Dark Comedy Quotes

We've searched our database for all the quotes and captions related to Dark Comedy. Here they are! All 100 of them:

You are a manipulator. I like to think of myself more as an outcome engineer.
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
Rejection is an opportunity for your selection.
Bernard Branson
Into the eternal darkness, into fire and into ice.
Dante Alighieri (The Divine Comedy: The Inferno, the Purgatorio and the Paradiso)
The place is also big enough. We could all live there without killing each other." -Rhage "That depends more on your mouth than any floorplan." -Phury
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
Midway upon the journey of our life, I found myself within a forest dark, for the straightforward pathway had been lost.
Dante Alighieri (The Divine Comedy)
And I must draft an advertisement for the Daily Prophet, too,' he added thoughtfully. 'We'll be needing a new Defense Against the Dark Arts teacher.... Dear me, we do seem to run through them, don't we?
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
In the middle of the journey of our life I came to myself within a dark wood where the straight way was lost. Ah, how hard a thing it is to tell what a wild, and rough, and stubborn wood this was, which in my thought renews the fear!
Dante Alighieri (The Divine Comedy)
You think I'm deranged! How refreshing. Everyone here takes me so seriously, it's a wonderful change to be thought mentally deficient.
Katie MacAlister (Sex, Lies and Vampires (Dark Ones #3))
I found myself within a forest dark,
Dante Alighieri (The Divine Comedy)
Some guys step on a rake in the dark, and get mad and go punch somebody. Others step on a rake in the dark and fall down laughing at themselves. I know which kind of guy I'd rather be. So do my friends.
Spider Robinson (Callahan's Crosstime Saloon (Callahan's, #1))
Jack couldn't help but watch Nonie as she left. She looked to be twenty-nine, thirty at the most, stood maybe five foot-four and was slender. She had shoulder-length, curly, walnut-colored hair and the largest most beautiful blue eyes he'd ever seem Her nose and ears were small in comparison to her full lips, which he'd give anything to kiss.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
Midway along the journey of our life I woke to find myself in a dark wood, for I had wandered off from the straight path.
Dante Alighieri (The Divine Comedy)
Oh, uh-uh," Shaundelle said. "I'm not gonna be no place where no ghost is gonna be knockin' nobody upside the head. I'm outta here. I'm not going to take any chances that some ghost is gonna mess up this pretty face.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
Miss Butterworth and the Mad Baron,” Sebastian said approvingly. “Excellent choice.” “You have read this?” Alexei asked. “It’s not as good as Miss Davenport and the Dark Marquis, of course, but worlds better than Miss Sainsbury and the Mysterious Colonel.” Harry found himself rendered speechless. “I’m reading Miss Truesdale and the Silent Gentleman right now.” “Silent?” Harry echoed. “There is a noticeable lack of dialogue,” Sebastian confirmed.
Julia Quinn (What Happens in London (Bevelstoke, #2))
What's he saying?" Buggy asked, her voice shaky. "That there's something up in the attic that we should be careful of because it could be dangerous. "Oh, uh-uh, I'm not going up there," Buggy said, You can send Shaundelle up there, but I'm keeping my little white ass down here.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
The most effective attitude to adopt is one of supreme acceptance. The world is full of people with different characters and temperaments. We all have a dark side, a tendency to manipulate, and aggressive desires. The most dangerous types are those who repress their desires or deny the existence of them, often acting them out in the most underhanded ways. Some people have dark qualities that are especially pronounced. You cannot change such people at their core, but must merely avoid becoming their victim. You are an observer of the human comedy, and by being as tolerant as possible, you gain a much greater ability to understand people and to influence their behavior when necessary
Robert Greene (Mastery)
Nonie chewed on her bottom lip for a moment. She'd told Fezzo so much already yet there wasn't a speck of incredulity in his eyes. His expression was serious, and she had his full attention. "I'm not quite sure about what to do with Helen, the ghost that followed me home.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
I found myself within a forest dark, for the straightfoward pathway had been lost. Ah me! How hard a thing is to say, what was this forest savage, rough, and stern, which in the very thought renews the fear. So bitter is it, death is little more...
Dante Alighieri (The Divine Comedy)
When Shaundelle turned and looked back at Nonie she had her lips pursed. "The man say wear whatever you want. Wear black, girl. It's slimmin', not that you need any slimmin' with your skinny self, but it makes me look like I've been dietin' for a week. I don't want to be the only one wearin' black, so wear black, okay?
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
Are we not all actors playing parts in another person's play?
Shannon L. Alder
It is a world of magic and mystery, of deep darkness and flickering starlight. It is a world where terrible things happen and wonderful things too. It is a world where goodness is pitted against evil, love against hate, order against chaos, in a great struggle where often it is hard to be sure who belongs to which side because appearances are endlessly deceptive. Yet for all its confusion and wildness, it is a world where the battle goes ultimately to the good, who live happily ever after, and where in the long run everybody, good and evil alike, becomes known by his true name....That is the fairy tale of the Gospel with, of course, one crucial difference from all other fairy tales, which is that the claim made for it is that it is true, that it not only happened once upon a time but has kept on happening ever since and is happening still.
