting about for something, anything, to think about. But goldfish let loose, propagating themselves, worst of all surviving in what has to be a sessile eddy of the East River, somehow threaten us all. We do not like to think that life is possible under some conditions, especially the conditions of a Manhattan pond. There are four abandoned ties, any number of broken beer bottles, fourteen shoes and a single sneaker, and a visible layer, all over the surface, of that grayish-green film that settles on all New York surfaces. The mud at the banks of the pond is not proper country mud but reconstituted Manhattan landfill, ancient garbage, fossilized coffee grounds and grapefruit rind, the defecation of a city. For goldfish to be swimming in such water, streaking back and forth mysteriously in small schools, feeding, obviously feeding, looking as healthy and well-off as goldfish in the costliest kind of window-box aquarium, means something is wrong with our standards. It is, in some deep sense beyond words, insulting.
Lewis Thomas (The Medusa and the Snail: More Notes of a Biology Watcher)
For the world’s greatest assassin, this is pathetic,” said Dorian, stepping from the doorway. She yelped and swung toward him. She wore a tunic and pants, and her hair was unbound. He leaned against the table, smiling as she turned a deep shade of red. “If you’re going to insult me, you can shove this—” She lifted the cue in the air and made an obscene gesture that finished her sentence.
Sarah J. Maas
I wake on the fiction couch deeply hungover, my head cracking, with Rachel telling me to get up. She’s holding my eyelids open like she used to do in high school when we’d stayed up all night talking and then slept through the morning alarm. ‘Get. Up. Henry.’ ‘What time is it? I ask, batting off her hands. ‘It’s eleven. The shop’s been open for an hour. There are customers asking for books I can’t find. George is yelling at a guy called Martin Gamble who’s here to help me create the database. And as a separate issue, Amy’s waiting in the reading garden.’ ‘Amy’s here?’ I sit up and mess my hair around. ‘How do I look?’ ‘I decline to answer on the grounds that technically you’re my boss and I don’t want to start my new job by insulting you.’ ‘Thank you,’ I say. ‘I appreciate that.
Cath Crowley (Words in Deep Blue)
Ren moved just a smidgen closer to me. I closed my eyes, took a deep breath, and then…waited. When I opened my eyes, he was still staring at me. He really was waiting for permission. There was nothing, and I mean nothing I wanted more in the world at that moment than to be kissed by this gorgeous man. But, I ruined it. For some reason, I fixated on the word permission. I nervously rambled, “What…umm…what do you mean you want my permission?” He looked at me curiously, which made me feel even more panicky. To say I had no experience with kissing would be an understatement. Not only had I never kissed a boy before, I’d never even met a guy I wanted to kiss until Ren. So, instead of kissing him like I wanted to, I got flustered and started coming up with reasons to not do it. I babbled, “Girls need to be swept off their feet, and asking permission is just…just…old-fashioned. It’s not spontaneous enough. It doesn’t scream passion. It screams old fogy. If you have to ask, then the answer is…no.” What an idiot! I thought to myself. I just told this beautiful, kind, blue-eyed, hunk of a prince that he was an old fogy. Ren looked at me for a long moment, long enough for me to see the hurt in his eyes before he cleared his face of expression. He stood up quickly, formally bowed to me, and avowed softly, “I won’t ask you again, Kelsey. I apologize for being so forward.” Then he changed into a tiger and quickly ran off into the jungle, leaving me alone to berate myself for my foolishness. I shouted, “Ren, wait!” But it was too late. He was gone. I can’t believe I insulted him like that! He must hate me! How could I do that to him? I knew I only said those things because I was nervous, but that was no excuse. What did he mean he would never ask me again? I hope he asks me again. I replayed my words over and over again in my mind and thought of all the things I could have said that would have given me a better result. Things like, “I thought you’d never ask” or “I was just about to ask you the same question.” I could have just grabbed the man and kissed him first. Even just a simple “Yes” would have done the trick. I could have said dramatically, “As you wish,” “Kiss me. Kiss me as if it were the last time,” or “You had me at hello.” He’d never seen the movies, so why not? But, no, I had to go on and on about “permission.” Ren left me alone the rest of the day, which gave my plenty of time to kick myself.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
After all, they were Yankees and no one expected anything better from Yankees. So their unthinking insults to her state, her people and their morals, glanced off and never struck deep enough to cause her more than a well-concealed sneer until an incident occurred which made her sick with rage and showed her, if she needed any showing, how wide was the gap between North and South and how utterly impossible it was to bridge it.
Margaret Mitchell (Gone with the Wind)
I started to pull it up. I stopped. He arched an eyebrow at me, like a challenge. “It’s nothing I haven’t seen before.” My face grew hot. “Right,” I muttered. “Just… no ideas, okay?” He laughed, but I didn’t think it was at me. “I don’t think you’ll have to worry about that. Not really.” I was almost insulted. I was proud of my body. I was strong. I was young. I was capable of providing for my— Fuck. He wiped his eyes. “No, oh god, get that wounded look off your face. Christ.” He took a deep breath. “I’m ace.” I frowned. “What’s that?” “Asexual.” “Oh. Oh.” I scrunched up my face. “Like… really?” Now he was laughing at me. “Like, really.” “How did that work?” I blanched. “Holy shit, ignore me. Seriously, don’t think you need to explain—” “If that’s what you want,” he said, and that was it. I scowled at him. He smiled at me. I lasted a few more seconds. “Are you sure?” “I am,” he said simply. “But.” I waved my hand in the direction of my neck and the scar on it that extended near my shoulder. “And. Like. You know.” He laughed again. I thought I even heard Ox snorting outside the door. “We made it work. It’s not that I’m repulsed by sex or anything. It’s just not everything to me. There’s more to us than physical intimacy. Or there was.” “Oh.” I bit the inside of my cheek, but the words came out in a rush. “And I was okay with that?” “You were,” he said, and his voice took on a wistful tone that made me feel like I was intruding. “We made it work because we… well.” Blue. The room filled with blue. It was smothering. I wanted to go to him. It was like a pull. Toward what, I didn’t know. Instead I pulled off my shirt and let it fall to the floor. “You can stop flexing,” he said, the blue fading slightly. “I’m not.” “Really,” he said. “So your pecs usually bounce up and down like that normally? That’s something you should probably get checked out.” He looked me up and down, but there was no stink of arousal coming from him. Instead, it was warm, like a heavy blanket on a winter day. “You’re bigger than you were. Harder.” “I’m… sorry?” I wasn’t sorry at all. He shook his head. “It looks good on you.
T.J. Klune (Heartsong (Green Creek, #3))
She stands by the edge of the bed, baggy in nakedness, and goes off into the bathroom to do her duty. There’s that in women repels him: handle themselves like an old envelope. Tubes into tubes, wash away men’s dirt—insulting, really. Faucets cry. The more awake he gets the more depressed he is. From deep in the pillow he stares at the horizontal strip of stained-glass church window that shows beneath the window shade. Its childish brightness comes from years away.
John Updike (Rabbit, Run (Rabbit Angstrom, #1))
When choosing between something you Know and something other people taught you to believe, choose what you Know. As Whitman said, “Re-examine all you have been told in school or church or in any book, and dismiss whatever insults your own soul.” Having the courage to dismiss what insults your soul is a matter of life or death. If those who claim to speak for God or Truth can convince you to believe instead of Know, to live from their rules instead of your roots, to trust the voices of middlemen instead of the still, small voice inside you—then they control you. If they can get you to mistrust yourself—to stop feeling, deny knowing, quit imagining—and instead rely only on them, then they can get you to act against your own soul. If that happens, they can get you to follow them, vote with them, condemn for them, even kill for them—all in the name of this God who is constantly whispering to you: That is not exactly it. Perhaps the God conflict is not just about God. Perhaps it is God. Listen deep.
