Deadly Gym Quotes

We've searched our database for all the quotes and captions related to Deadly Gym. Here they are! All 31 of them:

Mandatory showers had been dropped in the fall, when Lilah Porter protested the archaic practice by staging a sit-in in the gym, where she set up a projector and played the shower scene from Carrie in a continuous loop until the school board caved.
Marlene Perez (Dead Is the New Black (Dead Is, #1))
It's after school, after my double detentions for gym and chemistry, and I'm at Knead, about to begin working on a new piece. I wedge the clay out against my board, enjoying the therapeutic quality of each smack, prod, and punch. As the clay oozes between my fingers and pastes against my skin, images of all sorts begin to pop into my head. I try my best to push them away,to focus instead on the cold and clammy sensation of the mound and the way it helps me relax. But after only a few short minutes of solitude, I hear someone storm their way up the back stairwell. At first I think it's Spencer, but then I hear the voice: "I'm coming up the stairs," Adam bellows. "I'm approaching the studio area, about to pass by the sink." I turn to look, noticing he's standing only a few feet behind me now. "I hope I didn't startle you this time," he says. "Ha-ha." I hold back my smile. "I would have called your cell to tell you I was coming up, but you never gave me your number." "I'm fine," I assure him, unable to stifle a giggle.
Laurie Faria Stolarz (Deadly Little Lies (Touch, #2))
As a kid, I had the worst mile time ever. Our gym teacher made us run the mile a few times a year for something called the Presidential Fitness Test. I’d huff and puff and wonder why the hell President Bush cared how fast I could run laps around the playground. I always came in dead last.
Miranda Kenneally (Breathe, Annie, Breathe (Hundred Oaks, #5))
I’ve never been any kind of athlete or anything, but am I seriously the only person who realizes that infants are the perfect punting shape? If we replaced footballs with babies, I would have been far more successful in high school gym class.
Chandler Morrison (Dead Inside)
I see things in windows and I say to myself that I want them. I want them because I want to belong. I want to be liked by more people, I want to be held in higher regard than others. I want to feel valued, so I say to myself to watch certain shows. I watch certain shows on the television so I can participate in dialogues and conversations and debates with people who want the same things I want. I want to dress a certain way so certain groups of people are forced to be attracted to me. I want to do my hair a certain way with certain styling products and particular combs and methods so that I can fit in with the In-Crowd. I want to spend hours upon hours at the gym, stuffing my body with what scientists are calling 'superfoods', so that I can be loved and envied by everyone around me. I want to become an icon on someone's mantle. I want to work meaningless jobs so that I can fill my wallet and parentally-advised bank accounts with monetary potential. I want to believe what's on the news so that I can feel normal along with the rest of forever. I want to listen to the Top Ten on Q102, and roll my windows down so others can hear it and see that I am listening to it, and enjoying it. I want to go to church every Sunday, and pray every other day. I want to believe that what I do is for the promise of a peaceful afterlife. I want rewards for my 'good' deeds. I want acknowledgment and praise. And I want people to know that I put out that fire. I want people to know that I support the war effort. I want people to know that I volunteer to save lives. I want to be seen and heard and pointed at with love. I want to read my name in the history books during a future full of clones exactly like me. The mirror, I've noticed, is almost always positioned above the sink. Though the sink offers more depth than a mirror, and mirror is only able to reflect, the sink is held in lower regard. Lower still is the toilet, and thought it offers even more depth than the sink, we piss and shit in it. I want these kind of architectural details to be paralleled in my every day life. I want to care more about my reflection, and less about my cleanliness. I want to be seen as someone who lives externally, and never internally, unless I am able to lock the door behind me. I want these things, because if I didn't, I would be dead in the mirrors of those around me. I would be nothing. I would be an example. Sunken, and easily washed away.
Dave Matthes
The people inside the gym didn’t stand a dead drunk’s chance.
Steven Ramirez (Tell Me When I'm Dead)
Desire can be such a heady substitute for self-confidence. But she’s trying to stop searching for herself in the eyes of others—especially the dead eyes of a greasy-haired gym junkie.
Samantha Allen (Patricia Wants to Cuddle)
I enjoy a torture session on the rowing machine and I also enjoy my mom’s homemade peach cobbler. I enjoy flopping like that dead fish with hips that can’t lie in dance class, and I also enjoy ordering pizza with my kid, renting a movie, and downing popcorn while we share some special time together. I enjoy seeing how much I can lift at the gym and I also enjoy stuffing a fresh chewy chocolate chip cookie into my face when I’m having a hard day.