Frederick Buechner (Telling the Truth: The Gospel as Tragedy, Comedy, and Fairy Tale)
But you know, mon petite, what you got is a gift. And when de good Lord gives you a gift you have to use it. Dat's why he put you here on dis earth. Sometime it's gonna be to help a soul cross over to de other side to meet him. If dat's whey you gott do, den dat's what you gotta do. You can't just keep collecting de dead. You gonna have to find a way to take what you got and work wit dat.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
You took a bath without me?" I smiled to myself at the accusation in his voice.
Katie MacAlister (Sex, Lies and Vampires (Dark Ones #3))
You're...a demon hunter?' 'It's not as exciting as it sounds,' he said. 'There is a surprising amount of paperwork involved.
Maureen Johnson (Devilish)
Who's the young man beside you?" Helen suddenly asked. "Oh, I see, you're one of us." She turned to Nonie. "And you did introduce us before." She tapped a finger against her right temple. "Every once in a while this old clock up here forgets to click to the next second. I apologize for that.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
Your highness, when I said that you are like a stream of bat's piss, I only mean that you shine out like a shaft of gold when all around it is dark
Graham Chapman
If you lead me astray, then my wanderings will bring me to my destination.
Michael Bassey Johnson
Without pride, man becomes a parasite – and there are already too many parasites.
Carla H. Krueger (From the Horse’s Mouth)
When it rains it pours and when it shines you get melanoma.
Sol Luckman (Beginner's Luke (Beginner's Luke, #1))
He could sit in the dust and dark of the carriage house and rot for the rest of his life. Clearly that's what he wished to do. It was not my place to get in the way of so profound a destiny.
Kristin Bailey (Legacy of the Clockwork Key (The Secret Order, #1))
There is a moment of sheer panic when I realize that Paul's apartment overlooks the park... and is obviously more expensive than mine.
Patrick Bateman
Every man who has reached even his intellectual teens begins to suspect that life is no farce; that it is not genteel comedy even; that it flowers and fructifies on the contrary out of the profoundest tragic depths of the essential dearth in which its subject's roots are plunged. The natural inheritance of everyone who is capable of spiritual life is an unsubdued forest where the wolf howls and the obscene bird of night chatters.
Henry James Sr.
Roxy, stop being so obnoxious!" -Joy "I'm never obnoxious; I'm just concerned." -Roxy
Katie MacAlister (Sex and the Single Vampire (Dark Ones #2))
Shame comes in different doses.
Carla H. Krueger (From the Horse’s Mouth)
I love the movie "Titanic." It's my favorite romantic comedy!
Troy Bisson
I don't like this." "I know you don't, my little spaetzel. But I am too worn out to run from both the police and your murderous twin, and Damian's looking peaky, plus Christian did apologize for trying to kill us earlier." "I wasn't talking about that. It's your lamentable habit of using completely unsuitable love names for me that gives me grief," Adrian groused. "I am not a lambypie, nor am I a spaetzel.
Katie MacAlister (Sex, Lies and Vampires (Dark Ones #3))
I believe my purpose is to bring joy to people, to make them laugh, and to share my story to help them. To show people that no matter what, they matter, and they can succeed. No matter how bad things go, no matter how dark your life is, there is a reason for it. You can find beauty in it, and you can get better. I know, because I’ve done it. That’s why my comedy so often comes from my pain. In my life, and I hope in yours, I want us to grow roses out of the poop.
Tiffany Haddish (The Last Black Unicorn)
Saer is a great big poop, and you shouldn't listen to anything he says," I said, panting just a little. "Obviously, he was trying to demoralize me." "Men who are poops demoralize people all the time," I agreed
Katie MacAlister (Sex, Lies and Vampires (Dark Ones #3))
It’s late and most of the clerks are at home in their beds, dreaming of swimming in pools filled with real money.
Carla H. Krueger (From the Horse’s Mouth)
The morning light played up his hazel eyes and for a moment I was caught in his allure. The dark brows, the dark hair, the tan skin. A weaker woman would have thrown herself at him a long time ago.
R.S. Grey (The Allure of Julian Lefray (The Allure, #1))
In the mid–path of my life, I woke to find myself in a dark wood,' writes Dante, in The Divine Comedy, beginning a quest that will lead to transformation and redemption. A journey through the dark of the woods is a motif common to fairy tales: young heroes set off through the perilous forest in order to reach their destiny, or they find themselves abandoned there, cast off and left for dead. The road is long and treacherous, prowled by wolves, ghosts, and wizards — but helpers also appear along the way, good fairies and animal guides, often cloaked in unlikely disguises. The hero's task is to tell friend from foe, and to keep walking steadily onward.