Glennon Doyle (Untamed)
When we’re outside, I hear Brittany take a deep breath. I swear it sounds as if she’s holding herself together by a thin thread. Not the way it’s supposed to go down: bring girl home, kiss girl, mom insults girl, girl leaves crying. “Don’t sweat it. She’s just not used to me bringin’ girls in the house.” Brittany’s expressive blue eyes appear remote and cold. “That shouldn’t have happened,” she says, throwing back her shoulders in a stance as stiff as a statue’s. “What? The kiss or you likin’ it so much?” “I have a boyfriend,” she says as she fidgets with the strap on her designer book bag. “You tryin’ to convince me, or yourself?” I ask her.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
humans live in a world where it’s words and not deeds that have power, where the ultimate skill is mastery of language. This is a terrible thing because basically we are primates who’ve been programmed to eat, sleep, reproduce, conquer and make our territory safe, and the ones who are most gifted at that, the most animal types among us, always get screwed by the others, the fine talkers, despite these latter being incapable of defending their own garden or bringing a rabbit home for dinner or procreating properly. Humans live in a world where the weak are dominant. This is a terrible insult to our animal nature, a sort of perversion or a deep contradiction.
Muriel Barbery (The Elegance of the Hedgehog)
One morning, when she was in bed with Harry in his hotel room, he tapped Faith lightly on the nose and said, “You’ve got a big honker, don’t you. But you’re so sexy, you can carry it.” She said nothing. It h rut her, not because it was untrue—she did have a strong nose, and it did look pretty good on her. It hurt her because she had been lying relaxed with him, similar to the way her childhood dog Lucky would sometimes lie in deep sleep on her back, paws up and dipped at the wrist. Her dog, lying like that, was happy in her dogfish openness. Which, Faith thought, was all she herself really wanted when she went to bed with someone. To lie exposed and free and unself-conscious.
Meg Wolitzer (The Female Persuasion)
The frog in the frying pan is a psychological term, a phenomenon,” she said. “If you stick a frog into a sizzling hot frying pan what’ll it do?” “Jump out?” suggested Clara. “Jump out. But if you put one into a pan at room temperature then slowly raise the heat, what happens?” Clara thought about it. “It’ll jump out when it gets too hot?” Myrna shook her head. “No.” She took her feet off the hassock and leaned forward again, her eyes intense. “The frog just sits there. It gets hotter and hotter but it never moves. It adjusts and adjusts. Never leaves.” “Never?” asked Clara, quietly. “Never. It stays there until it dies.” Clara look a long, slow, deep breath, then exhaled. “I saw it with my clients who’d been abused either physically or emotionally. The relationship never starts with a fist to the face, or an insult. If it did there’d be no second date. It always starts gently. Kindly. The other person draws you in. To trust them. To need them. And then they slowly turn. Little by little, increasing the heat. Until you’re trapped.” “But Lillian wasn’t a lover, or a husband. She was just a friend.” “Friends can be abusive. Friendships can turn, become foul,” said Myrna. “She fed on your gratitude. Fed on your insecurities, on your love for her. But you did something she never expected.” Clara waited. “You stood up for yourself. For your art. You left. And she hated you for it.
Anonymous
For example, he says that the perfect wise man is like a true priest of the gods, at one with the divine element of reason within himself. He is neither corrupted by pleasure nor injured by pain, and he remains untouched by insults. The true Sage is like a fighter in the noblest of fights, dyed deep with justice. With his whole being, he accepts everything that befalls him, as assigned to him by Fate. He seldom concerns himself with what others say or do unless it’s for the common good. He naturally cares for all rational beings, as though they were his brothers and sisters. He is not swayed by the opinions of just anyone, but he gives special heed to the wise who live in agreement with Nature.24
Donald J. Robertson (How to Think Like a Roman Emperor: The Stoic Philosophy of Marcus Aurelius)
But you must admit,it's taking up an inordinate amount of your time. Why it's taken us six months to have dinner together." "Is that all?" He misinterpreted the quiet response, and the gleam in her eyes.And leaned toward her. She slapped a hand on his chest. "Don't even think about it.Let me tell you something,pal.I do more in one day with my school than you do in a week of pushing papers in that office your grandfather gave you between your manicures and amaretto lattes and soirees. Men like you hold no interest for me whatsoever,which is why it's taken six months for this tedious little date.And the next time I have dinner with you,we'll be slurping Popsicles in hell.So take your French tie and your Italian shoes and stuff them." Utter shock had him speechless as she shoved open her door.As insult trickled in,his lips thinned. "Obviously spending so much time in the stables has eroded your manners, and your outlook." "That's right, Chad." She leaned back in the door. "You're too good for me. I'm about to go up and weep into my pillow over it." "Rumor is you're cold," he said in a quiet, stabbing voice. "But I had to find out for myself." It stung,but she wasn't about to let it show. "Rumor is you're a moron. Now we've both confirmed the local gossip." He gunned the engine once,and she would have sworn she saw him vibrate. "And it's a British tie." She slammed the car door, then watched narrow-eyed as he drove away. "A British tie." A laugh gurgled up,deep from the belly and up into the throat so she had to stand, hugging herself, all but howling at the moon. "That sure told me." Indulging herself in a long sigh, she tipped her head back,looked up at the sweep of stars. "Moron," she murmured. "And that goes for both of us." She heard a faint click, spun around and saw Brian lighting up a slim cigar. "Lover's spat?" "Why yes." The temper Chad had roused stirred again. "He wants to take me to Antigua and I simply have my heart set on Mozambique.Antigua's been done to death." Brian took a contemplative puff of his cigar.She looked so damn beautiful standing there in the moonlight in that little excuse of a black dress, her hair spilling down her back like fire on silk.Hearing her long, gorgeous roll of laughter had been like discovering a treasure.Now the temper was back in her eyes,and spitting at him. It was almost as good. He took another lazy puff, blew out a cloud of smoke. "You're winding me up, Keeley." "I'd like to wind you up, then twist you into small pieces and ship them all back to Ireland." "I figured as much." He disposed of the cigar and walked to her. Unlike Chad, he didn't misinterpret the glint in her eyes. "You want to have a pop at someone." He closed his hand over the one she'd balled into a fist, lifted it to tap on his own chin. "Go ahead." "As delightful as I find that invitation, I don't solve my disputes that way." When she started to walk away, he tightened his grip. "But," she said slowly, "I could make an exception." "I don't like apologizing, and I wouldn't have to-again-of you'd set me straight right off." She lifted an eyebrow.Trying to free herself from that big, hard hand would only be undignified.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
I’m not going to insult you by feeding you aphorisms about omelets and broken eggs,” I said. “But you signed up for this job. You thought, as much as I did, that what we were doing was world-changing. That’s what you wanted, remember? Do you think the world changes by being asked politely? Or do you think there has to be risk?” She took a deep breath. All the emotions I normally watched her puree into professionalism were churning on her face. “I came here,” she said, “because you—because—I thought you would understand. Don’t you? Being the experiment. Being the pioneer they break the concepts on. The first. Are there any other Cambodians on the core team? Any other Southeast Asians, even? I can tell you exactly how many Black people there are, and I’d only need one hand to count them off.
Kaliane Bradley (The Ministry of Time)
Art historian Sarah Lewis studies creative achievement, and described Geim’s mindset as representative of the “deliberate amateur.” The word “amateur,” she pointed out, did not originate as an insult, but comes from the Latin word for a person who adores a particular endeavor. “A paradox of innovation and mastery is that breakthroughs often occur when you start down a road, but wander off for a ways and pretend as if you have just begun,” Lewis wrote. When Geim was asked (two years before the Nobel) to describe his research style for a science newsletter, he offered this: “It is rather unusual, I have to say. I do not dig deep—I graze shallow. So ever since I was a postdoc, I would go into a different subject every five years or so. . . . I don’t want to carry on studying the same thing from cradle to grave. Sometimes I joke that I am not interested in doing re-search, only search.
David Epstein (Range: Why Generalists Triumph in a Specialized World)
My soul is more than matched; she's overmanned; and by a madman! Insufferable sting, that sanity should ground arms on such a field! But he drilled deep down, and blasted all my reason out of me! I think I see his impious end; but feel that I must help him to it. Will I, nill I, the ineffable thing has tied me to him; tows me with a cable I have no knife to cut. Horrible old man! Who's over him, he cries; aye, he would be a democrat to all above; look, how he lords it over all below! Oh! I plainly see my miserable office, to obey, rebelling; and worse yet, to hate with touch of pity! For in his eyes I read some lurid woe would shrivel me up, had I it. Yet is there hope. Time and tide flow wide. The hated whale has the round watery world to swim in, as the small gold-fish has its glassy globe. His heaven-insulting purpose, God may wedge aside. I would up heart, were it not like lead. But my whole clock's run down; my heart the all-controlling weight, I have no key to lift again.
