Dave Movie Quotes

Fiction is one of the few experiences where loneliness can be both confronted and relieved. Drugs, movies where stuff blows up, loud parties -- all these chase away loneliness by making me forget my name's Dave and I live in a one-by-one box of bone no other party can penetrate or know. Fiction, poetry, music, really deep serious sex, and, in various ways, religion -- these are the places (for me) where loneliness is countenanced, stared down, transfigured, treated.

Karate is a form of martial arts in which people who have had years and years of training can using only their hands and feet make some of the worst movies in the history of the world.

I worry about exposing him to bands like Journey, the appreciation of which will surely bring him nothing but the opprobrium of his peers. Though he has often been resistant - children so seldom know what is good for them - I have taught him to appreciate all the groundbreaking musicmakers of our time - Big Country, Haircut 100, Loverboy - and he is lucky for it. His brain is my laboratory, my depository. Into it I can stuff the books I choose, the television shows, the movies, my opinion about elected officials, historical events, neighbors, passersby. He is my twenty-four-hour classroom, my captive audience, forced to ingest everything I deem worthwhile. He is a lucky, lucky boy! And no one can stop me.

[M]y mother read a horror novel every night. She had read every one in the library. When birthdays and Christmas would come, I would consider buying her a new one, the latest Dean R. Koontz or Stephen King or whatever, but I couldn't. I didn't want to encourage her. I couldn't touch my father's cigarettes, couldn't look at the Pall Mall cartons in the pantry. I was the sort of child who couldn't even watch commercials for horror movies - the ad for Magic, the movie where marionette kills people. sent me into a six-month nightmare frenzy. So I couldn't look at her books, would turn them over so their covers wouldn't show, the raised lettering and splotches of blood - especially the V.C. Andrews oeuvre, those turgid pictures of those terrible kids, standing so still, all lit in blue.

…and Dave and I, we were doing this…this weird circling thing, like we needed to figure out every single line of the script before we could even start the movie. I knew, and he knew, and we didn’t do a damn thing about it…It’s like we thought everything had to be perfect, or it wouldn’t work. Like it was a story.

Now the movie stars beg people to follow their Zing feeds. They send pleading messages asking everyone to smile at them. And holy fuck, the mailing lists! Everyone’s a junk mailer. You know how I spend an hour every day? Thinking of ways to unsubscribe to mailing lists without hurting anyone’s feelings. There’s this new neediness—it pervades everything.

What matters is that you do good work. What matters is that you produce things that are true and will stand. What matters is that the Flaming Lips’s new album is ravishing and I’ve listened to it a thousand times already, sometimes for days on end, and it enriches me and makes me want to save people. What matters is that it will stand forever, long after any narrow-hearted curmudgeons have forgotten their appearance on goddamn 90210. What matters is not the perception, nor the fashion, not who’s up and who’s down, but what someone has done and if they meant it. What matters is that you want to see and make and do, on as grand a scale as you want, regardless of what the tiny voices of tiny people say. Do not be critics, you people, I beg you. I was a critic and I wish I could take it all back because it came from a smelly and ignorant place in me, and spoke with a voice that was all rage and envy. Do not dismiss a book until you have written one, and do not dismiss a movie until you have made one, and do not dismiss a person until you have met them. It is a fuckload of work to be open-minded and generous and understanding and forgiving and accepting, but Christ, that is what matters. What matters is saying yes.

Goals convert vision into energy. When you lay out exactly what you want to do in detail, you immediately start feeling the room move and the earth shake. You are pulled into your new life like some scene from a movie. Goals help make great men. J. C. Penney once said, “Give me a stock clerk with a goal, and I will give you a man who will make history. Give me a man without a goal and I will give you a stock clerk.

Free-thinking is the new counterculture, which makes it cutting-edge and subversive, like punk rock or hip-hop in the early 1980s. It’s on the periphery where all the sexy, rebellious, and exciting stuff happens, not the mainstream center left, which has become like an R-rated movie stripped down to PG for minimum offense.

It takes so long to put a movie into production and finish it that anyone with a bad idea has time to give it to you before the movie is completed.

