“
Had I the heavens' embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.
”
”
W.B. Yeats (The Wind Among the Reeds)
“
If Peeta and I were both to die, or they thought we were....My fingers fumble with the pouch on my belt, freeing it. Peeta sees it and his hand clamps on my wrist. "No, I won't let you." "Trust me," I whisper. He holds my gaze for a long moment then lets go. I loosen the top of the pouch and pour a few spoonfuls of berries into his palm. Then I fill my own. "On the count of three?" Peeta leans down and kisses me once, very gently. "The count of three," he says. We stand, our backs pressed together, our empty hands locked tight. "Hold them out. I want everyone to see," he says. I spread out my fingers, and the dark berries glisten in the sun. I give Peeta's hand one last squeeze as a signal, as a good-bye, and we begin counting. "One." Maybe I'm wrong. "Two." Maybe they don't care if we both die. "Three!" It's too late to change my mind. I lift my hand to my mouth taking one last look at the world. The berries have just passed my lips when the trumpets begin to blare. The frantic voice of Claudius Templesmith shouts above them. "Stop! Stop! Ladies and gentlemen, I am pleased to present the victors of the 74th Hunger Games, Katniss Everdeen and Peeta Mellark! I give you - the tributes of District 12!
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Far over the misty mountains cold
To dungeons deep and caverns old
We must away ere break of day
To seek the pale enchanted gold.
The dwarves of yore made mighty spells,
While hammers fell like ringing bells
In places deep, where dark things sleep,
In hollow halls beneath the fells.
For ancient king and elvish lord
There many a gleaming golden hoard
They shaped and wrought, and light they caught
To hide in gems on hilt of sword.
On silver necklaces they strung
The flowering stars, on crowns they hung
The dragon-fire, in twisted wire
They meshed the light of moon and sun.
Far over the misty mountains cold
To dungeons deep and caverns old
We must away, ere break of day,
To claim our long-forgotten gold.
Goblets they carved there for themselves
And harps of gold; where no man delves
There lay they long, and many a song
Was sung unheard by men or elves.
The pines were roaring on the height,
The wind was moaning in the night.
The fire was red, it flaming spread;
The trees like torches blazed with light.
The bells were ringing in the dale
And men looked up with faces pale;
The dragon's ire more fierce than fire
Laid low their towers and houses frail.
The mountain smoked beneath the moon;
The dwarves, they heard the tramp of doom.
They fled their hall to dying fall
Beneath his feet, beneath the moon.
Far over the misty mountains grim
To dungeons deep and caverns dim
We must away, ere break of day,
To win our harps and gold from him!
”
”
J.R.R. Tolkien (The Hobbit, or There and Back Again)
“
You and I keep looking for light in the darkness, expecting it to appear. But it already has.” I touch his shoulder. “We’re it, boyo. Broken and cracked and stupid as we are, we’re the light, and we’re spreading.
”
”
Pierce Brown (Morning Star (Red Rising, #3))
“
Why I Wake Early
Hello, sun in my face.
Hello, you who made the morning
and spread it over the fields
and into the faces of the tulips
and the nodding morning glories,
and into the windows of, even, the
miserable and the crotchety –
best preacher that ever was,
dear star, that just happens
to be where you are in the universe
to keep us from ever-darkness,
to ease us with warm touching,
to hold us in the great hands of light –
good morning, good morning, good morning.
Watch, now, how I start the day
in happiness, in kindness.
”
”
Mary Oliver
“
The past is with me; the present is here. The future is unmapped and changeable. Ours for the imagining: spreading out before us. Sunlight filled, deep blue, and the darkness.
”
”
Cath Crowley (Words in Deep Blue)
“
And the great spirit of darkness spread a shroud over me...everything was silent-everything. But upon the heights soughed the everlasting song, the voice of the air, the distant, toneless humming which is never silent.
”
”
Knut Hamsun (Hunger)
“
Our apparitions, the things you know us by, are simply childish. Beneath it is all dark, it is all spreading, it is unfathomably deep; but now and again we rise to the surface and that is what you see us by.
”
”
Virginia Woolf (To the Lighthouse)
“
Maddox hissed. “You think you’re cute?”
“Nah, I think I’m sexy.” The smirk spread, but it didn’t reach his cool ocher eyes. “And I also think I’m hilarious.
”
”
Jennifer L. Armentrout (Stone Cold Touch (The Dark Elements, #2))
“
He trapped my hand against his chest and yanked my sleeve down past my wrist, covering my hand with it. Just as quickly, he did the same thing with the other sleeve. He held my shirt by the cuffs, my hands captured. My mouth opened in protest.
Reeling me closer, he didn’t stop until I was directly in front of him. Suddenly he lifted me onto the counter. My face was level with his. He fixed me with a dark, inviting smile. And that’s when I realized this moment had been dancing around the edge of my fantasies for several days now.
"Take off your hat," I said, the words tumbling out before I could stop them.
He slid it around, the brim facing backward.
I scooted to the edge of the counter, my legs dangling one on either side of him. Something inside of me was telling me to stop—but I swept that voice to the far back of my mind.
He spread his hands on the counter, just outside my hips. Tilting his head to one side, he moved closer. His scent, which was all damp dark earth, overwhelmed me.
I inhaled two sharp breaths. No. This wasn’t right. Not this, not with Patch. He was frightening. In a good way, yes. But also in a bad way. A very bad way.
"You should go," I breathed. "You should definitely go."
"Go here?" His mouth was on my shoulder. "Or here?" It moved up my neck.
My brain couldn’t process one logical thought. Patch’s mouth was roaming north, up over my jaw, gently sucking at my skin...
"My legs are falling asleep," I blurted. It wasn’t a total lie. I was experiencing tingling sensations all
through my body, legs included.
"I could solve that." Patch’s hands closed on my hips.
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
The visions are fragmented and a dark cloud spreads like spilt ink across the pages of possible futures.
”
”
Garth Nix (Lirael (Abhorsen, #2))
“
A thin smile spreads, and the image morphs into that of Lucifer. “You will not succeed. Darkness always prevails.
”
”
Tricia Copeland (To be a Fae Guardian (Realm Chronicles, #2))
“
You are good. But it is not enough just to be good. You must be good for something. You must contribute good to the world. The world must be a better place for your presence. And the good that is in you must be spread to others… In this world so filled with problems, so constantly threatened by dark and evil challenges, you can and must rise above mediocrity, above indifference. You can become involved and speak with a strong voice for that which is right.
”
”
Gordon B. Hinckley
“
Then Carol slipped her arm under her neck, and all the length of their bodies touched fitting as if something had prearranged it. Happiness was like a green vine spreading through her, stretching fine tendrils, bearing flowers through her flesh. She had a vision of a pale white flower, shimmering as if seen in darkness, or through water. Why did people talk of heaven, she wondered
”
”
Patricia Highsmith (The Price of Salt)
“
Her father sagged as relief spread through him. “I thought
something awful was happening.”
She frowned. “Something awful was happening. It could have
got stuck in my hair.
”
”
Derek Landy (Dark Days (Skulduggery Pleasant, #4))
“
IN THE HANDS OF MAN
He who creates a poison, also has the cure.
He who creates a virus, also has the antidote.
He who creates chaos, also has the ability to create peace.
He who sparks hate, also has the ability to transform it to love.
He who creates misery, also has the ability to destroy it with kindness.
He who creates sadness, also has the ability to to covert it to happiness.
He who creates darkness, can also be awakened to produce illumination.
He who spreads fear, can also be shaken to spread comfort.
Any problems created by the left hand of man,
Can also be solved with the right,
For he who manifests anything,
Also has the ability to
Destroy it.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
We said we'd be friends.'
He looks confused. 'Yeah.'
I don't want to be.'
There's space between us, and in that space there's darkness. I take another step, so close that we share a breath. The same one. In and out.
Tess,' he says. I know it's a warning, but I don't care.
What's the worst thing that can happen?'
It'll hurt,' he says.
It already hurts.'
He nods very slowly. And it's like there's a hole in time, as if everything stops and in this one minute, where we look at each other so close, is spread out between us. As he leans towards me, I feel a strange warmth filtering through me. I forget that my brain is full of every sad face at every window I've ever passed.
”
”
Jenny Downham (Before I Die)
“
Waves of thought are stirring. In a twilight corner of her consciousness, one tiny fragment and another tiny fragment call out wordlessly to eachother, their spreading ripples intermingling.
”
”
Haruki Murakami (After Dark)
“
It was with some surprise that I saw that the person waiting for me at the airport's exit was Adrian. A grin spread over my face, and I picked up the pace. I threw my arms around him, astonishing both of us.
"I have never been happier to see you in my life," I said.
He squeezed me tightly and then let me go, regarding me admiringly. "The dreams never do justice to real life, little dhampir. You look amazing."
"And you look . . ." I studied him. He was dressed as nicely as always. His dark brown hair had that crafted messiness he liked, but his face—ah, well. As I'd noted before, Simon had gotten a few good punches on him. One of Adrian's eyes was swollen and ringed with bruises.
Nonetheless, thinking about him and everything he'd done . . . Well, none of the flaws mattered.
" . . . Gorgeous."
"Liar," he said.
"Couldn't Lissa have healed that black eye away?"
"It's a badge of honor. Makes me seem manly.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
Nico clenched his sword. Sharing his secret crush hadn’t been the worst of it. Eventually he might have done that, in his own time, in his own way. But being forced to talk about Percy, being bullied and harassed and strong-armed simply for Cupid’s amusement … Tendrils of darkness were now spreading out from his feet, killing all the weeds between the cobblestones. Nico tried to rein in his anger.
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
Vegas?" I asked. His brow furrowed, unsure of where I was headed.
"Yeah?"
"Have you thought about going back?" His eyebrows shot up.
"I don't think that's a good idea for me."
"What if we just went for a night?" He looked around the dark room, confused.
"A night?"
"Marry me," I said without hesitation. I was surprised at how quickly and easily the words came. His mouth spread into a broad smile.
"When?" I shrugged.
"We can book a flight tomorrow. It's spring break. I dont't have anything going on tomorrow, do you?"
"I'm callin' your bluff," he said, watching my reaction closely as he was connected. "I need two tickets to vegas, please. Tomorrow. Hmmmm...," he looked at me, waiting for me to change my mind. "Two days, round trip. Whatever you have.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
We spread the time as we can, but in the end the world takes it all back.
”
”
Stephen King (Wolves of the Calla (The Dark Tower, #5))
“
Rumors spread fast, and they grow. I know. You want to either deny them, or disarm them
”
”
L.J. Smith (Night World, No. 2 (Night World, #4-6))
“
My child, I know you're not a child
But I still see you running wild
Between those flowering trees.
Your sparkling dreams, your silver laugh
Your wishes to the stars above
Are just my memories.
And in your eyes the ocean
And in your eyes the sea
The waters frozen over
With your longing to be free.
Yesterday you'd awoken
To a world incredibly old.
This is the age you are broken
Or turned into gold.
You had to kill this child, I know.
To break the arrows and the bow
To shed your skin and change.
The trees are flowering no more
There's blood upon the tiles floor
This place is dark and strange.
I see you standing in the storm
Holding the curse of youth
Each of you with your story
Each of you with your truth.
Some words will never be spoken
Some stories will never be told.
This is the age you are broken
Or turned into gold.
I didn't say the world was good.
I hoped by now you understood
Why I could never lie.
I didn't promise you a thing.
Don't ask my wintervoice for spring
Just spread your wings and fly.
Though in the hidden garden
Down by the green green lane
The plant of love grows next to
The tree of hate and pain.
So take my tears as a token.
They'll keep you warm in the cold.
This is the age you are broken
Or turned into gold.
You've lived too long among us
To leave without a trace
You've lived too short to understand
A thing about this place.
Some of you just sit there smoking
And some are already sold.
This is the age you are broken
Or turned into gold.
This is the age you are broken or turned into gold.
”
”
Antonia Michaelis (The Storyteller)
“
There is no God but Belial. I’ll tell you why. Darkness is faster than light. Hopelessness persists longer than hope. Hatred spreads quicker than love. There is no limit to pain. Happiness, however, has a limit. We must all hail Belial. The one true God.
”
”
Abhaidev (The Meaninglessness of Meaning)
“
Suddenly there was a great burst of light through the Darkness. The light spread out and where it touched the Darkness the Darkness disappeared. The light spread until the patch of Dark Thing had vanished, and there was only a gentle shining, and through the shining came the stars, clear and pure.
”
”
Madeleine L'Engle (A Wrinkle in Time (Time Quintet, #1))
“
All this new stuff goes on top
turn it over, turn it over
wait and water down
from the dark bottom
turn it inside out
let it spread through
Sift down even.
Watch it sprout.
A mind like compost.
”
”
Gary Snyder
“
He did not know or care whether they were wizards or Muggles, friends or foes; all he cared about was that a dark stain was spreading across Dobby's front, and that he had stretched out his thin arms to Harry with a look of supplication. Harry caught him and laid him sideways on the cool grass.
"Dobby, no, don't die, don't die -"
The elf's eyes found him, and his lips trembled with the effort to form words.
"Harry...Potter..."
And then with a little shudder the elf became quite still, and his eyes were nothing more than great glassy orbs, sprinkled with light from the stars they could not see.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Good Lord, who spread the Daimon fertilizer around? They're cropping up like a bad horror flick. (Tabitha)
”
”
Sherrilyn Kenyon (Seize the Night (Dark-Hunter #6))
“
We awaken by asking the right questions. We awaken when we see knowledge being spread that goes against our own personal experiences. We awaken when we see popular opinion being wrong but accepted as being right, and what is right being pushed as being wrong. We awaken by seeking answers in corners that are not popular. And we awaken by turning on the light inside when everything outside feels dark.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
He lifted his head, the sight of his dark, disheveled hair, eyes glinting with longing in the lamp light, the gorgeous spread of his shoulders, tapering down to the narrow thrust of his hips, made my ovaries ache deep in my belly.
”
”
Emme Rollins (Dear Rockstar (Dear Rockstar, #1))
“
Nobody thought it could be done, so nobody had tried before. Standing with one foot in the abyss and the other with a foothold in her dreams, she stood on the edge of a cliff. She took one look behind and with one last deep breath, she leapt with reckless certainty and decisive confidence. Blurring through the sky, for a moment she looked like she would fade into darkness, but in the very last moment when everyone else had given up on her, from her back spread wings. With a leap of faith, she learned to fly.
”
”
Forrest Curran (Purple Buddha Project: Purple Book of Self-Love)
“
The darkness spread like a grape-juice stain on the carpet, as the city was hit with a blackout.
”
”
Kate O'Hearn (The Flame of Olympus (Pegasus, #1))
“
Although this scouting gig sounded like a financial hit, it made Nonie extremely nervous. She feared someone slip--that someone being Buggy--and others would find out Nonie's secret. And if the wrong person caught wind that she could see and speak to the dead, word would spread through Clay Point like ants at a picnic.
”
”
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
“
Far over the Misty Mountains cold,
To dungeons deep and caverns old,
We must away, ere break of day,
To seek our pale enchanted gold.
The dwarves of yore made mighty spells,
While hammers fell like ringing bells,
In places deep, where dark things sleep,
In hollow halls beneath the fells.
The pines were roaring on the heights,
The wind was moaning in the night,
The fire was red, it flaming spread,
The trees like torches blazed with light.
”
”
J.R.R. Tolkien (The Hobbit, or There and Back Again)
“
I hear the question upon your lips: What is it to be a colour?
Colour is the touch of the eye, music to the deaf, a word out of the darkness. Because I’ve listened to souls whispering – like the susurrus of the wind – from book to book and object to object for tens or thousands of years, allow me to say that my touch resembles the touch of angels. Part of me, the serious half, calls out to your vision while the mirthful half sours through the air with your glances.
I’m so fortunate to be red! I’m fiery. I’m strong. I know men take notice of me and that I cannot be resisted.
I do not conceal myself: For me, delicacy manifests itself neither in weakness nor in subtlety, but through determination and will. So, I draw attention to myself. I’m not afraid of other colours, shadows, crowds or even of loneliness. How wonderful it is to cover a surface that awaits me with my own victorious being! Wherever I’m spread, I see eyes shine, passions increase, eyebrows rise and heartbeats quicken. Behold how wonderful it is to live! Behold how wonderful to see. I am everywhere. Life begins with and returns to me. Have faith in what I tell you.
”
”
Orhan Pamuk (My Name Is Red)
“
I think that the best kind of change, is the change that comes from the inside and begins it's way out until it emerges on the outside; a change that is born underneath then continues and spreads until it has reached the surface. That's a true change. A powerful change. And I have found that while we are emerging, changing into something glorious; it is actually us becoming who we really are. A water lily is born underneath the water, inside the soil at the bottom of the river or lake. And the water lily has always been a water lily for that whole time that it was sprouting out of the wet soil, reaching up through the dark water towards the sunlight, stretching and grasping for the surface; where it then buds and blooms on the outside in the sunshine. It doesn't bud and bloom on the surface and then try to reach down below into the soil.
”
”
C. JoyBell C.
“
When life sank down for a moment, the range of experience seemed limitless... Beneath it is all dark, it is all spreading, it is unfathomably deep; but now and again we rise to the surface and that is what you see us by. Her horizon seemed to her limitless.
”
”
Virginia Woolf (To the Lighthouse)
“
The concept of time, as it’s commonly understood by normal
people with normal jobs and normal goddamn lives, doesn’t
exist on the road. The nights spread out like the dark,
godforsaken highways that distinguish them, and the days run
together like Thanksgiving dinner smothered in gravy. You
never really know where you are or what time it is, and the outside
world starts to fade away.
It’s cool.
”
”
Tiffanie DeBartolo (How to Kill a Rock Star)
“
Whitepeople believed that whatever the manners, under every dark skin was a jungle. Swift unnavigable waters, swinging screaming baboons, sleeping snakes, red gums ready for their sweet white blood. In a way, he thought, they were right. The more coloredpeople spent their strength trying to convince them how gentle they were, how clever and loving, how human, the more they used themselves up to persuade whites of something Negroes believed could not be questioned, the deeper and more tangled the jungle grew inside. But it wasn’t the jungle blacks brought with them to this place from the other (livable) place. It was the jungle whitefolks planted in them. And it grew. It spread. In, through and after life, it spread, until it invaded the whites who had made it. Touched them every one. Changed and altered them. Made them bloody, silly, worse than even they wanted to be, so scared were they of the jungle they had made. The screaming baboon lived under their own white skin; the red gums were their own.
