Deck Of Cards Sayings And Quotes

Life is too short for games unless it’s a game of cards. Don’t text back right away; if you like them, pretend you don’t; and don’t you dare say I love you first. Well screw all that. I will text you back in three seconds; I will tell you that I like you; and if I love you, I’ll tell you every chance I get. Life is unpredictable, and I’d rather play every card as honestly as I can than have a deck full of regrets and what-ifs.

There will never be another Dark-Hunter who goes free. Your happiness comes at the expense of their freedom because there’s no one else I want to barter with. No one else to pay the fee you set up centuries ago. Knowing that, I hope you sleep well at night. (Artemis) (Artemis leaves.) But what about the Dark-Hunters? (Acheron) The one thing I’ve learned most out of all this is that it’s not over until all the cards are played. She laid down her ace, thinking we can’t beat it. But there are fifty-one other cards in the deck and the game isn’t over yet. We’ll figure something out. Her little fit fight now just shows that she’s played her best hand. That was all she’s capable of doing to hurt you, which is exactly why she did it. Don’t let her ruin your day, baby, and don’t let her take from us what we have. We’ve gotten this far together. What’s another bitter goddess to us? Like my papou always says, over, under, around, or through. There’s always a way and we’ll find it. (Tory)

Nico hung his head almost as low as a katobleps. "I, uh... used to play this stupid card game when I was younger. Mythomagic. The katobleps was one of the monster cards." Frank blinked. "I played Mythomagic. I never saw that card" "It was in the Africanus Extreme expansion deck." "Oh." Their host cleared his throat. "Are you two done, ah, geek-ing out, as they say?

She smiled with a newfound optimism. "The one thing I've learned most out of all this is that it's not over until all the cards are played. She laid down her ace, thinking we can't beat it. But there are fifty-one other cards in the deck and the game isn't over yet. We'll figure something out. Her little fit right now just shows that she's played her best hand. That was all she's capable of doing to hurt you which is exactly why she did it. Don't let her ruin your day, baby, and don't let her take from us what we have. We've gotten this far together. What's another bitter goddess to us? Like my papou always says, over, under, around or through. There's always a way and we'll find it."- Tory

He did not believe in luck at all, good or bad. Gamblers believed in luck, and he was not a gambler. Never had been, never would be. John Henry Holliday believed in mathematics, in statistics, in the computation of odds. Fifty-two cards in a deck. Make it easy. Say it's fifty. Any card has a 2 percent chance of being dealt from a full deck. Keep track of what's out. Adjust the probabilities as the hand progresses.

in the dark room she sits and in front of her is a plate and on the plate lies a black hunk of bread the size of a deck of cards. The bread has sawdust in it, and cardboard. She takes a knife and a fork, and cuts it slowly into four pieces. She eats one, chews it deliberately, pushes it with difficulty through her dry throat. eats another and another and finally the last one. She lingers especially on the last one. She knows after this piece is gone there will be no more food until tommorow morning. She wishes she could be strong enough to save half of the bread until dinner, but she isn't, she can't. When she looks up from her plate, her sister Dasha, is staring at her. Her plate is long empty. " I wish Alexander was coming back" says Dasha. " He might have food for us" I wish Alexander was coming back, thinks Tatiana.

How can you take it, when the people that say they are close. That say they care about you lie to you and be deceitful? Route; Know that you are worth more than how they treat you. Know that with these characters, their face and identity may change. But they still fall into a default card. From the major arcana deck. Affirmation; Grieve and move on

But listen, we all get a deck with some cards missing. Get up and get on with it, I say.

Nash used to say that living your life was like shuffling a deck of cards. One day you might draw a good hand, the next, a bad beat. But buying into that meant surrendering what control we did have. Life wasn't drawing cards at random, it was choosing to pick up the deck, it was choosing how to shuffle, it was choosing the rules of play. It was the thousand of choices we made every single day, and the path those choices created for us.

