Daylight Moon Quotes

He jests at scars that never felt a wound. But soft! What light through yonder window breaks? It is the east, and Juliet is the sun. Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou, her maid, art far more fair than she. Be not her maid since she is envious. Her vestal livery is but sick and green, And none but fools do wear it. Cast it off! It is my lady. Oh, it is my love. Oh, that she knew she were! She speaks, yet she says nothing. What of that? Her eye discourses. I will answer it.— I am too bold. 'Tis not to me she speaks. Two of the fairest stars in all the heaven, Having some business, do entreat her eyes To twinkle in their spheres till they return. What if her eyes were there, they in her head? The brightness of her cheek would shame those stars As daylight doth a lamp. Her eye in heaven Would through the airy region stream so bright That birds would sing and think it were not night. See how she leans her cheek upon her hand. Oh, that I were a glove upon that hand That I might touch that cheek!

Fighting evil by moonlight, winning love by daylight, never running from a real fight, she is the one named Sailor Moon!

You know I can’t go out there. There’s daylight outside. (Ravyn) Well, that’s what happens when the big yellow ball comes up over the mountains. Amazing isn’t it? (Susan)

The full moon, well risen in a cloudless eastern sky, covered the high solitude with its light. We are not conscious of daylight as that which displaces darkness. Daylight, even when the sun is clear of clouds, seems to us simply the natural condition of the earth and air. When we think of the downs, we think of the downs in daylight, as with think of a rabbit with its fur on. Stubbs may have envisaged the skeleton inside the horse, but most of us do not: and we do not usually envisage the downs without daylight, even though the light is not a part of the down itself as the hide is part of the horse itself. We take daylight for granted. But moonlight is another matter. It is inconstant. The full moon wanes and returns again. Clouds may obscure it to an extent to which they cannot obscure daylight. Water is necessary to us, but a waterfall is not. Where it is to be found it is something extra, a beautiful ornament. We need daylight and to that extent it us utilitarian, but moonlight we do not need. When it comes, it serves no necessity. It transforms. It falls upon the banks and the grass, separating one long blade from another; turning a drift of brown, frosted leaves from a single heap to innumerable flashing fragments; or glimmering lengthways along wet twigs as though light itself were ductile. Its long beams pour, white and sharp, between the trunks of trees, their clarity fading as they recede into the powdery, misty distance of beech woods at night. In moonlight, two acres of coarse bent grass, undulant and ankle deep, tumbled and rough as a horse's mane, appear like a bay of waves, all shadowy troughs and hollows. The growth is so thick and matted that event the wind does not move it, but it is the moonlight that seems to confer stillness upon it. We do not take moonlight for granted. It is like snow, or like the dew on a July morning. It does not reveal but changes what it covers. And its low intensity---so much lower than that of daylight---makes us conscious that it is something added to the down, to give it, for only a little time, a singular and marvelous quality that we should admire while we can, for soon it will be gone again.

We sat grown quiet at the name of love; We saw the last embers of daylight die, And in the trembling blue-green of the sky A moon, worn as if it had been a shell Washed by time's waters as they rose and fell About the stars and broke in days and years. I had a thought for no one's but your ears: That you were beautiful, and that I strove To love you in the old high way of love; That it had all seemed happy, and yet we'd grown As weary-hearted as that hollow moon

That doesn’t mean it isn’t true. The Shining Isle exists as surely as the floor you’re standing on. It may be hard to believe, but it’s real, I tell you. Sometimes in the middle of the night, the sun can seem like it was only ever a dream. We need something to remind us that it still exists, even if we can’t see it. We need something beautiful hanging in the dark sky to remind us there is such a thing as daylight. Sometimes, Queen Sara”—Armulyn strummed his whistleharp— “music is the moon.

It’s a strange place, The Imagination. A lot of fun by day, when there are all sorts of reassuring and familiar sights and people around. But it’s scary, and cold at night, and places you knew perfectly well by daylight aren’t the same after the sun’s gone down. You can get lost easily there, and some people never find their way back. You can hear a few of them, when the ghost moon shines, and the wind’s in the right direction. They scream for a while, and then they stop. And in the silence you hear something else: the sound of something large and quiet, tentatively beginning to feed... The imagination is a dangerous place, after all, and you can always use a guide to the territory.

Every trace of the passionate plumage of the cloudy sunset had been swept away, and a naked moon stood in a naked sky. The moon was so strong and full, that (by a paradox often to be noticed) it seemed like a weaker sun. It gave, not the sense of bright moonshine, but rather of a dead daylight.

By day it is filled with boat traffic - water buses, delivery boats, gondolas - if something floats and it's in Venice, it moves along the Grand Canal. And by daylight it is one of the glories of the Earth. But at night, especially when the moon is full and the soft illumination reflects off the water and onto the palaces - I don't know how to describe it so I won't, but if you died and in your will you asked for your ashes to be spread gently on the Grand Canal at midnight with a full moon, everyone would know this about you - you loved and understood beauty.

She describes her loneliness as a weakness, but I only see it as a strength. While people like me shrivel away in the shadows, people like her create their own light. She’s like the moon who shines bright despite the never-ending darkness. And she makes me want to wish that daylight never comes again.

Shape shifters were on the pages of a book—a really, really good book—not beside her on the bed in broad daylight.

I had to get out. Move. I ran through neighborhoods, other lives, other worlds. Solipsism. A man on his lawn mower. Green and yellow. A high-school kid with earphones, washing his car, suds creeping down the driveway. High in the bright blue sky the moon showed like a fading fingerprint. It seemed so weak, so out of place, as if it stumbled into broad daylight by mistake. Unseen protons dying by the billions.

The word ‘equinox’ simply means ‘of equal length’ and refers to the twelve hours of daylight and twelve hours of darkness at this point in the year. It was originally thought to stem from two Latin words aequus meaning equal and nox meaning night. The word ‘Vernal’, as this equinox is often called, is derived from the Latin word vernus meaning ‘of spring’.

Not for the first time I felt myself confronted by the dizzying possibility that an entire episode in the story of mankind might have been forgotten. Indeed it seemed to me then, as I overlooked the mathematical city of the gods from the summit of the Pyramid of the Moon, that our species could have been afflicted with some terrible amnesia and that the dark period so blithely and dismissively referred to as `prehistory' might turn out to conceal unimagined truths about our own past. What is prehistory, after all, if not a time forgotten--a time for which we have no records? What is prehistory if not an epoch of impenetrable obscurity through which our ancestors passed but about which we have no conscious remembrance? It was out of this epoch of obscurity, configured in mathematical code along astronomical and geodetic lines, that Teotihuacan with all its riddles was sent down to us. And out of that same epoch came the great Olmec sculptures, the inexplicably precise and accurate calendar the Mayans inherited from their predecessors, the inscrutable geoglyphs of Nazca, the mysterious Andean city of Tiahuanaco ... and so many other marvels of which we do not know the provenance. It is almost as though we have awakened into the daylight of history from a long and troubled sleep, and yet continue to be disturbed by the faint but haunting echoes of our dreams

The full moon, well risen in a cloudless eastern sky, covered the high solitude with its light. We are not conscious of daylight as that which displaces darkness. Daylight, even when the sun is clear of clouds, seems to us simply the natural condition of the earth and air. When we think of the downs, we think of the downs in daylight, as we think of a rabbit with its fur on. Stubbs may have envisaged the skeleton inside the horse, but most of us do not: and we do not usually envisage the downs without daylight, even though the

We take daylight for granted. But moonlight is another matter.

In winter, the air is clear enough to drink, and your eyes can travel many hundreds of miles until they reach the green of the near hills, the blue-gray beyond them, and then the snow peaks far away, which rise in the sky with the sun, and remain suspended there, higher than imaginable, changing color and shape through the day. Every hour, they come closer, their massive flanks clearly visible, plumes of cloud smoking from their tips. After the last of the daylight is gone, at dusk, the peaks still glimmer in the slow-growing darkness as if jagged pieces of the moon had dropped from sky to earth.

Perry says that he feels like going to Priest Pond and knocking the daylights out of Great-Aunt Nancy. I told him he must not talk like that about my family, and anyhow I don't see how knocking the daylights out of Great-Aunt Nancy would make her change her opinion about me...(I wonder what daylights are and how you knock them out of people.)

When you enter the woods of a fairy tale and it is night, the trees tower on either side of the path. They loom large because everything in the world of fairy tales is blown out of proportion. If the owl shouts, the otherwise deathly silence magnifies its call. The tasks you are given to do (by the witch, by the stepmother, by the wise old woman) are insurmountable - pull a single hair from the crescent moon bear's throat; separate a bowl's worth of poppy seeds from a pile of dirt. The forest seems endless. But when you do reach the daylight, triumphantly carrying the particular hair or having outwitted the wolf; when the owl is once again a shy bird and the trees only a lush canopy filtering the sun, the world is forever changed for your having seen it otherwise. From now on, when you come upon darkness, you'll know it has dimension. You'll know how closely poppy seeds and dirt resemble each other. The forest will be just another story that has absorbed you, taken you through its paces, and cast you out again to your home with its rattling windows and empty refrigerator - to your meager livelihood, which demands, inevitably, that you write about it.

Infinitesimal Dust What is the light in the center of the darkness inside your soul? A royal radiance or a fantasy like the way the full moon comes up sometimes in daylight? But this is the sun itself, Shams and a truth prior to the soul. Human beings cannot endure such clarity. We make statues, apply paint, and use words with hidden allusions. When the eye that has seen Shams turns to look somewhere else, what does it see? In the love-ocean clothes are an embarrassment. Don't look to be famous here, and don't expect payment. An east wind bringing infinitesimal dust from Tabriz is the most I expect.

I’ve spent hours paging through that notebook again and again, but no secrets have unlocked themselves for me. I’ve gone to the place in the forest where Lucy Callow disappeared, in daylight and in the dark, on the full moon, in a white dress, whatever any legend says. Because I don’t believe in ghosts, but I want to. I know Becca didn’t run away. That leaves one possibility and one impossibility, and I long for the impossible. Because if she isn’t dead, if she’s only been taken, she can be brought back.

When daylight is here i dream of the night, The stars of a country sky that shine so bright. A night sky without clouds, for the moon to hide under, Revealing every twinkle and every beam, of the Milky Way's wonder. I grow sad in the morning, And i pay the day no mind. Every time i see the light coming, I know the sunset's not far behind.

There were such sounds as are not heard in daylight—moon sounds and cloud sounds and sounds of dark wind; branches talked and other small voices answered in anxious undertones.

