“
You have any…nicknames?”
Kellan gave me a charmingly crooked smile. “None that I’ve given myself, but from what I’ve heard said in the bedroom, it would probably be something like, ‘The Oh-God-yes-harder-faster-don’t-you-dare-stop-yes-fuck-me-now-you’re-freaking-amazing Machine.” He shrugged. “But that’s kind of a mouthful.
”
”
S.C. Stephens (Effortless (Thoughtless, #2))
“
A charm invests a face
Imperfectly beheld,—
The lady dare not lift her veil
For fear it be dispelled.
But peers beyond her mesh,
And wishes, and denies,—
Lest interview annul a want
That image satisfies.
”
”
Emily Dickinson (The Complete Poems of Emily Dickinson)
“
Great writers, I discovered, were not to be bowed down before and worshipped, but embraced and befriended. Their names resounded through history not because they had massive brows and thought deep incomprehensible thoughts, but because they opened windows in the mind, they put their arms round you and showed you things you always knew but never dared to believe. Even if their names were terrifyingly foreign and intellectual sounding, Dostoevsky, Baudelaire or Cavafy, they turned out to be charming and wonderful and quite unalarming after all.
”
”
Stephen Fry (The Library Book)
“
Well, that was easy,' I whisper as we follow the little signs with arrows that lead toward room 126. 'No, that was very dangerous and daring, and it was only through my extreme charm that we pulled it off.
”
”
Cristin Terrill (All Our Yesterdays)
“
So odd. Most women of his acquaintance relied on physical beauty and charm to mask their less-pleasant traits. This girl did the opposite, hiding everything interesting about herself behind a prim, plain facade.
What other surprises was she concealing?
”
”
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
“
Emma Gladstone had learned a few hard lessons by the age of two-and-twenty. Charming princes weren’t always what they seemed. Shining armor went out of fashion with the Crusades. And if fairy godmothers existed, hers was running several years late. Most of the time, a girl needed to rescue herself.
”
”
Tessa Dare (The Duchess Deal (Girl Meets Duke, #1))
“
Surely this marked a new level of achievement in his amatory career. Never before had he charmed the frock off a woman with talk of mathematics. Never before would he have thought to try.
”
”
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
“
When did they stop putting toys in cereal boxes? When I was little, I remember wandering the cereal aisle (which surely is as American a phenomenon as fireworks on the Fourth of July) and picking my breakfast food based on what the reward was: a Frisbee with the Trix rabbit's face emblazoned on the front. Holographic stickers with the Lucky Charms leprechaun. A mystery decoder wheel. I could suffer through raisin bran for a month if it meant I got a magic ring at the end.
I cannot admit this out loud. In the first place, we are expected to be supermoms these days, instead of admitting that we have flaws. It is tempting to believe that all mothers wake up feeling fresh every morning, never raise their voices, only cook with organic food, and are equally at ease with the CEO and the PTA.
Here's a secret: those mothers don't exist. Most of us-even if we'd never confess-are suffering through the raisin bran in the hopes of a glimpse of that magic ring.
I look very good on paper. I have a family, and I write a newspaper column. In real life, I have to pick superglue out of the carpet, rarely remember to defrost for dinner, and plan to have BECAUSE I SAID SO engraved on my tombstone.
Real mothers wonder why experts who write for Parents and Good Housekeeping-and, dare I say it, the Burlington Free Press-seem to have their acts together all the time when they themselves can barely keep their heads above the stormy seas of parenthood.
Real mothers don't just listen with humble embarrassment to the elderly lady who offers unsolicited advice in the checkout line when a child is throwing a tantrum. We take the child, dump him in the lady's car, and say, "Great. Maybe YOU can do a better job."
Real mothers know that it's okay to eat cold pizza for breakfast.
Real mothers admit it is easier to fail at this job than to succeed.
If parenting is the box of raisin bran, then real mothers know the ratio of flakes to fun is severely imbalanced. For every moment that your child confides in you, or tells you he loves you, or does something unprompted to protect his brother that you happen to witness, there are many more moments of chaos, error, and self-doubt.
Real mothers may not speak the heresy, but they sometimes secretly wish they'd chosen something for breakfast other than this endless cereal.
Real mothers worry that other mothers will find that magic ring, whereas they'll be looking and looking for ages.
Rest easy, real mothers. The very fact that you worry about being a good mom means that you already are one.
