“
Above all, don't lie to yourself. The man who lies to himself and listens to his own lie comes to a point that he cannot distinguish the truth within him, or around him, and so loses all respect for himself and for others. And having no respect he ceases to love.
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
You're like a song that I heard when I was a little kid but forgot I knew until I heard it again.
”
”
Maggie Stiefvater (Lament: The Faerie Queen's Deception (Books of Faerie, #1))
“
I’ll give you the world,” he said against my mouth. “The moon. The fucking stars. Anything you ask, it’s yours. I’m yours.
”
”
Elena Armas (The Spanish Love Deception (Love Deception, #1))
“
Because it was all you were willing to give me. And I’d rather have you hating me than not have you at all.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
To cheat oneself out of love is the most terrible deception; it is an eternal loss for which there is no reparation, either in time or in eternity.
”
”
Søren Kierkegaard
“
Love is a verb, not a noun. It is active. Love is not just feelings of passion and romance. It is behavior. If a man lies to you, he is behaving badly and unlovingly toward you. He is disrespecting you and your relationship. The words “I love you” are not enough to make up for that. Don’t kid yourself that they are.
”
”
Susan Forward (When Your Lover Is a Liar: Healing the Wounds of Deception and Betrayal)
“
When I finally kiss you, there won’t be any doubt in your mind that it is real.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
You feel complete in my arms. You feel like my home.
”
”
Elena Armas (The Spanish Love Deception (Love Deception, #1))
“
I will find you.
In the farthest corner, I will find you.
”
”
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
“
Over time, any deception destroys intimacy, and without intimacy couples cannot have true and lasting love.
”
”
Bonnie Eaker Weil (Financial Infidelity: Seven Steps to Conquering the #1 Relationship Wrecker)
“
You are enough to drive a saint to madness or a king to his knees.
”
”
Grace Willows (To Kiss a King)
“
If you get any more perfect, I’m going to believe you were made just for me.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
And we all know love is a glass which makes even a monster appear fascinating.
”
”
Alberto Moravia (The Woman of Rome)
“
How is it possible that it feels like you are breaking my heart, and I haven’t even had you yet?
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
To find out if she really loved me, I hooked her up to a lie detector. And just as I suspected, my machine was broken.
”
”
Dark Jar Tin Zoo (Love Quotes for the Ages. Specifically Ages 19-91.)
“
Maybe there was no one way to define it. Maybe there were as many shades of love as the blues of the sky.
”
”
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
“
I don’t think I’d be able to deny you a single thing if you asked, Catalina.
”
”
Elena Armas (The Spanish Love Deception (Love Deception, #1))
“
A man when he is making up to anybody can be cordial and gallant and full of little attentions and altogether charming. But when a man is really in love he can't help looking like a sheep.
”
”
Agatha Christie (The Mystery of the Blue Train (Hercule Poirot, #6))
“
But you are. You are worth all that trouble. You are worth walking through a fucking fire. Don’t you see that?
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
Love brings to light a lover's noble and hidden qualities-his rare and exceptional traits: it is thus liable to be deceptive of his normal qualities.
”
”
Friedrich Nietzsche
“
Solid character will reflect itself in consistent behavior, while poor character will seek to hide behind deceptive words and actions.
”
”
Myles Munroe (Waiting and Dating: A Sensible Guide to a Fulfilling Love Relationship)
“
Being your friend has always been the last thing on my mind.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
He was still too young to know that the heart's memory eliminates the bad and magnifies the good, and that thanks to this artifice we manage to endure the burden of the past. But when he stood at the railing of the ship... only then did he understand to what extent he had been an easy vicitim to the charitible deceptions of nostalgia.
”
”
Gabriel García Márquez
“
If one can't be trusted in love, one can't be trusted in anything. Some things can't be forgiven.
”
”
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
“
I wasn’t pretending, Catalina. Not for a minute. It was all real for me. That’s why it meant so much.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
I always have time for you.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
He is not that good-looking. He’s just tall,
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
Do I have your attention?” “You don’t need to do any of that.” He lowered the large black-and-white-colored pages with a brisk motion. “You always have my undivided attention, Catalina.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
She was a ray of sunshine, a warm summer rain, a bright fire on a cold winter’s day, and now she could be dead because she had tried to save the man she loved.
”
”
Grace Willows
“
I'd sacrificed true love and a popped cherry to the god of deception and hormones." - Zoey Redbird (Ch 24)
”
”
P.C. Cast (Chosen (House of Night, #3))
“
You are not on your own anymore. It’s you and me now. We are in this together, and we’ve got this.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
Because when I finally take those lips in mine, it will be the furthest thing from pretending. I will not be showing you what it would be like if you were mine. I’ll show you what it is. And I sure as hell won’t be showing how good I could make you feel if you called me yours. You’ll already know that I am.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
People appear like angels until you hear them speak. You must not rush to judge people by the colour of their cloaks, but by the content of their words!
”
”
Israelmore Ayivor
“
You are all that, Catalina. You are light. And passion. Your laughter alone can lift my mood and effortlessly turn my day around in a matter of seconds. Even when it's not aimed at me. You... can light up entire rooms, Catalina. You hold that kind of power. And it's because of all the different things that make you who you are. Each and every one of them, even the ones that drive me crazy in ways you can't imagine. You should never forget that.
