Darker Than The Night Quotes

Every star was darker than the night before it awoke.

Oh, what is brighter than the light? What is darker than the night? What is keener than an axe? What is softer than melting wax? Truth is brighter than the light, Falsehood darker than the night. Revenge is keener than an axe, And love is softer than melting wax.

There’s no misery so deep as one you face by yourself. No nights darker than ones you spend alone. But you can learn to live with any weight. Your scars grow thick enough, they become armour.

We were about to give up and call it a night when somebody threw the girl off the bridge.

The baby gazed up at Alec with grave eyes only a shade darker than Alec’s own. Alec gazed back at the baby. He looked as surprised as anyone else by the baby’s sudden hush.

To suffer woes which Hope thinks infinite; To forgive wrongs darker than death or night; To defy Power, which seems omnipotent; To love, and bear; to hope till Hope creates From it's own wreck the thing it contemplates; Neither to change, not falter, nor repent; This, like thy glory, Titan, is to be Good, great and joyous,beautiful and free; This is alone Life, Joy, Empire, and Victory

Truth is brighter than Light Falsehood darker than night Revenge is keener than Axe and Love is softer than melting wax

To suffer woes which Hope thinks infinite; To forgive wrongs darker than death or night; To defy power which seems omnipotent; To love, and bear; to hope till Hope creates From its own wreck the thing it contemplates Life may change, but it may fly not; Hope may vanish, but can die not; Truth be veiled, but still it burneth; Love repulsed -but it returneth.

There is no darkness like that of a confined space. It's darker than the inside of eyelids, and darker than the night.

Is there a darker night of the soul than eighth grade?

Oh, what is brighter than the light? What is darker than the night? What is kkener than an axe? What is softer than melting wax? Truth is brighter than the light, Falsehood darker than the night, Revenge is keener than an axe, And love is softer than melting wax.

There's no misery so deep as one you face by yourself. No nights darker than ones you spend alone. But you can learn to live with any weight. Your scars grow thick enough, they become armour.

… the river sliding along its banks, darker now than the sky descending a last time to scatter its diamonds into these black waters that contain the day that passed, the night to come. — Excerpt from the poem “The Mercy

Go to hell, I whispered. The night darker than ever, leaned in against the window panes.

Her skin was more luminous than the moon, her eyes wider than the sky, deeper than the water, darker than the night.

There’s no misery so deep as one you face by yourself. No nights darker than ones you spend alone. But you can learn to live with any weight. Your scars grow thick enough, they become armor.

Where does such tenderness come from?” Where does such tenderness come from? These aren’t the first curls I’ve wound around my finger— I’ve kissed lips darker than yours. The sky is washed and dark (Where does such tenderness come from?) Other eyes have known and shifted away from my eyes. But I’ve never heard words like this in the night (Where does such tenderness come from?) with my head on your chest, rest. Where does this tenderness come from? And what will I do with it? Young stranger, poet, wandering through town, you and your eyelashes—longer than anyone’s.

Gentleness, Virtue, Wisdom, and Endurance, These are the seals of that most firm assurance Which bars the pit over Destruction's strength; And if, with infirm hand, Eternity, Mother of many acts and hours, should free The serpent that would clasp her with his length; These are the spells by which to reassume An empire o'er the disentangled doom. To suffer woes which Hope thinks infinite; To forgive wrongs darker than death or night; To defy Power, which seems omnipotent; To love, and bear; to hope till Hope creates From its own wreck the thing it contemplates; Neither to change, nor falter, nor repent; This, like thy glory, Titan, is to be Good, great and joyous, beautiful and free; This is alone Life, Joy, Empire, and Victory.

I'm a writer and this is what I do no matter what name we put to it. Year by year, the world is turning into a darker and stranger place than any of us could want. This is the only thing I do that has potential to shine a little further than my immediate surroundings. For me, each story is a little candle held up to the dark of night, trying to illuminate the hope for a better world where we all respect and care for each other.

Because the night you asked me, the small scar of the quarter moon had healed - the moon was whole again; because life seemed so short; because life stretched out before me like the halls of a nightmare; because I knew exactly what I wanted; because I knew exactly nothing; because I shed my childhood with my clothes - they both had years of wear in them; because your eyes were darker than my father's; because my father said I could do better; because I wanted badly to say no; because Stanly Kowalski shouted "Stella...;" because you were a door I could slam shut; because endings are written before beginnings; because I knew that after twenty years you'd bring the plants inside for winter and make a jungle we'd sleep in naked; because I had free will; because everything is ordained; I said yes.

in the water is a woman of such beauty that her skin is paler than the white marble and her hair is darker than the night skies. He falls in love with her at once, and she with him, and he takes her to the castle and makes her his wife.

...Sunday evenings are heavier than clouds with rain, darker too and often interminable...

I lay down in the grass, my eyes growing heavy with exhaustion, and I looked to the mountains, now darker than night against the constellations. And I wondered what sort of things would haunt my sleep, if I ever gave my mind and heart the chance to dream.

Oh, what is brighter than the light? What is darker than the night? What is keener than an axe? What is softer than melting wax? Truth is brighter than the light, Falsehood darker than the night. Revenge is keener than an axe, And love is softer than melting wax.

It isn’t Easter,” he said, “but this week has caused me to think a lot about the Easter story. Not the glorious resurrection that we celebrate on Easter Sunday but the darkness that came before. I know of no darker moment in the Bible than the moment Jesus in his agony on the cross cries out, ‘Father, why have you forsaken me?’ Darker even than his death not long after because in death Jesus at last gave himself over fully to the divine will of God. But in that moment of his bitter railing he must have felt betrayed and completely abandoned by his father, a father he’d always believed loved him deeply and absolutely. How terrible that must have been and how alone he must have felt. In dying all was revealed to him, but alive Jesus like us saw with mortal eyes, felt the pain of mortal flesh, and knew the confusion of imperfect mortal understanding. “I see with mortal eyes. My mortal heart this morning is breaking. And I do not understand. “I confess that I have cried out to God, ‘Why have you forsaken me?’ ” Here my father paused and I thought he could not continue. But after a long moment he seemed to gather himself and went on. “When we feel abandoned, alone, and lost, what’s left to us? What do I have, what do you have, what do any of us have left except the overpowering temptation to rail against God and to blame him for the dark night into which he’s led us, to blame him for our misery, to blame him and cry out against him for not caring? What’s left to us when that which we love most has been taken? “I will tell you what’s left, three profound blessings. In his first letter to the Corinthians, Saint Paul tells us exactly what they are: faith, hope, and love. These gifts, which are the foundation of eternity, God has given to us and he’s given us complete control over them. Even in the darkest night it’s still within our power to hold to faith. We can still embrace hope. And although we may ourselves feel unloved we can still stand steadfast in our love for others and for God. All this is in our control. God gave us these gifts and he does not take them back. It is we who choose to discard them. “In your dark night, I urge you to hold to your faith, to embrace hope, and to bear your love before you like a burning candle, for I promise that it will light your way. “And whether you believe in miracles or not, I can guarantee that you will experience one. It may not be the miracle you’ve prayed for. God probably won’t undo what’s been done. The miracle is this: that you will rise in the morning and be able to see again the startling beauty of the day. “Jesus suffered the dark night and death and on the third day he rose again through the grace of his loving father. For each of us, the sun sets and the sun also rises and through the grace of our Lord we can endure our own dark night and rise to the dawning of a new day and rejoice. “I invite you, my brothers and sisters, to rejoice with me in the divine grace of the Lord and in the beauty of this morning, which he has given us.

The snowmen stood in bunches, in families, and the breeze generated by the car snatched at their striped scarves. Snowmen fathers and snowgirl mothers with their snowchildren and snowpuppies. Top hats were in abundance, as were corncob pipes and carrot noses. They waved the crooked sticks of their arms, saluting Mr. Manx, Wayne, and NOS4A2 as they went by. The black coals of their eyes gleamed, darker than the night, brighter than the stars.

