Dart Board Quotes

Why does your dart board have Bradley Cooper’s picture on it?” “It’s not important,” I said. “Not anymore.

Vimes had never got on with any game much more complex than darts. Chess in particular had always annoyed him. It was the dumb way the pawns went off and slaughtered their fellow pawns while the kings lounged about doing nothing that always got to him; if only the pawns united, maybe talked the rooks round, the whole board could've been a republic in a dozen moves.

Pop, would go one of the six-inch guns; a small flame would dart and vanish, a little white smoke would disappear, a tiny projectile would give a feeble screech - and nothing happend. Nothing could happen. There was a touch of insanity in the proceeding, a sense of lugubrious drollery in the sight; and it was not dissipated by somebody on board assuring me earnestly there was a camp of natives - he called them enemies! hidden out of sight somewhere.

Once, I remember, we came upon a man-of-war anchored off the coast. There wasn't even a shed there, and she was shelling the bush. It appears the French had one of their wars going on thereabouts. Her ensign dropped limp like a rag; the muzzles of the long six-inch guns stuck out all over the low hull; the greasy, slimy swell swung her up lazily and let her down, swaying her thin masts. In the empty immensity of earth, sky, and water, there she was, incomprehensible, firing into a continent. Pop, would go one of the six-inch guns; a small flame would dart and vanish, a little white smoke would disappear, a tiny projectile would give a feeble screech—and nothing happened. Nothing could happen. There was a touch of insanity in the proceeding, a sense of lugubrious drollery in the sight; and it was not dissipated by somebody on board assuring me earnestly there was a camp of natives—he called them enemies!—hidden out of sight somewhere.

[“... ] Once, I remember, we came upon a man-of-war anchored off the coast. There wasn't even a shed there, and she was shelling the bush. It appears the French had one of their wars going on thereabouts. Her ensign dropped limp like a rag; the muzzles of the long six-inch guns stuck out all over the low hull; the greasy, slimy swell swung her up lazily and let her down, swaying her thin masts. In the empty immensity of earth, sky, and water, there she was, incomprehensible, firing into a continent. Pop, would go one of the six-inch guns; a small flame would dart and vanish, a little white smoke would disappear, a tiny projectile would give a feeble screech—and nothing happened. Nothing could happen. There was a touch of insanity in the proceeding, a sense of lugubrious drollery in the sight; and it was not dissipated by somebody on board assuring me earnestly there was a camp of natives—he called them enemies!—hidden out of sight somewhere. "We gave her her letters (I heard the men in that lonely ship were dying of fever at the rate of three a day) and went on. We called at some more places with farcical names, where the merry dance of death and trade goes on in a still and earthy atmosphere as of an overheated catacomb; all along the formless coast bordered by dangerous surf, as if Nature herself had tried to ward off intruders; in and out of rivers, streams of death in life, whose banks were rotting into mud, whose waters, thickened into slime, invaded the contorted mangroves, that seemed to writhe at us in the extremity of an impotent despair. Nowhere did we stop long enough to get a particularized impression, but the general sense of vague and oppressive wonder grew upon me. It was like a weary pilgrimage amongst hints for nightmares. [..."]