”
”
Elena Armas (The Spanish Love Deception (Love Deception, #1))
“
Five tacos—Aaron had gotten me five and not four, like I had told him.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
Neither of you is at fault, Aaron. We are not programmed to lose those we love; there’s no right or wrong way to grieve.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
At first I did not love you, Jude; that I own. When I first knew you I merely wanted you to love me. I did not exactly flirt with you; but that inborn craving which undermines some women's morals almost more than unbridled passion--the craving to attract and captivate, regardless of the injury it may do the man--was in me; and when I found I had caught you, I was frightened. And then--I don't know how it was-- I couldn't bear to let you go--possibly to Arabella again--and so I got to love you, Jude. But you see, however fondly it ended, it began in the selfish and cruel wish to make your heart ache for me without letting mine ache for you.
”
”
Thomas Hardy (Jude the Obscure)
“
Betrayal and dishonor is usually an inside job. Keep it 'sucka-free', loved one!
”
”
T.F. Hodge (From Within I Rise: Spiritual Triumph over Death and Conscious Encounters With the Divine Presence)
“
There is more beauty than our eyes can bear, precious things have been put into our hands and to do nothing to honor them is to do great harm.
”
”
Marilynne Robinson (Gilead (Gilead, #1))
“
...and with a burning pain in my heart I realized how unnecessary, how petty, and how deceptive all that had hindered us from loving was. I understood that when you love you must either, in your reasonings about that love, start from what is highest, from what is more important than happiness or unhappiness, sin or virtue in their accepted meaning, or you must not reason at all.
”
”
Anton Chekhov (Short Stories by Anton Chekhov: About Truth, Freedom, Happiness, and Love)
“
Maybe there were a hundred different ways to fall in love.
”
”
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
“
Rosalyn Graham,
Will you be my best friend?
My roommate.
My Dancing Queen.
My experiment life partner.
My heart.
Will you be mine, just like I'm completely, hopelessly yours?
”
”
Elena Armas (The American Roommate Experiment (Love Deception, #2))
“
Her words were like tinfoil; they shone and they covered things up.
”
”
Helen Cross (My Summer Of Love)
“
The Marxians love of democratic institutions was a stratagem only, a pious fraud for the deception of the masses. Within a socialist community there is no room left for freedom.
”
”
Ludwig von Mises
“
Love is worth fighting for.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
When there’s a rock on the way and you fall, I tumble down with you. We fight our way up together.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
I love you as the mother of my child": the kiss of death.
Mother of His Child: demotion. I am beginning to see this truism: Mothers are not always wives. I have been stripped of a piece of self.
”
”
Suzanne Finnamore (Split: A Memoir of Divorce)
“
I read you like you were my favorite book, Rosie. Like I’ve memorized you.
”
”
Elena Armas (The American Roommate Experiment (Love Deception, #2))
“
My eyelids eventually fluttered shut, but right before darkness engulfed me, I thought I heard Aaron whisper, “You feel complete in my arms. You feel like my home.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
Many people cannot love themselves because they only love the illusions that they make of themselves. They merely like to wallow around in the narcissistic cocoon delusively constructed with the bits and pieces of their deceptions. ("Being my best friend" )
”
”
Erik Pevernagie
“
When you love someone, you can't lie to them. It hurts to much. It's a deception that goes too deep.
”
”
Abbi Glines (Just for Now (Sea Breeze, #4))
“
You’ve never needed anyone to fight your battles, Catalina. That’s one of the things I respect the most about you.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
Remember to pick the boy that will pant a garden for you instead of just getting you the flowers.
”
”
Elena Armas (The American Roommate Experiment (Love Deception, #2))
“
Set your goal free into the universe. Visualize it.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
The thin line between love and hate is self-deception.
”
”
J.K. Franko (Killing Johnny Miracle)
“
I am glad it cannot happen twice, the fever of first love. For it is a fever, and a burden, too, whatever the poets may say. They are not brave, the days when we are twenty-one. They are full of little cowardices, little fears without foundation, and one is so easily bruised, so swiftly wounded, one falls to the first barbed word. To-day, wrapped in the complacent armour of approaching middle age, the infinitesimal pricks of day by day brush one but lightly and are soon forgotten, but then--how a careless word would linger, becoming a fiery stigma, and how a look, a glance over a shoulder, branded themselves as things eternal. A denial heralded the thrice crowing of a cock, and an insincerity was like the kiss of Judas. The adult mind can lie with untroubled conscience and a gay composure, but in those days even a small deception scoured the tongue, lashing one against the stake itself.
”
”
Daphne du Maurier (Rebecca)
“
Anything that bothers you matters to me, and I want to hear about it,” he said from his position behind me. “Nothing about you is boring or doesn’t interest me—ever. Understand?
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
Oh! that look of love!" continued he, between his teeth, as he bolted himself into his own private room. "And that cursed lie; which showed some terrible shame in the background, to be kept from the light in which I thought she lived perpetually! Oh, Margaret, Margaret! Mother, how you have tortured me! Oh! Margaret, could you not have loved me? I am but uncouth and hard, but I would never have led you into any falsehood for me.
”
”
Elizabeth Gaskell (North and South)
“
It takes a fearless, unflinching love and deep humility to accept the universe as it is. The most effective way he knew to accomplish that, the most powerful tool at his disposal, was the scientific method, which over time winnows out deception. It can't give you absolute truth because science is a permanent revolution, always subject to revision, but it can give you successive approximations of reality.
