Decoration Important Quotes

I will see you again,’ Hades promised. ‘I will prepare a room for you at the palace in case you do not survive. Perhaps your chambers would look good decorated with the skulls of monks.’ ‘Now I can’t tell if you’re joking.’ Hades’s eyes glittered as his form began to fade. ‘Then perhaps we are alike in some important ways.’ The god vanished.

I have said that His Dark Materials is not fantasy but stark realism, and my reason for this is to emphasise what I think is an important aspect of the story, namely the fact that it is realistic, in psychological terms. I deal with matters that might normally be encountered in works of realism, such as adolescence, sexuality, and so on; and they are the main subject matter of the story – the fantasy (which, of course, is there: no-one but a fool would think I meant there is no fantasy in the books at all) is there to support and embody them, not for its own sake. Dæmons, for example, might otherwise be only a meaningless decoration, adding nothing to the story: but I use them to embody and picture some truths about human personality which I couldn't picture so easily without them. I'm trying to write a book about what it means to be human, to grow up, to suffer and learn. My quarrel with much (not all) fantasy is it has this marvelous toolbox and does nothing with it except construct shoot-em-up games. Why shouldn't a work of fantasy be as truthful and profound about becoming an adult human being as the work of George Eliot or Jane Austen?

Tito had set up his headquarters in the Town Hall and Alix found him in a spacious room overlooking the main square. As always, he was dressed in the simple grey tunic and breeches of Partisan uniform, without any badges of rank or other decoration. It was enough that something in his bearing and in his eyes projected a natural authority. Lying under his desk was his Alsatian dog, Luks, his constant companion. He greeted her with a smile. ‘Ah, my flame of the forest! Come in. Sit, sit.’ Alix felt a warm flush of pleasure. The nickname was one Tito had coined for her in the course of the many battles they had fought and it signified a special relationship that had begun in the early days of the war, before they left Belgrade, when she had been able to bring a contingent of workers from her father’s estate to join the cause and, more importantly, with Drago’s help, reveal the location of arms handed out by the agents of the Special Operations Executive, (known to its members as SOE), to village heads in preparation for possible resistance. Tito had decided then that she was his lucky charm.

When you’re planning the perfect Christmas … the gifts, the lights, the decorations, the paries, the cards, don’t forget the most important item on the list—Christ.

The all-powerful Zahir seemed to be born with every human being and to gain full strength in childhood, imposing rules that would thereafter always be respected: People who are different are dangerous; they belong to another tribe; they want our lands and our women. We must marry, have children, reproduce the species. Love is only a small thing, enough for one person, and any suggestion that the heart might be larger than this may seem perverse. When we are married we are authorised to take possession of the other person, body and soul. We must do jobs we detest because we are part of an organised society, and if everyone did what they wanted to do, the world would come to a standstill. We must buy jewelry; it identifies us with our tribe. We must be amusing at all times and sneer at those who express their real feelings; it's dangerous for a tribe to allow its members to show their feelings. We must at all costs avoid saying no because people prefer those who always say yes, and this allows us to survive in hostile territory. What other people think is more important than what we feel. Never make a fuss--it might attract the attention of an enemy tribe. If you behave differently you will be expelled from the tribe because you could infect others and destroy something that was extremely difficult to organise in the first place. We must always consider the look of our new cave, and if we don't have a clear idea of our own, then we must call a decorator who will do his best to show others what good taste we have. We must eat three meals a day, even if we're not hungry, and when we fail to fit the current ideal of beauty we must fast, even if we're starving. We must dress according to the dictates of fashion, make love whether we feel like it or not, kill in the name of our country, wish time away so that retirement comes more quickly, elect politicians, complain about the cost of living, change our hair-style, criticise anyone who is different, go to a religious service on Sunday, Saturday or Friday, depending on our religion, and there beg forgiveness for our sins and puff ourselves up with pride because we know the truth and despise he other tribe, who worship false gods. Our children must follow in our footsteps; after all we are older and know more about the world. We must have a university degree even if we never get a job in the area of knowledge we were forced to study. We must never make our parents sad, even if this means giving up everything that makes us happy. We must play music quietly, talk quietly, weep in private, because I am the all-powerful Zahir, who lays down the rules and determines the meaning of success, the best way to love, the importance of rewards.

While girls have always been encouraged to see self-decoration as a central part of their lives, today they are also exposed to a deluge of messages, even at an early age, about the importance of becoming sexually attractive. These dolls are just a fragment of a much wider culture in which young women are encouraged to see their sexual allure as their primary passport to success. This highly sexualised culture is often positively celebrated as a sign of women's liberation and empowerment.

In Britain, chinoiserie was eclipsed by the medievalism of Sir Walter Scott and the Gothic Revival, while in Europe japonisme would be chinoiserie's successor. Japonisme never compelled the general middle-class British taste as did the indigenous medieval style. Nonetheless, through extensive importations to Britain of Japanese art and artifacts, notably by the shop Liberty's of London, as well as through the artists James McNeill Whistler and Dante Gabriel Rossetti, the architect E.W. Godwin, and the writer Oscar Wilde, the Japanese style of decoration was known in Britain well before 1894.

Conversation is how values get ordered, how passion is made contagious. If a parent talks about it, it's important. If a child is allowed to join the conversation, then that child becomes more than a table decoration, he has a part to play in the drama that is growing up. If his ideas count, then he counts. Children gain essential access to adulthood by being given a safe place to speak, and by rehearsing their thoughts out loud before the most patient and supportive audience they will ever know.

The goblin life stresses the importance of finding beauty all around you, so you can probably decorate your whole space in goblin style without even going to a store.

Last night, at a press conference, the City Council reminded everyone that the Dog Park is there for our community enjoyment and use, and so it is important that no one enter, look at, or think about the Dog Park. They are adding a new advanced camera system to keep an eye on the great black walls of the Dog Park at all times, and if anyone is caught trying to enter it, they will be forced to enter it, and will never be heard from again. If you see hooded figures in the Dog Park, no you didn’t. The hooded figures are perfectly safe, and should not be approached at any costs. The City Council ended the conference by devouring a raw potato in quick, small bites of their sharp teeth and rough tongues. No follow-up questions were asked, although there were a few follow-up screams. We have also received word via encrypted radio pulses about the opening of a new store: Lenny’s Bargain House of Gardenwares and Machine Parts, which until recently was that abandoned warehouse the government was using for the highly classified and completely secret tests I was telling you about last week. Lenny’s will serve as a helpful new source for all needs involving landscaping and lawn-decorating materials and also as a way for the government to unload all the machines and failed tests and dangerous substances that otherwise would be wasted on things like “safe disposal” or “burying in a concrete tomb until the sun goes out.” Get out to Lenny’s for their big grand opening sale. Find eight government secrets and get a free kidnapping and personality reassignment so that you’ll forget you found them!

America, you whitewash history, literally, and leave out much of its meaning and discovery. And, as we try to get better at uncovering these truths, so many who want to pretend otherwise fight and legislate to push them back underground, to once again bury them. There are so many discoveries that have been found and made, and then buried and left for us to re-find (or not)--discoveries about autonomy and equality and peace and compromise and respect for all the creatures who inhabit the planet and the planet itself. Our written history has destroyed the voices of the people from whom we stole this land and the voices of those whose lives we stole to build it, the voices of women and children and people whose skin color or language or belief system did not fit the status quo of the time and place where they lived. All were destroyed because it did not serve some lust for power or control or just because the people in charge of such things really did not believe they were very important, or refused to believe that they should be.

It’s important to me that my home feel welcoming. I want people to feel like they can sit on the furniture. You can have a beautiful house, very well decorated, but you have to be able to sit down or else it’s not a home.

It's exactly the kind of skill we should have. Our whole world is built by men. For them. And we're simply here for decoration, brought in at the end of everything important. Well, I grow tired of ends. Locks are beginnings.

How ironic that in a building where so much emphasis and importance is put on art, decor, painting, sculptures - a place where they want to surround themselves with all these beautiful things - I need to remind them just how important the arts are to young people.

Although harmony with nature is of considerable importance in planning a garden, it must never be allowed to obscure what lies at the heart of the design;the salvation of the human spirit. In creating a garden, we acquire, by force, a patch of land from the jungle; we mould it so that it becomes an oasis amid the wilderness. It is an endless struggle. Turn our backs for a moment and the darkness of the forest begins its insidious invasion of our tiny haven. The plants that we insert -- artificially, it must be noted, for no garden is a work of Mother Nature -- must not only provide shelter for the soul, they must be able to absorb and then disperse the creeping darkness of the jungle around us. The decorations do not merely adorn, they protect. They create a place where, at the end of our lives, we may find peace.

From here to happiness is a road, flat, upright, distances in between blotted out by vision, yet realized by intelligence. From here to there is a road leading down blue pajamas to feet, to bed post, to screen door, to gray slatted porch roof, rain-puddled and drenched, to decorative white railing, to a road, to a line of sand, to a gray, rain beaten sea. Not yet to leave, not yet. For this road is a way to savor, a way back to living again as living is full. Not of bridge-playing, not of eating a frappe with two other girls, not even of talking with another. Aloneness and selfness are too important to betray for company.

Wouldn't have been so bad if Tubbs had let me alone. Damn these old men, damn these Men of Measured Merriment, these Important Men that come and offer you honors. Money. Decorations. Titles. Want to make you windy with authority. Honors! If you get 'em, you become pompous, and then when you're used to 'em, if you lost 'em you feel foolish

I believe the great artists of the future will use fewer words, copy fewer things, essays will be shorter in words and longer in meaning. There will be a battle against obscurity. Effort will be made to put everything plain, out in the open. By this means we will enter into the real mystery. There will be fewer things said and done, but each thing will be fuller and will receive fuller consideration. Now we waste. There is too much “Art,” too much “decoration,” too many things are made, too many amusements wasted. Not enough is fully considered. We must paint only what is important to us, must not respond to outside demands. They do not know what they want, or what we have to give.