”
”
Jodi Picoult (House Rules)
“
I don't want anyone fighting over me," Kate said. "It's not worth it."
"Like hell it's not." Samuel turned to her. "Don't ever say you're not worth it, Katie. You're worth epic battles. Entire wars."
Her heart pinched. "Samuel..."
"Yes, Helen of Troy?" She thought she saw him wink as he backed away, reaching for a sword to match Evan's.
After all this time...he would choose this moment to be charming.
”
”
Tessa Dare (A Lady by Midnight (Spindle Cove, #3))
“
And when I look around the apartment where I now am,—when I see Charlotte’s apparel lying before me, and Albert’s writings, and all those articles of furniture which are so familiar to me, even to the very inkstand which I am using,—when I think what I am to this family—everything. My friends esteem me; I often contribute to their happiness, and my heart seems as if it could not beat without them; and yet—if I were to die, if I were to be summoned from the midst of this circle, would they feel—or how long would they feel—the void which my loss would make in their existence? How long! Yes, such is the frailty of man, that even there, where he has the greatest consciousness of his own being, where he makes the strongest and most forcible impression, even in the memory, in the heart of his beloved, there also he must perish,—vanish,—and that quickly.
I could tear open my bosom with vexation to think how little we are capable of influencing the feelings of each other. No one can communicate to me those sensations of love, joy, rapture, and delight which I do not naturally possess; and though my heart may glow with the most lively affection, I cannot make the happiness of one in whom the same warmth is not inherent.
Sometimes I don’t understand how another can love her, is allowed to love her, since I love her so completely myself, so intensely, so fully, grasp nothing, know nothing, have nothing but her!
I possess so much, but my love for her absorbs it all. I possess so much, but without her I have nothing.
One hundred times have I been on the point of embracing her. Heavens! what a torment it is to see so much loveliness passing and repassing before us, and yet not dare to lay hold of it! And laying hold is the most natural of human instincts. Do not children touch everything they see? And I!
Witness, Heaven, how often I lie down in my bed with a wish, and even a hope, that I may never awaken again! And in the morning, when I open my eyes, I behold the sun once more, and am wretched. If I were whimsical, I might blame the weather, or an acquaintance, or some personal disappointment, for my discontented mind; and then this insupportable load of trouble would not rest entirely upon myself. But, alas! I feel it too sadly; I am alone the cause of my own woe, am I not? Truly, my own bosom contains the source of all my pleasure. Am I not the same being who once enjoyed an excess of happiness, who at every step saw paradise open before him, and whose heart was ever expanded towards the whole world? And this heart is now dead; no sentiment can revive it. My eyes are dry; and my senses, no more refreshed by the influence of soft tears, wither and consume my brain. I suffer much, for I have lost the only charm of life: that active, sacred power which created worlds around me,—it is no more. When I look from my window at the distant hills, and behold the morning sun breaking through the mists, and illuminating the country around, which is still wrapped in silence, whilst the soft stream winds gently through the willows, which have shed their leaves; when glorious Nature displays all her beauties before me, and her wondrous prospects are ineffectual to extract one tear of joy from my withered heart,—I feel that in such a moment I stand like a reprobate before heaven, hardened, insensible, and unmoved. Oftentimes do I then bend my knee to the earth, and implore God for the blessing of tears, as the desponding labourer in some scorching climate prays for the dews of heaven to moisten his parched corn.
”
”
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
“
When I hoped I feared,
Since I hoped I dared;
Everywhere alone
As a church remain;
Spectre cannot harm,
Serpent cannot charm;
He deposes doom,
Who hath suffered him.
”
”
Emily Dickinson (Poems by Emily Dickinson, Series Two)
“
Basil my dear boy puts everything that is charming in him into his work. The consequence is that he has nothing left for life but his prejudices his principles and his common sense. The only artists I have ever known who are personally delightful are bad artists. Good artists exist simply in what they make and consequently are perfectly uninteresting in what they are. A great poet a really great poet is the most unpoetical of all creatures. But inferior poets are absolutely fascinating. The worse their rhymes are the more picturesque they look. The mere fact of having published a book of second-rate sonnets makes a man quite irresistible. He lives the poetry that he cannot write. The others write the poetry that they dare not realize.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
There was good in him. Raw, molten goodness, bubbling deep in his core. But he didn’t possess the charm or manners to control it. It just erupted periodically in volcano fashion, startling anyone who happened to be nearby.