”
”
Ann Druyan
“
What they had was the real stuff. Honest, devoted, palpable love. The one that transcended distance, differences, and obstacles. The kind that was meant to be written about in books. Thinking of it filled my chest with warmth and longing for something I didn’t know I’d ever be able to find.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
I missed being in love with the idea of love, too.
”
”
Elena Armas (The American Roommate Experiment (Love Deception, #2))
“
A perfect night... a perfect forever
”
”
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
“
People love answers, but only as long as they are the ones who came up with them.
”
”
Criss Jami (Killosophy)
“
And you're sorry that the ephemeral beauty has faded so rapidly, so irretrievably, that it flashed so deceptively and pointlessly before your eyes--you're sorry, for you didn't even have time to fall in love...
”
”
Fyodor Dostoevsky
“
Love cannot reconcile with deception
”
”
Susan Abulhawa (Mornings in Jenin)
“
Sometimes we keep things from those we love for reasons we don’t even understand ourselves.
”
”
Elena Armas (The American Roommate Experiment (Love Deception, #2))
“
Don't tell me that. I've lived in hell for the past thousand years. I spent a thousand years wishing I'd never been born. She's the only thing that's made my life worth living and if that's all I get, a few months with her- a few days, it's more than I've ever hoped for. Do you really think God would forgive me for the blood on my hands, even if my soul was free? I'm going to hell no matter what happens. Let me have my pathetic hopeless love while I can. Just- let me pretend it will turn out alright.
”
”
Maggie Stiefvater (Lament: The Faerie Queen's Deception (Books of Faerie, #1))
“
Everything I didn't believe of myself, everything I couldn't possibly think you saw in me, was there. I saw myself through your eyes. You loved me.
”
”
Elena Armas (The American Roommate Experiment (Love Deception, #2))
“
Oh honey, someday a real man is going to make you see stars and you won't even be looking at the sky."
Excerpt from Grace Willow's Last Minute Bride
”
”
Grace Willows
“
All I know is that I'm in love with you," he said, almost angrily. "That the sight of you, the scent of you, the sound of your voice - I can't help myself, I can't stop it, I can't think of anything else. You've made me completely useless.
”
”
Lee Nichols (Deception (Haunting Emma, #1))
“
She loved him. But he didn’t know how to love.
He could talk about love. He could see love and feel love. But he couldn’t give love.
He could make love. But he couldn’t make promises.
She had desperately wanted his promises.
She wanted his heart, knew she couldn’t have it so she took what she could get.
Temporary bliss. Passionate highs and lows. Withdrawal and manipulation.
He only stayed long enough to take what he needed and keep moving.
If he stopped moving, he would self-destruct.
If he stopped wandering, he would have to face himself.
He chose to stay in the dark where he couldn’t see.
If he exposed himself and the sun came out, he’d see his shadow.
He was deathly afraid of his shadow.
She saw his shadow, loved it, understood it. Saw potential in it.
She thought her love would change him.
He pushed and he pulled, tested boundaries, thinking she would never leave.
He knew he was hurting her, but didn’t know how to share anything but pain.
He was only comfortable in chaos. Claiming souls before they could claim him.
Her love, her body, she had given to him and he’d taken with such feigned sincerity, absorbing every drop of her.
His dark heart concealed.
She’d let him enter her spirit and stroke her soul where everything is love and sensation and surrender.
Wide open, exposed to deception.
It had never occurred to her that this desire was not love.
It was blinding the way she wanted him.
She couldn’t see what was really happening, only what she wanted to happen.
She suspected that he would always seek to minimize the risk of being split open, his secrets revealed.
He valued his soul’s privacy far more than he valued the intimacy of sincere connection so he kept his distance at any and all costs.
Intimacy would lead to his undoing—in his mind, an irrational and indulgent mistake.
When she discovered his indiscretions, she threw love in his face and beat him with it.
Somewhere deep down, in her labyrinth, her intricacy, the darkest part of her soul, she relished the mayhem.
She felt a sense of privilege for having such passion in her life.
He stirred her core.
The place she dared not enter.
The place she could not stir for herself.
But something wasn’t right.
His eyes were cold and dark.
His energy, unaffected.
He laughed at her and her antics, told her she was a mess.
Frantic, she looked for love hiding in his eyes, in his face, in his stance, and she found nothing but disdain.
And her heart stopped.
”
”
G.G. Renee Hill (The Beautiful Disruption)
“
Most of humanity, he said, have eyes that are so caked shut with the dust of deception they will never see the truth, no matter who tries to help them.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
You are so terribly nimble, so clever. I distrust your cleverness. You make a wonderful pattern, everything is in its place, it looks convincingly clear, too clear. And meanwhile, where are you? Not on the clear surface of your ideas, but you have already sunk deeper, into darker regions, so that one only thinks one has been given all your thoughts, one only imagines you have emptied yourself in that clarity. But there are layers and layers -- you're bottomless, unfathomable. Your clearness is deceptive. You are the thinker who arouses most confusion in me, most doubt, most disturbance.
”
”
Anaïs Nin (Henry and June: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1931-1932)
“
I want your heart, Catalina.” Both of his hands rose to my shoulders, trailing up my neck and cupping my face. “I want it for myself, just how I have given you mine.” It’s yours, you beautiful and blind man, I wanted to tell him. Take it. I don’t want it anymore, I wanted to scream at him and anyone that would listen.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
Ancients pulled metals more precious than gold from the center of the earth - They spun into giant lacy wings that flew them to the stars and back
"Is that what you'd do with wings?"