The impact movies make on us are affected by when we watch it, who we see it with, and where we are in our lives at the moment. - Suzy Nakamura

Late that night, I get back to Grant and Eric’s, and they are watching a movie where Al Pacino is blind. Al Pacino is angry and talks with an unplaceable accent. He is maybe Canadian.

Horkman and I are on one side of the ravine, holding our guns over our heads. The Cubans are on the other side, going nuts, shouting "YI-YI-YI" ready to go kick some ass. In a movie, the next scene, we're all charging into battle. But what actually happened was, first, Horkman and I climb down our side of the ravine, which was hard because those guns are a lot heavier than they look, plus it is really steep. We both kept dropping the guns and falling down, so we ended up mostly sliding on our butts, which took awhile. The Cubans tried to keep cheering, but after a while they realized they'd better pace themselves. Like every twenty seconds or so, one of them would yell "YI-YI-YI!" But you could tell they were losing the mood.

From the race’s conception, the press viewed it with skepticism. Sportswriters argued that the rich event was a farce arranged to pad Seabiscuit’s bankroll. Del Mar, conscious of the potential conflict of interest for the Howards and Smiths, barred public wagering on the race. But the press’s distrust and the absence of gambling did nothing to cool the enthusiasm of racing fans. On the sweltering race day, special trains and buses poured in from San Diego and Los Angeles, filling the track with well over twenty thousand people, many more than the track’s official capacity. Lin plastered a twenty-foot LIGAROTI sign on the wall behind the “I’m for Ligaroti” section, and scores of Crosby’s movie friends, including Clark Gable and Carole Lombard, Spencer Tracy and Ray Milland, took up their cerise and white pennants and filed in. “Is there anyone left in Hollywood?” wondered a spectator. Dave Butler led a chorus of Ligaroti cheers, and the crowd grew boisterous. Crosby perched on the roof with Oscar Otis, who would call the race for a national radio broadcast. In the jockeys’ room, Woolf suited up to man the helm on Seabiscuit while Richardson slipped on Ligaroti’s polka dots. Just before the race, Woolf and Richardson made a deal. No matter who won, they would “save,” or split, the purse between them.

I can't believe he's going to make me give him the speech. I am livid that he's going to make me give him the speech. I do it, piecing it together from times I've seen it done on TV and in movies. I tell him that there are many people who love him and would be crushed if he were to kill himself, while wondering, distantly, if that is the truth. I tell him that he has so much potential, that he has so many things to do, while most of me believes that he will never put his body and brain to much use at all. I tell him that we all have dark periods, while becoming ever more angry at him, the theatrics, the self-pity, all this, when he has everything. He has a complete sort of freedom, with no parents and no dependents, with money and no immediate threats of pain or calamity. He is the 99.9th percentile, as I am. He has no real obligations, can go anywhere at any moment, sleep anywhere, move at will, and still he is wasting everyone's time with this. But I hold that back--I will save that for later--and instead say nothing but the most rapturous and positive things. And though I do not believe much of it, he does. I make myself sick saying it all, everything so obvious, the reasons to live not at all explainable in a few minutes on the edge of a psychiatric ward bed, but still he is roused, making me wonder even more about him, why a fudge-laden pep talk can convince him to live, why he insists on bringing us both down here, to this pedestrian level, how he cannot see how silly we both look, and when, exactly, it was that his head got so soft, when I lost track of him, how it is that I know and care about such a soft and pliant person, where was it again that I parked my car.

My friend John Maxwell says a budget (for your money) is telling your money where to go instead of wondering where it went. Managing time is the same; you will either tell your day what to do or you will wonder where it went. The weird thing is that the more efficient, on task, on goal you are with your time, the more energy you have. Working with no traction, or for that matter simply wasting away a day, does not relax you, it drains you. Have you ever taken a day off, slept late, wandered around with no plan or thought for the day, watched some stupid rerun of a bad movie as you surfed the TV, and at the end of your great day off found yourself absolutely exhausted? Strange as it may seem, when you work a daily plan in pursuit of your written goals that flow from your mission statement born of your vision for living your dreams, you are energized after a tough long day.