Herman Melville (Moby-Dick or, The Whale)
At last they came to the lower slopes of the great mountains. Here she met a wild and bedraggled boy. He stumbled across her when she had stopped to rest and suckle the baby. The boy stared at the unlikely pair for a moment, then seated himself on the ground at a respectful distance, obviously preparing to converse. He was the strangest looking boy she had ever seen. Evidently a changeling like herself, for he was tall and straight with long slender limbs, but his hair was golden like the sun and his eyes a deep blue like the sky. He looked to be about fifteen years old, not quite a man, yet man enough to survive. She guessed he must have originated from the fabled district of Shor, in the far south, where it was rumoured that all the people were changelings, and all golden-haired. Astelle tensed, fully expecting Torking to deliver one of his pain bolts to the curious boy, but the child seemed unperturbed, and simply carried on suckling. This boy's attention was obviously not deemed as a threat. She relaxed and smiled at the youth. He returned the smile, white teeth startling against his tanned and dirty face. ‘Why are you travelling all alone?’ he asked. Encouraged by Torking's mindwhispers, Astelle managed to concoct a story very close to the truth. ‘As you can see, my child is rather unusual,’ she explained. ‘I could not bear to raise him among mortals who would constantly deride and insult him – and his father has left me, so I had no choice but to run from my tribe.’ Sympathy appeared in the deep blue eyes. ‘I understand that very well,’ he said. ‘I am an escaped slave. I was captured in infancy, and have no memory of my own people, but all my life I have been mocked and abused because I am different. My name is Bren. I would like to travel with you, if you don't mind. I could take care of you both.’ ‘Keep him,’ Torking mindwhispered. ‘He will be useful to fish and hunt for us. But do not tell him that I speak to you.’ Astelle smiled. ‘Thank you Bren,’ she said. ‘I will be glad of your company. I am called Astelle.’ ‘A Faen name...’ he said wonderingly. They began to climb the mountains of Clor.
Bernie Morris (The Fury of the Fae)
To be incapable of taking one’s enemies, one’s accidents, even one’s misdeeds seriously for very long—that is the sign of strong, full natures in whom there is an excess of the power to form, to mold, to recuperate and to forget (a good example of this in modern times is Mirabeau, who had no memory for insults and vile actions done him and was unable to forgive simply because he—forgot). Such a man shakes off with a single shrug many vermin that eat deep into others; here alone genuine “love of one’s enemies” is possible—supposing it to be possible at all on earth. How much reverence has a noble man for his enemies!—and such reverence is a bridge to love.—For he desires his enemy for himself, as his mark of distinction; he can endure no other enemy than one in whom there is nothing to despise and very much to honor! In contrast to this, picture “the enemy” as the man of ressentiment conceives him—and here precisely is his deed, his creation: he has conceived “the evil enemy,” “the Evil One,” and this in fact is his basic concept, from which he then evolves, as an afterthought and pendant, a “good one”—himself!
Friedrich Nietzsche (On the Genealogy of Morals)
The robot could no longer lift his head, had not read the message. They lifted his head, but he complained that his vision circuits had almost gone. They found a coin and helped him to the telescope. He complained and in-sulted them, but they helped him look at each individual letter in turn, The first letter was a “w”, the second an “e”. Then there was a gap. An “a” followed, then a “p”, an “o” and an “l”. Marvin paused for a rest. After a few moments they resumed and let him see the “o”, the “g”, the “i”, the “s” and the “e”. The next two words were “for” and “the”. The last one was a long one, and Marvin needed another rest before he could tackle it. It started with an “i”, then “n” then a “c”. Next came an “o” and an “n”, followed by a “v”, an “e”, another “n” and an “i”. After a final pause, Marvin gathered his strength for the last stretch. He read the “e”, the “n”, the “c” and at last the final “e”, and staggered back into their arms. “I think,” he murmured at last, from deep within his corroding rattling thorax, “I feel good about it.” The lights went out in his eyes for absolutely the very last time ever. Luckily, there was a stall nearby where you could rent scooters from guys with green wings.
Douglas Adams (So Long, and Thanks for All the Fish (The Hitchhiker's Guide to the Galaxy, #4))
Finally, he thought, If we’re going to talk, let’s really talk. “There are those who say that because nothing we do seems to change the future, it means that whatever we do now has to be what we did in the past. Essentially, they say that all of our decisions were made for us, and that all we can do is play our parts. They tell us that any effort we make to change the course of history, or our own destiny, is futile, and ultimately results in us becoming the very thing we struggled to keep from becoming.” Brit peered at him over the rim of her glass, pulled the drink down from her mouth without actually taking a drink, then asked Phillip, “That’s what they say. What do you say?” Phillip smiled. “Usually, something loud and insulting. I am my own man. I make my own decisions. If the universe expects me to do anything different, it should prepare for a fight. I reject the idea that just because we can see the future that we’re doomed to create it. I say free will and imagination are deeply linked, and if you don’t believe you have one it just means that you lack the other.” Phillip realized he was raising his voice. He took a deep breath. “I get a little crazy when this topic comes up,” Phillip said. “I’m sorry. I’ll stop now.” “No,” Brit said, “please, go on.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
If you’re going to give me the third degree,” she tells him, “let’s get it over with. Best to withhold food or water; water is probably best. I’ll get thirsty before I get hungry.” He shakes his head in disbelief. “Do you really think I’m like that? Why would you think that?” “I was taken by force, and you’re keeping me here against my will,” she says, leaning across the table toward him. She considers spitting in his face, but decides to save that gesture as punctuation for a more appropriate moment. “Imprisonment is still imprisonment, no matter how many layers of cotton you wrap it in.” That makes him lean farther away, and she knows she’s pushed a button. She remembers seeing those pictures of him back when he was all over the news, wrapped in cotton and kept in a bombproof cell. “I really don’t get you,” he says, a bit of anger in his voice this time. “We saved your life. You could at least be a little grateful.” “You have robbed me, and everyone here, of their purpose. That’s not salvation, that’s damnation.” “I’m sorry you feel that way.” Now it’s her turn to get angry. “Yes, you’re sorry I feel that way, everyone’s sorry I feel that way. Are you going to keep this up until I don’t feel that way anymore?” He stands up suddenly, pushing his chair back, and paces, fern leaves brushing his clothes. She knows she’s gotten to him. He seems like he’s about to storm out, but instead takes a deep breath and turns back to her. “I know what you’re going through,” he says. “I was brainwashed by my family to actually want to be unwound—and not just by my family, but by my friends, my church, everyone I looked up to. The only voice who spoke sense was my brother Marcus, but I was too blind to hear him until the day I got kidnapped.” “You mean see,” she says, putting a nice speed bump in his way. “Huh?” “Too blind to see him, too deaf to hear him. Get your senses straight. Or maybe you can’t, because you’re senseless.” He smiles. “You’re good.” “And anyway, I don’t need to hear your life story. I already know it. You got caught in a freeway pileup, and the Akron AWOL used you as a human shield—very noble. Then he turned you, like cheese gone bad.” “He didn’t turn me. It was getting away from my tithing, and seeing unwinding for what it is. That’s what turned me.” “Because being a murderer is better than being a tithe, isn’t that right, clapper?” He sits back down again, calmer, and it frustrates her that he is becoming immune to her snipes. “When you live a life without questions, you’re unprepared for the questions when they come,” he says. “You get angry and you totally lack the skills to deal with the anger. So yes, I became a clapper, but only because I was too innocent to know how guilty I was becoming.” ... “You think I’m like you, but I’m not,” Miracolina says. “I’m not part of a religious order that tithes. My parents did it in spite of our beliefs, not because of ii.” “But you were still raised to believe it was your purpose, weren’t you?” “My purpose was to save my brother’s life by being a marrow donor, so my purpose was served before I was six months old.” “And doesn’t that make you angry that the only reason you’re here was to help someone else?” “Not at all,” she says a little too quickly. She purses her lips and leans back in her chair, squirming a bit. The chair feels a little too hard beneath her. “All right, so maybe I do feel angry once in a while, but I understand why they did it. If I were them, I would have done the same thing.” “Agreed,” he says. “But once your purpose was served, shouldn’t your life be your own?” “Miracles are the property of God,” she answers. “No,” he says, “miracles are gifts from God. To calthem his property insults the spirit in which they are given.” She opens her mouth to reply but finds she has no response, because he’s right. Damn him for being right—nothing about him should be right! “We’ll talk again when you’re over yourself,” he says.
