Deceased Fathers Day Quotes

We've searched our database for all the quotes and captions related to Deceased Fathers Day. Here they are! All 11 of them:

Underneath the photograph, in blocky letters, was a name. LUCY. “A boy named Lucy,” Linus said. “That’s certainly a first. I wonder why they chose … the name … Lucy…” The last word came out choked. There, written in clear English, was exactly the reason why. The file read: NAME: LUCIFER (NICKNAME LUCY) AGE: SIX YEARS, SIX MONTHS, SIX DAYS (AT TIME OF THIS REPORT) HAIR: BLACK EYE COLOR: BLUE/RED MOTHER: UNKNOWN (BELIEVED DECEASED) FATHER: THE DEVIL SPECIES OF MAGICAL YOUTH: ANTICHRIST Linus Baker fainted dead away.
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
The “rising tide” theory rested on a notion of separate but equal class ladders. And so there was a class of black poor and an equivalent class of white poor, a black middle class and a white middle class, a black elite and a white elite. From this angle, the race problem was merely the result of too many blacks being found at the bottom of their ladder—too many who were poor and too few who were able to make their way to the next rung. If one could simply alter the distribution, the old problem of “race” could be solved. But any investigation into the actual details revealed that the ladders themselves were not equal—that to be a member of the “black race” in America had specific, quantifiable consequences. Not only did poor blacks tend to be much less likely to advance up their ladder, but those who did stood a much greater likelihood of tumbling back. That was because the middle-class rung of the black ladder lacked the financial stability enjoyed by the white ladder. Whites in the middle class often brought with them generational wealth—the home of a deceased parent, a modest inheritance, a gift from a favorite uncle. Blacks in the middle class often brought with them generational debt—an incarcerated father, an evicted niece, a mother forced to take in her sister’s kids. And these conditions, themselves, could not be separated out from the specific injury of racism, one that was not addressed by simply moving up a rung. Racism was not a singular one-dimensional vector but a pandemic, afflicting black communities at every level, regardless of what rung they occupied. From that point forward the case for reparations seemed obvious and the case against it thin. The sins of slavery did not stop with slavery. On the contrary, slavery was but the initial crime in a long tradition of crimes, of plunder even, that could be traced into the present day. And whereas a claim for reparations for slavery rested in the ancestral past, it was now clear that one could make a claim on behalf of those who were very much alive.
Ta-Nehisi Coates (We Were Eight Years in Power: An American Tragedy)
The file read: NAME: LUCIFER (NICKNAME LUCY) AGE: SIX YEARS, SIX MONTHS, SIX DAYS (AT TIME OF THIS REPORT) HAIR: BLACK EYE COLOR: BLUE/RED MOTHER: UNKNOWN (BELIEVED DECEASED) FATHER: THE DEVIL SPECIES OF MAGICAL YOUTH: ANTICHRIST Linus Baker fainted dead away.
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
Underneath the photograph, in blocky letters, was a name. LUCY. “A boy named Lucy,” Linus said. “That’s certainly a first. I wonder why they chose … the name … Lucy…” The last word came out choked. There, written in clear English, was exactly the reason why. The file read: NAME: LUCIFER (NICKNAME LUCY) AGE: SIX YEARS, SIX MONTHS, SIX DAYS (AT TIME OF THIS REPORT) HAIR: BLACK EYE COLOR: BLUE/RED MOTHER: UNKNOWN (BELIEVED DECEASED) FATHER: THE DEVIL SPECIES OF MAGICAL YOUTH: ANTICHRIST Linus Baker fainted dead away.
T.J. Klune
The house was inherited. Death had furnished it for her. She trod in the dining-room on the Turkey carpet of her fathers; she regulated her day by the excellent black clock on the mantelpiece which she remembered from childhood; her walls were entirely covered by the photographs her illustrious deceased friends had either given herself or her father, with their own handwriting across the lower parts of their bodies, and the windows, shrouded by the maroon curtains of all her life, were decorated besides with the selfsame aquariums to which she owed her first lessons in sealore, and in which still swam slowly the goldfishes of her youth.
