December Avenue Quotes

We've searched our database for all the quotes and captions related to December Avenue. Here they are! All 13 of them:

On December 13, 1931, a fifty-seven-year-old English politician, still a member of Parliament but quite unwelcome in his own party’s government, stepped out of a taxi on New York’s Fifth Avenue.
Thomas E. Ricks (Churchill and Orwell: The Fight for Freedom)
Every known religion,” Murch went on, shucking out of his coat, “has some big-deal event or celebration or thing in December, and every known ethnic, too, and for every known religion and every known ethnic, there’s three other blocks of stores on Atlantic Avenue in Brooklyn that has everything especially for them, and in December on Atlantic Avenue in Brooklyn, every known religion and every known ethnic is shopping, and not one in a million of those people, that came here from thousands of places that you don’t even know about, ever learned how to drive.
Donald E. Westlake (Bad News (Dortmunder, #10))
December 1931 was drawing to a close and Hollywood was aglow with Christmas spirit, undaunted by sizzling sunshine, palm trees, and the dry encircling hills that would never feel the kiss of snow. But the “Know-how” that would transform the Chaplin studio in the frozen Chilkoot Pass could easily achieve a white Christmas. In Wilson’s Rolls-Royce convertible, we drove past Christmas trees heavy with fake snow. An entire estate on Fairfax Avenue had been draped in cotton batting; carolers straight out of Dickens were at its gate, perspiring under mufflers and greatcoats. The street signs on Hollywood Boulevard had been changed to Santa Claus Lane. They drooped with heavy glass icicles. A parade was led by a band blaring out “Santa Claus is Coming to Town,” followed by Santa driving a sleigh. But Hollywood granted Santa the extra dimension of a Sweetheart and seated beside him was Clara Bow (or was it Mabel Normand?)
Anita Loos (Kiss Hollywood Good-By)
You'd try to look elsewhere but you wouldn't be able to help yourself, and you'd look back again. Because there was something going on. There was some sort of special air around this person. Or a special light? Yes. That was it. If you just came in this crummy Lavomatic on the avenue de La Bourdonnais on December twenty-ninth at five o'clock in the afternoon and you saw this figure in the dreary neon lights, this is exactly what you would say to yourself: Holy shit. An angel. Camille raised her eyes just then, saw him, did not react right away as if she had not recognized him, then finally smiled. A very faint smile, a slight brilliance, a little sign of recognition among regulars. "Got your wings in there?" he asked, pointing to her bag. "Sorry?" "Nah, nothing.
Anna Gavalda (Hunting and Gathering)
George S. Kaufman was not Miss Astor’s last love. George had been supplanted in her affections by one of his best friends, whose name would surely have been disclosed had the hearing gone on. The scoop appeared on August 12 in the Daily Mirror, announcing that the best friend, an unnamed dashing broker and bachelor, maintained a seven-room penthouse on Park Avenue, complete with butler and maid. Kaufman had introduced Mary to “Mr. Big” in December, according to the Mirror.