Terri Windling
This isn't where I intended to be. Killing a person has a funny way of getting your life off-track.
Erin Mitchell
Many large corporations are actually modeled on hell,' Brother Frank added. 'The policies and organization are almost idential. Hell, of course, is much worse.
Maureen Johnson (Devilish)
In the middle of the journey of our life, I came to myself, in a dark wood, where the direct way was lost.
Dante Alighieri (The Divine Comedy)
You're in a straight line, buddy-boy, and it doesn't lead anywhere.....except maybe the grave.
Edward Albee
Live a life abundant in love and rich in spirit, these are the seeds of a fulfilling existence. Be the safe harbor you seek in the world. Follow your dreams, not your fear. Go into the New Year with an open mind and hopeful heart. Don't let the chains of unforgiveness weigh you down. Life is too short to live in a prison of past hurts. The futures is yours for the taking and creating. Life is bittersweet, when we can let darkness and light co-exist as illumination, we can live in true happiness. When we live life at its best, it is a symphony of feelings, of high and low notes, of tragedy and comedy, love and loss, magic and the sublime. It can be quite a spectacular journey when we fully embrace and accept it.
Jaeda DeWalt
Mum just laughed gleefully at his mounting frustration, like the villainous matriarch in a Roald Dahl story. I suspect a TV guide would describe her idea of comedy as 'dark', or, at very best, 'alternative'.
Matthew Crow (In Bloom)
When I was four I believed everything, accepted everything, and was scared of nothing. Now I was eight, and I believed in what I could see and was scared of anything I couldn't. Scared of things in the darkness, of things invisible to see.
Neil Gaiman (The Tragical Comedy or Comical Tragedy of Mr. Punch)
Only men with intelligence, confidence and absolutely no empathy at all can progress upstairs.
Carla H. Krueger (From the Horse’s Mouth)
Don’t mock my suggestions, Ridley – one day in the near future, they might just save your life.” Maxwell D. Kalist.
Carla H. Krueger (From the Horse’s Mouth)
Men circle like bees around honey, buzzing to communicate their sexual despair.
Carla H. Krueger (From the Horse’s Mouth)
Only criminals and madmen walk into Central Park after midnight...or, occasionally, an actor. (Dark City Lights)
Jane Dentinger
I ain’t nobody’s sidekick. I AM Batman And Robin, minus the mask, plus the vagina.
Casey Renee Kiser (It's Getting Harder and Harder To Tell the Two of You Apart)
Oooh, dinner and a show! How come you never take us to dinner and a show?" He smiled at Roxy. "I would spend the entire evening fending off the hordes of your admirers." She fanned herself and grinned back at him. "You gotta love all that suave debonairness!
Katie MacAlister (Sex and the Single Vampire (Dark Ones #2))
It’s not by accident that people talk of a state of confusion as not being able to see the wood for the trees, or of being out of the woods when some crisis is surmopunted. It is a place of loss, confusion, terror and anger, a place where you can, like Dante, find yourself going down into Hell. But if it’s any comfort, the dark wood isn’t just that. It’s also a place of opportunity and adventure. It is the place in which fortunes can be reversed, hearts mended, hopes reborn.
Amanda Craig
We have had this discussion before. You are my son. I love you. I will always love you. But I also love Nell, and if you give her the chance and stop rejecting her advances, she will take you into her heart as well." "Oh, yeah, like he's going to allow me to do that," I muttered
Katie MacAlister (Sex, Lies and Vampires (Dark Ones #3))
I ground my teeth. "Just when I thought I was getting a handle on this whole Dark One/demon lord/imp thing, you go and throw knockers into the mix. I'm going to have to request that you stop, Adrian. I'm about at my limit of how many impossible things I can believe before breakfast." He flashed a heart-stoppingly roguish grin at me, his dimples just about bringing me to my knees. "Your middle name wouldn't be Alice, would it?" he asked. "No, it's Diane, and you're no White Rabbit, so let's just stop pretending we're in Wonderland, OK?" He laughed and pointed across the tiny square at our destination. I watched him for a moment, seeing a glimpse of the charming, charismatic man he must have been before the demon lord cursed him and leeched away all the softer emotions.
Katie MacAlister (Sex, Lies and Vampires (Dark Ones #3))
He wore camel-colored breeches and dark brown Hessian riding boots, a snow-white shirt held together at the throat with a gold pin and a dark brown vest with little gold fleurs-de-lis embroidered on it. Kingsley looked magnificent, like a Regency-era fever dream. If Jane Austen had set eyes on Kingsley, she would never have written her genteel comedies of manner. She would have written porn.
Tiffany Reisz (The Queen)
Mars is not Earth. It doesn't have a thick atmosphere to bend light and carry particles that reflect light around corners. It's damn near a vacuum here. Once the sun isn't visible, I'm in the dark. Phobos gives me some moonlight, but not enough to work with. Deimos is a little piece of crap that's no good to anyone.