People think blood red, but blood don't got no colour. Not when blood wash the floor she lying on as she scream for that son of a bitch to come, the lone baby of 1785. Not when the baby wash in crimson and squealing like it just depart heaven to come to hell, another place of red. Not when the midwife know that the mother shed too much blood, and she who don't reach fourteen birthday yet speak curse 'pon the chile and the papa, and then she drop down dead like old horse. Not when blood spurt from the skin, on spring from the axe, the cat-o'-nine, the whip, the cane and the blackjack and every day in slave life is a day that colour red. It soon come to pass when red no different from white or blue or black or nothing. Two black legs spread wide and mother mouth screaming. A black baby wiggling in blood on the floor with skin darker than midnight but the greenest eyes anybody ever done seen. I goin' call her Lilith. You can call her what they call her.

The night had gotten darker now, the sky more indigo than lavender, and the moon rose over the hills, bright and cold and white. The perfect night for witching.

your sure body lit candles for men on dark nights, and now your night is darker than the candle’s reach and we will forget you,

The dark turns into madness. It rocks and rages. Dark things, darker than the night itself, rush upon us in great waves, over us and onwards.

Xaden's head snaps in my direction. 'Violence?' I take a step and then another, holding my frame upright with muscle memory I didn't have last year, and begin to cross. Xaden swings his legs up and then fucking jumps to his feet. 'Turn around right now!' he shouts. 'Come with me,' I call over the wind, bracing myself as gust whips my skirt against my legs. 'Should have gone with the pants,' I mutter and keep walking. He's already coming my way, his strides just as long and confident as if he was on solid ground, eating up the distance between us as I move forward slowly until we meet. 'What the fuck are you doing out here?' he asks, locking his hands on my waist. He's in riding leathers, not a dress uniform, and he's never looked better. What am I doing out here? I'm risking everything to reach him. And if he rejects me... No. There's no room for fear on the parapet. 'I could ask you the same thing.' His eyes widen. 'You could have fallen and died!' 'I could say the same thing.' I smile, but it's shaky. The look in his eyes is wild, like he's been driven past the point where he can contain himself in the neat, apathetic façade he usually wears in public. It doesn't scare me. I like him better when he's real with me, anyway. 'And did you stop to think that if you fall and die, then I can die?' He leans in and my pulse jumps. 'Again,' I say softly, resting my hands on his firm chest, right above his heartbeat, 'I could say the same thing.' Even if Xaden's death wouldn't kill Sgaeyl, I'm not sure I could survive it.' Shadows rise, darker than the night that surrounds us. 'You're forgetting that I wield shadows, Violence. I'm just as safe out here as I am in the courtyard. Are you going to wield lightning to break your fall?' Fine. That's a good point. 'I... perhaps did not think that part through as thoroughly as you,' I admit. I wanted to be close to him, so I got close, parapet be damned.' 'You're seriously going to be the death of me.' His fingers flex at my waist. 'Go back.' It's not a rejection, not with the way he's looking at me. We've been sparring emotionally for the past month, hell, even longer than that, and one of us has to expose our jugular. I finally trust him enough to know he won't go for the kill. 'Only if you do. I want to be whereever you are.' And I mean it. Everyone else- everything else in the world can fall away and I won't care as long as I'm with him.

He lived then before me, he lived as much as he had ever lived---a shadow insatiable of splendid appearances, of frightful realities, a shadow darker than the shadow of the night, and draped nobly in the folds of a gorgeous eloquence. The vision seemed to enter the house with me---the stretcher, the phantom-bearers, the wild crowd of obedient worshipers, the gloom of the forests, the glitter of the reach between the murky bends, the beat of the drum regular and muffled like the beating of a heart, the heart of a conquering darkness.

It ends, he thought—no fear, only relief, and sadness. He had tried. Had given everything he could. But he was so tired. The rustle of leaves in his ears was getting louder, and he felt himself sinking against the tree, into the embrace of something softer than metal, darker than night. His heart slowed, winding down like a music box, a season at its end. The last air left Holland’s lungs. And then, at last, the world breathed in.

He has two antagonists: the first presses him from behind, from the origin. The second blocks the road ahead. He gives battle to both. To be sure, the first supports him in his fight with the second, for he wants to push him forward, and in the same way the second supports him in his fight with the first, since he drives him back. But it is only theoretically so. For it is not only the two antagonists who are there, but he himself as well, and who really knows his intentions? His dream, though, is that some time in an unguarded moment and this would require a night darker than any night has ever been yet he will jump out of the fighting line and be promoted, on account of his experience in fighting, to the position of umpire over his antagonists in their fight with each other.

Oh, what is brighter than the light? What is darker than the night? What is keener than an axe? What is softer than melting wax? Truth is brighter than the light, Falsehood darker than the night. Revenge is keener than an axe, And love is softer than melting wax.

In the violent scorn of her revolted pride, of her indignant honor, had she forgotten a lowlier yet harder duty left undone? In her contempt and dread of yielding to mere amorous weakness had she stifled and denied the cry of pity, the cry of conscience? To suffer woes which hope thinks infinite. To forgive wrongs darker than death or night. To defy power which seems omnipotent. To love and live to hope till hope creates from it's own wreck the thing it contemplates. Neither to change, nor falter, nor repent. This had been the higher, diviner way which she had missed, this obligation from the passion of the past which she had left unfulfilled, unaccepted. Now the misgiving arose in her whether she had mistaken arrogance for duty; whether, cleaving so closely to honor she had forgotten the obligation of mercy.

She managed a bored sigh. “I suppose we could do one picture, but a group shot won’t work. Nyx, how about one of you with your favorite child? Which one is that?” The brood rustled. Dozens of horrible glowing eyes turned toward Nyx. The goddess shifted uncomfortably, as if her chariot were heating up under her feet. Her shadow horses huffed and pawed at the void. “My favorite child?” she asked. “All my children are terrifying!” Percy snorted. “Seriously? I’ve met the Fates. I’ve met Thanatos. They weren’t so scary. You’ve got to have somebody in this crowd who’s worse than that.” “The darkest,” Annabeth said. “The most like you.” “I am the darkest,” hissed Eris. “Wars and strife! I have caused all manner of death!” “I am darker still!” snarled Geras. “I dim the eyes and addle the brain. Every mortal fears old age!” “Yeah, yeah,” Annabeth said, trying to ignore her chattering teeth. “I’m not seeing enough dark. I mean, you’re the children of Night! Show me dark!” The horde of arai wailed, flapping their leathery wings and stirring up clouds of blackness. Geras spread his withered hands and dimmed the entire abyss. Eris breathed a shadowy spray of buckshot across the void. “I am the darkest!” hissed one of the demons. “No, I!” “No! Behold my darkness!” If a thousand giant octopuses had squirted ink at the same time, at the bottom of the deepest, most sunless ocean trench, it could not have been blacker. Annabeth might as well have been blind. She gripped Percy’s hand and steeled her nerves. “Wait!” Nyx called, suddenly panicked. “I can’t see anything.” “Yes!” shouted one of her children proudly. “I did that!” “No, I did!” “Fool, it was me!” Dozens of voices argued in the darkness. The horses whinnied in alarm. “Stop it!” Nyx yelled. “Whose foot is that?” “Eris is hitting me!” cried someone. “Mother, tell her to stop hitting me!” “I did not!” yelled Eris. “Ouch!” The sounds of scuffling got louder. If possible, the darkness became even deeper. Annabeth’s eyes dilated so much, they felt like they were being pulled out of their sockets. She squeezed Percy’s hand. “Ready?” “For what?” After a pause, he grunted unhappily. “Poseidon’s underpants, you can’t be serious.” “Somebody give me light!” Nyx screamed. “Gah! I can’t believe I just said that!” “It’s a trick!” Eris yelled. “The demigods are escaping!” “I’ve got them,” screamed an arai. “No, that’s my neck!” Geras gagged. “Jump!” Annabeth told Percy. They leaped into the darkness, aiming for the doorway far, far below.