On 23 August 1572, French Catholics who stressed the importance of good deeds attacked communities of French Protestants who highlighted God’s love for humankind. In this attack, the St Bartholomew’s Day Massacre, between 5,000 and 10,000 Protestants were slaughtered in less than twenty-four hours. When the pope in Rome heard the news from France, he was so overcome by joy that he organised festive prayers to celebrate the occasion and commissioned Giorgio Vasari to decorate one of the Vatican’s rooms with a fresco of the massacre (the room is currently off-limits to visitors).2 More Christians were killed by fellow Christians in those twenty-four hours than by the polytheistic Roman Empire throughout its entire existence.

I have owned, I confess, thousands of objects. Even if today most of them are nothing more than memories, I continue to seek, to find, to acquire. Acquisition, being, for some mysterious reason, the most important act, like a gambler throwing dice. The idea of speculation has never crossed my mind, nor of "decoration." Collecting is for me both essential and completely useless.

I wish this story were different. I wish it were more civilized. I wish it showed me in a better light, if not happier, then at least more active, less hesitant, less distracted by trivia. I wish it had more shape. I wish it were about love, or about sudden realizations important to one's life, or even about sunsets, birds, rainstorms, or snow. Maybe it is about those things, in a way; but in the meantime there is so much else getting in the way, so much whispering, so much speculation about others, so much gossip that cannot be verified, so many unsaid words, so much creeping about and secrecy. And there is so much time to be endured, time heavy as fried food or thick fog; and then all at once these red events, like explosions, on streets otherwise decorous and matronly and somnambulent.

When the form is more important than the content, when it exists to convince or dazzle or decorate or distract, then the form is not rising out of the needs of the content but is being used rhetorically; that is, to convince for its own sake. The eventual effect will be to frustrate us, because we are looking, ultimately, to be moved out of ourselves, to be able for a second to step away and see ourselves in relation to the world.

Gramps set up that tree every year. He pulled out the decorations his dead wife and dead daughter bought and pretended to be a man who had lost too much and survived it. He pretended, for me, that his mind and his heart were not dark and convoluted places. He pretended that he lived in a house of me, his granddaughter, for whom he baked and often drove to school and taught important lessons about how to treat stains and save money, when really he lived in a secret room with the dead.

Most people will likely encounter Ingeborg’s showy Display variants: the decorative fill and shadow of Block, and the buxom swashes of Fat Italic. These are indeed finely crafted crowd-pleasers, but the typeface’s more important contribution to typography is in the text weights. Michael Hochleitner managed to comfortably combine the neoclassical glamour of Didones, the readability of other Rational typefaces like the Scotch Romans, and the sturdiness of a slab serif. The result is a very original design that is both beautiful and practical. Good for: Books. Magazines. Substance and style.

I started to turn toward the closest bus stop. Alex turned the other way. "Suivez-moi," he commanded. So I followed. "Bon.Je pensais que nous irions-" "Alex." He stopped. "Ella." "Don't do that, the immersion thing." "Mais, c'est tres important." "Alex." "Ella." "Please.I know you do this with other linguistic losers, but it makes me feel like I should have a great big L lipsticked onto my forehead in some swirly French calligraphy." "Do you often contemplate decorating yourself in such a manner?" I took a quick look down.I was wearing Sienna's turtleneck again, but my own jeans. There was a large blue sea horse from the art museum fountain running from my knee to the crease of my thigh. "Yeah," I admitted. "I do." "Quelle horreur!" he declared, eyes round in mock distress. "Casse-toi." He let out a bark of laughter that sounded just like a seal. "Tres bien, Mademoiselle Marino. Got any more?" "A couple.Frankie gave me a copy of How to Offend the French when I managed to get a B in 1B last year." "Well,I never trade insults on a first date. Not that kinda guy. But after two or three..." I liked that he'd said "date," instead of "tutoring session." Even if it wasn't and he totally didn't mean it. I couldn't help it.

It shouldn't be here. This sedge grass is decorative bullshit he imported from Northern Asia. The lab spent two years modifying it to slot into our ecosystem, all so that the mountain would literally smell of honey. Terra di latte e miele, she said, mockingly. Thank god my father went into business, not poetry. He's far too much of a romantic. I laughed, incredulous at this portrait of my stiff employer, and Aida reddened. It is romantic, if you think about it. He planted the grass for my mother. She's one of those Catholic Koreans, painfully devout. You know. The promised land, Canaan, found after forty years of wandering the desert. The land of milk and honey.

So, can my mind be free from the given culture in which I have been brought up? This is really quite an important question. Because if the mind is not free from the culture in which it has been reared, nurtured, surely the individual can never be at peace, can never have freedom. His gods and his myths, his symbols, and all his endeavors are limited, for they are still within the field of the conditioned mind. Whatever efforts he makes, or does not make, within that limited field, are really futile in the deepest sense of that word. There may be a better decoration of the prison—more light, more windows, better food—but it is still the prison of a particular culture.

You have won rooms of your own in the house hitherto exclusively owned by men. You are able, though not without great labour and effort, to pay the rent. You are earning your five hundred pounds a year. But this freedom is only a beginning; the room is your own, but it is still bare. It has to be furnished; it has to be decorated; it has to be shared. How are you going to furnish it, how are you going to decorate it? With whom are you going to share it, and upon what terms? These, I think are questions of the utmost importance and interest. For the first time in history you are able to ask them; for the first time you are able to decide for yourselves what the answers should be.

You have won rooms of your own in the house hitherto exclusively owned by men. You are able, though not without great labour and effort, to pay the rent. You are earning your five hundred pounds a year. But this freedom is only a beginning; the room is your own, but it is still bare. It has to be furnished; it has to be decorated; it has to be shared. How are you going to furnish it, how are you going to decorate it? With whom are you going to share it, and upon what terms? These, I think are questions of the utmost importance and interest. For the first time in history you are able to ask them; for the first time you are able to decide for yourselves what the answers should be. —Virginia Woolf, “Professions for Women,” 1931

Have you ever been in a place where history becomes tangible? Where you stand motionless, feeling time and importance press around you, press into you? That was how I felt the first time I stood in the astronaut garden at OCA PNW. Is it still there? Do you know it? Every OCA campus had – has, please let it be has – one: a circular enclave, walled by smooth white stone that towered up and up until it abruptly cut off, definitive as the end of an atmosphere, making room for the sky above. Stretching up from the ground, standing in neat rows and with an equally neat carpet of microclover in between, were trees, one for every person who’d taken a trip off Earth on an OCA rocket. It didn’t matter where you from, where you trained, where your spacecraft launched. When someone went up, every OCA campus planted a sapling. The trees are an awesome sight, but bear in mind: the forest above is not the garden’s entry point. You enter from underground. I remember walking through a short tunnel and into a low-lit domed chamber that possessed nothing but a spiral staircase leading upward. The walls were made of thick glass, and behind it was the dense network you find below every forest. Roots interlocking like fingers, with gossamer fungus sprawled symbiotically between, allowing for the peaceful exchange of carbon and nutrients. Worms traversed roads of their own making. Pockets of water and pebbles decorated the scene. This is what a forest is, after all. Don’t believe the lie of individual trees, each a monument to its own self-made success. A forest is an interdependent community. Resources are shared, and life in isolation is a death sentence. As I stood contemplating the roots, a hidden timer triggered, and the lights faded out. My breath went with it. The glass was etched with some kind of luminescent colourant, invisible when the lights were on, but glowing boldly in the dark. I moved closer, and I saw names – thousands upon thousands of names, printed as small as possible. I understood what I was seeing without being told. The idea behind Open Cluster Astronautics was simple: citizen-funded spaceflight. Exploration for exploration’s sake. Apolitical, international, non-profit. Donations accepted from anyone, with no kickbacks or concessions or promises of anything beyond a fervent attempt to bring astronauts back from extinction. It began in a post thread kicked off in 2052, a literal moonshot by a collective of frustrated friends from all corners – former thinkers for big names gone bankrupt, starry-eyed academics who wanted to do more than teach the past, government bureau members whose governments no longer existed. If you want to do good science with clean money and clean hands, they argued, if you want to keep the fire burning even as flags and logos came down, if you understand that space exploration is best when it’s done in the name of the people, then the people are the ones who have to make it happen.

Paintings all around the city had become soot-blackened, moldy, and brittle. Many of the most important were housed in churches, where they were unprotected from the elements because of holes in the roofs. At the same time, a great many buildings had eroding foundations and crumbling facades. It was a common hazard for chunks of walls bricks, slabs of marble, cornices, and other decorative elements to come crashing down from on high. The whole eastern wall of the Gesuiti Church was in danger of falling into an adjacent canal. After part of a marble angel fell from a parapet of the ornate but sadly dilapidated Santa Maria della Salute Church, Arrigo Cipriani, the owner of Harry's Bar, posted a sign outside the church warning, "Beware of Falling Angels.

And mind you, Hermine, even though such abusive articles cannot annoy me any longer, they often sadden me all the same. Two-thirds of my countrymen read this kind of newspaper, read things written in this tone every morning and every night, are every day worked up and admonished and incited, and robbed of their peace of mind and better feelings by them, and the end and aim of it all is to have the war over again, the next war that draws nearer and nearer, and it will be a good deal more horrible than the last. All that is perfectly clear and simple. Any one could comprehend it and reach the same conclusion after a moment's reflection. But nobody wants to. Nobody wants to avoid the next war, nobody wants to spare himself and his children the next holocaust if this be the cost. To reflect for one moment, to examine himself for a while and ask what share he has in the world's confusion and wickedness-look you, nobody wants to do that. And so there's no stopping it, and the next war is being pushed on with enthusiasm by thousands upon thousands day by day. It has paralysed me since I knew it, and brought me to despair. I have no country and no ideals left. All that comes to nothing but decorations for the gentlemen by whom the next slaughter is ushered in. There is no sense in thinking or saying or writing anything of human import, to bother one's head with thoughts of goodness for two or three men who do that, there are thousands of papers, periodicals, speeches, meetings in public and in private, that make the opposite their daily endeavor and succeed in it too.