”
”
Toni Morrison (Beloved)
“
In my generation, there was a single girl given the strength and skill to fight the spread of darkness...but in your generation, there are nearly two thousand with the powers of the slayer, and not all of them have chosen to use their newfound abilities conscientiously.
”
”
Joss Whedon (Buffy the Vampire Slayer: Season 8, Vol. 2: No Future for You)
“
Information may travel at light speed, but meaning spreads at the speed of dark.
”
”
Richard Powers (Generosity: An Enhancement)
“
You are not cursed-you are a reaper. You are the night incarnate, the ferrier of souls. You are the bridge between the living and the dead—a caged bird that's ready to fly. So spread your wings, Signa Farrow, because you are limitless. Spread your wings, and oh, how we'll fly.
”
”
Adalyn Grace (Belladonna (Belladonna, #1))
“
Among all the other nights upon nights, the girl had spent that one on the boat….when it happened, the burst of Chopin…. There wasn’t a breath of wind and the music spread all over the dark boat, like a heavenly injunction whose import was unknown, like an order from God whose meaning was inscrutable. And the girl started up as if to go and kill herself in her turn, throw herself in her turn into the sea, and afterwards, she wept because she thought of the man from Cholon and suddenly she wasn’t sure she hadn’t loved him with a love she hadn’t seen because it had lost itself in the affair like water in the sand and she rediscovered it only now, through this moment of music.
”
”
Marguerite Duras (The Lover)
“
The Hindus criticise the Mahomedans for having spread their religion by the use of the sword. They also ridicule Christianity on the score of the Inquisition.
But really speaking, who is better and more worthy of our respect—the Mahomedans and Christians who attempted to thrust down the throats of unwilling persons what they regarded as necessary for their salvation, or the Hindu who would not spread the light, who would endeavour to keep others in darkness, who would not consent to share his intellectual and social inheritance with those who are ready and willing to make it a part of their own make-up?
I have no hesitation in saying that if the Mahomedan has been cruel, the Hindu has been mean; and meanness is worse than cruelty.
”
”
B.R. Ambedkar (Annihilation of Caste)
“
Sometimes being crazy is a demon. And sometimes the demon is me. And I visit quiet sidewalks and loud parties and dark movies, and a small demon looks out at the world with me. Sometimes it sleeps. Sometimes it plays. Sometimes it laughs with me. Sometimes it tries to kill me. But it’s always with me. I suppose we’re all possessed in some way. Some of us with dependence on pills or wine. Others through sex or gambling. Some of us through self-destruction or anger or fear. And some of us just carry around our tiny demon as he wreaks havoc in our mind, tearing open old dusty trunks of bad memories and leaving the remnants spread everywhere. Wearing the skins of people we’ve hurt. Wearing the skins of people we’ve loved. And sometimes, when it’s worst, wearing our skins.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
She looked angelic in sleep, dark lashes resting against pale cheeks. Her blond hair was tousled and in disarray and spread out. Over his pillow. He frowned. She'd even stolen his pillow.
”
”
Maya Banks (Never Seduce a Scot (The Montgomerys and Armstrongs, #1))
“
I also need you to "spread the word," quietly, that if any harm should come to Antanasia during my imprisonment, I will not only tear down these walls stone by stone, but -- once freed -- shatter the rule of law and destroy, with great satisfaction, anyone who arouses in me even the slightest suspicion. Indeed, if so much as one hair on my wife's head is disturbed while I cannot protect her, this kingdom will see retribution that will go down in the history books -- to be read by the very few who remain standing.
- Lucius
”
”
Beth Fantaskey (Jessica Rules the Dark Side (Jessica, #2))
“
What? Was that a laugh? (Delphine)
No. (Jericho)
Yes, it was. I heard it. Holy cow, call Hermes to spread the news. I think I just started the end of the world…it has to be a sign of the apocalypse. (Delphine)
”
”
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
“
Happiness was like a green vine spreading through her, stretching fine tendrils, bearing flowers through her flesh. She had a vision of a pale-white flower, shimmering as if seen in darkness, or through water. Why did people talk of heaven, she wondered.
”
”
Patricia Highsmith (The Price of Salt)
“
She wouldn't leave him like this, in this cold, dark room.
She yanked out of Arobynn's grasp. Wordlessly, she unfastened her cloak and spread it over Sam, covering the damage that had been so carefully inflicted. She climbed onto the wooden table and lay out beside him, stretching an arm across his middle, holding him close.
The body still smelled faintly like Sam. And like the cheap soap she'd made him use, because she was so selfish that she couldn't let him have her lavender soap.
Celaena buried her face in his cold, stiff shoulder. There was a strange, musky scent all over him--a smell that was so distinctly not Sam that she almost vomited again. It clung to his golden-brown hair, to his torn, bluish lips.
She wouldn't leave him.
Footsteps heading toward the door--then the snick of it closing as Arobynn left.
Celaena closed her eyes. She wouldn't leave him.
She wouldn't leave him.
”
”
Sarah J. Maas (The Assassin and the Empire (Throne of Glass, #0.5))
“
She wouldn't leave him like this, in this cold, dark room.
She yanked out of Arobynn's grasp. Wordlessly, she unfastened her cloak and spread it over Sam, covering the damage that had been so carefully inflicted. She climbed onto the wooden table and lay beside him, stretching an arm across his middle, holding him close.
”
”
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
“
But first whom shall we send
In search of this new world, whom shall we find
Sufficient? Who shall tempt, with wand'ring feet
The dark unbottomed infinite abyss
And through the palpable obscure find out
His uncouth way, or spread his aery flight
Upborne with indefatigable wings
Over the vast abrupt, ere he arrive
The happy isle?
”
”
John Milton (Paradise Lost)
“
I want your opinion on the best way to proceed. (Eli)
I’d start by killing your son and his crew of idiots before their stupidity spreads to anyone else and infects them. (Varyk)
”
”
Sherrilyn Kenyon (Bad Moon Rising (Dark-Hunter, #18; Were-Hunter, #4; Hellchaser, #2))
“
Over the souls of men spread the condor wings of colossal monsters and all manner of evil things prey upon the heart and soul and body of Man. Yet it may be in some far day the shadows shall fade and the Prince of Darkness be chained forever in his hell. And till then mankind can but stand up stoutly to the monsters in his own heart and without, and with the aid of God he may yet triumph.
”
”
Robert E. Howard (The Savage Tales of Solomon Kane)
“
Racism, for many people, seems to occupy space in very much the same way as dark matter: it forms the skeleton of our world, yet remains ultimately invisible, undetectable. This is convenient. If nothing is racist, then nothing needs to be done to address it.
”
”
Alicia Elliott (A Mind Spread Out on the Ground)
“
All things exist as they are perceived: at least in relation to the percipient. 'The mind is its own place, and of itself can make a heaven of hell, a hell of heaven.' But poetry defeats the curse which binds us to be subjected to the accident of surrounding impressions. And whether it spreads its own figured curtain or withdraws life's dark veil from before the scene of things, it equally creates for us a being within our being.
”
”
Percy Bysshe Shelley (Shelley's Poetry and Prose)
“
Through the open drapes behind the nightstand, moonlight pouring through shadowy leaves fell haphazardly on the plastic bag full of shattered memories of his wife. He sat down on the bed, a dark silent gaze spreading over his face. Opening the bag released the flowery scent of licorice and violets—Summer’s signature perfume, Lolita Lempicka. He remembered she always said the aroma reminded her of childhood lullabies, fairies, and magic kingdoms. Matt buried his face in the tattered polo shirt she was wearing that day inhaling the faint trail of his lost love.
”
”
JoDee Neathery (A Kind of Hush)
“
He felt like that: like a dark, curling force was working through him. It flooded to the tips of his fingers and warmed him. It spread his ribs wide with each breath.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Lovers' language, give me an exact and poetic comparison to say what those eyes of Capitu were like. No image comes to mind that doesn't offend against the rules of good style, to say what they were and what they did to me. Undertow eyes? Why not? Undertow. That's the notion that the new expression put in my head. They held some kind of mysterious, active fluid, a force that dragged one in, like the undertow of a wave retreating from the shore on stormy days. So as not to be dragged in, I held onto anything around them, her ears, her arms, her hair spread about her shoulders; but as soon as I returned to the pupils of her eyes again, the wave emerging from them grew towards me, deep and dark, threatening to envelop me, draw me in and swallow me up.
”
”
Machado de Assis (Dom Casmurro)
“
Amara looks at Dido, at the joy on her face, and realises there is nobody she loves more. Warmth spreads through her. She has never had a friend like Dido. She is the light in the darkness of her life.
”
”
Elodie Harper (The Wolf Den (Wolf Den Trilogy, #1))
“
When Janie looked out of her door she saw the drifting mists gathered in the west -- that cloud field of the sky -- to arm themselves with thunders and march forth against the world. Louder and higher and lower and wider the sound and motion spread, mounting, sinking, darking.
”
”
Zora Neale Hurston (Their Eyes Were Watching God)
“
The moon had spread over everything a thin layer of silver - over the rank grass, over the mud, upon the wall of matted vegetation standing higher than the wall of a temple, over the great river I could see through a sombre gap glittering, glittering, as it flowed broadly by without a murmur. All this was great, expectant, mute, while the man jabbered about himself.
”
”
Joseph Conrad (Heart of Darkness)
“
Joy, joy, joy!
Past ages crowd on thee, but each one remembers,
And the future is dark, and the present is spread,
Like a pillow of thorns for thy slumberless head.
”
”
Percy Bysshe Shelley (Prometheus Unbound)
“
During last night’s insomnia, as these thoughts came and went between my aching temples, I realised once again, what I had almost forgotten in this recent period of relative calm, that I tread a terribly tenuous, indeed almost non-existent soil spread over a pit full of shadows, whence the powers of darkness emerge at will to destroy my life…
”
”
Franz Kafka (Letters to Friends, Family, and Editors)
“
They all have tired mouths
and bright seamless souls.
And a longing (as for sin)
sometimes haunts their dreams.
They are almost all alike;
in God's gardens they keep still,
like many, many intervals
in his might and melody.
Only when they spread their wings
are they wakers of a wind:
as if God with his broad sculptor-
hands leafed through the pages
in the dark book of the beginning.
”
”
Rainer Maria Rilke (The Book of Images)
“
I didn't know what to think, but what I felt was magnetic and so big it ached like the moon had entered my chest and filled it up. The only think I could compare it to was the feeling I got one time when I walked from the peach stand and saw the sun spreading across the late afternoon, setting the top of the orchard on fire while darkness collected underneath. Silence had hovered over my head, beauty multiplying in the air, the trees so transparent I felt like I could see through t something pure inside them. My chest ached then, too, this very same way.
”
”
Sue Monk Kidd (The Secret Life of Bees)
“
A smile is the best way to get oneself out of a tight spot, even if it is a fake one. Surprisingly enough, everyone takes it at face value. I read that in a book."
"If you keep staring at me, I'll hit you."
"I only became part of your team recently when I replaced Sasuke, so I don't know everything that's going on. I don't really understand people either. But even I can tell that Naruto really loves you. Naruto's been shouldering that promise for a long time...I think he means to shoulder it for the rest of his life. I don't know what you said to him, but it's just like what's been done to me - it feels like a curse. Sasuke causes Naruto pain, but I think you do too."
"Sasuke is only helping spread his darkness across the world. Letting him live will only sow the seeds of another war. He's just another criminal now. Sasuke lost all hope of coming back when his group, Akatsuki, attacked our village. Your fellow Konoha shinobi would never accept him now. Sakura's not stupid, either. She understands the position he's put us all in. That's why she came out here, to tell you herself.
”
”
Masashi Kishimoto
“
Your love is different from mine. What I mean is, when you close your eyes, for that moment, the center of the universe comes to reside within you. And you become a small figure within that vastness, which spreads without limit behind you, and continues to expand at tremendous speed, to engulf all of my past, even before I was born, and every word I've ever written, and each view I've seen, and all the constellations, and the darkness of outer space that surrounds the small blue ball that is earth. Then, when you open your eyes, all that disappears.
I anticipate the next time you are troubled and must close your eyes again.
The way we think may be completely different, but you and I are an ancient, archetypal couple, the original man and woman. We are the model for Adam and Eve. For all couples in love, there comes a moment when a man gazes at a woman with the very same kind of realization. It is an infinite helix, the dance of two souls resonating, like the twist of DNA, like the vast universe.
Oddly, at that moment, she looked over at me and smiled. As if in response to what I'd been thinking, she said, "That was beautiful. I'll never forget it.
”
”
Banana Yoshimoto (Lizard)
“
Fear is a prison. A feeling of crippling power that spreads darkness within. It blinds. It questions. It takes over every decision we make, coloring it with doubt. Fear, for most of us, rules our lives, and it’s only when you conquer it that you can truly live your life to the fullest.
”
”
Mia Asher (Easy Virtue (Virtue, #1))
“
Let me tell you the truth about the world to which you so desperately want to return. It is a place of pain and suffering and grief. When you left it, cities were being attacked. Women and children were being blasted to pieces or burned alive by bombs dropped from planes flown by men with wives and children of their own. People were being dragged from their homes and shot in the street. Your world is tearing itself apart, and the most amusing thing of all is that it was little better before the war started. War merely gives people an excuse to indulge themselves further, to murder with impunity. There were wars before it, and there will be wars after it, and in between people will fight one another and hurt one another and maim one another and betray one another, because that is what they have always done.
And even if you avoid warfare and violent death, little boy, what else do you think life has in store for you? You have already seen what it is capable of doing. It took your mother from you, drained her of health and beauty, and then cast her aside like the withered, rotten husk of a fruit. It will take others from you too, mark me. Those whom you care about--lovers, children--will fall by the wayside, and your love will not be enough to save them. Your health will fail you. You will become old and sick. Your limbs will ache, your eyesight will fade, and your skin will grow lined and aged. There will be pains deep within that no doctor will be able to cure. Diseases will find a warm, moist place inside you and there they will breed, spreading through your system, corrupting it cell by cell until you pray for the doctors to let you die, to put you out of your misery, but they will not. Instead you will linger on, with no one to hold your hand or soothe your brow, as Death comes and beckons you into his darkness. The life you left behind you is no life at all. Here, you can be king, and I will allow you to age with dignity and without pain, and when the time comes for you to die, I will send you gently to sleep and you will awaken in the paradise of your choosing, for each man dreams his own heaven.
”
”
John Connolly (The Book of Lost Things (The Book of Lost Things, #1))
“
Our earth is round, and, among other things, that means that you and I can hold completely different points of view and both be right. The difference of our positions will show stars in your window I cannot even imagine. Your sky may burn with light, while mine, at the same moment, spreads beautiful to darkness. Still we must choose how we separately corner the circling universe of our experience. Once chosen, our cornering will determine the message of any star and darkness we encounter.
”
”
June Jordan
“
I would give you the world. You simply have to ask. You want kids? Done.” He presses his lips to my jaw. My stomach tightens. “You want to stay here and never work again?” Another kiss, this time just beneath my ear. “Done.” My core flutters, heat spreading through me. “You want to watch the world burn?” “Let me guess, you’ll set it on fire?” I ask. He chuckles, the sound vibrating through me and settling into my bones. “No, darling. I’ll hand you the match and stand at your back, watching you become queen of the ashes.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Say the planet is born at midnight and it runs for one day. First there is nothing. Two hours are lost to lava and meteors. Life doesn’t show up until three or four a.m. Even then, it’s just the barest self-copying bits and pieces. From dawn to late morning—a million million years of branching—nothing more exists than lean and simple cells. Then there is everything. Something wild happens, not long after noon. One kind of simple cell enslaves a couple of others. Nuclei get membranes. Cells evolve organelles. What was once a solo campsite grows into a town. The day is two-thirds done when animals and plants part ways. And still life is only single cells. Dusk falls before compound life takes hold. Every large living thing is a latecomer, showing up after dark. Nine p.m. brings jellyfish and worms. Later that hour comes the breakout—backbones, cartilage, an explosion of body forms. From one instant to the next, countless new stems and twigs in the spreading crown burst open and run. Plants make it up on land just before ten. Then insects, who instantly take to the air. Moments later, tetrapods crawl up from the tidal muck, carrying around on their skin and in their guts whole worlds of earlier creatures. By eleven, dinosaurs have shot their bolt, leaving the mammals and birds in charge for an hour. Somewhere in that last sixty minutes, high up in the phylogenetic canopy, life grows aware. Creatures start to speculate. Animals start teaching their children about the past and the future. Animals learn to hold rituals. Anatomically modern man shows up four seconds before midnight. The first cave paintings appear three seconds later. And in a thousandth of a click of the second hand, life solves the mystery of DNA and starts to map the tree of life itself. By midnight, most of the globe is converted to row crops for the care and feeding of one species. And that’s when the tree of life becomes something else again. That’s when the giant trunk starts to teeter.
”
”
Richard Powers (The Overstory)
“
The center of my sins
stuck behind a blocked door,
circled by hollow deeds
spread on my lifetime’s floor
”
”
Munia Khan
“
Through darkness diamonds spread their richest light.
”
”
John Webster (The White Devil)
“
In her mind's eye she saw it, saw it all at last: the rolling armies and the flames of battle; the graves and pits and dying cries of a hundred million souls; the spreading darkness, like a black wing stretching over the earth; the last, bitter hours of cruelty and sorrow, and the terrible, final flights; death's great dominion over all, and, at the last, empty cities, becalmed by the silence of a hundred years. Already these things were coming to pass.
”
”
Justin Cronin (The Passage (The Passage, #1))
“
I rose to standing, like Lars upon the barbican, the dark city spread at my feet. Lights twinkled in tavern windows, bobbed at the Wolfstoot Bridge construction. Once I had been suspended over this vast space, hanging and helpless, at a dragon’s mercy. Once I had feared that telling the truth would be like falling, that love would be like hitting the ground, but here I was, my feet firmly planted, standing on my own. We were all monsters and bastards, and we were all beautiful.
”
”
Rachel Hartman (Seraphina (Seraphina, #1))
“
Silence emerges from the sound of rain and spreads in a crescendo of gray monotony over the narrow street I contemplate. I’m sleeping while awake, standing by the window, leaning against it as against everything. I search in myself for the sensations I feel before these falling threads of darkly luminous water that stand out from the grimy building facades and especially from the open windows. And I don’t know what I feel or what I want to feel. I don’t know what to think or where I am.
”
”
Fernando Pessoa (The Book of Disquiet)
“
But that's life. One long tunnel. There are lights along the way. Sometimes they feel spread farther apart than others, but they're there. And when you find one, it's okay to stand under it for a while to catch your breath before marching back into the dark.