Have you ever heard of the madman who on a bright morning lighted a lantern and ran to the market-place calling out unceasingly: "I seek God! I seek God!"—As there were many people standing about who did not believe in God, he caused a great deal of amusement. Why! is he lost? said one. Has he strayed away like a child? said another. Or does he keep himself hidden? Is he afraid of us? Has he taken a sea-voyage? Has he emigrated?—the people cried out laughingly, all in a hubbub. The insane man jumped into their midst and transfixed them with his glances. "Where is God gone?" he called out. "I mean to tell you! We have killed him,—you and I! We are all his murderers! But how have we done it? How were we able to drink up the sea? Who gave us the sponge to wipe away the whole horizon? What did we do when we loosened this earth from its sun? Whither does it now move? Whither do we move? Away from all suns? Do we not dash on unceasingly? Back-wards, sideways, forewards, in all directions? Is there still an above and below? Do we not stray, as through infinite nothingness? Does not empty space breathe upon us? Has it not become colder? Does not night come on continually, darker and darker? Shall we not have to light lanterns in the morning? Do we not hear the noise of the grave-diggers who are burying God? Do we not smell the divine putrefaction?—for even Gods putrefy! God is dead! God remains dead! And we have killed him! How shall we console ourselves, the most murderous of all murderers? The holiest and the mightiest that the world has hitherto possessed, has bled to death under our knife,—who will wipe the blood from us? With what water could we cleanse ourselves? What lustrums, what sacred games shall we have to devise? Is not the magnitude of this deed too great for us? Shall we not ourselves have to become Gods, merely to seem worthy of it? There never was a greater event,—and on account of it, all who are born after us belong to a higher history than any history hitherto!"—Here the madman was silent and looked again at his hearers; they also were silent and looked at him in surprise. At last he threw his lantern on the ground, so that it broke in pieces and was extinguished. "I come too early," he then said, "I am not yet at the right time. This prodigious event is still on its way, and is travelling,—it has not yet reached men's ears. Lightning and thunder need time, the light of the stars needs time, deeds need time, even after they are done, to be seen and heard. This deed is as yet further from them than the furthest star,—and yet they have done it!"—It is further stated that the madman made his way into different churches on the same day, and there intoned his Requiem æternam deo. When led out and called to account, he always gave the reply: "What are these churches now, if they are not the tombs and monuments of God?

Back in Henrietta, night proceeded. Richard Gansey was failing to sleep. When he closed his eyes: Blue’s hands, his voice, black bleeding from a tree. It was starting, starting. No. It was ending. He was ending. This was the landscape of his personal apocalypse. What was excitement when he was wakeful melted into dread when he was tired. He opened his eyes. He opened Ronan’s door just enough to confirm that Ronan was inside, sleeping with his mouth ajar, headphones blaring, Chainsaw a motionless lump in her cage. Then, leaving him, Gansey drove to the school. He used his old key code to get into Aglionby’s indoor athletic complex, and then he stripped and swam in the dark pool in the darker room, all sounds strange and hollow at night. He did endless laps as he used to do when he had first come to the school, back when he had been on the rowing team, back when he had sometimes come earlier than even rowing practice to swim. He had nearly forgotten what it felt like to be in the water: It was as if his body didn’t exist; he was just a borderless mind. He pushed himself off a barely visible wall and headed towards the even less visible opposite one, no longer quite able to hold on to his concrete concerns. School, Headmaster Child, even Glendower. He was only this current minute. Why had he given this up? He couldn’t remember even that. In the dark water he was only Gansey, now. He’d never died, he wasn’t going to die again. He was only Gansey, now, now, only now. He could not see him, but Noah stood on the edge of the pool and watched. He had been a swimmer himself, once.

Lack of knowledge is darker than night. ~ African Proverb

It's all there, it's all waiting. Of course it can be done; it depends upon ourselves. You say: "But again, we're scattered individuals. Everything's against us. Governments, money, press, television - all the new forces are used against us." All the great forces, all the material powers of the world, you say, are against you. And so they are - you're quite right to feel that. And I don't underrate them, but I don't despair and you shouldn't despair. Because you, like I, have read something of history. You know something of the record of the achievement of Europeans. And dark as this hour is, it's no darker, it's not as dark as some of the hours you've known in European history. When everything was cowardice, treachery, and betrayal. And when the Saracen hordes from far outside Europe swept right across that continent, and would've come on over our own Britain too, if they hadn't been stopped. And it didn't only happen once, it's happened more than once. Small bands of men in resolution, in absolute determination, giving themselves completely and saying "Europe shall live!" And they stood firm and faced the menace to Europe: its values, its civilizations, the glory of its achievement - all those things in mortal danger. And they stood firm, they faced it, they came together, and more and more ran it to their standards, and those hordes were thrown back. Again and again and again, our Europe lived in triumph because the will of Europe still endured! We've got other forces against us - not those particular forces, but the power of money, the power of press. All those things are against us. And how can you stop it? My friends, by an act of will, an act of the European will. My friends, today, just as much as in the past, we can meet the dark forces which in another way threaten our European life with eternal night. We can rally those forces, and in the end, we can prevail and we can triumph!

The Starboardia series is much darker than most of your work, especially the history about American slavery. Were you worried that might be too much for your younger audience?" "Not once," Mr. Bailey said. "I will never sugarcoat history so that certain people sleep better at night. The more we shed light on the problems of the world, past and present, the easier it will be to fix them.

'how then does soul differ from spirit?' you're probably asking yourself. although he must have been reasonably sure nobody was. "Well, soul is darker of color, denser of volume, saltier of flavor, rougher of texture, and tends to be more maternalistic than paternalistic: soul is connected to Mother Earth just as spirit is connected to Father Sky. Of course, mothers and fathers are prone to copulation, and in their commingled state, soul and spirit often can be difficult to distinguish the one from the other. Generally, if spirit is the fresh air cent and ambient lighting in the house of consciousness, if the spirit is the electrical system that illuminates that house, then soul is the smoky fireplace, the fragrant oven, the dusty wine cellar, the strange creeks we hear in the floorboards late at night. "It's a bit of a cliche to say it, but when you think of soul, you should think of things that are authentic and things that are deep. Anything superficial is not soulful. Anything artificial, imitative, or overly refined is not soulful. Wood has a stronger connection to soul than does plastic, although, paradoxically, thanks to human interface, a funky wooden table or chair can sometimes exceed in soulfulness the soul that may be invoked by a living tree.

On a long journey to Glen-Stone Isailed into its shade there before me she proudly shone my decision was already made. A lass who bore the light of the town her fur of ivory thread how she danced is stuck in my crown and back to this glen my boat led. Twenty some seasons have since passed since her eyes and mine both met through lands unnamed and wildly vast my blade slaying every threat Wolf, hawk, fox, and snake can't stand in my way my body is weak and it may break, but not today. Living in blackness wrought with fright my steel shattered facing the foes dusks and dawns darker than night my fallen companions in rows Life spilled past me staining the ground mylimbs growing ever so cold above villians let out a cackiling sound telling me i'd never grow old One dance and one mouse played in my mind calling me back from the doom the courage to carry on i did find to raise me out of my tomb Wolf, hawk, fox, and snake can't stand in my way my body is weak and it may break though not today Battered and bruised i stood to my paws raised what little i owned predators growled caring not for my cause of the mouse that shone light off Glen-stone Wolf, hawk, fox, and snake can't tand in my way my body is weak and it may break though not today. -The Ballad Of The Ivory Lass

London was a city of ghosts, some deader than others. Thorne knew that in this respect, it wasn't unlike any other major city - New York or Paris or Sydney - but he felt instinctively that London was .... at the extreme. The darker side of that history, as opposed to the parks, palaces and pearly kings' side that made busloads of Japanese and American tourists gawk and jabber. The hidden history of a city where the lonely, the dispossessed, the homeless, wandered the streets, brushing shoulders with the shadows of those that had come before them. A city in which the poor and the plague-ridden, those long-since hanged for stealing a loaf or murdered for a shilling, jostled for position with those seeking a meal, or a score, or a bed for the night. A city where the dead could stay lost a long time

It was darker in the tower than any place Devnee had ever been. The dark had textures, some velvet, some satin. The dark shifted positions. The dark continued to breathe. The breath of the tower lifted her clothing like the flaps of a tent, and sounded in her ears like falling snow. It's the wind coming through the double shutters, Devnee told herself. But how could the wind come through? There were glass windows between the inside and outside shutters. Or were there? The windows weren't just holes in the wall, were they? What if there was no glass? What if things crawled through those open louvers, crept into the room, blew in with the cold that fingered her hair? What creatures of the night could slither through those slats? She had not realized how wonderful glass was, how it protected you and kept you inside. She knew something was out there.