These theological disputes turned so violent that during the sixteenth and seventeenth centuries, Catholics and Protestants killed each other by the hundreds of thousands. On 23 August 1572, French Catholics who stressed the importance of good deeds attacked communities of French Protestants who highlighted God’s love for humankind. In this attack, the St Bartholomew’s Day Massacre, between 5,000 and 10,000 Protestants were slaughtered in less than twenty-four hours. When the pope in Rome heard the news from France, he was so overcome by joy that he organised festive prayers to celebrate the occasion and commissioned Giorgio Vasari to decorate one of the Vatican’s rooms with a fresco of the massacre (the room is currently off-limits to visitors).2 More Christians were killed by fellow Christians in those twenty-four hours than by the polytheistic Roman Empire throughout its entire existence.

Even the phrase we are ridiculed for, “live, laugh, love,” fits into the criteria of literal retail therapy, where we would wear it and hang it all around us to be reminded of how to feel good. When you think about how widely ridiculed that phrase is, it almost makes you forget how it represents three of the most standard and important verbs of our existence: to be alive, to enjoy oneself, to love or be loved. What people forget about the commercialization of the phrase is that it peaked between 2008 and 2012, the era when many millennials postrecession were left picking up the pieces of the world we grew up expecting to inherit imploding before our eyes. We weren’t educated enough to diagnose our own depression in a financial one, so sue us for doubling down on whimsical driftwood decor. Therapy for us at the time was painted makeshift traffic signs in our homes reminding us to experience three basic human emotions.

When we arrived in England, we could almost feel the excitement in the air. Banners, pictures, and other decorations hung everywhere, and the streets were packed with people waiting to celebrate the wedding of the century. The formal party in honor of the royal match was held on the evening of Monday, July 27--two nights before the wedding. That day I felt nervous with anticipation as I lunched with a friend and went to the hairdresser. Pat met Exxon colleagues for lunch near their office in Mayfair. As he described our plans for the upcoming ball and wedding, Pat began to feel totally overwhelmed by the importance and glamour of these royal events. So my darling husband excused himself, walked over to Green Park just across from the palace, and simply collapsed with nervous strain to nap on a quiet patch of grass for the afternoon. I’ve always envied his ability to tune out and relax when he’s under stress; I get tense and can’t eat or sleep.

I wish this story were different. I wish it were more civilized. I wish it showed me in a better light, if not happier, then at least more active, less hesitant, less distracted by trivia. I wish it had more shape. I wish it were about love, or about sudden realizations important to one’s life, or even about sunsets, birds, rainstorms, or snow. Maybe it is about those things, in a way; but in the meantime there is so much else getting in the way, so much whispering, so much speculation about others, so much gossip that cannot be verified, so many unsaid words, so much creeping about and secrecy. And there is so much time to be endured, time heavy as fried food or thick fog; and then all at once these red events, like explosions, on streets otherwise decorous and matronly and somnambulent. I’m sorry there is so much pain in this story. I’m sorry it’s in fragments, like a body caught in crossfire or pulled apart by force. But there is nothing I can do to change it.

In itself all publicity disturbs a man’s natural equilibrium. In normal circumstances your name means no more than the band on a cigar—a means of recognition, an outward object of little importance that is only loosely linked to the real subject, the Self. But in the case of success that name, so to speak, swells to a larger dimension. It frees itself from the man who bears it and becomes a power, a force, something independent, a commodity, capital. And then, with a violent backlash, it turns in on its bearer as a force that begins to influence, dominate and change him. Happy, self-confident natures unconsciously start identifying themselves with the influence they exert. A title, a position, a medal or decoration, and the publicity that now goes with their names can enhance their self-confidence, tempting them to feel that special recognition is their right in contemporary society and their country, and they instinctively puff themselves up to make themselves personally influential in the outside world. However, a man who naturally distrusts himself tends to feel that outward success of any kind makes it his duty, in what to him is a difficult situation, to change as little as possible.

Like Italian or Portuguese or Catalan, Spanish is a wordy language, bountiful and flamboyant, with a formidable emotional range. But for these same reasons, it is conceptually inexact. The work of our greatest prose writers, beginning with Cervantes, is like a splendid display of fireworks in which every idea marches past, preceded and surrounded by a sumptuous court of servants, suitors, and pages, whose function is purely decorative. In our prose, color, temperature, and music are as important as ideas and, in some cases-Lezama Lima or Valle Inclan, for example-more so. There is nothing objectionable about these typically Spanish rhetorical excesses. They express the profound nature of a people, a way of being in which the emotional and the concrete prevail over the intellectual and the abstract. This is why Valle Inclan, Alfonso Reyes, Alejo Carpentier, and Camilo Jose Cela, to cite four magnificent prose writers, are so verbose in their writing. This does not make their prose either less skillful or more superficial than that of Valery or T.S. Eliot. They are simply quite different, just as Latin Americans are different from the English and the French. To us, ideas are formulated and captured more effectively when fleshed out with emotion and sensation or in some way incorporated into concrete reality, into life-far more than they are in logical discourse. That perhaps is why we have such a rich literature and such a dearth of philosophers.

In June 1981, a strike shuttered the major leagues for fifty days, the first time in baseball history that players walked out during the season. Determined to make his people earn their keep, George Steinbrenner ordered his major-league coaches into the minors to scout and help mentor the organization’s prospects. Berra drew Nashville, where Merrill was the manager. Merrill was a former minor-league catcher with a degree in physical education from the University of Maine. He began working for the Yankees in 1978 at West Haven, Connecticut, in the Eastern League and moved south when the Yankees took control of the Southern League’s Nashville team in 1980. Suddenly, in mid-1981, the former catcher who had never made it out of Double-A ball had the most famous and decorated Yankees backstop asking him, “What do you want me to do?” Wait a minute, Merrill thought. Yogi Berra is asking me to supervise him? “Do whatever you want,” Merrill said. “No,” Berra said. “Give me something specific.” And that was when Merrill began to understand the existential splendor of Yogi Berra, whom he would come to call Lawrence or Sir Lawrence in comic tribute to his utter lack of pretense and sense of importance. “He rode buses with us all night,” Merrill said. “You think he had to do that? He was incredible.” One day Merrill told him, “Why don’t you hit some rollers to that lefty kid over there at first base?” Berra did as he was told and later remarked to Merrill, “That kid looks pretty good with the glove.” Berra knew a prospect when he saw one. It was Don Mattingly, who at the time was considered expendable by a chronically shortsighted organization always on the prowl for immediate assistance at the major-league level.

Still, if we combine all the victims of all these persecutions, it turns out that in these three centuries, the polytheistic Romans killed no more than a few thousand Christians.1 In contrast, over the course of the next 1,500 years, Christians slaughtered Christians by the millions to defend slightly different interpretations of the religion of love and compassion. The religious wars between Catholics and Protestants that swept Europe in the sixteenth and seventeenth centuries are particularly notorious. All those involved accepted Christ’s divinity and His gospel of compassion and love. However, they disagreed about the nature of this love. Protestants believed that the divine love is so great that God was incarnated in flesh and allowed Himself to be tortured and crucified, thereby redeeming the original sin and opening the gates of heaven to all those who professed faith in Him. Catholics maintained that faith, while essential, was not enough. To enter heaven, believers had to participate in church rituals and do good deeds. Protestants refused to accept this, arguing that this quid pro quo belittles God’s greatness and love. Whoever thinks that entry to heaven depends upon his or her own good deeds magnifies his own importance, and implies that Christ’s suffering on the cross and God’s love for humankind are not enough. These theological disputes turned so violent that during the sixteenth and seventeenth centuries, Catholics and Protestants killed each other by the hundreds of thousands. On 23 August 1572, French Catholics who stressed the importance of good deeds attacked communities of French Protestants who highlighted God’s love for humankind. In this attack, the St Bartholomew’s Day Massacre, between 5,000 and 10,000 Protestants were slaughtered in less than twenty-four hours. When the pope in Rome heard the news from France, he was so overcome by joy that he organised festive prayers to celebrate the occasion and commissioned Giorgio Vasari to decorate one of the Vatican’s rooms with a fresco of the massacre (the room is currently off-limits to visitors).2 More Christians were killed by fellow Christians in those twenty-four hours than by the polytheistic Roman Empire throughout its entire existence. God

Now and again I have expressed the opinion that every nation, and even every person, would do better, instead of rocking himself to sleep with political catchwords about war guilt, to ask himself how far his own faults and negligences and evil tendencies are guilty of the war and all the other wrongs of the world, and that therein lies the only possible means of avoiding the next war. They don’t forgive me that, for, of course, they are themselves all guiltless, the Kaiser, the generals, the trade magnates, the politicians, the papers. Not one of them has the least thing to blame himself for. Not one has any guilt. One might believe that everything was for the best, even though a few million men lie under the ground. And mind you, Hermine, even though such abusive articles cannot annoy me any longer, they often sadden me all the same. Two-thirds of my countrymen read this kind of newspaper, read things written in this tone every morning and every night, are every day worked up and admonished and incited, and robbed of their peace of mind and better feelings by them, and the end and aim of it all is to have the war over again, the next war that draws nearer and nearer, and it will be a good deal more horrible than the last. All that is perfectly clear and simple. Any one could comprehend it and reach the same conclusion after a moment’s reflection. But nobody wants to. Nobody wants to avoid the next war, nobody wants to spare himself and his children the next holocaust if this be the cost. To reflect for one moment, to examine himself for a while and ask what share he has in the world’s confusion and wickedness—look you, nobody wants to do that. And so there’s no stopping it, and the next war is being pushed on with enthusiasm by thousands upon thousands day by day. It has paralysed me since I knew it, and brought me to despair. I have no country and no ideals left. All that comes to nothing but decorations for the gentlemen by whom the next slaughter is ushered in. There is no sense in thinking or saying or writing anything of human import, to bother one’s head with thoughts of goodness—for two or three men who do that, there are thousands of papers, periodicals, speeches, meetings in public and in private, that make the opposite their daily endeavor and succeed in it too.