Before she could say anything more, Sabella swung around at the sound of Noah’s Harley purring to life behind the garage. God. He was dressed in snug jeans and riding chaps. A snug dark T-shirt covered his upper body, conformed to it. And he was riding her way. “Is there anything sexier than a man in riding chaps riding a Harley?” Kira asked behind her. “It makes a woman simply want to melt.” And Sabella was melting. She watched as he pulled around the side of the garage then took the gravel road that led to the back of the house. The sound of the Harley purred closer, throbbing, building the excitement inside her. “I think it’s time for me to leave,” Kira said with a light laugh. “Don’t bother to see me out.” Sabella didn’t. She listened as the Harley drew into the graveled lot behind the house and moved to the back door. She opened it, stepping out on the back deck as he swung his legs over the cycle and strode toward her. That long-legged lean walk. It made her mouth water. Made her heart throb in her throat as hunger began to race through her. “The spa treated you well,” he announced as he paused at the bottom of the steps and stared back at her. “Feel like messing your hair up and going out this evening? We could have dinner in town. Ride around a little bit.” She hadn’t ridden on a motorcycle since she was a teenager. She glanced at the cycle, then back to Noah. “I’d need to change clothes.” His gaze flickered over her short jeans skirt, her T-shirt. “That would be a damned shame too,” he stated. “I have to say, Ms. Malone, you have some beautiful legs there.” No one had ever been as charming as Nathan. She remembered when they were dating, how he would just show up, out of the blue, driving that monster pickup of his and grinning like a rogue when he picked her up. He’d been the epitome of a bad boy, and he had been all hers. He was still all hers. “Bare legs and motorcycles don’t exactly go together,” she pointed out. He nodded soberly, though his eyes had a wicked glint to them. “This is a fact, beautiful. And pretty legs like that, we wouldn’t want to risk.” She leaned against the porch post and stared back at him. “I have a pickup, you know.” She propped one hand on her hip and stared back at him. “Really?” Was that avarice she saw glinting in his eyes, or for just the slightest second, pure, unadulterated joy at the mention of that damned pickup? He looked around. “I haven’t seen a pickup.” “It’s in the garage,” she told him carelessly. “A big black monster with bench seats. Four-by-four gas-guzzling alpha-male steel and chrome.” He grinned. He was so proud of that damned pickup. “Where did something so little come up with a truck that big?” he teased her then. She shrugged. “It belonged to my husband. Now, it belongs to me.” That last statement had his gaze sharpening. “You drive it?” “All the time,” she lied, tormenting him. “I don’t have to worry about pinging it now that my husband is gone. He didn’t like pings.” Did he swallow tighter? “It’s pinged then?” She snorted. “Not hardly. Do you want to drive the monster or question me about it? Or I could change into jeans and we could ride your cycle. Which is it?” Which was it? Noah stared back at her, barely able to contain his shock that she had kept the pickup. He knew for a fact there were times the payments on the house and garage had gone unpaid—his “death” benefits hadn’t been nearly enough—almost risking her loss of both during those first months of his “death.” Knowing she had held on to that damned truck filled him with more pleasure than he could express. Knowing she was going to let someone who wasn’t her husband drive it filled him with horror. The contradictor feelings clashed inside him, and he promised himself he was going to spank her for this.

Why didn’t God want them to build the Tower of Babel?” I said. “Why did He make it so everybody couldn’t understand each other?” “You know I don’t believe in God.” “I know.” “Probably there was just a ziggurat, you know what a ziggurat is? Over in Mesopotamia. Maybe it was in ruins. Maybe it was only halfway built, left unfinished. And they made up a story to explain what happened to it, why it looked incomplete.” “Oh.” “You understand what I’m saying?” I understood: Everything got ruined and nothing was ever finished. The world, like the Tower of Babel or my grandmother’s deck of cards, was made out of stories, and it was always on the verge of collapse. That was proverbial.

The Temperance (XIV) Card “Highway 17 in Texas: we stop to watch buzzards supping on a roadkill porcupine. The mountains are a Persian rug of emerald and brown, wolfish clouds gathering rain. The towns stack up like a tarot deck. A row of Mexican women stand at clotheslines, shake the static from dresses. The fortune you believe is the one you'll get. Eres muy sexy, says the wrinkled man at the gas station. Eres divina. The jade cottonwoods speak of flooding; the yucca tattle on the south. You might say this about exile, mountains eroded by six hundred years of women's feet, the heavy press from babies and water buckets. Forty miles south, mothers find their daughters' bodies in boxes. The dusk is a murder of magenta and indigo against the black land, as monstrously beautiful as a rape tree. As we drive, a brown woman names the dying plants. She reads the cacti like an open palm.