”
”
Tessa Dare (A Lady by Midnight (Spindle Cove, #3))
“
I always felt that you could see me, somehow. In a way no one else did. That with those fetching little spectacles, you could peer straight through me. And you made no secret of the fact that you despised what you saw, which marked you as far cleverer than most. I couldn’t rid myself of this fascination with you. Your sharp gaze, your enticing mouth, your complete invulnerability to all my charms. If I treated you poorly—and I know I did, to my shame—it was because I always felt rather hopeless around you.
”
”
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
“
Sawcy, and ouer-bold, how did you dare
To Trade, and Trafficke with Macbeth,
In Riddles, and Affaires of death;
And I the Mistris of your Charmes,
The close contriuer of all harmes,
Was neuer call'd to beare my part,
Or shew the glory of our Art?
”
”
William Shakespeare (Macbeth)
“
Harry was a hero in the Gryffindor common room that night. Daringly, Fred and George had put an Enlargement Charm on the front cover of The Quibbler and hung it on the wall, so that Harry’s giant head gazed down upon the proceedings, occasionally saying things like ‘THE MINISTRY ARE MORONS’ and ‘EAT DUNG, UMBRIDGE’ in a booming voice.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
We read the pagan sacred books with profit and delight. With myth and fable we are ever charmed, and find a pleasure in the endless repetition of the beautiful, poetic, and absurd. We find, in all these records of the past, philosophies and dreams, and efforts stained with tears, of great and tender souls who tried to pierce the mystery of life and death, to answer the eternal questions of the Whence and Whither, and vainly sought to make, with bits of shattered glass, a mirror that would, in very truth, reflect the face and form of Nature's perfect self.
These myths were born of hopes, and fears, and tears, and smiles, and they were touched and colored by all there is of joy and grief between the rosy dawn of birth, and death's sad night. They clothed even the stars with passion, and gave to gods the faults and frailties of the sons of men. In them, the winds and waves were music, and all the lakes, and streams, and springs,—the mountains, woods and perfumed dells were haunted by a thousand fairy forms. They thrilled the veins of Spring with tremulous desire; made tawny Summer's billowed breast the throne and home of love; filled Autumns arms with sun-kissed grapes, and gathered sheaves; and pictured Winter as a weak old king who felt, like Lear upon his withered face, Cordelia's tears. These myths, though false, are beautiful, and have for many ages and in countless ways, enriched the heart and kindled thought. But if the world were taught that all these things are true and all inspired of God, and that eternal punishment will be the lot of him who dares deny or doubt, the sweetest myth of all the Fable World would lose its beauty, and become a scorned and hateful thing to every brave and thoughtful man.
”
”
Robert G. Ingersoll (Some Mistakes of Moses)
“
This is a perfectly good picture. And if I didn't know you, I would be impressed and charmed. But I do know you."
He thought some more, wondering whether he dared say precisely what he felt, for he knew he could never explain exactly why the idea came to him. "It's the painting of a dutiful daughter," he said eventually, looking at her cautiously to see her reaction. "You want to please. You are always aware of what the person looking at this picture will think of it. Because of that you've missed something important. Does that make sense?"
She thought, then nodded. "All right," she said grudgingly and with just a touch of despair in her voice. "You win."
Julien grunted. "Have another go, then. I shall come back and come back until you figure it out."
"And you'll know?"
"You'll know. I will merely get the benefit of it.
”
”
Iain Pears (The Dream of Scipio)
“
Fairy tales don’t exist. Prince Charming is dead, and the world is ruled by villains instead.
”
”
L. Ann (Dare To Take (Churchill Bradley Academy, #2))
“
He lowers my hand and untangles his fingers. The noise fades, my chest loosening by degrees until I can breathe, like coming up through water. Again my eyes are drawn to the leather cord around his neck, the charm buried beneath the black fabric of his shirt. My gaze drifts down his arms, past his rolled sleeves, toward the hand that just let go of mine. Even in the twilight I can see a faint scar.
“Looks like you’ve lost a couple fights of your own,” I say, running my fingers through the air near his hand, not daring to touch. “How did you get that?”
“A stint as a spy. I wasn’t much good.”
A crooked line runs down the back of his hand. “And that?”
“Scuff with a lion.”
Watching Wesley lie is fascinating.
“And that?”
“Caught a piranha bare-handed.”