Neal Shusterman (UnWholly (Unwind, #2))
I suspect, however, that the thing that confuses you about Ian is that he’s half Scot. In many ways he’s more Scot than English, which accounts for what you’re calling a ruthless streak. He’ll do what he pleases, when he pleases, and the devil fly with the consequences. He always has. He doesn’t care what anyone thinks of him or of what he does.” Pausing, Jordan glanced meaningfully at the couple who’d paused to look at a shrubbery on the front lawn. Ian was listening to Elizabeth intently, an expression of tenderness on his rugged face. “The other night, however, he cared very much what people thought of your lovely friend. In fact, I don’t like to think what he might have done had anyone actually dared to openly insult her in front of him. You’re right when you aren’t deceived by Ian’s civilized veneer. Beneath that he’s a Scot, and he has a temper to go with it, though he usually keeps it in check.” “I don’t think you’re reassuring me,” Alex said shakily. “I should be. He’s committed himself completely to her. That commitment is so deep that he even reconciled with his grandfather and then appeared with him in public, which I know was because of Elizabeth.” “What on earth makes you think that?” “For one thing, when I saw Ian at the Blackmore he had no plans for the evening until he discovered what Elizabeth was going to do at the Willingtons’. The next I knew, he was walking into that ball with his grandfather at his side. And that, my love, is what we call a show of strength.” She looked impressed by his powers of deduction, and Jordan grinned. “Don’t admire me too much. I also asked him. So you see, you’re worrying needlessly,” he finished reassuringly. “Scots are a fiercely loyal lot, and Ian will protect her with his life.” “He certainly didn’t protect her with his life two years ago, when she was ruined.” Sighing, Jordan looked out the window. “After the Willingtons’ ball he told me a little of what happened that long-ago weekend. He didn’t tell me much-Ian is a very private man-but reading between the lines, I’m guessing that he fell like a rock for her and then got the idea she was playing games with him.” “Would that have been so terrible?” Alexandra asked, her full sympathy still with Elizabeth. Jordan smiled ruefully at her. “There’s one thing Scots are besides loyal.” “What is that?” “Unforgiving,” he said flatly. “They expect the same loyalty as they give. Moreover, if you betray their loyalty, you’re dead to them. Nothing you do or say will change their heart. That’s why their feuds last from generation to generation.” “Barbaric,” Alexandra said with a shiver of alarm. “Perhaps it is. But then let’s not forget Ian is also half English, and we are very civilized.” Leaning down, Jordan nipped her ear. “Except in bed.
Judith McNaught (Almost Heaven (Sequels, #3))
Once you are in a relationship you start taking each other for granted—that’s what destroys all love affairs. The woman thinks she knows the man, the man thinks he knows the woman. Nobody knows either! It is impossible to know the other, the other remains a mystery. And to take the other for granted is insulting, disrespectful. To think that you know your wife is very, very ungrateful. How can you know the woman? How can you know the man? They are processes, they are not things. The woman that you knew yesterday is not there today. So much water has gone down the Ganges; she is somebody else, totally different. Relate again, start again, don’t take it for granted. And the man that you slept with last night, look at his face again in the morning. He is no more the same person, so much has changed. So much, incalculably much has changed. That is the difference between a thing and a person. The furniture in the room is the same, but the man and the woman, they are no more the same. Explore again, start again. That’s what I mean by relating. Relating means you are always starting, you are continuously trying to become acquainted. Again and again, you are introducing yourself to each other. You are trying to see the many facets of the other’s personality. You are trying to penetrate deeper and deeper into his realm of inner feelings, into the deep recesses of his being. You are trying to unravel a mystery that cannot be unraveled. That is the joy of love: the exploration of consciousness.
Osho (Love, Freedom, and Aloneness: On Relationships, Sex, Meditation, and Silence)
To those who in their turn selectively handle Mormon history and discourage our probing it in a number of areas, one needs to say (or at least to ask): Haven’t we been, if anything, overly cautious, overly mistrustful, overly condescending to a membership and a public who are far more perceptive and discerning than we often give them credit for? Haven’t we, in our care not to offend a soul or cause anyone the least misunderstanding, too much deprived such individuals of needful occasions for personal growth and more in-depth life-probing experience? In our neurotic cautiousness, our fear of venturing, haven’t we often settled for an all-too-shallow and confining common denominator that insults the very Intelligence we presume to glorify and is also dishonest because, deep down, we all know better (to the extent that we do)? Isn’t our intervention often too arbitrary, reflecting the hasty, uninformed reaction of only one or a couple of influential objectors? Don’t we in the process too severely and needlessly test the loyalty and respect of and lose credibility with many more than we imagine? Isn’t there a tendency among us, bred by the fear of displeasing, to avoid healthy self-disclosure—public or private—and to pretend about ourselves to ourselves and others? Doesn’t this in turn breed loneliness and make us, more than it should, strangers to each other? And when we are too calculating, too self-conscious, too mistrustful, too prescriptive, and too regimental about our roots and about one another’s aesthetic, intellectual, and spiritual life, aren’t we self-defeating?
Thomas F. Rogers (Let Your Hearts and Minds Expand: Reflections on Faith, Reason, Charity, and Beauty)
Stefan wasn’t sure if it had been watching them and realizing how deep Adrian and Madeleine’s attachment ran, or if it was the fact he was already half in love with Adrian, but he found himself talking before he could stop himself. “I know we’ve only known each other for a year or so, so it’s not really my place to offer my opinions, and I have no concept of what it’s like to be a Royal—the expectations, everything involved,” he started, and Adrian looked up at him. “But my parents were Diplomats, and I did learn a few things from them about how to get what you want.” “Yes?” Adrian asked guardedly. “I’ve been to many courts, and seen many Lord’s daughters. None of them are like Madeleine. No, wait, I’m not insulting her,” he added quickly as Adrian opened his mouth to speak. “What I’m saying is, those girls are being groomed for the traditional roles your father intimated she was to take when she’s older. Now you find out what she really wants—at least at nine years old—to be a Healer and to marry who she wants to. She wants the independence she sees we have.” “Brion’s marriage was arranged when he was thirteen,” Adrian told him. “He seems happy enough, and so does Gwyne, for that matter, but she’d been preparing to be his wife since she was—since she was younger than Maddy.” “But the rest of you haven’t been,” Stefan pointed out, and Adrian nodded in agreement. “One of the basic ideas I grew up with was compromise, giving up just enough to make both sides happy. What if there was no compromise with your sister? If she became so unmarriageable, such an unlikely prospect as a complacent wife, that no one wanted to marry her?” he paused to let his words sink in.