I would like to see you cheat,” Elizabeth said impulsively, smiling at him. His hands stilled, his eyes intent on her face. “I beg your pardon?” “What I meant,” she hastily explained as he continued to idly shuffle the cards, watching her, “is that night in the card room at Charise’s there was mention of someone being able to deal a card from the bottom of the deck, and I’ve always wondered if you could, if it could…” She trailed off, belatedly realizing she was insulting him and that his narrowed, speculative gaze proved that she’d made it sound as if she believed him to be dishonest at cards. “I beg your pardon,” she said quietly. “That was truly awful of me.” Ian accepted her apology with a curt nod, and when Alex hastily interjected, “Why don’t we use the chips for a shilling each,” he wordlessly and immediately dealt the cards. Too embarrassed even to look at him, Elizabeth bit her lip and picked up her hand. In it there were four kings. Her gaze flew to Ian, but he was lounging back in his chair, studying his own cards. She won three shillings and was pleased as could be. He passed the deck to her, but Elizabeth shook her head. “I don’t like to deal. I always drop the cards, which Celton says is very irritating. Would you mind dealing for me?” “Not at all,” Ian said dispassionately, and Elizabeth realized with a sinking heart that he was still annoyed with her. “Who is Celton?” Jordan inquired. “Celton is a groom with whom I play cards,” Elizabeth explained unhappily, picking up her hand. In it there were four aces. She knew it then, and laughter and relief trembled on her lips as she lifted her face and stared at her betrothed. There was not a sign, not so much as a hint anywhere on his perfectly composed features that anything unusual had been happening. Lounging indolently in his chair, he quirked an indifferent brow and said, “Do you want to discard and draw more cards, Elizabeth?” “Yes,” she replied, swallowing her mirth, “I would like one more ace to go with the ones I have.” “There are only four,” he explained mildly, and with such convincing blandness that Elizabeth whooped with laughter and dropped her cards. “You are a complete charlatan!” she gasped when she could finally speak, but her face was aglow with admiration. “Thank you, darling,” he replied tenderly. “I’m happy to know your opinion of me is already improving.” The laughter froze in Elizabeth’s chest, replaced by warmth that quaked through her from head to foot. Gentlemen did not speak such tender endearments in front of other people, if at all. “I’m a Scot,” he’d whispered huskily to her long ago. “We do.” The Townsendes had launched into swift, laughing conversation after a moment of stunned silence following his words, and it was just as well, because Elizabeth could not tear her gaze from Ian, could not seem to move. And in that endless moment when their gazes held, Elizabeth had an almost overwhelming desire to fling herself into his arms. He saw it, too, and the answering expression in his eyes made her feel she was melting. “It occurs to me, Ian,” Jordan joked a moment later, gently breaking their spell, “that we are wasting our time with honest pursuits.” Ian’s gaze shifted reluctantly from Elizabeth’s face, and then he smiled inquisitively at Jordan. “What did you have in mind?” he asked, shoving the deck toward Jordan while Elizabeth put back her unjustly won chips. “With your skill at dealing whatever hand you want, we could gull half of London. If any of our victims had the temerity to object, Alex could run them through with her rapier, and Elizabeth could shoot him before he hit the ground.” Ian chuckled. “Not a bad idea. What would your role be?” “Breaking us out of Newgate!” Elizabeth laughed. “Exactly.