There I was, standing on a cold marble floor in a long room and staring at white walls lined with the names of the donors who had contributed to building the library. I was starting to get nervous. What’s going on? Did they forget about me? Suddenly, a huge line of serious-looking Secret Service men with radios in their ears and an attitude that showed they were all-business came into the room. A moment later, I realized why, as they were followed by all five living Presidents and their wives. Barack Obama. Bill Clinton. George Bush. Jimmy Carter. George W. Bush. I froze against the wall like a mannequin. I tried to will myself to be invisible and not get in anyone’s way. George W. Bush, in a black suit and blue-checkered tie, spotted me and caught my eye. I saw him glance down at my prosthetic leg decorated with the American flag as he waved at me and interrupted the conversations going on around him. “Let me introduce you to my friend, Melissa,” he said. All of the Presidents and their wives came over and circled around me. The Secret Service formed a half-circle ring behind them. I was introduced to everybody, one by one. President Bush told everyone about me and my story, and how we had met during the ride at his ranch. I was almost speechless as I managed to say, “Nice to meet you, Mister President,” over and over. I felt like I was in a dream. As the circle dispersed to get back to preparing for the event, President Obama paused to ask me how my life in Chicago was going and about the progress of Dare2Tri. I had no idea how he knew about these things, but we spoke, just the two of us, for a few minutes. “I’m proud of you,” he finally said, getting one of his presidential coins out of his pocket as a gift. President Bush was standing close by, and he put his arm around me as he cracked a joke to put everyone at ease. I noticed Condoleezza Rice had come in and was standing on the opposite end of the room practicing pronouncing the names of all the foreign dignitaries in attendance. It had to be the most surreal moment of my life. I felt like I was exuding pure patriotism, just being in that room with those people. On that day, political views didn’t matter—what was important was that several of our country’s leaders had come together to honor one of their peers, and, by extension, America itself. I had never been prouder to be American.

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Fashion blogger Anna Estrin in her online magazine talks about women's happiness, the atmosphere of home comfort, traditions, holidays, decor and culinary recipes. Since all of her projects in one way or another are united by the theme of fashion, beauty, womanhood, family and home comfort, she shares the current trends, the secrets of combining different styles and putting together the perfect image not just of a woman but also around her. A surrounding of a woman plays a big role in building her happiness, Anna believes. She is convinced that any day can be turned into a real holiday with the help of creative ideas. Anna is an expert in making her home a cozy space that is festive for her family because she loves esthetics. For most people, their home is the most important place that their lives revolve around since that is where they and their loved ones live. We all want our homes to be not just comfortable but also beautiful. Adding small touches here and there can add a lot of beauty to a home and help the homeowner realize his or her home’s full potential. Making her family happy is the main key to Anna’s happiness and she is delighted to share her ideas with the readers.

Glory, isn’t it”—she caught her breath, waved her hand in front of her face, decoratively—“exciting!” Alexa asked what. “The bombing.” “Bombing?” “Oh, you haven’t heard. They’re bombing New York. They showed it on teevee, where it landed. These steps!” She collapsed beside Alexa with a great huff. The smell that had seemed so appetizing outside Big San Juan’s had lost its savor. “But they couldn’t show”—she waved her hand and it was still, Alexa had to admit, a lovely and a graceful hand—“the actual airplane itself. Because of the fog, you know.” “Who’s bombing New York?” “The radicals, I suppose. It’s some kind of protest. Against something.” Lottie Hanson watched her breasts lift and fall. The importance of the news she bore made her feel pleased with herself. She waited for the next question all aglow. But Alexa had begun calculating with no more input than she had already. The notion had seemed, from Lottie’s first words, inevitable. The city cried out to be bombed. The amazing thing was that no one had ever thought to do it before. When she did at last ask Lottie a question, it came from an unexpected direction. “Are you afraid?” “No, not a bit. It’s funny, because usually, you know, I’m just a bundle of nerves. Are you afraid?” “No. Just the opposite. I feel…” She had to stop and think what it was that she did feel.

A handsome, cosmopolitan forty-three-year-old, Gebhardt had been a decorated World War I flying ace, serving in the squadron of Manfred von Richthofen, the legendary “Red Baron.” Following the war, he had earned his doctorate degree in political economy from Frankfurt University with a dissertation on “The International Trade in Machinery.” After a brief teaching stint, he had gone into business, earning a fortune in the automobile and locomotive industries before establishing a highly successful import-export firm that specialized in “exchanging German raw material for American commodities.” Charming, cultured, fluent in several languages, he also harbored political ambitions and had hopes of being named German ambassador to the United States—a fair expectation, given his close friendship with high Nazi officials, particularly Hermann Göring, a fellow Richthofen pilot during the Great War.9

As far back as I can remember, my father ran a prosperous interior decorating business, with many people working for him making drapes and lace curtains, as well as hanging wallpaper and doing upholstery. He did a good deal of contract work for wealthy and important people in the Dutch city of The Hague.

to be discovered during the initial excavation of Knossos was the so-called Throne Room. It was a modestly-sized room, but what was so special about it was the gypsum throne built into the north wall. The throne had a high back and was surrounded by stone benches on either side. Opposite the throne were steps down to a recessed area, most likely a type of bathtub or water tank. Sir Arthur Evans, who oversaw the initial excavation, believed it was used for ritual purification, although a lack of drainage calls that interpretation into question. Some modern scholars believe it may have been an aquarium, water storage container, or even a menstrual pit. The walls behind the throne were decorated with what is known as the Griffin Fresco. It depicted two recumbent—lying down—griffins facing the throne with one on either side of it. Griffins were considered important mythological creatures, and they were often depicted attending a deity. Behind the griffins was a landscape in

The old man held out a paper scroll, not mere parchment. It was a clear sign of wealth and status. Not every noble family could afford to use paper for invitations. The very fact that Hadjar was being visited by the clan’s attorney, and not by a simple servant, spoke volumes. “Thank-” Hadjar reached out, almost closing his fingers around the scroll, but the old man suddenly loosened his grip. Caught in the wind, the invitation, decorated with monograms and tied with a scarlet ribbon, fell to the dirt at Hadjar’s feet. The old man didn’t apologize. He stood there, with his hand still outstretched, a sneer on his lips, radiating complete confidence in his superiority. A clear example that old age didn’t mean one also gained intelligence or wisdom. He’d lived long enough for his hair to turn gray, but not long enough to acquire a brain. He didn’t even realize how simply and blatantly he was being used. Hadjar, just as the old man had expected, bent down to pick up the invitation, dusted it off, and held it without putting it away in his spatial artifact, as was required by etiquette. “You didn’t have to bow to me, young man,” the old man grunted. This was quite a serious insult. Being the personal disciple of a great hero made Hadjar equal in status to the senior heirs of aristocratic families. He was at the very top of the social structure of Dahanatan. But Hadjar didn’t really care about any of that. The power he possessed was insignificant in his opinion, and ever since he’d eaten those first scraps in Primus’ dungeon, he’d stopped caring about whether he was a Prince or a circus freak. Titles didn’t matter. The important thing was that the old man was a servant, and Hadjar was almost an aristocrat. The lawyer’s words were akin to the old man throwing a glove in Hadjar’s face. Hadjar looked behind his visitor, at the dark carriage emblazoned with the white coat of arms of the Predatory Blades clan. Brustor would have to try a little harder. So far, his provocations weren’t even a match for the insults that Hadjar had received during his meetings with Emperor Morgan. Shocking the old man, Hadjar bowed deeply. “Only a silly young man,” he said, straightening back up, “doesn’t feel respect toward someone whose hair is whiter than his.

On the other hand, the government had just passed a law making it illegal to blame Poland for any crimes committed in the Holocaust, and that doing so could result in incarceration. After decades of Soviet repression and Nazi conquest before that, the Poles were in a new nationalist phase. Their own victim status in WWII was important. The Polish underground was hugely popular; its anchor symbol graffitied across Warsaw buildings. People wore T-shirts with sleeve decorations that mimicked the Resistance armbands.

A second possibility is that the beliefs of these creatures are not among the causes of their behavior, but are effects of that behavior, or effects of proximate causes that also cause behavior. Their beliefs might be like a sort of decoration that isn't involved in the causal chain leading to action. Their waking beliefs might be no more causally efficacious, with respect to their behavior, than our dream beliefs are with respect to ours. This could go by way of pleiotropy: genes that code for traits important to survival also code for consciousness and belief; but the latter don't figure into the etiology of action. Under these conditions, of course, their beliefs could be wildly false. It could be that one of these creatures believes that he is at that elegant, bibulous Oxford dinner, when in fact he is slogging his way through some primeval swamp, desperately fighting off hungry crocodiles. Under this possibility, as under the first, beliefs would not have (or need not have) any purpose or function; they would be more like unintended by-products. Under this possibility as under the first, the probability that their cognitive faculties are reliable, is low.

I wanted to be comfortable, to have beautiful things, to be one of the trophy wives that decorated the arms of the organization’s important men.