I was so used to being caught in the tides, but the moon always untangled me. The moon has always been here with me, and I am forever grateful. The stars left a trail as I follow it to a selfless soul. The night sky was darker than the deep blue sea, but I was granted a night light from the shooting stars.

Before" I always thought death would be like traveling in a car, moving through the desert, the earth a little darker than sky at the horizon, that your life would settle like the end of a day and you would think of everyone you ever met, that you would be the invisible passenger, quiet in the car, moving through the night, forever, with the beautiful thought of home.

I never knew my life was precious until a selfless human being saved it. I was so used to being caught in the tides, but the moon always untangled me. The moon has always been here with me, and I am forever grateful. The stars left a trail as I follow it to a selfless soul. The night sky was darker than the deep blue sea, but I was granted a night light from the shooting stars.

To suffer woes which Hope thinks infinite; To forgive wrongs darker than death or night; To defy power, which seems omnipotent; To love, and bear! to hope till Hope creates From its own wreck the thing it contemplates! Neither to change, nor falter, nor repent! This, like thy glory, Titan, is to be Good, great and joyous, beautiful and free; This is a long Life, Joy, Empire, and Victory.

Thoughts creep in of time earlier than that, a darker night some months before, the old barrister who thought that young female pupils were his for the taking, his for the groping. I had to struggle hard, kick him harder still before I was able to break free. I stop at the place where it happened, to the left of the stairs, wiping my hands down my skirt. Nearly two decades ago but still fresh in my mind.

And policemen. They were obliged to sneak past two en route to Kampa. Thomas was a contentedly law-abiding child, with fond feelings toward policemen. He was also afraid of them. His notion of prisons and jails had been keenly influenced by reading Dumas, and he had not the slightest doubt that little boys would, without compunction, be interred in them. He began to be sorry to have come along. He wished he had never come up with the idea of having Josef prove his mettle to the members of the Hofzinser Club. It was not that he doubted his brother’s ability. This never would have occurred to him. He was just afraid: of the night, the shadows, and the darkness, of policemen, his father’s temper, spiders, robbers, drunks, ladies in overcoats, and especially, this morning, of the river, darker than anything else in Prague.

In Ireland we hear but little of the darker powers, and come across any who have seen them even more rarely, for the imagination of the people dwells rather upon the fantastic and capricious, and fantasy and caprice would lose the freedom which is their breath of life, were they to unite them either with evil or with good. And yet the wise are of opinion that wherever man is, the dark powers who would feed his rapacities are there too, no less than the bright beings who store their honey in the cells of his heart, and the twilight beings who flit hither and thither, and that they encompass him with a passionate and melancholy multitude. They hold, too, that he who by long desire or through accident of birth possesses the power of piercing into their hidden abode can see them there, those who were once men or women full of a terrible vehemence, and those who have never lived upon the earth, moving slowly and with a subtler malice. The dark powers cling about us, it is said, day and night, like bats upon an old tree; and that we do not hear more of them is merely because the darker kinds of magic have been but little practised. I have indeed come across very few persons in Ireland who try to communicate with evil powers, and the few I have met keep their purpose and practice wholly hidden from those among whom they live.

Hurrying on, Barbee nodded to the workman as casually as he could. His skin felt goose-pimpled under the thin red robe, and he couldn't help shivering to a colder chill than he felt in the frosty air. For the quiet city, it seemed to him, was only a veil of painted illusion. Its air of sleepy peace concealed brooding horror, too frightful for sane minds to dwell upon. Even the cheery bricklayer with the lunch pail might - just might - be the monstrous Child of Night.

You're walking down Fool's Street, Laura used to say when he was drinking, and she had been right. He had known even then that she was right, but knowing had made no difference; he had simply laughed at her fears and gone on walking down it, till finally he had stumbled and fell. Then, for a long time, he stayed away, and if he had stayed away long enough he would have been all right; but one night he began walking down it again - and met the girl. It was inevitable that on Fool's Street there should be women as well as wine. He had walked down it many times in many different towns, and now he was walking down it once again in yet another town. Fool's Street never changed, no matter where you went, and this one was no different from the others. The same skeletonic signs bled beer names in vacant windows; the same winos sat in doorways nursing muscatel; the same drunk tank awaited you when at last your reeling footsteps failed. And if the sky was darker than usual, it was only because of the rain which had begun falling early that morning and been falling steadily ever since.

JAMIE'S SONG 'Bright Blue Dream': I watch the world go round and round. And see the sun go up and down. I think I’ve heard most every sound Except your voice. I feel the river by my feet. And let the tears dry indiscrete. Seems the horizon’s incomplete Without your face. The world is a colder place, Shadows everywhere you used to be. Darker than the darkest nights I’ve seen. And I try go back to that Bright blue dream. When there was nothing, there was nothing, but you and me. Clear blue sky. Yes there was something, there was something, I could not see.

Arianna simply wasn’t up to it. She had a pretty voice, she could carry a tune—that was never a problem. But she had no depth. She couldn’t interpret a song, place her stamp on it. Unlike Lesley, who fairly stomped on it! And that’s what you need in folk music. These are songs that have been around for hundreds, maybe thousands of years. They existed for centuries before any kind of recording was possible, even before people could write, for god’s sake! So the only way those songs lived and got passed on was by singers. The better singer you were, the more likely it was people were going to turn out to hear you and remember you—and remember the song—whether it was at a pub or wedding or ceilidh or just a knot of people seeking shelter under a tree during a storm. It’s a kind of time machine, really, the way you can trace a song from whoever’s singing it now back through the years—Dylan or Johnny Cash, Joanna Newsom or Vashti Bunyan—on through all those nameless folk who kept it alive a thousand years ago. People talk about carrying the torch, but I always think of that man they found in the ice up in the Alps. He’d been under the snow for 1,200 years, and when they discovered him, he was still wearing his clothes, a cloak of woven grass and a bearskin cap, and in his pocket they found a little bag of grass and tinder and a bit of dead coal. That was the live spark he’d been carrying, the bright ember he kept in his pocket to start a fire whenever he stopped. You’d have to be so careful, more careful than we can even imagine, to keep that one spark alive. Because that’s what kept you alive, in the cold and the dark. Folk music is like that. And by folk I mean whatever music it is that you love, whatever music it is that sustains you. It’s the spark that keeps us alive in the cold and night, the fire we all gather in front of so we know we’re not alone in the dark. And the longer I live, the colder and darker it gets. A song like “Windhover Morn” can keep your heart beating when the doctors can’t. You might laugh at that, but it’s true.

Kafka’s parable reads as follows:3 He has two antagonists: the first presses him from behind, from the origin. The second blocks the road ahead. He gives battle to both. To be sure, the first supports him in his fight with the second, for he wants to push him forward, and in the same way the second supports him in his fight with the first, since he drives him back. But it is only theoretically so. For it is not only the two antagonists who are there, but he himself as well, and who really knows his intentions? His dream, though, is that some time in an unguarded moment—and this would require a night darker than any night has ever been yet—he will jump out of the fighting line and be promoted, on account of his experience in

She says, "Afterward He shall come into the injurious hands of the unbelieving, and they will give God buffets with profane hands, and with impure mouth will spit out envenomed spittle; but He will with simplicity yield His holy back to stripes.  And He will hold His peace when struck with the fist, that no one may find out what word, or whence, He comes to speak to hell; and He shall be crowned with a crown of thorns.  And they gave Him gall for meat, and vinegar for His thirst:they will spread this table of inhospitality.  For thou thyself, being foolish, hast not understood thy God, deluding the minds of mortals, but hast both crowned Him with thorns and mingled for Him bitter gall.  But the veil of the temple shall be rent; and at midday it shall be darker than night for three hours.  And He shall die the death, taking sleep for three days; and then returning from hell, He first shall come to the light, the beginning of the resurrection being shown to the recalled.  "Lactantius

When we were little, I almost drowned in the fjord. I fell through the ice.” I looked at myself in the reflection. “Iri and I were trying to see how far out we could make it and when I heard the crack, I looked up and saw his face just before it gave way beneath me.” He took a step toward me. “It was so dark. I could hardly see. And then his hands had me, yanking me up and throwing me back onto the ice.” I remembered the way it looked. The water was a darker blue than I’d ever seen. “I don’t know how he didn’t fall in. I was so angry with him for coming to the edge like that.” My words trailed off. Once, he’d loved me enough to jump into the frozen water for me. But then he left. “We do things we have to do.” Fiske broke the thin silence between us. “If he hadn’t jumped in, you would have died.” He paused. “If I hadn’t taken you that night in Aurvanger, that Riki would have killed you.” I stood to face him. “I know.” “If I hadn’t put the arrow into your shoulder, someone else would have put one in your heart. If I hadn’t taken you as a dýr, you’d be in one of those other burned villages on the mountain.” “I know,” I said again. “I would do it again,” he said. “All of it.