Andy Weir (The Martian)
Well, possibly," I said, feeling my lips twitch again. "But maybe first you would tell us why you chose to manifest yourself in the form of Shirley Temple as last seen on the 'Good Ship Lollipop'?" The demon twirled around, its big pink sash fluttering as it smoothed down its dress and frilly little petticoat. "My grotesque form isn't making you sick with fright?" We both shook our heads, Noelle with a hand over her mouth to keep from laughing out loud. "Shirley Temple at her pinnacle was frightening," I finally told it, "but not in the sense I think you mean.
Katie MacAlister (Sex and the Single Vampire (Dark Ones #2))
Gabrielle chuckled, her dark eyes twinkling. “So he’s been after you, has he? Poor Etta, pursued by a sun priest offering to pleasure—” “Every nook and cranny,” Marietta interrupted dryly and Gabrielle tipped her head back with a throaty laugh.
Michelle O'Leary (The Lover's Gift Regained)
Midway along the journey of our life I woke to find myself in a dark wood, for I had wandered off from the straight path. How hard it is to tell what it was like, this wood of wilderness, savage and stubborn (the thought of it brings back all my old fears), a bitter place! Death could scarce be bitterer. But if I would show the good that came of it I must talk about things other than the good.” ― Dante Alighieri
Dante Alighieri (The Divine Comedy of Dante Alighieri, Volume 2: Purgatorio)
There is a tendency to imagine the loner ensconced in a dark corner, but in point of fact, as the resident loner of our class, I comported myself in a grand and stately manner. Thus, I was the eye of the hurricane, a single, isolated air pocket in the school.
Wataru Watari (やはり俺の青春ラブコメはまちがっている 3)
Having lost her immortal powers, Calypso was in the process of trying to master other skills. So far, she'd failed at swords, polearms, shurikens, whips, and improvisational comedy. (I sympathized with her frustration.) Today, she'd decided to try fisticuffs.
Rick Riordan (The Dark Prophecy (The Trials of Apollo, #2))
Let the preacher tell the truth. Let him make audible the silence of the news of the world with the sound turned off so that in the silence we can hear the tragic truth of the Gospel, which is that the world where God is absent is a dark and echoing emptiness; and the comic truth of the Gospel, which is that it is into the depths of his absence that God makes himself present in such unlikely ways and to such unlikely people that old Sarah and Abraham and maybe when the time comes even Pilate and Job and Lear and Henry Ward Beecher and you and I laugh till the tears run down our cheeks. And finally let him preach this overwhelming of tragedy by comedy, of darkness by light, of the ordinary by the extraordinary, as the tale that is too good not to be true because to dismiss it as untrue is to dismiss along with it that catch of the breath, that beat and lifting of the heart near to or even accompanied by tears, which I believe is the deepest intuition of truth that we have.
Frederick Buechner (Telling the Truth: The Gospel as Tragedy, Comedy, and Fairy Tale)
God help us, God help all of us, each one, every one, all of us'. Patrick Hamilton at the concusion of 'The Slaves of Solitude'.
Patrick Hamilton
Every time I so much as blink you get an erection.
Carla H. Krueger (From the Horse’s Mouth)
Are there not times, Ridley, when you yourself wish only to hear the best in people – and not to be dragged downwards into the underworld we all regularly inhabit?
Carla H. Krueger (From the Horse’s Mouth)
To Kalist, Baumauer’s just a timber bridge in need of a good hot fire.
Carla H. Krueger (From the Horse’s Mouth)
In Chestnut Hill money didn't talk, but it drank, and played a lot of golf.
Alistair McHarg (Moonlit Tours)
Listen to Understand. Not to Reply!!!!
Joker The Dark Knight.
Any game plan? (Xypher) Don't die. (Sin) I like it. Simple, bold. Impossible. Works for me. (Xypher)
Sherrilyn Kenyon (Devil May Cry (Dark-Hunter, #11))
That was 1993 grunge in suburbia. This was 2003 hell in Harlem. (Dark City Lights)
Eve Kagan
This isn't where I intended to be. Killing a person has a funny way of getting your life off-track. (Dark City Lights)
Erin Mitchell
Monsters, show me the monsters: these people out on the street. My people.
José Eduardo Agualusa (A General Theory of Oblivion)
I found myself within a forest dark, For the straight-forward pathway had been lost.
Henry Wadsworth Longfellow (The Divine Comedy (The Inferno, The Purgatorio, and The Paradiso, Illustrated))
He had no idea that people thought he was clowning. It was Fate, of course, which had costumed him--Fate, and a feeble will to survive.
Kurt Vonnegut Jr. (Slaughterhouse 5: The Children's Crusade A Duty-Dance With Death)
Comedy is not the opposite of darkness, but its natural bedfellow. Pain makes laughter necessary; laughter makes pain tolerable.
Mindy Greenstein
The only thing which really seemed to pay off in life, if you went by Mary Pedersen's example, was sleeping with your superiors.