Elizabeth von Arnim (The Enchanted April)
The story of the Lynch family was this: Once upon a time, a man named Niall Lynch had three sons, one of whom loved his father more than the others. Niall Lynch was handsome and charismatic and rich and mysterious, and one day, he was dragged from his charcoal-gray BMW and beaten to death with a tire iron. It was a Wednesday. On Thursday, his son Ronan found his body in the driveway. On Friday, their mother stopped speaking and never spoke again. On Saturday, the Lynch brothers found that their father’s death left them rich and homeless. The will forbade them to touch anything in the house — their clothing, the furniture. Their silent mother. The will demanded they immediately move into Aglionby housing. Declan, the eldest, was meant to control the funds and their lives until his brothers reached eighteen. On Sunday, Ronan stole his deceased father’s car. On Monday, the Lynch brothers stopped being friends.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
We turned onto the thoroughfare and walked north toward the palace, and my spirits lifted. Despite the destruction and death, this was a glorious day for Hytanica. I started to say something to this effect to Galen, but he halted, his face ashen, and the words died on my lips. His hand fell on my shoulder, and I looked at him in confusion, then followed his gaze farther up the road. My eyes fell on Steldor, who was kneeling on the unforgiving stone of the street, a few other men milling around him, and my confusion grew. Shouldn’t Galen be pleased to find his best friend? I couldn’t see what Steldor was doing, but after a moment he stood, and the men who were with him lifted a flat litter bearing a body. My eyes took in the height and build of the man lying unnaturally still, the nearly black hair, the officer’s insignia on the black leather jerkin, the blood--and my breath caught in my throat. I tried to run to Steldor, denials raging in my head, but Galen pulled me against his chest. I stared uncomprehendingly at the litter, the image burning itself into my brain, while tears stung my eyes. Cannan’s arms were folded over his chest, his sword tucked beneath his hands. It was really the only evidence any of us needed. As sobs shook me, Galen passed me into the arms of my suitor and advanced upon his best friend, his motion unnaturally stiff. Steldor turned his head at the sound of the approaching footsteps, his dark eyes dry but looking helpless, hopeless and alone. Cannan had been Galen’s father the same way he had been Steldor’s, and the young men stood side by side, watching the Hytanican soldiers carry the litter toward the palace, not moving until it was out of sight. Both of them seemed lost, not knowing what to do or say, then they wrapped their arms around one another in a fierce embrace, befitting the brothers that they were. They held each other for a long time, almost as unmoving as their deceased father. I fell back against Grayden, losing what little strength remained to me, and he hugged me, eventually leading me back to my house. Though I was only eighteen, I felt I had stumbled upon one of life’s few truisms: with every step forward came a step backward, with every gain came a loss and with every joy came tears. In the end, the best for which one could hope was to leave the world in better straits than existed on the day of your birth; to have truly lived. And oh, how Cannan, the Captain of the Guard, had lived.
Cayla Kluver (Sacrifice (Legacy, #3))
O, that you were yourself! but, love, you are No longer yours than you yourself here live: Against this coming end you should prepare, And your sweet semblance to some other give. So should that beauty which you hold in lease Find no determination; then you were Yourself again, after yourself’s decease, When your sweet issue your sweet form should bear. Who lets so fair a house fall to decay, Which husbandry in honour might uphold Against the stormy gusts of winter’s day And barren rage of death’s eternal cold? O, none but unthrifts: dear my love, you know You had a father; let your son say so.
William Shakespeare (Sonnet 13)
They were married on the Day of the Dead, el Día de los Muertos, which no one gave much thought to in all the months of planning, until the bride’s deceased father-in-law showed up in the car following the ceremony.
Natalia Sylvester (Everyone Knows You Go Home)
occupying the same stream. They were distinct opposites going through the motions of co-creating a life, but the gossamer veneer of their marriage started to shred the day my father impulsively quit his job as vice president of a bank in Minneapolis. One hundred thousand dollars from a deceased aunt I’d never heard of must have seemed like a lifetime cushion to my father, but when he shared the news with my mother, Finley and I heard the ballistic reverberation in every room of the house.
Claire Fullerton (Mourning Dove)
his niece. I replay the day in my head. She looked out the door at me. Maybe she saw him. It’s the only explanation for her mysterious sudden illness. I knew it didn’t add up. Her interest in baseball. In him. And then her unwillingness to see him. But not everything makes sense. “Why was she hiding from her brother?” I muse aloud. Ethan shrugs. “If she wanted to hide the baby from Grant, it may have been her only choice. Alexa’s father is out of the picture and her mother is deceased, so Caden is probably the first person Grant would have gone to in order to find her. Abused women often have to cut off ties with their entire family in order to protect themselves and their children.” I run my hands through my hair. Shit. My instinct is to find her. Protect her. But I already tried protecting her once and she didn’t let me. Things are different now. Six months ago, if I’d found her, I think I would have thrown her over my shoulder and dragged her to my apartment, baby stroller and all. But now—I’ve had time to think about things. And even with knowing her identity and more details of her past, it’s obvious my feelings were not reciprocated. She was nice to me. She even kissed me when I kissed her. But I was her doctor. And patients sometimes mistakenly see their doctors as saviors. Not men they can build a life with. The fact is, she didn’t trust me enough to tell me the truth. She didn’t love me enough to trust me. She stole my heart and then she tore it to shreds. Even if she didn’t mean to. I gaze through the window of Ethan’s office. I can’t keep doing this. I have to move on. I have moved on. I’ve gone back to basics. My job. That is what I’m living for. I never should have lost focus. I’ve vowed never to allow myself to get close to a patient again. Get close to a woman again. At least until I’ve accomplished my goals. “Caden should know,” I say, gathering up all the paperwork and putting it into a folder. “I need to contact him and tell him everything. But then I’m done.” ~ ~ ~ I pick up my third beer of the night and crack it open, waiting for my pepperoni pizza to arrive. I’m spent. Exhausted from my meeting with Caden. When he was here earlier, we put all the pieces together. Caden never liked Grant. He didn’t think he was right for his sister. He and Alexa would get into arguments about him from time to time.
Samantha Christy (The Stone Brothers #1-3)