“
You cannot change what you are, only what you do.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
I stopped believing there was a power of good and a power of evil that were outside us. And I came to believe that good and evil are names for what people do, not for what they are.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
People are too complicated to have simple labels.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
All the history of human life has been a struggle between wisdom and stupidity.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
You speak of destiny as if it was fixed.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
When you choose one way out of many, all the ways you don't take are snuffed out like candles, as if they'd never existed.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
I have stolen ideas from every book I have ever read.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
We are all subject to the fates. But we must act as if we are not, or die of despair.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
That's the duty of the old,' said the Librarian, 'to be anxious on the behalf of the young. And the duty of the young is to scorn the anxiety of the old.'
They sat for a while longer, and then parted, for it was late, and they were old and anxious.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
Every little increase in human freedom has been fought over ferociously between those who want us to know more and be wiser and stronger, and those who want us to obey and be humble and submit.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
Iorek Byrnison: Can is not the same as must.
Lyra Silvertongue: But if you must and you can, then there's no excuse.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Invention, it must be humbly admitted, does not consist in creating out of void, but out of chaos; the materials must, in the first place, be afforded: it can give form to dark, shapeless substances, but cannot bring into being the substance itself.
”
”
Mary Wollstonecraft Shelley (Frankenstein)
“
I'll be looking for you, Will, every moment, every single moment. And when we do find each other again, we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you... We'll live in birds and flowers and dragonflies and pine trees and in clouds and in those little specks of light you see floating in sunbeams... And when they use our atoms to make new lives, they wont' just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight...
”
”
Philip Pullman (His Dark Materials - The Trilogy: The Golden Compass / The Subtle Knife / The Amber Spyglass)
“
Perfect date material, she thought. A vampire with the social equivalent of road rage.
---Beth about Wrath
”
”
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
“
Even if it means oblivion, friends, I'll welcome it, because it won't be nothing. We'll be alive again in a thousand blades of grass, and a million leaves; we'll be falling in the raindrops and blowing in the fresh breeze; we'll be glittering in the dew under the stars and the moon out there in the physical world, which is our true home and always was.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
So Lyra and her daemon turned away from the world they were born in, and looked toward the sun, and walked into the sky.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
Into this wild Abyss/ The womb of Nature, and perhaps her grave--/ Of neither sea, nor shore, nor air, nor fire,/ But all these in their pregnant causes mixed/ Confusedly, and which thus must ever fight,/ Unless the Almighty Maker them ordain/ His dark materials to create more worlds,--/ Into this wild Abyss the wary Fiend/ Stood on the brink of Hell and looked a while,/ Pondering his voyage; for no narrow frith/ He had to cross.
”
”
John Milton (Paradise Lost)
“
When he'd sworn at her and been sworn at in return, they became great friends.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
We shouldn't live as if [other worlds] mattered more than this life in this world, because where we are is always the most important place.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Maybe sometimes we don't do the right thing because the wrong thing looks more dangerous, and we don't want to look scared, so we go and do the wrong thing just because it's dangerous. We're more concerned with not looking scared than with judging right.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
A book, too, can be a star, “explosive material, capable of stirring up fresh life endlessly,” a living fire to lighten the darkness, leading out into the expanding universe.
”
”
Madeleine L'Engle (A Wrinkle in Time (Time Quintet, #1))
“
Human beings can't see anything without wanting to destroy it. That's original sin. And I'm going to destroy it. Death is going to die.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
I will love you for ever, whatever happens. Till I die and after I die, and when I find my way out of the land of the dead I’ll drift about forever, all my atoms, till I find you again…
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
I told him I was going to betray you, and betray Lyra, and he believed me because I was corrupt and full of wickedness; he looked so deep I felt sure he'd see the truth. But I lied too well. I was lying with every nerve and fiber and everything I'd ever done...I wanted him to find no good in me, and he didn't. There is none.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Being a practiced liar doesn't mean you have a powerful imagination. Many good liars have no imagination at all; it's that which gives their lies such wide-eyed conviction.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
Without stories, we wouldn't be human beings at all
”
”
Philip Pullman (His Dark Materials (His Dark Materials #1-3))
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
That’s the duty of the old, to be anxious on behalf of the young. And the duty of the young is to scorn the anxiety of the old.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
It takes long practice, yes. You have to work. Did you think you could snap your fingers, and have it as a gift? What is worth having is worth working for.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
All good things pass away.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
For a human being, nothing comes naturally,' said Grumman. 'We have to learn everything we do.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
As for what it's against - the story is against those who pervert and misuse religion, or any other kind of doctrine with a holy book and a priesthood and an apparatus of power that wields unchallengeable authority, in order to dominate and suppress human freedoms.
”
”
Philip Pullman (His Dark Materials)
“
Lonely? I don't know. They tell me this is cold. I don't know what cold is, because I don't freeze. So I don't know what lonely means either. Bears are made to be solitary.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
The idea hovered and shimmered delicately, like a soap bubble, and she dared not even look at it directly in case it burst. But she was familiar with the way of ideas, and she let it shimmer, looking away, thinking about something else.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
We have to build the Republic of Heaven where we are, because for us, there is no elsewhere.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
But I stopped believing there was a power of good and a power of evil that were outside us. And I came to believe that good and evil are names for what people do, not for what they are. All we can say is that this is a good deed, because it helps someone, or that's an evil one, because it hurts them. People are too complicated to have simple labels.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
We feel cold, but we don't mind it, because we will not come to harm. And if we wrapped up against the cold, we wouldn't feel other things, like the bright tingle of the stars, or the music of the aurora, or best of all the silky feeling of moonlight on our skin. It's worth being cold for that.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Tell them stories. They need the truth you must tell them true stories, and everything will be well, just tell them stories.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
...But it gradually seemed to me that I'd made myself believe something that wasn't true. I'd made myself believe that I was fine and happy and fulfilled on my own without the love of anyone else. Being in love was like China: you knew it was there, and no doubt it was very interesting, and some people went there, but I never would. I'd spend all my life without ever going to China, but it wouldn't matter, because there was all the rest of the world to visit... And I thought: am I really going to spend the rest of my life without feeling that again? I thought: I want to go to China. It's full of treasures and strangeness and mysteries and joy.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Seems to me-" Lee said, feeling for the words, "seems to me the place you fight cruelty is where you find it, and the place you give help is where you see it needed....
”
”
Philip Pullman (His Dark Materials - The Trilogy: The Golden Compass / The Subtle Knife / The Amber Spyglass)
“
People should decide on the books' meanings for themselves. They'll find a story that attacks such things as cruelty, oppression, intolerance, unkindness, narrow-mindedness, and celebrates love, kindness, open-mindedness, tolerance, curiosity, human intelligence.
”
”
Philip Pullman (His Dark Materials - The Trilogy: The Golden Compass / The Subtle Knife / The Amber Spyglass)
“
When you live for many hundreds of years, you know that every opportunity will come again.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
She wondered whether there would ever come an hour in her life when she didn't think of him -- didn't speak to him in her head, didn't relive every moment they'd been together, didn't long for his voice and his hands and his love. She had never dreamed of what it would feel like to love someone so much; of all the things that had astonished her in her adventures, that was what astonished her the most. She thought the tenderness it left in her heart was like a bruise that would never go away, but she would cherish it forever.
”
”
Philip Pullman (His Dark Materials - The Trilogy: The Golden Compass / The Subtle Knife / The Amber Spyglass)
“
From what we are, spirit; from what we do, matter. Matter and spirit are one.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
It's not what you have on the outside that glitters in light, it's what you have on the inside that shines in the dark.
”
”
Anthony Liccione
“
You are so young, Lyra, too young to understand this, but I shall tell you anyway and you'll understand it later: men pass in front of our eyes like butterflies, creatures of a brief season. We love them; they are brave, proud, beautiful, clever; and they die almost at once. They die so soon that our hearts are continually racked with pain. We bear their children, who are witches if they are female, human if not; and then in the blink of an eye they are gone, felled, slain, lost. Our sons, too. When a little boy is growing, he thinks he is immortal. His mother knows he isn't. Each time becomes more painful, until finally your heart is broken. Perhaps that is when Yambe-Akka comes for you. She is older than the tundra. Perhaps, for her, witches' lives are as brief as men's are to us.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
Oh, Will," she said, "What can we do? Whatever can we do? I want to live with you forever. I want to kiss you and lie down with you and wake up with you every day of my life till I die, years and years and years away. I don't want a memory, just a memory..."
"No," he said. "Memory's a poor thing to have. It's your own real hair and mouth and arms and eyes and hands I want. I didn't know I could ever love anything so much. Oh, Lyra, I wish this night would never end! If only we could stay here like this, and the world could stop turning, and everyone else could fall into a sleep..."
"Everyone except us! And you and I could live here forever and just love each other."
"I will love you forever; whatever happens. Till I die and after I die, and when I find my way out of the land of the dead, I'll drift about forever, all my atoms, till I find you again..."