Jonas Eriksson (Everyday Psychopaths)
Rare contact creates a stir. Gossip spreads. Tensions build. Denying Pissec, miserable Obelmäker and repressed Baumauer are all seething-jealous – openly or reservedly – within the hour. The pay rise promise is working a treat. Brichacek’s licking the tip of a pencil with her sticky pink tongue. “Stop flirting,” he tells her, but he looks at her breasts and thinks, The girls with the bruises in the sex films are just dead dolls, but this pretty toy is alive.
Carla H. Krueger (From the Horse’s Mouth)
There's something about courting the darkness that makes some people see the truth in raw, twisted ways, as though they were shining a black light on life to illuminate the absurdity of it all. Comics tell you a truth you can only see from the underside of the psyche. At its best, comedy is prophesy and societal dream interpretation. At its worst it's just dick jokes.
Nadia Bolz-Weber (Pastrix: The Cranky, Beautiful Faith of a Sinner & Saint)
People are prepared for everything except for the fact that beyond the darkness of their blindness there is a great light. They are prepared to go on breaking their backs plowing the same old field until the cows come home without seeing, until they stub their toes on it, that there is a treasure buried in that field rich enough to buy Texas. They are prepared for a God who strikes hard bargains but not for a God who gives as much for an hour’s work as for a day’s. They are prepared for a mustard-seed kingdom of God no bigger than the eye of a newt but not for the great banyan it becomes with birds in its branches singing Mozart. They are prepared for the potluck supper at First Presbyterian but not for the marriage supper of the Lamb, and when the bridegroom finally arrives at midnight with vine leaves in his hair, they turn up with their lamps to light him on his way all right only they have forgotten the oil to light them with and stand there with their big, bare, virginal feet glimmering faintly in the dark.
Frederick Buechner (Telling the Truth: The Gospel as Tragedy, Comedy, and Fairy Tale)
In the middle of the journey of our life I came to myself in a dark wood where the straight way was lost. —DANTE ALIGHIERI, The Divine Comedy: Canto I (Carlyle-Wicksteed Translation, 1932)
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
A heavy thunder shattered the deep sleep in my head, so that I came to myself, like someone woken by force, and standing up, I moved my eyes, now refreshed, and looked round, steadily, to find out what place I was in. I found myself, in truth, on the brink of the valley of the sad abyss that gathers the thunder of an infinite howling. It was so dark, and deep, and clouded, that I could see nothing by staring into its depths.
Dante Alighieri (The Divine Comedy)
What’s wrong?” Billy’s question had me looking up. My second-oldest brother was already  dressed for work in his suit and tie. “And shouldn’t you be fishing with Hank?” “I cancelled. I have an errand to run.” Grabbing a coffee cup from the cabinet, I tossed a thumb over my shoulder. “The toilet is acting funny.” “Like what? You mean satire?” This question came from Cletus, not bothering to glance away from where he was reading at the table. He was still in his pajamas, his curly hair a mess.Nevertheless, I was surprised to see him up so early. “No, I mean—” “I hope it’s a dark comedy,” he added, still not removing his attention from the newspaper. “Cletus. That’s disgusting.”Sitting across from Cletus, Duane’s tone was reprimanding. Finally, Cletus tore his eyes from the paper. “What?” “Dark comedy?” My twin lifted his eyebrows.“Meaning poop?” “No, Duane.” Cletus paired this with a suffering sigh. “That would make it a shitty comedy,” I piped in, adding fuel to the conversation fire as I was prone to do, feeling more myself as I smiled. “Y’all are a bunch of toilets,” Billy mumbled under his breath. We all turned our attention to our older brother, with Cletus speaking for us, “Let me guess, because toilets in this house actfunny?” Billy tilted his cup toward Cletus. “Exactly.” I grinned, the rawness in me settling. Being around my brothers was a salve and a good reminder. We had all lived through dark times—sometimes together, sometimes separately—yet here we were, making toilet jokes on a Wednesday before 7:00 AM.
Penny Reid (Beard in Mind (Winston Brothers, #4))
They'll have to try like hell to catch me this time. They will try like hell. And even if they don't find you, what kind of way is that to live? You'll always be alone, no one will ever be on your side, and you'll always live in danger of betrayal. I live that way now. But you can't just turn your back on all your responsibilities and run away from them, Major Danby insisted. It's such a negative mood. It's escapist. Yossarian laughed with buoyant scorn and shook his head. I'm not running away from my responsibilities. I'm running to them. There's nothing negative about running away to save my life." Hetson: As I said in class, a lot of critics find that moment too sentimental. An author ham-fistedly reaching in and injecting an amoral tale with a moral. An embarrassing betrayal of all the dark comedy that came before it. But me? I've always kind of liked it. It has such a nice, hopeful ring to it. Do you see my point?