Dan Pearce (Single Dad Laughing: The Best of Year One)
Fat people—especially very fat people, like me—are frequently met with screwed-up faces insisting on health and concern. Often, we defend ourselves by insisting that concerns about our health are wrongheaded, rooted in faulty and broad assumptions. We rattle off our test results and hospital records, citing proudly that we’ve never had a heart attack, hypertension, or diabetes. We proudly recite our gym schedules and the contents of our refrigerators. Many fat people live free from the complications popularly associated with their bodies. Many fat people don’t have diabetes, just as many fat people do have loving partners despite common depictions of us. Although we are not thin, we proudly report that we are happy and we are healthy. We insist on our goodness by relying on our health. But what we mean is that we are tired of automatically being seen as sick. We are exhausted from the work of carrying bodies that can only be seen as doomed. We are tired of being heralded as dead men walking, undead specters from someone else’s morality tale.
Aubrey Gordon (What We Don't Talk About When We Talk About Fat)
The Sloth hated himself. He considered himself lazy. He had a dead-end job and no plans to get a better one. His relationship was on-again-off-again, and he never got to the gym even though he kept paying the membership dues. There was mould in his refrigerator and he watched reruns on TV. Sometimes he wore the same pair of socks twice in the same week. The Sloth would sit on his couch, paralyzed by all the things he wasn’t taking care of. Then one day, a Wednesday, he just said, ‘Fuck it!’ He threw his hands up into the air and said, ‘Fuck it!’ This was the day that the Sloth discovered his superpower, an amazing ability to say ‘Fuck it’ and really, truly mean it.
Andrew Kaufman (All My Friends are Superheroes)
She hoped she’d get her strong personality as well, instead of her father’s, who was more concerned about working out in the gym than taking care of his own child.
J.R. Adler (Dead Woman Crossing (Detective Kimberley King #1))
How do you gag the voice in your head that says, 'You don't have to go to the gym today. There's always tomorrow. C'mon, my friend, it's just one plate of curly fries. Yes, just for you!' (My inner voice reminds me of a particularly aggressive rug salesman at a Turkish bazaar.)
A.J. Jacobs (Drop Dead Healthy: One Man's Humble Quest for Bodily Perfection)
I am looking into your eyes and I can't get in. You have changed the locks and I have an old key that doesn't fit and our daughter is making her way across the garden towards us, holding her thick blanket. You are telling me you are dead, and I say yes, I know you are. We miss you and since you've been gone I've forgotten all my pin numbers, I can't remember the code to my gym locker or where the honey is or where I put the blue pillowcase-- and could you tell me, again, where exactly the sea is, in that photograph?
Deborah Levy (Black Vodka: Ten Stories)
The most common metaphor for careers is a ladder, but this concept no longer applies to most workers. As of 2010, the average American had eleven jobs from the ages of eighteen to forty-six alone.1 This means that the days of joining an organization or corporation and staying there to climb that one ladder are long gone. Lori often quotes Pattie Sellers, who conceived a much better metaphor: “Careers are a jungle gym, not a ladder.” As Lori describes it, ladders are limiting—people can move up or down, on or off. Jungle gyms offer more creative exploration. There’s only one way to get to the top of a ladder, but there are many ways to get to the top of a jungle gym. The jungle gym model benefits everyone, but especially women who might be starting careers, switching careers, getting blocked by external barriers, or reentering the workforce after taking time off. The ability to forge a unique path with occasional dips, detours, and even dead ends presents a better chance for fulfillment. Plus, a jungle gym provides great views for many people, not just those at the top. On a ladder, most climbers are stuck staring at the butt of the person above.
