Darren Movie Quotes

Izzi: Remember Moses Morales? Tom Verde: Who? Izzi: The Mayan guide I told you about. Tom Verde: From your trip. Izzi: Yeah. The last night I was with him, he told me about his father, who had died. Well Moses wouldn't believe it. Tom Verde: Izzi... Izzi: [embraces Tom] No, no. Listen, listen. He said that if they dug his father's body up, it would be gone. They planted a seed over his grave. The seed became a tree. Moses said his father became a part of that tree. He grew into the wood, into the bloom. And when a sparrow ate the tree's fruit, his father flew with the birds. He said... death was his father's road to awe. That's what he called it. The road to awe. Now, I've been trying to write the last chapter and I haven't been able to get that out of my head! Tom Verde: Why are you telling me this? Izzi: I'm not afraid anymore, Tommy.

In the end, Charlie Bucket won a chocolate factory. But Willy Wonka had something even better, a family. And one thing was absolutely certain - life had never been sweeter. ~ from the movie Charlie and the Chocolate Factory.

She has stated that there are several 'auteur' directors she'd like to work with - including Danny Boyle, Darren Aronofsky, and Terrence Malick. But, as if to prove her lack of movie buff credentials, in an interview with Time Out Chicago, when quizzed about her favourite Malick movie she said, 'Maybe if you name some, I'll remember which ones I've seen.' She still had a little to learn about massaging the egos of the Hollywood elite!

have heard of these alleged creatures, and many have gone to the trouble of learning about them. The extraordinary popularity of these mystery creatures –often termed cryptids –is obvious from the huge number of books, magazine articles, TV shows and movies devoted to them. These superstar cryptids are so popular, so familiar, that a major portion of interest in world mysteries,

It’s interesting that wealth tends to skip a generation. Overwhelming abundance often leads to a lackadaisical mentality, which brings about a sedentary lifestyle. Children of the wealthy are especially susceptible. They weren’t the ones who developed the discipline and character to create the wealth in the first place, so it makes sense that they may not have the same sense of value for wealth or understand what’s necessary to keep it. We frequently see this entitlement mentality in children of royalty, movie stars, and corporate executives—and to a lesser degree, in children and adults everywhere. As a nation, our entire populace seems to have lost appreciation for the value of a strong work ethic. We’ve had two, if not three, generations of Americans who have known great prosperity, wealth, and ease. Our expectations of what it really takes to create lasting success—things like grit, hard work, and fortitude—aren’t alluring, and thus have been mostly forgotten. We’ve lost respect for the strife and struggle of our forefathers. The massive effort they put forth instilled discipline, chiseled their character, and stoked the spirit to brave new frontiers. The truth is, complacency has impacted all great empires, including, but not limited to, the Egyptians, Greeks, Romans, Spanish, Portuguese, French, and English. Why? Because nothing fails like success. Once-dominant empires have failed for this very reason. People get to a certain level of success and get too comfortable.

Shanahan and I were roommates for a while, and crosswords fit well into our relationship. When we weren’t doing that we spent a fair amount of our leisure time in some form of trivia contest, usually Jeopardy! or movie trivia. We got along great, other than the fact that Shanny always did his stretching routine in the buff.

Methuselah, being raised by a godly parent, Enoch (who walked with God and was translated to heaven without death), was surely righteous as well (Hebrews 11:53). His death surely preceded the Flood unlike what is portrayed in the unbiblical movie Noah with Russell Crowe and Darren Aronofsky. Some have suggested that Methuselah died immediately before the Flood and hence a seven-day mourning period was in order. This possibly makes sense of why Noah was given seven days until the Flood came (e.g., Genesis 7:44

It didn't make us happy Peter. None of it did. But having all that stuff did something very clever: it stopped us from ever noticing. It kept us busy and, in turn, compliant, as others busied to make more money out of us. We never questioned it. We were too busy. Busy behind our bright screens, busy behind our followers, our likes, our filters, our work, our chores, our box sets, our things. Even movie theatres and televisions, filling our head with other people's dreams. Keeping us quiet. Keeping us in the dark. We just keep filling in the hole, filling in the empty space, filling in our empty lives with stuff so we never even noticed that something else, something better, should always have been there in its place. Life. Life and the natural world around us.

Careful not to reveal too much about himself. Clint knew he could be fierce but he didn’t know he was brutal. Gawl painted himself as a man of honour, merciless when he needed to be, but benevolent most of the time, peaceful unless provoked. All lies, but Gawl had to win Clint’s trust and dependance, and the world for Clint was like the movies — gangsters were men of honour, with codes and ethics. That delusion helped Gawl manipulate him, so it had to be maintained.

The female vampire leaped from the plank and landed beside us. She was dressed in a white shirt and beige pants. She had long, dark hair, tied behind her back. She wasn’t especially pretty — she had a hard, weathered face — but after so much time spent staring at ugly, scarred vampires, she looked like a movie star to me.

One of Dene's favorite directors, Darren Aronofsky, used a Bolex in his movies Pi and Requiem for a Dream -- which Dene would say is one of his favorite movies, though it's hard to call such a fucked-up movie a favorite. But that for Dene is what is so good about the movie, aesthetically it's rich, so you enjoy the experience, but you don't exactly come away from the film glad that you watched it, and yet you wouldn't have it any other way.