"I'll be looking for you, Will, every moment, every single moment. And when we do find each other again, we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you...We'll live in birds and flowers and dragonflies and pin trees and in clouds and in those little specks of light you see floating in sunbeams...And when they use our atoms to make new lives, they won't just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight..."
They lay side by side, hand in hand, looking at the sky.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
But think of Adam and Eve like an imaginary number, like the square root of minus one: you can never see any concrete proof that it exists, but if you include it in your equations, you can calculate all manner of things that couldn't be imagined without it.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
One moment several things are possible, the next moment only one happens, and the rest don't exist. Except that other worlds have sprung into being, on which the did happen.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
If a coin comes down heads, that means that the possibility of its coming down tails has collapsed. Until that moment the two possibilities were equal.
But on another world, it does come down tails. And when that happens, the two worlds split apart.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
No,' he said, 'memory's a poor thing to have. It's your own real hair and mouth and arms and eyes and hands I want. I didn't know I could ever love anything so much...
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
...because where we are is always the most important place.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
I know whom we must fight...it is the Church. For all its history, it's tried to suppress and control every natural impulse.That is what the Church does, and every church is the same: control, destroy, obliterate every good feeling.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
We are all subject to the fates. But we must all act as if we are not, or die of despair...death will sweep through all the worlds; it will be the triumph of despair, forever. The universes will all become nothing more than interlocking machines, blind and empty of thought, feeling, life...
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
Men and women are moved by tides much fiercer than you can imagine, and they sweep us all up into the current.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
It’s like having to make a choice: a blessing or a curse. The one thing you can’t do is choose neither.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
I’m just trying to wake up - I’m so afraid of sleeping all my life and then dying - I want to wake up first. I wouldn’t care if it was just for an hour, as long as I was properly alive and awake…
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Being in love was like China: you knew it was there, and no doubt it was very interesting, and some people went there, but I never would... and then someone passed me a bit of some sweet stuff, and suddenly I realized that I had been to China. So to speak. And I'd forgotten it.
”
”
Philip Pullman (His Dark Materials (His Dark Materials #1-3))
“
Men pass in front of our eyes like butterflies, creatures of a brief season. We love them; they are brave, proud, beautiful, and clever.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
Just sort of relax your mind and say yes, it does hurt, I know. Don't try and shut it out.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
I thought physics could be done to the glory of God, till I saw there wasn’t any God at all and that physics was more interesting anyway. The Christian religion is a very powerful and convincing mistake, that’s all.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
The Christian religion is a very powerful and convincing mistake.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
He meant the Kingdom was over, the Kingdom of Heaven, it was all finished. We shouldn't live as if it mattered more than this life in this world, because where we are is always the most important place.... We have to be all those difficult things like cheerful and kind and curious and patient, and we've got to study and think and work hard, all of us, in all our different worlds, and then we'll build... The Republic of Heaven.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Now and then, an inch below the water's surface, the muscles of his stomach tightened involuntarily as he recalled another detail. A drop of water on her upper arm. Wet. An embroidered flower, a simple daisy, sewn between the cups of her bra. Her breasts wide apart and small. On her back, a mole half covered by a strap. When she climbed out of the pond a glimpse of the triangular darkness her knickers were supposed to conceal. Wet. He saw it, he made himself see it again. The way her pelvic bones stretched the material clear of the skin, the deep curve of her waist, her startling whiteness. When she reached for her skirt, a carelessly raised foot revealed a patch of soil on each pad of her sweetly diminished toes. Another mole the size of a farthing on her thigh and something purplish on her calf--a strawberry mark, a scar. Not blemishes. Adornments.
”
”
Ian McEwan (Atonement)
“
What work do I have to do then?" said Will, but went on at once, "No, on second thought, don't tell me. I shall decide what I do. If you say my work is fighting, or healing, or exploring, or whatever you might say, I'll always be thinking about it. And if I do end up doing that, I'll be resentful because it'll feel as if I didn't have a choice, and if I don't do it, I'll feel guilty because I should. Whatever I do, I will choose it, no one else.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
When you choose one way out of many, all the ways you don't take are snuffed out like candles, as if they'd never existed. At that moment all Will's choices existed at once. But to keep them all in existence meant doing nothing. He had to choose, after all.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
Being in love was like China: you knew it was there, and no doubt it was very interesting, and some people went there, but I never would. I'd spend all my life without ever going to China, but it wouldn't matter, because there was all the rest of the world to visit.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Then she was pressing her little proud broken self against his face, as close as she could get, and then they died.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
...his face bore an expression that mingled haughty disdain with a tender, ardent sympathy, as if he would love all things if only his nature could let him forget their defects.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Lee saw the fireball and head through the roar in his ears Hester saying, "That's the last of 'em Lee."
He said, or thought, "Those poor men didn't have to come to this, nor did we."
She said, "We held 'em off. We held out. We're a-helping Lyra."
Then she was pressing her little proud broken self against his face, as close as she could get, and then they died.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
The fact was that where Will is concerned, she was developing a new kind of sense, as if he were simply more in focus than anyone she'd known before. Everything about him was clear and close and immediate.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
Her last conscious thought was disgust at life; her senses had lied to her. The world was not made of energy and delight but of foulness, betrayal, and lassitude. Living was hateful, and death was no better, and from end to end of the universe this was the first and last and only truth.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
I found folly everywhere, but there were grains of wisdom in every stream of it.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
We are all subject to the fates. But we must all act as if we are not,” said the witch, “or die of despair.
”
”
Philip Pullman (His Dark Materials)
“
The stains could be seen only in the sunlight, so Ruth was never really aware of them until later, when she would stop at an outdoor cafe for a cup of coffee, and look down at her skirt and see the dark traces of spilled vodka or whiskey. The alcohol had the effect of making the black cloth blacker. This amused her; she had noted in her journal: 'booze affects material as it does people'.
”
”
Alice Sebold (The Lovely Bones)
“
It does not make sense. It cannot exist. It's impossible, and if it isn't impossible, it's irrelevant, and if it isn't either of those things, it's embarrassing.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
If there is a war to be fought, we don’t consider cost one of the factors in deciding whether or not to fight.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
I will love you forever; whatever happens. Till I die and after I die, and when I find my way out of the land of the dead, I’ll drift about forever, all my atoms, till I find you again… I’ll be looking for you, every moment, every single moment. And when we do find each other again, we’ll cling together so tight that nothing and no one’ll ever tear us apart. Every atom of me and every atom of you… We’ll live in birds and flowers and dragonflies and pine trees and in clouds and in those little specks of light you see floating in sunbeams… And when they use our atoms to make new lives, they won’t just be able to take one, they’ll have to take two, one of you and one of me, we’ll be joined so tight…
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Symbols and emblems were everywhere. Buildings and pictures were designed to be read like books. Everything stood for something else; if you had the right dictionary, you could read Nature itself. It was hardly surprising to find philosophers using the symbolism of their time to interpret knowledge that came from a mysterious source.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
She shook her head and whispered, "No. No! That can't be true. Impossible!"
"You think things have to be possible? Things have to be true!
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
The intentions of a tool are what it does. A hammer intends to strike, a vise intends to hold fast, a lever intends to lift. They are what it is made for. But sometimes a tool may have other uses that you don't know. Sometimes in doing what you intend, you also do what the knife intends, without knowing.
”
”
Philip Pullman (His Dark Materials - The Trilogy: The Golden Compass / The Subtle Knife / The Amber Spyglass)
“
Everything means something.
”
”
Philip Pullman (Lyra's Oxford (His Dark Materials, #3.5))
“
There is a correspondence between the microcosm and the macrocosm! The stars are alive, child! Did you know that? Everything out there is alive, and there are grand purpose abroad! The universe is full of intentions, you know. Everything happens for a purpose.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
If a witch needs something, another witch will give it to her. If there is war to be fought, we don't consider cost one of the factors in deciding whether or not it is right to fight. Nor do we have any notion of honor. An insult to a bear is a deadly thing. To us...inconceivable. How could you insult a witch? What would it matter if you did?
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
But suppose your dæmon settles in a shape you don't like?
Well, then, you're discontented, en't you? There's plenty of folk as'd like to have a lion as a dæmon and they end up with a poodle. And till they learn to be satisfied with what they are, they're going to be fretful about it. Waste of feeling, that is.
But it didn't seem to Lyra that she would ever grow up.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
Hope holds you fast like an anchor so you don't give way.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
There’s been terrible things we seen, en’t there? And more a coming, more’n likely. So I think I’d rather not know what’s in the future. I’ll stick to the present.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
Another night then,' Mom said. 'Maybe on the weekend we can have a barbecue and invite your sister.'
'Or,' I said turning to Rafe, 'if you want to skip the whole awkward meet-the-family social event you could just submit your life story including your view on politics religion and every social issue imaginable along with anything else you think they might need to conduct a thorough background check.'