Sheryl Sandberg (Lean In: Women, Work, and the Will to Lead)
But here they are, leaving the stress and shit food and endless misunderstandings. Leaving. The jobcentre, the classroom, the pub, the gym, the car park, the flat, the filth, the TV, the constant swiping of newsfeeds, the hoover, the toothbrush, the laptop bag, the expensive hair product that makes you feel better inside, the queue for the cash machine, the cinema, the bowling alley, the phone shop, the guilt, the absolute nothingness that never stops chasing, the pain of seeing a person grow into a shadow. The people’s faces twisting into grimaces again, losing all their insides in the gutters, clutching lovers till the breath is faint and love is dead, wet cement and spray paint, the kids are watching porn and drinking Monster. Watch the city fall and rise again through mist and bleeding hands. Keep holding on to power-ballad karaoke hits. Chase your talent. Corner it, lock it in a cage, give the key to someone rich and tell yourself you’re staying brave. Tip your chair back, stare into the eyes of someone hateful that you’ll take home anyway. Tell the world you’re staying faithful. Nothing’s for you but it’s all for sale, give until your strength is frail and when it’s at its weakest, burden it with hurt and secrets. It’s all around you screaming paradise until there’s nothing left to feel. Suck it up, gob it, double-drop it. Pin it deep into your vein and try for ever to get off it. Now close your eyes and stop it. But it never stops. They
Kate Tempest (The Bricks that Built the Houses)
Waking up begins with saying am and now. That which has awoken then lies for a while staring up at the ceiling and down into itself until it has recognized I, and therefore deduced I am, I am now. Here comes next, and is at least negatively reassuring; because here, this morning, is where it has expected to find itself: what’s called at home. But now isn't simply now. Now is also a cold reminder: one whole day later than yesterday, one year later than last year. Every now is labeled with its date, rendering all past nows obsolete, until--later or sooner-- perhaps--no, not perhaps--quite certainly: it will come. Fear tweaks the vagus nerve. A sickish shrinking from what waits, somewhere out there, dead ahead. But meanwhile the cortex, that grim disciplinarian, has taken its place at the central controls and has been testing them, one after another: the legs stretch, the lower back is arched, the fingers clench and relax. And now, over the entire intercommunication system, is issued the first general order of the day: UP. Obediently the body levers itself out of bed--wincing from twinges in the arthritic thumbs and the left knee, mildly nauseated by the pylorus in a state of spasm--and shambles naked into the bathroom, where its bladder is emptied and it is weighed: still a bit over 150 pounds, in spite of all that toiling at the gym! Then to the mirror. What it sees there isn’t much a face as the expression of a predicament. Here’s what it has done to itself, here’s the mess it has somehow managed to get itself into the during its fifty-eight years; expressed in terms of a dull, harassed stare, a coarsened nose, a mouth dragged down by the corners into a grimace as if at the sourness of its own toxins, cheeks sagging from their anchors of muscle, a throat hanging limp in tiny wrinkled folds. The harassed look is that of a desperately tired swimmer or runner; yet there is no question of stopping. The creature we are watching will struggle on and on until it drops. Not because it is heroic. It can imagine no alternative. Staring and staring into the mirror, it sees many faces within its face—the face of the child, the boy, the young man, the not-so-young man—all present still, preserved like fossils on superimposed layers, and, like fossils, dead. Their message to this live dying creature is: Look at us—we have died—what is there to be afraid of? It answers them: But that happened so gradually, so easily. I’m afraid of being rushed. It stares and stares. Its lips part. It struggles to breathe through its mouth. Until the cortex orders it impatiently to wash, to shave, to brush its hair. Its nakedness has to be covered. It must be dressed up in the clothes because it is going outside, into the world of the other people; and these others must be able to identify it. Its behavior must be acceptable to them. Obediently, it washes, shaves, brushes its hair, for it accepts its responsibilities to the others. It is even glad that it has its place among them. It knows what is expected of it. It knows its name. It is called George.
Christopher Isherwood (A Single Man)
It was shaping up to be a normal, decent first day of school. No one shoved my head into a toilet and I had friends to sit with at lunch. It wasn’t until my last class of the day, gym class, that I learned it wasn’t going to be a typical first day after all.