It had more darkness in it than any daylight could unpick.

I cannot keep away from you any more than the tides can resist the pull of the moon.

With what meditations did Bloom accompany his demonstration to his companion of various constellations? Meditations of evolution increasingly vaster: of the moon invisible in incipient lunation, approaching perigee: of the infinite lattiginous scintillating uncondensed milky way, discernible by daylight by an observer placed at the lower end of a cylindrical vertical shaft 5000 ft deep sunk from the surface towards the centre of the earth: of Sirius (alpha in Canis Maior) 10 lightyears (57,000,000,000,000 miles) distant and in volume 900 times the dimension of our planet: of Arcturus: of the precession of equinoxes: of Orion with belt and sextuple sun theta and nebula in which 100 of our solar systems could be contained: of moribund and of nascent new stars such as Nova in 1901: of our system plunging towards the constellation of Hercules: of the parallax or parallactic drift of socalled fixed stars, in reality evermoving wanderers from immeasurably remote eons to infinitely remote futures in comparison with which the years, threescore and ten, of allotted human life formed a parenthesis of infinitesimal brevity.

Why is it we love so fully what has washed up on the beaches of our hearts, those lost messages, lost friends, the daylight stars we never get to see? Bad luck never takes a vacation, my friend once wrote. It lies there among the broken shells and stones we collect, a story he would say begins with you, with me, a story that is forever lost among the backwaters of our lives, our endless fear of ourselves, and our endless need for hope, a story, perhaps an answer, a word suddenly on wing, the simple sound of a torn heart, or the unmistakable scent of the morning's fading moon.

O full and splendid Moon, whom I Have, from this desk, seen climb the sky So many a midnight,—would thy glow For the last time beheld my woe! Ever thine eye, most mournful friend, O'er books and papers saw me bend; But would that I, on mountains grand, Amid thy blessed light could stand, With spirits through mountain-caverns hover, Float in thy twilight the meadows over, And, freed from the fumes of lore that swathe me, To health in thy dewy fountains bathe me! Ah, me! this dungeon still I see. This drear, accursed masonry, Where even the welcome daylight strains But duskly through the painted panes.

Even at brightest noon, it’s always Full moon in my country. In these streets of Tropic stone and Malay blood, daylight is Moonlight mugging me on every corner Where human shadows loll in an atmosphere Both lunar and lunatic. And while from either pole we’re Half a world and seas away, this Might as well be An arctic archipelago, where as The sun burns the colder it gets. This might as well be Equatorial Antarctica...

Night-time, regarded as a separate sphere of creation, is a universe in itself. The material nature of man, upon which philosophers tell us that a column of air forty-five miles in height continually presses, is wearied out at night, sinks into lassitude, lies down, and finds repose. The eyes of the flesh are closed; but in that drooping head, less inactive than is supposed, other eyes are opened. The unknown reveals itself. The shadowy existences of the invisible world become more akin to man; whether it be that there is a real communication, or whether things far off in the unfathomable abyss are mysteriously brought nearer, it seems as if the impalpable creatures inhabiting space come then to contemplate our natures, curious to comprehend the denizens of the earth. Some phantom creation ascends or descends to walk beside us in the dim twilight: some existence altogether different from our own, composed partly of human consciousness, partly of something else, quits his fellows and returns again, after presenting himself for a moment to our inward sight; and the sleeper, not wholly slumbering, nor yet entirely conscious, beholds around him strange manifestations of life—pale spectres, terrible or smiling, dismal phantoms, uncouth masks, unknown faces, hydra-headed monsters, undefined shapes, reflections of moonlight where there is no moon, vague fragments of monstrous forms. All these things which come and go in the troubled atmosphere of sleep, and to which men give the name of dreams, are, in truth, only realities invisible to those who walk about the daylight world. The dream-world is the Aquarium of Night.

Daylight cannot take the place of Sunlight, which gives us strength and energy. Moonlight is of value when Daylight, worn out with her long watch, retires to rest. If the moon in its course is hidden behind the earth's rim, and my sweet Moonlight cannot cheer us, Starlight takes her place, for the skies always lend her power. Without Firelight we should miss much of our warmth and comfort, as well as much cheer when the walls of houses encompass us. But always, when other lights forsake us, our glorious Electra is ready to flood us with bright rays. As Queen of Light, I love all my maidens, for I know them to be faithful and true.

The poem and song “The Happy Day of Svante” by Benny Andersen is famous in Denmark. It’s all about savoring the moment and enjoying simple pleasures: “Look, real daylight soon. Red sun and waning moon. She takes a shower for me. Me whom it’s good to be. Life’s not bad, for it’s all we have got. And the coffee’s almost hot.

If my time-sense wasn’t entirely shot, it was still daylight somewhere above us. Bella and Arabella had to be on the far side of the world of which Empis was a part, but here those two moons were just the same, projected out of a black void that had no business existing, washing this hellhole in their pallid and eldritch light.

The earth and everything on it was cast black for those last few minutes of daylight, as if evil ruled the world for that short period of time, before the stars and moon came out to illuminate the night sky and remind everyone and everything that there really was lightness and goodness in the universe, that there really was hope and heaven.

TO THE QUEEN OF MY HEART. (Published as Shelley’s by Medwin, “The Shelley Papers”, 1833, and by Mrs. Shelley, “Poetical Works”, 1839, 1st edition; afterwards suppressed as of doubtful authenticity.) 1. Shall we roam, my love, To the twilight grove, When the moon is rising bright; Oh, I’ll whisper there, In the cool night-air, 5 What I dare not in broad daylight!

With the first jolt he was in daylight; they had left the gateways of King’s Cross, and were under blue sky. Tunnels followed, and after each the sky grew bluer, and from the embankment at Finsbury Park he had his first sight of the sun. It rolled along behind the eastern smokes — a wheel, whose fellow was the descending moon — and as yet it seemed the servant of the blue sky, not its lord. He dozed again. Over Tewin Water it was day. To the left fell the shadow of the embankment and its arches; to the right Leonard saw up into the Tewin Woods and towards the church, with its wild legend of immortality. Six forest trees — that is a fact — grow out of one of the graves in Tewin churchyard. The grave’s occupant — that is the legend — is an atheist, who declared that if God existed, six forest trees would grow out of her grave. These things in Hertfordshire; and farther afield lay the house of a hermit — Mrs. Wilcox had known him — who barred himself up, and wrote prophecies, and gave all he had to the poor. While, powdered in between, were the villas of business men, who saw life more steadily, though with the steadiness of the half-closed eye. Over all the sun was streaming, to all the birds were singing, to all the primroses were yellow, and the speedwell blue, and the country, however they interpreted her, was uttering her cry of “now. ” She did not free Leonard yet, and the knife plunged deeper into his heart as the train drew up at Hilton. But remorse had become beautiful.

What are you?' She asked. He shot her a brief glance and looked away. He stared at the scenery of the pastures and distant rows of trees. She knew he was not going to answer the question. In the brightening daylight, she could see that most of the blood on him was restricted to his mouth and hands. It dawned on her that it wasn't his blood, but the blood of something he had caught and eaten.

light is not a part of the down itself as the hide is part of the horse itself. We take daylight for granted. But moonlight is another matter. It is inconstant. The full moon wanes and returns again. Clouds may obscure it to an extent to which they cannot obscure daylight. Water is necessary to us, but a waterfall is not. Where it is to be found it is something extra, a beautiful ornament. We need daylight and to that extent it is utilitarian, but moonlight we do not need. When it comes, it serves no necessity. It transforms. It falls upon the banks and the grass, separating one long blade from another; turning a drift of brown, frosted leaves from a single heap to innumerable flashing fragments; or glimmering lengthways along wet twigs as though light itself were ductile. Its long beams pour, white and sharp, between the trunks of trees, their clarity fading as they recede into the powdery, misty distance of beech woods at night. In moonlight, two acres of coarse bent grass, undulant and ankle deep, tumbled and rough as a horse’s mane, appear like a bay of waves, all shadowy troughs and hollows. The growth is so thick and matted that even the wind does not move it, but it is the moonlight that seems to confer

On Earth We’re Briefly Gorgeous" i Tell me it was for the hunger & nothing less. For hunger is to give the body what it knows it cannot keep. That this amber light whittled down by another war is all that pins my hand to your chest. i You, drowning                         between my arms — stay. You, pushing your body                          into the river only to be left                          with yourself — stay. i I’ll tell you how we’re wrong enough to be forgiven. How one night, after backhanding mother, then taking a chainsaw to the kitchen table, my father went to kneel in the bathroom until we heard his muffled cries through the walls. And so I learned that a man, in climax, was the closest thing to surrender. i Say surrender. Say alabaster. Switchblade.                    Honeysuckle. Goldenrod. Say autumn. Say autumn despite the green                    in your eyes. Beauty despite daylight. Say you’d kill for it. Unbreakable dawn                    mounting in your throat. My thrashing beneath you                    like a sparrow stunned with falling. i Dusk: a blade of honey between our shadows, draining. i I wanted to disappear — so I opened the door to a stranger’s car. He was divorced. He was still alive. He was sobbing into his hands (hands that tasted like rust). The pink breast cancer ribbon on his keychain swayed in the ignition. Don’t we touch each other just to prove we are still here? I was still here once. The moon, distant & flickering, trapped itself in beads of sweat on my neck. I let the fog spill through the cracked window & cover my fangs. When I left, the Buick kept sitting there, a dumb bull in pasture, its eyes searing my shadow onto the side of suburban houses. At home, I threw myself on the bed like a torch & watched the flames gnaw through my mother’s house until the sky appeared, bloodshot & massive. How I wanted to be that sky — to hold every flying & falling at once. i Say amen. Say amend. Say yes. Say yes anyway. i In the shower, sweating under cold water, I scrubbed & scrubbed. i In the life before this one, you could tell two people were in love because when they drove the pickup over the bridge, their wings would grow back just in time. Some days I am still inside the pickup. Some days I keep waiting. i It’s not too late. Our heads haloed             with gnats & summer too early to leave any marks.             Your hand under my shirt as static intensifies on the radio.             Your other hand pointing your daddy’s revolver             to the sky. Stars falling one by one in the cross hairs.             This means I won’t be afraid if we’re already             here. Already more than skin can hold. That a body             beside a body must ma

I will always be the other woman. I disappear for a time like the moon in daylight, then rise at night all mother-of-pearl so that a man’s upturned face, watching, will have reflected on it the milk of longing. And though he may leave, memory will perfect me. One day the light may fall in a certain way on Penelope’s hair, and he will pause wildly… but when she turns, it will only be his wife, to whom white sheets simply mean laundry— even Nausikaä in her silly braids thought more washing linen than of him, preferring Odysseus clean and oiled to that briny, unkempt lion I would choose. Let Dido and her kind leap from cliffs for love. My men will moan and dream of me for years… desire and need become the same animal in the silken dark. To be the other woman is to be a season that is always about to end, when the air is flowered with jasmine and peach, and the weather day after day is flawless, and the forecast is hurricane.