When will we realise the hypocrisy of our situation? On our own planet we are the bad guys, thoughtlessly annihilating life of all kinds for our convenience. We intuitively grasp that the aliens of the movie 'Independence Day' have no right to take our planet; I wonder what goes through the mind of an orang-utan as it sees its forest home bulldozed to the ground? There should not have to be a 'point of slugs' for us to allow them their existence. Do we not have a moral duty to look after our fellow travellers on planet Eart, beautiful or ugly, providing vital ecosystem services or utterly inconsequential, be they penguins, pandas, or silverfish?

Of course, this isn’t a movie and that’s not the life of a digital nomad. The reality is less glamorous. Working in a hammock for more than a few minutes will make your neck and wrists ache. It’ll be too hot to be productive, you’ll end up with sand in your laptop no matter what you do and there won’t be any wifi nearby anyway.

Living a horror movie cliché, so to speak?” Caleb softly replied. “I know this is hard to comprehend, especially since we study science and things that are proven or explainable. But, all my life I’ve been on the road to this very place.” He pointed downwards with his index finger for effect. “Many things I’ve personally seen keep leading me to the same conclusion. In reality, the impossible doesn’t exist.

I always wondered why nobody did it before me. I mean, all those comic book movies and television shows, you'd think at least one eccentric loner would have stitched himself a costume. Is everyday life really so exciting? Are schools and offices really so thrilling that I'm the only one who ever fantasized about this? C'mon. Be honest with yourself. We all planned to be a superhero at some point in our lives.

Remember all those classic books you HAD to read in school? They sucked, right? Well, guess what? They are actually . . . classics. 'Brave New World', '1984', 'The Martian Chronicles' and even 'Animal Farm' are pretty cool it you're not told you HAVE to read them. If you discover them on your own or if you reread them without having a report due that sends you scurrying to buy CliffNotes or access Wikipedia, then you can actually relax and enjoy them. - Chris Mancini

This was not a simple case of taking an otherwise normal, well-balanced, rational human being, putting him in a bad situation, and suddenly he turns bad,” he said. “I faked it.” He explained. The first night was boring. Everyone was just sitting around. “I thought, Someone is spending a lot of money to put this thing on and they’re not getting any results. So I thought I’d get some action going.” He had just seen the Paul Newman prison movie Cool Hand Luke, in which a sadistic southern prison warden played by Strother Martin persecutes the inmates. So Dave decided to channel him.

It used to be that when I made mistakes like this or came close to losing my life, I would just call Miguel. He'd drop it all to come to me—his movies, media engagements no matter how big they were, and even his criminal activities went on hold for me. It made me think he cared. Miguel canceled an appearance on the Dave Letterman show just because he called me and thought my voice sounded like something was wrong. He directed his gaze to the bruises decorating my face. “You said you weren't hurt.” With those big arms, he picked me up and slammed the door behind us. “When I ask you if you're okay, you tell me the truth.

I liked it better back when we all had to belong to the same Telephone Company, and phones were phones—black, heavy objects that were routinely used in the movies as murder weapons (try that with today’s phones!). Also, they were permanently attached to your house, and only highly trained Telephone Company personnel could “install” them. This involved attaching four wires, but the Telephone Company always made it sound like brain surgery. It was part of the mystique. When you called for your installation appointment, the Telephone Company would say: “We will have an installer in your area between the hours of 9 A.M. October 3 and the following spring. Will someone be at home?” And you would say yes, if you wanted a phone. You would stay at home, the anxious hours ticking by, and you would wait for your Phone Man.

