Deadly Premonition Quotes

We've searched our database for all the quotes and captions related to Deadly Premonition. Here they are! All 21 of them:

Only the dead are truly smart, truly cool. Nothing touches them. While I live, however, I side with bumbling suffering crooked life, with anger rather than boredom, with sweet lust, hunger & carelessness...against the icy avant-guard & its fashionable premonitions of the sepulcher.
Hakim Bey
A terrible premonition washed over me. This was how the whole world would end.... They would devour the forest and excrete piles of buildings made of stone wrenched from the earth or from dead trees. They would hammer paths of bare stone between their dwellings, and dirty the rivers and subdue the land until it could recall only the will of man. They could not stop themselves from doing what they did. They did not see what they did, and even if they saw, they did not know how to stop. They no longer knew what was enough.
Robin Hobb (Shaman's Crossing (Soldier Son, #1))
Wait,” Wes says. “Are you to imply that our dear Chameleon is once again having premonitions by way of pottery?” “I’d appreciate it if you wouldn’t call me reptilian names,” I say. “Would you prefer it if I called you a freak?
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
possible topics around which the currents of speech may flow: Death and the danger of death: violence, fighting, sickness, fear, dreams, premonitions and communication with the dead. Sex and relations between the sexes: dating, courtship, proposals, marriage, breaking off relationships, affairs, intermarriage. Moral indignation: assignment and rejection of blame, unfairness, injustice, gossip, violations of social norms.
William Labov (The Language of Life and Death: The Transformation of Experience in Oral Narrative)
Russkie, promise me a simple thing?" Out of the blue when they had finished, after a mouthful from the mug. Dan seemed relaxed, leaning on his side. Resting back, savoring the taste, Vadim turned his head to look at Dan. Oh, that body. The effect it had on him, all the time, even when Dan wasn't there. Twelve months. "Promise what?" Sometimes, that kind of thing was about letters. Tell my girl I love her. Tell my mother I didn't suffer. Almost painful. Letters. Words that would hurt worse than the killing bullet. "Simple." Dan nodded, "if I'm unlucky, and if you find my body, will you bury it? Some rocks would do, I can't stand the thought of carrion's. As if that mattered, eh? I'd be fucking dead." Dan shrugged, tossed a grin towards the other, made light of an entirely far too heavy situation. He took the bottle once more, washing down the taste of death and decay, chasing away unbidden images. Vadim felt a shudder race over his skin. The thought of death chilled him to the bone, like a premonition. For a moment he saw himself stagger through enemy territory, looking for something that had been Dan. Minefields, snipers, fucking Hind hellfire. He might be able to track him. He might be able to guess where he had gone, where he had fallen. He had found the occasional pilot. But he had had help. Finding a dead man in a country full of dead people was more of a challenge. "I'll send you home," he murmured. Stay alive, he thought. Stay alive like you are now. I don't want to carry your rotting body to fucking Kabul and hand myself in to whatever bastard is your superior or handler there, but it must be Kabul. I can't hand myself over. But I will. Fuck you. He felt his face twitch, and turned away, breathing. "No, I have no home anymore." Dan's hand stopped Vadim from turning over fully. Fingers digging into the muscular thigh. "Not my brother's family. Nowhere to send the body to. Forget it." Grip tightening while he moved closer. Ignored the heat, the damned fan and its monotonous creaking, pressed his body behind the other. "You're as close to a fucking home as I get.
Marquesate (Special Forces - Soldiers (Special Forces, #1))
You were sixteen when Chernobyl went up, Ollie.” Sangster recalled the incident. “Yes, and there was nothing I could have done to prevent it, just as the other disasters I saw. I see the incidents just hours before they occur and are helpless to prevent it, as the details are usually too vague. No, Rachel, at least consoling the living does not warrant a spell in a straitjacket.
Anthony Hulse (Whispers of the Dead)
...I don't need a premonition. It's common sense. Strange old woman. Living alone. I don't want to go inside and see all the dead rats and cats and kids in her refrigerator and watch her sing over the bones.