It takes the better part of those months for Herr Thiessen to complete the clock. He works on little else, though the sum of money involved makes the arrangement more than manageable. Weeks are spent on the design and the mechanics. He hires an assistant to complete some of the basic woodwork, but he takes care of all the details himself. Herr Thiessen loves details and he loves a challenge. He balances the entire design on that one specific word Mr. Barris used. Dreamlike. The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock. But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else. The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As thought clock is falling apart, slowly and gracefully. All of this takes hours. The face of the clock becomes a darker grey, and then black, with twinkling stars where the numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actually paper pages that turn. There is a silver dragon curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress awaiting an absent prince. Teapots that our into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played. At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dressed in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the hour chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight the clock begins once more to fold in upon itself. The face lightens and the colds return. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream.

The doors led to Prince Rhy’s private chambers, and Gen and Parrish, as part of Prince Rhy’s private guard, had been stationed outside of them. Parrish was fond of the prince. He was spoiled, of course, but so was every royal—or so Parrish assumed, having served only the one—but he was also good-natured and exceedingly lenient when it came to his guard (hell, he’d given Parrish the deck of cards himself, beautiful, gilded-edge things) and sometimes, after a night of drinking, would shed his Royal and its pretentions and converse with them in the common tongue (his Arnesian was flawless). If anything, Rhy seemed to feel guilty for the persistent presence of the guards, as if surely they had something better to do with their time than stand outside his door and be vigilant (and in truth, most nights it was more a matter of discretion than vigilance). The best nights were the ones when Prince Rhy and Master Kell set out into the city, and he and Gen were allowed to follow at a distance or relieved of their duties entirely and allowed to stay for company rather than protection (everyone knew that Kell could keep the prince safer than any of his guard). But Kell was still away—a fact that had put the ever-restless Rhy in a mood—and so the prince had withdrawn early to his chambers, and Parrish and Gen had taken up their watch, and Gen had robbed Parrish of most of his pocket money

I’ll stay with you, Reep,” said Edmund. “And I too,” said Caspian. “And me,” said Lucy. And then Eustace volunteered also. This was very brave of him because never having read of such things or even heard of them till he joined the Dawn Treader made it worse for him than for the others. “I beseech your Majesty--” began Drinian. “No, my Lord,” said Caspian. “Your place is with the ship, and you have had a day’s work while we five have idled.” There was a lot of argument about this but in the end Caspian had his way. As the crew marched off to the shore in the gathering dusk none of the five watchers, except perhaps Reepicheep, could avoid a cold feeling in the stomach. They took some time choosing their seats at the perilous table. Probably everyone had the same reason but no one said it out loud. For it was really a rather nasty choice. One could hardly bear to sit all night next to those three terrible hairy objects which, if not dead, were certainly not alive in the ordinary sense. On the other hand, to sit at the far end, so that you would see them less and less as the night grew darker, and wouldn’t know if they were moving, and perhaps wouldn’t see them at all by about two o’clock--no, it was not to be thought of. So they sauntered round and round the table saying, “What about here?” and “Or perhaps a bit further on,” or “Why not on this side?” till at last they settled down somewhere about the middle but nearer to the sleepers than to the other end.

Aubade" Who lives where summer ends knows the hard cold of autumn is blissfully close, although it feels each season newly un- known. You are constantly newly unknown to me, my night-glowing open-hearted sting-of-salt weather. Rains and winds, sleights-of- hand. Who if not you could weigh me enough down. You’d paint my eyes blacker and warmer than they are and soon they would carry whole calendars of black night in them. You say you’re pulled back, but it is a rare thing inside those shocks of minutes that holds without our even needing to touch it. Maybe you think you trade one clean joy for another. But mine is darker, slanted, nitrous blue at the root, an acrostic of what is most free and far. To be another person than the one you were before means more than I understand. But my gradual hands move in streams over you whether you travel or not, as you drop into sleep or not, and in the book of this most-alone-place I am there only when you feel need, a coat so thin and so like skin you can touch the slopes, the smoother pools, dust-mooded winds over roads, the skeleton instrument of your voice as it richens the maps and paths, summer’s last shades of white on dark soil, as if the moon-moth and house-mouth were close against the lashes of your eyes, puzzles-in- flutter, or wandering off through the warm night air, unlikely ever again to find such light as this. from Boston Review: August 21, 2013

Dear One Million and Two Dreams, I never knew my life was precious until a selfless human being saved it. I was so used to being caught in the tides, but the moon always untangled me. The moon has always been here with me, and I am forever grateful. The stars left a trail as I follow it to a selfless soul. The night sky was darker than the deep blue sea, but I was granted a night light from the shooting stars. I made one million and one wishes on dandelions, and one of those millions of wishes came true. The never-ending sky seemed like it was falling on me. However, now the endless skies had been lifted and are filled with unlimited opportunities. My wings were clipped, but they grew back. However, they have been clipped again, and the process will continue until I free myself from my past. I made a million wishes, but none of them were on my side. I was exposed to a cut-throat life that spoke a language of hate. The emptiness in my life had more than one million questions. However, I was immune to abandon answers. Although I had one million questions, I received two million answers that were one lie after another. I walked around with one million and one brown paper bags with words written on them in different shades of ink and a dull pencil lead. I have a heavy rush in my heart because I’ve been fighting for so long, and now I can rest. When I think about it, I do not need a million wishes to come true. I feel my lips curving as they form a smile. Once upon a time, I made a million and two wishes, and two of them came true. I have my brother and Nurse Hope in my life—Ember; how much better can life get than this? So much better.

Violent Storm" Those who have chosen to pass the night Entertaining friends And intimate ideas in the bright, Commodious rooms of dreams Will not feel the slightest tremor Or be wakened by what seems Only a quirk in the dry run Of conventional weather. For them, The long night sweeping over these trees And houses will have been no more than one In a series whose end Only the nervous or morbid consider. But for us, the wide-awake, who tend To believe the worst is always waiting Around the next corner or hiding in the dry, Unsteady branch of a sick tree, debating Whether or not to fell the passerby, It has a sinister air. How we wish we were sunning ourselves In a world of familiar views And fixed conditions, confined By what we know, and able to refuse Entry to the unaccounted for. For now, Deeper and darker than ever, the night unveils Its dubious plans, and the rain Beats down in gales Against the roof. We sit behind Closed windows, bolted doors, Unsure and ill at ease While the loose, untidy wind, Making an almost human sound, pours Through the open chambers of the trees. We cannot take ourselves or what belongs To us for granted. No longer the exclusive, Last resorts in which we could unwind, Lounging in easy chairs, Recalling the various wrongs We had been done or spared, our rooms Seem suddenly mixed up in our affairs. We do not feel protected By the walls, nor can we hide Before the duplicating presence Of their mirrors, pretending we are the ones who stare From the other side, collected In the glassy air. A cold we never knew invades our bones. We shake as though the storm were going to hurl us down Against the flat stones Of our lives. All other nights Seem pale compared to this, and the brilliant rise Of morning after morning seems unthinkable. Already now the lights That shared our wakefulness are dimming And the dark brushes against our eyes.