An oceanic expanse of pre-dawn gray white below obscures a checkered grid of Saskatchewan, a snow plain nicked by the dark, unruly lines of woody swales. One might imagine that little is to be seen from a plane at night, but above the clouds the Milky Way is a dense, blazing arch. A full moon often lights the planet freshly, and patterns of human culture, artificially lit, are striking in ways not visible in daylight. One evening I saw the distinctive glows of cities around Delhi diffused like spiral galaxies in a continuous deck of stratus clouds far below us. In Algeria and on the Asian steppes, wind-whipped pennants of gas flared. The jungle burned in incandescent spots in Malaysia and Brazil. One clear evening at 20,000 feet over Manhattan, I could see, it seemed, every streetlight halfway to the end of Long Island. A summer lightning bolt unexpectedly revealed thousands of bright dots on the ink-black veld of the northern Transvaal: sheep.

Flocks of magpies have descended on our yard. I cannot sleep for all their raucous behavior. Perched on weathered fences, their green-black tales, long as rulers, wave up and down, reprimanding me for all I have not done. I have done nothing for weeks. I have no work. I don't want to see anyone much less talk. All I want to do is sleep. Monday, I hit rock-bottom, different from bedrock, which is solid, expansive, full of light and originality. Rock-bottom is the bottom of the rock, the underbelly that rarely gets turned over; but when it does, I am the spider that scurries from daylight to find another place to hide. Today I feel stronger, learning to live with the natural cycles of a day and to not expect so much from myself. As women, we hold the moon in our bellies. It is too much to ask to operate on full-moon energy three hundred and sixty-five days a year. I am in a crescent phase. And the energy we expend emotionally belongs to the hidden side of the moon....

I wished upon the moon one night, bewitched by how it shone so white. While staring up with some excite my eyes beheld a wondrous sight!  The moon so lustrous and white transformed into an armored knight who caused me just a moments fright when he jumped down from such a height.  No more a soft, celestial light, he was my lover, day and night.   This caused the world a serious plight.  How harsh a sting and deep the bite inflicted on the world, alright, to lose their blackest-hour light.   And so I've come to set things right, to offer up without a fight my lover wished for one clear night.  I hold him close.  He hugs me tight, then climbs again to heaven's height to glow a bluer shade of bright.  I stare at my beloved knight, not wanting to be impolite, and in my heart with all my might I wish a wish that isn't right.   Now and then the world still spites a shadowless and moonless night when we steal softly out of sight to hold each other 'til daylight and share in lovers true delight.

She was too compelling to look at directly. Bright like the sun, bright and terrible. Only one other being could look upon her, and that was Death. And so…they became lovers.” He said the word like a caress, like velvet again, and my face began to heat. “Together they forged great and hellish things,” Jesse murmured. “Lightning and waterfalls that churned into clouds off the tip of the world. Chasms so winding deep that daylight never traced their endings. They dreamed through golden days and silvered nights. All the other creatures envied or adored them, because Death and the Elemental were destruction and creation joined as One. In the natural order of things, they should not have been stronger joined. And yet they were.” He shifted, coming closer to me. A hand settled lightly atop my chest, directly over my heart. At our feet the seawater splashed a little, as if disturbed by something rolling over in the dark, distant deep. “Centuries passed, and mankind began to devour the earth, even the wildest places. They had tools to invent and wars to fight and grubby, short lives. Nothing about them dwelled in the magic of the ancient spirits. So although Death, the Great Hunter, prospered as he sieved through their villages, the Elemental, strong as she once was, thinned into a web of gossamer. Human lives simply tore her apart.” His hand was so warm. Warmer than I, warmer than the air, and still just barely touching me. The light behind my lids never lifted, so I knew he wasn’t glowing, but it felt as if he held a tame coal to my skin. It felt like something painless and ablaze, drawing my heart upward into it. “The time had come for them to divide. Like all the rest of her kind, the goddess would cease to exist; she had no other course. So Death and the Elemental severed their joined hearts. For a few generations more, she drifted alone through the last of the sacred places, deserts, and fjords, lands so savage no human had yet desecrated them.” Jesse’s voice dropped to a whisper. Without moving his hand, he bent down, his breath in my ear. “And Death, who had tasted her brightness, who would never cease to crave it-who knew her better than all the collected souls of all mankind’s weeping dead-became her Hunter.” I was hot and strange. I was light and lighter, and curiously my breath came so slow. “Until at last, one starry night beneath the desert moon, she surrendered to him. She allowed him to come to her, to make love to her. To unravel her…” It was happening. He sat next to her and bore witness to her change, her pulse slowing, her skin blanching, the fans of her lashes stark against the contours of her face. He kept his palm there against her chest, up and down with her respiration, and watched the smoke begin to curl around his fingers. “And by his hand, in the bliss of her unraveling, she touched the stars…” Lora’s breath hitched. Her heart skipped-then stopped. If I could take this from you, Jesse thought fiercely. If I could take this one moment away from you and keep the agony for myself- Her eyes opened, went instantly to his. Panic lit her gaze. Then she was gone. His fingers sank to the floor through her empty blouse, and the blue dragon smoke that was all of Eleanore Jones rose into strands above him.

To the dark nights, the relief of the moon. The soft earth that forms to cradle the shape of my foot. To the crickets and the birds who sing our world into harmony. To the flowers that wish to sit on my windowsill, the trees that grow to reach the most sunlight. To the grass that sways and soothes. To the webs the spider tirelessly builds overnight only to be torn down in the daylight. To the life that pulses in exaltation below my feet every day that I am alive. To the portal it offers into a remembrance of our wholeness. To our source of unconditional love.

The creek at night under the moon was just enough like the creek in daylight to be reassuring. There was the deadfall spruce that sieved the current with skeleton branches, churning a line of pale foam. There was the long pool above, a dark mirror of tree shadows and beacon moon. There were the gravel bars, chalky, shaped to the banks and swept into low moraines that divided the water. There the sky, softened as if by a thin fog of moonlight, filling the canyon. For a moment I forgot my preoccupation with the dark and drove up the road with that awe I felt before certain paintings in certain museums, the awe in which I disappeared.

Brightly and merrily swaying, like an April shower, came the young lady. Perhaps if she had been sad and conscience stricken, like certain dames of old who left the site of their illicit love as woe-begone as the passing moment that never returns; if the lady had approached in full cognizance of her frailty, ready to forego a man's respectful handkisses of greeting, and trembling in shame at the tryst exposed in broad daylight, like Risoulette, sixty-six times, whenever having misbehaved, she hastened back home teary-eyed to her Captain; or if a lifelong memory's untearable veil had floated over her fine features, like the otherworldly wimple of a nun . . . Then Pistoli would have stood aside, closed his eyes, swallowed the bitter pill, and come next winter, might have scrawled on the wall something about women's unpredictability. Then he would have glimpsed ghostly, skeletal pelvic bones reflected in his wine goblet, and strands of female hair, once wrapped around the executioner's wrist, hanging from his rafters; and would have heard wails and cackles emanating from the cellar's musty wine casks, but eventually Pistoli would have forgiven this fading memory, simply because women are related to the sea and the moon, and that is why at times they know not what they do.

Matt officially died in a hospital in Fort Collins, Colorado. He actually died in the outskirts of Laramie, tied to a fence. You, Mr. McKinney, with your friend Mr. Henderson left them out there by himself, but he wasn't alone. There were his lifelong friends with him, friends that he had grown up with. You're probably wondering who these friends were. First, he had the beautiful night sky and the same stars and moon that we used to see through a telescope. Then he had the daylight and the sun to shine on him. And through it all he was breathing in the scent of pine trees from the snowy range. He heard the wind, the ever-present Wyoming wind, for the last time. He had one more friend with him, he had God. And I feel better knowing he wasn't alone.

O my dark Rosaleen,     Do not sigh, do not weep! The priests are on the ocean green,     They march along the deep. There’s wine from the royal Pope,     Upon the ocean green;    And Spanish ale shall give you hope,        My Dark Rosaleen!     My own Rosaleen! Shall glad your heart, shall give you hope, Shall give you health, and help, and hope,     My Dark Rosaleen! Over hills, and thro’ dales,     Have I roam’d for your sake; All yesterday I sail’d with sails     On river and on lake. The Erne, at its highest flood,     I dash’d across unseen, For there was lightning in my blood,     My Dark Rosaleen!     My own Rosaleen! O, there was lightning in my blood, Red lighten’d thro’ my blood.     My Dark Rosaleen! All day long, in unrest,     To and fro, do I move. The very soul within my breast     Is wasted for you, love! The heart in my bosom faints     To think of you, my Queen, My life of life, my saint of saints,     My Dark Rosaleen!     My own Rosaleen! To hear your sweet and sad complaints, My life, my love, my saint of saints,     My Dark Rosaleen! Woe and pain, pain and woe,     Are my lot, night and noon, To see your bright face clouded so,     Like to the mournful moon. But yet will I rear your throne     Again in golden sheen; ‘Tis you shall reign, shall reign alone,     My Dark Rosaleen!     My own Rosaleen! ‘Tis you shall have the golden throne, ‘Tis you shall reign, and reign alone,     My Dark Rosaleen! Over dews, over sands,     Will I fly, for your weal: Your holy delicate white hands     Shall girdle me with steel. At home, in your emerald bowers,     From morning’s dawn till e’en, You’ll pray for me, my flower of flowers,     My Dark Rosaleen!     My fond Rosaleen! You’ll think of me through daylight hours My virgin flower, my flower of flowers,     My Dark Rosaleen! I could scale the blue air,     I could plough the high hills, Oh, I could kneel all night in prayer,     To heal your many ills! And one beamy smile from you     Would float like light between My toils and me, my own, my true,     My Dark Rosaleen!     My fond Rosaleen! Would give me life and soul anew,     My Dark Rosaleen! O, the Erne shall run red,     With redundance of blood, The earth shall rock beneath our tread,        And flames wrap hill and wood, And gun-peal and slogan-cry     Wake many a glen serene, Ere you shall fade, ere you shall die,     My Dark Rosaleen!     My own Rosaleen! The Judgement Hour must first be nigh, Ere you can fade, ere you can die,     My Dark Rosaleen!