Wendy Clements
I suppose we ought to go back,” she said when several minutes had passed, and his silence became unsettling. In answer Ian tipped his head back and closed his eyes, looking like a man in the throes of some deep, internal battle. “Why?” he said, still in that odd posture. “Because there’s nowhere else to walk,” she answered, stating the obvious. “We did not come out tonight to walk,” he said flatly. Elizabeth’s sense of security began to disintegrate. “We didn’t?” “You know we didn’t.” “Then-then why are we here?” she asked. “Because we wanted to be alone together.” Horrified at the possibility that he’d somehow known what thoughts had been running through her mind at supper, she said uneasily, “Why should you think I want to be alone with you?” He turned his head toward her, and his relentless gaze locked with hers. “Come here and I’ll show you why.” Her entire body began to vibrate with a mixture of shock, desire, and fear, but somehow her mind remained in control. It was one thing to want to be kissed by him at the cottage where the vicar was nearby, but here, with absolute privacy and nothing to prevent him from taking all sorts of liberties, it was another matter entirely. Far more dangerous. More frightening. And based on her behavior in England, she couldn’t even blame him for thinking she’d be willing now. Struggling desperately to ignore the sensual pull he was exerting on her, Elizabeth drew a long, shaky breath. “Mr. Thornton,” she began quietly. “My name is Ian,” he interrupted. “Considering our long acquaintance-not to mention what has transpired between us-don’t you think it’s a little ridiculous to call me Mr. Thornton?” Ignoring his tone, Elizabeth tried to keep hers nonjudgmental and continue her explanation. “I used to blame you entirely for what happened that weekend we were together,” she began softly. “But I’ve come to see things more clearly.” She paused in that valiant speech to swallow and then plunged in again. “The truth is that my actions that first night, when we met in the garden and I asked you to dance with me, were foolish-no, shameless.” Elizabeth stopped, knowing that she could partly exonerate herself by explaining to him that she’d only done all that so her friends wouldn’t lose their wagers, but he would undoubtedly find that degrading and insulting, and she wanted very much to soothe matters between them, not make them much, much worse. And so she said haltingly, “Every other time we were alone together after that I behaved like a shameless wanton. I can’t completely blame you for thinking that’s exactly what I was.” His voice was heavy with irony. “Is that what I thought, Elizabeth?” His deep voice saying her name in the darkness made her senses jolt almost as much as the odd way he was looking at her across the distance that separated them. “Wh-what else could you have thought?” Shoving his hands into his pockets, he turned fully toward her. “I thought,” he gritted, “you were not only beautiful but intoxicatingly innocent. If I’d believed when we were standing in the garden that you realized what the hell you were asking for when you flirted with a man of my years and reputation, I’d have taken you up on your offer, and we’d both have missed the dancing.” Elizabeth gaped at him. “I don’t believe you.” “What don’t you believe-that I wanted to drag you behind the hedges then and there and make you melt in my arms? Or that I had scruples enough to ignore that ignoble impulse?
Judith McNaught (Almost Heaven (Sequels, #3))
The first buddy pair enters the deep end of the pool and begins buddy breathing. The games begin when, like a hungry shark, an instructor menacingly stalks the two trainees. Suddenly, the instructor darts forward, grabs the snorkel, and tosses it about ten feet away where it slowly sinks to the bottom. It is the duty of the last person to have taken a breath, to retrieve the snorkel. As the swimmer dives ten feet deep to recover the snorkel, his buddy floats motionless, his face underwater, holding his breath, patiently conserving oxygen. The swimmer returns with the snorkel and hands it to his buddy, but before his teammate can grab it and breathe, the instructor sadistically snatches the snorkel and again tosses it away. The swimmer, still holding his breath, dives to get the snorkel, but the instructor grabs his facemask and floods it with pool water. The swimmer has a choice. He can clear his mask of water, by blowing valuable air into it through his nose, or he can continue to swim with his mask full of water blurring his vision. The swimmer makes the right decision and retrieves the snorkel. All this time both trainees are holding their breath, battling the urge to surface and suck in a lung full of sweet fresh air. With lungs burning and vision dimming, the swimmer hands the snorkel to his buddy. After taking only two breaths, his buddy returns the snorkel and, finally the instructor allows the swimmer to breathe his two breaths. While the trainees try to breathe, instructors splash water into foam around them while screaming insults. Despite the distractions, the snorkel travels back and forth between the trainees until once again, an instructor snatches it, tosses it across the pool, and floods both students’ masks. This harassment continues until the instructor is satisfied with the trainees’ performance.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
Elizabeth’s concern that Ian might insult them, either intentionally or otherwise, soon gave way to admiration and then to helpless amusement as he sat for the next half-hour, charming them all with an occasional lazy smile or interjecting a gallant compliment, while they spent the entire time debating whether to sell the chocolates being donated by Gunther’s for $5 or $6 per box. Despite Ian’s outwardly bland demeanor, Elizabeth waited uneasily for him to say he’d buy the damned cartload of chocolates for $10 apiece, if it would get them on to the next problem, which she knew was what he was dying to say. But she needn’t have worried, for he continued to positively exude pleasant interest. Four times, the committee paused to solicit his advice; four times, he smilingly made excellent suggestions; four times, they ignored what he suggested. And four times, he seemed not to mind in the least or even notice. Making a mental note to thank him profusely for his incredible forbearance, Elizabeth kept her attention on her guests and the discussion, until she inadvertently glanced in his direction, and her breath caught. Seated on the opposite side of the gathering from her, he was now leaning back in his chair, his left ankle propped atop his right knee, and despite his apparent absorption in the topic being discussed, his heavy-lidded gaze was roving meaningfully over her breasts. One look at the smile tugging at his lips and Elizabeth realized that he wanted her to know it. Obviously he’d decided that both she and he were wasting their time with the committee, and he was playing an amusing game designed to either divert her or discomfit her entirely, she wasn’t certain which. Elizabeth drew a deep breath, ready to blast a warning look at him, and his gaze lifted slowly from her gently heaving bosom, traveled lazily up her throat, paused at her lips, and then lifted to her narrowed eyes. Her quelling glance earned her nothing but a slight, challenging lift of his brows and a decidedly sensual smile, before his gaze reversed and began a lazy trip downward again. Lady Wiltshire’s voice rose, and she said for the second time, “Lady Thornton, what do you think?” Elizabeth snapped her gaze from her provoking husband to Lady Wiltshire. “I-I agree,” she said without the slightest idea of what she was agreeing with. For the next five minutes, she resisted the tug of Ian’s caressing gaze, firmly refusing to even glance his way, but when the committee reembarked on the chocolate issue again, she stole a look at him. The moment she did, he captured her gaze, holding it, while he, with an outward appearance of a man in thoughtful contemplation of some weighty problem, absently rubbed his forefinger against his mouth, his elbow propped on the arm of his chair. Elizabeth’s body responded to the caress he was offering her as if his lips were actually on hers, and she drew a long, steadying breath as he deliberately let his eyes slide to her breasts again. He knew exactly what his gaze was doing to her, and Elizabeth was thoroughly irate at her inability to ignore its effect. The committee departed on schedule a half-hour later amid reminders that the next meeting would be held at Lady Wiltshire’s house. Before the door closed behind them, Elizabeth rounded on her grinning, impenitent husband in the drawing room. “You wretch!” she exclaimed. “How could you?” she demanded, but in the midst of her indignant protest, Ian shoved his hands into her hair, turned her face up, and smothered her words with a ravenous kiss. “I haven’t forgiven you,” she warned him in bed an hour later, her cheek against his chest. Laughter, rich and deep, rumbled beneath her ear. “No?” “Absolutely not. I’ll repay you if it’s the last thing I do.” “I think you already have,” he said huskily, deliberately misunderstanding her meaning.