E.J. King (Dead at Twilight (Shaded Falls, #1))
Driving University: Listen to audio books or financial news radio while stuck in traffic. Traffic nuisances transformed to education. Exercise University: Absorb books, podcasts, and magazines while exercising at the gym. In between sets, on the treadmill, or on the stationary bike, exercise is transformed to education. Waiting University: Bring something to read with you when you anticipate a painful wait: Airports, doctor’s offices, and your state’s brutal motor vehicle department. Don’t sit there and twiddle your thumbs—learn! Toilet University: Never throne without reading something of educational value. Extend your “sit time” (even after you finish) with the intent of learning something new, every single day. Toilet University is the best place to change your oil, since it occurs daily and the time expenditure cannot be avoided. This means the return on your time investment is infinite! Toilet time transformed to education. Jobbing University: If you can, read during work downtimes. During my dead-job employment (driving limos, pizza delivery) I enjoyed significant “wait times” between jobs. While I waited for passengers, pizzas, and flower orders, I read. I didn’t sit around playing pocket-poker; no, I read. If you can exploit dead time during your job, you are getting paid to learn. Dead-end jobs transformed to education. TV-Time University: Can’t wean yourself off the TV? No problem; put a television near your workspace and simultaneously work your Fastlane plan while the TV does its thing. While watching countless reruns of Star Trek, boldly going where no man has gone before, I simultaneously learned how to program websites. In fact, as I write this, I am watching the New Orleans Saints pummel the New England Patriots on Monday Night Football. Gridiron gluttony transformed to work and education.
M.J. DeMarco ([The Millionaire Fastlane: Crack the Code to Wealth and Live Rich for a Lifetime!] [By: DeMarco, MJ] [January, 2011])
November 29, 1994 | by Don Terry | Reuters CHICAGO—Jeffrey L. Dahmer, whose gruesome exploits of murder, necrophilia and dismemberment shocked the world in 1991, was attacked and killed on Monday in a Wisconsin prison, where he was serving 15 consecutive life terms. Mr. Dahmer was 34, older than any of his victims, who ranged in age from 14 to 33. He died of massive head injuries, suffered sometime between 7:50 and 8:10 A.M., when he was found in a pool of blood in a toilet area next to the prison’s gym, said Michael Sullivan, secretary of the Wisconsin Department of Corrections. He was pronounced dead shortly after 9 A.M.
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
gym.” That’s a lot—and enough to make your head spin. To make matters worse, many women want to have it all, and do it all. Maas says, “That’s a deadly quality. Men are much better at parking stress. They obviously have a lot to do, too, but they’re more likely to say: let’s call it a day. Women often keep going, both in their work and in their heads. Worry is a big part of perfectionism. You keep going over your to-
Maartje Willems (The Lost Art of Doing Nothing: How the Dutch Unwind with Niksen)
Studies show that even regular gym-going can’t fully undo the harm of sitting. So my plan is to tear down the wall between exercise and life. I’ve started doing what I call guerrilla exercise—or what my friend calls contextual exercise. I squeeze physical activity into every nook in my day.
A.J. Jacobs (Drop Dead Healthy: One Man's Humble Quest for Bodily Perfection)
There were certainly multiple factors contributing to these men’s post-moonwalk slump, but the question What do you do after walking on the moon? became a gigantic speed bump. The trouble with moonwalkers and billionaires is when they arrive at the top, their momentum often stops. If they don’t manage to find something to parlay, they turn into the kid on the jungle gym who just hangs from the ring. Not coincidentally, this is the same reason that only one-third of Americans are happy at their jobs. When there’s no forward momentum in our careers, we get depressed, too. As Newton pointed out, an object at rest tends to stay at rest. So how does one avoid billionaire’s depression? Or regular person’s stuck-in-a-dead-end-job, lack-of-momentum-fueled depression? Harvard Business School professor Teresa Amabile took on the question in the mid-2000s in a research study of white-collar employees. She tasked 238 pencil pushers in various industries to keep daily work diaries. The workers answered open-ended questions about how they felt, what events in their days stood out. Amabile and her fellow researchers then dissected the 12,000 resulting entries, searching for patterns in what affects people’s “inner” work lives the most dramatically. The answer, it turned out, is simply progress. A sense of forward motion. Regardless how small. And that’s the interesting part. Amabile found that minor victories at work were nearly as psychologically powerful as major breakthroughs. To motivate stuck employees, as Amabile and her colleague Steven J. Kramer suggest in their book, The Progress Principle, businesses need to help their workers experience lots of tiny wins. (And as we learned from the bored BYU students in chapter 1, breaking up big challenges into tiny ones also speeds up progress.) This is helpful to know when motivating employees. But it also hints at what billionaires and astronauts can do to stave off the depression that follows the high of getting to the top. To get out of the funk, say Joan DiFuria and Stephen Goldbart, cofounders of the Money, Meaning & Choices Institute, depressed successes simply have to start the Olympic rings over. Some use their money to create new businesses. Others parlay sideways and get into philanthropy. And others simply pick up hobbies that take time to master. Even if the subsequent endeavors are smaller than their previous ones, the depression dissipates as they make progress.