Cribbage!” I declared, pulling out the board, a deck of cards, and pen and paper, “Ben and I are going to teach you. Then we can all play.” “What makes you think I don’t know how to play cribbage?” Sage asked. “You do?” Ben sounded surprised. “I happen to be an excellent cribbage player,” Sage said. “Really…because I’m what one might call a cribbage master,” Ben said. “I bet I’ve been playing longer than you,” Sage said, and I cast my eyes his way. Was he trying to tell u something? “I highly doubt that,” Ben said, “but I believe we’ll see the proof when I double-skunk you.” “Clearly you’re both forgetting it’s a three-person game, and I’m ready to destroy you both,” I said. “Deal ‘em,” Ben said. Being a horse person, my mother was absolutely convinced she could achieve world peace if she just got the right parties together on a long enough ride. I didn’t know about that, but apparently cribbage might do the trick. I didn’t know about that, but apparently cribbage might do the trick. The three of us were pretty evenly matched, and Ben was impressed enough to ask sage how he learned to play. Turned out Sage’s parents were historians, he said, so they first taught him the precursor to cribbage, a game called noddy. “Really?” Ben asked, his professional curiosity piqued. “Your parents were historians? Did they teach?” “European history. In Europe,” Sage said. “Small college. They taught me a lot.” Yep, there was the metaphorical gauntlet. I saw the gleam in Ben’s eye as he picked it up. “Interesting,” he said. “So you’d say you know a lot about European history?” “I would say that. In fact, I believe I just did.” Ben grinned, and immediately set out to expose Sage as an intellectual fraud. He’d ask questions to trip Sage up and test his story, things I had no idea were tests until I heard Sage’s reactions. “So which of Shakespeare’s plays do you think was better served by the Globe Theatre: Henry VIII or Troilus and Cressida?” Ben asked, cracking his knuckles. “Troilus and Cressida was never performed at the Globe,” Sage replied. “As for Henry VIII, the original Globe caught fire during the show and burned to the ground, so I’d say that’s the show that really brought down the house…wouldn’t you?” “Nice…very nice.” Ben nodded. “Well done.” It was the cerebral version of bamboo under the fingernails, and while they both tried to seem casual about their conversation, they were soon leaning forward with sweat beading on their brows. It was fascinating…and weird. After several hours of this, Ben had to admit that he’d found a historical peer, and he gleefully involved Sage in all kinds of debates about the minutiae of eras I knew nothing about…except that I had the nagging sense I might have been there for some of them. For his part, Sage seemed to relish talking about the past with someone who could truly appreciate the detailed anecdotes and stories he’d discovered in his “research.” By the time we started our descent to Miami, the two were leaning over my seat to chat and laugh together. On the very full flight from Miami to New York, Ben and Sage took the two seats next to each other and gabbed and giggled like middle-school girls. I sat across from them stuck next to an older woman wearing far too much perfume.

Mike, have you ever heard that marriage is like a deck of playing cards?” Badde said. “Rappe . . . ?” Jan said, her tone warning. “No, can’t say that I have heard that,” Santos said. Badde grinned. “Yeah,” he said, “in the beginning of a marriage you just need two hearts and a diamond . . .” “Ha,” Santos said. “. . . But in the end you want a club and a spade.

Why don’t we see what the cards have to say?” Gran handed me a handkerchief and rocked back on her heels. I dabbed at my eyes as she shuffled the cards, the same deck she’d been using since I could remember. The gold foil had worn off their backs, but she said that just made them more magical. They gave up a little of themselves and took in a little of us, and with each generation, grew wiser.

I’m not saying that you can’t switch to another deck down the road, but I’ve been doing this for almost thirty years. You need to trust me on this. I am telling you that a deck in the Rider-Waite-Smith tradition will assist you in learning the basics of tarot better than the Deck of the Supercilious Fairy Realm of Gondor. I promise.

Because I’m going to. It hits me like a train. I’m saying no. I’m Whitaker Kayes. Heir to the Barons. I have options. I hold my own deck of cards.

There are times when I sit on the hotel bed with a deck of cards and play solitaire to give my “little mind” something to do. I got that phrase from my grandmother, who used to say, when something surprised her, “You know, that wasn’t even on my littlest mind.” I really thought that there was a small mind and a large mind, and if I could occupy the small one, I could get more quickly to the big one.

Carstensen gave her hypothesis the impenetrable name “socioemotional selectivity theory.” The simpler way to say it is that perspective matters. She produced a series of experiments to test the idea. In one, she and her team studied a group of adult men ages twenty-three to sixty-six. Some of the men were healthy. But some were terminally ill with HIV/AIDS. The subjects were given a deck of cards with descriptions of people they might know, ranging in emotional closeness from family members to the author of a book they’d read, and they were asked to sort the cards according to how they would feel about spending half an hour with them. In general, the younger the subjects were, the less they valued time with people they were emotionally close to and the more they valued time with people who were potential sources of information or new friendship. However, among the ill, the age differences disappeared. The preferences of a young person with AIDS were the same as those of an old person.