Kevin Williamson
They are between. Not what they used to be, and not what they have become. In those times, they are nothing. And I am invisible, and I am nothing too. That is the true demimonde, Lucien, and the secret is, it is not always desperate and dark. Sometimes it is just nothing. No burden of potential or regret. There are worse things than being nothing, my friend.
Christopher Moore (Sacré Bleu: A Comedy d'Art)
In my mind, I said the best things to Elton. I wrote countless excellent notes that I never sent. I came up with clever and highly detailed imaginary situations in which we were thrown together and it somehow made him realize that life without me was a hollow shell. But he didn't look like a hollow shell. He looked like he was back on the soccer team, all calf muscles and lean body.
Maureen Johnson (Devilish)
At any rate I'd better be getting out of the wood, for really its coming on very dark. Do you think it's going to rain?' Tweedledum spread a large umbrella over himself and his brother, and looked up into it. 'No, I don't think it is,' he said: 'at least - not under here. Nohow.' 'But it may rain outside?' 'It may - if it chooses,' said Tweedledee: 'we've got no objection. Contrariwise.
Lewis Carroll (Alice’s Adventures in Wonderland / Through the Looking-Glass)
A change in direction was required. The story you finished was perhaps never the one you began. Yes! He would take charge of his life anew, binding his breaking selves together. Those changes in himself that he sought, he himself would initiate and make them. No more of this miasmic, absent drift. How had he ever persuaded himself that his money-mad burg would rescue him all by itself, this Gotham in which Jokers and Penguins were running riot with no Batman (or even Robin) to frustrate their schemes, this Metropolis built of Kryptonite in which no Superman dared set foot, where wealth was mistaken for riches and the joy of possession for happiness, where people lived such polished lives that the great rough truths of raw existence had been rubbed and buffed away, and in which human souls had wandered so separately for so long that they barely remembered how to touch; this city whose fabled electricity powered the electric fences that were being erected between men and men, and men and women, too? Rome did not fall because her armies weakened but because Romans forgot what being Roman meant. Might this new Rome actually be more provincial than its provinces; might these new Romans have forgotten what and how to value, or had they never known? Were all empires so undeserving, or was this one particularly crass? Was nobody in all this bustling endeavor and material plenitude engaged, any longer, on the deep quarry-work of the mind and heart? O Dream-America, was civilization's quest to end in obesity and trivia, at Roy Rogers and Planet Hollywood, in USA Today and on E!; or in million-dollar-game-show greed or fly-on-the-wall voyeurism; or in the eternal confessional booth of Ricki and Oprah and Jerry, whose guests murdered each other after the show; or in a spurt of gross-out dumb-and-dumber comedies designed for young people who sat in darkness howling their ignorance at the silver screen; or even at the unattainable tables of Jean-Georges Vongerichten and Alain Ducasse? What of the search for the hidden keys that unlock the doors of exaltation? Who demolished the City on the Hill and put in its place a row of electric chairs, those dealers in death's democracy, where everyone, the innocent, the mentally deficient, the guilty, could come to die side by side? Who paved Paradise and put up a parking lot? Who settled for George W. Gush's boredom and Al Bore's gush? Who let Charlton Heston out of his cage and then asked why children were getting shot? What, America, of the Grail? O ye Yankee Galahads, ye Hoosier Lancelots, O Parsifals of the stockyards, what of the Table Round? He felt a flood bursting in him and did not hold back. Yes, it had seduced him, America; yes, its brilliance aroused him, and its vast potency too, and he was compromised by this seduction. What he opposed in it he must also attack in himself. It made him want what it promised and eternally withheld. Everyone was an American now, or at least Americanized: Indians, Uzbeks, Japanese, Lilliputians, all. America was the world's playing field, its rule book, umpire, and ball. Even anti-Americanism was Americanism in disguise, conceding, as it did, that America was the only game in town and the matter of America the only business at hand; and so, like everyone, Malik Solanka now walked its high corridors cap in hand, a supplicant at its feast; but that did not mean he could not look it in the eye. Arthur had fallen, Excalibur was lost and dark Mordred was king. Beside him on the throne of Camelot sat the queen, his sister, the witch Morgan le Fay.
Salman Rushdie (Fury)
[On Dr. Strangelove]: My idea of doing it as a nightmare comedy came in the early weeks of working on the screenplay. [...] What could be more absurd than the very idea of two mega powers willing to wipe out all human life because of an accident, spiced up by political differences that will seem as meaningless to people a hundred years from now as the theological conflicts of the Middle Ages appear to us today?
Stanley Kubrick
Aryans?" I asked, thinking I must have heard the word incorrectly. Christian and Allie nodded. "Aryans as in white supremacist, those sorts of Aryans?" "Yes," Christian said. "Neo-Nazis?" My mind was having a hard time grasping the idea of a power-hungry vampire leading an army of Hitler's Youth. "Skinheads and their ilk?" "Hasi, what is it you find so unbelievable?" Adrian asked, a smile in his voice. "Oh, I don't know. I guess I just expected that any army Saer raised would be… you know… the evil undead." Everyone just looked at me. "Oh, yeah, I guess you're right. Neo-Nazis are more or less the evil undead. Right. So we have Saer about to attack at any moment with a bunch of goose-stepping Nazis. Great. Anyone here do a really good Winston Churchill impression?