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
That is what we're fighting for. And we shall win—never for a moment doubt that, Rilla. For it isn't only the living who are fighting—the dead are fighting too. Such an army cannot be defeated. "Is there laughter in your face yet, Rilla? I hope so. The world will need laughter and courage more than ever in the years that will come next. I don't want to preach—this isn't any time for it. But I just want to say something that may help you over the worst when you hear that I've gone 'west.' I've a premonition about you, Rilla, as well as about myself. I think Ken will go back to you—and that there are long years of happiness for you by-and-by. And you will tell your children of the Idea we fought and died for—teach them it must be lived for as well as died for, else the price paid for it will have been given for nought. This will be part of your work, Rilla. And if you—all you girls back in the homeland—do it, then we who don't come back will know that you have not 'broken faith' with us. "I meant to write to Una tonight, too, but I won't have time now.
L.M. Montgomery (Rilla of Ingleside (Anne of Green Gables, #8))
When one remembers a scene from the past in which one is with a loved one who is now dead, it is not like a memory at all, but like a dream one is having before his death, a premonition. In this dream which preceded death, the person is tranquil and happy, and yet, without reason, you know he is to die. When we recall the dead, the past becomes a dream we are dreaming foretelling death, though in our waking moments we cannot properly interpret it or give it significance.
Amit Chaudhuri (Afternoon Raag)
To my complete and utter surprise, the writing on his door is gone. Vanished. “What happened?” I ask. It takes him a second before he realizes what I’m asking. “I washed it off,” he explains. “You what?” “I wasn’t going to, but I didn’t want the super to give me a hard time. Plus, I thought it might freak out some of my neighbors. You have to admit, death threats on doors can be pretty offensive, generally speaking. Not to mention the sheer fact that it made me look like a total asshole—like some old girlfriend was trying to get even.” “Did you take pictures at least?” “Actually, no.” He cringes. “That probably would’ve been a good idea.” “But Tray saw the writing, right?” “Um . . .” He nibbles his lip, clearly reading my angst. “You told me he was with you last night. You said you called him.” “I tried, but he didn’t pick up, and I didn’t want you to worry.” “So, you lied?” I snap. “I didn’t want you to worry,” he repeats. “Please, don’t be upset.” “How can I not be? We’re talking about your life here. You can’t go erasing evidence off your door. And you can’t be lying to me, either. How am I supposed to help you if you don’t tell me the truth?” “Why are you helping me?” he asks, taking a step closer. “I mean, I’m grateful and all, and you know I love spending time with you, be it death-threat missions or pizza and a movie. It’s just . . . what do you get out of it? What’s this sudden interest in my life?” My mouth drops open, but I manage a shrug, almost forgetting the fact that he knows nothing about my premonitions.
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
Charity had heard that the Trump administration might be using new arrivals from Mexico as weapons in a public relations war. When space in the migrant shelters ran out, ICE workers would drive these people into cities in the dead of night and just leave them there. “I’d heard that Trump was trying to create a crisis,” said Charity. “Trying to turn people against immigrants. It was just a rumor. But when I get there I find this is all true. They’re just dumping families on street corners at two in the morning. They were trying to create a disaster.
Michael Lewis (The Premonition: A Pandemic Story)
There comes a point in one's life where the people whom we grew up admiring begin to die, leaving a great chasm in the world. This is awful enough to deal with without having anything so annoying as feelings getting in the way of personal equanimity. And then, possibly even more horribly, there comes a time in one's life when the people whom we grew up with or the people who are in our same age group begin to die. I have had the disagreeable business of having to watch colleagues only a few years my senior perish without warning, though premonition would not soften the blow. I am now realizing that I am entering this time, the dreadful gateway of existence, the one that leads to watching the ebb and flow of time, the great rote and sussuration of life and death, and being able to do nothing but welter in misery and pine over the dregs of hideous mortality. Death is an unaccountable business, one that robs the living of the peace we believe to be --perhaps mistakenly-- our birthright, one which asks the living to pay for the departed in the currency of feelings, leaving us to wallow in emotional debt. There is a loneliness about behind left behind as is there a thrill of horror for what lies beyond. The sum total of living is to sacrifice peace in favour of finding it, which makes little sense at all. I often wonder if the dead know we grieve for them, as the penury of pity only disconcerts ourselves. It is poor comfort, the business of mourning, for what is there really to mourn about excepting our own desire for reconciliation, something which no one, not even the dead, can furnish?