Shane Snow (Smartcuts: The Breakthrough Power of Lateral Thinking)
Graham went to the gym to work out, as he does almost every day. There's a pile of unfolded clothes on the couch beside me and a bag of cheese puffs in my lap. I love it when he goes to the gym, if only because I can be the massive sloth I naturally am in peace. If he were here, he'd be eyeing up my laundry and staring at the edible garbage in my lap and on my fingers, internally freaking out over the possibility of powdery cheese getting on the furniture. One hand in the bag, one hand wrapped around the stem of my wine glass—this is my idea of perfection. 'Girls Chase Boys' by Ingrid Michaelson is presently keeping me company from the stereo system. When my phone rings from where it resides on the back of the couch, I jump and send the bag flying. Orange confetti falls to the floor and I swallow, knowing I am so dead if Graham walks in the door right now. “What?” is my less than friendly greeting. “What'd you do?” How does he know me so well? I guess because he made me. “I just let off a bomb of cheese puffs. Although, technically, I'm blaming it on you since it was your phone call that scared me into dumping the bag over.” “Your mother is knitting again.” Eyes glued to the orange blobs on the pale carpet, I reply, “Oh? I'm sure it's marvelous, whatever it is.” Are they seeping into the carpet as I watch, even now becoming an irremovable part of it? Graham is going to majorly freak out over this. “Looks like a yellow condom.” I choke on nothing. “I have to go, Dad.” He grunts a goodbye. I fling the phone away and dive to my knees, hurriedly scooping up the abused deliciousness into my hands. Of course this is when Graham decides to come home—when my ass is in the air facing the door and I look like I'm eating processed food off the floor. I groan and let my head fall forward, smashing a cheese puff with my forehead. He doesn't say anything for a really, really long time, and I refuse to move or look at him, so it gets sort of awkward. “Never thought I'd come home to this scene. Ever.” Just to rile him up, I shove a cheese puff in my mouth and chomp away. “I can't believe you just ate that!” I get to my feet as I pop another into my mouth. “Mmm.” Graham's face is twisted with horror, his backpack dropping to the floor. Sweat clings to him in a delicious way, his hair damp with it. “Do you know how dirty the carpet is?” “You clean it almost every day. It can't be that dirty.” “I don't get everything out of it!” he exclaims, slapping the remaining puffs from my hands. “Go brush your teeth. No. Wait. Induce vomiting. Immediately.” I look at him and laugh. “You're crazy.” “Just...go drink water or something. I'll clean this up.” “I am perfectly capable of cleaning up my own messes.” He just looks at me. “Okay, so not as well as you, but still.” He remains mute. “Fine.” I toss my hands in the air and carefully walk over the splotches of orange beneath me. As I leave the living room, I pause by a framed photograph of a lemon tree, sliding it off-center on the wall. “I saw that,” he calls after me. “Just giving you something to do!” I smirk as I saunter into the bathroom. “I'll give you something to do.” I cock my head at that, wondering if that was meant to be sexual or not. I'm thinking not. I flip the light switch up in the bathroom and scream. Even with the distance between us, I can hear him laughing. The mirror is covered in what looks like blood, spelling out R – E – D. I put my face close to it and sniff. Ketchup. What a waste of a good condiment. “Not funny!” “So funny!
Lindy Zart (Roomies)
I don’t find it surprising that super-old people are so odd and grumpy. Half their friends are dead, they feel like shit most of the time, and the next major event in their lives is going to be their last. They don’t even have the salve of believing that going to the gym is going to make things better, that they’ll meet someone cute in the small hours of a Friday night or that their career is going to suddenly steer into an upturn and they’ll wind up married to a movie star. They’re out the other side of all that, onto a flat, gray plain of aches and bad eyesight, of feeling the cold in their bones and having little to do except watch their children and grandchildren go right ahead and make all the mistakes they warned them about.
Michael Marshall (The Straw Men)
The ability to forge a unique path with occasional dips, detours, and even dead ends presents a better chance for fulfillment. Plus, a jungle gym provides great views for many people, not just those at the top. On a ladder, most climbers are stuck staring at the butt of the person above.