”
”
Shaun David Hutchinson (The Apocalypse of Elena Mendoza)
“
The color scheme of the whole sanatorium seemed to be based on liver. Dark, glowering woodwork, burnt-brown leather chairs, walls that might once have been white but had succumbed under a spreading malady of mod or damp. A mottled brown linoleum sealed off the floor.
”
”
Sylvia Plath (The Bell Jar)
“
Saw you walking barefoot
taking a long look
at the new moon's eyelid
later spread
sleep-fallen, naked in your dark hair
asleep but not oblivious
of the unslept unsleeping
elsewhere
Tonight I think
no poetry
will serve
Syntax of rendition:
verb pilots the plane
adverb modifies action
verb force-feeds noun
submerges the subject
noun is choking
verb disgraced goes on doing
now diagram the sentence
”
”
Adrienne Rich (Tonight No Poetry Will Serve)
“
What shall I give? and which are my miracles?
2. Realism is mine--my miracles--Take freely,
Take without end--I offer them to you wherever your feet can carry you or your eyes reach.
3. Why! who makes much of a miracle?
As to me, I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach, just in the edge of the water,
Or stand under trees in the woods,
Or talk by day with any one I love--or sleep in the bed at night with any
one I love,
Or sit at the table at dinner with my mother,
Or look at strangers opposite me riding in the car,
Or watch honey-bees busy around the hive, of a summer forenoon,
Or animals feeding in the fields,
Or birds--or the wonderfulness of insects in the air,
Or the wonderfulness of the sundown--or of stars shining so quiet and bright,
Or the exquisite, delicate, thin curve of the new moon in spring;
Or whether I go among those I like best, and that like me best--mechanics, boatmen, farmers,
Or among the savans--or to the _soiree_--or to the opera.
Or stand a long while looking at the movements of machinery,
Or behold children at their sports,
Or the admirable sight of the perfect old man, or the perfect old woman,
Or the sick in hospitals, or the dead carried to burial,
Or my own eyes and figure in the glass;
These, with the rest, one and all, are to me miracles,
The whole referring--yet each distinct and in its place.
4. To me, every hour of the light and dark is a miracle,
Every inch of space is a miracle,
Every square yard of the surface of the earth is spread with the same,
Every cubic foot of the interior swarms with the same;
Every spear of grass--the frames, limbs, organs, of men and women, and all that concerns them,
All these to me are unspeakably perfect miracles.
To me the sea is a continual miracle;
The fishes that swim--the rocks--the motion of the waves--the ships, with men in them,
What stranger miracles are there?
”
”
Walt Whitman (Leaves of Grass)
“
Standing on the roof at night, beside the golden ship
I look across the city and I dream a wild trip.
The waves are high, the wind is strong, the moon is white and full.
I smell the salt upon the sea, a strong magnetic pull.
I shout into the endless dark, awaiting the reply:
'Away! Away' It says: 'Away! Now spread your wings and fly.
”
”
Brian Selznick (The Marvels)
“
His eyes glistened. I'd never seen eyes that bright or that green. His were emblazoned by a dark symphony. When he blinked, his lashes spread below his bottom lid like satin spider legs, a million wishes to be made upon them, in exchange for these nightmares.
”
”
Rae Hachton (Pretty In Black (Pretty in Black, #1))
“
Amazing Peace: A Christmas Poem
Thunder rumbles in the mountain passes
And lightning rattles the eaves of our houses.
Flood waters await us in our avenues.
Snow falls upon snow, falls upon snow to avalanche
Over unprotected villages.
The sky slips low and grey and threatening.
We question ourselves.
What have we done to so affront nature?
We worry God.
Are you there? Are you there really?
Does the covenant you made with us still hold?
Into this climate of fear and apprehension, Christmas enters,
Streaming lights of joy, ringing bells of hope
And singing carols of forgiveness high up in the bright air.
The world is encouraged to come away from rancor,
Come the way of friendship.
It is the Glad Season.
Thunder ebbs to silence and lightning sleeps quietly in the corner.
Flood waters recede into memory.
Snow becomes a yielding cushion to aid us
As we make our way to higher ground.
Hope is born again in the faces of children
It rides on the shoulders of our aged as they walk into their sunsets.
Hope spreads around the earth. Brightening all things,
Even hate which crouches breeding in dark corridors.
In our joy, we think we hear a whisper.
At first it is too soft. Then only half heard.
We listen carefully as it gathers strength.
We hear a sweetness.
The word is Peace.
It is loud now. It is louder.
Louder than the explosion of bombs.
We tremble at the sound. We are thrilled by its presence.
It is what we have hungered for.
Not just the absence of war. But, true Peace.
A harmony of spirit, a comfort of courtesies.
Security for our beloveds and their beloveds.
We clap hands and welcome the Peace of Christmas.
We beckon this good season to wait a while with us.
We, Baptist and Buddhist, Methodist and Muslim, say come.
Peace.
Come and fill us and our world with your majesty.
We, the Jew and the Jainist, the Catholic and the Confucian,
Implore you, to stay a while with us.
So we may learn by your shimmering light
How to look beyond complexion and see community.
It is Christmas time, a halting of hate time.
On this platform of peace, we can create a language
To translate ourselves to ourselves and to each other.
At this Holy Instant, we celebrate the Birth of Jesus Christ
Into the great religions of the world.
We jubilate the precious advent of trust.
We shout with glorious tongues at the coming of hope.
All the earth's tribes loosen their voices
To celebrate the promise of Peace.
We, Angels and Mortal's, Believers and Non-Believers,
Look heavenward and speak the word aloud.
Peace. We look at our world and speak the word aloud.
Peace. We look at each other, then into ourselves
And we say without shyness or apology or hesitation.
Peace, My Brother.
Peace, My Sister.
Peace, My Soul.
”
”
Maya Angelou (Amazing Peace: A Christmas Poem)
“
Seductive Lamia observed, “Under your direction, La Dorada the Queen of Evil has arisen.”
“Dora and I are like this.” Nïx spread her arms wide. “Now, I’ll be the first to admit she’s not without faults. Very grumpy when she wakes up. And with Dora, it’s always
me me me, ring ring ring.
”
”
Kresley Cole (Dark Skye (Immortals After Dark, #14))
“
For six days I didn’t get up except to make a cup of tea, or fry an egg, or lie in the skinny bath gazing at a cracked ceiling. The days punished me with their slowness, piling up the hours on me, spreading their joylessness about the room.
A doctor would have said I was suffering from depression. Everything I have read since suggests this was the case. But when you are in the grip of something like that it doesn’t usefully announce itself. No. what happens is you sit in a dark, dark cave, and you wait. If you are lucky there is a pinprick of light, and if you are especially lucky that pinprick will grow larger and larger, until one day the cave appears to slip behind, and just like that you find yourself in daylight and free. This is how it happened for me.
”
”
Lloyd Jones (Mister Pip)
“
He just wanted to stop thinking. It was easier that way. The numbness hadn't left him; if anything it was spreading. When he looked at the pictures, there was no emotion, even though he knew there should be. He should be sad.
But he wasn't.
He felt nothing.
The drinking didn't help.
Somewhere in the darkest recess of his brain, a button was pushed. Everything he cared about simply vanished. He'd malfunctioned.
”
”
Jeyn Roberts (Dark Inside (Dark Inside, #1))
“
And just when the darkness
became too much to bear
and the struggle too hard,
the light broke through
and the caterpillar emerged
a butterfly
delicate but unbroken,
wild and gentle,
finally free to spread its lovely wings
and fly away on the wind.
”
”
L.R. Knost
“
The Balrog reached the bridge. Gandalf stood in the middle of the span, leaning on the staff in his left hand, but in his other hand Glamdring gleamed, cold and white. His enemy halted again, facing him, and the shadow about it reached out like two vast wings. It raised the whip, and the thongs whined and cracked. Fire came from its nostrils. But Gandalf stood firm.
'You cannot pass,' he said. The orcs stood still, and a dead silence fell. 'I am a servant of the Secret Fire, wielder of the flame of Anor. You cannot pass. The dark fire will not avail you, flame of Udûn. Go back to the Shadow! You cannot pass.'
The Balrog made no answer. The fire in it seemed to die, but the darkness grew. It stepped forward slowly onto the bridge, and suddenly it drew itself up to a great height, and its wings were spread from wall to wall; but still Gandalf could be seen, glimmering in the gloom; he seemed small, and altogether alone: grey and bent, like a wizened tree before the onset of a storm.
From out of the shadow a red sword leaped flaming.
Glamdring glittered white in answer.
There was a ringing clash and a stab of white fire. The Balrog fell back and its sword flew up in molten fragments. The wizard swayed on the bridge, stepped back a pace, and then again stood still.
'You cannot pass!' he said.
With a bound the Balrog leaped full upon the bridge. Its whip whirled and hissed.
'He cannot stand alone!' cried Aragorn suddenly and ran back along the bridge. 'Elendil!' he shouted. 'I am with you, Gandalf!'
'Gondor!' cried Boromir and leaped after him.
At that moment Gandalf lifted his staff, and crying aloud he smote the bridge before him. The staff broke asunder and fell from his hand. A blinding sheet of white flame sprang up. The bridge cracked. Right at the Balrog's feet it broke, and the stone upon which it stood crashed into the gulf, while the rest remained, poised, quivering like a tongue of rock thrust out into emptiness.
With a terrible cry the Balrog fell forward, and its shadow plunged down and vanished. But even as it fell it swung its whip, and the thongs lashed and curled about the wizard's knees, dragging him to the brink. He staggered and fell, grasped vainly at the stone, and slid into the abyss. 'Fly, you fools!' he cried, and was gone.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
Aelin lifted her hands, opening her eyes to find her fingers wreathed in flame. Darkness spread over the world. Through the veil of gold and blue and red, she looked at her prince. She raised her burning hands helplessly between them. "She stole me--she took me. And I could feel her--feel her consciousness. It was like she was a spider, waiting in a web for decades, knowing I'd one day be strong and stupid enough to use my magic and the key together. I might as well have rung the dinner bell." Her fire burned hotter, brighter, and she let it build and rise and flicker.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
False religion may prevail, iniquity may abound, the love of many may wax cold, the cross of Calvary may be lost sight of, and darkness, like the pall of death, may spread over the world; the whole force of the popular current may be formed to overthrow the people of God; but in the hour of greatest peril the God of Elijah will raise up human instrumentalities to bear a message that will not be silenced.
”
”
Ellen Gould White
“
I'll spread my wings and I'll learn how to fly
I'll do what it takes til I touch the sky
And I'll make a wish, take a chance, make a change
And breakaway
Out of the darkness and into the sun
But I won't forget all the ones that I love
I'll take a risk, take a chance, make a change
And breakaway
”
”
Kelly Clarkson
“
Above us, the sky was an endless expanse of velvety black, with millions of stars spreading like glittering diamonds spilled across the dark canvas.
”
”
Sara B. Larson (Endure (Defy, #3))
“
Take a nice, long look at your future, reaper. You'll soon be burning as fuel for hundreds of tiny fires."
Tod laughed out loud. "If that's your way of saying I'm hot, rest assured, I already know." He spread his arms, inviting Avari and his monstrous court to look him over. "But I'm going to have to keep lighting up the room with my dazzling personality, because you couldn't scrape enough fat off me to fill even one of your sick-ass human candles. And, based on the crowd behind you, I'm guessing most of your friends look better in the dark anyway.
”
”
Rachel Vincent (With All My Soul (Soul Screamers, #7))
“
We don't own truth. Truth is truth and nothing you can do about it even if you hide it, or kill it, or even tell it. It was truth before you open your mouth and say, That there is a true thing. Truth is truth even after them who rule send poison griots to spread lie till they take root in every man's heart.
”
”
Marlon James (Black Leopard, Red Wolf (The Dark Star Trilogy, #1))
“
Thank you for everything. I’d never have been able to rid myself of Delacey without you.” She leaned up and kissed his cheek. “You’re my favorite brother.”
“I’m your only brother,” he said in dark amusement.
“You see?” Free spread her arms. “I can’t count on any of the others to even exist when I need them.
”
”
Courtney Milan (The Suffragette Scandal (Brothers Sinister, #4))
“
The northern sky, dark over the sea, is mottled with green that spreads like spilt paint… The green and white reach towards each other and then lunge away like opposing magnets forced together. I tread water, and watch.
”
”
Sarah Moss (Names for the Sea: Strangers in Iceland)
“
One clear night while the others slept, I climbed
the stairs to the roof of the house and under a sky
strewn with stars I gazed at the sea, at the spread of it,
the rolling crests of it raked by the wind, becoming
like bits of lace tossed in the air. I stood in the long
whispering night, waiting for something, a sign, the approach
of a distant light, and I imagined you coming closer,
the dark waves of your hair mingling with the sea,
and the dark became desire, and desire the arriving light.
The nearness, the momentary warmth of you as I stood
on that lonely height watching the slow swells of the sea
break on the shore and turn briefly into glass and disappear...
Why did I believe you would come out of nowhere? Why with all
that the world offers would you come only because I was here?
”
”
Mark Strand
“
She put her hands on her hips and surveyed the area with a cocky smile on her face. The smirk spread when the traitor met my gaze.
"No hello for your old friend?" she asked me. "Don't be rude Baby Face."
"Go to hell, Wynn.
”
”
Maria V. Snyder (Taste of Darkness (Healer, #3))
“
Do you know how many nights I begged—” “I heard you,” he says, and there is an awful pleasure in the way he says it. Addie sneers with rage. “But you never came.” The darkness spreads his arms, as if to say, I am here now. And she wants to strike him, useless as it is, wants to banish him, cast him from this room like a curse, but she must ask. She must know. “Why? Why did you do this to me?” His dark brows knit with false worry, mock concern.
”
”
Victoria Schwab (The Invisible Life of Addie LaRue)
“
Just as I can't see a clear brook without at least stopping to dangle my feet in it, I can't see a meadow in May and simply pass by. There is nothing more seductive then such fragrant earth, the blossoms of clover swaying above it like a light foam, and the petal-bedecked branches of the fruit trees reaching upward, as if they wanted to rescue themselves from this tranquil sea. No, I have to turn from my path and immerse myself in this richness . . .
When I turn my head, my cheek grazes the rough trunk of the apple tree next to me. How protectively it spreads its good branches over me. Without ceasing the sap rises from its roots, nuturing even the smallest of leaves. Do I hear, perhaps, a secret heartbeat? I press my face against its dark, warm bark and think to myself: homeland, and am so indescribably happy in this instant.
”
”
Sophie Scholl
“
Thick is the darkness--
Sunward, O, sunward!
Rough is the highway--
Onward, still onward!
Dawn harbors surely
East of the shadows.
Facing us somewhere
Spread the sweet meadows.
Upward and forward!
Time will restore us:
Light is above us,
Rest is before us.
”
”
William Ernest Henley (Poems by William Ernest Henley)
“
I came to get you. I knew you'd freak out."
"But..." My head still feels like a helium balloon. "Why?"
Nick looks blank. "Because you always freak out."
I shake my head. My voice feels like I've swallowed it. "I mean, why do you care if I freak out?"
There's a long silence.
"Well," Wilbur finally bursts, "I can take a shot in the dark, if you want."
"Seriously," Nick snaps, making his fingers into a gun shape. "I'm going to take a shot in the dark in a minute and it will make contact."
Wilbur looks charmed. "Isn't he adorable?" he says fondly. "My duty as Fairy Godmother is complete, anyhoo, and I believe it's time to spread my magic dust elsewhere. So many pumpkins after all; so little time.
”
”
Holly Smale (Geek Girl (Geek Girl, #1))
“
Maybe we're just falling stars, we once danced in the same skyline looking down at the world. And we've fallen like all others, from near and far, we've gathered together, but separated by time and space, keeping a part of that light that we've came with and spreading it in this dark world that we've chosen to live in, in order to shine some light and love around. Maybe we've chosen to believe one truth today, and find it to be false tomorrow. Maybe we're trying to not get attached to the idea that we now know it all. At night, we see the truth of where we've fallen from, gazing in that night sky full of distant stars, constellations, planets, the reflection of the sun on the moon, all with their own stories to tell. Sometimes we wonder why would we leave such a mysterious place, with an infinite amount of stories and wonders. Maybe it's because as stars we could've only seen each other's light from afar, but here we can listen more carefully to each other's story, embrace each other and kiss, discover more and more of what can be seen when infinite star dust potential is put into one body and given freedom to walk the Earth and wander, love and enjoy every moment until coming back. Maybe in the morning, we'll only see one star shining up there and forget the others. Maybe that is also how life and death is, and the beauty of the sunrise and sunset that come in between, our childhood years and old years, when we reflect on the stars that we once were and that we will once again be. Maybe, just maybe.
”
”
Virgil Kalyana Mittata Iordache
“
I am not certain I liked you referring to my brother as a monster.” There was a trace of humor in Mikhail’s voice.
“You should hear what I call you behind your back,” Gregori said, even as his arms spread to accommodate the wings forming.
”
”
Christine Feehan (Dark Desire (Dark, #2))
“
The sun, like a boil on the bright blue ass of day, rolled gradually forward and spread its legs wide to reveal the pubic thatch of night, a hairy darkness in which stars crawled like lice, and the moon crabbed slowly upward like an albino dog tick striving for the anal gulch.
”
”
Joe R. Lansdale
“
Hearts grow hard and weary. Pain spreads, and joy diminishes. Those who hated you hate you still, but those who loved you, or would have loved you, or wanted to love you but never had the chance, are being scraped hollow by a loss they don't understand. Come home. Please come home. We are withering without you.
”
”
Bruce Coville (Dark Whispers (The Unicorn Chronicles, #3))
“
She stepped back and frowned at me. "Open it."
"Me?" I felt sure she was picking on me because I was the only enslaved god she had. "I'm not Hermes! I'm not even Valdez!"
"Try."
As if that were a simple request! I attempted to get my fingertips under the edge and prise it open. I spread my arms and yelled the standard magic words: MELLON! SHAZAM! SESAME STREET! None of these worked. At last I tried my infallible ace in the hole. I sang 'Love Is an Open Door' from the Frozen soundtrack. Even this failed.
"Impossible!" I cried. "This door has no taste in music!
”
”
Rick Riordan (The Dark Prophecy (The Trials of Apollo, #2))
“
A fourth group of people climbs from ignorance and pretends to possess the rational faculty. They suppose that the highest felicity is the expansion of honor and fame, the spread of reputation, a multiplicity of followers, and the influence of the command that is obeyed. Hence, you see that their only concern is eye service and cultivation of the things upon which observers cast their glance. One of them may go hungry in his house and suffer harm so that he can spend his wealth on clothes with which to adorn himself so that no one will look at him with the eye of contempt when he goes out. The types of these people are beyond count. All of them are veiled from Allah by the sheer darkness that is their own dark souls.