Death, like so many great movies, is sad. The young fancy themselves immune to death. And why shouldn’t they? At times life can seem endless, filled with belly laughs and butterflies, passion and joy, and good, cold beer. Of course, with age comes the solemn understanding that forever is but a word. Seasons change, love withers, the good die young. These are hard truths, painful truths—inescapable but, we are told, necessary. Winter begets spring, night ushers in the dawn, and loss sows the seeds of renewal. It is, of course, easy to say these things, just as it is easy to, say, watch a lot of television. But, easy or not, we rely on such sentiment. To do otherwise would be to jump without hope into a black and endless abyss, falling through an all-enveloping void for all eternity. Really, what’s to gain from saying that the night only grows darker and that hope lies crushed under the jackboots of the wicked? What answers do we have when we arrive at the irreducible realization that there is no salvation in life, that sooner or later, despite our best hopes and most ardent dreams, no matter how good our deeds and truest virtues, no matter how much we work toward our varied ideals of immortality, inevitably the seas will boil, evil will run roughshod over the earth, and the planet will be left a playground in ruins, fit only for cockroaches and vermin. There is a saying favored by clergymen and aging ballplayers: Pray for rain. But why pray for rain when it’s raining hot, poisoned blood?

But Dave Wain that lean rangy red head Welchman with his penchant for going off in Willie to fish in the Rogue River up in Oregon where he knows an abandoned mining camp, or for blattin around the desert roads, for suddenly reappearing in town to get drunk, and a marvelous poet himself, has that certain something that young hip teenagers probably wanta imitate–For one thing is one of the world's best talkers, and funny too–As I'll show–It was he and George Baso who hit on the fantastically simple truth that everybody in America was walking around with a dirty behind, but everybody, because the ancient ritual of washing with water after the toilet had not occurred in all the modern antisepticism–Says Dave "People in America have all these racks of drycleaned clothes like you say on their trips, they spatter Eau de Cologne all over themselves, they wear Ban and Aid or whatever it is under their armpits, they get aghast to see a spot on a shirt or a dress, they probably change underwear and socks maybe even twice a day, they go around all puffed up and insolent thinking themselves the cleanest people on earth and they're walkin around with dirty azzoles–Isnt that amazing?give me a little nip on that tit" he says reaching for my drink so I order two more, I've been engrossed, Dave can order all the drinks he wants anytime, "The President of the United States, the big ministers of state, the great bishops and shmishops and big shots everywhere, down to the lowest factory worker with all his fierce pride, movie stars, executives and great engineers and presidents of law firms and advertising firms with silk shirts and neckties and great expensive traveling cases in which they place these various expensive English imported hair brushes and shaving gear and pomades and perfumes are all walkin around with dirty azzoles! All you gotta do is simply wash yourself with soap and water! it hasn't occurred to anybody in America at all! it's one of the funniest things I've ever heard of! dont you think it's marvelous that we're being called filthy unwashed beatniks but we're the only ones walkin around with clean azzoles?"–The whole azzole shot in fact had spread swiftly and everybody I knew and Dave knew from coast to coast had embarked on this great crusade which I must say is a good one–In fact in Big Sur I'd instituted a shelf in Monsanto's outhouse where the soap must be kept and everyone had to bring a can of water there on each trip–Monsanto hadnt heard about it yet, "Do you realize that until we tell poor Lorenzo Monsanto the famous writer that he is walking around with a dirty azzole he will be doing just that?"–"Let's go tell him right now!"–"Why of course if we wait another minute...and besides do you know what it does to people to walk around with a dirty azzole? it leaves a great yawning guilt that they cant understand all day, they go to work all cleaned up in the morning and you can smell all that freshly laundered clothes and Eau de Cologne in the commute train yet there's something gnawing at them, something's wrong, they know something's wrong they dont know just what!"–We rush to tell Monsanto at once in the book store around the corner. (Big Sur, Chap. 11)

There was a small, strange moment during which I had this feeling that someone was filming me, which was ridiculous, but it was that specific—”there’s a camera on me”—and then some hard ancient pushed-down thing, a thing I’d felt or thought or feared a long time ago, something I’d since managed to sheathe in an imaginary scabbard inside myself, erupted through its casing like a bursting cyst. I had to really struggle to recover. Something was dislodging itself, as from a cavern inside my body or brain, and this situation seemed so divorced from waking reality that my own dimensions lost their power to persuade. I craned my great head and saw all that yellow-brown plastic catch the light, little pills glinting like ammunition, and then my brain went to work, juggling and generating several internal voices at once: someone’s filming this; this isn’t real; whoever Sean is, it’s not who I think he is; all the details I think I know about things are lies; somebody is trying to see what I’ll do when I run across these bottles; this is a test but there won’t be any grade later; the tape is rolling but I’m never going to see the tape. It is a terrible thing to feel trapped within a movie whose plot twists are senseless. This is why people cry at the movies: because everybody’s doomed. No one in a movie can help themselves in any way. Their fate has already staked its claim on them from the moment they appear onscreen. I looked away; I looked away. Held myself steady for a second and then got back to the work of the cleaning, shaking free of the crazy feelings, and I felt the corners of my mouth, half smiling. Most people can clean their bathroom cabinets without waking up any traumatic memories. Not me, not yet, I guess. But as Dave the art therapist told me once when he found me sulking: it’s not so bad to be special. My journey, he said, was longer and slower. He looked me in the eyes, which impressed me, and told me that my good fortune was to learn what special really meant.