Dear God, I love this tree. I love the light filtering through the moss and the leaves. I love all your earth songs—the breeze rustling through the grass, the rhythm of crickets, the beating of wings. I love the rain water in the bird bath and the dragonflies that flit over it. I love the air so laden with moisture that the dew rains out of the tree and bathes my face. I love the artistic little prayers that the spiders weave through the woods. I love the way you blend daylight into darkness, how dusk softens the sharp edges of the world. I love the way the moon changes shape every night. I love the slope of your hills—horizons inside and out. I feel that I’m part of it, that it’s part of me. Here, surrounded and permeated by your creation, I feel you. I feel life. I know myself connected. O God, is there anything you’ve made that can’t pour life and healing into me? When I think of the simplicity and extravagance of creation, I want to bend down and write the word yes across the earth so that you can see it.

White was an old-style lawman. He had served in the Texas Rangers near the turn of the century, and he had spent much of his life roaming on horseback across the southwestern frontier, a Winchester rifle or a pearl-handled six-shooter in hand, tracking fugitives and murderers and stickup men. He was six feet four and had the sinewy limbs and the eerie composure of a gunslinger. Even when dressed in a stiff suit, like a door-to-door salesman, he seemed to have sprung from a mythic age. Years later, a bureau agent who had worked for White wrote that he was “as God-fearing as the mighty defenders of the Alamo,” adding, “He was an impressive sight in his large, suede Stetson, and a plumb-line running from head to heel would touch every part of the rear of his body. He had a majestic tread, as soft and silent as a cat. He talked like he looked and shot—right on target. He commanded the utmost in respect and scared the daylights out of young Easterners like me who looked upon him with a mixed feeling of reverence and fear, albeit if one looked intently enough into his steel-gray eyes he could see a kindly and understanding gleam.

The Bad-Moon Girls appear on days when Dad doesn't know what he is thinking, or even if he is thinking. Those days can weigh less than air or more than an ocean. He has blank thoughts without feelings, followed by heavy feelings without thoughts. Time means nothing. A minute ticks by in the same rhythm as an entire day. He can look at one thing for an hour without moving. He can see me or Victor without knowing we are in the room, peering at us as if we are underwater, moving in warped slow motion. After the nothingness, he wades through a stagnant lake with the moon reflected in it, waiting for the daylight to rinse it away. He almost drowns while time ticks on. The sky is filled with black milk. No stars. Two days can pass before he surfaces. Dad's brain-switch, the focusing thing the rest of us switch on to make things look better, is a bit buggered. Those are his words, not mine. The Bad-Moon Girls whisper evil in Dad's ear, the sort of women who would set their own mother on fire if there were no other way to light their cigarettes. The trouble is, they can follow. Just as we were setting off to Clacton last autumn, they hunted him down.

Bluefur headed along the fern tunnel. Why wasn’t Goosefeather helping more? Why did ThunderClan seem to have the laziest, dumbest medicine cat? As she reached the end of the tunnel, she stopped. The medicine clearing was cool and green and empty. “Goosefeather!” Bluefur guessed he was sleeping in his den. Two eyes peered from the crack in the rock. Bluefur tensed. They were round and wild, and for a moment she thought a fox had got in. “Goosefeather?” she ventured shakily. The medicine cat padded out, his pelt ruffled. His eyes were still wild, but less startling in the daylight. “What is it?” “Featherwhisker sent me for herbs for my belly. I shared a bad mouse with Sweetpaw and Rosepaw last night.” “You as well?” He rolled his eyes. Bluefur nodded. “Evil omens everywhere.” Bluefur wondered if she’d heard the medicine cat correctly. He was muttering as he turned back into his den and still muttering as he came out and shoved a pawful of shredded leaves in front of her. “It was just a bad mouse,” she meowed, wondering why he was so upset. He leaned toward her, his breath stinky in her face. “Just a bad mouse?” he echoed. “Another warning, that’s what it was! I should have seen it coming. I should have noticed.” “How?” Bluefur backed away. “It didn’t taste bad.” She realized that his pelt wasn’t ruffled from sleep, but simply ungroomed. It clung to his frame as though the season were leaf-bare and he hadn’t eaten properly for a moon. She took another pace back. “It was just a bad mouse,” she repeated. He turned a disbelieving look on her. “How can you—you of all cats—ignore the signs?” he spat. “Me?” What did he mean? “You have a prophecy hanging over your head like a hawk. You’re fire, and only water can destroy you! You can’t ignore the signs.” “B-but…I’m just a warrior.” Was she supposed to have the insight of a medicine cat? That wasn’t fair. He should be giving her answers, not taunting her with the promise of a destiny she didn’t understand. She had wondered when Goosefeather would again speak to her about the prophecy, but now he was making even less sense than before. “Just a warrior?” His whiskers trembled. “Too many omens. Three cats poisoned, two only whiskers from StarClan, Leopardfoot nearly dead, her three kits hanging on to life like rabbits in a fox den.” He stared through her, seeming to forget she was there. “Why such a difficult birth for the Clan leader’s mate? The kits may not make it through another night. The tom is too weak to mew, let alone feed. I should help them, and yet how can I when the signs are clear?” What in the name of StarClan was he talking about? Forgetting the herbs, Bluefur backed out of the den. Only whiskers from StarClan.

Come here, little one.” “I want to go back.” He hoped she stood there arguing for a time. “Obey your husband.” She wrinkled her nose. “It’s broad daylight.” “Keemah, come.” Growing tired of just looking when he could be touching, Hunter cocked his head and let her see him leering. He was awarded a fetching glimpse of slender, creamy thighs and honey gold. She gasped and dropped to her knees as if someone had dealt a blow to the backs of her legs. Tucking her skirt under her knees, she cried, “Have you no shame?” His answer was a slow grin. Seizing her wrist, he drew her toward him. “There is no shame. You are my woman.” Pulled off balance, she fell across his chest. Squirming, but halfheartedly, she said, “There’s a time and a place for everything, and this isn’t it.” “No?” He ran a hand under her blouse. “I say it is a very good time.” She jerked when his fingers scaled her ribs. “That tickles.” Without warning he rolled with her, coming out on top. He kissed her lightly on the lips while he moved his hand from her ribs to her breast. The small mound of warm flesh fit perfectly in his hand, the crest springing taut against his palm. Scarlet flamed on her cheeks. Unable to resist, Hunter lifted her blouse and moved off her to look, one thigh slanted across both of hers to keep her still. He had guessed right; when she was shy, she grew pink all over. “Hunter!” She tried to shove the leather down. “Someone might come!” “No one comes.

Comus. The Star that bids the Shepherd fold, Now the top of Heav'n doth hold, And the gilded Car of Day, [ 95 ] His glowing Axle doth allay In the steep Atlantick stream, And the slope Sun his upward beam Shoots against the dusky Pole, Pacing toward the other gole [ 100 ] Of his Chamber in the East. Mean while welcom Joy, and Feast, Midnight shout, and revelry, Tipsie dance and Jollity. Braid your Locks with rosie Twine [ 105 ] Dropping odours, dropping Wine. Rigor now is gone to bed, And Advice with scrupulous head, Strict Age, and sowre Severity, With their grave Saws in slumber ly. [ 110 ] We that are of purer fire Imitate the Starry Quire, Who in their nightly watchfull Sphears, Lead in swift round the Months and Years. The Sounds, and Seas with all their finny drove [ 115 ] Now to the Moon in wavering Morrice move, And on the Tawny Sands and Shelves, Trip the pert Fairies and the dapper Elves; By dimpled Brook, and Fountain brim, The Wood-Nymphs deckt with Daisies trim, [ 120 ] Their merry wakes and pastimes keep: What hath night to do with sleep? Night hath better sweets to prove, Venus now wakes, and wak'ns Love. Com let us our rights begin, [ 125 ] Tis onely day-light that makes Sin, Which these dun shades will ne're report. Hail Goddesse of Nocturnal sport Dark vaild Cotytto, t' whom the secret flame Of mid-night Torches burns; mysterious Dame [ 130 ] That ne're art call'd, but when the Dragon woom Of Stygian darknes spets her thickest gloom, And makes one blot of all the ayr, Stay thy cloudy Ebon chair, Wherin thou rid'st with Hecat', and befriend [ 135 ] Us thy vow'd Priests, till utmost end Of all thy dues be done, and none left out, Ere the blabbing Eastern scout, The nice Morn on th' Indian steep From her cabin'd loop hole peep, [ 140 ] And to the tel-tale Sun discry Our conceal'd Solemnity. Com, knit hands, and beat the ground, In a light fantastick round.

Springs and summers full of song and revolution. The Popular Front, demonstrations and confrontations, time that takes you away from yourself and your poetry, so that you could see them as if from cosmic space, a way of looking that changes everything into stars, our Earth, you and me, Estonia and Eritrea, blue anemones and the Pacific Ocean. Even the belief that you will write more poems. Something that was breathing into you, as May wind blows into a house bringing smells of mown grass and dogs' barks, - this something has dissipated, become invisible like stars in daylight. For quite a time I haven't permitted myself to hope it would come back. I know I am not free, I am nothing without this breathing, inspiration, wind that comes through the window. Let God be free, whether he exist or no. And then, it comes once again. At dusk in the countryside when I go to an outhouse, a little white moth flies out of the door. That's it, now. And the dusk around me begins little by little to breathe in words and syllables. * In the morning, I was presented to President Mitterrand, in the evening, I was weeding nettles from under the currant bushes. A lot happened inbetween, the ride from Tallinn to Tartu and to our country home through the spring that we had waited for so long, and that came, as always, unexpectedly, changing serious greyish Estonia at once into a primary school child's drawing in pale green, into a play-landscape where mayflies, mayors and cars are all somewhat tiny and ridiculous... In the evening I saw the full moon rising above the alder grove. Two bats circled over the courtyard. The President's hand was soft and warm. As were his eyes, where fatigue was, in a curious way, mingled with force, and depth with banality. He had bottomless night eyes with something mysterious in them like the paths of moles underground or the places where bats hibernate and sleep.