Sheryl Sandberg (Lean In: Women, Work, and the Will to Lead)
What makes this particularly ironic for someone like me, who started his academic career as a scientist (evolutionary biology) and eventually moved to philosophy after a constructive midlife crisis, is that a good number of scientists nowadays – and especially physicists – don’t seem to hold philosophy in particularly high regard. Just in the last few years Stephen Hawking has declared philosophy dead, Lawrence Krauss has quipped that philosophy reminds him of that old Woody Allen joke, ‘those that can’t do, teach, and those that can’t teach, teach gym,’ and science popularisers Neil deGrasse Tyson and Bill Nye have both wondered loudly why any young man would decide to ‘waste’ his time studying philosophy in college. [Must science be testable?]
Massimo Pigliucci
Dad used to make me tea at night during the pregnancy whenever I was feeling sick.” “Really?” I removed her hands from my stomach. “He did that?” “Yup. He even bought me a bunch of different flavors so I wouldn’t get bored with any of them. He’d bring me a steaming cup in bed and tell me to close my eyes, see if I could guess the flavor.” It was hard to picture this. Him putting water in a pot, boiling it, steeping a mug with Earl Grey, English Breakfast, chamomile. I couldn’t even picture him in the checkout lane at the grocery store with anything other than Miller Lite and jelly beans. That man bringing tea to his pregnant wife wasn’t the same as the one who once picked me up from school two hours late, with crushed Miller Lite cans and gum wrappers covering the floor of his car, the front of his gray gym shorts soaked in piss, shouting over and over, “Get in, we’re going to Disneyland.” I thought about telling Mom this memory, reminding her of that other man. “Or is it something else?” she asked. “What can I do?” She would never be able to help me. Her loyalties would always lie with him, this dead man who showed her sides he never showed to me.
Jean Kyoung Frazier (Pizza Girl)
Anyone seen Billy?” Shane looked around the gym again. “He’s dead,” Laura said weakly, pointing to the shadowy space between the edge of the bleachers and the wall. His stomach knotting, Shane walked over and saw Billy laying facedown, blood spreading around him. “He tried to fight off the convicts, and they shot him,” Laura added. “He was so brave.” She sounded guilty,
N.W. Harris (The Last Orphans (The Last Orphans, #1))
Drop dead!” All he’d seen was gym shorts, so he thought this was a bit uncalled for. “I plan to. Don’t worry.
Hajime Kamoshida (Rascal Does Not Dream of a Dreaming Girl (light novel))
Strewn on the lawn were the bits and pieces of our father’s private passions: motors, circular saws, a jig saw, buckets of brushes, stacks of silkscreens, old gym bags stuffed with tennis balls, speaker cabinets, old fiberglass insulation, old ropes, three vacuum cleaners, four washing machines, hand saws, old lamps, dusty sketchbooks. It was like sifting through a dead man’s things, except our father was alive and breathing and eyeing each piece with longing.
Jabari Asim (We Can't Breathe: On Black Lives, White Lies, and the Art of Survival)
Sore ribs and all, I think about punching the question right off Plutarch’s face. Because the implication is clear: He isn’t just asking why we didn’t start a mini rebellion in the gym. He means back in District 12 as well. Why do we let the Capitol brutes rule us? Because we’re cowards? Because we’re stupid? “Why do you submit to it all?” he presses. “Because you have the guns,” Ringina says flatly. “Is it really about the weapons, though? I grant you, they’re an advantage. On the other hand, when you consider the sheer difference in numbers . . . district to Capitol . . .” Plutarch muses. Yes, we far outnumber the Peacekeepers in 12. I think about the weapons we could lay our hands on. Pickaxes, knives, possibly some explosives. But in the face of automatic rifles, aerial bombings, gases, and the Capitol’s menagerie of mutts? “I don’t think we ‘submit,’” I say. “It’s implied. You accept the Capitol’s conditions.” “Because we don’t want to end up dead!” I snap. “Do you really not see that?” “No, I do. I see the hangings and the shootings and the starvation and the Hunger Games. I do,” Plutarch says. “And yet, I still don’t think the fear they inspire justifies this arrangement we’ve all entered into. Do you?” We stare at him. He’s not taunting or mocking us, he’s genuinely asking. “Why do you agree to it? Why do I? For that matter, why have people always agreed to it?” When we don’t respond, he shrugs. “Well, it’s something to think about.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))