Mom sighed. 'I really don't know why we even bother trying to be subtle around you.'
'Neither do I. It's not like he isn't going to realize he's being vetted as daughter-dating material.'
Rafe grinned. 'So we are dating.'
'No. You have to pass the parental exam first. It'll take you awhile to compile the data. They'd like it in triplicate.' I turned to my parents. 'We have Kenjii. We have my cell phone. Since we aren't yet officially dating I'm sure you'll agree that's all the protection we need.'
Dad choked on his coffee.
”
”
Kelley Armstrong (The Gathering (Darkness Rising, #1))
“
As with men, it has always seemed to me that books have their own peculiar destinies. They go towards the people who are waiting for them and reach them at the right moment. They are made of living material and continue to cast light through the darkness long after the death of their authors.
”
”
Miguel Serrano (C.G. Jung and Hermann Hesse: A Book of Two Friendships)
“
He dared to do what men and women don't even dare to think. And look what he's done already: he's torn open the sky, he's opened the way to another world. Who else has ever done that? Who else could think of it?
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
You don't read it in the sense of reading a message; it doesn't work like that. What's happening is that the Shadows are responding to the attention you pay them.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
The evening sky was awash with peach, apricot, cream: tender little ice-cream clouds in a wide orange sky.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
You going to be a scientist when you grow up?” That sort of question deserved a blank stare, which it got.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
Sticks and stones, I'll break yer bones, but names ain't worth a quarrel.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
Men pass in front of our eyes like butterflies, creatures of a brief season. We love them; they are brave, proud, beautiful, clever; and they die almost at once. They die so soon that our hearts are continually wracked with pain.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
But you cannot change what you are, only what you do.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
The newcomer stood well over six feet, as tall as any Warden. His hair was dark, the color of obsidian, and it reflected blue in the dim light. Lazy locks slipped over his forehead and curled just below his ears. Brows arched over golden eyes and his cheekbones were broad and high. He was attractive. Very attractive. Mind-bendingly beautiful, actually, but the sardonic twist to his full lips chilled his beauty. The black T-shirt stretched across his chest and flat stomach. A huge tattoo of a snake curled around his forearm, the tail disappearing under his sleeve and the diamond-shaped head rested on the top of his hand. He looked my age. Total crush material—if it wasn’t for the fact that he had no soul.
”
”
Jennifer L. Armentrout (White Hot Kiss (The Dark Elements, #1))
“
Do you think I could bear to live on after you died? Oh, Lyra, I'd follow you down to the world of the dead without thinking twice about it, just like you followed Roger; and that would be two lives gone for nothing, my life wasted like yours. No, we should spend our whole lifetimes together, good long busy lives, and if we can't spend them together, we... we'll have to spend them apart.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Well," said Mary, "love is ferocious, too.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
And ye shall know the truth, and the truth shall make you free.
”
”
Philip Pullman (His Dark Materials)
“
If you want to write anything that works, you have to go with the grain of your talent, not against it. If your talent is inert and sullen in the face of business or politics...but takes fire at the thought of ghosts and vampires and witches and demons then feed the flames, feed the flames.
”
”
Philip Pullman (His Dark Materials (His Dark Materials #1-3))
“
Truly,” he said, “I am dead … I’m dead, and I’m going to Hell …” “Hush,” said Lyra, “we’ll go together.
”
”
Philip Pullman (His Dark Materials)
“
Shame to die with one bullet left, though.
”
”
Philip Pullman (His Dark Materials)
“
Memory is not a storage place but a story we tell ourselves in retrospect. As such, it is made of storytelling materials: embroidery and forgery, perplexity and urgency, revelation and darkness.
”
”
Noam Shpancer (The Good Psychologist)
“
But we can trust him Roger, I swear," she said with a final effort,"Because he's Will.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Life is hard, Mr. Scoresby, but we cling to it all the same.” “And this journey we’re on? Is that folly or wisdom?” “The greatest wisdom I know.
”
”
Philip Pullman (His Dark Materials)
“
And then what?" said her daemon sleepily. "Build what?"
"The Republic of Heaven," said Lyra.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
You have to work. Did you think you could snap your fingers, and have it as a gift? What is worth having is worth working for.
”
”
Philip Pullman (His Dark Materials)
“
That’s what you are. Argue with anything else, but don’t argue with your own nature.
”
”
Philip Pullman (His Dark Materials)
“
She had asked: What is he? A friend or an enemy?
The alethiometer answered: He is a murderer.
When she saw the answer, she relaxed at once. He could find food, and show her how to reach Oxford, and those were powers that were useful, but he might still have been untrustworthy or cowardly. A murderer was a worthy companion. She felt as safe with him as she'd done with Iorek Byrnison the armoured bear.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
She had asked: What is he? A friend or an enemy?
The alethiometer answered: He is a murderer.
When she saw the answer, she relaxed at once.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
It was such a strange tormenting feeling when your daemon was pulling at the link between you; part physical pain deep in the chest, part intense sadness and love. Everyone tested it when they were growing up: seeing how far they could pull apart, coming back with intense relief.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
Every advance in human life, every scrap of knowledge and wisdom and decency we have has been torn by one side from the teeth of the other. Every little increase in human freedom has been fought over ferociously between those who want us to know more and be wiser and stronger, and those who want us to obey and be humble and submit.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
If you wanted to divert a mighty river into a different course, and all you had was a single pebble, you could do it, as long as you put the pebble in the right place to send the first trickle of water that way instead of this.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
It might have been a new way for her heart to beat.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
The first ghost to leave the world of the dead was Roger. He took a step forward, and turned to look back at Lyra, and laughed in surprise as he found himself turning into the night, the starlight, the air. . .and then he was gone, leaving behind such a vivid little burst of happiness.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
This is what’ll happen,” she said, “and it’s true, perfectly true. When you go out of here, all the particles that make you up will loosen and float apart, just like your daemons did. If you’ve seen people dying, you know what that looks like. But your daemons en’t just nothing now; they’re part of everything. All the atoms that were them, they’ve gone into the air and the wind and the trees and the earth and all the living things. They’ll never vanish. They’re just part of everything. And that’s exactly what’ll happen to you, I swear to you, I promise on my honor. You’ll drift apart, it’s true, but you’ll be out in the open, part of everything alive again.
”
”
Philip Pullman (His Dark Materials (His Dark Materials #1-3))
“
Seems to me the place to fight cruelty is where you find it, and the place you give help is where you see it needed.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
The Specters feast as vampires feast on blood, but the Specters’ food is attention. A conscious and informed interest in the world. The immaturity of children is less attractive to them.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
You might not have more courage, but you should be ashamed to show less.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
many good liars have no imagination at all its which gives their lies such wide-eyed conviction
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
He let her do it, then looked around for his fingers. There they were, curled like a bloody quotation mark on the lead. He laughed.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
It was difficult to tell them the truth when a lie would have been so much easier for them to understand.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
That’s the duty of the old,” said the Librarian, “to be anxious on behalf of the young. And the duty of the young is to scorn the anxiety of the old.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
Lyra had never seen such a sight, never heard such a bellow; it was like a mountain laughing.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
Why, yes, the moment you’re born, your death comes into the world with you, and it’s your death that takes you out.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Lyra had to adjust to her new sense of her own story, and that couldn't be done in a day.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
The children will come to no harm."
"Except for the older ones. Like that poor kid down there."
"Mr. Scoresby, that is the way this world works. And if you want to put an end to cruelty and injustice, you must take me farther on. I have a job to do."
"Seems to me—" Lee said, feeling for the words, "seems to me the place you fight cruelty is where you find it, and the place you give help is where you see it needed.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
I have said that His Dark Materials is not fantasy but stark realism, and my reason for this is to emphasise what I think is an important aspect of the story, namely the fact that it is realistic, in psychological terms. I deal with matters that might normally be encountered in works of realism, such as adolescence, sexuality, and so on; and they are the main subject matter of the story – the fantasy (which, of course, is there: no-one but a fool would think I meant there is no fantasy in the books at all) is there to support and embody them, not for its own sake.
Dæmons, for example, might otherwise be only a meaningless decoration, adding nothing to the story: but I use them to embody and picture some truths about human personality which I couldn't picture so easily without them. I'm trying to write a book about what it means to be human, to grow up, to suffer and learn. My quarrel with much (not all) fantasy is it has this marvelous toolbox and does nothing with it except construct shoot-em-up games. Why shouldn't a work of fantasy be as truthful and profound about becoming an adult human being as the work of George Eliot or Jane Austen?
