David Crosby Quotes

I'm not givin' in an inch to fear.

It can't happen here" is number one on the list of famous last words.

Speak out, you got to speak out against The madness, you got to speak your mind, If you dare

Keep saying no to her, Since she was a baby. Keep saying no to her, Not even maybe. from "Why?" by the Byrds

You do not get to choose the events that come your way nor the sorrows that interrupt your life. They will likely be a surprise to you, catching you off quard and unprepared. You may hold your head in your hands and lament your weak condition and wonder what you ought to do. To suffer, that is common to all. To suffer and still keep your composure, your faith and your smile, that is remarkable. Pain will change you more profoundly than success or good fortune. Suffering shapes your perception of life, your values and priorities, and your goals and dreams. Your pain is changing you.

Well then, can I walk along beside you? I have come to lose the smog. And I feel myself a cog in something turning. And maybe it’s the time of year, yes, and maybe it’s the time of man. And I don’t know who I am but life is for learning. We are stardust, we are golden, we are billion year old carbon, And we got to get ourselves back to the garden.

David Bowie could not only sing, he could also not act, and appeared in several films, playing the homesick alien title character in E.T., and a sort of Duran Duran fairy king in the family film Muppets Vs The Goblin Crotch. He even took over Christmas, singing a special carol with Bing Crosby, Stills, Nash and Young, who’d forgotten the words, and being at the start of that cartoon about the snowman sometimes.

Music Is Love" Everybody's sayin' music is love Everybody's sayin' it's, you know it is Every one yes every one Everybody's sayin' music, music is love Everybody's sayin' that music is love Everybody's sayin' it's love Everybody's sayin' that music is love, everybody's sayin' it's love Everybody's sayin' that music is love, everybody's sayin' it's love Everybody's sayin' that music is love, everybody's sayin' it's love Everybody's sayin' that music is love, everybody's sayin' it's love Everybody's sayin' that music is love Everybody's sayin' it's love Put on your colors and run come see Everybody's sayin' that music's for free Take off your clothes and lie in the sun Everybody's sayin' that music's for fun If I Could Only Remember My Name (1971)

Fifty Best Rock Documentaries Chicago Blues (1972) B. B. King: The Life of Riley (2014) Devil at the Crossroads (2019) BBC: Dancing in the Street: Whole Lotta Shakin’ (1996) BBC: Story of American Folk Music (2014) The Weavers: Wasn’t That a Time! (1982) PBS: The March on Washington (2013) BBC: Beach Boys: Wouldn’t It Be Nice (2005) The Wrecking Crew (2008) What’s Happening! The Beatles in the U.S.A. (1964) BBC: Blues Britannia (2009) Rolling Stones: Charlie Is My Darling—Ireland 1965 (2012) Bob Dylan: Dont Look Back (1967) BBC: The Motown Invasion (2011) Rolling Stones: Sympathy for the Devil (1968) BBC: Summer of Love: How Hippies Changed the World (2017) Gimme Shelter (1970) Rumble: The Indians Who Rocked the World (2017) Cocksucker Blues (1972) John Lennon & the Plastic Ono Band: Sweet Toronto (1971) John and Yoko: Above Us Only Sky (2018) Gimme Some Truth: The Making of John Lennon’s “Imagine” Album (2000) Echo in the Canyon (2018) BBC: Prog Rock Britannia (2009) BBC: Hotel California: LA from the Byrds to the Eagles (2007) The Allman Brothers Band: After the Crash (2016) BBC: Sweet Home Alabama: The Southern Rock Saga (2012) Ain’t in It for My Health: A Film About Levon Helm (2010) BBC: Kings of Glam (2006) Super Duper Alice Cooper (2014) New York Dolls: All Dolled Up (2005) End of the Century: The Story of the Ramones (2004) Fillmore: The Last Days (1972) Gimme Danger: The Stooges (2016) George Clinton: The Mothership Connection (1998) Fleetwood Mac: Rumours (1997) The Who: The Kids Are Alright (1979) The Clash: New Year’s Day ’77 (2015) The Decline of Western Civilization (1981) U2: Rattle and Hum (1988) Neil Young: Year of the Horse (1997) Ginger Baker: Beware of Mr. Baker (2012) AC/DC: Dirty Deeds (2012) Grateful Dead: Long, Strange Trip (2017) No Direction Home: Bob Dylan (2005) Hip-Hop Evolution (2016) Joan Jett: Bad Reputation (2018) David Crosby: Remember My Name (2019) Zappa (2020) Summer of Soul (2021)

endured—whatever it is—if we can be so strong after everything we’ve endured, it would be like fresh water running over the entire audience.