Judith McNaught (Almost Heaven (Sequels, #3))
Sung was a land which was famous far and wide, simply because it was so often and so richly insulted. However, there was one visitor, more excitable than most, who developed a positive passion for criticizing the place. Unfortunately, the pursuit of this hobby soon lead him to take leave of the truth. This unkind traveler once claimed that the king of Sung, the notable Skan Askander, was a derelict glutton with a monster for a son and a slug for a daughter. This was unkind to the daughter. While she was no great beauty, she was definitely not a slug. After all, slugs do not have arms and legs - and besides, slugs do not grow to that size. There was a grain of truth in the traveler's statement, in as much as the son was a regrettable young man. However, soon afterwards, the son was accidentally drowned when he made the mistake of falling into a swamp with his hands and feet tied together and a knife sticking out of his back. This tragedy did not encourage the traveler to extend his sympathies to the family. Instead, he invented fresh accusations. This wayfarer, an ignorant tourist if ever there was one, claimed that the king had leprosy. This was false. The king merely had a well-developed case of boils. The man with the evil mouth was guilty of a further malignant slander when he stated that King Skan Askander was a cannibal. This was untrue. While it must be admitted that the king once ate one of his wives, he did not do it intentionally; the whole disgraceful episode was the fault of the chef, who was a drunkard, and who was subsequently severely reprimanded. .The question of the governance, and indeed, the very existence of the 'kingdom of Sung' is one that is worth pursuing in detail, before dealing with the traveler's other allegations. It is true that there was a king, his being Skan Askander, and that some of his ancestors had been absolute rulers of considerable power. It is also true that the king's chief swineherd, who doubled as royal cartographer, drew bold, confident maps proclaiming that borders of the realm. Furthermore, the king could pass laws, sign death warrants, issue currency, declare war or amuse himself by inventing new taxes. And what he could do, he did. "We are a king who knows how to be king," said the king. And certainly, anyone wishing to dispute his right to use of the imperial 'we' would have had to contend with the fact that there was enough of him, in girth, bulk, and substance, to provide the makings of four or five ordinary people, flesh, bones and all. He was an imposing figure, "very imposing", one of his brides is alleged to have said, shortly before the accident in which she suffocated. "We live in a palace," said the king. "Not in a tent like Khmar, the chief milkmaid of Tameran, or in a draughty pile of stones like Comedo of Estar." . . .From Prince Comedo came the following tart rejoinder: "Unlike yours, my floors are not made of milk-white marble. However, unlike yours, my floors are not knee-deep in pigsh*t." . . .Receiving that Note, Skan Askander placed it by his commode, where it would be handy for future royal use. Much later, and to his great surprise, he received a communication from the Lord Emperor Khmar, the undisputed master of most of the continent of Tameran. The fact that Sung had come to the attention of Khmar was, to say the least, ominous. Khmar had this to say: "Your words have been reported. In due course, they will be remembered against you." The king of Sung, terrified, endured the sudden onset of an attack of diarrhea that had nothing to do with the figs he had been eating. His latest bride, seeing his acute distress, made the most of her opportunity, and vigorously counselled him to commit suicide. Knowing Khmar's reputation, he was tempted - but finally, to her great disappointment, declined. Nevertheless, he lived in fear; he had no way of knowing that he was simply the victim of one of Khmar's little jokes.
Hugh Cook (The Wordsmiths and the Warguild)
Then the Fool was only a role? Someone you became because it ‘suited your purpose’? And what was your purpose? To gain a doddering king’s trust? To befriend a royal bastard? Did you become what we most needed in order to get close to us?” He was not looking at me, but as I gazed at his motionless profile, he closed his eyes. Then he spoke. “Of course I did. Make of that what you will.” His words were like spurs to my fury. “I see. None of it was real. I’ve never known you at all then, have I?” I expected no answer and for an instant I strangled silently on my anger and insult. Then, “Yes. You have. You more than anyone in my life.” He looked down and the stillness seemed to grow around him. “If that is true, then I think you owe me the truth about yourself. What is the reality, Fool, not what you jest about or allow others to suspect? Who and what are you? What is it you feel for me?” He looked at me at last. His eyes were stricken. But as I continued to gaze at him, demanding this knowledge, I saw his own anger come to life there. He suddenly stood straight and gave a small huff of disdain, as if unbelieving that I could ask. He shook his head then drew a deep breath. The words rushed out of him in a torrent. “You know who I am. I have even given you my true name. As for what I am, you know that, too. You seek a false comfort when you demand that I define myself for you with words. Words do not contain or define any person. A heart can, if it is willing. But I fear yours is not. You know more of the whole of me than any other person who breathes, yet you persist in insisting that all of that cannot be me. What would you have me cut off and leave behind? And why must I truncate myself in order to please you? I would never ask that if you. And by those words, admit the truth. You know what I feel for you. You have known it for years. Let us not, you and I, alone here, pretend that you don’t. You know I love you. I always have. I always will.” He spoke the words levelly. He said them as if they were inevitable. There was no trace of either shame or triumph in his voice. The he waited. Words such as that always demand an answer. I took a deep breath and managed the elfbark’s black mood. I spoke honestly and bluntly. “And you know that I love you, Fool. As a man loves his dearest friend. I feel no shame in that. But to let Jek or Starling or anyone think that we take it beyond friendship’s bound, thst you would want to lie with me, is—” I paused. I waited for his agreement. It did not come. Instead, he met my eyes with his open amber gaze. There was no denial in them. “I love you,” he said quietly. “I set no boundaries on my love. None at all. Do you understand me?
Robin Hobb (Golden Fool (Tawny Man, #2))
From Life, Volume III, by Unspiek, Baron Bodissey: I am constantly startled and often amused by the diverse attitudes toward wealth to be found among the peoples of the Oikumene. Some societies equate affluence with criminal skill; for others wealth represents the gratitude of society for the performance of valuable services. My own concepts in this regard are easy and clear, and I am sure that the word ‘simplistic’ will be used by my critics. These folk are callow and turgid of intellect; I am reassured by their howls and yelps. For present purposes I exclude criminal wealth, the garnering of which needs no elaboration, and a gambler’s wealth which is tinsel. In regard, then, to wealth: Luxury and privilege are the perquisites of wealth. This would appear a notably bland remark, but is much larger than it seems. If one listens closely, he hears deep and far below the mournful chime of inevitability. To achieve wealth, one generally must thoroughly exploit at least three of the following five attributes: Luck. Toil, persistence, courage. Self-denial. Short-range intelligence: cunning, improvisational ability. Long-range intelligence: planning, the perception of trends. These attributes are common; anyone desiring privilege and luxury can gain the precursory wealth by making proper use of his native competence. In some societies poverty is considered a pathetic misfortune, or noble abnegation, hurriedly to be remedied by use of public funds. Other more stalwart societies think of poverty as a measure of the man himself. The critics respond: What an unutterable ass is this fellow Unspiek! I am reduced to making furious scratches and crotchets with my pen! — Lionel Wistofer, in The Monstrator I am poor; I admit it! Am I then a churl or a noddy? I deny it with all the vehemence of my soul! I take my bite of seed-cake and my sip of tea with the same relish as any paunchy plutocrat with bulging eyes and grease running from his mouth as he engulfs ortolans in brandy, Krokinole oysters, filet of Darango Five-Horn! My wealth is my shelf of books! My privileges are my dreams! — Sistie Fael, in The Outlook … He moves me to tooth-chattering wrath; he has inflicted upon me, personally, a barrage of sheer piffle, and maundering insult which cries out to the Heavens for atonement. I will thrust my fist down his loquacious maw; better, I will horsewhip him on the steps of his club. If he has no club, I hereby invite him to the broad and convenient steps of the Senior Quill-drivers, although I must say that the Inksters maintain a superior bar, and this shall be my choice since, after trouncing the old fool, I will undoubtedly ask him in for a drink. — McFarquhar Kenshaw, in The Gaean
Jack Vance (Demon Princes (Demon Princes #1-5))
Kestrel.” She discarded a tile and drew another. She didn’t look at him. He’d noticed--of course he had--how she avoided looking at him now. And no wonder. Arin’s face stung. The stitches itched. He was tempted to rip them out. “Look at me,” he said. She did, and Arin suddenly wished she hadn’t. He cleared his throat. He said, “I won’t try anymore to convince you not to marry him.” She slowly added the new tile to her hand. She stared at it, and said nothing. “I don’t understand your choice,” Arin said. “Or maybe I do. It doesn’t matter. You want it. That’s clear. You’ve always done exactly what you wanted.” “Have I.” Her voice was flat and dull. He plunged ahead. “I was wondering…” Arin had an idea. He’d had it for some time now. He didn’t like it. The words lay bitter on his tongue, but he had thought about it, and thought about it, and if he said nothing… Arin made himself study his tiles again. He tried to think which Sting tile would profit Kestrel least. He discarded a bee. The instant he set the tile down, he regretted it. He pulled a high Bite tile. This should have encouraged him, yet Arin had the sense of flying toward the inevitable moment when Kestrel won and he asked her what she wanted. “I thought…” “Arin?” She looked concerned. That decided him. Arin took a deep breath. His stomach changed to iron. His body was girding itself in a way he knew well. Arin was tightening the muscles needed before a plunge into deep water. A punch to the gut. The lift of the hardest, lowest, highest notes he could possibly sing. His stomach knew what he’d have to sustain. “Marry him,” Arin said, “but be mine in secret.” Her hand lifted from the tiles as if scorched. She sat back in her chair. She rubbed at her inner elbow. She drank the dregs of her wine and was silent. Finally, she said, “I can’t do that.” “Why?” Arin was hot with humiliation, hating himself for having asked. The cut burned in his cheek. “It’s not so different than what you would have chosen before. When you kissed me in your carriage on Firstwinter, you thought to keep me your secret. If you thought of anything. I would have been one of those special slaves, the ones called for at night when the rest of the house is sleeping. Well? Isn’t that how it was?” “No.” She spoke low. “It wasn’t.” “Then tell me.” Arin was damning himself with every word. “Tell me how it was.” Slowly, Kestrel said, “Things have changed.” Arin jerked his head to the side, chin up, stitched left cheek tilted to catch the light. “Because of this?” She replied as if the answer was obvious. “Yes.” He shoved back from the table. “I think I’ll have that drink.” Arin began to walk away, then glanced back over his shoulder. He made sure his words were an insult. “Don’t touch the tiles.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
the process.10 To add insult to injury, some in the US government and media attempted to blame Iran somehow for this attack when it had nothing to do with it. To the contrary, it must be emphasized that Iran, while having some chemical weapons capability of its own at the time, never retaliated against Iraq in kind for its chemical weapons attacks even though international law, and specifically the reservations to the 1925 Geneva Protocol,11 would have allowed for such retaliation. Indeed, during the height of the war and of the suffering being inflicted upon Iran by Saddam’s chemical weapons attacks, Ayatollah Khomeini made clear his view that Islamic law, which forbids the willful destruction of the environment, necessarily prohibits the development and use of chemical weapons.12 He made it clear, therefore, that Iran would not use such weapons against Iraq even though Saddam was using such weapons, and the available evidence supports the conclusion that Khomeini lived by his word.