The experience of a loss or a gain,” says Weber, “depends on what the loss or gain is relative to.” People, like animals, tend to evaluate how much the outcomes vary relative to the total amount of wealth that appears to be at stake. When that difference is high, people will gravitate away from the risky deck to the certain deck. (If the cards in one deck always pay $1, while in the other deck nine cards pay nothing and one pays $10, roughly 70% of people will prefer the “sure thing” of the first deck.)

oday so many children aren't involved in their families' lives. Let's change that! Get them active in your family. Start by creating times for sharing and conversation.. .at the dinner table. Turn off the TV, all phones (including cells), and any other distractions. Toward the end of the meal, ask everyone this question: "What's the best thing that happened to you today?" Make dinnertime fun. Find out what's happening in your children's hearts and lives, and let them know what's happening in yours. Honor jobs well done, good grades, and positive contributions to the family and community. love having family pictures all over the house. It's a great way to promote family identity. Do team sports together. Have a family night out every now and then. The apostle Paul says, "If you have any encouragement from being united with Christ. . .then make my joy complete by being like-minded, having the same love, being one in spirit and purpose" (Philippians 2:1-2). hen was the last time you did something really special to say "I love you" to your husband or boyfriend? In the morning, tell your husband, "Honey, tonight is a special evening-just for the two of us." Then get busy. Set up a card table on your patio or deck-or even in the living room. Get out a beautiful tablecloth, your best napkins, flowers, and candles! Fix him his favorite meal and your best dessert, put on some soft romantic music, give yourself enough time to look your best, and you're all set for when he gets home. He'll feel like a king and know he's a top priority in your life.

What’s this one?” I ask. I point to a deck of cards with a clown on the front. There’s a full house showing on the card faces. “Life’s a gamble.” “And this one?” I start to paint over her sailboat. “Someday,” she says quietly, “I’ll sail into the sunset.” “There are wedding rings on the sail?” “Yes.” “You want to be married.” “Yes.” My heart kicks in my chest. “My back is my hopes and dreams. My front is my reality as I saw it at the time. Because I can face anything, as long as I let what happened to me push me forward.” Damn. I don’t even know how to respond.

I’ll take all those crimes and robberies, wars and villagers, generals and crooks, that are asleep in the silence of the archives and write each of them down, one by one, on slips of paper the size of playing cards. Then I’ll shuffle that awesome deck consisting of hundreds—no, millions—of cards, just as you shuffle a deck of playing cards, but, of course, with much more difficulty, perhaps using special machines, like those lottery machines in front of notaries, and I’ll place them in the hands of my readers! And I’ll tell them: None of these has any connection with any other, preceding or following, front or back, cause or effect. Come, young reader, this is life and history, read it as you will. Everything that exists is in here, it all simply exists, but there’s no story binding it together. Then the disappointed young reader will ask: No story at all? At that point, appreciating his point of view, I’ll say, You’re right, at this age you do need a story to explain everything just so you can live in peace, otherwise you’d come unhinged. And with that, as if slipping a joker into my deck of millions of cards, I’d write Story and begin to gather together the cards in a way that tells a tale.

Q: Where did the Pilgrims play cards on the Mayflower? A: On the deck! Q: What did the Pilgrims have when they caught 10 ducks? A: A lot of quackers. Q: What letters did the Pilgrim boy say when he saw there was no food on the table? A: O I C U R M T

Life is too short for games unless it’s a game of cards. Don’t text back right away; if you like them, pretend you don’t; and don’t you dare say I love you first. Well screw all that. I will text you back in three seconds; I will tell you that I like you; and if I love you, I’ll tell you every chance I get. Life is unpredictable, and I’d rather play every card as honestly as I can than have a deck full of regrets and what-ifs.

That such a scrap of kitsch has endured in a way that the writing of Francis Bacon has not says much about what’s really timeless and what isn’t; that the 1959 “Deck of Cards” was far more popular with pop audiences than with country audiences says much about who the real kitschmongers are.

Nico hung his head almost as low as a katobleps . "I, uh . . . used to play this stupid card game when I was younger. Mythomagic. The katobleps was one of the monster cards." Frank blinked. " I played Mythomagic. I never saw that card." "it was in the Africanus Extreme expansion deck." "Oh." Their host cleard his throat. "Are you two done, ah, geeking out, as they say ?