That day in Chartres they had passed through town and watched women kneeling at the edge of the water, pounding clothes against a flat, wooden board. Yves had watched them for a long time. They had wandered up and down the old crooked streets, in the hot sun; Eric remembered a lizard darting across a wall; and everywhere the cathedral pursued them. It is impossible to be in that town and not be in the shadow of those great towers; impossible to find oneself on those plains and not be troubled by that cruel and elegant, dogmatic and pagan presence. The town was full of tourists, with their cameras, their three-quarter coats, bright flowered dresses and shirts, their children, college insignia, Panama hats, sharp, nasal cries, and automobiles crawling like monstrous gleaming bugs over the laming, cobblestoned streets. Tourist buses, from Holland, from Denmark, from Germany, stood in the square before the cathedral. Tow-haired boys and girls, earnest, carrying knapsacks, wearing khaki-colored shorts, with heavy buttocks and thighs, wandered dully through the town. American soldiers, some in uniform, some in civilian clothes, leaned over bridges, entered bistros in strident, uneasy, smiling packs, circled displays of colored post cards, and picked up meretricious mementos, of a sacred character. All of the beauty of the town, all the energy of the plains, and all the power and dignity of the people seemed to have been sucked out of them by the cathedral. It was as though the cathedral demanded, and received, a perpetual, living sacrifice. It towered over the town, more like an affliction than a blessing, and made everything seem, by comparison with itself, wretched and makeshift indeed. The houses in which the people lived did not suggest shelter, or safety. The great shadow which lay over them revealed them as mere doomed bits of wood and mineral, set down in the path of a hurricane which, presently, would blow them into eternity. And this shadow lay heavy on the people, too. They seemed stunted and misshapen; the only color in their faces suggested too much bad wine and too little sun; even the children seemed to have been hatched in a cellar. It was a town like some towns in the American South, frozen in its history as Lot's wife was trapped in salt, and doomed, therefore, as its history, that overwhelming, omnipresent gift of God, could not be questioned, to be the property of the gray, unquestioning mediocre.

But what is happiness? The definition most in vogue, fueled by the positive psychology movement, is one of happiness as a state, characterized by pleasure; a banishing of pain, suffering, and boredom; a sense of engagement and meaning through the experience of positive emotions and resilience. This is the dominant version of the new incomes sought and paid in the most widely celebrated “great places to work.” Think of flexible work hours, pool tables and dart boards, dining areas run by chefs serving fabulous and nutritious food at all hours, frequent talks by visiting thought leaders, spaces for naps, unlimited vacation time. However, the research literature on happiness suggests another definition, one that is overlapping but significantly different. The second definition sees happiness as a process of human flourishing. This definition, whose roots go back to Aristotle and the Greeks’ concept of eudaemonia, includes an experience of meaning and engagement but in relation to the satisfactions of experiencing one’s own growth and unfolding, becoming more of the person one was meant to be, bringing more of oneself into the world.

I shoot up out of my chair. “It’s Bree. Hide the board!” Everyone hops out of their chairs and starts scrambling around and bumping into each other like a classic cartoon. We hear the door shut behind her, and the whiteboard is still standing in the middle of the kitchen like a lit-up marquee. I hiss at Jamal, “Get rid of it!” His eyes are wide orbs, head whipping around in all directions. “Where? In the utensil drawer? Up my shirt?! There’s nowhere! That thing is huge!” “LADY IN THE HOUSE!” Bree shouts from the entryway. The sound of her tennis shoes getting kicked off echoes around the room, and my heart races up my throat. Her name is pasted all over that whiteboard along with phrases like “first kiss—keep it light” and “entwined hand-holding” and “dirty talk about her hair”. Yeah…I’m not sure about that last one, but we’ll see. Basically, it’s all laid out there—the most incriminating board in the world. If Bree sees this thing, it’s all over for me. “Erase it!” Price whispers frantically. “No, we didn’t write it down anywhere else! We’ll lose all the ideas.” I can hear Bree’s footsteps getting closer. “Nathan? Are you home?” “Uh—yeah! In the kitchen.” Jamal tosses me a look like I’m an idiot for announcing our location, but what am I supposed to do? Stand very still and pretend we’re not all huddled in here having a Baby-Sitter’s Club re-enactment? She would find us, and that would look even worse after keeping quiet. “Just flip it over!” I tell anyone who’s not running in a circle chasing his tail. As Lawrence flips the whiteboard, Price tells us all to act natural. So of course, the second Bree rounds the corner, I hop up on the table, Jamal rests his elbow on the wall and leans his head on his hand, and Lawrence just plops down on the floor and pretends to stretch. Derek can’t decide what to do so he’s caught mid-circle. We all have fake smiles plastered on. Our acting is shit. Bree freezes, blinking at the sight of each of us not acting at all natural. “Whatcha guys doing?” Her hair is a cute messy bun of curls on the top of her head and she’s wearing her favorite joggers with one of my old LA Sharks hoodies, which she stole from my closet a long time ago. It swallows her whole, but since she just came from the studio, I know there is a tight leotard under it. I can barely find her in all that material, and yet she’s still the sexiest woman I’ve ever seen. Just her presence in this room feels like finally getting hooked up to oxygen after days of not being able to breathe deeply. We all respond to Bree’s question at the same time but with different answers. It’s highly suspicious and likely what makes her eyes dart to the whiteboard. Sweat gathers on my spine. “What’s with the whiteboard?” she asks, taking a step toward it. I hop off the table and get in her path. “Huh? Oh, it’s…nothing.” She laughs and tries to look around me. I pretend to stretch so she can’t see. “It doesn’t look like nothing. What? Are you guys drawing boobies on that board or something? You look so guilty.” “Ah—you caught us! Lots of illustrated boobs drawn on that board. You don’t want to see it.” She pauses, a fading smile hovering on her lips, and her eyes look up to meet mine. “For real—what’s going on? Why can’t I see it?” She doesn’t believe my boob explanation. I guess we should take that as a compliment? My eyes catch over Bree’s shoulder as Price puts himself out of her line of sight and begins miming the action of getting his phone out and taking a picture of the whiteboard. This little show is directed at Derek, who is standing somewhere behind me. Bree sees me watching Price and whips her head around to catch him. He freezes—hands extended looking like he’s holding an imaginary camera. He then transforms that into a forearm stretch. “So tight after our workout today.” Her eyes narrow.