I don’t know about you, but I can’t wait to get my hands on some fucking gourds and arrange them in a horn-shaped basket on my dining room table. That shit is going to look so seasonal. I’m about to head up to the attic right now to find that wicker fucker, dust it off, and jam it with an insanely ornate assortment of shellacked vegetables. When my guests come over it’s gonna be like, BLAMMO! Check out my shellacked decorative vegetables, assholes. Guess what season it is—fucking fall. There’s a nip in the air and my house is full of mutant fucking squash. I may even throw some multi-colored leaves into the mix, all haphazard like a crisp October breeze just blew through and fucked that shit up. Then I’m going to get to work on making a beautiful fucking gourd necklace for myself. People are going to be like, “Aren’t those gourds straining your neck?” And I’m just going to thread another gourd onto my necklace without breaking their gaze and quietly reply, “It’s fall, fuckfaces. You’re either ready to reap this freaky-assed harvest or you’re not.” Carving orange pumpkins sounds like a pretty fitting way to ring in the season. You know what else does? Performing an all-gourd reenactment of an episode of Diff’rent Strokes—specifically the one when Arnold and Dudley experience a disturbing brush with sexual molestation. Well, this shit just got real, didn’t it? Felonies and gourds have one very important commonality: they’re both extremely fucking real. Sorry if that’s upsetting, but I’m not doing you any favors by shielding you from this anymore. The next thing I’m going to do is carve one of the longer gourds into a perfect replica of the Mayflower as a shout-out to our Pilgrim forefathers. Then I’m going to do lines of blow off its hull with a hooker. Why? Because it’s not summer, it’s not winter, and it’s not spring. Grab a calendar and pull your fucking heads out of your asses; it’s fall, fuckers. Have you ever been in an Italian deli with salamis hanging from their ceiling? Well, then you’re going to fucking love my house. Just look where you’re walking or you’ll get KO’d by the gauntlet of misshapen, zucchini-descendant bastards swinging from above. And when you do, you’re going to hear a very loud, very stereotypical Italian laugh coming from me. Consider yourself warned. For now, all I plan to do is to throw on a flannel shirt, some tattered overalls, and a floppy fucking hat and stand in the middle of a cornfield for a few days. The first crow that tries to land on me is going to get his avian ass bitch-slapped all the way back to summer. Welcome to autumn, fuckheads!

(1) The Mindset of Strategy and Positioning (心持ちの事　付　座之次第) ◎ With regards to mindset as you engage in a contest, be calmer than normal and try to see into your opponent’s mind. The enemy whose voice becomes higher in pitch, eyes widen, face reddens, muscles bulge and face grimaces is basically incompetent and will [clumsily] hit through to the ground. When faced with a [second-rate] adversary such as this, maintain serenity of mind and observe his face dispassionately so as not to provoke him. Then, taking hold of your sword, smile and assume a position lower than the upper stance (jōdan). Coolly evade his blow as he tries to attack you. When the enemy appears somewhat perturbed by your unusual attitude, this is the time to strike. Also, if your opponent is quiet, eyes narrowed, body at ease, and he is holding his sword in a relaxed manner as if his fingers are floating on the hilt, assume that he is an expert. Do not saunter carelessly into his range. You must seize the initiative and assail him skillfully, driving him back and striking in quick succession. If you are nonchalant with such a competent opponent, he will force you back. It is crucial to ascertain how capable your enemy is. In terms of where you should position yourself, the same conditions apply in both spacious or cramped locations. Step in so that walls will not impede your sword swings from either side. Take an approximate stance with the long sword and nimbly close in on your foe. If your sword should collide with some barrier, the enemy will become emboldened and will hem you in. If your sword looks as if it might scrape the ceiling, determine the actual height with the tip and be mindful thereafter. You can employ either sword for this, as long as it is the one that cannot be used [in attack while you do this]. Keep the light behind you. With your usual training, be prepared to freely apply any kind of technique with a relaxed mind, but always execute with urgency. It is important to adapt according to the circumstances. (2) About Gaze (目付之事) ◎ Direct your eyes on the enemy’s face. Do not focus on anything else. Since the mind is projected in [facial] expressions, there is no place more revealing than the face to fix one’s gaze. The way of observing the enemy’s face is the same as looking through the mist at trees and rocks on an island two and a half miles [4 km] in the distance. It is the same as peering at [and identifying] birds perched atop a shanty 100 yards [91 meters] away through the falling sleet. It is also akin to beholding a decorative wooden board used to cover the ridge and purlin ends of a roof gable or the tiles on a hut. Calmly focus your gaze [to take everything in].

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Where, Bredon asked himself, did the money come from that was to be spent so variously and so lavishly? If this hell’s-dance of spending and saving were to stop for a moment, what would happen? If all the advertising in the world were to shut down tomorrow, would people still go on buying more soap, eating more apples, giving their children more vitamins, roughage, milk, olive oil, scooters and laxatives, learning more languages by gramophone, hearing more virtuosos by radio, re-decorating their houses, refreshing themselves with more non-alcoholic thirst-quenchers, cooking more new, appetizing dishes, affording themselves that little extra touch which means so much? Or would the whole desperate whirligig slow down, and the exhausted public relapse upon plain grub and elbow-grease? He did not know. Like all rich men, he had never before paid any attention to advertisements. He had never realized the enormous commercial importance of the comparatively poor. Not on the wealthy, who buy only what they want when they want it, was the vast superstructure of industry founded and built up, but on those who, aching for a luxury beyond their reach and for a leisure for ever denied them, could be bullied or wheedled into spending their few hardly won shillings on whatever might give them, if only for a moment, a leisured and luxurious illusion. Phantasmagoria

Music plays a very important part in the life of the American Indian. From the time he is born until he dies, his life is marked by dancing, and the drum is the keynote of it all. There are three major types of drums—the small hand drum, usually with one head, commonly called the tom-tom and shown here. Other types (not shown) are the larger two-headed drum made from a hollowed-out log or keg, and the water drum, with a single removable head. The drum heads are usually of rawhide, made from calf or deerskin. The drums are usually decorated with painted symbols and designs having religious or protective meanings. The American Indian never plays the drum by tapping it with his fist or hand—this is an African method. A drumstick is always used.

Finally, every society develops a system of aesthetic standards that get manifested in everything from decorative art, music, and dance to the architecture and planning of buildings and communities. There are many different ways we could examine artistic systems. One way of thinking about it is to observe the degree to which a society's aesthetics reflect clear lines and solid boundaries versus fluid ones. Many Western cultures favor clean, tight boundaries whereas many Eastern cultures prefer more fluid, indiscriminate lines. In most Western homes, kitchen drawers are organized so that forks are with forks and knives are with knives. The walls of a room are usually uniform in color, and when a creative shift in color does occur, it usually happens at a corner or along a straight line midway down the wall. Pictures are framed with straight edges, molding covers up seams in the wall, and lawns are edged to form a clear line between the sidewalk and the lawn. Why? Because we view life in terms of classifications, categories, and taxonomies. And cleanliness itself is largely defined by the degree of order that exists. It has little to do with sanitation and far more to do with whether things appear to be in their proper place. Maintaining boundaries is essential in the Western world; otherwise categories begin to disintegrate and chaos sets in.13 Most Americans want dandelion-free lawns and roads with clear lanes prescribing where to drive and where not to drive. Men wear ties to cover the adjoining fabric on the shirts that they put on before going to the symphony, where they listen to classical music based on a scale with seven notes and five half steps. Each note has a fixed pitch, defined in terms of the lengths of the sound waves it produces.14 A good performance occurs when the musicians hit the notes precisely. In contrast, many Eastern cultures have little concern in everyday life for sharp boundaries and uniform categories. Different colors of paint may be used at various places on the same wall. And the paint may well “spill” over onto the window glass and ceiling. Meals are a fascinating array of ingredients where food is best enjoyed when mixed together on your plate. Roads and driving patterns are flexible. The lanes ebb and flow as needed depending on the volume of traffic. In a place like Cambodia or Nigeria, the road space is available for whichever direction a vehicle needs it most, whatever the time of day. And people often meander along the road in their vehicles the same way they walk along a path. There are many other ways aesthetics between one place and another could be contrasted. But the important point is some basic understanding of how cultures differ within the realm of aesthetics. Soak in the local art of a place and chalk it up to informing your strategy for international business.

You could do nothing more important than to wake up every morning of your life and remind yourself that the One who created and controls everything that exists has been made, by grace, to be your Father. He thinks of you with pure and faithful fatherly love. He acts toward you with the giving, providing, instructing, patient, and forgiving love of a perfect father. He is always with you. His hand is always upon you. He never stops watching you. His heart is always for you. He is always at work accomplishing his plans for you and through you. He lifts your burdens and lightens your load. He is your God, your Savior, your Friend—your Father. Nothing can ever be the same again because you now live in the Father’s house, where glorious grace decorates every room.

money untouched he inspected the left side. It looked like the nail head rusted just enough for the tin to pop off, but he decided to check behind anyway. He pulled the tin away from the wall and looked into the dimly lit space. To his surprise, something was there. He reached in and pulled out a large cardboard envelope. The envelope was a heavy one used to mail important documents and looked like it had been there for a while. It was addressed to Edward, but there was no return address. The top was open, so Adam reached inside. He pulled out a small stack of papers and pictures. The picture on top was of a group of people standing in front of Town Hall. It must have been the Grand Opening, because they were all dressed in formal clothes and there were decorations hanging in the background. If it was the Grand Opening, the picture was from 1910. He had learned the year it was built while on a class trip a few years before. The date was carved into a brick near the main entrance. Adam looked at the picture a little closer. Each of the people wore the same lapel pin as the one Edward wore in his portrait.