Suki laid out a deck of cards that had been included in the supplies they’d bought, running Grant through the different types of games he could expect to see. It didn’t take long for him to realize how much trouble he was in. “How do you keep all these rules straight in your head?” He pointed at the game they were practicing at the moment. “I am supposed to slap the Jacks and Jokers, but not the others? Then this one: the one where I have to count to twenty one… I don’t slap, I hit? What am I supposed to hit again? The dealer?” “No. No, don’t hit the dealer.” Suki massaged her left temple as her eyelid twitched. “You say the word ‘hit’ when you want another card.” “But in this game, I’m supposed to hit.” Grant pointed at the pile of cards in front of him. “Do I get to hit the dealer in this game, then?” “No! No hitting actual people!” Suki picked up the cards and shuffled them. “Let’s stop worrying about the games where you might get us kicked out, and focus on just one. The most important game to learn is poker. It’s known as the gentleman's game, and it focuses more on reading other people than the cards themselves.” “Poker. So, I… poke them with my sword?

One of the methods that he and Bowie used on Low was the “Oblique Strategies” he’d created with artist Peter Schmidt the year before. It was a deck of cards, and each card was inscribed with a command or an observation. When you got into a creative impasse, you were to turn up one of the cards and act upon it. The commands went from the sweetly banal (“Do the washing up”) to the more technical (“Feedback recordings into an acoustic situation”; “The tape is now the music”). Some cards contradict each other (“Remove specifics and convert to ambiguities”; “Remove ambiguities and convert to specifics”). Some use Wildean substitution (“Don’t be afraid of things because they’re easy to do”). And several veer towards the Freudian (“Your mistake was a hidden intention”; “Emphasise the flaws”). The stress is on capitalising on error as a way of drawing in randomness, tricking yourself into an interesting situation, and crucially leaving room for the thing that can’t be explained—an element that every work of art needs. Did the Oblique Strategy cards actually work? They were probably more important symbolically than practically. A cerebral theoretician like Eno had more need of a mental circuit-breaker than someone like Bowie, who was a natural improviser, collagiste, artistic gadfly. Anyone involved in the creative arts knows that chance events in the process play an important role, but to my mind there’s something slightly self-defeating about the idea of “planned accidents.” Oblique Strategies certainly created tensions, as Carlos Alomar explained to Bowie biographer David Buckley: “Brian Eno had come in with all these cards that he had made and they were supposed to eliminate a block. Now, you’ve got to understand something. I’m a musician. I’ve studied music theory, I’ve studied counterpoint and I’m used to working with musicians who can read music. Here comes Brian Eno and he goes to a blackboard. He says: ‘Here’s the beat, and when I point to a chord, you play the chord.’ So we get a random picking of chords. I finally had to say, ‘This is bullshit, this sucks, this sounds stupid.’ I totally, totally resisted it. David and Brian were two intellectual guys and they had a very different camaraderie, a heavier conversation, a Europeanness. It was too heavy for me. He and Brian would get off on talking about music in terms of history and I’d think, ‘Well that’s stupid—history isn’t going to give you a hook for the song!’ I’m interested in what’s commercial, what’s funky and what’s going to make people dance!” It may well have been the creative tension between that kind of traditionalist approach and Eno’s experimentalism that was more productive than the “planned accidents” themselves. As Eno himself has said: “The interesting place is not chaos, and it’s not total coherence. It’s somewhere on the cusp of those two.

In a letter she wrote to Alfred Stieglitz in November of 1909, she says, “I’ve just finished a big job for very little cash! A set of designs for a pack of Tarot cards 80 designs. I shall send some over—of the original drawings—as some people may like them!” Today this note strikes a chord that’s both sweet and sour. The thirty-one-year-old writing it had no inkling how renowned her images would become after they were published in 1910. The Rider-Waite tarot deck, as it came to be called (after Waite and the publisher, William Rider & Son), is now arguably the most successful and recognizable deck ever made, and it is the number-one-selling deck in America and England. Her complex, symbolic artwork has been a source of inspiration and deep meaning to card readers for more than a hundred years, not to mention its numberless appearances on everything from T-shirts to coffee mugs to haute couture dresses by Dior and Alexander McQueen.