”
”
Abu Hamid al-Ghazali (The Niche of Lights (Brigham Young University - Islamic Translation Series))
“
Before there was an American Story, before Paterson spread before Oscar and Lola like a dream, or the trumpets from the Island of our eviction had even sounded, there was their mother, Hypatia Belicia Cabral: a girl so tall your leg bones ached just looking at her, so dark it was as if the Creatrix had, in her making, blinked.
”
”
Junot Díaz
“
The bud of a rose grows in darkness. It knows nothing of the sun, yet it pushes at the darkness that confines it until at last the walls give way and the rose bursts forth, spreading its petals into the light. I love him.
”
”
Donna Woolfolk Cross (Pope Joan)
“
Slowly he lifted his hands in the darkness and held them in mid-air, the fingers spread weakly open. If he reached out with his hands, and if his hands were electric wires, and if his heart were a battery giving life and fire to those hands, and if he reached out with his hands and touched other people, reached out through these stone walls and felt other hands connected with other hearts -- if he did that, would there be a reply, a shock?
”
”
Richard Wright (Native Son)
“
As the sun rules the day and the moon governs the night, so too, we are connected by: the air that we breathe, light that we see and the darkness that follows. Life is too short to waste it on disagreements. Surely, we can all agree to disagree. So let us find a common ground, form a union and spread joy, happiness and freedom around the world for the benefit of you, me and the future generations to come.
”
”
Raymond Beresford Hamilton (Identity Assumption)
“
Roth,” muttered Zayne. He sounded closer, but I didn’t want to take my eyes off the Alphas to check. “You might want to chill out a bit.”
The Crown Prince smirked. “Nah. You want to know why? The Alphas could end me, but they’re not going to.”
Across from us, the Alpha who had spoken stiffened but didn’t interrupt.
“You see, I am the favorite Crown Prince,” Roth continued, his smirk spreading. “They take me out when I haven’t done anything to warrant it and they’ll have the Boss to contend with. They don’t want that.”
Surprise flickered through me. They couldn’t just end Roth because of who he was? I’d always thought they could simply do as they pleased.
The Alpha who had been silent up to this point spoke. “There are rules for a reason. It does not mean we have to like them, so I’d suggest you do not push your luck, Prince.”
Then Roth did the unthinkable. He raised his hand and extended his middle finger. “Does this count as pushing it, Bob?”
Crap on a cracker, he’d flipped off an Alpha! And he’d called the Alpha Bob! Who did that? Seriously?
”
”
Jennifer L. Armentrout (Every Last Breath (The Dark Elements, #3))
“
Cairn groaned as unconsciousness gave way. By the time Cairn awoke, chained to that metal table, Rowan was ready. Cairn beheld who stood over him, the tool in Rowan’s tattooed hand, the others he had also laid out on that piece of velvet, and began thrashing. The iron chains held firm. Then Cairn beheld the frozen rage in Rowan’s eyes. Understood what he intended to do with that sharp, sharp knife. A dark stain spread across the front of Cairn’s pants. Rowan wrapped an ice-kissed wind around the tent, blocking out all sound, and began.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
When you drop a pebble into a pond, ripples spread out, changing all the water in the pool. The ripples hit the shore and rebound, bumping into one another, breaking each other apart. In some small way, the pond is never the same again.
”
”
Neal Shusterman (Dread Locks (Dark Fusion, #1))
“
I spread my fingers to peek through them, and I see that Wesley's face is as red as mine. He's looking down at his pants like the thing is sticking out of the fly and not just pressing against it. And when I notice the dark, wet spot, that's when I really start to freak out.
He did not just…..
"Thats not me!" he shouts, holding his hands up and shaking his head. What the heck does he mean, that's not him? Who else could it be? "I think you drooled. That's not…. I didn't…
”
”
Cassie Mae (Switched)
“
She sat at the window of the train....The window frame trembled with the speed of the motion, the pane hung over empty darkness, and dots of light slashed across the glass as luminous streaks, once in a while…She sat listening to the music. It was a symphony of triumph. The notes flowed up…It was a sunburst of sound, breaking out of hiding and spreading open. It had the freedom of release and the tension of purpose. It swept space clean, and left nothing but the joy of an unobstructed effort. Only a faint echo within the sounds spoke of that from which the music had escaped, but spoke in laughing astonishment at the discovery that there was no ugliness or pain, and there never had had to be. It was the song of an immense deliverance. She thought: For just a few moments -- while this lasts -- it is all right to surrender completely -- to forget everything and just permit yourself to feel. She thought: Let go -- drop the controls -- this is it.
”
”
Ayn Rand (Atlas Shrugged)
“
I work at the deli counter. Have to give people their succulent, chemical-ridden salami and whatnot.'
I pictured Miles in a dark room, standing at a butcher's block with a large knife in one hand, a blood cow's leg steadied under the other, a huge Cheshire grin spreading over his face--
'I bet the customers love you,' I said.
”
”
Francesca Zappia (Made You Up)
“
Between the dark, heavily laden treetops of the spreading chestnut trees could be seen the dark blue of the sky, full of stars, all solemn and golden, which extended their radiance unconcernedly into the distance. That was the nature of the stars. and the trees bore their buds and blossoms and scars for everyone to see, and whether it signified pleasure or pain, they accepted the strong will to live. flies that lived only for a day swarmed toward their death. every life had its radiance and beauty. i had insight into it all for a moment, understood it and found it good, and also found my life and sorrows good.
”
”
Hermann Hesse
“
To know a thing you have to trust what you know, and all that you know, and as far as you know in whatever direction your knowing drags you. I once had a pet pine squirrel named Omar who lived in the cotton secret and springy dark of our old green davenport; Omar knew that davenport; he knew from the Inside what I only sat on from the Out, and trusted his knowledge to keep from being squashed by my ignorance. He survived until a red plaid blanket--spread to camouflage the worn-out Outside--confused him so he lost his faith in his familiarity with the In. Instead of trying to incorporate a plaid exterior into the scheme of his world he moved to the rainspout at the back of the house and was drowned in the first fall shower, probably still blaming that blanket: damn this world that just won't hold still for us! Damn it anyway!
”
”
Ken Kesey (Sometimes a Great Notion)
“
You think you cannot live anymore. You think that the light of your soul has been put out and that you will stay in the dark forever. But when you are engulfed by such solid darkness, when you have both eyes closed to the world, a third eye opens in your heart. And only then do you come to realize that eyesight conflicts with inner knowledge. No eye sees so clear and sharp as the eye of love. After grief comes another season, another valley, another you. And the lover who is nowhere to be found, you start to see everywhere.
You see him in the drop of water that falls into the ocean, in the high tide that follows the waxing of the moon, or in the morning wind that spreads its fresh smell; you see him in the geomancy symbols in the sand, in the tiny particles of rock glittering under the sun, in the smile of a newborn baby, or in your throbbing vein. How can you say Shams is gone when he is everywhere and in everything?
”
”
Elif Shafak (The Forty Rules of Love)
“
Clay snorted. “Special powers like what?” he’d asked.
“You know,” Starflight had answered, irritated. “Telepathy? Precognition? Invisibility? Hello?”
“You don’t have invisibility,” Clay had argued. “I mean, you’re a black dragon. You’re just hard to see in the shadows. That’s not a power. I’d be invisible, too, if I were lying in a mud puddle.”
“Yeah, well,” Starflight had said, “we can appear out of nowhere in the dark of night! Swooping down as if the sky has just fallen on you!” He’d spread his wings majestically.
“Still not a power,” Clay had said. “That’s just you guys being creepy.”
“It is not creepy!” Starflight had cried, his voice rising. “It is magnificent and imposing!
”
”
Tui T. Sutherland (The Dragonet Prophecy (Wings of Fire, #1))
“
He felt his hunger no longer as a pain but as a tide. He felt it rising in himself through time and darkness, rising through the centuries, and he knew that it rose in a line of men whose lives were chosen to sustain it, who would wander in the world, strangers from that violent country where the silence is never broken except to shout the truth. He felt it building from the blood of Abel to his own, rising and spreading in the night, a red-gold tree of fire ascended as if it would consume the darkness in one tremendous burst of flame. The boy’s breath went out to meet it. He knew that this was the fire that had encircled Daniel, that had raised Elijah from the earth, that had spoken to Moses and would in the instant speak to him. He threw himself to the ground and with his face against the dirt of the grave, he heard the command. GO WARN THE CHILDREN OF GOD OF THE TERRIBLE SPEED OF MERCY. The words were as silent as seed opening one at a time in his blood.
”
”
Flannery O'Connor (The Violent Bear It Away)
“
Do not write. I am sad, and want my light put out.
Summers in your absence are as dark as a room.
I have closed my arms again. They must do without.
To knock at my heart is like knocking at a tomb.
Do not write!
Do not write. Let us learn to die, as best we may.
Did I love you? Ask God. Ask yourself. Do you know?
To hear that you love me, when you are far away,
Is like hearing from heaven and never to go.
Do not write!
Do not write. I fear you. I fear to remember,
For memory holds the voice I have often heard.
To the one who cannot drink, do not show water,
The beloved one's picture in the handwritten word.
Do not write!
Do not write those gentle words that I dare not see,
It seems that your voice is spreading them on my heart,
Across your smile, on fire, they appear to me,
It seems that a kiss is printing them on my heart.
Do not write!
”
”
Louis Simpson
“
Not Exactly True
That skin hate is dead.
There will never be color
blindness in a culture of
fear.
But when you live afraid
of your neighbor, the monster
you should most walk
in terror of
thrives.
It starts as a little thing,
small enough to burrow
into your pores, take up
excruciating residence
in
the dark recesses of your brain.
Its name is paranoia,
and it spreads like an oil
spill, there in
the shadows,
chokes your humanity.
Threatens your soul.
”
”
Ellen Hopkins
“
In the same way that certain sections of the city were mortal battlegrounds, some parts of the calendar were always more warlike than others, and during the days between Christmas and the new year all elements seemed to conspire to subdue the soul. Fire, rain, sickness, cold, and death were everywhere spread through the dark as in a painting of hell. People struggled until exhaustion, giving everything they had, and the days were packed with trials and mysteries.
”
”
Mark Helprin (Winter's Tale)
“
The deepest shade of twilight did not send him from his favourite plane-tree. He loved the soothing hour, when the last tints of light die away; when the stars, one by one, tremble through aether, and are reflected on the dark mirror of the waters; that hour, which, of all others, inspires the mind with pensive tenderness, and often elevates it to sublime contemplation. When the moon shed her soft rays among the foliage, he still lingered, and his pastoral supper of cream and fruits was often spread beneath it. Then, on the stillness of night, came the song of the nightingale, breathing sweetness, and awakening melancholy.
”
”
Ann Radcliffe (The Mysteries of Udolpho Volume 1 of 2)
“
On an impulse he switched out the light on his desk and sat in the hot darkness of his office; the cold air filled his lungs, and he leaned toward the open window. He heard the silence of the winter night, and it seemed to him that he somehow felt the sounds that were absorbed by the delicate and intricately cellular being of the snow. Nothing moved upon the whiteness; it was a dead scene, which seemed to pull at him, to suck at his consciousness just as it pulled the sound from the air and buried it within a cold white softness. He felt himself pulled outward toward the whiteness, which spread as far as he could see, and which was a part of the darkness from which it glowed, of the clear and cloudless sky without height or depth. For an instant he felt himself go out of the body that sat motionless before the window; and as he felt himself slip away, everything—the flat whiteness, the trees, the tall columns, the night, the far stars—seemed incredibly tiny and far away, as if they were dwindling to a nothingness.
”
”
John Williams (Stoner)
“
What destiny is there, but to sense, observe, merge, re-emerge,
Empty, yet filled, spreading everywhere, inside, outside, in,
Pulsing, fluctuating, breathing as part of one being,
Whispering, feeling, reflecting, flowing between hot and cold,
Mineral and plant, dark and light, love and fear, new and old.
”
”
Jay Woodman
“
Of all the things we fashioned for them that they might be comforted, dawn is the one that works. When darkness sifts from the air like fine soft soot and light spreads slowly out of the east then all but the most wretched of humankind rally. It is a spectacle we immortals enjoy, this minor daily resurrection, often we will gather at the ramparts of the clouds and gaze down upon them, our little ones, as they bestir themselves to welcome the new day. What silence falls upon us then, the sad silence of our envy.
”
”
John Banville (The Infinities)
“
He always reminded us that every atom in our bodies was once part of a distant star that had exploded. He talked about how evolution moves from simplicity toward complexity, and how human intelligence is the highest known expression of evolution. I remember him telling me that a frog's brain is much more complex than a star. He saw human consciousness as the first neuron of the universe coming to life and awareness. A spark in the darkness, waiting to spread to fire.
”
”
Greg Iles (The Footprints of God)
“
Ruta Skadi was four hundred and sixteen years old, with all the pride and knowledge of an adult witch queen. She was wiser by far than any short-lived human, but she had not the slightest idea of how like a child she seemed beside these ancient beings. Nor did she know how far their awareness spread out beyond her like filamentary tentacles to the remotest corners of universes she had never dreamed of; nor that she saw them as human-formed only because her eyes expected to. If she were to perceive their true form, they would seem more like architecture than organism, like huge structures composed of intelligence and feeling.
But they expected nothing else: she was very young.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
Time and again the thought comes to my mind
of the dark condition Love imparts to me;
then the pity of it strikes me, and I ask:
“Could ever anyone have felt the same?”
For Love’s attack is so precipitous
that life itself all but abandons me:
nothing survives except one lonely spirit,
allowed to live because it speaks of you. With hope of help to come I gather courage,
and deathly languid, drained of all defenses,
I come to you expecting to be healed;
and if I raise my eyes to look at you,
within my heart a tremor starts to spread,
driving out life, stopping my pulses’ beat.
”
”
Dante Alighieri (Dante's Vita Nuova: A Translation and an Essay)
“
Flicking my nose," I breathe.
His brows crinkle. "What?"
"Flicking my nose," I repeat simply. "Something I've always had a thing for. Among others, of course."
Understanding lights his eyes as a slow smile spreads across his lips, accompanied by dimples on either side. "Go on, darling."
"That reminds me." I nod. "Calling me 'darling.' Cocky bastards. Long, dark eyelashes..."
I could melt from the heat in his gaze.
"Knowing what I need exactly when I need it. Ripping my dresses. Dimples that make me-"
In a single step, he's closed the distance between us and pulled my mouth to his.
”
”
Lauren Roberts, Reckless
“
My name is Ferrum. I was the first, born of the forges, when mankind first began to experiment with iron. I rose from their imagination, from their ambition to conquer the world with a metal that could slice through bronze like paper. I was there when the world started to shift, when humans took their first steps out of the Dark Ages into civilization. For many years, I thought I was alone. But mankind is never satisfied. Others came, risen from these dreams of a new world... Then, with the invention of computers, the gremlins came, and the bugs. Given life by the fear of monsters lurking in machines, these were more chaotic than the other fey, violent and destructive. They spread to every part of the world. As technology became a driving force in every country, powerful new fey rose into existence. Virus. Glitch. And Machina, the most powerful of all.
”
”
Julie Kagawa (The Iron King (The Iron Fey, #1))
“
A nationwide study published by the USDA in 1996 found that [...] 78.6 percent of the ground beef contained microbes that are spread primarily by fecal matter. The medical literature on the causes of food poisoning is full of euphemisms and dry scientific terms: coliform levels, aerobic plate counts, sorbitol, MacConkey agar, and so on. Behind them lies a simple explanation for why eating hamburger meat makes you sick: There is shit in the meat.
”
”
Eric Schlosser (Fast Food Nation: The Dark Side of the All-American Meal)
“
What had he said to them? "I bow my knees before the country, before the masses, before the whole people...." And what then? What happened to these masses, to this people? For forty years it had been driven through the desert, with threats and promises, with imaginary terrors and imaginary rewards. But where was the Promised Land? Did there really exist any such goal for this wandering mankind? That was a question to which he would have liked an answer before it was too late. Moses had not been allowed to enter the land of promise either, But he had been allowed to see it, from the top of the mountain, spread at his feet. Thus, it was easy to die, with the visible certainty of one's goal before one's eyes. He, Nicolas Salmanovitch Rubashov, had not been taken to the top of a mountain; and wherever his eye looked, he saw nothing but desert and the darkness of night.
”
”
Arthur Koestler (Darkness at Noon)
“
When I became convinced that the Universe is natural – that all the ghosts and gods are myths, there entered into my brain, into my soul, into every drop of my blood, the sense, the feeling, the joy of freedom. The walls of my prison crumbled and fell, the dungeon was flooded with light and all the bolts, and bars, and manacles became dust. I was no longer a servant, a serf or a slave. There was for me no master in all the wide world -- not even in infinite space. I was free -- free to think, to express my thoughts -- free to live to my own ideal -- free to live for myself and those I loved -- free to use all my faculties, all my senses -- free to spread imagination's wings -- free to investigate, to guess and dream and hope -- free to judge and determine for myself -- free to reject all ignorant and cruel creeds, all the "inspired" books that savages have produced, and all the barbarous legends of the past -- free from popes and priests -- free from all the "called" and "set apart" -- free from sanctified mistakes and holy lies -- free from the fear of eternal pain -- free from the winged monsters of the night -- free from devils, ghosts and gods. For the first time I was free. There were no prohibited places in all the realms of thought -- no air, no space, where fancy could not spread her painted wings -- no chains for my limbs -- no lashes for my back -- no fires for my flesh -- no master's frown or threat – no following another's steps -- no need to bow, or cringe, or crawl, or utter lying words. I was free. I stood erect and fearlessly, joyously, faced all worlds.
And then my heart was filled with gratitude, with thankfulness, and went out in love to all the heroes, the thinkers who gave their lives for the liberty of hand and brain -- for the freedom of labor and thought -- to those who fell on the fierce fields of war, to those who died in dungeons bound with chains -- to those who proudly mounted scaffold's stairs -- to those whose bones were crushed, whose flesh was scarred and torn -- to those by fire consumed -- to all the wise, the good, the brave of every land, whose thoughts and deeds have given freedom to the sons of men. And then I vowed to grasp the torch that they had held, and hold it high, that light might conquer darkness still.