What are you passionate about? 2) What do you find sexiest in a guy? 3) What’s your dream job? 4) What’s one thing I wouldn’t guess about you? 5) If you could wake up anywhere in the world tomorrow, where would it be? 6) What kind of things make you laugh the hardest? 7) What was your last big adventure? 8) What’s something you’ve always wanted to do? 9) What do you absolutely love to do? 10) Would you consider yourself a sexual person? 11) Have you ever had sex in a public place? 12) What’s your favorite place you’ve traveled to? 13) If your apartment were on fire, what 2 things would you save? 14) What kind of music do you listen to? 15) If you could go back to one time period in history, what would it be? 16) Do you cook? What’s your favorite meal? 17) What brought you to this city? 18) How did you get into what you’re doing now? 19) What’s your favorite movie of all time? 20) What’s your favorite book of all time?

The truth is, she does swoon over accomplished writers the way other people gawk over movie stars or musicians (and Kunal couldn’t care less about either).

Stories let us talk to one another about stuff that just can't be talked about any other way. I'm pretty lonely most of the time, and fiction's one of the few experiences where loneliness can be both confronted an relieved. Drugs, movies where stuff blows up, loud parties - all these chase loneliness away by making me forget my name's Dave and I live in a one-by-one box of bone no other party can penetrate or know. Fiction, poetry, music, really deep serious sex, and, in various ways, religion- these are the places (for me) where loneliness is countenanced, stared down, transfigured, treated. In lots of ways it's all there is.

Why is the addition of a camera with consenting adults having sex such a bad thing? A common response is that sexual acts are private. However, other private acts are filmed everyday including, births, marriages, and funerals. In the movie Lethal Weapon, actor

But what actually happened was, first, Horkman and I had to climb down our side of the ravine, which was hard because those guns are a lot heavier than they look, plus it was really steep. We both kept dropping the guns and falling down, so we ended up mostly sliding on our butts, which took a while. The Cubans tried to keep cheering, but after a while they realized they’d better pace themselves. Like every twenty seconds or so, one of them would go, “YI-YI-YI!” But you could tell they were losing the mood. Plus—I’m just going to come right out and say this—I had to take a shit. I mean, bad. Which is something that never happens in the movies. You never see Rambo take a shit. You never see whatshisname, the guy in those Bourne movies, Matt Damon, when he and his co-star hot babe are fleeing through some foreign city and he’s killing enemy agents with kung fu, speaking nine languages, hot-wiring a car and driving like a stuntman, etc., you never hear him say to the babe, “Geez, I’m sorry, but even though those enemy agents are, like, twenty yards behind us shooting at us, I need to make a pit stop, because if I don’t get to a toilet right now I’m going to turn this car into a septic tank.” That’s the way I felt, when Horkman and I got to the bottom of the ravine. I had a cramp in my gut like I was about to give birth to a walrus. I had no choice but to drop my pants right then and there. “What are you doing?” Horkman said. “What does it look like I’m doing?” I said. “You can’t at least go behind something?” he said. “Go behind what, asshole?” I said, because (a) there was nothing to go behind, and (b) Horkman is an asshole. “I don’t believe this,” said Horkman. He walked about ten yards and sat down on a rock, facing away. Thanks a lot, douchenozzle. So there I was, squatting, and I don’t want to get too specific here, but it was a severe firehose situation. I was splattering the gravel big-time, plus there was a certain amount of gas noise, plus you had the natural echo in the ravine. I don’t think this was what the Cubans were expecting in the way of military leadership. I could hear them up there talking about me, and then one of them went “YI-YI-YI!” definitely sarcastically, and then they were all laughing. Assholes. Like they never had diarrhea in a ravine. I firehosed for I would say a good three