It's all there, it's all waiting. Of course it can be done; it depends upon ourselves. You say: "But again, we're scattered individuals. Everything's against us. Governments, money, press, television - all the new forces are used against us." All the great forces, all the material powers of the world, you say, are against you. And so they are - you're quite right to feel that. And I don't underrate them, but I don't despair and you shouldn't despair. Because you, like I, have read something of history. You know something of the record of the achievement of Europeans. And dark as this hour is, it's no darker, it's not as dark as some of the hours you've known in European history. When everything was cowardice, treachery, and betrayal. And when the Saracen hordes from far outside Europe swept right across that continent, and would've come on over our own Britain too, if they hadn't been stopped. And it didn't only happen once, it's happened more than once. Small bands of men in resolution, in absolute determination, giving themselves completely and saying "Europe shall live!" And they stood firm and faced the menace to Europe: its values, its civilizations, the glory of its achievement - all those things in mortal danger. And they stood firm, they faced it, they came together, and more and more ran it to their standards, and those hordes were thrown back. Again and again and again, our Europe lived in triumph because the will of Europe still endured! We've got other forces against us - not those particular forces, but the power of money, the power of press. All those things are against us. And how can you stop it? My friends, by an act of will, an act of the European will. My friends, today, just as much as in the past, we can meet the dark forces which in another way threaten our European life with eternal night. We can rally those forces, and in the end, we can prevail and we can triumph!

You could have just asked.” She straightened up from Murphy and looked at me. “Instead, you took advantage of me and never said a word.” “I didn’t take advantage of you. I was just doing what I thought was best.” “Well, you don’t get to decide what’s best for me!” Her voice rose, and Murphy paused in purring to look up at her. “I don’t get a say?” I shot back, trying to hold on to my temper. She took a deep breath. “Of course you do. But you didn’t say anything. You just did. Just like at dinner. You just announced I was getting a restraining order. There was no conversation.” I opened my mouth, but she kept talking. “How am I supposed to trust you when you do things like this without me knowing?” “You don’t trust me anymore?” I said the words with quiet calm. Surely this wasn’t enough to ruin the trust between us. She blew out a breath and paced across the room. “I didn’t say that.” She spun away from me and looked at the wall. “I’m just upset.” I strode across the room. It was darker where she was. The lights were off in here, and from this position in the room, the crackling fire in the bedroom didn’t cast much light. My feet stopped when I was directly behind her. Usually, I would touch her without thought. But right then I paused. Fuck. That. I wrapped my hands around her wrists, then loosened my grip to slide my palms up her arms to rest at her shoulders. I felt her exhale, and I wrapped one of my arms across her chest and pulled her back against my front. “I could tell you I’m sorry,” I whispered in her ear. “I could whisper how much I love you and that I won’t ever do something like this again.” The back of her head hit my chest as I spoke. The silky strands of her perfectly straight hair tickled my lips as I talked, and the scent of her shampoo enticed me closer. “But I’m not going to apologize.” She stiffened, but I strengthened my hold, unwilling to let her pull away. I kept my voice whisper soft and my lips right beside her ear. “I’d do it again, in a friggin’ heartbeat if that’s what I thought you needed.” The frustration in her body was evident, but I ignored it. “Do you know how much I love you?” I whispered. “I love you so g**damned much that it scares the shit out of me. You have no idea the kind of power you wield, how much of me you own. Knowing you were completely vulnerable, that you were locked unknowingly in a bathroom with someone who literally lurked around while you were naked, while you were washing yourself, makes me sick. He could have raped you.” My voice broke on the last part because I had to force the words out of my mouth. “He didn’t,” she said quickly and tried to turn to face me. I wouldn’t let her. I liked her where she was. It was easier to bare my heart when she wasn’t staring into me with her eyes. “No, he didn’t. But he’s put bruises on you. The way you looked in that pool last night. The way your body just kind of stopped. You sank to the bottom with a dark cloud of hair obscuring your face. I knew you had to be reliving what happened. It broke me, Rim. Loving me has cost you so fucking much. Too much.” This time, she wouldn’t let me hold her. She spun around and tipped her chin up to look at me. I let her see. I let her see the bleakness in my eyes. “Loving you has given me way more than I imagined.” She reached up and brushed the backs of her knuckles across my cheek. I dragged my fingers through her hair. “It scares me too,” Rimmel whispered. “How much I love you.” “I’m going to protect you. I’m going to protect us,” I said. “I won’t ever stop.

In this life, my body has become a withered twig, where once I stood tall. I distantly remember the lush earth and beech forests of New England --- outside my bedroom window as a child --- growing in kingdoms. My parents near me. In this life, I bubble like an old man, when once I could fly over doubts and contradictions. In this life, my memories are the smoke I choke on, burning my eyes. In this life, I remember hungers that will never return. When I was once a lover with the bluest eyes she had ever seen --- deeper than Paul Newman's, darker than Frank Sinatra's. This life! This life is coming to an end without any explanation or apology, and where every sense of my soul or ray of light through a cloud promises to be my end. This life was an abrupt and tragic dream that seized me during the wee hours of a Saturday morning as the sunrise reflected off the mirror above her vanity table, leaving me speechless just as the world faded to white.

Behind me the past was darker than I had known it, not only irrecoverable, but unexplored, unexplorable.

Slightly further afield, you will find Baroque palaces such as Nymphenberg and Schlossheim, with wonderful parks and art galleries. On a slightly darker note, Dachau Concentration Camp is around 10 miles from town. Trains go there from Munich’s main train station every ten minutes and the journey takes less than 15 minutes. Transport in Munich is well organised with a network of trains – S‐Bahn is the suburban rail; U‐Bahn is underground and there are trams and buses. The S‐Bahn connects Munich Airport with the city at frequent intervals depending on the time of day or night. Munich is especially busy during Oktoberfest, a beer festival that began in the 19th century to celebrate a royal wedding, and also in the Christmas market season, which runs from late November to Christmas Eve. Expect wooden toys and ornaments, cakes and Gluwien. The hot mulled wine stands require a deposit for each mug. This means that locals stand chatting at the stalls while drinking. As a result, the solo traveller is never alone. The downside of Munich is that it is a commercial city, one that works hard and sometimes has little patience for tourists. Natives of Munich also have a reputation for being a little snobbish and very brand conscious. To read: The Book Thief by Markus Zusak. Narrated by death himself, this novel tells of a little girl sent to a foster family in 1939. She reads The Grave Diggers Handbook each evening with her foster father and, as her love of reading grows, she steals a book from a Nazi book burning. From this, her renegade life begins.

Did you do it?” “Did I... did I do what?” The fury in his eyes drained the blood from her face.  His jaw ticked. “Were you or were you not involved in the theft of the powder from the magazine?” Her lungs started a desperate quest for air. What could she say? The ugly truth must be exposed, but didn’t he already know? Nathaniel stepped closer. “Deny it. I must hear you deny it.” Thomas neared, his own tone heavy. “What is he speaking of, Kitty?” Eliza came to stand behind Kitty and held her shoulders. “Nathaniel, come now, you know she would never do any such thing.” Kitty reached out to grip the chair beside her as the room wavered. Dear Lord, give me strength! Nathaniel stepped closer, looming only inches from her, his hazel eyes now darker than night. “Say it!” “’Tis not what you think Nathaniel, if you’ll only let me explain!” Nathaniel’s face contorted and he stepped back as if she were riddled with pox. The anger in his soft tone ripped the strength from her legs and she clutched the chair to stay erect. “You knew full well our desperation to keep the powder out of enemy hands and now I discover you were complicit!” “Nay!”  “You are the enemy, Kitty.” “Nay!” She lunged forward, choking on her tears. “Nathaniel please, I didn’t have a choice! If you will listen—” “Enough!” A crack of thunder shook the house as he stormed to the door.  Kitty stumbled forward. “Wait!” She gripped his arm, her limbs unstable under the weight of his deadly glare. “Nathaniel, listen to me. This note was bound for Plymouth. James gave it to Henry, but he dropped it and I—” “I refuse to listen to your lies.