The railway journey to London was accomplished in a miraculous two hours, at least four times faster than it would have been had they gone by coach. That turned out to be fortunate, as it soon became apparent that the Ravenel family did not travel well. Pandora and Cassandra were both overcome with excitement, never having set foot on a train before. They chattered and exclaimed, darting across the station platform like feeding pigeons, begging West to purchase railway editions of popular novels--only a shilling apiece--and sandwiches packaged in cunning little paper boxes, and handkerchiefs printed with pastoral scenes. Loaded with souvenirs, they boarded the family’s first-class railway carriage and insisted on trying every seat before choosing the ones they preferred. Helen had insisted on bringing one of her potted orchids, its long, fragile stem having been stabilized with a stick and a bit of ribbon. The orchid was a rare and sensitive species of Blue Vanda. Despite its dislike of being moved, she believed it would be better off in London with her. She carried the orchid in her lap the entire way, her absorbed gaze focused on the passing landscape. Soon after the train had left the station, Cassandra made herself queasy by trying to read one of the railway novels. She closed the book and settled in her seat with her eyes closed, moaning occasionally as the train swayed. Pandora, by contrast, couldn’t stay seated for more than a few minutes at a time, jumping up to test the feeling of standing in a moving locomotive, and attempting to view the scenery from different windows. But the worst traveler by far was Clara, the lady’s maid, whose fear of the train’s speed proved resistant to all attempts at soothing. Every small jolt or lurch of the carriage drew a fearful cry from her until Devon had given her a small glass of brandy to settle her nerves.

Contestants were selected from the studio audience. By answering an initial question, a contestant won three darts, which he threw at the “Dr. Pepper dartboard.” The board was ten feet high and contained circles with values ranging from $2 to $16. Three darts in the $16 circle netted a contestant the top preliminary prize, $48. If a contestant missed his question, he was given the chance to win his darts anyway, through a variety of forfeit stunts. In one such, a woman had to keep her composure and try to hit the dartboard while sitting on the lap of a stranger, a soldier from the audience. In a finale, the contestants were assembled, given numbered darts, and allowed to compete in a one-shot-only toss at the bull’s eye for a $100 grand prize.

I darted around a building that had once been a train station decades before. It was boarded up and there were signs warning people not to trespass. I walked over the tracks, now unused and in disrepair, over to the other side. The field beyond glowed with fragments of something, like someone had tipped over a charcoal grill the size of a water tower. The embers glowed blue and gold, beautiful like jewels. I got closer and noticed the glowing chunks were different sizes but that overall they formed a swirling pattern that covered the entire field. How could it have landed in such a perfect spiral?