In the usual iconography of the temple or the local Wok you would never see him doing such a thing, tossing the dry snow over the mountain of his bare, round shoulder, his hair tied in a knot, a model of concentration. Sitting is more his speed, if that is the word for what he does, or does not do. Even the season is wrong for him. In all his manifestations, is it not warm and slightly humid? Is this not implied by his serene expression, that smile so wide it wraps itself around the waist of the universe? But here we are, working our way down the driveway. one shovelful at a time. We toss the light powder into the clean air. We feel the cold most on our faces. And with every heave we disappear and become lost to each other in these sudden clouds of our own making, these fountain-bursts of snow. This is so much better than a sermon in church, I say out loud, bud Buddha keeps on shoveling. This is the true religion, the religion of snow, and sunlight and winter geese barking in the sky, I say, but he is too busy to hear me He has thrown himself into shoveling snow as if it were the purpose of existence, as if the sign of a perfect life were a clear driveway you could back the car down easily and drive off into the vanities of the world with a broken heater fan and a song on the radio. All morning long we work side by side, me with my commentary and he is inside the generous pocket of his silence, until the house is nearly noon and the snow is piled high all around us; then, I hear him speak. After this, he asks, can we go inside and play cards? Certainly, I reply, and I will heat some milk and bring cups of hot chlorate to the table while you shuffle the deck, and our boots stand dripping by the door. Aaah, says the Buddha, lifting his eyes and leaning for a moment on his shovel before he drives the fun blade again deep into the glittering white snow.

Crabtree's Parable of the Cards: “We divide the deck into numbered and face cards, and so we divide the types of men. The numbered cards are the underlings, the parasites of the world. When you play a man who is a numbered card, he looks out only for himself with no consciousness that others are in the game with him. If you wish to be kind, you can say these men are the subordinates of the world, but they are parasites all the same. They attach themselves to someone greater, learning if they are young or inexperienced enough, leeching if they are strong or experienced enough to know better but would rather remain weak. They don’t contribute to the world. They only take from it, and if a man remains in this state, he is no better than a sheep. Numbered men are as disposable and interchangeable as the animals they mimic. The face cards are men who have seen the way the world works, who know the only way to survive is to kill or be killed. These men are the cannibals. They drive and lead the parasites, bluffing them into traps and bleeding them when necessary for their own survival or for that of the parasites they have chosen to protect. Depending on what level of face card they are, they bleed them to serve those they owe allegiance to. This is the way of the world. You may find it harsh or overly simplified. But in the end you will find these are your choices. You may be a face card, or you may be a number. The power to choose is yours. Aces are unique because they can be both a face card and a numbered card. But no matter what they are, they will always be the lowest of the low or the highest of the high—and because of this, they will always be alone. An ace does not evolve, but rather he constantly explores his dual nature. When he leads, he is acutely aware of his underlings, unable to use them with the casualness that his fellow face cards will do. When he is brought low, he is equally aware of the thin veil separating him from where he is supposed to be, and he can’t forget how he and his fellows in servitude should be treated. An ace is seldom at home unless he is with his own kind, and many fall into despair and find themselves wedged quite firmly in the low side of their nature. There are few aces in the world, and so most aces, no matter who they are with, feel alone. And that, my children, is the Parable of the Cards. Take it to heart, because the secret to life lies within it.

Were I to guess,” he said, “I’d say that sai King left those signs and siguls.” “The writer,” Eddie said. He weighed the idea, then nodded slowly. He vaguely remembered a concept from high school—the god from the machine, it was called. There was a fancy Latin term for it as well, but that one he couldn’t remember. Had probably been writing Mary Lou Kenopensky’s name on his desk while the other kids had been obediently taking notes. The basic concept was that if a playwright got himself into a corner he could send down the god, who arrived in a flower-decked bucka wagon from overhead and rescued the characters who were in trouble. This no doubt pleased the more religious playgoers, who believed that God—not the special-effects version who came down from some overhead platform the audience couldn’t see but the One who wert in heaven—really did save people who deserved it. Such ideas had undoubtedly gone out of fashion in the modern age, but Eddie thought that popular novelists—of the sort sai King seemed on his way to becoming—probably still used the technique, only disguising it better. Little escape hatches. Cards that read GET OUT OF JAIL FREE or ESCAPE THE PIRATES or FREAK STORM CUTS ELECTRICAL POWER, EXECUTION POSTPONED. The god from the machine (who was actually the writer), patiently working to keep the characters safe so his tale wouldn’t end with an unsatisfying line like “And so the ka-tet was wiped out on Jericho Hill and the bad guys won, rule Discordia, so sorry, better luck next time (what next time, ha-ha), THE END.” Little safety nets, like a key. Not to mention a scrimshaw turtle. “If he wrote those things into his story,” Eddie said, “it was long after we saw him in 1977.” “Aye,” Roland agreed. “And I don’t think he thought them up,” Eddie said. “Not really. He’s just . . . I dunno, just a . . .” “A bumhug?” Susannah asked, smiling. “No!” Jake said, sounding a little shocked. “Not that. He’s a sender. A telecaster.” He was thinking about his father and his father’s job at the Network.