”
”
Robert G. Ingersoll
“
The spread of BSE [mad cow disease] in Europe has revealed how secret alliances between agribusiness and government can endanger the public health. It has shown how the desire for profit can overrule every other consideration. British agricultural officials were concerned as early as 1987 that eating meat from BSE-infected cattle might pose a risk to human beings. That information was suppressed for years, and the possibility of any health risk was strenuously denied, in order to protect exports of British beef. Scientists who disagreed with the official line were publicly attacked and kept off government committees investigating BSE. Official denials of the truth delayed important health measures.
”
”
Eric Schlosser (Fast Food Nation: The Dark Side of the All-American Meal)
“
Sitting at his kitchen table--the kitchen table where he had spread his homework as a kid to work before dinner, where he had climbed up to dust the burnstones with red hushflower powder, where he had learned to chop and slice and crush ingredients for the painkiller--was Cyra.
Her thick, wavy hair piled on one side of her head, the other glinting silver.
Her arm wrapped in armor.
Her eyes dark as space.
“Hello,” she said to him in Thuvhesit.
“Hello,” he replied in Shotet.
”
”
Veronica Roth (The Fates Divide (Carve the Mark, #2))
“
I am not a man who often expresses is emotions, Miss Linton."
"You don't say?"
"But I must admit I was... somewhat concerned for you."
I had to work hard to keep a smile from my face."
"Somewhat concerned? Dear God, really?"
Abruptly, he turned to me, his eyes blazing with cold fire. "Dammit! Do not joke, Miss Linton!"
I looked up at him, the picture of innocence drawn by a five-year-old with absolutely no artistic talent. "I wouldn't dare!"
Stepping towards me, he reached out, until one of his hands gently touched my cheek. "I..." He swallowed, and tried again. "I might be slightly... irrationally infatuated with you."
Warmth spread deep inside me. And on my face, a grin did. "Irrationally infatuated? Dear me!"
His jaw clenched. "All right, all right! I may even have certain... impulses towards you that border on caring about you."
"You don't say?" I raised an eyebrow at him. "Well, I am so glad to hear that you feel a certain amount of friendship towards me."
His dark gaze pierced me accusingly. But I was enjoying this far too much to stop. I wouldn't make it easy for him.
"Friendship is not the right word, Miss Linton," he bit out between clenched teeth, every word like a shard of burning ice. "My impulses towards you... they might go slightly beyond the platonic."
"Oh, so they are Aristotelian?"
"Mr Lin-" He swallowed, hard. "I mean Miss Linton, we are not discussing philosophy here!"
I batted my eyelashes at him. "Indeed? Then pray tell, what are we discussing?"
"I... I..."
"You can say it, you know," I told him. "The word isn't poisonous."
"I... have feelings towards you."
"Clearly. I knew that from the first day from the way you shouted at me and pelted me with threats."
"Not those kinds of feelings!"
"What kind, then?"
"I feel... affection towards you."
"You're nearly there," I encouraged him, my smile widening. "Just four little letters. The word starts with L. Go on. You can do it."
"You're enjoying this, Miss Linton, aren't you?"
"Very much so."
"Oh, to hell with it!"... His mouth took mine in a fast, fierce, bruising kiss... Finally he broke away, and with the remnants of his breath whispered: "I love you!
”
”
Robert Thier (Silence Breaking (Storm and Silence, #4))
“
When I was around four years old I asked my father, “Aba, what color are you?” He replied, “I don’t know, a bit white, a bit black.” “It’s like when one mixes milk with tea,” I said. He laughed a lot, but as a boy he had been so self-conscious about being dark-skinned that he went to the fields to get buffalo milk to spread on his face, thinking it would make him lighter. It was only when he met my mother that he became comfortable in his own skin. Being loved by such a beautiful girl gave him confidence.
”
”
Malala Yousafzai (I Am Malala: The Girl Who Stood Up for Education and Was Shot by the Taliban)
“
Mummy dying with it; Christ dying with it, nailed hand and foot; hanging over the bed in the night-nursery; hanging year after year in the dark little study at Farm Street with the shining oilcloth; hanging in the dark church where only the old charwoman raises the dust and one candle burns; hanging at noon, high among the crowds and the soldiers; no comfort except a sponge of vinegar and the kind words of a thief; hanging for ever; never the cool sepulchre and the grave clothes spread on the stone slab, never the oil and spices in the dark cave; always the midday sun and the dice clicking for the seamless coat.
”
”
Evelyn Waugh (Brideshead Revisited)
“
The figure stood in the flames, dark, hard to make out. "I've given you the blessing of pewter, Spook," the voice said. "Use it to escape this place. You can break through the boards on the far side of that hallway, escape out onto the roof of the building nearby. The soldiers won't be watching for you—they're too busy controlling the fire so it doesn't spread."
Spook nodded. The heat didn't bother him anymore. "Thank you."
The figure stepped forward, becoming more than just a silhouette. Flames played against the man's firm face, and Spook's suspicions were confirmed. There was a reason he'd trusted that voice, a reason why he'd done what it had said.
He'd do whatever this man commanded.
"I didn't give you pewter just so you could live, Spook," Kelsier said, pointing. "I gave it to you so you could get revenge. Now, go!
”
”
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
“
Empires die, like all of us dancers in the strobe-lit dark. See how the light needs shadows. Look: wrinkles spread like mildew over our peachy sheen; beat-by-beat-by-beat-by-beat-by-beat-by-beat, varicose veins worm through plucked calves; torsos and breasts fatten and sag...as last year's song hurtles into next year's song and the year after that, and the dancers' hairstyles frost, wither, and fall in chemotherapeutic tufts; cancer spatters inside this tarry lung, in that ageing pancreas, in this aching bollock; DNA frays like wool, and down we tumble; a fall on the stairs, a heart-attack, a stroke; not dancing but twitching...They knew it in the Middle Ages. Life is a terminal illness.
”
”
David Mitchell (The Bone Clocks)
“
In trials of ir'n and silver fain
“The dead will rise and walk again
“The blesséd few that touch the light
“Will aid the war against the night.
“But one by one they all will die
“Without a cause to rule them by
“As Darkness spreads across the land
“He'll wield the oceans in his hand.
“Five warriors will oppose his reign
“And overthrow the Shadow Thane
“They come from sides both dark and light
“The realm the mortals call “twilight.”
“A magus crowned with boughs of fire
“Will rise like Phoenix from his pyre
“A beast of shadows touched with sight
“Will claim a Dark One as her knight
“The next, a prophet doomed to fail
“Will find her powers to avail
“The final: one mere mortal man
“Who bears the mark upon his hand
“The circle closes round these few
“Made sacred by the bonds they hew
“But if one fails then so shall all
“Bring death to those of Evenfall.
”
”
Nenia Campbell (Black Beast (Shadow Thane, #1))
“
Every Day You Play....
Every day you play with the light of the universe.
Subtle visitor, you arrive in the flower and the water,
You are more than this white head that I hold tightly
as a bunch of flowers, every day, between my hands.
You are like nobody since I love you.
Let me spread you out among yellow garlands.
Who writes your name in letters of smoke among the stars of the south?
Oh let me remember you as you were before you existed.
Suddenly the wind howls and bangs at my shut window.
The sky is a net crammed with shadowy fish.
Here all the winds let go sooner or later, all of them.
The rain takes off her clothes.
The birds go by, fleeing.
The wind. The wind.
I alone can contend against the power of men.
The storm whirls dark leaves
and turns loose all the boats that were moored last night to the sky.
You are here. Oh, you do not run away.
You will answer me to the last cry.
Curl round me as though you were frightened.
Even so, a strange shadow once ran through your eyes.
Now, now too, little one, you bring me honeysuckle,
and even your breasts smell of it.
While the sad wind goes slaughtering butterflies
I love you, and my happiness bites the plum of your mouth.
How you must have suffered getting accustomed to me,
my savage, solitary soul, my name that sends them all running.
So many times we have seen the morning star burn, kissing our eyes,
and over our heads the grey light unwinds in turning fans.
My words rained over you, stroking you.
A long time I have loved the sunned mother-of-pearl of your body.
Until I even believe that you own the universe.
I will bring you happy flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses.
I want to do with you what spring does with the cherry trees.
”
”
Pablo Neruda (Twenty Love Poems and a Song of Despair)
“
A small hole in his shirt revealed a gooey red blob right in the meaty part above his armpit, blood pouring from the wound. It hurt. It hurt bad. If he’d thought his headache downstairs had been tough, this was like three or four of those, all smashed into a coil of pain right there in his shoulder. And spreading through the rest of his body.
Newt was at his side, looking down with worried eyes.
“He shot me.” It just came out, a new number one on the list of the dumbest things he’d ever said. The pain, like living metal staples running through his insides, pricking and scratching with their little sharp points. He felt his mind going dark for the second time that day.
”
”
James Dashner (The Scorch Trials (The Maze Runner, #2))
“
The Hearse Song
Don't you ever laugh as the hearse goes by,
For you may be the next to die.
They wrap you up in a big white sheet
From your head down to your feet.
They put you in a big black box
And cover you up with dirt and rocks.
All goes well for about a week,
Then your coffin begins to leak.
The worms crawl in, the worms crawl out,
The worms play pinochle on your snout.
They eat your eyes, they eat your nose,
They eat the jelly between your toes.
A big green worm with rolling eyes
Crawls in your stomach and out your eyes.
Your stomach turns a slimy green,
And pus pours out like whipping cream.
You spread it on a slice of bread,
And that's what you eat when you're dead.
”
”
Alvin Schwartz (Scary Stories to Tell in the Dark (Scary Stories, #1))
“
And some of these people have secrets. All of them do, really. But some of them have the real ones, the messy ones. The deep, dark, shadowy ones that lurk just beneath the skin, traveling through their veins and spreading like a sickness. Dividing, multiplying, then dividing again. I wonder which ones they are: the ones with the kinds of secrets that touch every organ and render them rotten. The kinds of secrets that will eat them alive from the inside out.
”
”
Stacy Willingham (All the Dangerous Things)
“
He could still remember how breathtakingly beautiful Eleanor was that day. He'd have been content to gaze into her eyes for hours, trying to decide if they were green with gold flecks or gold with green flecks. She had high, finely sculpted cheekbones, soft, flawless skin he'd burned to touch, and lustrous dark braids entwined with gold-threaded ribbons he yearned to unfasten; he'd have bartered his chances of salvation to bury his face in that glossy, perfumed hair, to wind it around his throat and see it spread out on his pillow. He'd watched, mesmerized, as a crystal raindrop trickled toward the sultry curve of her mouth and wanted nothing in his life so much, before or since, as he wanted her.
”
”
Sharon Kay Penman (Devil's Brood (Plantagenets #3; Henry II & Eleanor of Aquitaine, #3))
“
KNOW, oh prince, that between the years when the oceans drank Atlantis and the gleaming cities, and the years of the rise of the Sons of Aryas, there
was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars—Nemedia, Ophir, Brythunia, Hyperborea, Zamora
with its dark-haired women and towers of spider-haunted mystery, Zingara with its chivalry, Koth that bordered on the pastoral lands of Shem, Stygia with
its shadow-guarded tombs, Hyrkania whose riders wore steel and silk and gold. But the proudest kingdom of the world was Aquilonia, reigning supreme in
the dreaming west. Hither came Conan, the Cimmerian, black-haired, sullen- eyed,sword in hand, a thief, a reaver, a slayer, with gigantic melancholies
and gigantic mirth, to tread the jeweled thrones of the Earth under his sandalled feet."—The Nemedian Chronicles
”
”
Robert E. Howard
“
Dear Mr. Nadeau:
As long as there is one upright man, as long as there is one compassionate woman, the contagion may spread and the scene is not desolate. Hope is the thing that is left to us, in a bad time. I shall get up Sunday morning and wind the clock, as a contribution to order and steadfastness.
Sailors have an expression about the weather: they say, the weather is a great bluffer. I guess the same is true of our human society – things can look dark, then a break shows in the clouds, and all is changed, sometimes rather suddenly. It is quite obvious that the human race has made a queer mess of life on this planet. But as a people we probably harbor seeds of goodness that have lain for a long time waiting to sprout when the conditions are right. Man’s curiosity, his relentlessness, his inventiveness, his ingenuity have led him into deep trouble. We can only hope that these same traits will enable him to claw his way out.
Hang on to your hat. Hang on to your hope. And wind the clock, for tomorrow is another day.
Sincerely,
E. B. White
”
”
E.B. White
“
I didn’t tell them your secret.” My fingers dug into the wood of the window frame, the splinters cutting through my skin like little blades. The police officers were raiding the second floor, I could tell. I could hear them. They were going to find the attic, and then me. “Tell me you believe me, and I’ll jump.”
“What difference does it make?” He bared his fangs, staring at me with forced boredom.
The fire spread, licking at the grass and approaching us with surprising speed, though he didn’t seem to mind at all. We were already dangerously close to getting caught.
“Because it’s the truth,” I screamed.
Our eyes met in the dark and held for a moment.
“I don’t believe you, but I’ll still catch you,” he said. “I will always catch you, the fucking dumbass that I am.”
“What do you mean?”
“You soften me.”
“Why?”
“Because I don’t want to fucking kill you! You’re too fun to fuck with. Now Get. The. Hell. Down.
”
”
L.J. Shen (Angry God (All Saints High, #3))
“
Why did I laugh tonight? No voice will tell
No God, no demon of severe response
Deigns to reply from heaven or from hell
Then to my human heart I turn at once:
Heart, thou and I are here, sad and alone,
Say, why did I laugh? O mortal pain!
O darkness! darkness! Forever must I moan
To question heaven and hell and heart in vain?
Why did I laugh? I know this being's lease
My fancy to it's utmost blisses spreads
Yet would I on this very midnight cease
And all the world's gaudy ensigns see in shreds
Verse, fame and beauty are intense indeed
But death intenser, death is life's high meed.
”
”
John Keats
“
My,don't you have pretty eyes," he says. "It's a shame the rest of you is so plain."
My heart pounds. I tug my hand back, but his grip tightens. I smell something acrid and unpleasant on his breath.
"You look a little young to be walking around by yourself,dear," he says.
I stop tugging, and stand up straighter. I know I look young; I don't need to be reminded. "I'm older than I look," I retort. "I'm sixteen."
His lips spread wide, revealing a gray molar with a dark pit in the side. I can't tell if he's smiling or grimacing. "Then isn't today a special day for you? The day before you choose?"
"Let go of me," I say. I hear rining in my ears. My voice sounds clear and stern-not what I expected to hear. I feel like it doesn't belong to me.
I am ready.I know what to do. I picture myself bringing my elbow back and hitting him. I see the bag of apples flying away from me. I hear my running footsteps. I am prepared to act.
But then he releases my wrist, takes the apples,and says, "Choose wisely, little girl.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Blow on, ye death fraught whirlwinds! blow,
Around the rocks, and rifted caves;
Ye demons of the gulf below!
I hear you, in the troubled waves.
High on this cliff, which darkness shrouds
In night's impenetrable clouds,
My solitary watch I keep,
And listen, while the turbid deep
Groans to the raging tempests, as they roll
Their desolating force, to thunder at the pole.
Eternal world of waters, hail!
Within thy caves my Lover lies;
And day and night alike shall fail
Ere slumber lock my streaming eyes.
Along this wild untrodden coast,
Heap'd by the gelid' hand of frost;
Thro' this unbounded waste of seas,
Where never sigh'd the vernal breeze;
Mine was the choice, in this terrific form,
To brave the icy surge, to shiver in the storm.
Yes! I am chang'd - My heart, my soul,
Retain no more their former glow.
Hence, ere the black'ning tempests roll,
I watch the bark, in murmurs low,
(While darker low'rs the thick'ning' gloom)
To lure the sailor to his doom;
Soft from some pile of frozen snow
I pour the syren-song of woe;
Like the sad mariner's expiring cry,
As, faint and worn with toil, he lays him down to die.
Then, while the dark and angry deep
Hangs his huge billows high in air ;
And the wild wind with awful sweep,
Howls in each fitful swell - beware!
Firm on the rent and crashing mast,
I lend new fury to the blast;
I mark each hardy cheek grow pale,
And the proud sons of courage fail;
Till the torn vessel drinks the surging waves,
Yawns the disparted main, and opes its shelving graves.
When Vengeance bears along the wave
The spell, which heav'n and earth appals;
Alone, by night, in darksome cave,
On me the gifted wizard calls.
Above the ocean's boiling flood
Thro' vapour glares the moon in blood:
Low sounds along the waters die,
And shrieks of anguish fill the' sky;
Convulsive powers the solid rocks divide,
While, o'er the heaving surge, the embodied spirits glide.
Thrice welcome to my weary sight,
Avenging ministers of Wrath!
Ye heard, amid the realms of night,
The spell that wakes the sleep of death.
Where Hecla's flames the snows dissolve,
Or storms, the polar skies involve;
Where, o'er the tempest-beaten wreck,
The raging winds and billows break;
On the sad earth, and in the stormy sea,
All, all shall shudd'ring own your potent agency.
To aid your toils, to scatter death,
Swift, as the sheeted lightning's force,
When the keen north-wind's freezing breath
Spreads desolation in its course,
My soul within this icy sea,
Fulfils her fearful destiny.
Thro' Time's long ages I shall wait
To lead the victims to their fate;
With callous heart, to hidden rocks decoy,
And lure, in seraph-strains, unpitying, to destroy.
”
”
Anne Bannerman (Poems by Anne Bannerman.)
“
As long as there is one upright man, as long as there is one compassionate woman, the contagion may spread and the scene is not desolate. Hope is the thing that is left to us, in a bad time. I shall get up Sunday morning and wind the clock, as a contribution to order and steadfastness. Sailors have an expression about the weather: they say, the weather is a great bluffer. I guess the same is true of our human society—things can look dark, then a break shows in the clouds, and all is changed, sometimes rather suddenly. It is quite obvious that the human race has made a queer mess of life on this planet. But as a people we probably harbor seeds of goodness that have lain for a long time waiting to sprout when the conditions are right. Man’s curiosity, his relentlessness, his inventiveness, his ingenuity have led him into deep trouble. We can only hope that these same traits will enable him to claw his way out. Hang on to your hat. Hang on to your hope. And wind the clock, for tomorrow is another day.
”
”
Shaun Usher (Letters of Note: Correspondence Deserving of a Wider Audience)
“
Tell me “The Subtle Briar” again,’ she asked. She knew I would still know it by heart. I whispered to her in the dark.
‘When you cut down the hybrid rose,
its blackened stump below the graft
spreads furtive fingers in the dirt.
It claws at life, weaving a raft
of suckering roots to pierce the earth.
The first thin shoot is fierce and green,
a pliant whip of furious briar
splitting the soil, gulping the light.