”
”
Philip Pullman
“
Behind her the sun was still shining, so that every grove and every single tree between her and the storm blazed ardent and vivid, little frail things defying the dark with leaf and twig and fruit and flower.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Marisa! Marisa!” The cry was torn from Lord Asriel, and with the snow leopard beside her, with a roaring in her ears, Lyra’s mother stood and found her footing and leapt with all her heart, to hurl herself against the angel and her daemon and her dying lover, and seize those beating wings, and bear them all down together into the abyss.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
...when all the openings were closed, then the worlds would all be restored to their proper relations with one another, Lyra’s Oxford and Will’s would lie over each other again, like transparent images on two sheets of film being moved closer and closer until they merged–although they would never truly touch.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
He had not stopped desiring her for a single instant. He found her in the dark bedrooms of captured towns, especially in the most abject ones, and he would make her materialize in the smell of dry blood on the bandages of the wounded, in the instantaneous terror of the danger of death, at all times and in all places. He had fled from her in an attempt to wipe out her memory, not only through distance but by means of a muddled fury that his companions at arms took to be boldness, but the more her image wallowed in the dunghill of the war, the more the war resembled Amaranta. That was how he suffered in exile, looking for a way of killing her with his own death...
”
”
Gabriel García Márquez (One Hundred Years of Solitude)
“
But Balthamos couldn't tell; he only knew that half his heart had been extinguished. He couldn't keep still: he flew up again, scouring the sky as if to seek out Baruch in this cloud or that, calling, crying, calling; and then he'd be overcome with guilt, and fly down to urge Will to hide and keep quiet, and promise to watch over him tirelessly; and then the pressure of his grief would crush him to the ground, and he'd remember every instance of kindness and courage that Baruch had ever shown, and there were thousands, and he'd forgotten none of them; and he'd cry that a nature so gracious could ever be snuffed out, and he'd soar into the skies again, casting about in every direction, reckless and wild and stricken, cursing the air, the clouds, the stars.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Tirelessly they flew on and on, and tirelessly she kept pace. She felt a fierce joy possessing her, that she could command these immortal presences. And she rejoiced in her blood and flesh, in the rough pine bark she felt next to her skin, in the beat of her heart and the life of all her senses, and in the hunger she was feeling now, and in the presence of her sweet-voiced bluethroat dæmon, and in the earth below her and the lives of every creature, plant and animal both; and she delighted in being of the same substance as them, and in knowing that when she died her flesh would nourish other lives as they had nourished her.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
Good and Evil are names for what people do, not for what they are...stopped believing there was a power of good and evil. That they were outside of us...People are too complicated for labels.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
And at the word alone, Will felt a great wave of rage and despair moving outwards from a place deep within him, as if his mind were an ocean that some profound convulsion had disturbed. All his life he'd been alone, and now he must be alone again, and this infinitely precious blessing that had come to him must be taken away almost at once.He felt the wave build higher and steeper to darken the sky, he felt the crest tremble and begin to spill, he felt the great mass crashing down with the whole weight of the ocean behind it against the iron-bound coast of what had to be. And he felt himself crying aloud with more anger and pain than he had ever felt in his life, and he found Lyra just as helpless in his arms. But as the wave expended its force and the waters withdrew, the bleak rocks remained; there was no arguing with fate; neither his despair nor Lyra's had moved them a single inch.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
She found out that having something to do prevented you from feeling seasick, and that even a job like scrubbing a deck could be satisfying, if it was done in a seamanlike way. She was very taken with this notion, and later on she folded the blankets on her bunk in a seamanlike way, and put her possessions in the closet in a seamanlike way, and used 'stow' instead of 'tidy' for the process of doing so. After two days at sea, Lyra decided that this was the life for her.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
During the dark night there is no choice but to surrender control, give in to unknowing, and stop and listen to whatever signals of wisdom might come along. It’s a time of enforced retreat and perhaps unwilling withdrawal. The dark night is more than a learning experience; it’s a profound initiation into a realm that nothing in the culture, so preoccupied with external concerns and material success, prepares you for.
”
”
Thomas Moore (Dark Nights of the Soul: A Guide to Finding Your Way Through Life's Ordeals)
“
In fact, these possibility collapses happen at the level of elementary particles, but they happen in just the same way: one moment several things are possible, the next moment only one thing happens, and the rest don't exist. Except that other worlds have sprung into being, on which they did happen.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
Everyone, from the Mother Superior to the priests to my parents--they were so upset and reproachful...I felt as if something they all passionately believed in depended on me carrying on with something I didn't.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
She was afraid of John Faa, and what she was most afraid of was his kindness.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
But it didn’t seem to Lyra that she would ever grow up.
”
”
Philip Pullman (His Dark Materials)
“
Fear was too brittle a material to make good decisions from.
”
”
Stuart Turton (The Devil and the Dark Water)
“
A book, too, can be a star, "explosive material, capable of stirring up fresh life endlessly," a living fire to lighten the darkness, leading out into the expanding universe.
”
”
Madeleine L'Engle
“
Occasionally they would hear a harsh croak or a splash as some amphibian was disturbed, but the only creature they saw was a toad as big as Will's foot, which could only flop in a pain-filled sideways heave as if it were horribly injured. It lay across the path, trying to move out of the way and looking at them as if it knew they meant to hurt it.
'It would be merciful to kill it,' said Tialys.
'How do you know?' said Lyra. 'It might still like being alive, in spite of everything.'
'If we killed it, we'd be taking it with us,' said Will. 'It wants to stay here. I've killed enough living things. Even a filthy stagnant pool might be better than being dead.'
'But if it's in pain?' said Tialys.
'If it could tell us, we'd know. But since it can't, I'm not going to kill it. That would be considering our feelings rather than the toad's.'
They moved on.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Corruption and envy and lust for power. Cruelty and coldness. A vicious probing curiousity. Pure, poisonous, toxic malice. You have never from your earliest years shown a shred of compassion for sympathy or kindness without calculating how it would return to your advantage. You have tortured and killed without regret or hesitation; you have betrayed and intrigued and gloried in your treachery. You are a cess-pit of moral filth.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
And then Serafina understood something for which the witches had no word: it was the idea of pilgrimage. She understood why these beings would wait for thousands of years and travel vast distances in order to be close to something important, and how they would feel differently for the rest of time, having been briefly in its presence. That was how these creatures looked now, these beautiful pilgrims of rarefied light, standing around the girl with the dirty-face and the tartan skirt and the boy with the wounded hand who was frowning in his sleep.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
Half a dozen brats turned with expressions of derision, and Lyra threw her cigarette down, recognizing the cue for a fight. Everyone's daemon instantly became warlike: each child was accompanied by fangs, or claws, or bristling fur, and Pantalaimon, contemptuous of the limited imaginations of these gyptian daemons, became a dragon the size of a deer hound.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
war is the sea I swim in and the air I breathe.
”
”
Philip Pullman (His Dark Materials)
“
The optimization of cosmic darkness and of Earth's location within the dark universe that sacrifices neither the material needs of human beings nor their capacity to gain knowledge about the universe reflects masterful engineering at a level far beyond human capability- and even imagination. It testifies of a supernatural, superintelligent, superpowerful, fully deliberate Creator.
”
”
Hugh Ross (Why the Universe Is the Way It Is)
“
There’s plenty of folk as’d like to have a lion as a dæmon and they end up with a poodle. And till they learn to be satisfied with what they are, they’re going to be fretful about it. Waste of feeling, that is.
”
”
Philip Pullman (His Dark Materials)
“
The sight filled the northern sky; the immensity of it was scarcely conceivable. As if from Heaven itself, great curtains of delicate light hung and trembled. Pale green and rose-pink, and as transparent as the most fragile fabric, and at the bottom edge a profound and fiery crimson like the fires of Hell, they swung and shimmered loosely with more grace than the most skillful dancer.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
A few minutes after he arrived, Lee was talking to a group of astronomers eager to learn what news he could bring them, for there are few natural philosophers as frustrated as astronomers in a fog.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
I lifted a hand toward that darkness, and met with a soft, silky material—his wing, cocooning and warming me. I traced my finger along it, and he shuddered, his arms tightening around me. “Your finger … is very cold,” he gritted out, the words hot on my neck. I tried not to smile, even as I tilted my neck a bit more, hoping the heat of his breath might caress it again. I dragged my finger along his wing, the nail scraping gently against the smooth surface. Rhys tensed, his hand splaying across my stomach. “You cruel, wicked thing,” he purred, his nose grazing the exposed bit of neck I’d arched beneath him. “Didn’t anyone ever teach you manners?
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
We live among ruins in a World in which ‘god is dead’ as Nietzsche stated. The ideals of today are comfort, expediency, surface knowledge, disregard for one’s ancestral heritage and traditions, catering to the lowest standards of taste and intelligence, apotheosis of the pathetic, hoarding of material objects and possessions, disrespect for all that is inherently higher and better — in other words
a complete inversion of true values and ideals, the raising of the victory flag of ignorance and the banner of degeneracy. In such a time, social decadence is so widespread that it appears as a natural component of all political institutions. The crises that dominate the daily lives of our societies are part of a secret occult war to remove the support of spiritual and traditional values in order to turn man into a passive instrument of dark powers.