Dan Kovalik (The Plot to Attack Iran: How the CIA and the Deep State Have Conspired to Vilify Iran)
I walked to the fridge and slipped the desserts and whipped cream inside, taking a deep breath. "What is that?" I asked, not able to place the smell that still somehow made my stomach growl. "Tacos?" I asked, brows drawn together. "Don't insult me," he said with a smile. "Not an insult. I like tacos." "Okay, next time. This time, we're having wet burritos." "What is a wet burrito?" I asked, propping myself up on the counter and watching as he scooped rice and then a supply of cooked veggies and beans onto the tortilla. "Depends on your taste. But in general, a tortilla filled with rice, veggies, meat, beans, and cheese. Then you roll it up, melt some more cheese on top then add some Pica de Gallo, salsa verde, rojo, or habanero- depending on what heat-level you can take." "That sounds too good to be true," I said, meaning it. "It is. And it goes great with the beer I have cooling in the fridge," he told me, rolling up one burrito and putting a mix of shredded cheeses on top before nuking it for a couple seconds and handing me the plate, gesturing toward the supply of salsas. He wasn't trying to sweep me off my feet with some three-course meal, but he cooked me something that made that frappe foodgasm moan sound tame when I had my first bite. "Oh my God." "I know," he agreed, smiling big at my enjoyment. And I realized with a sort of blinding clarity that I literally couldn't remember the last time I felt quite so content. It wasn't that kind of 'high' you get when something goes right or you achieve something after a long time trying; it was deeper. It was soul deep. I felt it into my marrow. "What's that look for?" he asked as he took my plate and put it beside his on the coffee table. Not sure how to explain it and thinking it was perhaps too soon to even if I could, I took a long swig of my beer and shrugged. "What look?" To that, his lips tipped up devilishly. "You really want to do this again?" "Do what?" I asked as he stood suddenly and walked toward the kitchen. He didn't answer me though as I heard some shuffling before he came walking back with the whipped cream. "Do the 'I am going to get what I want out of you by using sex to do it' thing," he explained as he slammed the can down on the coffee table and moved to stand between it and the couch, reaching down and pulling me onto my feet. "Brant..." I said as his fingers teased up under the material of my tee, running across my lower back and inching it off my skin. "Know what?" he asked as his fingers paused to unclasp my bra. "No, what?" I asked, feeling my chest get heavier as desire started to course through my system. "I'm still hungry," he told me, pulling my shirt until I had no choice but to raise up my hands as he pulled off both my shirt and my bra. "Brant, please..'' "Begging won't help you this time," he informed me as his hands whispered down my belly and unfastened my button and zip before yanking the thick material over my butt then down my thighs. I stepped out of the material as his hands pressed into my hips and pushed me back toward the couch. I had barely sat down before he was grabbing for the whipped cream and shaking the can, eyes devilish, smirk downright sinful. "Lay back," he commanded and I automatically moved to do just that. "Unless you want to end it without all the torture and tell me." Tell him what? I had no idea what I was even supposed to tell him anymore and, honestly, even if I did know what... I was pretty sure I wanted every second of a torment that involved him licking things off my body. I jumped slightly as he circled my nipple with the cold whipped cream, an unexpectedly erotic sensation. He covered both nipples and created a line down the center of my belly and completely covered the skin above my sex. I waited for him to move over me, to kiss me, then move down to my chest.
Jessica Gadziala
And I do, in fact, know how to read.” I look to Fain. “Are you familiar with The Realm Apothecarium?” “Y-yes, of course,” Fain stammers, nodding disjointedly. “That’s the premier guild text.” He gives a nervous titter and shakes his head. “I’ve a hard time making heads or tails of the bulk of it.” “I’ve worked every tonic in there to at least one-eighth capacity using substandard, cheap ingredients,” I state flatly. Fain blinks at me. “That’s, er, impressive.” “And Principia Mathematica. Have you studied that?” Fain laughs. “Of course I’ve worked out most of the sets. Almost to the end...” “I finished it two years ago.” Fain stares at me, silent. I turn to face Vale. He’s gone very quiet and still, but I can sense the unsettled heat churning behind his fiery gaze. “How about you, Vale? Have you worked through it?” I purposely address him informally, even though it’s considered disrespectful. I mean to insult him, and he knows it. He narrows white-hot eyes on me, his words clipped. “It was a bit beyond me.” Fain blows out a deep breath and shakes his head. I turn back to Fain. “Vale and his sister think that because I’m poor, I can’t appreciate fine things. That I’m illiterate.” I pause, looking them both over boldly. “I can see that things won’t be that different here in some ways. My family and I are still poor. Still viewed as lower class. But that’s fine. No one is trying to kill us, and I can make a better life for us. I’m an apothecary. A good one. We’ll find our way among the lower classes.” My eyes flick toward Vale, whose storming gaze is hot on mine, and I hold his gaze with searing defiance before returning to Fain. “I won’t ask you to suffer my presence any longer than is necessary, Mage Quillen. I’ve polluted your dwelling long enough.
Laurie Forest (Wandfasted (The Black Witch Chronicles, #0.5))
As Loretta drew near the door, Tom cried, “No! You miserable coward, Henry. You send that girl out there, and you’ll never sleep a whole night through the rest of your life.” Loretta touched the door planks and froze. Through the cracks she heard bells tinkling, a merry sound, as out of place as cheerful music at a funeral. She made the sign of the cross and squeezed her eyes closed, trying to remember how to make an act of contrition, but the words jumbled in her head. “Henry, no,” Rachel pleaded. “Loretta, don’t open that door. If they want a woman, I’ll go.” “It’s not you they’re wantin’,” Henry snapped. “One of ’em spotted Loretta down by the river the other day, and he’s come back for her. They’ll shoot ya down where ya stand.” Rachel whirled on her husband. “That girl’s my sister’s daughter. I’ll never forgive you if you let her go out there!” “Ya don’t have to do it, Loretta,” Tom argued. “There’s some things worse than dyin’, and this is one of ’em.” Loretta hesitated. Then the door squeaked on its leather hinges, swinging open a crack. A shaft of light fell across her face. She stepped across the threshold. Better just me than everyone. Another step. Better the Comanches take me than Amy. It wasn’t so hard, now that she was doing it. She took a deep breath and walked out onto the porch. The door slammed shut behind her, and the bar thudded home with an echo of finality. Staring at her with impenetrable blue-black eyes, the warrior on the black nudged the animal a pace forward. With that relentless eye-to-eye contact, he held her pinioned where she stood. For what seemed a lifetime, he studied her, not moving, not speaking, his lance still held aloft. Loretta’s courage disintegrated, and a violent tremor swept the length of her. He noted the shudder, and his observant gaze trailed up her body in its wake. His attention fell to her hips, lingered there with an insulting contempt, then traveled upward to her breasts. Humiliation scorched her cheeks.