Edward Sorel (Mary Astor's Purple Diary: The Great American Sex Scandal of 1936)
Astarte has come again, more powerful than before. She possesses me. She lies in wait for me. December 97 My cruelty has also returned: the cruelty which frightens me. It lies dormant for months, for years, and then all at once awakens, bursts forth and - once the crisis is over - leaves me in mortal terror of myself. Just now in the avenue of the Bois, I whipped my dog till he bled, and for nothing - for not coming immediately when I called! The poor animal was there before me, his spine arched, cowering close to the ground, with his great, almost human, eyes fixed on me... and his lamentable howling! It was as though he were waiting for the butcher! But it was as if a kind of drunkenness had possessed me. The more I struck out the more I wanted to strike; every shudder of that quivering flesh filled me with some incomprehensible ardour. A circle of onlookers formed around me, and I only stopped myself for the sake of my self-respect. Afterwards, I was ashamed. I am always ashamed of myself nowadays. The pulse of life has always filled me with a peculiar rage to destroy. When I think of two beings in love, I experience an agonising sensation; by virtue of some bizarre backlash, there is something which smothers and oppresses me, and I suffocate, to the point of anguish. Whenever I wake up in the middle of the night to the muted hubbub of bumps and voices which suddenly become perceptible in the dormant city - all the cries of sexual excitement and sensuality which are the nocturnal respiration of cities - I feel weak. They rise up around me, submerging me in a sluggish flux of embraces and a tide of spasms. A crushing weight presses down on my chest; a cold sweat breaks out on my brow and my heart is heavy - so heavy that I have to get up, run bare-foot and breathless, to my window, and open both shutters, trying desperately to breathe. What an atrocious sensation it is! It is as if two arms of steel bear down upon my shoulders and a kind of hunger hollows out my stomach, tearing apart my whole being! A hunger to exterminate love. Oh, those nights! The long hours I have spent at my window, bent over the immobile trees of the square and the paving-stones of the deserted street, on watch in the silence of the city, starting at the least noise! The nights I have passed, my heart hammering in anguish, wretchedly and impatiently waiting for my torment to consent to leave me, and for my desire to fold up the heavy wings which beat inside the walls of my being like the wings of some great fluttering bird! Oh, my cruel and interminable nights of impotent rebellion against the rutting of Paris abed: those nights when I would have liked to embrace all the bodies, to suck in all the breaths and sup all the mouths... those nights which would find me, in the morning, prostrate on the carpet, scratching it still with inert and ineffectual fingers... fingers which never know anything but emptiness, whose nails are still taut with the passion of murder twenty-four hours after the crises... nails which I will one day end up plunging into the satined flesh of a neck, and... It is quite clear, you see, that I am possessed by a demon... a demon which doctors would treat with some bromide or with all-healing sal ammoniac! As if medicines could ever be imagined to be effective against such evil!
Jean Lorrain (Monsieur De Phocas)
Although she’s miles away, still I remember spending that December, staring at the sounds she made with her breath. And when I asked what it was she was up to "five foot nothing" came from her cracked honky-tonk lips and from a calico bonnet monstrous curls unfurled like apple-blossoms scattering about into the back-country. And wreaths of snowflakes swarmed over the hems of her garments and wandered with us into the ether on John F. Kennedy Avenue, and mingled in the traffic. While she held my head together like Jackie Onassis.  Although she’s miles away, still I remember her pinning roses to a lapel and the icicles that hung upon the city when I told her "I may not be a handsome man and I probably don't have what it takes to make you forget that for long, but know now thag I'm grateful we got this little drink and dance before I got sent on way." Down John F. Kennedy Avenue, thumbing to Dallas. But she held my head together  Like Jackie Onassis.
Valentine Xavier
Although she’s miles away, still I remember spending that December, staring at the sounds she made with her breath. And when I asked what it was she was up to "five foot nothing" came from her cracked honky-tonk lips and from a calico bonnet monstrous curls unfurled like apple-blossoms scattering about into the back-country. And wreaths of snowflakes swarmed over the hems of her garments and wandered with us into the ether on John F. Kennedy Avenue, and mingled in the traffic. While she held my head together like Jackie Onassis.  Although she’s miles away, still I remember her pinning roses to a lapel and the icicles that hung upon the city when I told her "I may not be a handsome man and I probably don't have what it takes to make you forget for long, but know that I'm grateful we had this little drink and a dance before I'm sent ony way." Down John F. Kennedy Avenue, thumbing to Dallas. She held my head together  Like Jackie Onassis.