after

NEIL YOUNG: If these guys want CSNY, then there should

Asylum Records became a power base for David Geffen, with one of the best artist rosters in the business. It became the home label for what was to be known as the California sound. Elliot continued running the management company, most of whose artists recorded on Asylum, whose corporate philosophy was “benevolent protectionism.” The record company was different from other labels and was proud of its noninterference with the private and artistic lives of its artists, who in turn looked to David Geffen and company to insulate and protect them from the shocks and insults of commercially oriented sales and marketing types, aggressive promotion men, and demanding producers. The opening lineup at Asylum included Jackson Browne, the Eagles, and Joni Mitchell, with Linda Ronstadt joining shortly after. In 1974, the legendary Bob Dylan would leave Columbia and release two Top 10 albums with the company before returning to his original label. That didn’t matter to David. Crosby, Stills, Nash, and Young were Atlantic artists and they were doing quite nicely, thank you very much. Besides,

BANKS ENJOYED THE DRIVE TO LEEDS. THE WEATHER WAS fine, the traffic not too horrendous, and the iPod shuffle treated him to a truly random medley of David Crosby, John Cale, Pentangle and Grinderman, among others. A mild beer hangover from Kev Templeton’s wake hammered away insistently in the back of his head, muffled by extra-strength aspirin and plenty of water. At least he had had the sense to avoid spirits and sleep on Hatchley’s sofa, though the children had awoken him at some ungodly hour of the morning. Annie had gone home early and said she would be coming back to Eastvale sometime to talk to Elizabeth Wallace. Banks and Annie planned to meet for a late lunch and compare notes. Julia

Normally, an album with Crazy Horse would have meant a tour with them, but much to the surprise of Jeff Blackburn and his band members (former Moby Grape bassist Bob Mosley and drummer Johnny Craviotto), Young began rehearsing with them instead. In early July, the newly renamed Ducks, after a duck’s landing they saw in town, played its first shows—in local bars in Santa Cruz. In what the Santa Cruz Sentinel called “the worst-kept secret in town,” the Ducks would drive to a club and ask the opening act for their slot (“They were fine—they knew they couldn’t draw what we could,” says Mosley). Charging only a few dollars for admission, they would tear through sets of songs by Young and by Blackburn. Young debuted new material like “Sail Away” and “Comes a Time” in more electrified versions than were later heard on record. “It was unfathomable,” recalls Mosley. “Some of the guitar solos took me into outer space. It was incredible shit.” Starting in mid-July and ending around Labor Day, the Ducks would play more than twenty

AT LEAST FOR the immediate future, there would be no arenas in Young’s life—just the opposite, in fact. Returning to California, he reached out to Mazzeo, who had moved onto a communal farm in Santa Cruz with his guitarist friend Jeff Blackburn. A beach town roughly seventy miles south of San Francisco, Santa Cruz had a population of just over thirty thousand—a size that would have fit into one of the venues on Crosby, Stills and Nash’s reunion tour. Young told Mazzeo he didn’t want to be alone on his ranch. “There were still a lot of Carrie vibes there,” says Mazzeo. Mazzeo invited him over, and Young made himself at home on the farm. Blackburn had been playing local clubs with his eponymous band, and Young was fascinated. “I said, ‘Buck has

AT LEAST FOR the immediate future, there would be no arenas in Young’s life—just the opposite, in fact. Returning to California, he reached out to Mazzeo, who had moved onto a communal farm in Santa Cruz with his guitarist friend Jeff Blackburn. A beach town roughly seventy miles south of San Francisco, Santa Cruz had a population of just over thirty thousand—a size that would have fit into one of the venues on Crosby, Stills and Nash’s reunion tour.

Young told Mazzeo he didn’t want to be alone on his ranch. “There were still a lot of Carrie vibes there,” says Mazzeo. Mazzeo invited him over, and Young made himself at home on the farm. Blackburn had been playing local clubs with his eponymous band, and Young was fascinated. “I said, ‘Buck has

Jason M Walker is a member of the American Psychological Association and is a certified College Psychology Professor. In the future, Jason M Walker plans to expand his private practice while also establishing himself as a full-time tenured professor in psychology with a local university.

Cassie’s

John Coltrane, still playing at top intensity and volume, totally into it. He blew me out so bad I slid down the wall. The guy was still playing his solo. He hadn’t stopped. I don’t think he ever knew that I was in that room. He never saw that little ofay kid in the corner, you know, but he totally turned my mind to Jell-O at that point and that was my John Coltrane experience.

So indirectly you can say it was Miles Davis who got the Byrds started.

If We Quit Trying, It All Goes in the Sh-tter.