Catherine Anderson (Comanche Moon (Comanche, #1))
Of all the griefs that harass the distress’d Sure the most bitter is a scornful jest; Fate never wounds more deep the gen’rous heart, Than when a blockhead’s insult points the dart – Samuel Johnson, 1709-84
Martina Cole (The Ladykiller (DI Kate Burrows, #1))
We all tell ourselves hopeful lies to survive. We claim it doesn’t hurt when someone insults us, that we don’t need our family if they don’t treat us the way they should, or that we’re fine when we really, really aren’t. Over time, some of these lies can become true. We can rise above insults from petty people. We can find connections as deep as family among our friends. We can even figure out how to be fine after hitting rock bottom if we’re given enough time to heal.
Amy Bellows (All Revved Up (Riding Home, #2))
So take three instances at random. A young white college sophomore throws a Molotov cocktail that burns down a black-owned deli, and he does this because he wants to register his deep dissatisfaction with the police treatment of blacks in that city. Or another person, as timid as they come, is out for a walk on a bike path, two miles out of town, all by herself, and she is wearing a mask. Or someone else thinks that it can cost two dollars to get a gallon of milk to market, but also thinks that we can make the make the greedster grocer sell it for a buck fifty, and yet still have milk on the shelf. What do these, and countless other instances, have in common? What they all have in common is that these people received a lousy education. As we watch this great parade of duncical folly every night on the news, one thought should come back to haunt us with every fresh insult to right reason. And that thought should be, "Who educated these people?" And the follow-up question should be, "And why haven't they been sacked?
Douglas Wilson (Gashmu Saith It: How to Build Christian Communities that Save the World)
The opposing reactions that Williams and Hupert received reflect the cultural differences between German and American styles of persuasion. The approach taken by the Germans is based on a specific style of reasoning that is deeply ingrained in the cultural psyche. Hupert explains: In Germany, we try to understand the theoretical concept before adapting it to the practical situation. To understand something, we first want to analyze all of the conceptual data before coming to a conclusion. When colleagues from cultures like the U.S. or the U.K. make presentations to us, we don’t realize that they were taught to think differently from us. So when they begin by presenting conclusions and recommendations without setting up the parameters and how they got to those conclusions, it can actually shock us. We may feel insulted. Do they think we are stupid—that we will just swallow anything? Or we may question whether their decision was well thought out. This reaction is based on our deep-seated belief that you cannot come to a conclusion without first defining the parameters.
Erin Meyer (The Culture Map: Breaking Through the Invisible Boundaries of Global Business)
What the fuck? Understanding slammed into me like a Mack truck. These were directed at me. They had to be. Catherine had written her scathing opinion of me on the bottom of my daily schedules, then precisely cut them off and saved them in an envelope. There must have been over a hundred. One for each day she’d worked for me. Holy shit. That little… My head fell back as laughter rolled out of me. Thick, rumbling laughter from deep in my chest traveled down my limbs through my veins. I knew it. All these months, I knew Catherine had been biting her tongue. It had always been there, right in front of me, but she’d cut it off. Every time she’d wanted to tell me my cyborg was showing or ask me if I was human, she’d stop herself and save it for her morning ritual. Christ, this woman. She was something else. I should have fired her for putting me through weeks of being driven insane by paper length, but this was too funny to be angry over. My little prim and pressed Catherine Warner was an undercover firecracker. I’d always known it, but seeing the undeniable proof was wholly gratifying. Her insults were so creative and cutting I couldn’t stop myself from reading more. P.S. Rocks have more emotions than you do.
Julia Wolf (P.S. You're Intolerable (The Harder They Fall, #3))
Barry Leace ignored the insult. He checked his sonar and cursed under his breath. They had moved too far ahead of the Benthos, Geo-Tech Industries’ (GTI) mobile deep-sea lab community and submarine docking station. The billion-dollar mother ship resembled a domed sports arena, with a false flat surface for an underbelly, dangling three mammoth shock absorbers for legs. Hovering just above the turbulent seafloor in neutral buoyancy, the 46,000-square-foot titanium structure reminded Leace of a monstrous man-o’-war as it followed them north through the most hostile environment on the planet.
Steve Alten (The Trench (Meg, #2))
You have absolutely no respect for my privacy. Now that I know you absolutely are very much capable, you lost all credibility with me. I don't know why I have any respect for yours, after your absolute disdain for mine since day 0. I guess I am not an asshole. I haven't had liquor in a long time, and I'm not an angry drunk. I begged you to clear the air, many a time. Begged, and begged some more. Made sure you knew it was fucking me up mentally, that it was tearing me apart, 'till it made me sick! I backed off early this year to cut you some slack. Hoped you'd extend something I could actually grasp, but nope, there was something better to do. Name one thing you've done for me that wasn't destructive. What you say and do to others can absolutely have a dramatic effect on them. It is written in books and autobiographies. Many celebrated people have died as a result of the evil or harmful acts of others. Let's not forget that you haven't said one nice thing to me all this time. Try doing what you did to me to someone else, how would they react? That's right, fucking run. For years I held the benefit of the doubt, but I know now that you are a fraud. Your own actions and willful lack thereof prove it. You destroyed my mind, my heart, my body, turned everything against me, even fucked with my financials. Yes I let you in for that to happen. But that's still no excuse for YOU to willfully do it. Each step I take forward gets smashed to pieces, every time. Because I don’t know things. That was on you to fix. It's not because you were incapable. You could have changed the trajectory anytime. You chose to do something else instead, every time. Even a sliver of what you give to others would've made a world of difference. You most certainly could have. You chose not to. You chose to let me suffer. There was something better to do. Yes, that is a fact, if that were not true, I would not be here writing this. And you did me this way why? because I desperately sought some sense of community, of which I was in dire need of. Don't ever pretend that you cared for me, ever. It's an insult. A direct contradiction to your own actions. The only thing you care about is the pleasure you get knowing people who suffer and die. That's exactly what this is, and always been. After your handywork, my own life means nothing anymore. I have nothing left because I let you mangle it all to gore. Yeah, I'm a dumb shit for letting you delve deep inside me only to leave behind a grenade. I do not believe I will be alive much longer. No doubt this pleases you. Murderer. I curse you.
Anonymous
When right-wing rock star Ted Nugent drew national ire for calling President Obama a “subhuman mongrel,” some prominent conservatives like Rick Perry initially came to his defense, while others dodged media questions about the racially charged insult. But after months of “listening sessions” with African American civic leaders, students, and government officials, Rand had come to appreciate how hurtful comments like those could be, even when coming from unserious celebrity provocateurs. One night after Nugent made the comment, Rand emailed Stafford saying he wanted to denounce the remark. Stafford was sympathetic, but he cautioned that, politically, it could cause problems on the right. As a father, doesn’t it offend you? Rand wrote back. Stafford glanced up from his phone at his adopted daughter, who was black, and then at his wife, who had been fuming about Nugent’s comment ever since she heard it. “You’re right,” he told Rand. That night the senator tweeted, “Ted Nugent’s derogatory description of President Obama is offensive and has no place in politics. He should apologize.
McKay Coppins (The Wilderness: Deep Inside the Republican Party's Combative, Contentious, Chaotic Quest to Take Back the White House)
Gilly had decided that this was a dream. The Witches' Carnival didn't exist in the real world. And the Gilly who existed in the real world was not brave or cunning enough to have done everything that she'd done in the past day. The real Gilly was not beautiful enough to be lying in bed beside a woman like Maggie. Gilly had decided this was a dream, and also that she'd let that real Gilly, deep asleep somewhere in the outskirts of Birmingham, wither away and never wake up. Already, Gilly could see herself arcing across the earth bright as a comet, moving too fast for the Ashleys and Tracyes, the thousand tiny insults and humiliations of the waking world, to ever catch.
Kristopher Reisz (Tripping to Somewhere)
All right, fine,” she told Deep. “But just because you’re a pessimist doesn’t mean you have to be an asshole.” Deep frowned. “Excuse me? A what? I’m not completely familiar with Earth vernacular yet.” Lock grinned. “I think you’ve just been insulted, brother. And by one of the elite, no less. You should feel honored.” “By
Evangeline Anderson (Hunted (Brides of the Kindred, #2))