It was just a person, she told herself as the figure now turned to face her fully. A person wearing a cloak darker than night, a hood so heavy it concealed every feature of the face inside. It sniffed at her, a huffing, animal sound. She didn’t dare move. It sniffed again, and took a step toward her. The way it moved, like smoke and shadow … A faint warmth bloomed against her chest, then a pulsing blue light— The Eye of Elena was glowing. The thing halted, and Celaena stopped breathing. It hissed, and then slithered a step back into the shadows beyond the library doors. The tiny blue gem in the center of her amulet glowed brighter, and Celaena blinked against the light. When she opened her eyes, the amulet was dark, and the hooded creature was gone. Not a trace, not even a sound of footsteps.

the bog was already bigger than a king’s ego and at night darker and more dangerous than a badger’s arsehole—ye just really didn’t want to be pokin

I didn’t consciously fall asleep; it’s just that the chair was soft and comfortable, the room was dark and warm, and maybe it was the protection of those black eyes that reflected the blinking of the silly lights. Those eyes were not looking into the small darkness outside the double-paned windows; they were looking farther and to a place about which I did not know. There was nothing that would overtake us tonight that those eyes would not see, nothing that would not deal plainly with a king not in his perfect mind. I must have slept longer than I thought. I didn’t remember waking up, and maybe that’s what he had intended by starting to tell me the story while I was asleep. I remember hearing his voice, low and steady, coming from some place far away, “After the war. Her family were Basquos from out on Swayback, Four Brothers.” He paused to take another sip of his bourbon. “My gawd, you should have seen her. I remember lookin’ over the top of Charlie Floyde’s ’39 Dodge when she came out on the porch. Her hair was black and thick like a horse’s mane.” He stopped with the memory; the only other sound in Lucian’s apartment was the scorched-air heating. His two rooms weren’t any different from any of the others in general design, but they had all the style and mass of the Connally ancestral furnishings. I shifted my weight in the overstuffed horsehair chair and waited. “It was summertime, and she had on this little navy blue dress with all the little polka dots. The wind held it against her body.” It took him awhile to get going again. “She was the wildest, most beautiful thing I’d ever seen in my entire life. Hair, teeth . . . We sparked that whole summer before her father tried to break it up in the fall. They wanted to send her away to family, keep us from each other, but it was too late.” I looked at him, and the night in my head seemed darker. “We used to tremble when we touched each other. She had the most beautiful skin I’d ever seen. I would forget from night to night. She wasn’t like American girls; she was quiet. She’d speak if spoken to but only then. Short,

I realized, floating beneath the surface, that after years of being so intimately connected to one other human being, and after having that connection severed, I no longer had the desire to interact with any other than myself. These were dark days, the nights even darker.

Let your scented hair That’s darker than my night Wrap around my unborn Dreams.. This is how my death will be Marvelous..

It was darker than any night he'd known and he was terribly alone. Sand rivulets leaked onto his head. Dust clogged his nostrils. It seemed that there was no air left inside the narrow tunnel confines. The only sound he could make out was the creak of support boards seemingly ready to give way. He pulled himself along, using a swimming motion, thrusting aside dirt that clogged his route, fighting every centimeter of the way. He held out no real hope of being able to crawl the entire seventy-five yards.

Everything that happened that night . . . It was something darker and worse than hell. I can’t get it out of my head. I don’t reckon I ever will.

He bent almost cautiously, but his hesitation ended when Kira closed her lips over his. He savored the feel of her full mouth, then the delights of her tongue when she parted her lips. A slow heat began to build inside him. So many hours left until dawn . . . She broke their kiss to stare into his eyes. “How long do we have before we’re meeting your next set of allies?” she whispered. A glint of emerald appeared in her light green depths, growing darker and brighter. He stopped stroking her face to curl his hand around hers. “Until tomorrow,” he said thickly. “Good.” Kira’s fangs had already started to lengthen with desire. “Then let’s go back to the room now.” Power washed over the air in the next moment, whipping Mencheres around toward its source. Bones ran through the crowds, too fast to be observed by the humans as more than a rush of wind, Cat right behind him. “Enforcers,” Bones announced when he reached them. His eyes flashed green. “’Round a dozen of them entering the park’s main gates now. Don’t know how they managed to follow me, but they must have.

Nietzsche’s madman in The Gay Science is the epitome of someone who recognizes what it means to reject God consistently and face the consequences. To the self-appointed “anti-Christ” and the one who did his philosophy “with a hammer,” the idea that God is dead was no yawning matter. The insane man jumped into their midst, and transfixed them with his glances. “Where is God gone?” he called out. “I mean to tell you. We have killed him, you and I! We are all his murderers! But how have we done it? How were we able to drink up the sea? Who gave us the sponge to wipe away the whole horizon? What did we do when we loosened this earth from its sun? “Whither does it now move? Whither do we move? Away from all suns? Do we not dash on unceasingly? Backwards, sideways, forwards, in all directions? Is there still an above and below? Do we not stray, as through infinite nothingness? Does not empty space breathe upon us? Has it not become colder? Does not night come on continually, darker and darker? Shall we not have to light lanterns in the morning? Do we not hear the noise of the grave-diggers who are burying God? Do we not smell the divine putrefaction?—For even Gods putrefy! God is dead! God remains dead! And we have killed him! How shall we console ourselves, the most murderous of all murderers? The holiest and the mightiest that the world has hitherto possessed, has bled to death under our knife,—who will wipe the blood from us? With what water could we cleanse ourselves? What lustrums, what sacred games shall we have to devise? Is not the magnitude of this deed too great for us? Shall we not ourselves have to become Gods, merely to seem worthy of it? There never was a greater event,—and on account of it, all who are born after us belong to a higher history than any history hitherto!”42 Nietzsche saw himself as a “born riddle-reader,” standing watch on the mountains “posted ’twixt today and tomorrow,” who could see what most people could not see yet. There was always a gap between the lightning and the thunder, though the storm was on its way. But while ordinary people could not be expected to have seen the arrival of this great event, he reserved his most withering scorn for thinkers who saw what he saw, but were unmoved and went on as before. They may have believed that God had “died” in European society, but it made no difference to them. Life would go on as it had. Such people, Nietzsche wrote, thinking of English writers such as George Eliot, were “odious windbags of progressive optimism.” If God is dead, everything that once depended on God would in the end go too. Did even science-based naturalism, he wondered, come from “a fear and an evasion of pessimism? A refined means of self-defense against—the truth?”43

After a 20-year-old female college student had recovered from her schizophrenic breakdown, she wrote the following description of her experiences during the oneiroid phase: (...) There are no days; no nights; sometimes it's darker than other times—that's all. It's never quite black, just dark gray. There is no such thing as time—there is only eternity. There is no such thing as death—nor heaven and hell—there is only a timeless—hateful—spaceless—worsening of things. You can never go forward; you must always regress into this horrific mess...

The darkness could not touch him as he rode, for he was darker inside than even a moonless night could hope to challenge.

I thought about him trying not to laugh at the ‘Molahonkey Song’ on a night when the snow drifted gold past the window. I thought about the warm skin and soft hair and hands of someone living, someone who was far cleverer and funnier than I would ever be and who still couldn’t see a better future than to obliterate himself. And finally, my head pressed into the pillow, I cried, because my life suddenly seemed so much darker and more complicated than I could ever have imagined, and I wished I could go back, back to when my biggest worry was whether Frank and I had ordered in enough Chelsea buns.

They are darker than the night- But she has no stars inside them. -Dark, Dark Eyes

As he left, he saw the streets were just as deserted and quiet as before, but now he knew it was an illusion. There were ninjas, darker than a starless night, watching their territory and his every move from the rooftops high above.

I slept better that night than I had in four years. Ten hours of thoughtless imageless darkness. It’s what being dead must be like.

The moon has two worlds beguiled, like parents clutching a child, pulling at her to and fro, neither willing to let go. when she is torn half in your sky, you see how far apart we lie. no matter how long we kiss, the space between us is not ripe for this. and when your moon is waxing full, all of faerie feels the pull. she draws us close to you, so bright. and now a visit for a night is easier than walking through a door or stepping off a ship that’s near a shore. twas thus while wandering in the wild, you found Felurian, manning child. there are a thousand half-cracked doors that lead between my world and yours. while she is full you may still laugh, but know there is a darker half. a clever mortal fears the night without a hint of sweet moonlight. on such a night, each step you take might catch you in the dark moon’s wake, and pull you all unwitting into fae. where you will have no choice but to stay. I do this so you cannot help but hear. a wise man views a moonless night with fear.