Valentine Xavier
Although she’s miles away, still I remember spending that December, staring at the sounds she made with her breath. And when I asked what it was she was up to "five foot nothing" came from her cracked honky-tonk lips and from a calico bonnet monstrous curls unfurled like apple-blossoms scattering about into the back-country. And wreaths of snowflakes swarmed over the hems of her garments and wandered with us into the ether on John F. Kennedy Avenue, and mingled in the traffic. While she held my head together like Jackie Onassis.  Although she’s miles away, still I remember her pinning roses to a lapel and the icicles that hung upon the city when I told her "I may not be a handsome man and I probably don't have what it takes to make you forget that long, so just know now that I'm grateful we got this little drink and dance before I was sent on way." Down John F. Kennedy Avenue, thumbing to Dallas. But she held my head together  Like Jackie Onassis.
Valentine Xavier
In the daylight that followed my arrival, the pale grey Trappe resembled not so much an abbey as a hospital, an asylum or a reformatory. It dwindled off into farm buildings, and came to an end in the fields where thousands of turnips led their secret lives and reared into the air their little frostbitten banners. Among the furrows an image mouldered on its pedestal; and, under a sky of clouded steel, the rooks cawed and wheeled and settled. Across the December landscape, flat and waterlogged with its clumps of drizzling coppice and barren-looking pasture-land, ran a rutted path which disappeared beneath an avenue of elm-trees. Willows, blurred and colourless as the detail of an aquatint, receded in the mist; and, here and there, the pallor of the woods was interrupted by funereal clumps of pine. Isolated monks, all of them hooded and clogged, at work in the fields, ploughing or chopping wood, dotted this sodden panorama and the report of their falling axes reached the ear long seconds after the visual impact. Others were driving slow herds of cattle to graze.
Patrick Leigh Fermor (A Time to Keep Silence)
The night of 'the look' on the avenue de New York. People drift along not seeing each other. It is like a vernissage without paintings. It could be the Exterminating Angel or 'Pure Festival' - pure in the sense of Virilio's 'pure war' - on screen. The only hot spot is the trap-door through which the champagne arrives. Peculiar feverish, power-mad tribe, dissolute yet oversensitive, metaphysics with infrared lighting. Nothing in their gaze, everything in the way they look, nothing in their eyes, everything in the decibel level. The gentle air of the Piazza Navona in December, with the acetylene lamps and the reflections of the turquoise water on the Bernini horses. A beauty that is purely Roman. In the Campo dei Fiori someone has laid fresh flowers at the foot of the statue of Giordano Bruno, burned for heresy on this very spot four centuries ago. The touching loyalty of the Roman people; where else would you see such a thing? The hot December multitudes spill out into the street: Christmas is almost as mild here as in Brazil. The city is only beautiful when the crowd invades it. So many people on the streets always gives the impression of a silent uprising. Everyone walks along in the luminous muted buzz of voices and the narrow streets. Everything is transformed into a silent opera, a theatrical geometry. Everything sings in this part of the city.
Jean Baudrillard (Cool Memories)
between September 1, 1939, and December 1940 the family moved from Cornelia Avenue on the North Side to the South Side near the University of Chicago, so that Joan wouldn’t have so far to go to U-High or the University of Chicago. The exact number on Harper Avenue is not known. They later moved to 4950 South Blackstone; by 1942, they moved to 5629 South Dorchester Avenue.
Joan Wehlen Morrison (Home Front Girl: A Diary of Love, Literature, and Growing Up in Wartime America)
I was coming down Seventh Avenue one morning. It must have been in December or January. I had just come from the little church of Our Lady of Guadalupe, and from Communion, and was going to get some breakfast at a lunch wagon near Loew's Sheridan Theater. I don't know what I was thinking of, but as I walked along I nearly bumped into Mark who was on his way to the subway, going to Columbia for his morning classes. 'Where are you going?' he said. The question surprised me, as there did not seem to be any reason to ask where I was going, and all I could answer was: 'To breakfast.' Later on, Mark referred again to the meeting and said: 'What made you look so happy, on the street, there?' So that was what had impressed him, and that was why he had asked me where I was going. It was not where I was going that made me happy, but where I was coming from. Yet, as I say, this surprised me too, because I had not really paid any attention to the fact that I was happy - which indeed I was.
Thomas Merton (The Seven Storey Mountain)