She shook her head "No, I'd fly to the stars, but I'd never come back
”
”
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
“
Nothing could be taken for granted. Women who loved you tried to cut your throat, while women who didn't even know your name scrubbed your back. Witches could sound like Katharine Hepburn and your best friend could try to strangle you. Smack in the middle of an orchid there might be a blob of jello and inside a Mickey Mouse doll, a fixed and radiant star.
”
”
Toni Morrison (Song of Solomon)
“
It is a world of magic and mystery, of deep darkness and flickering starlight. It is a world where terrible things happen and wonderful things too. It is a world where goodness is pitted against evil, love against hate, order against chaos, in a great struggle where often it is hard to be sure who belongs to which side because appearances are endlessly deceptive. Yet for all its confusion and wildness, it is a world where the battle goes ultimately to the good, who live happily ever after, and where in the long run everybody, good and evil alike, becomes known by his true name....That is the fairy tale of the Gospel with, of course, one crucial difference from all other fairy tales, which is that the claim made for it is that it is true, that it not only happened once upon a time but has kept on happening ever since and is happening still.
”
”
Frederick Buechner (Telling the Truth: The Gospel as Tragedy, Comedy, and Fairy Tale)
“
Some days, I found excuses to touch her. I'd tell her she had something in her hair. Or that I'd thought there had been something clinging to her clothes. Sometimes, I reached for her and didn't come up with an excuse in time so I just smiled at her like a total idiot, and hoped for the best.
”
”
Elena Armas (The American Roommate Experiment (Love Deception, #2))
“
Matthew, confess now. Are you a closeted font nerd? Do you go to these conferences? I promise I won't respect you any less if you are. OK, fine, secretly I will, but it's better to get this off your chest and be who you are, than to live in deception. Hiding the truth will only cripple your emotional development"
"Well, I'm sorry to dissapoint you. I'm not a font nerd. You can email me in Papyrus and I won't care.
”
”
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
“
It’s not enough to be able to lie with a straight face; anybody with enough gall to raise on a busted flush can do that. The first way to lie artistically is to tell the truth — but not all of it. The second way involves telling the truth, too, but is harder: Tell the exact truth and maybe all of it…but tell it so unconvincingly that your listener is sure you are lying.
”
”
Robert A. Heinlein (Time Enough for Love)
“
-We need more love, to supersede hatred, -We need more strength,
to resist our weaknesses,
-We need more inspiration,
to lighten up our innermind.
-We need more learning,
to erase our ignorance,
-We need more wisdom,
to live longer and happier,
-We need more truths, to suppress deceptions,
-We need more health,
to enjoy our wealth,
-We need more peace, to stay in harmony with our brethren
-We need more smiles,
to brighten up our day,
-We need more hero's, and not zero's,
-We need more change of ourselves, to change the lives of others,
-We need more understanding,
to tackle our misunderstanding,
-We need more sympathy,
not apathy,
-We need more forgiveness,
not vengeance,
-We need more humility to be lifted up,
-We need more patience and not undue eagerness,
-We need more focus, to avoid distraction,
-We need more optimism,
not pessimism
-We need more justice,
not injustice,
-We need more facts, not fiction,
-We need more education,
to curb illiteracy,
-We need more skills, not incompetence,
-We need more challenges,
to make attempts,
-We need more talents,
to create the extraordinary,
-We need more helping hands,
not stingy folks,
-We need more efforts,
not laziness,
-We need more jokes, to forget our worries, -We need more spirituality,
not mean religion,
-We need more freedom,
not enslavement,
-We need more peacemakers,
not revolutionaries...with these, we create an heaven on earth.
”
”
Michael Bassey Johnson
“
Love is a dangerous thing. It comes in disguise to change our life... Lust is the deceiver. Lust wrenches our lives until nothing matters except the one we think we love, and under that deceptive spell we kill for them, give all for them, and then, when we have what we have wanted, we discover that it is all an illusion and nothing is there. Lust is a voyage to nowhere, to an empty land, but some men just love such voyages and never care about the destination. Love is a voyage too, a voyage with no destination except death, but a voyage of bliss.
”
”
Bernard Cornwell (Sword Song (The Saxon Stories, #4))
“
...I told you how different my love is, how dark it can get, but I do love you, more than I've ever loved anyone in my life. I don't only need you; I also genuinely cannot live without you and the light you bring to my darkness. I know you deserve better, but I'm unable to let you go, so I'll try my best to be worthy of you, Lenochka.
”
”
Rina Kent (Consumed by Deception (Deception Trilogy, #3))
“
That’s not an answer, baby.” His fingers increased their pace, making me light-headed. “Do you want me to get you off and hold you until you fall asleep?” His other hand rose to my breast, teasing my nipple. “Or do you want me to claim it with my cock?” So commanding and yet so fucking thoughtful. Cherishing me, ravishing me. He was everything I needed. Everything my body craved and my heart had been missing.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
What I feel for you is contempt. But it's nothing, compared to the contempt I feel for myself. I don't love you. I've never loved anyone. I wanted you from the first moment I saw you. I wanted you as one wants a whore - for the same reason and purpose. I spent two years damning myself, because I thought you were above a desire of this kind. You're not. You're as vile an animal as I am. I should loathe my discovering it. I don't. Yesterday, I would have killed anyone who'd tell me that you were capable of doing what I've had you do. Today, I would give my life not to let it be otherwise. Not to have you be anything but the bitch you are. All the greatness that I saw in you - I would not take it in exchange for the obscenity of your talent at an animal's sensation of pleasure. We were two great beings, you and I, proud of our strength, weren't we? Well this is all that's left of us - and I want no self-deception about it.