The masses of dense foliage all round became prison walls, impassable circular green ice-walls, surging towards her; just before they closed in, I caught the terrified glint of her eyes. On a winter day she was in the studio, posing for him in the nude, her arms raised in a graceful position. To hold it for any length of time must have been a strain, I wondered how she managed to keep so still; until I saw the cords attached to her wrists and ankles. Instead of the darkness, she faced a stupendous sky-conflagration, an incredible glacial dream-scene. Cold coruscations of rainbow fire pulsed overhead, shot through by shafts of pure incandescence thrown out by mountains of solid ice towering all round. Closer, the trees round the house, sheathed in ice, dripped and sparkled with weird prismatic jewels, reflecting the vivid changing cascades above. Instead of the familiar night sky, the aurora borealis formed a blazing, vibrating roof of intense cold and colour, beneath which the earth was trapped with all its inhabitants, walled in by those impassable glittering ice-cliffs. The world had become an arctic prison from which no escape was possible, all its creatures trapped as securely as were the trees, already lifeless inside their deadly resplendent armour. Frozen by the deathly cold emanating from the ice, dazzled by the blaze of crystalline ice-light, she felt herself becoming part of the polar vision, her structure becoming one with the structure of ice and snow. As her fate, she accepted the world of ice, shining, shimmering, dead; she resigned herself to the triumph of glaciers and the death of her world. Fear was the climate she lived in; if she had ever known kindness it would have been different. The trees seemed to obstruct her with deliberate malice. All her life she had thought of herself as a foredoomed victim, and now the forest had become the malign force that would destroy her. In desperation she tried to run, but a hidden root tripped her, she almost fell. Branches caught in her hair, tugged her back, lashed out viciously when they were disentangled. The silver hairs torn from her head glittered among black needles; they were the clues her pursuers would follow, leading them to their victim. She escaped from the forest at length only to see the fjord waiting for her. An evil effluence rose from the water, something primitive, savage, demanding victims, hungry for a human victim. It had been night overhead all along, but below it was still daylight. There were no clouds. I saw islands scattered over the sea, a normal aerial view. Then something extraordinary, out of this world: a wall of rainbow ice jutting up from the sea, cutting right across, pushing a ridge of water ahead of it as it moved, as if the flat pale surface of sea was a carpet being rolled up. It was a sinister, fascinating sight, which did not seem intended for human eyes. I stared down at it, seeing other things at the same time. The ice world spreading over our world. Mountainous walls of ice surrounding the girl. Her moonwhite skin, her hair sparkling with diamond prisms under the moon. The moon’s dead eye watching the death of our world.

He loves you,’ I said, and smoothed the tumbled hair off her flushed face. ‘He won’t stop.’ I got up, brushing yellow leaves from my skirt. ‘We’ll have a bit of time, then, but none to waste. Jamie can send word downriver, to keep an eye out for Roger. Speaking of Roger …’ I hesitated, picking a bit of dried fern from my sleeve. ‘I don’t suppose he knows about this, does he?’ Brianna took a deep breath, and her fist closed tight on the leaf in her hand, crushing it. ‘Well, see, there’s a problem about that,’ she said. She looked up at me, and suddenly she was my little girl again. ‘It isn’t Roger’s.’ ‘What?’ I said stupidly. ‘It. Isn’t. Roger’s. Baby,’ she said, between clenched teeth. I sank down beside her once more. Her worry over Roger suddenly took on new dimensions. ‘Who?’ I said. ‘Here, or there?’ Even as I spoke, I was calculating – it had to be someone here, in the past. If it had been a man in her own time, she’d be farther along than two months. Not only in the past, then, but here, in the Colonies. I wasn’t planning to have sex, she’d said. No, of course not. She hadn’t told Roger, for fear he would follow her – he was her anchor, her key to the future. But in that case – ‘Here,’ she said, confirming my calculations. She dug in the pocket of her skirt, and came out with something. She reached toward me, and I held out my hand automatically. ‘Jesus H. Roosevelt Christ.’ The worn gold wedding band sparked in the sun, and my hand closed reflexively over it. It was warm from being carried next to her skin, but I felt a deep coldness seep into my fingers. ‘Bonnet?’ I said. ‘Stephen Bonnet?’ Her throat moved convulsively, and she swallowed, head jerking in a brief nod. ‘I wasn’t going to tell you – I couldn’t; not after Ian told me about what happened on the river. At first I didn’t know what Da would do; I was afraid he’d blame me. And then when I knew him a little better – I knew he’d try to find Bonnet – that’s what Daddy would have done. I couldn’t let him do that. You met that man, you know what he’s like.’ She was sitting in the sun, but a shudder passed over her, and she rubbed her arms as though she was cold. ‘I do,’ I said. My lips were stiff. Her words were ringing in my ears. I wasn’t planning to have sex. I couldn’t tell … I was afraid he’d blame me. ‘What did he do to you?’ I asked, and was surprised that my voice sounded calm. ‘Did he hurt you, baby?’ She grimaced, and pulled her knees up to her chest, hugging them against herself. ‘Don’t call me that, okay? Not right now.’ I reached to touch her, but she huddled closer into herself, and I dropped my hand. ‘Do you want to tell me?’ I didn’t want to know; I wanted to pretend it hadn’t happened, too. She looked up at me, lips tightened to a straight white line. ‘No,’ she said. ‘No, I don’t want to. But I think I’d better.’ She had stepped aboard the Gloriana in broad daylight, cautious, but feeling safe by reason of the number of people around; loaders, seamen, merchants, servants – the docks bustled with life. She had told a seaman on the deck what she wanted; he had vanished into the recesses of the ship, and a moment later, Stephen Bonnet had appeared. He had on the same clothes as the night before; in the daylight, she could see that they were of fine quality, but stained and badly crumpled. Greasy candle wax had dripped on the silk cuff of his coat, and his jabot had crumbs in it. Bonnet himself showed fewer marks of wear than did his clothes; he was fresh-shaven, and his green eyes were pale and alert. They passed over her quickly, lighting with interest. ‘I did think ye comely last night by candlelight,’ he said, taking her hand and raising it to his lips. ‘But a-many seem so when the drink is flowin’. It’s a good deal more rare to find a woman fairer in the sun than she is by the moon.

we can pair the left brain to “consciousness” and the right brain to the “unconscious.” Perhaps our brains reflect the cosmic interplay between day and night, Sun and Moon, just as they are split between logic and intuition, conscious and unconscious. Consciousness would be linked to daylight and thus the Sun, and the unconscious would be linked to the night and the Moon. Taking this a step further, the brain is 85 percent water and therefore highly susceptible to subtle changes in electromagnetic fields. Just as the tides are affected by the Sun and the Moon, it is possible that the day and night circadian cycle of the brain hemispheres, monitored by the pineal gland, may also be affected by these two heavenly bodies. During the day, the Sun rules, and our conscious left brain, which thinks in words, is dominant. At night, when the Moon is out, a reversal takes place, and we sleep and dream. The left brain, which was conscious, becomes unconscious, and the right, which was relatively unconscious, becomes “conscious.

The moon was so strong and full that (by a paradox often to be noticed) it seemed like a weaker sun. It gave, not the sense of bright moonshine, but rather of a dead daylight.

It stands above all mysteries when daylight changes into night and night falls apart out of, in the light!

The joy of Loretta’s homecoming was overshadowed by Henry’s rage. Friends with a murderin’ savage, was she? A Comanche slut, that’s what, kissin’ on him in broad daylight, comin’ home to shame them all with her Injun horse and heathen necklace. His land looked like a bloomin’ pincushion with all them heathen lances pokin’ up. He was gonna get shut of ’em, just like he had those horses. Half of ’em stole from white folks! Some trade that was! Loretta listened to his tirade in stony silence. When he wound down she said, “Are you quite finished?” “No, I ain’t!” He leveled a finger at her. “Just you understand this, young lady. If that bastard planted his seed in that belly of yours, it’ll be hell to pay. The second you throw an Injun brat, I’ll bash its head on a rock!” Loretta flinched. “And we call them animals?” Henry backhanded her, catching her on the cheek with stunning force. Loretta reeled and grabbed the table to keep from falling. Rachel screamed and threw herself between them. Amy’s muffled sobs could be heard coming up through the floor. “For the love of God, Henry, please…” Rachel wrung her hands in her apron. “Get a hold on your temper.” Henry swept Rachel aside. Leveling a finger at Loretta again, he snarled, “Don’t you sass me, girl, or I’ll tan your hide till next Sunday. You’ll show respect, by gawd.” Loretta pressed her fingers to her jaw, staring at him. Respect? Suddenly it struck her as hysterically funny. She had been captured by savages and dragged halfway across Texas. Never once, not even when he had just cause, had Hunter hit her with enough force to hurt her, and never in the face. She’d had to come home to receive that kind of abuse. She sank onto the planked bench and started to laugh, a high-pitched, half-mad laughter. Aunt Rachel crossed herself, and that only made her laugh harder. Henry stormed outside to get “those dad-blamed Indian lances” pulled up before a passing neighbor spied them and started calling them Injun lovers. Loretta laughed harder yet. Maybe she had gone mad. Stark, raving mad.

The joy of Loretta’s homecoming was overshadowed by Henry’s rage. Friends with a murderin’ savage, was she? A Comanche slut, that’s what, kissin’ on him in broad daylight, comin’ home to shame them all with her Injun horse and heathen necklace. His land looked like a bloomin’ pincushion with all them heathen lances pokin’ up. He was gonna get shut of ’em, just like he had those horses. Half of ’em stole from white folks! Some trade that was! Loretta listened to his tirade in stony silence.

We should get back,” she said softly. “It’ll be getting dark soon. And I’m tired.” Brimming with the energy of youth, Swift Antelope and Amy leaped to their feet, eager to be gone. When Loretta stood, Hunter grasped her ankle. “We will follow later,” he said huskily. Swift Antelope flashed a knowing grin and took Amy’s hand to hurry her along. Loretta gazed after them, her color deepening. When she looked down at Hunter, her eyes were wide with wariness. “Why aren’t we going now?” “You know why.” He tightened his hold on her ankle and tugged her closer, rolling over onto his back to avail himself of the view. He knew she wasn’t aware of how revealing a knee-length skirt could be when a man eyed it from the ground up, and he managed to keep a straight face so she wouldn’t guess. “Come here, little one.” “I want to go back.” He hoped she stood there arguing for a time. “Obey your husband.” She wrinkled her nose. “It’s broad daylight.” “Keemah, come.” Growing tired of just looking when he could be touching, Hunter cocked his head and let her see him leering. He was awarded a fetching glimpse of slender, creamy thighs and honey gold. She gasped and dropped to her knees as if someone had dealt a blow to the backs of her legs. Tucking her skirt under her knees, she cried, “Have you no shame?” His answer was a slow grin. Seizing her wrist, he drew her toward him. “There is no shame. You are my woman.