The common ground of both Capitalism and Socialism is a materialistic view of life and being. Materialism in its war with the Spirit has taken on many forms; some have promoted its goals with great subtlety, whilst others have done so with an alarming lack of subtlety, but all have added, in greater or lesser measure, to the growing misery of Mankind. The forms which have done the most damage in our time may be enumerated as: Freemasonry, Liberalism, Nihilism, Capitalism, Socialism, Marxism, Imperialism, Anarchism, Modernism and the New Age.
”
”
Seyyed Hossein Nasr
“
When she saw how they worked, not on their own but two by two, working their trunks together to tie a knot, she realized why they'd been so astonished by her hands, because of course she could tie knots on her own. At first she felt that this gave an advantage--she needed no one else-- and then she realized how it cut her off from others. Perhaps all human beings were like that.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
I see the Master as a man having terrible choices to make; whatever he chooses will do harm, but maybe if he does the right thing, a little less harm will come about than if he chooses wrong. God preserve me from having to make that sort of choice.
”
”
Philip Pullman (His Dark Materials)
“
Cindy, have you heard of the second law of thermodynamics?”
“Yes. Something about heat energy can never be created or destroyed?”
“That’s the first law of thermodynamics. The second one is this…all organized systems tend to slide slowly into chaos and disorder. Energy tends to run down. The universe itself heads inevitably towards darkness and stasis. Our own star system eventually will die, the sun will become a red giant, and the earth will be swallowed by the red giant.”
“Cheery thought.”
“But mathematics has altered this concept; rather one particular mathematician. His name was Ilya Prigogine, a Belgian mathematician.”
“Who and what does that have to do with your being a PI and a great psychologist?”
“Are you being sarcastic? Of course you are. Anyway, what I was trying to say was that Prigogine used the analogy of a walled city and open city. The walled city is isolated from its surroundings and will run down, decay, and die. The open city will have an exchange of materials and energy with its surroundings and will become larger and more complex; capable of dissipating energy even as it grows. So my point is, this analogy very much pertains to a certain female. The walled person versus the open person. The walled person will eventually decline, fade, and decay.
”
”
Behcet Kaya (Appellate Judge (Jack Ludefance, #3))
“
Who are you?" the woman said at last.
"Lyra Silver—"
"No, where d'you come from? What are you? How do you know things like this?" Wearily Lyra sighed; she had forgotten how roundabout Scholars could be. It was difficult to tell them the truth when a lie would have been so much easier for them to understand.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
Because at Warren, the Body is all the rage. As though everyone in the academic world has just now discovered that they are vesseled in precarious, fastly decaying houses of bone and flesh and my god, what material.
”
”
Mona Awad (Bunny (Bunny, #1))
“
Everything about this is embarrassing" she said. "D'you know how embarrassing it is to mention good and evil in a scientific laboratory? Have you any idea? One of the reasons I became a scientist was not to have to think about that kind of thing.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
He was never the creator. He was an angel like ourselves—the first angel, true, the most powerful, but he was formed of Dust as we are, and Dust is only a name for what happens when matter begins to understand itself. Matter loves matter. It seeks to know more about itself, and Dust is formed.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials #3))
“
I bet you could catch bullets,” she said, and threw the stick away. “How do you do that?”
“By not being human,” he said. “That’s why you could never trick a bear. We see tricks and deceit as plain as arms and legs. We can see in a way humans have forgotten. But you know about this; you can understand the symbol reader.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
And Will knew what it was to see his dæmon. As she flew down to the sand, he felt his heart tighten and release in a way he never forgot. Sixty years and more would go by, and as an old man he would still feel some sensations as bright and fresh as ever: Lyra's fingers putting the fruit between his lips under the gold-and-silver trees; her warm mouth pressing against his; his dæmon being torn from his unsuspecting breast as they entered the world of the dead; and the sweet rightfulness of her coming back to him at the edge of the moonlight dunes.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Francesca took a navy blue sheath from a hanger and held it up. "This is darling, Gabriel. Don't you love it? You're right, I think we need to concentrate on much more feminine articles of clothing."
He reached around her and fingered the soft material. "Where is the rest of it?" He was very serious, his dark eyes searching her face for signs she was teasing.
”
”
Christine Feehan (Dark Legend (Dark, #7))
“
I will love you for ever, whatever happens. Till I die and after I die, and when I find my way out of the land of the dead I'll drift about for ever, all my atoms, till I find you again...
I'll be looking for you, Will, every moment, every single moment. And when we do find each other again we'll cling together so tight that nothing and no one'll ever tear us apart. Every atom of me and every atom of you... We'll live in birds and flowers and dragonflies and pine trees and in clouds and in those little specks of light you see floating in sunbeams... And when they use our atoms to make new lives, they won't just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight...
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
And Pantalaimon didn't ask why, because he knew; and he didn't ask whether Lyra loved Roger more than him, because he knew the true answer to that, too. And he knew that if he spoke, she wouldn't be able to resist; so the dæmon held himself quiet so as not to distress the human who was abandoning him, and now they were both pretending that it wouldn't hurt, it wouldn't be long before they were together again, it was all for the best. But Will knew that the little girl was tearing her heart out of her breast.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Will considered what to do. When you choose one way out of many, all the ways you don't take are snuffed out like candles, as if they'd never existed. At the moment all Will's choices existed at once. But to keep them all in existence meant doing nothing. He had to choose, after all.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Our life consists not in the pursuit of material success but in the quest for worthy spiritual growth. Our entire earthly existence is but a transitional stage in the movement toward something higher, and we must not stumble and fall, nor must we linger fruitlessly on one rung of the ladder. Material laws alone do not explain our life or give it direction. The laws of physics and physiology will never reveal the indisputable manner in which the Creator constantly, day in and day out, participates in the life of each of us, unfailingly granting us the energy of existence; when this assistance leaves us, we die. And in the life of our entire planet, the Divine Spirit surely moves with no less force: this we must grasp in our dark and terrible hour.
”
”
Aleksandr Solzhenitsyn
“
The intentions of a tool are what it does. A hammer intends to strike, a vise intends to hold fast, a lever intends to lift. They are what it is made for. But sometimes a tool may have other uses that you don’t know. Sometimes in doing what you intend, you also do what the knife intends, without knowing.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials #3))
“
When we were alive, they told us that when we died we'd go to heaven. And they said that heaven was a place of joy and glory and we would spend eternity in the company of saints and angels praising the Almighty, in a state of bliss. That's what they said. And that's what led some of us to give our lives, and others to spend years in solitary prayer, while all the joy of life was going to waste around us and we never knew. Because the land of the dead isn't a place of reward or a place of punishment, it is a place of nothing. The good come here as well as the wicked, and all of us languish in this gloom forever, with no hope of freedom, or joy, or sleep, or rest, or peace. But now this child has come offering us a way out and I'm going to follow her. Even if it means oblivion, friends, I'll welcome it, because it won't be nothing. We'll be alive again in a thousand blades of grass, and a million leaves; we'll be falling in the raindrops and blowing in the fresh breeze; we'll be glistening in the dew under the stars and the moon out there in the physical world, which is our true home and always was.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
I shall decide what I do. If you say my work is fighting, or healing, or exploring, or whatever you say, I'll always be thinking about it, and if I end up doing that, I'll feel resentful because it'll feel as I didn't have a choice, and if I don't do it, I'll feel guilty because I should. Whatever I do, I will choose it, no one else.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
When the first chakra is disconnected from the feminine Earth, we can feel orphaned and motherless. The masculine principle predominates, and we look for security from material things. Individuality prevails over relationship, and selfish drives triumph over family, social and global responsibility. The more separated we become from the Earth, the more hostile we become to the feminine. We disown our passion, our creativity, and our sexuality. Eventually the Earth itself becomes a baneful place. I remember being told by a medicine woman in the Amazon, "Do you know why they are really cutting down the rain forest? Because it is wet and dark and tangled and feminine.
”
”
Alberto Villoldo
“
We've heard them all talk about Dust, and they're so afraid of it, and you know what? We believed them, even though we could see that what they were doing was wicked and evil and wrong... We thought Dust must be bad too, because they were grown up and they said so. But what if it isn't? What if it's—'
She said breathlessly, 'Yeah! What if it's really good...
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
I’ll be looking for you, Will, every moment, every single moment. And when we do find each other again we’ll cling together so tight that nothing and no one’ll ever tear us apart. Every atom of me and every atom of you . . . We’ll live in birds and flowers and dragonflies and pine trees and in clouds and in those little specks of light you see floating in sunbeams . . . And when they use our atoms to make new lives, they won’t just be able to take one, they’ll have to take two, one of you and one of me, we’ll be joined so tight . . .
”
”
Philip Pullman (His Dark Materials)
“
Find a man that will watch over you. Don’t settle for men who only have one thing in mind. If he doesn’t like to eat, something is wrong with him,” she says, which makes me laugh. “He needs to put you before himself—always,” she would tell me. “He needs to love you more than you love him.” That one confuses me a bit, but I don’t ask...