Nothing I can do will stop it. No matter what Sebastian says, he's the one holding the cards. All of them. The full deck and even the box. I'm just a card he'll shuffle into his life, yet I can't stop myself from volunteering.

Listen. The Sinspire is nearly sixty yards high, one thick Elderglass cylinder. You know those, you tried to jump off one about two months ago. Goes down another hundred feet or so into a glass hill. It’s got one door at street level, and exactly one door into the vault beneath the tower. One. No secrets, no side entrances. The ground is pristine Elderglass; no tunneling through it, not in a thousand years.” “Mmmm-hmmmm.” “Requin’s got at least four dozen attendants on each floor at any given time, plus dozens of table minders, card dealers, and waiters. There’s a lounge on the third floor where he keeps more out of sight. So figure, at minimum, fifty or sixty loyal workers on duty with another twenty to thirty he can call out. Lots of nasty brutes, too. He likes to recruit from ex-soldiers, mercenaries, city thieves, and such. He gives cushy positions to his Right People for jobs well done, and he pays them like he was their doting mother. Plus, there are stories of dealers getting a year’s wages in tips from lucky blue bloods in just a night or two. Bribery won’t be likely to work on anyone.” “Mmmm-hmmmm.” “He’s got three layers of vault doors, all of them ironshod witchwood, three or four inches thick. Last set of doors is supposedly backed with blackened steel, so even if you had a week to chop through the other two, you’d never get past the third. All of them have clockwork mechanisms, the best and most expensive Verrari stuff, private designs from masters of the Artificers’ Guild. The standing orders are, not one set of doors opens unless he’s there himself to see it; he watches every deposit and every withdrawal. Opens the door a couple times per day at most. Behind the first set of doors are four to eight guards, in rooms with cots, food, and water. They can hold out there for a week under siege.” “Mmmm-hmmmm.” “The inner sets of doors don’t open except for a key he keeps around his neck. The outer doors won’t open except for a key he always gives to his majordomo. So you’d need both to get anywhere.” “Mmmm-hmmmm.” “And the traps…they’re demented, or at least the rumors are. Pressure plates, counterweights, crossbows in the walls and ceilings. Contact poisons, sprays of acid, chambers full of venomous serpents or spiders…One fellow even said that there’s a chamber before the last door that fills up with a cloud of powdered strangler’s orchid petals, and while you’re choking to death on that, a bit of twistmatch falls out and lights the whole mess on fire, so then you burn to a crisp. Insult to injury.” “Mmmm-hmmmm.” “Worst of all, the inner vault is guarded by a live dragon attended by fifty naked women armed with poison spears, each of them sworn to die in Requin’s service. All redheads.” “You’re making that up, Jean.” “I wanted to see if you were listening. But what I’m saying is, I don’t care if he’s got a million solari in there, packed in bags for easy hauling. I’m inclined to the idea that this vault might not be breakable, not unless you’ve got three hundred soldiers, six or seven wagons, and a team of master clockwork artificers you’re not telling me about.” “Right.” “Do you have three hundred soldiers, six or seven wagons, and a team of master clockwork artificers you’re not telling me about?” “No, I’ve got you, me, the contents of our coin purses, this carriage, and a deck of cards.

And if we don’t?” “Then we cannot retrieve the Twin Alders Card. The Deck will not unite on Solstice. And young Emory Yew will surely die.” Jespyr flinched at her brother’s name. She looked down at her charm. “I’ll do it.” “Like hell.” Ravyn didn’t know if he was whispering or shouting. “There has to be another—” “Saying there must be another way does not make it so,” the Nightmare hissed.