Come here, little one.” “I want to go back.” He hoped she stood there arguing for a time. “Obey your husband.” She wrinkled her nose. “It’s broad daylight.” “Keemah, come.” Growing tired of just looking when he could be touching, Hunter cocked his head and let her see him leering. He was awarded a fetching glimpse of slender, creamy thighs and honey gold. She gasped and dropped to her knees as if someone had dealt a blow to the backs of her legs. Tucking her skirt under her knees, she cried, “Have you no shame?” His answer was a slow grin. Seizing her wrist, he drew her toward him. “There is no shame. You are my woman.” Pulled off balance, she fell across his chest. Squirming, but halfheartedly, she said, “There’s a time and a place for everything, and this isn’t it.” “No?” He ran a hand under her blouse. “I say it is a very good time.

Place Message Here" I knew that somewhere Jesus wept. --Larry Brown, Dirty Work That was when our love began for me, though late, the way a flock of darkness settles over your shoulders. I remember the muted reflections that smudged the water prowling among the lingering rocks, a snail crawling out of its shell, the drizzle of light, the blackened windows. It was when that the sun peeled away the dark from the air, the surface of the water, then the soul. It was only then that I could read the shadows that followed our words. It seemed that the whole planet was taking aim at our future. I thought, then, that I could see your own soul in the constant waves tearing unconcerned at the impenetrable dunes. I wanted, then, to believe the moon is a flower, fragrant, its stem tossed across the water. It was then that I entered some other world, the way your life wakes suddenly in the middle of the night to find your own worn-out dreams lying in sheets around you, an empty bottle on the table, and yet some voice stumbling down the hallway of the wind trying the locked doors of the heart, calling out your name. It was then on that shore after I heard the news of my friend's heart tearing open like a wet paper bag. I was standing where Marconi sent his messages which seemed to fill the air, still, like swallows. There is always another life in the corner of our eyes, one that begins because our poor words have never said what we meant at the time. Today, here, ladybugs fill my porch screen trying to reach the early sun that radiates through the fine mesh. They halt there like messages never received, empty husks of some abandoned future we can never know. Why is it we love so fully what has washed up on the beaches of our hearts, those lost messages, lost friends, the daylight stars we never get to see? Bad luck never takes a vacation, my friend once wrote. It lies there among the broken shells and stones we collect, a story he would say begins with you, with me, a story that is forever lost among the backwaters of our lives, our endless fear of ourselves, and our endless need for hope, a story, perhaps an answer, a word suddenly on wing, the simple sound of a torn heart, or the unmistakable scent of the morning's fading moon. Richard Jackson, The Cortland Review. Spring 2005.

Why is it we love so fully what has washed up on the beaches of our hearts, those lost messages, lost friends, the daylight stars we never get to see? Bad luck never takes a vacation, my friend once wrote. It lies there among the broken shells and stones we collect, a story he would say begins with you, with me, a story that is forever lost among the backwaters of our lives, our endless fear of ourselves, and our endless need for hope, a story, perhaps an answer, a word suddenly on wing, the simple sound of a torn heart, or the unmistakable scent of the morning’s fading moon. —Richard Jackson, closing lines to “Place Message Here,” from The Cortland Review online (Winter 2006)

Standing at a distance ( Part 1 ) I stand at a distance intermittently looking at her, Envying the Sun rays that bathe her from head to toe, While I from the distance keep looking at her, With longing eyes and my head slightly bent low, In the distance rainbow appears in the sky, And the rain drops kiss her skin, And I only glance at her by and by, With a deep desire to win, Her heart and her gaze of affection, I see the raindrop dripping down through her backbone, And oh my imagination and its dereliction, With the wish to be the lucky Sun that over her had shone, Before the daylight embraced her from everywhere, And it was just the light that covered her, And in this light she was everywhere, Now it was the light and her, and just her, While I stood in the distance waiting for my chance, Turning my head and ogling at her, Hoping she would smile someday, and I shall live my moment of romance, To be the sunshine and the raindrop always kissing her, And melt everywhere over her skin, And never to return to the light nor to this world, I shall now forever reside in this beauty’s eternal inn, Sometimes spreading over her skin, & often like the sun rays around her hair curled, But for now she is busy with the rain drops, the Sun, the Moon, I wonder if she even notices my presence, So I often wish the Sun and the Moon to set soon, So that she could somehow notice my presence, Alas the time too loves to love her, And when the Sun shines over her it seems to shine forever, And time remains there circling around her, And ah my pain to keep hoping in this moment that lasts forever, That she would someday acknowledge my smile, Nevertheless, I am happy as long as I can see her, I shall manage to walk a million mile, Just for that glimpse of her,

A cold east wind wailed over the waste; a white fog like curd lay on the water, and the surface of the saltings, clinging to the surface and rising scarce above three feet from it. Here and there it lifted itself in a vaporous column, and moved along in the wind like a white spectral woman, nodding her head and waving her arms cumbered with wet drapery. Above, the sky was clear, and a fine crescent moon sparkled in it without quenching the keenness of the stars. Cassiopeia was glorious in her chair, Orion burned sideways over Mersea Isle. No red gleam was visible to-night from the tavern window at the City, the veil of fog hung over it and curtained it off. To the north-west was a silvery glow at the horizon, then there rose a pure ray as of returning daylight, it was answered by a throb in the north-east, then it broke into two rays, and again united and spread, and suddenly was withdrawn. Mehalah had often seen the Aurora, and she knew that the signals portended increased cold or bad weather.

I used to live a short distance away from a standing stone which, at full moon and/or Midsummer’s Eve, would dance around its field at night, incidentally leaving unguarded a pot of gold which, in theory, was available to anyone who dared to seize it and could run faster than a stone. I went to see it by daylight early on, but for some reason I never found the time to make the short nocturnal journey and check on its dancing abilities. I now realize this was out of fear: I feared that, like so many stones I have met, it would fail to dance. There was a small part of me that wanted the world to be a place where, despite planning officers and EU directives and policemen, a stone might dance. And somewhere there, I think, is the instinct for folklore. There should be a place where a stone dances.

A butterfly entering the house through a window. Spotting an owl in the daylight. The thin glow of a halo that sometimes circled the moon in winter.

Black Beacon Books... Why the name? There are many tropes and symbols used in fiction of a dark and mysterious nature. Amongst them, we have keys, mirrors, telescopes, treasure chests, secret passages, graveyards, skulls, churches, castles, caves, telescopes, clocks, the moon, oil lamps and candles, and, of course, beacons and lighthouses. The beacon or lighthouse conjures a setting of darkness, for in daylight they are rendered almost useless. In this darkness, they have a role to play, a crucial role, and that is to either warn away or beckon nearer. That is also the role of Black Beacon Books, to thrust the reader into mystery and darkness whilst providing a distant and guiding light, one that can be seen atop cliffs rising up from a troubled sea or on the peaks of wild mountains. We want stories that both warn you of impending danger and draw you into the worlds they create.

Chatting to the gossip of flames waking from the slumber of our flesh-drunk night together— it’s only when I step out to pee do I notice— how far, burgundy-dark, the moon has risen…. On four paws the shepherd- dogs bound, lightly though the trees they hardly touch on earth— we saw it from far sunk here in an always-ache…. Dyeing paling twilight woods— a pair of wasps, spiraling, writhe…. Wetted lips of hers and mine, just-parted, move over each other with tongues just-coming but refuse— like mists of evening they've no place to settle…. Just-here though she's singing she’s in some song from long ago— poised on the brink of twilight longing three thousand miles rush through my heart…. Under undulating curtains— I hover above her the tips of me brushing the tips of her— breathing back and forth a column of air we share our breath slowly asphyxiating…. From burning wood campfire sparks dart off extinguishing in the wet blue dark… how you blow your long wind across my embers, through my soul, she pleads me, take away the pain— I dip a branch in blue water and plunge it into coals…. *** In pre-dawn dark, against a leaping inferno of flames black monolith of wood in the cast iron compartment softens, and—gradually— fractures to cells, warping upward, until from the top a shard splinters: pearls of flame string a fiber and leap in little tongues while the log, glowing, engulfed, is consumed by the inferno contained…. A shadow daunts me, haunts and taunts me now reaching far, now recoiling, now growing bold…. I once sang eruptions and the wind— then appeared you it took my whole life singing only the songs of you and still I sing for you what other refuge can stay me from this torment? So— my doppelganger has arrived no one said it would happen this way but the way his hands fold like mine, the style of his humor, broadness of his smile— even the way he walks…. Licking and lapping these lashings of grasses are in tongues at my feet smoldering's the fury within me— I have seen my fields of daylight warp to noxious-air infernos but still to the clean blue of the flame I take rest in her breast…. His songs I mouth, and in my head is his voice— I cannot hear my own…. in my mind I see myself— thin, stupid— my arms too weak, my own chest too frail— and besides I prefer him more…. Along spiral lines, seed-heads decay— swept away they whirl and writhe in the hot blue fire of evening…. Stuck in a mural of sticky flesh— the family… I am locked-in-arms with brothers and sisters, drooping at the thighs with nieces and nephews, grafted to parents at the scalp, and pasted with toddlers all over… hived, sapped, black I sit, subject to the flavors and aromas of your abuse…. Then— be wrapped in his presence… crescendo to his warmth the cascade of your laughter search in his wrinkles for the boy inside him… I’m just biding here, bragless, trying to admit these rival-streams that flow in one latticework of blood…. Halves of flesh and bosomy hips, lips like dark ripe fruits they're chasing— I chased them… full-feathered was their hair like floss in the sunshine fine-fingered was their style like laces cut to curves: and then there was you, returning one, just there like the midnight moon in my sky at noontime….

That haunting longing for the moon returned. Stronger, broader, flavoured with all the bone-deep desire only a nocturnal creature could feel for their sole light-giver, the lonely satellite that watched over them when the rest of the daylight world abandoned them.

Sun vs. Moon Couplet [20w] The harvest moon glowed orange, spilling OJ in the sky, The sun would best her drunken rhapsody in daylight’s battle cry.