“You mustn’t be afraid of love, Blake. No matter what you go through in life, don’t be afraid to love. Loving is the only thing that keeps us sane. If it weren’t for love, the suffering we experience wouldn’t be worth it. If it weren’t for the suffering, we wouldn’t cherish the good things life gives us. Sometimes it’ll seem as though life only knocks you down, but you have to learn to pick yourself up and fight back. I love you, Blake. I will always love you even when I’m no longer here to tell you,” Aunt Shelley breathes weakly.”
Excerpt From: Contreras, Claire. “There Is No Light in Darkness.” Claire Contreras, 2013-01-10T00:00:00+00:00. iBooks.
This material may be protected by copyright.
”
”
Claire Contreras (There is No Light in Darkness (Darkness, #1))
“
I need you right now, Shea. My body is going up in flames, and I hurt like hell. We have to be alone soon or I might die.”
Her laughter muffled against his chest. “No one has ever died because they wanted to make love.” But she wasn’t sure. Her own body was burning and begging for the connection to his.
Gregori suddenly materialized, made a soft, sighing noise, and sent them a clear frown. Like guilty children they broke apart.
”
”
Christine Feehan (Dark Desire (Dark, #2))
“
A man cannot un-see the truth. He cannot willingly return to darkness or go blind once he has the gift of sight, anymore than he can be unborn.
We are the only species capable of self-reflection. The only species with the toxin of self-doubt written into our genetic code. Unequal to our gifts we build, we buy, we consume. We wrap ourselves in the illusion of material success. We cheat and deceive as we claw our way to the pinnacle of what we define as achievement; superiority to other men.
But there is a sickness inside us. Rising like the bile that leaves that bitter taste at the back of our throats. We do our best to deny its existence, dealing in lies and distraction. Until one day the body rebels against the mind and screams out… I am not a well man. Only when we know what ails us can we hope to find the cure.
”
”
Justin Haythe
“
From earliest childhood I was charmed by the materials of my craft, by pencils and paper and, later, by the typewriter and the entire apparatus of printing. To condense from one's memories and fantasies and small discoveries dark marks on paper which become handsomely reproducible many times over still seems to me, after nearly 30 years concerned with the making of books, a magical act, and a delightful technical process. To distribute oneself thus, as a kind of confetti shower falling upon the heads and shoulders of mankind out of bookstores and the pages of magazines is surely a great privilege and a defiance of the usual earthbound laws whereby human beings make themselves known to one another.
”
”
John Updike
“
Everything about her in that moment was soft, and that was one of his favorite memories later on--her tense grace made tender by the dimness, her eyes and hands and especially her lips, infinitely soft. He kissed her again and again, and each kiss was nearer to the last one of all.
Heavy and soft with love, they walked back to the gate. Mary and Serafina were waiting.
"Lyra--" Will said.
And she said, "Will."
He cut a window into Cittàgazze. They were deep in the parkland around the great house, not far from the edge of the forest. He stepped through for the last time and looked down over the silent city, the tiled roofs gleaming in the moonlight, the tower above them, the lighted ship waiting out on the still sea.
He turned to Serafina and said as steadily as he could, "Thank you, Serafina Pekkala, for rescuing us at the belvedere, and for everything else. Please be kind to Lyra for as long as she lives. I love her more than anyone has ever been loved.
”
”
Philip Pullman
“
Life is Beautiful?
Beyond all the vicissitudes that are presented to us on this short path
within this wild planet, we can say that life is beautiful.
No one can ever deny that experiencing the whirlwind of emotions
inside this body is a marvel,
we grow with these life experiences,
we strengthen ourselves and stimulate our feelings every day,
in this race where the goal is imminent death
sometimes we are winners and many other times we lose and the darkness surprises us
and our heart is disconnected from this reality halfway
and connects us to the server of the matrix once more,
debugging and updating our database,
erasing all those experiences within this caracara of flesh and blood,
waiting to return to earth again.
"Life is beautiful gentlemen" is cruel and has unfair behavior
about people who looked like a bundle of light
and left this platform for no apparent reason,
but its nature is not similar to our consciousness and feelings,
she has a script for each of us
because it was programmed that way, the architects of the game of life
they know perfectly well that you must experiment with all the feelings, all the emotions and evolve to go to the next levels.
You can't take a quantum leap and get through the game on your own.
inventing a heaven and a hell in order to transcend,
that comes from our fears of our imagination
not knowing what life has in store for us after life is a dilemma
"rather said" the best kept secret of those who control us day by day.
We are born, we grow up, we are indoctrinated in the classrooms
and in the jobs, we pay our taxes,
we reproduce, we enjoy the material goods that it offers us
the system the marketing of disinformation,
Then we get old, get sick and die. I don't like this story!
It looks like a parody of Noam Chomsky,
Let's go back to the beautiful description of beautiful life, it sounds better!
Let's find meaning in all the nonsense that life offers us,
'Cause one way or another we're doomed
to imagine that everything will be fine until the end of matter.
It is almost always like that.
Sometimes life becomes a real nightmare.
A heartbreaking horror that we find impossible to overcome.
As we grow up, we learn to know the dark side of life.
The terrors that lurk in the shadows,
the dangers lurking around every corner.
We realize that reality is much harsher
and ruthless than we ever imagined.
And in those moments, when life becomes a real hell,
we can do nothing but cling to our own existence,
summon all our might and fight with all our might
so as not to be dragged into the abyss.
But sometimes, even fighting with all our might is not enough.
Sometimes fate is cruel and takes away everything we care about,
leaving us with nothing but pain and hopelessness.
And in that moment, when all seems lost,
we realize the terrible truth: life is a death trap,
a macabre game in which we are doomed to lose.
And so, as we sink deeper and deeper into the abyss,
while the shadows envelop us and terror paralyzes us,
we remember the words that once seemed to us
so hopeful: life is beautiful. A cruel and heartless lie,
that leads us directly to the tragic end that death always awaits us.
”
”
Marcos Orowitz (THE MAELSTROM OF EMOTIONS: A selection of poems and thoughts About us humans and their nature)
“
Okay, calm down, we'll pay,"said Vee, reaching into her back pocket. She stuffed a wad of cash into the bowl, but it was dark and I couldn´t tell how much. "You owe me big-time," she told me.
"You're supposed to let me count the money first," Marcie said, digging through the bowl, trying to recapture Vee´s donation.
"I just assumed twenty was too high for you to count," Vee said. "My apologies." Marcie's eyes went slitty again, then she turned on her heel and carted the bowl back into the house.
"How much did you give her?" I asked Vee.
"I didn't. I tossed in a condom."
I lifted my eyebrows."Since when do you carry condoms?"
"I picked one up off the lawn on our way up the walk. Who knows, maybe Marcie'll use it. Then I'll have done my part to keep her genetic material out of the gene pool.
”
”
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
“
Even today, I would go halfway round the world to find a book if I thought it essential to my needs, and I have a feeling of absolute veneration for those few authors who have given me something special. For this reason, I can never understand the tepid youth of today who wait for books to be given to them and who neither search nor admire. I would go without eating in order to get a book, and I have never liked borrowing books, because I have always wanted them to be absolutely mine so that I could live with them for hours on end.
As with men, it has always seemed to me that books have their own peculiar destinies. They go towards the people who are waiting for them and reach them at the right moment. They are made of living material and continue to cast light through the darkness long after the death of their authors.
”
”
Miguel Serrano (C.G. Jung and Hermann Hesse: A Book of Two Friendships)
“
Ruta Skadi was four hundred and sixteen years old, with all the pride and knowledge of an adult witch queen. She was wiser by far than any short-lived human, but she had not the slightest idea of how like a child she seemed beside these ancient beings. Nor did she know how far their awareness spread out beyond her like filamentary tentacles to the remotest corners of universes she had never dreamed of; nor that she saw them as human-formed only because her eyes expected to. If she were to perceive their true form, they would seem more like architecture than organism, like huge structures composed of intelligence and feeling.
But they expected nothing else: she was very young.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
Oh, Will," she said, "what can we do? Whatever can we do? I want to live with you forever. I want to kiss you and lie down with you and wake up with you every day of my life till I die, years and years and years away. I don't want a memory, just a memory…"
"No," he said, "memory's a poor thing to have. It's your own real hair and mouth and arms and eyes and hands I want. I didn't know I could ever love anything so much. Oh, Lyra, I wish this night would never end! If only we could stay here like this, and the world could stop turning, and everyone else could fall into a sleep…
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
Two adolescent girls on a hot summer night--hardly the material of great literature, which tends to endow all male experience (that of those twin brothers who found themselves adrift so many years ago in the dark northern woods for instance) with universal radiance. Faithless sons, wars and typhoons, fields of blood, greed and knives: our literature's full of such stories. And yet suppose for an instant that it wasn't the complacent father but his bored daughter who was the Prime Mover; suppose that what came first wasn't an appetite for drama but the urge to awaken it. Mightn't we then permit a single summer in the lives of two bored girls to represent an essential stage in the history of the universe?