Katie MacAlister (Sex, Lies and Vampires (Dark Ones #3))
This world is beautiful but badly broken. St. Paul said that it groans, but I love it even in its groaning. I love this round stage where we act out the tragedies and the comedies of history. I love it with all of its villains and petty liars and self-righteous pompers. I love the ants and the laughter of wide-eyed children encountering their first butterfly. I love it as it is, because it is a story, and it isn’t stuck in one place. It is full of conflict and darkness like every good story. And like every good story, there will be an ending. I love the world as it is, because I love what it will be. I love it because it spins and tilts, because it’s dizzying, because of the night sky and the swirling lights. But I have run too far ahead. We should be more . . . philosophical.
N.D. Wilson (Notes From The Tilt-A-Whirl: Wide-Eyed Wonder in God's Spoken World)
Above all, believe. Cultivate your swagger. Make this your new religion: You are funny and talented, and you’re going to try something new. This is the exact right time for that. This is the most important year of your life, and for once you are NOT going to let yourself down. If you fall down and feel depressed, you will get back up. If you feel lethargic and scared, you will try something else: a new routine, a new roommate situation, a healthier diet. You will read books about comedy. You will work tirelessly and take pride in your tireless work. And you will take time every few hours to stop and say to yourself, “Look at me. I’m doing it. I’m chasing my dream. I am following my calling.” It doesn’t matter if your dreams come true, if agents swoon and audiences cheer. Trust me on that: It truly doesn’t matter. What matters is the feeling that you’re doing it, every day. What matters is the work—diving in, feeling your way in the dark, finding the words, trusting yourself, embracing your weird voice, celebrating your quirks on the page, believing in all of it. What matters is the feeling that you’re not following someone else around, that you’re not half-assing this, that you’re not waiting for something to happen, that you’re not waiting for your whole life to start. What matters is you, all alone at your desk at five in the morning. I write this from my own desk at five in the morning, my favorite place, a place where I know who I am and what I’m meant to accomplish in this life. Savor that precious space. That space will feel like purgatory at first, because you’ll realize that it all depends on you. That space will feel like salvation eventually, because you’ll realize that it all depends on you.
Heather Havrilesky (How to Be a Person in the World: Ask Polly's Guide Through the Paradoxes of Modern Life)
A few people have ventured to imitate Shakespeare's tragedy. But no audacious spirit has dreamed or dared to imitate Shakespeare's comedy. No one has made any real attempt to recover the loves and the laughter of Elizabethan England. The low dark arches, the low strong pillars upon which Shakespeare's temple rests we can all explore and handle. We can all get into his mere tragedy; we can all explore his dungeon and penetrate into his coal-cellar, but we stretch our hands and crane our necks in vain towards that height where the tall turrets of his levity are tossed towards the sky. Perhaps it is right that this should be so; properly understood, comedy is an even grander thing than tragedy.
G.K. Chesterton
People complain about the obscurity of poetry, especially if they're assigned to write about it, but actually poetry is rather straightforward compared to ordinary conversation with people you don't know well which tends to be jumpy repartee, crooked, coded, allusive to no effect, firmly repressed, locked up in irony, steadfastly refusing to share genuine experience--think of conversation at office parties or conversation between teenage children and parents, or between teenagers themselves, or between men, or between bitter spouces: rarely in ordinary conversation do people speak from the heart and mean what they say. How often in the past week did anyone offer you something from the heart? It's there in poetry. Forget everything you ever read about poetry, it doesn't matter--poetry is the last preserve of honest speech and the outspoken heart. All that I wrote about it as a grad student I hereby recant and abjure--all that matters about poetry to me is directness and clarity and truthfulness. All that is twittery and lit'ry: no thanks, pal. A person could perish of entertainment, especially comedy, so much of it casually nihilistic, hateful, glittering, cold, and in the end clueless. People in nusing homes die watching late-night television and if I were one of them, I'd be grateful when the darkness descends. Thank God if the pastor comes and offers a psalm and a prayer, and they can attain a glimmer of clarity at the end.