Michelle Franklin
He displays of intellect consisted in vitriolic and well-seasoned mysterious messages, pure jibber-jabber. He followed her trail and he did all he could to make her believe in him. It was nice at first, he seemed smart, well -rounded and balanced, with great confidence and strength. She thought he was one of the men living in the shadows, the one that will help her to change her miserable life and give her that one in a life time opportunity. Is he testing her and her mental status? Is he the one out of his mind? Now he wants a meeting, he has some top-secret information, that can change the world, to share with her. Why her? Are you curious to know what is about? They have talked in the past using cryptic messages about “God's grace and all the hell we raised,” flashing lights, secret codes, rigged trucks, cell-battery explosions, life and dead, nothing more. At that time a wise man that was sat near her at the Coffee Shop told her: "God is great, beer is good and people are crazy" Did he know the man talking to her? Was that a premonition? Be careful what you wish for, the world is full of people looking around for their next victim...
Lluvia
I had a sudden premonition that this might be the night he drank himself to death. After he finished one bottle, he fumbled the porcelain decanter of single malt out of its velvet-lined box, hands shaking, fingers trembling. He barely managed to peel off the foil, then couldn’t unscrew the cap. I didn’t offer to help. I hoped he’d give up. In frustration, he bashed the bottle against the fireplace, cracking off the cap, and drank straight from its jagged neck. All this time he continued talking. Or tried to. He sounded strangely maudlin—strange, that is, for a man who, even in his cups, usually avoided self-pity. He conceded that he was lonely and grateful I had kept him company. A forlorn figure in his chair, the bottle tucked between his thighs, he reminded me of Gustave von Aschenbach in Thomas Mann’s Death in Venice. Tomorrow, I thought, he’ll be dead, and word will go out around the world. There’s no way he can survive this. Perhaps
Michael Mewshaw (Sympathy for the Devil: Four Decades of Friendship with Gore Vidal)
The infection fatality rate had not just a numerator (deaths) but also a denominator (infections). If you didn’t know how many people had survived infection, you couldn’t say how deadly the virus actually was.
Michael Lewis (The Premonition: A Pandemic Story)
Why was it still possible, in 2006, to say something original and important about the events of 1918? Why had it taken nearly a century to see a simple truth about the single most deadly pandemic in human history? Only after three amateur historians studied the various interventions, and the various death tolls in individual American cities, did the importance of timing became obvious.
Michael Lewis (The Premonition: A Pandemic Story)
Who indeed were these people called the dead? she asked herself. They were people who had lived in the same era and experienced the same events as she. People she hadn't known, whom she had brushed past indifferently on a street corner, whose eyes had lightly touched hers. They were people who had risen in the morning and fallen asleep at night, people with whom she had experienced sunlight, wind, snow and rain. She had born at a certain moment in their lifetimes, and at a certain moment in hers they had humbly departed. How awfully fortuitous to have shared the same era with them; yet she hadn't had the slightest premonition or indication of their deaths. (O 1989: 251)
Oh Jung-hee
Using the most conservative assumptions suggested by the cruise ship—an attack rate of 20 percent and a fatality rate of half of 1 percent—you wound up with 330,000 dead Americans.
Michael Lewis (The Premonition: A Pandemic Story)
Standing still was safe. I had an overwhelming premonition that if I moved, I’d be dead.
Megan Shepherd (The Madman's Daughter (The Madman's Daughter, #1))
She was in the car and about to put her key in the ignition when the thought came to her. I wonder if David and Katherine O’Brien had a chance to tell Brianna good-bye. Sheriff Joanna Brady was known for her common sense. She had the reputation of having both feet firmly on the ground. Had someone asked her straight out right then whether or not she believed in ESP, she would have told them definitely not. And yet, in that moment, a glimmer of absolute knowledge came to her from somewhere else—from something or someone outside herself. From that moment on, despite all rational arguments to the contrary, Joanna lived with a terrible premonition, one that shook her to the very depths of her soul. Roxanne Brianna O’Brien was dead. She wouldn’t be coming home again. Not then. Not ever.
J.A. Jance (Skeleton Canyon (Joanna Brady, #5))
It’s then that the premonition hits me, stronger than any I’ve felt in a long time—stronger even than the one on August 8—and I lean forward and close my eyes as a cold sweat breaks out over my flesh. None of us are getting out of here alive.
Darcy Coates (Dead of Winter)