Laws are not drawn up near dumpsters with dirty needles and rats, but in mahogany trimmed board rooms where the marble gleams with the light of noble intentions. Rarely do these coincide with the gun toting men who are charged with the task of enforcing them. They are the offensive linemen of society. Nobody buys their jersey. People just yell at them when they are offsides. But without him everything will collapse! When I was an offensive guard I did whatever I could to block the other guy. So I can empathize with Inspector Harry Callahan and his methods. I love it when Callahan is still chewing his hot dog as he blows away punks who think they can steal from a bank during the middle of the day in San Francisco. Dirty Harry you had me at 'do you feel lucky?' Real cops couldn't catch the Zodiac killer, but Harry blew that scumbag into a pond, then followed up by throwing his badge into the same pond, because he too knows that the rules of 'decent' society are a myth that pretty people in big houses talk about over tea.

Bogart’s a hell of a nice guy until around 11:30 pm,” former comedian and Hollywood restaurant owner Dave Chasen famously remarked. “After that, he thinks he’s Bogart.

Kaylie may have said more, but Megan turned away, not really interested. In the TV room, her husband, Dave, was sprawled out in gray sweats. Dave was watching the latest fallen movie actor bragging in some tasteless interview about the many women he’d bagged and the years of scoring at strip clubs. The actor was manic and wide-eyed and clearly on something that required a physician with a loose prescription pad. From

I want you people to get mad—You don’t have to organize or vote for reformers—You just have to get mad—

He glanced at his wife, still sound asleep with her black satin eye mask and earplugs snugly in place. Dave used to think that only people in movies slept that way, and then he met Beth. She had more requirements for a good night’s sleep than anyone in The Princess and the Pea. It used to annoy him, but he was starting to find it endearing.

When a script focuses on being a film instead of a formula, it can transcend the ghetto of its genre. -Mike Schmidt

Created in 1972 by Gary Gygax and Dave Arneson, two friends in their early twenties, Dungeons and Dragons was an underground phenomenon, particularly on college campuses, thanks to word of mouth and controversy. It achieved urban legend status when a student named James Dallas Egbert III disappeared in the steam tunnels underneath Michigan State University while reportedly reenacting the game; a Tom Hanks movie called Mazes and Monsters was loosely based on the event.

I’m so tired,” he says. “Me too,” I say, perhaps too quickly. “We’re all tired.” He brings his knees to his chest. “No, I’m really tired,” he says. He rolls onto his side, his back to me. He wants to be encouraged. I put my hand on his shoulder. I can’t believe he’s going to make me give him the speech. I am livid that he’s going to make me give him the speech. I do it, piecing it together from times I’ve seen it done on TV and in movies. I tell him that there are many people who love him and would be crushed if he were to kill himself, while wondering, distantly, if that is the truth. I tell him that he has so much potential, that he has so many things to do, while most of me believes that he will never put his body and brain to much use at all. I tell him that we all have dark periods, while becoming ever more angry at him, the theatrics, the self-pity, all this, when he has everything. He has a complete sort of freedom, with no parents and no dependents, with money and no immediate threats of pain or calamity. He is the 99.9th percentile, as I am. He has no real obligations, can go anywhere at any moment, sleep anywhere, move at will, and still he is wasting everyone’s time with this. But I hold that back—I will save that for later—and instead say nothing but the most rapturous and positive things. And though I do not believe much of it, he does. I make myself sick saying it all, everything so obvious, the reasons to live not at all explainable in a few minutes on the edge of a psychiatric ward bed, but still he is roused, making me wonder even more about him, why a fudge-laden pep talk can convince him to live, why he insists on bringing us both down here, to this pedestrian level, how he cannot see how silly we both look, and when, exactly, it was that his head got so soft, when I lost track of him, how it is that I know and care about such a soft and pliant person, where was it again that I parked my car.