Cizek had used art as the point of entry of his thinking into a whole new world of education—an avenue that had never occurred to me. He realized that children by nature are capable of real, indeed often great, art; that artistic activity is natural for them; and that adult interference in the natural development of children as artists was detrimental to that development. From that starting point, he made a leap into the entire realm of education and child development, concluding that the natural, unhindered growth of children enables them to reach their full potential as human beings, and that adult interference in general is more of a liability than an asset in this process of growth. That leap, from art to all domains of maturation, was an intuitive one for Cizek and his followers. It was not until I read the article referred to in the opening paragraph of this section that I not only gained an understanding of the real basis for Cizek’s intuitive leap, but I also achieved a new and enriching perspective on the nature of education, one that I had hitherto hardly noticed. The key is the observation that certain activities are universal, transcultural, and therefore related to the very essence of being a human. Even more significant and telling—and here once again Cizek hit upon the truth, albeit not consciously—is the fact that these same activities are engaged in by children from the earliest age, and therefore are not, indeed cannot be, the products of sociocultural influences. This places these activities in the realm of biological evolution rather than the realm of cultural history.50 And because these three activities—making music, decorating things, and talking—are the outcome of hundreds of millions of years of evolution, they must represent in and of themselves an important aspect of the exalted place humans occupy in the natural world. In other words, these activities not only represent the outcome of evolution, but they also represent important features that account for the specific place that the Homo sapiens species occupies in the natural order. To allow children—and indeed adults—to engage in these three activities to their heart’s desire is to allow them to realize their fullest potential as human beings. External interference in their exercise, although perhaps sometimes justifiable for social reasons (man is, after all, a social animal too, another aspect of evolution), always involves some diminishing of their ability to become what they by nature are inclined to be. Once this is realized, it is almost impossible to comprehend the enthusiasm with which educators and child development specialists advocate systems for coercing children, against their clear inclination and will, to curtail these activities in favor of an externally imposed adult agenda. Although there might have been some economic justification for such curtailment in the industrial age, there is no longer the slightest pretext of an advantage gained through the suppression of the natural, evolved behavior of children. In

The Directorio Revolucionario (“DR”) existed during the mid-1950’s and it was a Cuban University students’ group in opposition to the dictator President Fulgencio Batista. It was one of the most active terrorist organizations in Havana. Although they were given orders not to attack the rank and file police officers, semantics became important, as their targets were no longer “assassinated,” but rather were “executed.” To them the term sounded more legally acceptable. However, regardless of how it is phrased, murder is murder! At 3:20 on the afternoon of March 13, 1957, fifty attackers from the “DR”, led by Carlos Gutiérrez Menoyo, attacked the Presidential Palace. Menoyo had fought in the Sahara Desert against the German forces under General Rommel during World War II. By demonstrating great courage, Carlos had been decorated and given the rank of second lieutenant in the French army and was uniquely suited for this task. Now, with workers representing labor, and rebellious students from the university, they drove up to the entrance to the Presidential Palace in delivery van #7, marked “Fast Delivery S.A.” They also had two additional cars weighted down with bombs, rifles, and automatic weapons… (Read more in the Exciting Story of Cuba)

SUCCESS, IT HAS OFTEN BEEN SAID, means different things to different people. Measured by the throngs of visitors who are moved to make personal pilgrimages to Rome and the Vatican, the Sistine Chapel is a success beyond compare—a place that some have suggested should be listed as one of the wonders of the world. But there is another way to determine whether a human effort has achieved its goal. It is important to take note of what its creators sought to accomplish. We need to know not only what the Sistine Chapel is today, but also what it was meant to be by its founders. Would they feel their chapel is a success today? As we have seen, the chapel has been altered, expanded, decorated, and yes, even partially defaced down through the ages. It has undergone not only structural alterations but also philosophic and theological modifications. Unlike Saint Paul, the Sistine never became “all things to all men,” but it has spoken with many voices and preached many different messages. Its strongest messages undoubtedly come from Michelangelo, the man most responsible for the Sistine’s enduring fame. However, his messages—“things seen and unseen”—have been obscured, misinterpreted, censored, overlooked, and forgotten over the centuries, only to come back to light in our time. Buonarroti once prayed, “Lord, grant that I may always desire more than I can accomplish.” We have to ask: would he feel that he accomplished his goal with his frescoes? For Michelangelo, could the Sistine be considered a success?

What does exceeding customers’ expectations for this experience look like? 15 • The lobby is clean, neat, well lit, and beautiful. It is decorated with interesting artifacts from the company’s history with little cards explaining the significance of each one. A running fountain and a small indoor pond create a soothing oasis from the noise of the street outside. • The receptionist’s title is Director of First Impressions. She understands the strategic importance of her

Sundays when they could come, my mother would bring a piece of cake and some cookies from the bakery. Of course, the cookies and the cake were past their prime, but that was just the way I liked them. I really don’t know how happy my parents were to see me since most of the time they were there; they would talk to my teachers in conference, and then tell me all the things I had supposedly done wrong. Sadly, I would always wind up with a lecture on how bad I had been and what was expected of me. It was something I had grown to expect, but more importantly, I was grateful for the cake and pastries. I have no idea why, but they also brought me cans of condensed milk. I can only guess that they believed that the thick syrupy milk, super saturated with sweet, sweet, sugar, would give me the energy I needed to think better. After one such visit, I made the mistake of leaving my cake unattended. It didn’t take long before it grew legs and ran off. I couldn’t believe that one of my schoolmates would steal my cake, not at a Naval Honor School! Nevertheless, not being able to determine who the villains were, I hatched a plan to catch the culprits the next time around. Some months later when my parents returned to check on my progress, my mother brought me a beautiful double-layer chocolate cake. This time I was ready, having bought all the Ex-Lax the pharmacy in Toms River had on hand. Using a hot plate, I heated the Ex-Lax until it liquefied, and then poured the sticky brown substance all over the cake in a most decorative way. With that, I placed the cake on my desk and invitingly left the door open to my dorm room. I wasn’t away long before this cake also grew legs, and, lo and behold, it also disappeared. The expected happened, and somewhat later I found the culprits in the boys’ bathroom, having a miserable time of it. Laughingly, I identified them as the culprits, but didn’t turn them in. It was enough that I caught them with their pants down!

many people do not usually take the time to think about the foundation upon which they are building their lives. When it comes to buying a house, I see that people care a great deal about the foundations of the property they are about to buy. My dad is a realtor, and before he sells a house, before people trust him with the investment of hundreds of thousands of their dollars, he recommends the buyers hire a home inspector to carefully check the structural soundness of the house, and most importantly, the foundation upon which the potential investment is built. My dad would tell you that, no matter how beautiful or decorated it may be, without a strong foundation; it is doomed. If the foundation is cracked or unstable in any way, the house needs to be torn down and rebuilt on a proper base.

Ancient Ways Considering their favorable strategic location, pleasant climate, and natural beauty, is it any wonder that the Greek Isles became the cradle of Western culture? For millennia, the Greek islands have exerted a powerful magnetic force on people around the world. Seafaring conquerors have long recognized the importance and beauty of these islands. Ancient Phoenician ships came ashore as early as the third millennium B.C.E., followed by would-be conquerors from mainland Greece, Rome, Venice, and Turkey. Invaders have laid claim to these islands from antiquity well into the modern era. Pleasure seekers have also been drawn to the area. Ancient Minoan kings built their luxurious palaces among the citrus groves and rugged hillsides that overlook the placid seas. Scenes depicted in ancient wall paintings and on decorated pottery suggest that the islands have been a center of hedonistic activity--dancing, drinking, and romance--for eons. Today, visitors from around the world indulge in these same activities, drawn to the beaches, tavernas, and discotheques that pepper the many island harbors. Contemporary travelers to the Greek Isles come for myriad reasons and find a dazzling array of unexpected delights, for each of the more than three thousand islands has its own particular character. From the larger, bustling islands of Crete, Rhodes, and the island nation of Cyprus to the quieter havens of Folegandros and Kárpathos, to the hundreds of tiny, uninhabited islets of the region, the Greek Isles present a collage of diverse landscapes and customs. Mykonos is fun-loving, with lively tavernas and populated beaches. Delos is stoic, protecting the ruins of its ancient sanctuaries in solemn dignity. Milos is magical, with its volcanic rock formations and stunning village vistas.

Wonder Woman completely eschewed a damsel in distress role by instead being a superhero of unparalleled skill, and the inversion of the typical gender roles didn’t stop there. Like her superhero peers, Wonder Woman had her own damsel in distress, a fawning love interest who always got captured and had to be rescued. “Her” name was Steve Trevor. A major in the US Air Force, Steve was a highly decorated pilot who was often called on to perform important secret missions. He appeared to be the quintessential American hero and was drawn that way by H. G. Peter, with a strong jaw, muscular build, and handsome face. However, the man was entirely inept.

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Uses of Customized Blinds Custom blinds will also be used to manage the temperature in any room. As an illustration, if the room in a home is cold through the day time, the owner of the home and their family members can easily open up the blinds so that they'll let the daylight in. The daylight helps to heat up the room with out altering the temperature on the wall. Additionally, when it gets too scorching, the family can shut the blinds in order that they can cool the room down as properly. Regardless of the scenario, these blinds can be utilized for all kinds of different purposes. Window blinds right now can be found in quite a few colours, materials and magnificence. Getting a perfect window blind will rely in your style. Aside from decoration, the window shades serve many functions in properties. They prevent excess light from coming through windows, they provide us with privateness and they're also appropriate to manage temperature. In cold seasons they forestall heat from getting out of the home. Buying the perfect varieties of window blinds can change your complete looks of your own home and make it attractive. Vertical blinds are among the most unique sorts of window blinds you can get. They're good insulators and can be utilized to utterly Blinds Sutherland Shire block daylight penetration. The vertical shades are also strong sufficient to prevent any damage from strong winds. They're low-cost however trendy. Some are constructed with the ability to adjust themselves according to the time of day. Customs blinds can be used for both informal and office settings. This innovative idea means that you can use images as blind. In the case of makes use of of customized blinds, there are different options. Using your personal creativeness, customized blinds will be embellished with completely different colours, designs and patterns. If your window is of an additional strange size, there are traditional window blinds which might be customized to slot in. These are the roller blinds. Resulting from technology, they have been superior to be extra dependable and sturdy than before. They're now less more likely to breakdown. You can select from all kinds of colours and patterns. Earlier than coming to a conclusion on one of the best kinds of window blinds, it is important to do some in depth analysis. Custom blinds act as a fantastic reward in your loved ones. It's a present that can be cherished and remembered for a number of years. It is unique from normal gifts, the recipient will be glad about the trouble and thought you will have invested into it. When you parents have passion for grandchildren, think about having your children printed onto a blind and giving it to them. They may merely adore the photograph of their grandchildren, as well as having a new blind to boost the look of their residence.