You hack it down. It skulks between
the flagstones of the garden path
to nurse a hungry spur in shade
against the porch. With iron spade
you dig and drag it from the gravel
and toss it living on the fire.
‘It claws up towards the light again
hidden from view, avoiding battle
beyond the fence. Unnoticed, then,
unloved, unfed, it clings and grows
in the wild hedge. The subtle briar
armors itself with desperate thorns
and stubborn leaves – and struggling higher,
unquenchable, it now adorns
itself with blossom, till the stalk
is crowned with beauty, papery white
fine petals thin as chips of chalk
or shaven bone, drinking the light.
‘Izabela, Aniela, Alicia, Eugenia,
Stefania, Rozalia, Pelagia, Irena,
Alfreda, Apolonia, Janina, Leonarda,
Czeslava, Stanislava, Vladyslava, Barbara,
Veronika, Vaclava, Bogumila, Anna,
Genovefa, Helena, Jadviga, Joanna,
Kazimiera, Ursula, Vojcziecha, Maria,
Wanda, Leokadia, Krystyna, Zofia.
‘When you cut down the hybrid rose
to cull and plough its tender bed,
trust there is life beneath your blade:
the suckering briar below the graft,
the wildflower stock of strength and thorn
whose subtle roots are never dead.
”
”
Elizabeth Wein (Rose Under Fire)
“
“Shut up!” I say, laughing hysterically. Alice transforms back to an inanimate jade piece as I toss her. My aim is off and she plops into Morpheus’s tea, splattering him and the chessboard.
With a graceful sweep of his hand, he retracts his magic. Tea drizzles down his face as his inky eyes turn up to mine, alight with something both dangerous and daring, shifting moods faster than I can blink.
“Careful, plum.” It’s his deep cockney accent now. He wipes his face with a napkin. “Don’t start something you have no intention of finishing.”
“Oh, I’ll finish it,” I say—spurred by the dark confidence fluttering at the edge of my psyche. The side of me that knows I’m his match in every way. “And you know I’ll win.” I rise from my chair to scope out the room for weapons, vaguely aware of the prisms of glittery light reflected off my skin onto the surroundings.
“I know I’ll let you win,” Morpheus says, standing up. “I won’t even put up a fight.” His white-toothed smile spans to something forebodingly provocative, as though mimicking the spread of his wings. “Well, perhaps a small one, just for sport.”
”
”
A.G. Howard (Ensnared (Splintered, #3))
“
From time to time our national history has been marred by forgetfulness of the Jeffersonian principle that restraint is at the heart of liberty. In 1789 the Federalists adopted Alien and Sedition Acts in a shabby political effort to isolate the Republic from the world and to punish political criticism as seditious libel. In 1865 the Radical Republicans sought to snare private conscience in a web of oaths and affirmations of loyalty. Spokesmen for the South did service for the Nation in resisting the petty tyranny of distrustful vengeance. In the 1920's the Attorney General of the United States degraded his office by hunting political radicals as if they were Salem witches. The Nation's only gain from his efforts were the classic dissents of Holmes and Brandeis.
In our own times, the old blunt instruments have again been put to work. The States have followed in the footsteps of the Federalists and have put Alien and Sedition Acts upon their statute books. An epidemic of loyalty oaths has spread across the Nation until no town or village seems to feel secure until its servants have purged themselves of all suspicion of non-conformity by swearing to their political cleanliness.
Those who love the twilight speak as if public education must be training in conformity, and government support of science be public aid of caution.
We have also seen a sharpening and refinement of abusive power. The legislative investigation, designed and often exercised for the achievement of high ends, has too frequently been used by the Nation and the States as a means for effecting the disgrace and degradation of private persons. Unscrupulous demagogues have used the power to investigate as tyrants of an earlier day used the bill of attainder.
The architects of fear have converted a wholesome law against conspiracy into an instrument for making association a crime. Pretending to fear government they have asked government to outlaw private protest. They glorify "togetherness" when it is theirs, and call it conspiracy when it is that of others.
In listing these abuses I do not mean to condemn our central effort to protect the Nation's security. The dangers that surround us have been very great, and many of our measures of vigilance have ample justification. Yet there are few among us who do not share a portion of the blame for not recognizing soon enough the dark tendency towards excess of caution.
”
”
John F. Kennedy
“
Someone knocked on the back door. He push back the chair and had to pause. The wolf was angry that someone had breached his sanctuary. Not even his pack had been brave enough the past few days to approch him in his home.
By the time he stalked into the kitchen, he had it mostly under control. He jerked open the back door and expect to see one of his wolves. But it was Mercy.
She didn't look cheerful—but then, she seldom did when she had to come over and talk to him. She was tough and independent and not at all happy to have him interfere in any way with that independence. It had been a long time since someone had bossed him around the way she did—and he liked it. More than a wolf who'd been Alpha for twenty years ought to like it.
She smelled of burnt car oil, Jasmine from the shampoo she'd been using that month, and chocolate. Or maybe that last was the cookies on the plate she handed him.
"Here," she said stiffly. And he realize it was shyness in the corner of her mouth. "Chocolate usually helps me regain my balance when life kicks me in the teeth."
She didn't wait for him to say anything, just turned around and walked back to her house.
He took the cookies back to the office with him. After a few minutes, he ate one. Chocolate, thick and dark, spread across his tongue, it's bitterness alleviated by a sinfull amount of brown sugar and vanilla. He'd forgotten to eat and hadn't realized it.
But it wasn't the chocolate or the food that made him feel better. It was Mercy's kindness to someone she viewed as her enemy. And right at that moment, he realized something. She would never love him for what she could do for her.
He ate another cookie before getting up to make himself dinner.
”
”
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
“
The water was black and warm and he turned in the lake and spread his arms in the water and the water was so dark and so silky and he watched across the still black surface to where she stood on the shore with the horse and he watched where she stepped from her pooled clothing so pale, so pale, like a chrysalis emerging, and walked into the water.
She paused midway to look back. Standing there trembling in the water and not from the cold for there was none. Do not speak to her. Do not call. When she reached him he held out his hand and she took it. She was so pale in the lake she seemed to be burning. Like foxfire in a darkened wood. That burned cold. Like the moon that burned cold. Her black hair floating on the water about her, falling and floating on the water. She put her other arm about his shoulder and looked toward the moon in the west do not speak to her do not call and then she turned her face up to him. Sweeter for the larceny of time and flesh, sweeter for the betrayal. Nesting cranes that stood singlefooted among the cane on the south shore had pulled their slender beaks from their wingpits to watch. Me quieres? she said. Yes, he said. He said her name. God yes, he said.
”
”
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
“
Kansas afternoons in late summer are peculiar and wondrous things. Often they are pregnant, if not over-ripe, with a pensive and latent energy that is utterly incapable of ever finding an adequate release for itself. This results in a palpable, almost frenetic tension that hangs in the air just below the clouds. By dusk, spread thin across the quilt-work farmlands by disparate prairie winds, this formless energy creates an abscess in the fabric of space and time that most individuals rarely take notice of. But in the soulish chambers of particularly sensitive observers, it elicits a familiar recognition—a vague remembrance—of something both dark and beautiful. Some understand it simply as an undefined tranquility tinged with despair over the loss of something now forgotten. For others, it signifies something far more sinister, and is therefore something to be feared.
”
”
P.S. Baber (Cassie Draws the Universe)
“
I'm in love with you—ridiculous, isn't it?"
It's impossible. Why had she played with fire? Ridiculous, isn't it? If he knew how she felt, how much more impossible for him!
"You'll get over it," she said at last.
The smile widened, as if a deep appreciation for his own frailty spread only the most wicked amusement. "Is that all you have to say when a man bares his bloody soul and admits his absurdity?"
"I think you're in pain," she said, fighting the odd strangling panic. "I don't believe love is meant to be painful."
"No, of course not. Love is meant to be comfortable and safe, like Jeb Hardacre and his wife snoring before the kitchen fire. That is not what I feel about you." He laughed with obvious bravado. "This is a madness. I want to enter your skin. I want to discover your very essence—why you're so enthralling and mysterious to me. I cannot allow any of it.
”
”
Julia Ross (My Dark Prince)
“
Come,we cannot leave the poor man pacing the swamp.He will think we are engaging in something other than conversation."
Wickedly Savannah moved her body against his,her hands sliding provocatively, enticingly, over the rigid thickness straining his trousers. "Aren't we?" she asked with that infuriating sexy smile he could never resist.
"We have a lot of clean-up to do here, Savannah," he said severely. "And we need to get word to our people, spread the society's list through our ranks, warn those in danger."
Her fingers were working at the buttons of his shirt so that she could push the material aside to examin his chest and shoulder,where two of the worst wounds had been.She had to see his body for herself, touch him to assure herself he was completely healed. "I suggest, for now,that your biggest job is to create something for Gary to do so we can have a little privacy.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
The sea was smooth, warm and as dark as black velvet, not a ripple disturbing the surface. The distant coastline of Albania was dimly outlined by a faint reddish glow in the sky. Gradually, minute by minute, this faint glow deepened and grew brighter, spreading across the sky. Then suddenly the moon, enormous, wine-red, edged herself over the fretted battlement of mountains, and threw a straight blood-red path across the dark sea. The owls appeared now, drifting from tree to tree as silently as flakes of soot, hooting in astonishment as the moon rose higher and higher, turning to pink, then gold, and finally riding in a nest of stars, like a silver bubble.
”
”
Gerald Durrell (My Family and Other Animals (Corfu Trilogy, #1))
“
Promise me,” he whispers, “that you won’t go. For me. Do this one thing for me.” Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body. Do this one thing for me. Tobias’s dark eyes plead with me. But if I don’t go to Erudite, who will? Tobias? It’s the kind of thing he would do. I feel a stab of pain in my chest as I lie to him. “Okay.” “Promise,” he says, frowning. The pain becomes an ache, spreads everywhere—all mixed together, guilt and terror and longing. “I promise.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
Yet only minutes before, on the roof, a cold Havana between his lips, he had been silent, both he and his wife bundled in winter coats and hats as if about to set out on a journey. Dark against the sky. A statuesque couple. For a while the Brandenburg Gate was only a black mass, scanned off and on by police searchlights. But then the torchlight procession arrived, spreading like a stream of lava which, separated for a short time by the pylons, eventually flowed together again, unremitting, unstoppable, solemn, portentous, lighting up the night, lighting up the Gate to the quadriga of stallions, to the goddess's sign of victory. We too on the roof of Liebermann's house were lit by that fatal glow, even as we were hit with the smoke and stench of a hundred thousand and more torches.
”
”
Günter Grass (My Century)
“
We stumbled on in the darkness, over big stones and through large puddles, along the one road leading from the camp. The accompanying guards kept shouting at us and driving us with the butts of their rifles. Anyone with very sore feet supported himself on his neighbor's arm. Hardly a word was spoken; the icy wind did not encourage talk. Hiding his mouth behind his upturned collar, the man marching next to me whispered suddenly: "If our wives could see us now! I do hope they are better off in their camps and don't know what is happening to us."
That brought thoughts of my own wife to mind. And as we stumbled on for miles, slipping on icy spots, supporting each other time and again, dragging one another up and onward, nothing was said, but we both knew: each of us was thinking of his wife. Occasionally I looked at the sky, where the stars were fading and the pink light of the morning was beginning to spread behind a dark bank of clouds. But my mind clung to my wife's image, imagining it with an uncanny acuteness. I heard her answering me, saw her smile, her frank and encouraging look. Real or not, her look was then more luminous than the sun which was beginning to rise.
A thought transfixed me: for the first time in my life I saw the truth as it is set into song by so many poets, proclaimed as the final wisdom by so many thinkers. The truth – that love is the ultimate and the highest goal to which man can aspire. Then I grasped the meaning of the greatest secret that human poetry and human thought and belief have to impart: The salvation of man is through love and in love. I understood how a man who has nothing left in this world still may know bliss, be it only for a brief moment, in the contemplation of his beloved. In a position of utter desolation, when man cannot express himself in positive action, when his only achievement may consist in enduring his sufferings in the right way—an honorable way—in such a position man can, through loving contemplation of the image he carries of his beloved, achieve fulfillment. For the first time in my life I was able to understand the meaning of the words, "The angels are lost in perpetual contemplation of an infinite glory.
”
”
Viktor E. Frankl
“
This means, of course, that the most foundational change of all, the one from which all else issues, is hardest to track. It means that politics arises out of the spread of ideas and the shaping of imaginations. It means that symbolic and cultural acts have real political power. And it means that the changes that count take place not merely onstage as action but in the minds of those who are again and again pictured only as audience or bystanders. The revolution that counts is the one that takes place in the imagination; many kinds of change issue forth thereafter, some gradual and subtle, some dramatic and conflict-ridden—which is to say that revolution doesn't necessarily look like revolution.
”
”
Rebecca Solnit (Hope in the Dark: The Untold History of People Power)
“
I’m drinking a glass of water in the empty hotel bar at the Principe di Savoia and staring at the mural behind the bar and in the mural there is a giant mountain, a vast field spread out below it where villagers are celebrating in a field of long grass that blankets the mountain dotted with tall white flowers, and in the sky above the mountain it’s morning and the sun is spreading itself across the mural’s frame, burning over the small cliffs and the low-hanging clouds that encircle the mountain’s peak, and a bridge strung across a path through the mountain will take you to any point beyond that you need to arrive at, because behind that mountain is a highway and along that highway are billboards with answers on them – who, what, where, when, why – and I’m falling forward but also moving up toward the mountain, my shadow looming against its jagged peaks, and I’m surging forward, ascending, sailing through dark clouds, rising up, a fiery wind propelling me, and soon it’s night and stars hang in the sky above the mountain revolving as they burn. The stars are real. The future is that mountain.
”
”
Bret Easton Ellis
“
She managed a bored sigh. “I suppose we could do one picture, but a group shot won’t work. Nyx, how about one of you with your favorite child? Which one is that?” The brood rustled. Dozens of horrible glowing eyes turned toward Nyx. The goddess shifted uncomfortably, as if her chariot were heating up under her feet. Her shadow horses huffed and pawed at the void. “My favorite child?” she asked. “All my children are terrifying!” Percy snorted. “Seriously? I’ve met the Fates. I’ve met Thanatos. They weren’t so scary. You’ve got to have somebody in this crowd who’s worse than that.” “The darkest,” Annabeth said. “The most like you.” “I am the darkest,” hissed Eris. “Wars and strife! I have caused all manner of death!” “I am darker still!” snarled Geras. “I dim the eyes and addle the brain. Every mortal fears old age!” “Yeah, yeah,” Annabeth said, trying to ignore her chattering teeth. “I’m not seeing enough dark. I mean, you’re the children of Night! Show me dark!” The horde of arai wailed, flapping their leathery wings and stirring up clouds of blackness. Geras spread his withered hands and dimmed the entire abyss. Eris breathed a shadowy spray of buckshot across the void. “I am the darkest!” hissed one of the demons. “No, I!” “No! Behold my darkness!” If a thousand giant octopuses had squirted ink at the same time, at the bottom of the deepest, most sunless ocean trench, it could not have been blacker. Annabeth might as well have been blind. She gripped Percy’s hand and steeled her nerves. “Wait!” Nyx called, suddenly panicked. “I can’t see anything.” “Yes!” shouted one of her children proudly. “I did that!” “No, I did!” “Fool, it was me!” Dozens of voices argued in the darkness. The horses whinnied in alarm. “Stop it!” Nyx yelled. “Whose foot is that?” “Eris is hitting me!” cried someone. “Mother, tell her to stop hitting me!” “I did not!” yelled Eris. “Ouch!” The sounds of scuffling got louder. If possible, the darkness became even deeper. Annabeth’s eyes dilated so much, they felt like they were being pulled out of their sockets. She squeezed Percy’s hand. “Ready?” “For what?” After a pause, he grunted unhappily. “Poseidon’s underpants, you can’t be serious.” “Somebody give me light!” Nyx screamed. “Gah! I can’t believe I just said that!” “It’s a trick!” Eris yelled. “The demigods are escaping!” “I’ve got them,” screamed an arai. “No, that’s my neck!” Geras gagged. “Jump!” Annabeth told Percy. They leaped into the darkness, aiming for the doorway far, far below.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
Olujime was a pit fighter, an accountant, a magical warrior, and an ostrich whisperer. Somehow I was not surprised. “Is he going with you?” I asked. Thalia laughed. “No. Just helping us get ready. Seems like a good guy, but I don’t think he’s Hunter material. He’s not even, uh…a Greek-Roman type, is he? I mean, he’s not a legacy of you guys, the Olympians.” “No,” I agreed. “He is from a different tradition and parentage entirely.” Thalia’s short spiky hair rippled in the wind, as if reacting to her uneasiness. “You mean from other gods.” “Of course. He mentioned the Yoruba, though I admit I know very little about their ways.” “How is that possible? Other pantheons of gods, side by side?” I shrugged. I was often surprised by mortals’ limited imaginations, as if the world was an either/or proposition. Sometimes humans seemed as stuck in their thinking as they were in their meat-sack bodies. Not, mind you, that gods were much better. “How could it not be possible?” I countered. “In ancient times, this was common sense. Each country, sometimes each city, had its own pantheon of gods. We Olympians have always been used to living in close proximity to, ah…the competition.” “So you’re the sun god,” Thalia said. “But some other deity from some other culture is also the sun god?” “Exactly. Different manifestations of the same truth.” “I don’t get it.” I spread my hands. “Honestly, Thalia Grace, I don’t know how to explain it any better. But surely you’ve been a demigod long enough to
”
”
Rick Riordan (The Dark Prophecy (The Trials of Apollo, #2))
“
I drank some of that lake! I might have choked on a fish or a frog or a...a...a turtle!"
"It is wisest to keep one's mouth shut while sifting."
She skewered him with a frosty stare. "Now you tell me." Damn the fairy, anyway. There she stood, feeling ragtag and bedraggled, and he only looked more beautiful wet, all drippy and shimmery gold-velvet, his hair a wet tangle to his waist.
"Come Gabrielle," he said, extending his hand, "we must keep moving. They can track me by what little magic I'm using to sift, but only to a general vicinity. We need to keep sifting, to spread out their search."
"Is there anything else it's wisest to do that I should know about before we just pop off again?" She tucked her hands behind her back so he couldn't grab her and just sift rather than answering her. Besides, she needed a minute to brace herself for the next bout of traveling in a manner that defied all the known laws of physics.
"You might try kissing me. Better my tongue than a frog, no?" Dark eyes sparking gold, he reached for her.
"Close contest.