Upon Evangeline and Jacks's initial return to the inn, the Hollow had actually been quite frosty. Doors often slammed shut. Windows stuck. Wardrobes refused to open. Faucets yielded only icy water. 'I think it's cross with us,' Jacks had said. 'Give it a few days. It will warm up.' The walls had rattled then. 'If it doesn't, we'll leave,' Jacks added, tossing a dart up in the air as he spoke. 'We can build a new inn- a better one.' Jacks caught his dart, then threw it, purposefully missing the board and sinking the dart's sharp tip into the wall instead. Doors stopped slamming after that. Windows no longer stuck, and wardrobes were more eager to open. As the days went on, the Hollow became friendlier and friendlier. Fresh flowers started to appear on tables. Evangeline found new logs in the fireplaces every morning at dawn, and whenever she drew a bath, the water was always perfectly warm. The Hollow wanted them to stay. (Indigo Exclusive Edition Alternate Ending).

•  Join a sports team (a structured activity, yes, but better than nothing!), or take a fun exercise class like pole dancing, trampoline, or trapeze.         •  Engage in games that are fun for you. It could be board or card games, crosswords, or darts. Perhaps you love putting together model airplanes or building with Legos. Consider buying a Ping-Pong or pool table . . . and be careful not to turn that table into another place for competition and über-focus.         •  Find a play partner. Animals and children are always ready to play and laugh. Find opportunities to play with your own children or pets or those of friends and family. Finding

Drusilla.” “Hello, Drusilla,” he drawled. In my peripheral vision, I could see Macfadyen bending down to whisper something in the woman’s ear, but she was staring daggers at Liam. Or perhaps she was aiming them at me. We were standing fairly close together, after all. Amateur. Never let the bloke see it bothers you. And if does bother you? Walk away. Men are like buses: there’s always another one. Macfadyen took his turn throwing and a few of the assembled crowd whooped. Seventy-eight points. “Shit,” Liam said. When Macfadyen finished collecting his darts, he turned around and looked at Liam and me. His eyes were as green as when I’d seen him all those years ago. Either that or he wore contacts. I hoped it wasn’t contacts because that would be disappointing. Macfadyen pulled his darts out of the board. “And that’s five-oh-one,” he said.

The one I had selected wavered indecisively before me, and, as I swung wide to make the boarding gentle, filled suddenly and darted away, the smart Mongols shouting a wild rhythm as they bent to the sweeps. But I had been ready for this. I luffed suddenly. Putting the tiller hard down, and holding it down with my body, I brought the main-sheet in, hand over hand, on the run, so as to retain all possible striking force. The two starboard sweeps of the junk were crumpled up, and then the two boats came together with a crash. The Reindeer's bowsprit, like a monstrous hand, reached over and ripped out the junk's chunky mast and towering sail.

No!” Isak cried, lunging for his sleek gray kitten as it darted across the board, scattering houses and hotels in its wake. “Vito Catlione, come back!” Penelope dissolved into giggles, leaning against Everett for support. “Vito Catlione? You named your kitten after the Godfather?” Isak shot her a sheepish grin, finally capturing the wayward feline. “This is clearly a kitten you can't refuse.

Hold your arrow and be focused to your game; the dart board is always in front of you not in back.

tableau /tablo/ I. nm 1. (œuvre d'art) picture; (peinture) painting voir aussi: galerie, vieux 2. (description) picture • brosser un ~ sombre de la situation | to paint a black picture of the situation • et pour achever or compléter le ~ | and to cap it all 3. (spectacle) picture • des enfants jouant dans un jardin, quel ~ charmant! | children playing in a garden, what a charming picture! • le ~ général est plus sombre | the overall picture is more gloomy • en plus, il était ivre, tu vois un peu le ~○! | on top of that he was drunk, you can just imagine! 4. (présentation graphique) table, chart • ‘voir ~’ | ‘see table’ • ~ des marées | tide table • ~ des températures | temperature chart • ~ synchronique/synoptique | historical/synoptic chart • ~ à double entrée | (Ordinat) two-dimensional array • présenter qch sous forme de ~ | to present sth in tabular form 5. blackboard • écrire qch au ~ | to write sth on the blackboard • passer or aller au ~ | to go (up) to the blackboard 6. (affichant des renseignements) board; (Rail) indicator board • ~ des départs/arrivées | departures/arrivals indicator • ~ horaire | timetable 7. (support mural) board • ~ des clés | key rack • ~ pour fusibles | fuse box 8. (liste) register (GB), roll (US) 9. short scene II. Idiomes 1. jouer or miser sur les deux tableaux | to hedge one's bets 2. gagner/perdre sur tous les tableaux | to win/to lose on all counts