The Parthenon was 228 feet long by 101 broad, and 64 feet high; the porticoes at each end had a double row of eight columns; the sculptures in the pediments were in full relief, representing in the eastern the Birth of Athene, and in the western the Struggle between that goddess and Poseidon, whilst those on the metopes, some of which are supposed to be from the hand of Alcamenes, the contemporary and rival of Phidias, rendered scenes from battles between the Gods and Giants, the Greeks and the Amazons, and the Centaurs and Lapithæ. Of somewhat later date than the Parthenon and resembling it in general style, though it is very considerably smaller, is the Theseum or Temple of Theseus on the plain on the north-west of the Acropolis, and at Bassæ in Arcadia is a Doric building, dedicated to Apollo Epicurius and designed by Ictinus, that has the peculiarity of facing north and south instead of, as was usual, east and west. Scarcely less beautiful than the Parthenon itself is the grand triple portico known as the Propylæa that gives access to it on the western side. It was designed about 430 by Mnesicles, and in it the Doric and Ionic styles are admirably combined, whilst in the Erectheum, sacred to the memory of Erechtheus, a hero of Attica, the Ionic order is seen at its best, so delicate is the carving of the capitals of its columns. It has moreover the rare and distinctive feature of what is known as a caryatid porch, that is to say, one in which the entablature is upheld by caryatides or statues representing female figures. Other good examples of the Ionic style are the small Temple of Niké Apteros, or the Wingless Victory, situated not far from the Propylæa and the Parthenon of Athens, the more important Temple of Apollo at Branchidæ near Miletus, originally of most imposing dimensions, and that of Artemis at Ephesus, of which however only a few fragments remain in situ. Of the sacred buildings of Greece in which the Corinthian order was employed there exist, with the exception of the Temple of Jupiter at Athens already referred to, but a few scattered remains, such as the columns from Epidaurus now in the Athens Museum, that formed part of a circlet of Corinthian pillars within a Doric colonnade. In the Temple of Athena Alea at Tegea, designed by Scopas in 394, however, the transition from the Ionic to the Corinthian style is very clearly illustrated, and in the circular Monument of Lysicrates, erected in 334 B.C. to commemorate the triumph of that hero's troop in the choric dances in honour of Dionysos, and the Tower of the Winds, both at Athens, the Corinthian style is seen at its best. In addition to the temples described above, some remains of tombs, notably that of the huge Mausoleum at Halicarnassus in memory of King Mausolus, who died in 353 B.C., and several theatres, including that of Dionysos at Athens, with a well-preserved one of larger size at Epidaurus, bear witness to the general prevalence of Doric features in funereal monuments and secular buildings, but of the palaces and humbler dwelling-houses in the three Greek styles, of which there must have been many fine examples, no trace remains. There is however no doubt that the Corinthian style was very constantly employed after the power of the great republics had been broken, and the Oriental taste for lavish decoration replaced the love for austere simplicity of the virile people of Greece and its dependencies. CHAPTER III

Monte Albán is today a decorous sprawl of walls and pyramids enveloped by a lush lawn (this last is an import from Europe; lawn grass did not exist in the Americas prior to Columbus).

He held up a small piece of paper she recognized with a pang as being from the pink stationary set her grandfather had bought her for her tenth birthday. “‘I want to marry a man who will wear pink shirts because it’s my favorite color,’” he read aloud, and then he looked up at her. “Really? That’s your criteria?” “It seemed important when I was ten.” “Bouquet—pink gladioli tied with white ribbon,” he read from a torn piece of school notebook paper. “What the hell is gladioli? Sounds like pasta.” “Glads are my favorite flower.” She grabbed her clothes and went into the bathroom, closing the door none too softly behind her. When she emerged, he was still in bed and still rummaging through her childish dreams for her future. She watched him frown at a hand-drawn picture of a wedding cake decorated with pink flowers before he set it aside and picked out another piece of pink stationary. “‘If the man who wants to marry me doesn’t get down on one knee to propose,’” he read in a high-pitched, mock-feminine voice, “‘I’ll tell him no.’” “My younger self had very high standards,” she snapped. “Obviously that’s changed.” He just laughed at her. “Were you going to put all this into spreadsheet form? Maybe give the poor schmuck a checklist?” “Are you going to get up and go to work today or are you going to stay in bed and mock a little girl’s dreams?” “I can probably do both.

life. For the Indians living inside the Rocky Mountain Range in the far North of Canada, the successful nutrition for nine months of the year was largely limited to wild game, chiefly moose and caribou. During the summer months the Indians were able to use growing plants. During the winter some use was made of bark and buds of trees. I found the Indians putting great emphasis upon the eating of the organs of the animals, including the wall of parts of the digestive tract. Much of the muscle meat of the animals was fed to the dogs. It is important that skeletons are rarely found where large game animals have been slaughtered by the Indians of the North. The skeletal remains are found as piles of finely broken bone chips or splinters that have been cracked up to obtain as much as possible of the marrow and nutritive qualities of the bones. These Indians obtain their fat-soluble vitamins and also most of their minerals from the organs of the animals. An important part of the nutrition of the children consisted in various preparations of bone marrow, both as a substitute for milk and as a special dietary ration. In the various archipelagos of the South Pacific and in the islands north of Australia, the natives depended greatly on shell fish and various scale fish from adjacent seas. These were eaten with an assortment of plant roots and fruits, raw and cooked. Taro was an important factor in the nutrition of most of these groups. It is the root of a species of lily similar to "elephant ears" used for garden decorations in America because of its large leaves. In several of the islands the tender young leaves of this plant were eaten with coconut cream baked in the leaf of the tia plant. In the Hawaiian group of islands the taro plant is cooked and dried and pounded into powder and then mixed with water and allowed to ferment for twenty-four hours, more or less, in accordance with the stiffness of the product desired. This is called poi

my view of medical experts has become extremely jaundiced. At times I feel they are like those highly decorated generals in North Korea with the funny hats. They look splendid, and important, but the only point of their existence is to suppress dissent and keep an idiotic regime in place.

Today's marbles were then called,  ‘blorot'. It is possible that the source of this strange name came from the language spoken by the people of  Tiberias. The  blorot  was an entire world. There was no self-respecting child who did not have them in his possession. There were those who walked proudly with a fixed 'Rasiot'. The Rasiot was a special brand of  blorot,  usually larger, but what was important was that they were trusted by the user, who could rely upon them when shooting. The  blorot was in abundance and appeared in different forms, in different colors, and in different sizes. There were giants and small  blorots, there were those that were made of glass or ceramic. There were transparent  butterflies, some that were decorated in a way that only someone with a wild imagination could design. Every  blora was more beautiful than the other, but most beautiful of all, was no doubt the variety of games you could play with them.

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It makes Celia furious that around ninety percent of the women on Italian TV are fabulous specimens with great legs, superb chests and hair as glossy as a mink's pelt, and that every prime-time programme, whether it be a games show or football analysis, seems to require the presence of an attractive young woman with no discernible function other than to be decorative. She shakes her head in disbelief at the shopping channels, with their delirious women screaming about the wonders of the latest buttock-firming apparatus, and bald blokes in shiny suits shouting ‘Buy my carpets! Buy my jewellery, for God's sake!' hour after hour after hour. She can't resolve the contradictions of a country where spontaneous generosity is as likely to be encountered as petty deviousness; where a predilection for emetically sentimental ballads accompanies a disconcertingly hard-headed approach to interpersonal relationships (friends summarily discarded, to be barely acknowledged when they pass on the streets); where veneration for tradition competes with an infatuation with the latest technology, however low the standard of manufacture (the toilet in Elisabetta's apartment wouldn't look out of place on the Acropolis, but it doesn't flush properly; her brother-in-law's Ferrari is as fragile as a newborn giraffe); where sophistication and the maintenance of ‘la bella figura’ are of primary importance, while the television programmes are the most infantile and demeaning in the world; where there's a church on every corner yet religion often seems a form of social decoration, albeit a form of decoration that's essential to life - 'It's like the wallpaper is holding the house up,’ Celia wrote from Rome. She'll never make sense of Italy, but that's the attraction, or a major part of it, which is something Charlie will never understand, she says. But he does understand it to an extent. He can understand how one might find it interesting for a while, for the duration of a holiday; he just doesn't understand how an English person - an English woman, especially - could live there.

But now that you’ve let a man into your life, you might be regretting it. You probably think it makes you weak, which it doesn’t, and vulnerable, which it most certainly does.” Well, that was the opposite of comforting. “But being vulnerable is important, because only when we’re vulnerable can we see there are people worthy of our hearts, people who crave the chance to love us and be loved in return.” But she still had so much to prove. So far to go before she’d reach a point where she felt like a success. How could Finn love a work in progress? How could anyone? Then again, she loved Honey and Hickory, even though the decor was a hodgepodge of decades and the coleslaw was subpar. Imperfect. Great in some areas, lacking in others. Yet she loved the restaurant just the same. Finn wasn’t perfect either. He’d misjudged her and stormed off and cost her a chance at working with two of her favorite entrepreneurs. But she loved him. Completely.

If I’m being honest with myself, it’s because I never felt like I was someone worth loving or worth having around. Like I was more trouble than I was worth.” “And why do you feel that way?” “Because, I don’t have much to contribute to society, Charlie. I’m not smart. I’m not decorated. I’m not educated. I’m not anything that anyone aspires to be. I’m not important.” “But how do you know? Is your life over already?” “Well, no. It’s not.” “Then how do you already know all that about yourself and your life if your life isn’t over yet?” “I guess I’m basing it off of who I was before and who I am now.” “Do you want to be and stay that same person, Bernie?” “Well, of course not.” “Then change it. You have the power to change who you are to be the best version of yourself. But you have to want to do it, Bern. No one can do it for you. You also have to believe that you deserve better if you’re ever going to get anything better out of life.

I’d like you to imagine that you are about to attend one of the most important occasions of your life. It will be held in a room sufficiently large to seat all of your friends, your family, your business associates—anyone and everyone to whom you are important and who is important to you. Can you see it? The walls are draped with deep golden tapestries. The lighting is subdued, soft, casting a warm glow on the faces of your expectant guests. Their chairs are handsomely upholstered in a golden fabric that matches the tapestries. The golden carpeting is deeply piled. At the front of the room is a dais, and on the dais a large, beautifully decorated table, with candles burning at either end. On the table, in the center, is the object of everyone’s attention. A large, shining, ornate box. And in the box is…you! Stiff as the proverbial board. Do you see yourself lying in the box, not a dry eye in the room? Now, listen. From the four corners of the room comes a tape recording of your voice. Can you hear it? You’re addressing your guests. You’re telling them the story of your life. How would you like that story to go? That’s your Primary Aim. What would you like to be able to say about your life after it’s too late to do anything about it? That’s your Primary Aim. If you were to write a script for the tape to be played for the mourners at your funeral, how would you like it to read? That’s your Primary Aim. And once you’ve created the script, all you need to do is make it come true. All you need to do is begin living your life as if it were important. All you need to do is take your life seriously. To create it intentionally. To actively make your life into the life you wish it to be.