”
”
Karen Marie Moning (The Immortal Highlander (Highlander, #6))
“
Towards four o'clock the dew fell, and she smelled a gust of sweetness from the roses and a paleness showed in the sky to the East. It was cold; the wetness was cold on her hands and she felt her skirt dragging around her ankles... the light spread, there were long lines of cloud in the sky and presently above them the outline of the snow peaks appeared, cold and hard as if they were made of iron; they turned from black to grey to white while the hills were still in darkness.
Then the forest came, mysteriously out of the darkness, and the light moved down, turning the trees dark blue and green, and the terrace was full of a swimming light that was colourless and confusing... Then she looked up and saw that the Himalayas were showing in their full range, and were coloured in ash and orange and precious Chinese pink, deeper in the east, paler in the west.
The people called it 'the flowering of the snows
”
”
Rumer Godden (Black Narcissus)
“
Couldn’t we camp down by the lakes?” Nynaeve asked, patting her face with her kerchief. “It must be cooler down by the water.”
“Light,” Mat said, “I’d just like to stick my head in one of them. I might never take it out.”
Just then something roiled the waters of the nearest lake, the dark water phosphorescing as a huge body rolled beneath the surface. Length on man-thick length sent ripples spreading, rolling on and on until at last a tail rose, waving a point like a wasp’s stinger for an instant in the twilight, at least five spans into the air. All along that length fat tentacles writhed like monstrous worms, as many as a centipede’s legs. It slid slowly beneath the surface and was gone, only the fading ripples to say it had ever been.
Rand closed his mouth and exchanged a look with Perrin. Perrin’s yellow eyes were as disbelieving as he knew his own must be. Nothing that big could live in a lake that size. Those couldn’t have been hands on those tentacles. They couldn’t have been.
“On second thought,” Mat said faintly, “I like it right here just fine.
”
”
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
“
Milton's Eve! Milton's Eve! ... Milton tried to see the first woman; but Cary, he saw her not ... I would beg to remind him that the first men of the earth were Titans, and that Eve was their mother: from her sprang Saturn, Hyperion, Oceanus; she bore Prometheus" --
"Pagan that you are! what does that signify?"
"I say, there were giants on the earth in those days: giants that strove to scale heaven. The first woman's breast that heaved with life on this world yielded the daring which could contend with Omnipotence: the stregth which could bear a thousand years of bondage, -- the vitality which could feed that vulture death through uncounted ages, -- the unexhausted life and uncorrupted excellence, sisters to immortality, which after millenniums of crimes, struggles, and woes, could conceive and bring forth a Messiah. The first woman was heaven-born: vast was the heart whence gushed the well-spring of the blood of nations; and grand the undegenerate head where rested the consort-crown of creation. ...
I saw -- I now see -- a woman-Titan: her robe of blue air spreads to the outskirts of the heath, where yonder flock is grazing; a veil white as an avalanche sweeps from hear head to her feet, and arabesques of lighting flame on its borders. Under her breast I see her zone, purple like that horizon: through its blush shines the star of evening. Her steady eyes I cannot picture; they are clear -- they are deep as lakes -- they are lifted and full of worship -- they tremble with the softness of love and the lustre of prayer. Her forehead has the expanse of a cloud, and is paler than the early moon, risen long before dark gathers: she reclines her bosom on the ridge of Stilbro' Moor; her mighty hands are joined beneath it. So kneeling, face to face she speaks with God. That Eve is Jehova's daughter, as Adam was His son.
”
”
Charlotte Brontë (Shirley)
“
Finally, and even more seriously, I fear a return to the international climate that prevailed in the 1920s and '30s, when the United States withdrew from the global stage and countries everywhere pursued what they perceived to be their own interests without regard to larger and more enduring goals. When arguing that every age has its own Fascism, the Italian writer and Holocaust survivor Primo Levi added that the critical point can be reached “not just through the terror of police intimidation, but by denying and distorting information, by undermining systems of justice, by paralyzing the education system, and by spreading in a myriad subtle ways nostalgia for a world where order reigned.” If he is right (and I think he is), we have reason to be concerned by the gathering array of political and social currents buffeting us today—currents propelled by the dark underside of the technological revolution, the corroding effects of power, the American president’s disrespect for truth, and the widening acceptance of dehumanizing insults, Islamophobia, and anti-Semitism as being within the bounds of normal public debate. We are not there yet, but these feel like signposts on the road back to an era when Fascism found nourishment and individual tragedies were multiplied millions-fold.
”
”
Madeleine K. Albright (Fascism: A Warning)
“
Whitepeople believed that whatever the manners, under every dark skin was a jungle. Swift unnavigable waters, swinging screaming baboons, sleeping snakes, red gums ready for their sweet white blood. In a way, he thought, they were right. The more coloredpeople spent their strength trying to convince them how gentle they were, how clever and loving, how human, the more they used themselves up to persuade whites of something Negroes believed could not be questioned, the deeper and more tangled the jungle grew inside. But it wasn’t the jungle blacks brought with them to this place from the other (livable) place. It was the jungle whitefolks planted in them. And it grew. It spread. In, through and after life, it spread, until it invaded the whites who had made it. Touched them every one. Changed and altered them. Made them bloody, silly, worse than even they wanted to be, so scared were they of the jungle they had made. The screaming baboon lived under their own white skin; the red gums were their own. Meantime,
”
”
Toni Morrison (Beloved (Beloved Trilogy, #1))
“
As I went to stand up, I felt a tiny point of pressure on my back.
"Don't move," Kasey whispered.
I stayed bent over.
"Drop the knife," she said.
"Excuse me, I'm using it," I said.
She swallowed hard. "For what?"
"Mom and Dad. You."
The pressure on my back increased. "Drop it, Alexis."
Drop it? Like I was a bad dog running around with a sock in my mouth.
"How long will this take?" I asked, setting the knife on the floor. "I'm in the middle of something."
Get in the bathroom," she said.
The faster I indulged her, the faster it would be over with. So I walked into the bathroom. She followed, kicking the knife toward the end of the hallway and flipping on the bathroom light.
"What's this all about, Kasey?" I asked, turning around. At the sight of my face, she gasped, and the point of the fireplace poker she was holding wavered in her hands. I realized a second too late that I'd missed my chance to grab it and smash it into the side of her head.
"What's happening to you?" she whispered.
I glanced in the mirror. The darkness had begun to spread from my mouth and eyes. It leached out in inky puddles with thin tendrils of black snaking out in delicate feathery patterns.
What's happening to me? What was she talking about?
"So you have a pointy stick," I said. "Big deal. get out of my way."
"What are you going to do?" I sneered.
"Poke me?"
'I'll hit you, Lexi." Her face was stony. "As hard as I have to."
Whatever. I'm really not in the mood.
"Can we talk about this in the morning?" I asked. After I kill you?
"No," her eyes hardened. "Get your toothbrush."
"What?"
"Pick up your toothbrush, and stick it down your throat."
"Kasey-"
"Do it," she said.
"Ugh, fine. You're sick, you know that?"
"Get in the tub."
"Happy?"
I stuck the toothbrush into my throat. Instantly, I gagged and doubled over.
"Do it again," she said.
"God Kasey," I cried. Stabbing people was one thing. But making them barf- that was just disturbing.
”
”
Katie Alender (From Bad to Cursed (Bad Girls Don't Die, #2))
“
I thought you had to go to The Hall?" she said.
"To learn?" Dar looked genuinely surprised. "No, Kale, Wulder is everywhere, therefore His lessons are everywhere."
"I know Wulder made all things, and Pretender tried to copy His work. But I didn't know Wulder is everywhere. How could that be?"
"You're thinking of Wulder as having a body and moving from place to place." Dar stood and pivoted in a circle with his arms outstretched. "Wulder is everywhere. You can see His power by recognizing His work. When a flower opens, that's His work. When the stars twinkle at night, that's His work."
He paused, facing her. He let his arms fall to his sides. "Look at me, Kale. Right now, I am standing with Wulder all around me. I'm under His protection, within His will, standing on His pledge. And Wulder is, at the very same moment, in me."
"Me, too?" asked Kale.
"Yes." Dar knelt in front of her, his earnest face only inches away.
She looked into his dark brown eyes and saw strength and peace. She wondered at his patience with her. Often her marione masters gruffly explained things they thought she should already understand.
Dar winked before he continued, his funny face serious and yet cheerful at imparting what must be old knowledge to him. "So many people don't know who Wulder is or what He's capable of doing. Their ignorance doesn't make Wulder less of a being; it makes them less. Until they know, they can't be whole."
He leaned back and sighed, spread his arms out in a gesture of explanation, and continued, "It's so simple, Kale. Everything hinges on His willingness to be involved with our world. When a mountain stands instead of tumbling down. He's holding it there. If He were to leave..." Dar shook his head. "If He were to leave, all that He holds in order would spin out of control. But He will never leave.
”
”
Donita K. Paul (DragonSpell (DragonKeeper Chronicles, #1))
“
The rock I'd seen in my life looked dull because in all ignorance I'd never thought to knock it open. People have cracked ordinary New England pegmatite - big, coarse granite - and laid bare clusters of red garnets, or topaz crystals, chrysoberyl, spodumene, emerald. They held in their hands crystals that had hung in a hole in the dark for a billion years unseen.
I was all for it. I would lay about me right and left with a hammer, and bash the landscape to bits. I would crack the earth's crust like a piñata and spread to the light the vivid prizes in chunks within. Rock collecting was opening the mountains. It was like diving through my own interior blank blackness to remember the startling pieces of a dream: there was a blue lake, a witch, a lighthouse, a yellow path. It was like poking about in a grimy alley and finding an old, old coin. Nothing was at it seemed. The earth was like a shut eye. Mother's not dead, dear - she's only sleeping. Pry open the thin lid and find a crystalline intelligence inside, a rayed and sidereal beauty. Crystals grew inside rock like arithmetical flowers. They lengthened and spread, adding plane to plane in awed and perfect obedience to an absolute geometry that even the stones - maybe only the stones - understood.
”
”
Annie Dillard (An American Childhood)
“
In the afterglow of the Big Bang, humans spread in waves across the universe, sprawling and brawling and breeding and dying and evolving. There were wars, there was love, there was life and death. Minds flowed together in great rivers of consciousness, or shattered in sparkling droplets. There was immortality to be had, of a sort, a continuity of identity through replication and confluence across billions upon billions of years.
Everywhere they found life.
Nowhere did they find mind—save what they brought with them or created—no other against which human advancement could be tested.
With time, the stars died like candles. But humans fed on bloated gravitational fat, and achieved a power undreamed of in earlier ages.
They learned of other universes from which theirs had evolved. Those earlier, simpler realities too were empty of mind, a branching tree of emptiness reaching deep into the hyperpast.
It is impossible to understand what minds of that age—the peak of humankind, a species hundreds of billions of times older than humankind—were like. They did not seek to acquire, not to breed, not even to learn. They had nothing in common with us, their ancestors of the afterglow.
Nothing but the will to survive. And even that was to be denied them by time.
The universe aged: indifferent, harsh, hostile, and ultimately lethal.
There was despair and loneliness.
There was an age of war, an obliteration of trillion-year memories, a bonfire of identity. There was an age of suicide, as the finest of humanity chose self-destruction against further purposeless time and struggle.
The great rivers of mind guttered and dried.
But some persisted: just a tributary, the stubborn, still unwilling to yield to the darkness, to accept the increasing confines of a universe growing inexorably old.
And, at last, they realized that this was wrong. It wasn't supposed to have been like this.
Burning the last of the universe's resources, the final down-streamers—dogged, all but insane—reached to the deepest past. And—oh.
Watch the Moon, Malenfant. Watch the Moon. It's starting—
”
”
Stephen Baxter (Time (Manifold #1))
“
Occasionally I looked at the sky, where the stars were fading and the pink light of the morning was beginning to spread behind a dark bank of clouds. But my mind clung to my wife’s image, imagining it with an uncanny acuteness. I heard her answering me, saw her smile, her frank and encouraging look. Real or not, her look was then more luminous than the sun which was beginning to rise. A thought transfixed me: for the first time in my life I saw the truth as it is set into song by so many poets, proclaimed as the final wisdom by so many thinkers. The truth—that love is the ultimate and the highest goal to which man can aspire. Then I grasped the meaning of the greatest secret that human poetry and human thought and belief have to impart: The salvation of man is through love and in love. I understood how a man who has nothing left in this world still may know bliss, be it only for a brief moment, in the contemplation of his beloved. In a position of utter desolation, when man cannot express himself in positive action, when his only achievement may consist in enduring his sufferings in the right way —an honorable way—in such a position man can, through loving contemplation of the image he carries of his beloved, achieve fulfillment. For the first time in my life I was able to understand the meaning of the words, “The angels are lost in perpetual contemplation of an infinite glory.
”
”
Viktor E. Frankl (Man's Search for Meaning)
“
Mountains have long been a geography for pilgrimage, place where people have been humbled and strengthened, they are symbols of the sacred center. Many have traveled to them in order to find the concentrated energy of Earth and to realize the strength of unimpeded space. Viewing a mountain at a distance or walking around its body we can see its shape, know its profile, survey its surrounds. The closer you come to the mountain the more it disappears, the mountain begins to lose its shape as you near it, its body begins to spread out over the landscape losing itself to itself. On climbing the mountain the mountain continues to vanish. It vanishes in the detail of each step, its crown is buried in space, its body is buried in the breath. On reaching the mountain summit we can ask, “What has been attained?” - The top of the mountain? Big view? But the mountain has already disappeared. Going down the mountain we can ask, “What has been attained?” Going down the mountain the closer we are to the mountain the more the mountain disappears, the closer we are to the mountain the more the mountain is realized. Mountain’s realization comes through the details of the breath, mountain appears in each step. Mountain then lives inside our bones, inside our heart-drum. It stands like a huge mother in the atmosphere of our minds. Mountain draws ancestors together in the form of clouds. Heaven, Earth and human meet in the raining of the past. Heaven, Earth and human meet in the winds of the future. Mountain mother is a birth gate that joins the above and below, she is a prayer house, she is a mountain. Mountain is a mountain.
”
”
Joan Halifax (The Fruitful Darkness: A Journey Through Buddhist Practice and Tribal Wisdom)
“
—
If love wants you; if you’ve been melted
down to stars, you will love
with lungs and gills, with warm blood
and cold. With feathers and scales.
Under the hot gloom of the forest canopy
you’ll want to breathe with the spiral
calls of birds, while your lashing tail
still gropes for the waes. You’ll try
to haul your weight from simple sea
to gravity of land. Caught by the tide,
in the snail-slip of your own path, for moments
suffocating in both water and air.
If love wants you, suddently your past is
obsolete science. Old maps,
disproved theories, a diorama.
The moment our bodies are set to spring open.
The immanence that reassembles matter
passes through us then disperses
into time and place:
the spasm of fur stroked upright; shocked electrons.
The mother who hears her child crying upstairs
and suddenly feels her dress
wet with milk.
Among black branches, oyster-coloured fog
tongues every corner of loneliness we never knew
before we were loved there,
the places left fallow when we’re born,
waiting for experience to find its way
into us. The night crossing, on deck
in the dark car. On the beach wehre
night reshaped your face.
In the lava fields, carbon turned to carpet,
moss like velvet spread over splintered forms.
The instant spray freezes
in air above the falls, a gasp of ice.
We rise, hearing our names
called home through salmon-blue dusk, the royal moon
an escutcheon on the shield of sky.
The current that passes through us, radio waves,
electric lick. The billions of photons that pass
through film emulsion every second, the single
submicroscopic crystal struck
that becomes the phograph.
We look and suddenly the world
looks back.
A jagged tube of ions pins us to the sky.
—
But if, like starlings, we continue to navigate
by the rear-view mirror
of the moon; if we continue to reach
both for salt and for the sweet white
nibs of grass growing closest to earth;
if, in the autumn bog red with sedge we’re also
driving through the canyon at night,
all around us the hidden glow of limestone
erased by darkness; if still we sish
we’d waited for morning,
we will know ourselves
nowhere.
Not in the mirrors of waves
or in the corrading stream,
not in the wavering
glass of an apartment building,
not in the looming light of night lobbies
or on the rainy deck. Not in the autumn kitchen
or in the motel where we watched meteors
from our bed while your slow film, the shutter open,
turned stars to rain.
We will become
indigestible. Afraid
of choking on fur
and armour, animals
will refuse the divided longings
in our foreing blue flesh.
—
In your hands, all you’ve lost,
all you’ve touched.
In the angle of your head,
every vow and
broken vow. In your skin,
every time you were disregarded,
every time you were received.
Sundered, drowsed. A seeded field,
mossy cleft, tidal pool, milky stem.
The branch that’s released when the bird lifts
or lands. In a summer kitchen.
On a white winter morning, sunlight across the bed.
”
”
Anne Michaels
“
(I know, it's a poem but oh well).
Why! who makes much of a miracle?
As to me, I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach, just in the edge of the
water,
Or stand under trees in the woods,
Or talk by day with any one I love--or sleep in the bed at night with
any one I love,
Or sit at table at dinner with my mother,
Or look at strangers opposite me riding in the car,
Or watch honey-bees busy around the hive, of a summer forenoon,
Or animals feeding in the fields,
Or birds--or the wonderfulness of insects in the air,
Or the wonderfulness of the sun-down--or of stars shining so quiet
and bright,
Or the exquisite, delicate, thin curve of the new moon in spring;
Or whether I go among those I like best, and that like me best--
mechanics, boatmen, farmers,
Or among the savans--or to the soiree--or to the opera,
Or stand a long while looking at the movements of machinery,
Or behold children at their sports,
Or the admirable sight of the perfect old man, or the perfect old
woman,
Or the sick in hospitals, or the dead carried to burial,
Or my own eyes and figure in the glass;
These, with the rest, one and all, are to me miracles,
The whole referring--yet each distinct, and in its place.
To me, every hour of the light and dark is a miracle,
Every cubic inch of space is a miracle,
Every square yard of the surface of the earth is spread with the
same,
Every foot of the interior swarms with the same;
Every spear of grass--the frames, limbs, organs, of men and women,
and all that concerns them,
All these to me are unspeakably perfect miracles.
To me the sea is a continual miracle;
The fishes that swim--the rocks--the motion of the waves--the ships,
with men in them,
What stranger miracles are there?
”
”
Walt Whitman
“
Last Night’s Moon,"
“When will we next walk together
under last night’s moon?”
- Tu Fu
March aspens, mist
forest. Green rain pins down
the sea, early evening
cyanotype. Silver saltlines, weedy
toques of low tide, pillow lava’s
black spill indelible
in the sand. Unbroken
broken sea.
—
Rain sharpens marsh-hair
birth-green of the spring firs.