It is darker in the woods, even in common nights, than most suppose. I frequently had to look up at the opening between the trees above the path in order to learn my route, and, where there was no cart-path, to feel with my feet the faint track which I had worn, or steer by the known relation of particular trees which I felt with my hands, passing between two pines for instance, not more than eighteen inches apart, in the midst of the woods, invariably in the darkest night. Sometimes, after coming home thus late in a dark and muggy night, when my feet felt the path which my eyes could not see, dreaming and absent-minded all the way, until I was aroused by having to raise my hand to lift the latch, I have not been able to recall a single step of my walk, and I have thought that perhaps my body would find its way home if its master should forsake it, as the hand finds its way to the mouth without assistance.

I always thought death would be like traveling in a car, moving through the desert, the earth a little darker than sky at the horizon, that your life would settle like the end of a day and you would think of everyone you ever met, that you would be the invisible passenger, quiet in the car, moving through the night, forever, with the beautiful thought of home. — Carl Adamshick, “Before,” poets.org (2011)

In a famous series of lectures on the character of physical law delivered at Cornell University in 1964, the great physicist Richard Feynman put it this way: I think it is safe to say that no one understands quantum mechanics. Do not keep saying to yourself, if you can possibly avoid it, “But how can it be like that?” because you will go “down the drain” into a blind alley from which nobody has yet escaped. Nobody knows how it can be like that. This chimes, as we have seen, with J. B. S. Haldane’s famous assertion that “the Universe is not only queerer than we suppose but queerer than we can suppose.

Children’s education is causing sleepless nights. Our children’s future is darker than bright, while refugee children have absolutely no rights. Neither a home, nor schools homeschooling for them is nothing but a dream. A dream and desire for the fools! Lyrics from the song 80 Million People! Written by Lily Amis

The garden felt even darker than the rest of the courtyard, but I followed the sound of Lin’s footsteps, nearly tripping at each step down the path I couldn’t see. The path opened into a circular clearing, a tree and a boulder in the middle. Something fluttered up and into the night sky. “Shit!” Lin said. I wasn’t sure why—after four locked doors, a cavern beneath the palace and a giant construct—this would be the thing that surprised me. An emperor swearing like a smuggler.

Darker in the day than the dead of night.

Life’s trials What does he live for? There are many reasons, Numberless beliefs, many impulses, that he could die for, His life’s mottos his life’s reasons, That he lives for and would easily die for, For he believes in them all, They bring him joy he always longed for, So, he strives not for himself but for these reasons all, Every night and every day, he toils through the life’s way, On barren patches where you need strong reasons to keep walking, Because sometimes when days are darker than the darkest nights, one may forget his way, Until he has a good reason to carry on anyway and believe in the day and in his walking, He often comes across moments with no richness of feelings, And in this feelingless landscape of life, he questions life’s harshness, And as he is overcome by life’s trials and their cussed feelings, He summons these reasons to deal with life and its harshness, He is a great inverter I suppose, Because he always invents a new reason to live, Everyday he is in this state of relentless strife, and about it I no more suppose, Because he has proven it, otherwise how could someone with a life that feels lifeless, so well live, He struggles, he falls, he waivers, he faces life’s repudiations, But he carries on, for he has a reason to believe in and someone’s love to live for, So, the villains of time and fate may have connived against him, along with life’s repudiations, But none of them matter, because he has a reason to live for and someone’s love to die for, How far will life go in his case and be villainous, Only life knows, and fate maybe, But his reasons of life and love of someone, enable him to deal with life’s moments villainous, He will live forever maybe, because when he dies life will be left all alone, without any reasons; maybe, And as long as he has reasons new everyday, To live and deal with whatever comes his way, Life shall envy him although it tries him in new ways everyday, But he toils everyday in his own unique way, This is what life seeks to know; how? Maybe he is built differently by providence that gifted him endless reasons to live, But the life is keen to know how, And the answer is simple: Through her memories and her love, he finds the fountain of reasons to deal with life and to live!

I don’t know how you can get lost here, not with the trees to guide the way,’ Walter, the oldest man in the section, said. ‘It was bloody dark,’ Jones replied. ‘You should see it in the jungle at night,’ Walter said, a thin smile rising on his lips. ‘It’s darker than the pit. Why, I remember when we were tracking a band of dacoits near Kujoo Ghat that the bush was so thick that we couldn’t see even in daylight, not even with a lamp burning.’ ‘I wish you had stayed in the fucking jungle,’ Jones said.

It was strange to see an electric globe in the air of a spring night. It made the street darker and softer; it hung alone, like a gap, and left nothing to be seen but a few branches heavy with leaves, standing still at the gap’s edges. The small hint became immense, as if the darkness held nothing but a flood of leaves. The mechanical ball of glass made the leaves seem more living; it took away their color and gave the promise that in daylight they would be a brighter green than had ever existed; it took away one’s sight and left a new sense instead, neither smell nor touch, yet both, a sense of spring and space.

She! The gaze of night fell on her, She looked towards the moon, As I walked closer to her, As did the silver brightness of the Moon, Covering her in her silver attire, I stopped to witness the wonder that she was, Wearing the Moon’s silver attire, She looked more graceful than she already was, Then in the distance, the wind kissed few flowers, And bearing their scent it kissed her everywhere too, Now she smelled lovelier than all the flowers, And the most fragrant, wild roses too, The night grew darker and the moon grew brighter, And she shone like the sparkling, silver coloured gem, When she smiled, trust me nothing could look brighter, Than her eyes that bore the brilliance of the most resplendent gem, Sometimes when wind appeared around her to renew her scents, It ruffled her hair like a lover who is little shy, But tonight she shone with the beauty of nature’s bliss and its scents, While I with the night gaze looked at her bewildered, but least shy, So I held her hand, as the birds, for her, their songs of love sang, She looked at me and smiled, while gently winking her eyes, Where I captured the beauty of the skies, and then our hearts together sang, While I dived into her eyes and she finally accepted to forever dwell in my eyes, So I do not sleep now because there is no need to dream, Her dreams, her imaginations and memories bearing her scenes, Because in my eyes she lives like a beautiful sensation, that is missing in a dream, So if you see me awake during the nights, I am somewhere with her in my eyes, discovering her beauty’s endless scenes!

Literature was full of lies like that. Tennyson’s “’Tis better to have loved and lost than never to have loved at all”? False. Dostoyevsky’s “The darker the night, the brighter the stars”? Nope. Even J. K. Rowling didn’t manage to get it right. “Those we love never truly leave us, Harry. There are things that death cannot touch.” Not even close, J.K. You’re wrong about so many things.

His skin was darker than I'd remembered- golden now, rather than pale. Pale, from being locked Under the Mountain for fifty years. I scanned him, searching for any sign of the massive, membranous wings- the ones he'd admitted he'd loved flying with. But there was none. Just the male, smirking at me. And that too-familiar expression- 'How dare you-' Rhys snorted. 'I certainly missed that look on your face.' He stalked closer, his movements feline, those violet eyes turning subdued- lethal. 'You're welcome, you know.' 'For what?' Rhys paused less than a foot away, sliding his hands into his pockets. The night didn't seem to ripple from him here- and he appeared, despite his perfection, almost normal. 'For saving you when asked.' I stiffened. 'I didn't ask for anything.' His stare dipped to my hand. Rhys gave no warning as he gripped my arm, snarling softly, and tore off the glove. His touch was like a brand, and I flinched, yielding a step, but he held firm until he'd gotten both gloves off. 'I heard you begging someone, anyone, to rescue you, to get you out. I heard you say no.' 'I didn't say anything.' He turned my bare hand over, his hold tightening as he examined the eye he'd tattooed. He tapped the pupil. Once. Twice. 'I heard it loud and clear.' I wrenched my hand away. 'Take me back. Now. I didn't want to be stolen away.' He shrugged. 'What better time to take you here? Maybe Tamlin didn't notice you were about to reject him in front of his entire court- maybe you can now simply blame it on me.' 'You're a bastard. You made it clear enough that I had... reservations.' 'Such gratitude as always.