”
”
Ayn Rand (Atlas Shrugged)
“
It was a mug. And it had a joke printed on it. It said, Engineers don’t cry. They build bridges and get over it.” Someone laughed then. Isabel or perhaps Gonzalo—I wasn’t sure. With all that crazy banging, my heart had somehow moved up my throat and to my temples, so it was hard to focus on anything besides its beating and Aaron’s voice. “And you know what I did?” he continued, bitterness filling his tone. “Instead of laughing like I wanted to, instead of looking up at her and saying something funny that would hopefully make her give me one of those bright smiles I had somehow already seen her give so freely in the short day I had been around her, I pushed it all down and set the mug on my desk. Then, I thanked her and asked her if there was anything else she needed.” I knew I shouldn’t feel embarrassed, but I was. Just as much as I had been back then, if not more. It had been such a silly thing to do, and I had felt so tiny and dumb after he brushed it away so easily. Closing my eyes, I heard him continue, “I pretty much kicked her out of my office after she went out of her way and got me a gift.” Aaron’s voice got low and harsh. “A fucking welcome gift.” I opened my eyes just in time to watch him turn his head in my direction. Our gazes met. “Just like the big jerk I had advertised myself to be, I ran her out. And to this day, I regret it every time it crosses my mind. Every time I look at her.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
Your god, sir, is the World. In my eyes, you, too, if not an infidel, are an idolater. I conceive that you ignorantly worship: in all things you appear to me too superstitious. Sir, your god, your great Bel, your fish-tailed Dagon, rises before me as a demon. You, and such as you, have raised him to a throne, put on him a crown, given him a sceptre. Behold how hideously he governs! See him busied at the work he likes best -- making marriages. He binds the young to the old, the strong to the imbecile. He stretches out the arm of Mezentius and fetters the dead to the living. In his realm there is hatred -- secret hatred: there is disgust -- unspoken disgust: there is treachery -- family treachery: there is vice -- deep, deadly, domestic vice. In his dominions, children grow unloving between parents who have never loved: infants are nursed on deception from their very birth: they are reared in an atmosphere corrupt with lies ... All that surrounds him hastens to decay: all declines and degenerates under his sceptre. Your god is a masked Death.
”
”
Charlotte Brontë (Shirley)
“
All war is based in deception (cfr. Sun Tzu, “The Art of War”).
Definition of deception: “The practice of deliberately making somebody believe things that are not true. An act, a trick or device entended to deceive somebody”.
Thus, all war is based in metaphor.
All war necessarily perfects itself in poetry.
Poetry (since indefinable) is the sense of seduction.
Therefore, all war is the storytelling of seduction, and seduction is the nature of war.
”
”
Pola Oloixarac (Las teorías salvajes)
“
Nothing remains. The destruction is complete: love, lives, families, friends, cities, homes – all gone now. All our efforts to be good, to do the right thing, to act well, to be just and generous are now for naught. Because juxtaposed against any hope for fairness is wickedness, pure and simple. In some abstract formulation these things may exist in equal measure, which is to say that the scales balance when taking all things into consideration. But that is fantasy, the stuff of religion, hope beyond all reason. Because for those caught in the whirlwind, in the chaos of manifest evil, despair is all there is. Civilization falls away: everything is pointless now. Survival requires reciprocity. What then if there is none?
”
”
John Payton Foden (Magenta)
“
Catalina.” There it was again. Not Lina. Catalina. “I’m glad I didn’t kiss you.” Something halted in my chest. “Why?” The word was nothing more than a shaky whisper. “Because when I finally take those lips in mine, it will be the furthest thing from pretending. I will not be showing you what it would be like if you were mine. I’ll show you what it is. And I sure as hell won’t be showing how good I could make you feel if you called me yours. You’ll already know that I am.” He paused, and I swore I could see the restraint in his posture. As if he was stopping himself from pouncing and returning us to our former position, right against the hard surface of the wardrobe door. “When I finally kiss you, there won’t be any doubt in your mind that it is real.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
The fact that he does not tell me the truth all the time makes me not sure of his truth at certain times, and then I work to figure out for myself if what he is telling me is the truth or not, and sometimes I can figure out that it's not the truth and sometimes I don't know and never know, and sometimes just because he says it to me over and over again I am convinced it is the truth because I don't believe he would repeat a lie so often. Maybe the truth does not matter, but I want to know it if only so that I can come to some conclusions about such questions as: whether he is angry at me or not; if he is, then how angry; whether he still loves her or not; if he does, then how much; whether he loves me or not; how much; how capable he is of deceiving me in the act and after the act in the telling.