In the bog where the dead never disappear,
where river birch drown, the surface
strewn with reflection. This is the acid-soaked
moss that eats bones, keeps flesh;
the fermented ground where time stops and
doesn’t; dissolves the skull, preserves
the brain, wrinkled pearl in black mud.
—
In the autumn that made love
necessary, we stood in rubber boots
on the sphagnum raft and learned
love is soil–stronger than peat or sea–
melting what it holds.
The past
is not our own. Mole’s ribbon of earth,
termite house,
soaked sponge. It rises,
keloids of rain on wood; spreads,
milkweed galaxy, broken pod
scattering the debris of attention.
Where you are
while your body is here, remembering
in the cold spring afternoon.
The past
is a long bone.
—
Time is like the painter’s lie, no line
around apple or along thigh, though the apple
aches to its sweet edge, strains
to its skin, the seam of density. Invisible line
closest to touch. Lines of wet grass
on my arm, your tongue’s
wet line across my back.
All the history in the bone-embedded hills
of your body. Everything your mouth
remembers. Your hands manipullate
in the darkness, silver bromide
of desire darkening skin with light.
—
Disoriented at great depths,
confused by the noise of shipping routes,
whales hover, small eyes squinting as they consult
the magnetic map of the ocean floor. They strain,
a thousand miles through cold channels;
clicking thrums of distant loneliness
bounce off seamounts and abyssal plains. They look up
from perpetual dusk to rods of sunlight,
a solar forest at the surface.
Transfixed in the dark summer
kitchen: feet bare on humid
linoleum, cilia listening. Feral
as the infrared aura of the snake’s prey, the bees’
pointillism, the infrasonic
hum of the desert heard by the birds.
The nighthawk spans the ceiling;
swoops. Hot kitchen air
vibrates. I look up
to the pattern of stars under its wings.
”
”
Anne Michaels
“
It was a dead swan. Its body lay contorted on the beach like an abandoned lover. I looked at the bird for a long time. There was no blood on its feathers, no sight of gunshot. Most likely, a late migrant from the north slapped silly by a ravenous Great Salt Lake. The swan may have drowned. I knelt beside the bird, took off my deerskin gloves, and began smoothing feathers. Its body was still limp—the swan had not been dead long. I lifted both wings out from under its belly and spread them on the sand. Untangling the long neck which was wrapped around itself was more difficult, but finally I was able to straighten it, resting the swan’s chin flat against the shore. The small dark eyes had sunk behind the yellow lores. It was a whistling swan. I looked for two black stones, found them, and placed them over the eyes like coins. They held. And, using my own saliva as my mother and grandmother had done to wash my face, I washed the swan’s black bill and feet until they shone like patent leather. I have no idea of the amount of time that passed in the preparation of the swan. What I remember most is lying next to its body and imagining the great white bird in flight. I imagined the great heart that propelled the bird forward day after day, night after night. Imagined the deep breaths taken as it lifted from the arctic tundra, the camaraderie within the flock. I imagined the stars seen and recognized on clear autumn nights as they navigated south. Imagined their silhouettes passing in front of the full face of the harvest moon. And I imagined the shimmering Great Salt Lake calling the swans down like a mother, the suddenness of the storm, the anguish of its separation. And I tried to listen to the stillness of its body. At dusk, I left the swan like a crucifix on the sand. I did not look back.
”
”
Terry Tempest Williams (Refuge: An Unnatural History of Family and Place)
“
But where should he begin? - Well, then, the trouble with the English was their:
Their:
In a word, Gibreel solemnly pronounced, their weather.
Gibreel Farishta floating on his cloud formed the opinion that the moral fuzziness of the English was meteorologically induced. 'When the day is not warmer than the night,' he reasoned, 'when the light is not brighter than the dark, when the land is not drier than the sea, then clearly a people will lose the power to make distinctions, and commence to see everything - from political parties to sexual partners to religious beliefs - as much-the-same, nothing-to-choose, give-or-take. What folly! For truth is extreme, it is so and not thus, it is him and not her; a partisan matter, not a spectator sport. It is, in brief, heated. City,' he cried, and his voice rolled over the metropolis like thunder, 'I am going to tropicalize you.'
Gibreel enumerated the benefits of the proposed metamorphosis of London into a tropical city: increased moral definition, institution of a national siesta, development of vivid and expansive patterns of behaviour among the populace, higher-quality popular music, new birds in the trees (macaws, peacocks, cockatoos), new trees under the birds (coco-palms, tamarind, banyans with hanging beards). Improved street-life, outrageously coloured flowers (magenta, vermilion, neon-green), spider-monkeys in the oaks. A new mass market for domestic air-conditioning units, ceiling fans, anti-mosquito coils and sprays. A coir and copra industry. Increased appeal of London as a centre for conferences, etc.: better cricketeers; higher emphasis on ball-control among professional footballers, the traditional and soulless English commitment to 'high workrate' having been rendered obsolete by the heat. Religious fervour, political ferment, renewal of interest in the intellegentsia. No more British reserve; hot-water bottles to be banished forever, replaced in the foetid nights by the making of slow and odorous love. Emergence of new social values: friends to commence dropping in on one another without making appointments, closure of old-folks' homes, emphasis on the extended family. Spicier foods; the use of water as well as paper in English toilets; the joy of running fully dressed through the first rains of the monsoon.
Disadvantages: cholera, typhoid, legionnaires' disease, cockroaches, dust, noise, a culture of excess.
Standing upon the horizon, spreading his arms to fill the sky, Gibreel cried: 'Let it be.
”
”
Salman Rushdie (The Satanic Verses)
“
I probably should say that this is what makes you a good traveler in my opinion, but deep down I really think this is just universal, incontrovertible truth. There is the right way to travel, and the wrong way. And if there is one philanthropic deed that can come from this book, maybe it will be that I teach a few more people how to do it right. So, in short, my list of what makes a good traveler, which I recommend you use when interviewing your next potential trip partner: 1. You are open. You say yes to whatever comes your way, whether it’s shots of a putrid-smelling yak-butter tea or an offer for an Albanian toe-licking. (How else are you going to get the volcano dust off?) You say yes because it is the only way to really experience another place, and let it change you. Which, in my opinion, is the mark of a great trip. 2. You venture to the places where the tourists aren’t, in addition to hitting the “must-sees.” If you are exclusively visiting places where busloads of Chinese are following a woman with a flag and a bullhorn, you’re not doing it. 3. You are easygoing about sleeping/eating/comfort issues. You don’t change rooms three times, you’ll take an overnight bus if you must, you can go without meat in India and without vegan soy gluten-free tempeh butter in Bolivia, and you can shut the hell up about it. 4. You are aware of your travel companions, and of not being contrary to their desires/needs/schedules more often than necessary. If you find that you want to do things differently than your companions, you happily tell them to go on without you in a way that does not sound like you’re saying, “This is a test.” 5. You can figure it out. How to read a map, how to order when you can’t read the menu, how to find a bathroom, or a train, or a castle. 6. You know what the trip is going to cost, and can afford it. If you can’t afford the trip, you don’t go. Conversely, if your travel companions can’t afford what you can afford, you are willing to slum it in the name of camaraderie. P.S.: Attractive single people almost exclusively stay at dumps. If you’re looking for them, don’t go posh. 7. You are aware of cultural differences, and go out of your way to blend. You don’t wear booty shorts to the Western Wall on Shabbat. You do hike your bathing suit up your booty on the beach in Brazil. Basically, just be aware to show the culturally correct amount of booty. 8. You behave yourself when dealing with local hotel clerks/train operators/tour guides etc. Whether it’s for selfish gain, helping the reputation of Americans traveling abroad, or simply the spreading of good vibes, you will make nice even when faced with cultural frustrations and repeated smug “not possible”s. This was an especially important trait for an American traveling during the George W. years, when the world collectively thought we were all either mentally disabled or bent on world destruction. (One anecdote from that dark time: in Greece, I came back to my table at a café to find that Emma had let a nearby [handsome] Greek stranger pick my camera up off our table. He had then stuck it down the front of his pants for a photo. After he snapped it, he handed the camera back to me and said, “Show that to George Bush.” Which was obviously extra funny because of the word bush.) 9. This last rule is the most important to me: you are able to go with the flow in a spontaneous, non-uptight way if you stumble into something amazing that will bump some plan off the day’s schedule. So you missed the freakin’ waterfall—you got invited to a Bahamian family’s post-Christening barbecue where you danced with three generations of locals in a backyard under flower-strewn balconies. You won. Shut the hell up about the waterfall. Sally
”
”
Kristin Newman (What I Was Doing While You Were Breeding)
“
The Atonist nobility knew it was impossible to organize and control a worldwide empire from Britain. The British Isles were geographically too far West for effective management. In order to be closer to the “markets,” the Atonist corporate executives coveted Rome. Additionally, by way of their armed Templar branch and incessant murderous “Crusades,” they succeeded making inroads further east. Their double-headed eagle of control reigned over Eastern and Western hemispheres. The seats of Druidic learning once existed in the majority of lands, and so the Atonist or Christian system spread out in similar fashion. Its agents were sent from Britain and Rome to many a region and for many a dark purpose. To this very day, the nobility of Europe and the east are controlled from London and Rome. Nothing has changed when it comes to the dominion of Aton. As Alan Butler and Stephen Dafoe have proven, the Culdean monks, of whom we write, had been hired for generations as tutors to elite families throughout Europe. In their book The Knights Templar Revealed, the authors highlight the role played by Culdean adepts tutoring the super-wealthy and influential Catholic dynasties of Burgundy, Champagne and Lorraine, France. Research into the Templars and their affiliated “Salt Line” dynasties reveals that the seven great Crusades were not instigated and participated in for the reasons mentioned in most official history books. As we show here, the Templars were the military wing of British and European Atonists. It was their job to conquer lands, slaughter rivals and rebuild the so-called “Temple of Solomon” or, more correctly, Akhenaton’s New World Order. After its creation, the story of Jesus was transplanted from Britain, where it was invented, to Galilee and Judea. This was done so Christianity would not appear to be conspicuously Druidic in complexion. To conceive Christianity in Britain was one thing; to birth it there was another. The Atonists knew their warped religion was based on ancient Amenism and Druidism. They knew their Jesus, Iesus or Yeshua, was based on Druidic Iesa or Iusa, and that a good many educated people throughout the world knew it also. Their difficulty concerned how to come up with a believable king of light sufficiently appealing to the world’s many pagan nations. Their employees, such as St. Paul (Josephus Piso), were allowed to plunder the archive of the pagans. They were instructed to draw from the canon of stellar gnosis and ancient solar theologies of Egypt, Chaldea and Ireland. The archetypal elements would, like ingredients, simply be tossed about and rearranged and, most importantly, the territory of the new godman would be resituated to suit the meta plan.
”
”
Michael Tsarion (The Irish Origins of Civilization, Volume One: The Servants of Truth: Druidic Traditions & Influence Explored)
“
FATHER FORGETS W. Livingston Larned Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, “Goodbye, Daddy!” and I frowned, and said in reply, “Hold your shoulders back!” Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive—and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. “What is it you want?” I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding—this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: “He is nothing but a boy—a little boy!” I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much.
”
”
Dale Carnegie (How To Win Friends and Influence People)
“
Dark gray, flexible, and infinitely tough. Seven-foot membranous wings of same color, found folded, spread out of furrows between ridges. Wing framework tubular or glandular, of lighter gray, with orifices at wing tips. Spread wings have serrated edge. Around equator, one at central apex of each of the five vertical, stave-like ridges are five systems of light gray flexible arms or tentacles found tightly folded to torso but expansible to maximum length of over three feet. Like arms of primitive crinoid. Single stalks three inches diameter branch after six inches into five substalks, each of which branches after eight inches into small, tapering tentacles or tendrils, giving each stalk a total of twenty-five tentacles.
At top of torso blunt, bulbous neck of lighter gray, with gill-like suggestions, holds yellowish five-pointed starfish-shaped apparent head covered with three-inch wiry cilia of various prismatic colors. Head thick and puffy, about two feet point to point, with three-inch flexible yellowish tubes projecting from each point. Slit in exact center of top probably breathing aperture. At end of each tube is spherical expansion where yellowish membrane rolls back on handling to reveal glassy, red-irised globe, evidently an eye. Five slightly longer reddish tubes start from inner angles of starfish-shaped head and end in saclike swellings of same color which, upon pressure, open to bell-shaped orifices two inches maximum diameter and lined with sharp, white tooth like projections - probably mouths. All these tubes, cilia, and points of starfish head, found folded tightly down; tubes and points clinging to bulbous neck and torso. Flexibility surprising despite vast toughness.
At bottom of torso, rough but dissimilarly functioning counterparts of head arrangements exist. Bulbous light-gray pseudo-neck, without gill suggestions, holds greenish five-pointed starfish arrangement. Tough, muscular arms four feet long and tapering from seven inches diameter at base to about two and five-tenths at point. To each point is attached small end of a greenish five-veined membranous triangle eight inches long and six wide at farther end. This is the paddle, fin, or pseudofoot which has made prints in rocks from a thousand million to fifty or sixty million years old. From inner angles of starfish-arrangement project two-foot reddish tubes tapering from three inches diameter at base to one at tip. Orifices at tips. All these parts infinitely tough and leathery, but extremely flexible. Four-foot arms with paddles undoubtedly used for locomotion of some sort, marine or otherwise. When moved, display suggestions of exaggerated muscularity. As found, all these projections tightly folded over pseudoneck and end of torso, corresponding to projections at other end.
”
”
H.P. Lovecraft
“
Scene I. A little dark Parlour in Boston: Guards standing at the door. Hazlerod, Crusty Crowbar, Simple Sapling, Hateall, and Hector Mushroom. Simple. I know not what to think of these sad times, The people arm'd,—and all resolv'd to die Ere they'll submit.—— Crusty Crowbar. I too am almost sick of the parade Of honours purchas'd at the price of peace. Simple. Fond as I am of greatness and her charms, Elate with prospects of my rising name, Push'd into place,—a place I ne'er expected, My bounding heart leapt in my feeble breast. And ecstasies entranc'd my slender brain.— But yet, ere this I hop'd more solid gains, As my low purse demands a quick supply.— Poor Sylvia weeps,—and urges my return To rural peace and humble happiness, As my ambition beggars all her babes. Crusty. When first I listed in the desp'rate cause, And blindly swore obedience to his will, So wise, so just, so good I thought Rapatio, That if salvation rested on his word I'd pin my faith, and risk my hopes thereon. Hazlerod. Any why not now?—What staggers thy belief? Crusty. Himself—his perfidy appears— It is too plain he has betray'd his country; And we're the wretched tools by him mark'd out To seal its ruins—tear up the ancient forms, And every vestige treacherously destroy, Nor leave a trait of freedom in the land. Nor did I think hard fate wou'd call me up From drudging o'er my acres, Treading the glade, and sweating at the plough, To dangle at the tables of the great; At bowls and cards to spend my frozen years; To sell my friends, my country, and my conscience; Profane the sacred sabbaths of my God; Scorn'd by the very men who want my aid To spread distress o'er this devoted people. Hazlerod. Pho—what misgivings—why these idle qualms, This shrinking backwards at the bugbear conscience; In early life I heard the phantom nam'd, And the grave sages prate of moral sense Presiding in the bosom of the just; Or planting thongs about the guilty heart. Bound by these shackles, long my lab'ring mind, Obscurely trod the lower walks of life, In hopes by honesty my bread to gain; But neither commerce, or my conjuring rods, Nor yet mechanics, or new fangled drills, Or all the iron-monger's curious arts, Gave me a competence of shining ore, Or gratify'd my itching palm for more; Till I dismiss'd the bold intruding guest, And banish'd conscience from my wounded breast. Crusty. Happy expedient!—Could I gain the art, Then balmy sleep might sooth my waking lids, And rest once more refresh my weary soul.
”
”
Mercy Otis Warren (The Group A Farce)
“
The people cast themselves down by the fuming boards
while servants cut the roast, mixed jars of wine and water,
and all the gods flew past like the night-breaths of spring.
The chattering female flocks sat down by farther tables,
their fresh prismatic garments gleaming in the moon
as though a crowd of haughty peacocks played in moonlight.
The queen’s throne softly spread with white furs of fox
gaped desolate and bare, for Penelope felt ashamed
to come before her guests after so much murder.
Though all the guests were ravenous, they still refrained,
turning their eyes upon their silent watchful lord
till he should spill wine in libation for the Immortals.
The king then filled a brimming cup, stood up and raised
it high till in the moon the embossed adornments gleamed:
Athena, dwarfed and slender, wrought in purest gold,
pursued around the cup with double-pointed spear
dark lowering herds of angry gods and hairy demons;
she smiled and the sad tenderness of her lean face,
and her embittered fearless glance, seemed almost human.
Star-eyed Odysseus raised Athena’s goblet high
and greeted all, but spoke in a beclouded mood:
“In all my wandering voyages and torturous strife,
the earth, the seas, the winds fought me with frenzied rage;
I was in danger often, both through joy and grief,
of losing priceless goodness, man’s most worthy face.
I raised my arms to the high heavens and cried for help,
but on my head gods hurled their lightning bolts, and laughed.
I then clasped Mother Earth, but she changed many shapes,
and whether as earthquake, beast, or woman, rushed to eat me;
then like a child I gave my hopes to the sea in trust,
piled on my ship my stubbornness, my cares, my virtues,
the poor remaining plunder of god-fighting man,
and then set sail; but suddenly a wild storm burst,
and when I raised my eyes, the sea was strewn with wreckage.
As I swam on, alone between sea and sky,
with but my crooked heart for dog and company,
I heard my mind, upon the crumpling battlements
about my head, yelling with flailing crimson spear.
Earth, sea, and sky rushed backward; I remained alone
with a horned bow slung down my shoulder, shorn of gods
and hopes, a free man standing in the wilderness.
Old comrades, O young men, my island’s newest sprouts,
I drink not to the gods but to man’s dauntless mind.”
All shuddered, for the daring toast seemed sacrilege,
and suddenly the hungry people shrank in spirit;
They did not fully understand the impious words
but saw flames lick like red curls about his savage head.
The smell of roast was overpowering, choice meats steamed,
and his bold speech was soon forgotten in hunger’s pangs;
all fell to eating ravenously till their brains reeled.
Under his lowering eyebrows Odysseus watched them sharply:
"This is my people, a mess of bellies and stinking breath!
These are my own minds, hands, and thighs, my loins and necks!"
He muttered in his thorny beard, held back his hunger
far from the feast and licked none of the steaming food.
”
”
Nikos Kazantzakis (The Odyssey: A Modern Sequel)