Garrison Keillor
The rain is colder than I expect—which is ridiculous, since it’s March. My cheeks are freezing by the time we go two blocks, my hair has a sodden weight on my shoulder. My glasses are so wet I need to shove them in a pocket. I threw Mom’s pullover windbreaker over my sweatshirt before leaving the house, thinking it would be waterproof, but I am so wrong. By the time I make the final turn for the church, I wonder if I’m stupid for being out here. It’s pouring so hard that a haze has formed around the streetlight, and I can barely see anything through the darkness. My sneakers squish in the grass. I get to the spot where we sat for the last two nights. And of course he’s not there. I sigh. Only a complete moron would go meet in the rain. Then Texy woofs and bounces on her front paws. I turn, and it’s like I’m in a chick flick. His shadowed figure lopes across the grass. Okay, maybe the dark and rain make it more like a horror movie than a romantic comedy, BUT STILL. He draws to a stop in front of me. He had the sense to wear a heavy, waterproof coat over his hoodie, but the hood is soaked and rain drips down his cheeks. “Hey,” he says, his voice a little loud over the rain. I’m blushing. I tell my cheeks to knock it off. “Hey.” “I wasn’t sure you’d show up, but I didn’t have a way to text you …” “I had the same thought process.
Brigid Kemmerer (More Than We Can Tell (Letters to the Lost, #2))
Affection and Eros were too obviously connected with our nerves, too obviously shared with the brutes. You could feel these tugging at your guts and fluttering in your diaphragm. But in Friendship—in that luminous, tranquil, rational world of relationships freely chosen—you got away from all that. This alone, of all the loves, seemed to raise you to the level of gods or angels. But then came Romanticism and "tearful comedy" and the "return to nature" and the exaltation of Sentiment; and in their train all that great wallow of emotion which, though often criticised, has lasted ever since. Finally, the exaltation of instinct, the dark gods in the blood; whose hierophants may be incapable of male friendship. Under this new dispensation all that had once commended this love now began to work against it. It had not tearful smiles and keepsakes and baby-talk enough to please the sentimentalists. There was not blood and guts enough about it to attract the primitivists. It looked thin and etiolated; a sort of vegetarian substitute for the more organic loves.
C.S. Lewis (The Four Loves (Harvest Book))
In the center of the room Sarra the demon hung upside down by one leg, its arms bound behind its back, its suit scuffed-looking. Beneath it, crawling around an intricately scribed circle, a woman with short, curly red hair drew binding symbols with a gold stick. She looked up as I fanned away the smoke that was billowing up from the crack in the tile. "You're a Summoner. Hullo. I'm Noelle. Did you know that you have mismatched eyes?" I walked around the demon. It glared at me. "Yes, I know. Why do you have Sarra strung up by one leg?" She drew another symbol. It flared bright green as soon as the stick lifted from the circle. "It was getting a bit stroppy with me. The Hanged Man always teaches them a few manners. It's retaliating with the smoke. Are those spirits I saw yours, then?" "Yes, they are. There are four others as well. I hate to be a bother, but I'm in a bit of a hurry, what with Christian being held by this one's master and all, so if you could possibly just give me the abbreviated version of what's going on here, I'll be on my way to rescue him." She leaned back on her heels and sucked the tip of her gold stick. "Asmodeus, eh?" The demon snarled. A chunk of ceiling fell behind me. We both ignored it. It just never does to give a demon the satisfaction of knowing it's startled you. "It's a nasty bag of tricks, but I heard through the demonic grapevine that it was weakened and searching for a suitable sacrifice to regain its power," she added. "Well, it can't have Christian; he's mine. Back to the demon, if you don't mind…" She looked up at Sarra, still sucking the stick. "It's a pretty specimen, isn't it? I like the hair gel. Nice touch. The mustache is a bit much, though, don't you think? Makes it look so smarmy." "Um…" "I'm destroying it, so I suppose it really doesn't matter." I blinked and avoided two wine bottles as they flew out of a rack when the demon hissed at the Guardian.
Katie MacAlister (Sex and the Single Vampire (Dark Ones #2))
The True-Blue American" Jeremiah Dickson was a true-blue American, For he was a little boy who understood America, for he felt that he must Think about everything; because that’s all there is to think about, Knowing immediately the intimacy of truth and comedy, Knowing intuitively how a sense of humor was a necessity For one and for all who live in America. Thus, natively, and Naturally when on an April Sunday in an ice cream parlor Jeremiah Was requested to choose between a chocolate sundae and a banana split He answered unhesitatingly, having no need to think of it Being a true-blue American, determined to continue as he began: Rejecting the either-or of Kierkegaard, and many another European; Refusing to accept alternatives, refusing to believe the choice of between; Rejecting selection; denying dilemma; electing absolute affirmation: knowing in his breast The infinite and the gold Of the endless frontier, the deathless West. “Both: I will have them both!” declared this true-blue American In Cambridge, Massachusetts, on an April Sunday, instructed By the great department stores, by the Five-and-Ten, Taught by Christmas, by the circus, by the vulgarity and grandeur of Niagara Falls and the Grand Canyon, Tutored by the grandeur, vulgarity, and infinite appetite gratified and Shining in the darkness, of the light On Saturdays at the double bills of the moon pictures, The consummation of the advertisements of the imagination of the light Which is as it was—the infinite belief in infinite hope—of Columbus, Barnum, Edison, and Jeremiah Dickson.
Delmore Schwartz