”
”
Lydia Davis (Break It Down)
“
Any other Disney movies?” I was tempting my luck here. Aaron’s expression remained serious. “All of them.” Shit. “Even Frozen? Tangled? The Princess Frog?” I asked, and he nodded. “I love animated movies. They take my mind off things.” He dipped his hands in the pockets of his jeans. “Disney, Pixar … I’m a big fan.” This was too much. First, he’d opened up about his childhood earlier today, and now, this. I wanted to ask how and why, but there was a more pressing issue. “What’s your favorite?” Please don’t say the one that will send my heart into cardiac arrest. Please don’t say it. “Up.” Fuck. He had said it. My heart struggled there for a moment. And that little spot that had been softening throughout the night got a little bigger.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
I was born free, and that I might live in freedom I chose the solitude of the fields; in the trees of the mountains I find society, the clear waters of the brooks are my mirrors, and to the trees and waters I make known my thoughts and charms. I am a fire afar off, a sword laid aside. Those whom I have inspired with love by letting them see me, I have by words undeceived, and if their longings live on hope—and I have given none to Chrysostom or to any other—it cannot justly be said that the death of any is my doing, for it was rather his own obstinacy than my cruelty that killed him; and if it be made a charge against me that his wishes were honourable, and that therefore I was bound to yield to them, I answer that when on this very spot where now his grave is made he declared to me his purity of purpose, I told him that mine was to live in perpetual solitude, and that the earth alone should enjoy the fruits of my retirement and the spoils of my beauty; and if, after this open avowal, he chose to persist against hope and steer against the wind, what wonder is it that he should sink in the depths of his infatuation? If I had encouraged him, I should be false; if I had gratified him, I should have acted against my own better resolution and purpose. He was persistent in spite of warning, he despaired without being hated. Bethink you now if it be reasonable that his suffering should be laid to my charge. Let him who has been deceived complain, let him give way to despair whose encouraged hopes have proved vain, let him flatter himself whom I shall entice, let him boast whom I shall receive; but let not him call me cruel or homicide to whom I make no promise, upon whom I practise no deception, whom I neither entice nor receive. It has not been so far the will of Heaven that I should love by fate, and to expect me to love by choice is idle. Let this general declaration serve for each of my suitors on his own account, and let it be understood from this time forth that if anyone dies for me it is not of jealousy or misery he dies, for she who loves no one can give no cause for jealousy to any, and candour is not to be confounded with scorn. Let him who calls me wild beast and basilisk, leave me alone as something noxious and evil; let him who calls me ungrateful, withhold his service; who calls me wayward, seek not my acquaintance; who calls me cruel, pursue me not; for this wild beast, this basilisk, this ungrateful, cruel, wayward being has no kind of desire to seek, serve, know, or follow them. If Chrysostom's impatience and violent passion killed him, why should my modest behaviour and circumspection be blamed? If I preserve my purity in the society of the trees, why should he who would have me preserve it among men, seek to rob me of it? I have, as you know, wealth of my own, and I covet not that of others; my taste is for freedom, and I have no relish for constraint; I neither love nor hate anyone; I do not deceive this one or court that, or trifle with one or play with another. The modest converse of the shepherd girls of these hamlets and the care of my goats are my recreations; my desires are bounded by these mountains, and if they ever wander hence it is to contemplate the beauty of the heavens, steps by which the soul travels to its primeval abode.
”
”
Miguel de Cervantes Saavedra (Don Quixote)
“
Maria, lonely prostitute on a street of pain,
You, at least, hail me and speak to me
While a thousand others ignore my face.
You offer me an hour of love,
And your fees are not as costly as most.
You are the madonna of the lonely,
The first-born daughter in a world of pain.
You do not turn fat men aside,
Or trample on the stuttering, shy ones,
You are the meadow where desperate men
Can find a moment's comfort.
Men have paid more to their wives
To know a bit of peace
And could not walk away without the guilt
That masquerades as love.
You do not bind them, lovely Maria, you comfort them
And bid them return.
Your body is more Christian than the Bishop's
Whose gloved hand cannot feel the dropping of my blood.
Your passion is as genuine as most,
Your caring as real!
But you, Maria, sacred whore on the endless pavement of pain,
You, whose virginity each man may make his own
Without paying ought but your fee,
You who know nothing of virgin births and immaculate conceptions,
You who touch man's flesh and caress a stranger,
Who warm his bed to bring his aching skin alive,
You make more sense than stock markets and football games
Where sad men beg for virility.
You offer yourself for a fee--and who offers himself for less?
At times you are cruel and demanding--harsh and insensitive,
At times you are shrewd and deceptive--grasping and hollow.
The wonder is that at times you are gentle and concerned,
Warm and loving.
You deserve more respect than nuns who hide their sex for eternal love;
Your fees are not so high, nor your prejudice so virtuous.
You deserve more laurels than the self-pitying mother of many children,
And your fee is not as costly as most.
Man comes to you when his bed is filled with brass and emptiness,
When liquor has dulled his sense enough
To know his need of you.
He will come in fantasy and despair, Maria,
And leave without apologies.
He will come in loneliness--and perhaps
Leave in loneliness as well.
But you give him more than soldiers who win medals and pensions,
More than priests who offer absolution
And sweet-smelling ritual,
More than friends who anticipate his death
Or challenge his life,
And your fee is not as costly as most.
You admit that your love is for a fee,
Few women can be as honest.
There are monuments to statesmen who gave nothing to anyone
Except their hungry ego,
Monuments to mothers who turned their children
Into starving, anxious bodies,
Monuments to Lady Liberty who makes poor men prisoners.
I would erect a monument for you--
who give more than most--
And for a meager fee.
Among the lonely, you are perhaps the loneliest of all,
You come so close to love
But it eludes you
While proper women march to church and fantasize
In the silence of their rooms,
While lonely women take their husbands' arms
To hold them on life's surface,
While chattering women fill their closets with clothes and
Their lips with lies,
You offer love for a fee--which is not as costly as most--
And remain a lonely prostitute on a street of pain.
You are not immoral, little Maria, only tired and afraid,
But you are not as hollow as the police who pursue you,
The politicians who jail you, the pharisees who scorn you.