People who are different are dangerous, they belong to another tribe; they want our lands and our women. We must marry, have children, reproduce the species. Love is only a small thing,, enough for one person, and any suggestion that the heart might be larger than this is considered perverse. When we marry we are authorized to take possession of the other person, body and soul. We must do jobs we detest because we are part of an organized society and if everyone did what they wanted to do, the world would come to a standstill We must buy jewellery, it identifies us with our tribe, just as body piercing identifies those of a different tribe. We must be amusing at all times and sheer at those who express their real feelings, it is dangerous to a tribe to allow its members to show their feelings. We must at all costs avoid saying "No" because people prefer those who always say "Yes", and this allows us to survive in hostile territory. What other people think is more important than what we feel. Never make a fuss, it might attract the attention of an enemy tribe because you could infect others and destroy something that was extremely difficult to organize in the first place. We must always consider the look of our new cave, and if we don't have a clear idea of our own, then we must call in a decorator who will do his best to show others what good taste we have. We must eat three meals a day, even if we're not hungry, and when we fail to fit in the current ideal of beauty we must fast, even if we're starving. We must dress according to the dictates of fashion, make love whether we feel like it or not, kill in the name of our country's frontiers, wish time away so that retirements comes more quickly, elect politicians, complain about the cost of living, change our hairstyle, criticize anyone who is different, go to a religious service on Sunday, Saturday or Friday , depending on our religion, and there beg for forgiveness for our sins and puff ourselves up with the other tribe who worship another god. Our children must follow in our steps, after all we are older and know about the world. We must have a university degree even if we never get a job in the area of knowledge we were forced to study. We must study things we will never use but which someone told us was important to know: algebra, trigonometry, the code of Hammurabi. We must never make our parents sad, even if this means giving up everything that makes us happy. We must play music quietly, talk quietly, weep in private

These theological disputes turned so violent that during the sixteenth and seventeenth centuries, Catholics and Protestants killed each other by the hundreds of thousands. On 23 August 1572, French Catholics who stressed the importance of good deeds attacked communities of French Protestants who highlighted God’s love for humankind. In this attack, the St Bartholomew’s Day Massacre, between 5,000 and 10,000 Protestants were slaughtered in less than twenty-four hours. When the pope in Rome heard the news from France, he was so overcome by joy that he organised festive prayers to celebrate the occasion and commissioned Giorgio Vasari to decorate one of the Vatican’s rooms with a fresco of the massacre (the room is currently off-limits to visitors).

Everything that makes the neck longer is attractive. Extravagance kills the personality. All the superlatives are devalued. Beauty treatments should begin with the heart and the soul, otherwise cosmetics are pointless. The interior of the home is the natural projection of the soul and Balzac was right to attach as much importance to it as he did to clothing. You don't need enthusiasm in order to earn money, you need it in order to spend it. Wealth is not accumulation, it's the exact opposite, it serves to free us, it's the "I've had everything and that everything is nothing." Just as in fashion, you generally begin with something that is too beautiful in order to attain simplicity. I have a hatred of hanging on to things. Almost all our emotional, social and moral troubles stem from the fact that we don't know how to give anything up. Money adds to the decorative pleasures of life but it's not life. Women conceal their defects instead of considering them as yet another asset. You have to know how to take advantage of your flaws and apply them with cunning; if you know how to make use of them, you obtain everything. I have decided to be happy without requiring that daily dose of poison, recently invented, that we call happiness.

Coorie camping is about leaving your expensive devices at home and feeling like a wildling for the weekend. It's about taking turns to fetch water, boiling it and doling out cups of tea. What feels like a chore at home becomes fun on a camping trip. Decorate your tent with forest treasures until it looks like a woodland grotto and share memory games played in childhood with adult friends. There is also the chance to get really good at making campfires. Fire is our oldest and most ensuring form of heat and energy. Is it any wonder it's so important to our coorie experience?

jewellery and enamel work in the ornate lettering and decoration, making the Lindisfarne Gospels an important example of early English art. The eighth-century Book of Kells, another monastic masterpiece, is on permanent view at Trinity College, Dublin – though only one page a day, so you may want to make several visits. Its 680 pages (just sixty have gone missing over the years) are exquisitely decorated, justifying perhaps the sacrifice of the 185 calves whose skins produced the vellum on which the text is written and illustrated.

Examples include the patterns of muscular activation of the face. They are so closely associated with certain emotional states that their deployment in our faces can rapidly conjure up feelings such as joy and surprise. We do not need to look in the mirror to know that we are experiencing such states. In sum, feelings are experiences of certain aspects of the state of life within an organism. Those experiences are not mere decoration. They accomplish something extraordinary: a moment-to-moment report on the state of life in the interior of an organism. It is tempting to translate the notion of a report into pages of an online file that can be swiped, one at a time, telling us about one part or another of the body. But digitized pages, neat, lifeless, and indifferent, are not acceptable metaphors for feelings, given the valence component we just discussed. Feelings provide important information about the state of life, but feelings are not mere “information” in the strict computational sense. Basic feelings are not abstractions. They are experiences of life based on multidimensional representations of configurations of the life process. As noted, feelings can be intellectualized. We can translate feelings into ideas and words that describe the original physiology. It is possible, and not infrequent, to refer to a particular feeling without necessarily experiencing that feeling or simply experiencing a paler version of the original

I wanted to help rescue this species from endangerment by learning about the elephants’ intricate social structure, increasing worldwide attention to this species through my research and scientific advancements in knowledge. However, when the scientific papers that I had spent years writing finally came out, there was little reaction. I felt proud of my scientific accomplishments but was sad that I wasn’t doing more for the species that I cared about so much. The following year after I graduated, a new paper by one of my colleagues in Gabon found that between 2002-2011, the duration of my Ph.D. plus a few years, over 60% of the entire forest elephant population declined due to poaching[5]. The poaching was almost exclusively driven by the consumption of their tusks as sources for carving statues, jewelry, and other decorative objects. The true conservation issue had nothing to do with studying the elephants themselves. What was the point of studying a species if it might not exist in a few decades?  If I really wanted to help forest elephants, I should have been studying the people, the consumers who were purchasing ivory to determine if there were ways to change attitudes towards ivory and purchasing behavior. Yes, having rangers on the ground to protect parks and elephants is important, but if there is no decrease in demand, it will constantly be an uphill battle. All of the solutions to the conservation problems of forest elephants are social, political, and economic first.  If you are interested in pursuing wildlife biology as a career for conservation purposes (like I was) or because you love animals (also me), you might be better suited in another career if research is not your thing but can still work for a conservation organization. Nonprofits need lawyers, financial planners, fundraising experts, and marketing executives to name a few. When I perused the job boards of nonprofit organizations, I was surprised by how few research positions there were. There were far more in fundraising, marketing, and development. Even if you don’t work directly for conservation, honestly, you can still make a difference and help conservation efforts in other ways outside of your career. A lot of conservation is really about investing in programs and habitat, so species stay protected. For example, if you can purchase and/or donate money to organizations that buy large areas of land, this land can be set aside for wildlife conservation. The biggest threat to wildlife is habitat loss and simply buying more land, keeping it undeveloped, and/or restoring it for species to live on, is one of the major means to solve the biodiversity crisis.

A sanctuary (ca. 6200 B.C.) contained four men’s skulls deposited under the bulls’ heads fastened to the walls. One wall is decorated with paintings depicting vultures with anthropomorphic legs attacking a decapitated man. This must certainly represent an important mythico-ritual complex, the meaning of which unfortunately escapes us.

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Membership finds its ceremonial endorsement through the dance. In almost all tribal communities dancing has had an important role in reinforcing the communal spirit, and in particular in ceremonies of initiation and marriage. It represents a supreme act of surrender to the tribe and its ruling deities. In dancing we set all purpose aside and are governed by the spirit of the dance. At the same time, dancing has a peculiar social intentionality – in the normal case dancing is a ‘dancing with’, a fitting of one’s steps and gestures to the steps and gestures of others. In the old culture of Europe dancing was therefore a part of courtship – a kind of stylised intimacy in which the sexual allure of the body could be displayed and enjoyed without social catastrophe. For young lovers, dancing was a way of going ‘part-hog’, as Harold Pinter would put it, while behaving with proper decorum and with an excited consciousness of their embodiment. But it was not only young lovers who danced. Traditional dances were formation dances, like the minuet, the jig and the saraband, in which you changed partners, to find yourself dancing with someone (your grandmother perhaps) in whom you had no sexual interest whatsoever. In the Mediterranean, it was even unheard of for the sexes to dance together: the men performed in a troupe, and then the girls, each sex with an eye for the other but decorously removed from physical contact. In this way dancing became a ceremony, in which the community’s bid for eternity was enacted beneath the stars. Love, sex and the body are perceived differently by young people today; courtesy and courtship have disappeared from their dancing, since they have disappeared from their lives. The idea of dancing as an orderly affirmation of community is dead. Dancing has become a social and sexual release, among people who expressly represent themselves, in the dance, as sexual objects, even when, and especially when, they dance without a partner. Indeed the concept of the partner – of the one with whom you are dancing, and who agrees to dance after an exchange of courtesies – hardly engages with the new reality. You all dance together, and every step or shake or gesture is right just so long as it feels right. Nor is this new kind of dancing of marginal significance. On the contrary, it is the central episode in the youth culture, the moment when the individual renews his attachment to the group and is raised to a heightened level of excitement and a sense of the rightness of being what he is and doing what he does.

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