Vimes had never got on with any game much more complex than darts. Chess in particular had always annoyed him. It was the dumb way the pawns went off and slaughtered their fellow pawns while the kings lounged about doing nothing that always got to him; if only the pawns united, maybe talked the rooks round, the whole board could’ve been a republic in a dozen moves.

Until he was almost ten the name stuck to him. He had literally to fight his way free of it. From So Big (of fond and infantile derivation) it had been condensed into Sobig. And Sobig DeJong, in all its consonantal disharmony, he had remained until he was a ten-year-old schoolboy in that incredibly Dutch district southwest of Chicago known first as New Holland and later as High Prairie. At ten, by dint of fists, teeth, copper-toed boots, and temper, he earned the right to be called by his real name, Dirk DeJong. Now and then, of course, the nickname bobbed up and had to be subdued in a brief and bitter skirmish. His mother, with whom the name had originated, was the worst offender. When she lapsed he did not, naturally, use schoolyard tactics on her. But he sulked and glowered portentously and refused to answer, though her tone, when she called him So Big, would have melted the heart of any but that natural savage, a boy of ten. The nickname had sprung from the early and idiotic question invariably put to babies and answered by them, with infinite patience, through the years of their infancy. Selina DeJong, darting expertly about her kitchen, from washtub to baking board, from stove to table, or, if at work in the fields of the truck farm, straightening the numbed back for a moment’s respite from the close-set rows of carrots, turnips, spinach, or beets over which she was labouring, would wipe the sweat beads from nose and forehead with a quick duck of her head in the crook of her bent arm.

Viewed from a suitable height, the aggregating clusters of medical scientists in the bright sunlight of the boardwalk at Atlantic City, swarmed there from everywhere for the annual meetings, have the look of assemblages of social insects. There is the same vibrating, ionic movement, interrupted by the darting back and forth of jerky individuals to touch antennae and exchange small bits of information; periodically, the mass casts out, like a trout-line, a long single file unerringly toward Childs’s. If the boards were not fastened down, it would not be a surprise to see them put together a nest of sorts. It is permissible to say this sort of thing about humans. They do resemble, in their most compulsively social behavior, ants at a distance. It is, however, quite bad form in biological circles to put it the other way round, to imply that the operation of insect societies has any relation at all to human affairs.

Up to this point, my life had been a phantom-chase after the arrow in the blue, the perfect cause, the blueprint of a streamlined Utopia. Now, with unintentional irony, I adopted as my home a country where arrows are only used on dart-boards, suspicious of all causes, contemptuous of systems, bored by ideologies, skeptical about Utopias, rejecting all blue-prints, enamored of its leisurely muddle, incurious about the future, devoted to its past. A country neither of Yogis nor of Commissars, but of potterers-in-the-garden and stickers-in-the-mud, where strikers played soccer with police and Socialists wore peers' crowns.

The atmosphere was better tonight, because toward the end I threw a treble 20. That’s right. I got a dart to go in the treble 20, the flattened nose of the board’s face – the treble 20, what darts is all about. Keith picked me up and whirled me around in the air. Actually, it was bound to happen in the end. The darts went wherever they liked, so why not into the treble 20? Similarly, the immortal baboon, locked up with typewriter and amphetamines for a few Poincaré time-cycles, a number of aeons with more zeros than there are suns in the universe, might eventually type out the word darts.