You give what you promise--take your paltry fee--and
Wander on the endless, aching pavements of pain.
You know more of universal love than the nations who thrive on war,
More than the churches whose dogmas are private vendettas made sacred,
More than the tall buildings and sprawling factories
Where men wear chains.
You are a lonely prostitute who speaks to me as I pass,
And I smile at you because I am a lonely man.
”
”
James Kavanaugh (There Are Men Too Gentle to Live Among Wolves)
“
Was it wisdom? Was it knowledge? Was it, once more, the deceptiveness of beauty, so that all one’s perceptions, half-way to truth, were tangled in a golden mesh? Or did she lock up within her some secret which certainly Lily Briscoe believed people must have for the world to go on at all? Every one could not be as helter skelter, hand to mouth as she was. But if they knew, could they tell one what they knew? Sitting on the floor with her arms round Mrs. Ramsay’s knees, close as she could get, smiling to think that Mrs. Ramsay would never know the reason of that pressure, she imagined how in the chambers of the mind and heart of the woman who was, physically, touching her, were stood, like the treasures in the tombs of kings, tablets bearing sacred inscriptions, which if one could spell them out, would teach one everything, but they would never be offered openly, never made public. What art was there, known to love or cunning, by which one pressed through into those secret chambers? What device for becoming, like waters poured into one jar, inextricably the same, one with the object one adored? Could the body achieve, or the mind, subtly mingling in the intricate passages of the brain? or the heart? Could loving, as people called it, make her and Mrs. Ramsay one? for it was not knowledge but unity that she desired, not inscriptions on tablets, nothing that could be written in any language known to men, but intimacy itself, which is knowledge, she had thought, leaning her head on Mrs. Ramsay’s knee.
”
”
Virginia Woolf (To the Lighthouse)
“
[Jesus] stands between us and God, and for that very reason he stands between us and all other men and things. He is the Mediator, not only between God and man, but between man and man, between man and reality. Since the whole world was created through him and unto him (John 1:3; 1st Cor. 8:6; Heb. 1:2), he is the sole Mediator in the world...
The call of Jesus teaches us that our relation to the world has been built on an illusion. All the time we thought we had enjoyed a direct relation with men and things. This is what had hindered us from faith and obedience. Now we learn that in the most intimate relationships of life, in our kinship with father and mother, bothers and sisters, in married love, and in our duty to the community, direct relationships are impossible. Since the coming of Christ, his followers have no more immediate realities of their own, not in their family relationships nor in the ties with their nation nor in the relationships formed in the process of living. Between father and son, husband and wife, the individual and the nation, stands Christ the Mediator, whether they are able to recognize him or not. We cannot establish direct contact outside ourselves except through him, through his word, and through our following of him. To think otherwise is to deceive ourselves.
But since we are bound to abhor any deception which hides the truth from our sight, we must of necessity repudiate any direct relationship with the things of this world--and that for the sake of Christ. Wherever a group, be it large or small, prevents us from standing alone before Christ, wherever such a group raises a claim of immediacy it must be hated for the sake of Christ. For every immediacy, whether we realize it or not, means hatred of Christ, and this is especially true where such relationships claim the sanctions of Christian principles.,,
There is no way from one person to another. However loving and sympathetic we try to be, however sound our psychology, however frank and open our behavior, we cannot penetrate the incognito of the other man, for there are no direct relationships, not even between soul and soul. Christ stands between us, and we can only get into touch with our neighbors through him. That is why intercession is the most promising way to reach our neighbors, and corporate prayer, offered in the name of Christ, the purest form of fellowship.
”
”
Dietrich Bonhoeffer (The Cost of Discipleship)
“
Brambleclaw's tail filicked angrily. "Did there have to be so many lies?" He was staring at Squirrelflight. "Couldn't you have told me the truth?"
Squirrelflight dipped her head. "It was never my secret to tell. Leafpool had so much to lose".
"She lost everything anyway", Brambleclaw snarled.
"No, I didn't". Leafpool lifted her muzzle. "I watched my kits grow into fine warrior, and I still serve my Clan with all my heart".
Lionblaze felt his heart prick. Perhaps this was the truth that was most important. Leafpool had sacrificed so much and, even though her kits rejected her time and again, she'd never stopped loving them. In his darkest moments, he couldn't deny that.
"Brambleclaw, I'm sorry". Squirrelflight moved closer to the ThunderClan deputy. Her voice was stronger now, as if she was tired of being punished for something she had believed to be right. "You have to understand that I never intended to hurt you. I loved you, and was proud to raise these kits with you. You were a wonderful father".
"But I wasn't their father!" Brambleclaw hissed.
"Yes, you were!" Squirrelflight thrust her muzzle close to Brambleclaw's. Her eyes blazed. "Don't throw away everything just because you are angry with me!"
Lionblaze swallowed. "I was so proud to be your son".
Brambleclaw looked at him in surprise, as if he'd forgotton Lionblaze was there. Something in the deputy's expression changed. "And I couldn't have asked for a better son. And you Jayfeather. Or a better daughter, Hollyleaf." Hollyleaf opened her mouth as if to protest, but Brambleclaw spoke first. "You played no part in this deception, I know that. Whatever you did, it was because of the lies taht had been told when you were born."
"It was my fault alone," Leafpool meowed quietly. "You are wrong to blame Squirrelflight. She was just being loyal to me. And now that we know about the prophecy, surely the only thing that matters is that these kits were accepted by their Clan? It's not about us, after all. It's about them. Their destinies shaped ours, right from the moment they were born."