But the light of the European Enlightenment today shines so bright that it covers up much more than it reveals. It is like vision during the day and during the clear night; we can see many details of our earth very clearly by sunlight, which we would not see by the light of the stars or of the moon at night. But during that process of seeing by sunlight we give up the possibility of seeing the night sky with its galazies of stars, the other planets, and the moon. It is only as the daylight fades and the dusk begins to obscure much of the detail we see by day, that the night sky with all its grandeur and splendor comes into view. Our European Enlightenment is something like the daylight, which makes us see many things that we would not have seen without its help; but in that very process of opening up a detailed and clear vision of some things, the daylight, by its very brightness, eclipses the stunningly vast expanse of the billions of galaxies that lie around. It is too bright a light, this European Enlightenment and its critical rationality. If we lived all twenty four hours by sunlight we would miss out on most of reality, which "comes to light" only when the sunlight is dimmed, and when even the moon's reflection of the sunlight is not too forceful." -Paulos Mar Gregorios "A Light Too Bright; The Enlightenment Today

You have one way of communicating that’s exceedingly effective.” “I believe that’s what I was trying to convey,” she said, but any haughtiness she might have been trying to inject in her tone was utterly erased by the hunger that had her eyes dark and glittering for him. “Maybe you should show,” he said, lowering his head, “not tell.” “You really think putting your mouth near my teeth is a good idea right now?” He kissed her nose, then the soft spot of her temple, then worked his way down the side of her cheek to her jaw. “If you still want to use those teeth by the time I get to your mouth, go right ahead,” he murmured. “I’ll deserve it.” Her response was a short gasp when he nipped her earlobe, then kissed the side of her neck, making it arch slightly off the pier. “Cooper--” “I’ve missed you,” he said as he worked his way to her mouth. “And not just this part.” He claimed her mouth and she took him right in, kissed him right back. He drew away moments later before he was pulled under and smiled down at her. “Although I’m prtty fond of those parts, too.” “I know a guy who has a boat,” she said, a little breathless, a smart smile on her lips now and hunger in her eyes. “I know a guy who has a bed,” he said. “A nice big one. About a hundred yards north of this very spot.” “A bed that requires a long walk through a crowded lobby,” she reminded him. “Do you think everyone thought we were playing tiddledywinks out there on that boat all day long?” “Tiddledywinks? Really? You’re adorable.” He winked at her. “I try. But okay, if my room is out, and I’m guessing yours as well, then--” She let out a short laugh. “What?” “I can’t believe I’m thirty-one-years-old, lying on my back on a pier in broad daylight--in my own hometown, I might add--trying to figure out a place to go make out.” “Is that what the kids are calling it these days?

I can’t believe I’m thirty-one-years-old, lying on my back on a pier in broad daylight--in my own hometown, I might add--trying to figure out a place to go make out.” “Is that what the kids are calling it these days?

I can’t believe I’m thirty-one-years-old, lying on my back on a pier in broad daylight--in my own hometown, I might add--trying to figure out a place to go make out.” “Is that what the kids are calling it these days?” When she stuck her tongue out at him, he took full advantage until both of them were a little breathless. He really needed to employ that method more often. It was surprisingly effective. Not to mention fun. “I also have a car, which can drive us in any direction you’d like to go. Another town, a private inlet, surely you’ve got the inside line on that.” “I don’t know what kind of teenager you thought I was, but you forget, I left here at eighteen, before I ever had reason to find anyone’s inside line, much less where best to go play with it.” Now he made a face, and they both laughed. He rolled up to a seated position and pulled her up along with him. They both looked out at the water, then back to each other. “Boat it is,” they said at the same time.

There was another whole bunch of hopefuls. They would diminish down at a startling rate. We had seen it happen before. This time, though, we were there as the “old hands.” And it helped. We knew what to expect; the mystique had gone, and the prize was up for grabs. That was empowering. It was now wintertime, and winter Selection is always considered the tougher course, because of the mountain conditions. I tried not to think about this. Instead of the blistering heat and midges, our enemies would be the freezing, driving sleet, the high winds, and the short daylight hours. These made Trucker and me look back on the summer Selection days as quite balmy and pleasant! It is strange how accustomed you become to hardship, and how what once seemed horrific can soon become mundane. The DS had often told us: “If it ain’t raining, it ain’t training.” And it rains a lot in the Brecon Beacons. Trust me. (I recently overheard our middle boy, Marmaduke, tell one of his friends this SAS mantra. The other child was complaining that he couldn’t go outside because it was raining. Marmaduke, age four, put him straight. Priceless.) The first few weekends progressed, and we both shone. We were fitter, stronger, and more confident than many of the other recruits, but the winter conditions were very real. We had to contend with winds that, on one weekend exercise, were so strong on the high ridges that I saw one gust literally blow a whole line of soldiers off their feet--including the DS. Our first night march saw one recruit go down with hypothermia. Like everyone else, he was wet and cold, but in the wind and whiteout he had lost that will to look after himself, and to take action early. He had forgotten the golden rule of cold, which the DS had told us over and over: “Don’t let yourself get cold. Act early, while you still have your senses and mobility. Add a layer, make shelter, get moving faster--whatever your solution us, just do it.” Instead, this recruit had just sat down in the middle of the boggy moon grass and stopped. He could hardly talk and couldn’t stand. We all gathered round him, forming what little shelter we could. We gave him some food and put an extra layer of clothing on him. We then helped him stagger off the mountain to where he could be picked up by Land Rover and taken to base camp, where the medics could help him. For him, that would be his last exercise with 21 SAS, and a harsh reminder that the struggles of Selection go beyond the demons in your head. You also have to be able to survive the mountains, and in winter that isn’t always easy. One of the other big struggles of winter Selection was trying to get warm in the few hours between the marches. In the summer it didn’t really matter if you were cold and wet--it was just unpleasant rather than life-threatening. But in winter, if you didn’t sort yourself out, you would quickly end up with hypothermia, and then one of two things would happen: you would either fail Selection, or you would die. Both options were bad.

Has my profession disfigured my mind, the endless hours of constant attentiveness, my ear for hire and open to all comers, my face painted with the glare of projected fantasies? The French have a term for it: deformation professionelle, the idea that all forms of work twist the mind away from reality. Hence a backfiring car sends the soldier diving for cover in a shrub. Litigators dart and cower in forests of imagined liabilities. For the detective and inspector, every testimony or confession is a network of lies and concealments. How could my work not have deformed me, all those long hours spent squinting into the soul's lightless recesses? How could I not have become some moon-eyed, cave-adapted creature, for whom ordinary daylight is an unendurable affliction?

Hunter bent his head and pressed his face against her hair. The next instant she felt his lips on her neck. She also felt his hand on her posterior. Frustrated by her high neckline and her full skirts, he made a fist in the calico. “So much wannup. Where are you, Blue Eyes?” He started to lift her dress. Loretta reached behind her and caught his hand. “Wha--what’re you doin’?” He lifted his head, eyes alight with teasing mischief. “I search for my woman. You are in there.” “I’m not your woman yet. Have you no shame? It’s broad daylight. People might see.” “They will see you are my woman.” “They’ll see my drawers, that’s what they’ll see!” He abandoned his hold on her skirt to run his palm up her back. “No bones. That is good.” Loretta’s face flamed when she realized he was referring to the whale bones of a corset. A decent man didn’t mention such things. “You haven’t brought me Amy,” she reminded him. “Our bargain doesn’t start until you do.” “I have spoken it. It is done.” “Amy first.” Before she realized what he was about to do, he swept her off her feet and put her on the horse, then leaped up behind her. Cinching an arm around her waist, he bent his head and said, “This Comanche will sure enough find her quick.

So much wannup. Where are you, Blue Eyes?” He started to lift her dress. Loretta reached behind her and caught his hand. “Wha--what’re you doin’?” He lifted his head, eyes alight with teasing mischief. “I search for my woman. You are in there.” “I’m not your woman yet. Have you no shame? It’s broad daylight. People might see.” “They will see you are my woman.” “They’ll see my drawers, that’s what they’ll see!

I’m not your woman yet. Have you no shame? It’s broad daylight. People might see.” “They will see you are my woman.” “They’ll see my drawers, that’s what they’ll see!” He abandoned his hold on her skirt to run his palm up her back. “No bones. That is good.” Loretta’s face flamed when she realized he was referring to the whale bones of a corset. A decent man didn’t mention such things.

Come here, little one.” “I want to go back.” He hoped she stood there arguing for a time. “Obey your husband.” She wrinkled her nose. “It’s broad daylight.” “Keemah, come.” Growing tired of just looking when he could be touching, Hunter cocked his head and let her see him leering. He was awarded a fetching glimpse of slender, creamy thighs and honey gold. She gasped and dropped to her knees as if someone had dealt a blow to the backs of her legs. Tucking her skirt under her knees, she cried, “Have you no shame?” His answer was a slow grin.

Rebellious"™ You're a barefoot odyssey, perched on a granite counter. Perched on edgeless intensity and arched reasoning. Why do I succumb to valiant persuasions? Just shatter me with your mammoth reality, break me into shards you think will clatter. But, I'm not made of material gravity I'm a symphony of notes looking to burst free! Call me lyrical, call it mercy, call this poetic justice and end my dispassionate existence so criminal. Bang your gavel against my criminalistic loins, I'm guilty of animalistic tendencies and tamed to humanoid inadequacies. I can shatter you in all aspects, and put you back in form in all retrospectives. I do not care to mold you into material to use as an art plateau. My hilly curves canvas's your mighty sword, burst free! Sing to me! Write me your lies. I beckon to endure your truths passionately, injustice webbed upon us is it poetic? Or law abiding? Where will it begin? Where will it end? Time has frozen around me, and all I can think of is this consumption of you. Wholely intoxicating, and wholely seductive. And I can't decide; When your limbs are apart and pinned displayed like a canvas to be ravaged, will you be entirely vulnerable to my demonstrations? Or will you swallow me whole? Swallow you, wallow in you... I'm invaded by your touch. Caught up! Caught up! Caught up! So caught up to us. I say; just lay down my body, tie up my mind, spank my assets, kisses so low and divine. This hasn't yet fully begun, and for sure won't end soon. So meet in our place of desire this noon, when footsteps cross the moon. Darkness descends during daylight when I draw the curtains tight, shutting out the world that claims our time. Now you're mine, you can't escape me, you can't escape this! I won't let you! Now you're a convoluted odyssey subdued by ministration firm, tender, meticulous, smitten, sensitized and shackled. You're a richly tainted taste of sin. A resolute candle of insatiable inspiration. Whose wick lit quick, whose burn smoulders on. Lights out, darkness nears and you burn within me. If I'm a sin, get on bended knees. Prey on me, and you're forgiven. To hell with Mary I want to cum quick see? Rebel no more, we've found retribution! Call it retribution, call it mercy, call this poetic justice, call this confession. I want the marks of your claws to escort me out the door. I want the ruthless indulgence of rebellion tattooed across your psyche! Exhale my name, and blow the flame out! I'll lay and lay som more, till the next time my rebellious lover comes through the door...