You can’t finish the things you weren’t supposed to start.’ She was so freaked out that we kept trying to think about all the examples of that not being true. Different relationships or jobs or even movies we’d only sat through half of. A hundred things. But even though I don’t usually take advice from fortune cookies, I have to say, the more we were trying to prove the argument false, the more I started to think there might be some truth to it.

Then I stumbled upon Max and Dave Fleischer’s Superman cartoons. They were beautiful, even a small black and white TV. The scene that lit up my brain like a Christmas tree showed Superman use his cape to protect Lois Lane from a cascade of molten metal. Rather than being angry at her for getting in trouble, he was gentle and brave and saved her. I imprinted on that moment like a baby duck and my child’s mind folded around a sudden understanding. No, Superman was never going to be my father but if I worked at it really hard maybe day could become Superman. (32)

Teresa Giudice: Family is everything to me and so is loyalty. It’s like The Godfather. I’m so loyal. I’m loyal to a fault. If you don’t have loyalty, you have nothing. My brother and Melissa aren’t like that. In fact, I even asked Melissa once, “Did you ever watch the movie The Godfather?” She said, “No.” I said, “You should watch it. You should watch that.

The market-savvy McDonald’s Corporation, capitalizing on the popularity of the movie Fatal Attraction, introduces a new menu item, Boiled McRabbits.

First, the secretary: “There’s a Bertolt Brecht calling for you. Something about The Threepenny Opera?” Then the executive: “What are you talking about? Bertolt Brecht is dead!” And then the secretary again: “How can Bertolt Brecht be dead? He’s on the phone for you right now!” “Oh, well, that’s different — put him on!

Some people are eaters and some people are dinner.” --Dave From Purgatory the Audiobook

That is their work, they imply, and they also imply that you, and your actual work, are fine but also neglectful and sad. They don’t say that, though. They say, Don’t worry if you can’t be there, at the mid-fall solstice sing-along, the late-winter sledding-song craft fair and potluck. Not a big deal with the mid-spring parent-student doubles badminton under-the-lights evening funmaker. No problem with the mother-daughter pajama party on every third Wednesday movie day Sound of Music bring your own guitar or lyre. No need to bring treats on your child’s birthday. No need to come in for career day. No need to swing by the opening of the new art studio which features real clay-throwing technology. Don’t care about art? Not an issue. No need, no need, no need, it’s fine, no problem, though you really are selfish and your children doomed. When they are first to try crack—they will try it and love it and sell it to our culture-loving children—we will know why.

Instead, aim for the type of smile that Ryan Gosling constantly uses in the movie Crazy, Stupid, Love.

North Shore is about this guy who's a graphic design student in Arizona and can only surf in a wave tank, but he's good enough to win a trip to Hawaii to surf the North Shore. When he gets there everybody makes fun of the kid from Arizona, like, why are you here? The kid asks this surfer, “What kind of board is that?” and the guy says, “A longboard. You'll never be able to ride one because you don't understand the history of surfing.” The kid from Arizona looks at it and says, “Well, that logo could use some work.” That was Dave's favorite line in the movie.

You can’t have smart people lingering around for too long in horror movies. Otherwise they come up with solutions and not enough people die.” “Good point,” Dave said.

So, I have always wanted to tell this story, because it is a true story that I have carefully remembered, but frankly, it is a sentimental story, too—as all stories of successful human society must be—and we don’t cherish that flavor of democracy anymore. Today, we do blood, money, and sex—race, class, and gender. We don’t do communities of desire (people united in loving something as we loved jazz). We do statistical demographics, age groups, and target audiences. We do ritual celebrations of white family values, unctuous celebrations of marginal cultural identity, multiethnic kick-boxer movies, and yuppie sit-coms. With the possible exception of Roseanne, we don’t even do ordinary eccentricity anymore. In an increasingly diffuse and customized post-industrial world, we cling to the last vestige of industrial thinking: the presumption of mass-produced identity and ready-made experience—a presumption that makes the expression, appreciation, or even the perception of our everyday distinctions next to impossible.