Squirrelflight nodded. "Everything was meant to be".
Lionblaze looked down at his paws. If these cats could accept their destinies, then he had enough courage to accept his. I am one of the Four.
”
”
Erin Hunter (The Last Hope (Warriors: Omen of the Stars, #6))
“
On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze.
A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that?
Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind.
In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday.
Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us.
It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral.
All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.
”
”
Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)
“
There is an Eastern fable, told long ago, of a traveller overtaken on a plain by an enraged beast. Escaping from the beast he gets into a dry well, but sees at the bottom of the well a dragon that has opened its jaws to swallow him. And the unfortunate man, not daring to climb out lest he should be destroyed by the enraged beast, and not daring to leap to the bottom of the well lest he should be eaten by the dragon, seizes s twig growing in a crack in the well and clings to it. His hands are growing weaker and he feels he will soon have to resign himself to the destruction that awaits him above or below, but still he clings on. Then he sees that two mice, a black one and a white one, go regularly round and round the stem of the twig to which he is clinging and gnaw at it. And soon the twig itself will snap and he will fall into the dragon's jaws. The traveller sees this and knows that he will inevitably perish; but while still hanging he looks around, sees some drops of honey on the leaves of the twig, reaches them with his tongue and licks them. So I too clung to the twig of life, knowing that the dragon of death was inevitably awaiting me, ready to tear me to pieces; and I could not understand why I had fallen into such torment. I tried to lick the honey which formerly consoled me, but the honey no longer gave me pleasure, and the white and black mice of day and night gnawed at the branch by which I hung. I saw the dragon clearly and the honey no longer tasted sweet. I only saw the unescapable dragon and mice, and I could not tear my gaze from them. and this is not a fable but the real unanswerable truth intelligible to all. The deception of the joys of life which formerly allayed my terror of the dragon now no longer deceived me. No matter how often I may be told, "You cannot understand the meaning of life so do not think about it, but live," I can no longer do it: I have already done it too long. I cannot now help seeing day and night going round and bringing me to death. That is all I see, for that alone is true. All else is false. The two drops of honey which diverted my eyes from the cruel truth longer than the rest: my love of family, and of writing -- art as I called it -- were no longer sweet to me. "Family"... said I to myself. But my family -- wife and children -- are also human. They are placed just as I am: they must either live in a lie or see the terrible truth. Why should they live? Why should I love them, guard them, bring them up, or watch them? That they may come to the despair that I feel, or else be stupid? Loving them, I cannot hide the truth from them: each step in knowledge leads them to the truth. And the truth is death.
”
”
Leo Tolstoy (A Confession)
“
NINA
Your life is beautiful.
TRIGORIN
I see nothing especially lovely about it. [He looks at his watch] Excuse me, I must go at once, and begin writing again. I am in a hurry. [He laughs] You have stepped on my pet corn, as they say, and I am getting excited, and a little cross. Let us discuss this bright and beautiful life of mine, though. [After a few moments' thought] Violent obsessions sometimes lay hold of a man: he may, for instance, think day and night of nothing but the moon. I have such a moon. Day and night I am held in the grip of one besetting thought, to write, write, write! Hardly have I finished one book than something urges me to write another, and then a third, and then a fourth--I write ceaselessly. I am, as it were, on a treadmill. I hurry for ever from one story to another, and can't help myself. Do you see anything bright and beautiful in that? Oh, it is a wild life! Even now, thrilled as I am by talking to you, I do not forget for an instant that an unfinished story is awaiting me. My eye falls on that cloud there, which has the shape of a grand piano; I instantly make a mental note that I must remember to mention in my story a cloud floating by that looked like a grand piano. I smell heliotrope; I mutter to myself: a sickly smell, the colour worn by widows; I must remember that in writing my next description of a summer evening. I catch an idea in every sentence of yours or of my own, and hasten to lock all these treasures in my literary store-room, thinking that some day they may be useful to me. As soon as I stop working I rush off to the theatre or go fishing, in the hope that I may find oblivion there, but no! Some new subject for a story is sure to come rolling through my brain like an iron cannonball. I hear my desk calling, and have to go back to it and begin to write, write, write, once more. And so it goes for everlasting. I cannot escape myself, though I feel that I am consuming my life. To prepare the honey I feed to unknown crowds, I am doomed to brush the bloom from my dearest flowers, to tear them from their stems, and trample the roots that bore them under foot. Am I not a madman? Should I not be treated by those who know me as one mentally diseased? Yet it is always the same, same old story, till I begin to think that all this praise and admiration must be a deception, that I am being hoodwinked because they know I am crazy, and I sometimes tremble lest I should be grabbed from behind and whisked off to a lunatic asylum. The best years of my youth were made one continual agony for me by my writing. A young author, especially if at first he does not make a success, feels clumsy, ill-at-ease, and superfluous in the world. His nerves are all on edge and stretched to the point of breaking; he is irresistibly attracted to literary and artistic people, and hovers about them unknown and unnoticed, fearing to look them bravely in the eye, like a man with a passion for gambling, whose money is all gone. I did not know my readers, but for some reason I imagined they were distrustful and unfriendly; I was mortally afraid of the public, and when my first play appeared, it seemed to me as if all the dark eyes in the audience were looking at it with enmity, and all the blue ones with cold indifference. Oh, how terrible it was! What agony!
”
”
Anton Chekhov (The Seagull)