”
”
Kathryn Davis
“
Once he told me that the hard part is finding the clay, the raw material of the story. It takes work to harvest clay. You have to go to a stream and grab a bucket of mud, mix it with water, sift out the rougher sediment, pour off the water, allow the moisture to seep through a cloth for days. That’s your first draft. After that you get to flop the clay onto the pottery wheel and turn it into something better than mud, hopefully something both useful and beautiful. That’s revision. Whether you’re writing a song or a story, you have to shape it and reshape it, scrap it and start over, always working it as close as it can get to the thing it wants to become. But first you need that muddy lump, the first draft.
”
”
Andrew Peterson (Adorning the Dark: Thoughts on Community, Calling, and the Mystery of Making)
“
I wish that future novelists would reject the pressure to write for the betterment of society. Art is not media. A novel is not an 'afternoon special' or fodder for the Twittersphere or material for the journalists to make neat generalizations about culture. A novel is not Buzzfeed or NPR or Instagram or even Hollywood. Let's get clear about that. A novel is a literary work of art meant to expand consciousness. We need novels that live in an amoral universe, past the political agenda described on social media. We have imaginations for a reason. Novels like American Psycho and Lolita did not poison culture. Murderous corporations and exploitative industries did. We need characters in novels to be free to range into the dark and wrong. How else will we understand ourselves?
”
”
Ottessa Moshfegh
“
Another savage trait of our time is the disposition to talk about material substances instead of about ideas. The old civilisation talked about the sin of gluttony or excess. We talk about the Problem of Drink--as if drink could be a problem. When people have come to call the problem of human intemperance the Problem of Drink, and to talk about curing it by attacking the drink traffic, they have reached quite a dim stage of barbarism. The thing is an inverted form of fetish worship; it is no sillier to say that a bottle is a god than to say that a bottle is a devil. The people who talk about the curse of drink will probably progress down that dark hill. In a little while we shall have them calling the practice of wife-beating the Problem of Pokers; the habit of housebreaking will be called the Problem of the Skeleton-Key Trade; and for all I know they may try to prevent forgery by shutting up all the stationers' shops by Act of Parliament.
”
”
G.K. Chesterton (All Things Considered)
“
Thousands of years ago tribes of human beings suffered great privations in the struggle to survive. In this struggle it was important not only to be able to handle a club, but also to possess the ability to think reasonably, to take care of the knowledge and experience garnered by the tribe, and to develop the links that would provide cooperation with other tribes. Today the entire human race is faced with a similar test. In infinite space many civilizations are bound to exist, among them civilizations that are also wiser and more "successful" than ours. I support the cosmological hypothesis which states that the development of the universe is repeated in its basic features an infinite number of times. In accordance with this, other civilizations, including more "successful" ones, should exist an infinite number of times on the "preceding" and the "following" pages of the Book of the Universe. Yet this should not minimize our sacred endeavors in this world of ours, where, like faint glimmers of light in the dark, we have emerged for a moment from the nothingness of dark unconsciousness of material existence. We must make good the demands of reason and create a life worthy of ourselves and of the goals we only dimly perceive.
”
”
Andrei Sakharov
“
I’m riding a tram and, as is my habit, slowly absorbing every detail of the people around me. By ‘detail’ I mean things, voices, words. In the dress of the girl directly in front of me, for example, I see the material it’s made of, the work involved in making it – since it’s a dress and not just material – and I see in the delicate embroidery around the neck the silk thread with which it was embroidered and all the work that went into that. And immediately, as if in a primer on political economy, I see before me the factories and all the different jobs: the factory where the material was made; the factory that made the darker coloured
thread that ornaments with curlicues the neck of the dress’ and I see the different workshops in the factories, the machines, the workmen, the seamstresses. My eyes’ inward gaze even penetrates into the offices, where I see the managers trying to keep calm and the figures set out in the account books, but that’s not all: beyond that I see into the domestic lives of all those who spend their working hours in these factories and offices...A whole world unfolds before my eyes all because the regularly irregular dark green edging to a pale green dress worn by the girl in front of me of whom I see only her brown neck.
‘A whole way of life lies before me.
I sense the loves, the secrets, the souls of all those who worked just so that this woman in front of me on the tram should wear around her mortal neck the sinuous banality of a thread of dark green silk on a background of light green cloth.
I grow dizzy. The seats on the tram, of fine, strong cane, carry me to distant regions, divide into industries, workmen, houses, lives, realities, everything.
I leave the tram exhausted, like a sleepwalker, having lived a whole life.
”
”
Fernando Pessoa (The Book of Disquiet)
“
A change in direction was required. The story you finished was perhaps never the one you began. Yes! He would take charge of his life anew, binding his breaking selves together. Those changes in himself that he sought, he himself would initiate and make them. No more of this miasmic, absent drift. How had he ever persuaded himself that his money-mad burg would rescue him all by itself, this Gotham in which Jokers and Penguins were running riot with no Batman (or even Robin) to frustrate their schemes, this Metropolis built of Kryptonite in
which no Superman dared set foot, where wealth was mistaken for riches and the joy of possession for happiness, where people lived such polished lives that the great rough truths of raw existence had been rubbed and buffed away, and in which human souls had wandered so separately for so long that they barely remembered how to touch; this city whose fabled electricity powered the electric fences that were being erected between men and men, and men and women, too? Rome did not fall because her armies weakened but because Romans forgot what
being Roman meant. Might this new Rome actually be more provincial than its provinces; might these new Romans have forgotten what and how to value, or had they never known? Were all empires so undeserving, or was this one particularly crass? Was nobody in all this bustling endeavor and material plenitude engaged, any longer, on the deep quarry-work of the mind and heart? O Dream-America, was civilization's
quest to end in obesity and trivia, at Roy Rogers and Planet Hollywood, in USA Today and on E!; or in million-dollar-game-show greed or fly-on-the-wall voyeurism; or in the eternal confessional booth of Ricki and Oprah and Jerry, whose guests murdered each other after the show; or in a spurt of gross-out dumb-and-dumber comedies
designed for young people who sat in darkness howling their ignorance at the silver screen; or even at the unattainable tables of Jean-Georges Vongerichten and Alain Ducasse? What of the search for the hidden keys that unlock the doors of exaltation? Who demolished the City on the Hill and put in its place a row of electric chairs,
those dealers in death's democracy, where everyone, the innocent, the mentally deficient, the guilty, could come to die side by side? Who paved Paradise and put up a parking lot? Who settled for George W. Gush's boredom and Al Bore's gush? Who let Charlton Heston out of his cage and then asked why children were getting shot? What, America, of the Grail? O ye Yankee Galahads, ye Hoosier Lancelots, O Parsifals of the stockyards, what of the Table Round? He felt a flood bursting in him and did not hold back. Yes, it had seduced him, America; yes, its brilliance aroused him, and its vast potency too, and he was compromised by this seduction. What he opposed in it he must also attack in himself. It made him want what it promised and eternally withheld. Everyone was an American now, or at least Americanized: Indians, Uzbeks, Japanese, Lilliputians, all. America was the world's playing field, its rule book, umpire, and ball. Even anti-Americanism was Americanism in disguise, conceding, as it did, that America was the only game in town and the matter of America the only business at hand; and so, like everyone, Malik Solanka now walked its high corridors cap in hand, a supplicant at its feast; but that did not mean he could not look it in the eye. Arthur had fallen, Excalibur was lost and dark Mordred was king. Beside him on the throne of Camelot sat the queen, his sister, the witch Morgan le Fay.
”
”
Salman Rushdie (Fury)
“
The next thing he knew, a creature from between dimensions was standing beside his bed looking down at him disapprovingly.
The creature had many eyes, all over it, ultra-modern expensive-looking clothing, and rose up eight feet high. Also, it carried an enormous scroll.
"You're going to read me my sins," Charles Freck said.
The creature nodded and unsealed the scroll.
Freck said, lying helpless on his bed, "And it's going to take a hundred thousand hours."
Fixing its many compound eyes on him, the creature from between dimensions said, "We are no longer in the mundane universe. Lower-plane categories of material existence such as 'space' and 'time' no longer apply to you. You have been elevated to the transcendent realm. Your sins will be read to you ceaselessly, in shifts, throughout eternity. The list will never end."
Know your dealer. Charles Freck thought, and wished he could take back the last half-hour of his life.
A thousand years later he was still lying there on his bed with the Ayn Rand book and the letter to Exxon on his chest, listening to them read his sins to him. They had gotten up to the first grade, when he was six years old.
Ten thousand years later they had reached the sixth grade.
The year he had discovered masturbation.
He shut his eyes, but he could still see the multi-eyed, eight-foot-high being with its endless scroll reading on and on.
"And next-" it was saying.
Charles Freck thought, At least I got a good wine.