Stars, Sam. We mucked it. I mean, I mucked it. And not just for us. Yet I recall pure joy: your bike hot between my legs, your arms locked ’round my waist. I recall poor Second’s chiding before I blinked it off. I recall laughter and all of those soldiers from someone else’s war standing on that terrace singing yet another Terran victory rag. You told me later that you didn’t know I’d make a run at the canyon wall ’til I torqued it, thumbing your bike’s twin throttles hard enough to singe our legs as the acceleration turned into an increasing roar. By the time we hit fifty, I couldn’t even hear you yelling at me to stop over the wind. I didn’t think you were serious. We’d climbed that mesa in daylight when we were younger, smaller, bendier. We’d done it with safety rails and belts, with hoverbikes that floated back down like carnival balloons when we failed; we’d done it with our parents cheering and a Grass Priest standing watch in case we needed healing. That run should’ve been a lark, Sam. But the night was dark as space, and our planet has no moon. You grabbed hard as I pulled the yoke. The engines screamed. I meant to pull up, climb that mesa vertically—see if we could rocket to the top before I gunned again like we’d done a hundred times as kids. But I timed it too late. I saw the mesa wall in our headlamps, and then everything went black. The next thing I recall is waking up on the Unity ship Ascendant with Ken’ri Mureen of Glos smiling down at me. Those big round eyes in her lovely, lying face. I thought I’d surely killed you, Sam, but Mureen swore you were fine. Mureen swore removing my Second was only temporary—swore surgery would fix the soup the crash had made of my brain. She made me sign forms, and then Ma came in with pastries. I still didn’t believe you’d made it out, but Ma swore it too. You know the gist after that—mostly—but there’s a lot I never told—

I Will Always Love You Lovely words from a loving Mother When the sun does not shine And the noon becomes dull When the moon goes too soon And daylight fades on the horizon Be rest assured, I will always love you When you see my flaws Or feel like not loving me anymore When you begin to wonder If I am the Mother you expected me to be You must know that I will always love you When I cannot sing you a song In case you hear the cracks in my voice When the journey seems long Perhaps I am no more and you feel all alone Remember that I will always love you You are a star that makes my night so bright The one who lifts me high A great blessing in my life I am very proud to call you my child That is why I will always love you With the whole of my being And all that is within From the hair on my head To the heels of my feet I will always love you

And the funny thing is this, Mrs. Alexander - there's not another looking glass in the whole entire house that makes me look so good! - not the big one over the parlor hearth - nor the peer glass in the hallway - or even the mirror over Mrs. Dance's dresser. So you see! The mirror's magic - that mirror - the one he gave me - because it tells me the sweetest lies about myself! I've looked into it time and time again since then - by daylight - by lamplight - by moon and starshine - and each time that dear little mirror says: Jewel Luchak, you're the prettiest girl in twelve green counties! Mayra smiled and thought silently to herself: Couldn't it be, my child, that the Magic's not in the mirror at all? Couldn't it be that it's having someone love you is making you prettier all the time?

Even the most brave and powerful men tremble at the sight of their Beloved - So vulnerable from the essence her fragrance leaves in their heart. I remember You like a cryptic carving of ancient scriptures on the sandalwood With reverence, meaning and a scent. I dance like a wild stream between the palms of God - so that, My movement is free of thought, My love for you free from context, I mirror galaxies for you drunk of my own reflection, You are the silence in a drowning noise - like an island, And your silence becomes a voice of its own. Tonight I am Rumi, the poet of the poets Who spoke of the Beloved: Oh Beloved, Moon of the Moons! Your pale face dissolves in the daylight, Where should I find you in my wake? Light becomes a concealing veil for your sacredness. Night covers you in a different veil, like that pearl at the bottom of the ocean, that is my heart. So precious is thy refinement. You move with the tides, always leaving but a fragrance of devotion. I'm meeting you on the crossroads where breath becomes life - And like a breath, immersed and formless, together we are scattered and life is merely a passage, a doorway to our secret garden.

It was the song of goats bleating, ponies stomping in the snow, and women and men laughing together. Tenzin opened her eyes and held her breath, willing away the pain that speared through her shoulder. Don’t curse me with memories; I’ve given them to another. But the moon and the wind had gone silent again. She turned back to the blinking, manmade lights of the ship and descended. It was getting late, and she was starting to see sunlight growing on the horizon. When she landed on the deck, she pulled her tunic over her body and retreated to the dark hold she’d claimed. She didn’t look for the moon again. Those searching for buried treasure in the daylight would have to find their own luck.

The sun works the day shift; the moon, the night shift.

A touch turns it into a tender pain that then breaks into a poem...The beautiful moon I know is born only in a night thick with darkness and the silvers glitter in a black sea when daylight goes to sleep....

A touch turns it into a tender pain that then breaks into a poem. The beautiful moon I know is born only in a night thick with darkness and the silvers glitter in a black sea only when daylight goes to sleep.

The daylight following a full moon always seems warmer, softer. It vies for your love, lest you forsake it for the placid, blue ambiance of the night.

Someone walked into the courtyard behind her. Jo turned, surprised to find Mary standing in the archway, her holy nimbus glowing even in the bright daylight. Jo let out a long breath. “Is Dušan sending you off somewhere too?” Mary laughed. “There are advantages to being part of several thriving traditions.” Jo cocked her head. “Several?” Mary shrugged. “I belong to many others besides the Roman Catholic Church. The Board has no power over me.

Let us Let us fall in love and be romantics once again, Let us kiss our desires again and again, Let me pursue my feelings in your beautiful eyes, Let us dive into them and feel the love that lies beyond these eyes, Let us wear our emotions all over us, To feel the kiss of love all over us, Let us become the daylight and spread everywhere, Or maybe in that secret somewhere where your beauty is everywhere, Let me love you now and love you forever, And let your heart confess it has felt the kiss of the true lover, My darling Irma, let our love be the only event in our lives, And let us only grow being a part of our beautiful love lives, Let you be the summer day that never ends, And let all my beginnings in your beautiful eyes find their ends, Let me belong to you just like the Moon belongs to the sky, Let us create a world where there is only your and my love’s sky, Let your feelings like the scent of the rose sink into my senses, And then let us love each other with all our senses, Let us reside in some quiet corner together, Where there is only one sound, that of our two hearts beating together, Let us travel together from our today into our every tomorrow, And carry our love into every moment that represents every tomorrow, Let us walk through the corridors of time, And leave the essence of our love as our signature in every moment of time, Then let me hold your hand and travel somewhere, Because now with our love’s essence residing in time, you shall be everywhere, even in places called somewhere, Let me say it again and again, that my heart beats for you, And then let every moment of time echo with these words, “my darling Irma I love you!” Let the drops of dew reflect your grace, And then let every flower bear the beauty of just one beautiful face, and your grace, Let the moments of time rain over you and me, And then let me find you everywhere within me, Finally let the night conceal us in its dark and mystical shades, And let us transform into love’s most beautiful cascades, only bearing your and my shades, Then let the river of love flow into the valley of promises, And let me find you in beautiful roses and let us now fulfill our promises!

To set the scene: Madzy Brender à Brandis was a young mother with two small children, trying to survive through years of hardship and danger – and some unexpected pleasures. In May 1942, after her husband was suddenly taken prisoner and sent to a German camp, she began writing a diary to record the details of her life – for her husband to read when he returned, if he returned. She called it “this faithful book.” Here are some passages: 28 October 1944 [when the electricity was cut off because of lack of fuel for the generating plants]: “We have to use the daylight to its utmost, and we figure this out already in the morning. [At the end of the afternoon] We flew faster and faster to use the last bits of daylight, lay the table, lay everything ready so that at 5:30 we could eat in the dusk until we couldn’t find our mouths any more. Blackout and one candle, finished eating and washed the dishes. Read to children in pyjamas and then they to bed. Then unraveled a knitted baby blanket [so that the yarn could be used to knit other things] and at 9:00 blew out the candle and continued by moonlight. But now I’m going to bed, tired but satisfied with my efforts, though very sad about all the misery.” 1 November 1944 [after a threat of having the house demolished]: “Well, our house is still standing. I filled a laundry bag with many things, and everything is standing ready [in case there was a need to evacuate]. Because there is much flying again. At one moment an Allied fighter plane flew over very low; just then three German soldiers were walking past our house and one, “as a joke,” shot his gun at the plane. Tje! What a scare we had!” 24 December 1944 [addressing her husband, still in the camp]: “The whole house is in wonderful peace and I’m sitting by the fire, which gives me just enough light to write this. [The upper door of the small heater, when opened, gave a bit of light.] My Dicks, I don’t have to tell you how very much I miss you on this evening. It is a gnawing sense of longing. But beyond that there is a sorrow in me, a despair about everything, that pervades my whole being. Besides that, however, I’ve already for days seen the light of Christ coming closer and in these days that gives me hope. So does the waxing moon, the hard frost, the bright sun – in a word, all the light in nature after that endless series of misty, rainy, dark days. And so I sit close to my unsteady little light, that constantly abandons me, and think of you. It’s as though you are very close to me. I’m so grateful for everything that I have: your love, the two children, and everything around me.” 12 February 1945 [during the “Hunger Winter” of 1944-45, after one of her trips to forage for food]: “Today I went to Rika in Renswoude: 1¼ hours cycling there, 2½ hours walking back pushing a broken-down bicycle and with 25 pounds of rye [the whole grain, not flour] through streaming rain, while there was constant booming of artillery and bombing in the distance.

I Will Always Love You Lovely words from a loving Mother When the sun does not shine And the noon becomes dull When the moon goes too soon As daylight fades from the horizon Be rest assured, I will always love you When you see my flaws Or feel like not loving me anymore When you begin to wonder If I am the Mother you expected me to be You must know that, I will always love you When I cannot sing you a song In case you hear the cracks in my voice When the journey travelled seems long Perhaps I am no more, and you feel all alone Remember that, I will always love you You are a star that makes my night so bright The one who lifts me up high A great blessing in my life I am very proud to call you my child That is why, I will always love you With the whole of my being And all that is within me From the hair on my head To the heels of my feet I will always love you

Why is it we love so fully what has washed up on the beaches of our hearts, those lost messages, lost friends, the daylight stars we never get to see? Bad luck never takes a vacation, my friend once wrote. It lies there among the broken shells and stones we collect, a story he would say begins with you, with me, a story that is forever lost among the backwaters of our lives, our endless fear of ourselves, and our endless need for hope, a story, perhaps an answer, a word suddenly on wing, the simple sound of a torn heart, or the unmistakable scent of the morning’s fading moon.” from “Place Message Here,” The Cortland Review (Winter 2006)