”
”
Philip K. Dick (A Scanner Darkly)
“
Hermes bowed his head in thankfulness to the Great Dragon who had taught him so much, and begged to hear more concerning the ultimate of the human soul. So Poimandres resumed: "At death the material body of man is returned to the elements from which it came, and the invisible divine man ascends to the source from whence he came, namely the Eighth Sphere...
"Then, being naked of all the accumulations of the seven Rings, the soul comes to the Eighth Sphere, namely, the ring of the fixed stars. Here, freed of all illusion, it dwells in the Light and sings praises to the Father in a voice which only the pure of spirit may understand. Behold, O Hermes, there is a great mystery in the Eighth Sphere, for the Milky Way is the seed-ground of souls, and from it they drop into the Rings, and to the Milky Way they return again from the wheels of Saturn. But some cannot climb the seven-runged ladder of the Rings. So they wander in darkness below and are swept into eternity with the illusion of sense and earthiness.
"The path to immortality is hard, and only a few find it. The rest await the Great Day when the wheels of the universe shall be stopped and the immortal sparks shall escape from the sheaths of substance. Woe unto those who wait, for they must return again, unconscious and unknowing, to the seed-ground of stars, and await a new beginning. Those who are saved by the light of the mystery which I have revealed unto you, O Hermes, and which I now bid you to establish among men, shall return again to the Father who dwelleth in the White Light, and shall deliver themselves up to the Light and shall be absorbed into the Light, and in the Light they shall become Powers in God. This is the Way of Good and is revealed only to them that have wisdom.
”
”
Thoth Hermes Trismegistus
“
Man is made up of opposing characteristics. History demonstrates vividly the fact that it always moves in the worst possible direction. Either man is not capable of directing history, or else he does direct it, but only by pushing it down the most terrible, wrong path there is.
There is not a single example to prove the opposite. People are not capable of governing others. They are only capable of destroying. And materialism—naked and cynical—is going to complete the destruction.
Despite the fact that God lives in every soul, that every soul has the capacity to accumulate what is eternal and good, as a mass people can do nothing but destroy. For they have come together not in the name of an ideal, but simply for the sake of a material notion.
Mankind has hurried to protect the body (perhaps on the strength of that natural and unconscious gesture which served as the beginning of what is called progress) and has given no thought to protecting the soul.
The church (as opposed to religion) has not been able to do so. In the course of the history of civilization, the spiritual half of man has been separated further and further from the animal, the material, and now in an infinite expanse of darkness we can just make out, like the lights of a departing train, the other half of our being as it rushes away, irrevocably and for ever.
Spirit and flesh, feeling and reason can never again be made one. It's too late. For the moment we are crippled by the appalling disease of spiritual deficiency; and the disease is fatal. Mankind has done everything possible to annihilate itself, starting with its own moral annihilation—physical death is merely the result.
Everyone can be saved only if each saves himself.
”
”
Andrei Tarkovsky (Journal 1970-1986)
“
And that was how sin came into the world," he said, "sin and shame and death. It came the moment their daemons became fixed."
"But..." Lyra struggled to find the words she wanted: "but it en't true, is it? Not true like chemistry or engineering, not that kind of true? There wasn't really an Adam and Eve? The Cassington Scholar told me it was just a kind of fairy tale."
"The Cassington Scholarship is traditionally given to a freethinker; it's his function to challenge the faith of the Scholars. Naturally he'd say that. But think of Adam and Eve like an imaginary number, like the square root of minus one: you can never see any concrete proof that it exists, but if you include it in your equations, you can calculate all manner of things that couldn't be imagined without it.
"Anyway, it's what the Church has taught for thousands of years. And when Rusakov discovered Dust, at last there was a physical proof that something happened when innocence changed into experience.
"Incidentally, the Bible gave us the name Dust as well. At first they were called Rusakov Particles, but soon someone pointed out a curious verse toward the end of the Third Chapter of Genesis, where God's cursing Adam for eating the fruit."
He opened the Bible again and pointed it out to Lyra. She read:
"In the sweat of thy face shalt thou eat bread, till thou return unto the ground; for out of it wast thou taken: for dust thou art, and unto dust shalt thou return...."
Lord Asriel said, "Church scholars have always puzzled over the translation of that verse. Some say it should read not 'unto dust shalt thou return' but 'thou shalt be subject to dust,' and others say the whole verse is a kind of pun on the words 'ground' and 'dust,' and it really means that God's admitting his own nature to be partly sinful. No one agrees. No one can, because the text is corrupt. But it was too good a word to waste, and that's why the particles became known as Dust.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
We heard of this woman who was out of control. We heard that she was led by her feelings. That her emotions were violent. That she was impetuous. That she violated tradition and overrode convention. That certainly her life should not be an example to us. (The life of the plankton, she read in this book on the life of the earth, depends on the turbulence of the sea) We were told that she moved too hastily. Placed her life in the stream of ideas just born. For instance, had a child out of wedlock, we were told. For instance, refused to be married. For instance, walked the streets alone, where ladies never did, and we should have little regard for her, even despite the brilliance of her words. (She read that the plankton are slightly denser than water) For she had no respect for boundaries, we were told. And when her father threatened her mother, she placed her body between them. (That because of this greater heaviness, the plankton sink into deeper waters) And she went where she should not have gone, even into her sister's marriage. And because she imagined her sister to be suffering what her mother had suffered, she removed her sister from that marriage. (And that these deeper waters provide new sources of nourishment) That she moved from passion. From unconscious feeling, allowing deep and troubled emotions to control her soul. (But if the plankton sinks deeper, as it would in calm waters, she read) But we say that to her passion, she brought lucidity (it sinks out of the light, and it is only the turbulence of the sea, she read) and to her vision, she gave the substance of her life (which throws the plankton back to the light). For the way her words illuminated her life we say we have great regard. We say we have listened to her voice asking, "of what materials can that heart be composed which can melt when insulted and instead of revolting at injustice, kiss the rod?" (And she understood that without light, the plankton cannot live and from the pages of this book she also read that the animal life of the oceans, and hence our life, depends on the plankton and thus the turbulence of the sea for survival.) By her words we are brought to our own lives, and are overwhelmed by our feelings which we had held beneath the surface for so long. And from what is dark and deep within us, we say, tyranny revolts us; we will not kiss the rod.
”
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Susan Griffin (Woman and Nature: The Roaring Inside Her)
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When you feel the need to escape your problems, to escape from this world, don't make the mistake of resorting to suicide Don't do it! You will hear the empty advice of many scholars in the matter of life and death, who will tell you, "just do it" there is nothing after this, you will only extinguish the light that surrounds you and become part of nothingness itself, so when you hear these words remember this brief review of suicide: When you leave this body after committing one of the worst acts of cowardice that a human being can carry out, you turn off the light, the sound and the sense of reality, you become nothing waiting for the programmers of this game to pick you up from the darkness, subtly erase your memories and enable your return and I emphasize the word subtle because sometimes the intelligence behind this maneuver or automated mechanism is wrong and send human beings wrongly reset to such an extent, that when they fall to earth and are born again, they begin to experience memories of previous lives, in many cases they perceive themselves of the opposite sex, and science attributes this unexplainable phenomenon to genetic and hormonal factors, but you and I know better! And we quickly identified this trigger as a glitch in the Matrix. Then we said! That a higher intelligence or more advanced civilization throws you back into this game for the purpose of experimenting, growing and developing as an advanced consciousness and due to your toxic and destructive behavior you come back again but in another body and another life, but you are still you, then you will carry with you that mark of suicide and cowardice, until you learn not to leave this experience without having learned the lesson of life, without having experienced and surprised by death naturally or by design of destiny. About this first experience you will find very little material associated with this event on the internet, it seems that the public is more reserved, because they perceive themselves and call themselves "awakened" And that is because the system has total control over the algorithm of fame and fortune even over life and death. Now, according to religion and childish fears, which are part of the system's business to keep you asleep, eyes glued to the cellular device all day, it says the following: If you commit this act of sin, you turn off light, sound and sense of reality, and from that moment you begin to experience pain, fear and suffering on alarming scales, and that means they will come for you, a couple of demons and take you to the center of the earth where the weeping and gnashing of teeth is forever, and in that hell tormented by demons you will spend eternity. About this last experience we will find hundreds of millions of people who claim to have escaped from there! And let me tell you that all were captivated by the same deity, one of dubious origin, that feeds on prayers and energetic events, because it is not of our nature, because it knows very well that we are beings of energy, then this deity or empire of darkness receives from the system its food and the system receives from them power, to rule, to administer, to control, to control, to kill, to exclude, to inhibit, to classify, to imprison, to silence, to infect, to contaminate, to depersonalize. So now that you know the two sides of the same coin, which one will your intelligence lean towards! You decide... Heads or tails? From the book Avatars, the system's masterpiece.
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Marcos Orowitz (THE LORD OF TALES: The masterpiece of deceit)