No matter how absurd the tale, he says it steady and simple, with the ease of truth. A scratch runs along his forearm. “And that?”
“Knife fight in a Paris alley.”
I search his skin for marks, our bodies drawing closer without touching.
“Dove through a window.”
“Icicle.”
“Wolf.”
I reach up, my fingers hovering over a nick on his hairline.
“And this?”
“A History.
”
”
Victoria Schwab (The Archived (The Archived, #1))
“
Looking back on my girlhood I’m both charmed by my earnest devotion to semisexist things and horrified that they represented a set of options that seemed so comprehensive of my worldview, I didn’t even notice it was narrow. But when I think about the ever-present misogynistic trivializing of women’s interests, I also feel frustrated by the hypocrisy and want to defend all of this behavior vehemently. How dare they criticize the way we’ve chosen to decorate the boxes they’ve put us in?
”
”
Kate Kennedy (One in a Millennial: On Friendship, Feelings, Fangirls, and Fitting In)
“
Impatiently I waited for evening, when I might summon you to my presence. An unusual– to me– a perfectly new character, I suspected was yours; I desired to search it deeper, and know it better. You entered the room with a look and air at once shy and independent; you were quaintly dress– much as you are now. I made you talk; ere long I found you full of strange contrasts. Your garb and manner were restricted by rule; your air was often diffident, and altogether that of one refined by nature, but absolutely unused to society, and a good deal afraid of making herself disadvantageously conspicuous by some solecism or blunder; yet, when addressed, you lifted a keen, a daring, and a glowing eye to your interlocutor’s face; there was penetration and power in each glance you gave; when plied by close questions, you found ready and round answers. Very soon you seemed to get used to me – I believe you felt the existence of sympathy between you and your grim and cross master, Jane; for it was astonishing to see how quickly a certain pleasant ease tranquilized your manner; snarl as I would, you showed no surprise, fear, annoyance, or displeasure, at my moroseness; you watched me, and now and then smiled at me with a simple yet sagacious grace I cannot describe. I was at once content and stimulated with what I saw; I liked what I had seen, and wished to see more. Yet, for a long time, I treated you distantly, and sought your company rarely, I was an intellectual epicure, and wished to prolong the gratification of making this novel and piquant acquaintance; besides, I was for a while troubled with a haunting fear that if I handled the flower freely its bloom would fade – the sweet charm of freshness would leave it. I did not then know that it was no transitory blossom, but rather the radiant resemblance of one, cut in an indestructible gem. Moreover, I wished to see whether you would seek me if I shunned you – but you did not; you kept in the school-room as still as your own desk and easel; if by chance I met you, you passed me as soon, and with as little token of recognition, as was consistent with respect. Your habitual expression in those days, Jane, was a thoughtful look; not despondent, fro you were not sickly; but not buoyant, for you had little hope, and no actual pleasure. I wondered what you thought of me– or if you ever thought of me; to find this out, I resumed my notice of you. There was something glad in your glance, and genial in your manner, when you conversed; I saw you had a social heart; it was the silent school-room– it was the tedium of your life that made you mournful. I permitted myself the delight of being kind to you; kindness stirred emotion soon; your face became soft in expression, your tones gentle; I liked my name pronounced by your lips in a grateful, happy accent. I used to enjoy a chance meeting with you, Jane, at this time; there was a curious hesitation in your manner; you glanced at me with a slight trouble– a hovering doubt; you did not know what my caprice might be– whether I was going to play the master, and be stern– or the friend, and be benignant. I was now too fond of you often to stimulate the first whim; and, when I stretched my hand out cordially, such bloom, and light, and bliss, rose to your young, wistful features, I had much ado often to avoid straining you then and there to my heart.
”
”
Charlotte Brontë (Jane Eyre)
“
Sandra Bullock is an unmatched charm powerhouse, and I feel like nobody acknowledges that anymore because she made too many comedies for women, and men can’t stand that. Watch Sandra Bullock in action. Watch Sandra Bullock in Speed and then tell me you don’t want to frame your spouse for a crime so you can marry her instead! Watch While You Were Sleeping and try not to send Sandra Bullock a thank-you card with $4,000 inside. I DARE YOU.
”
”
Lindy West (Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema)
“
Yet, when this cherished volume was now placed in my hand—when I turned over its leaves, and sought in its marvellous pictures the charm I had, till now, never failed to find—all was eerie and dreary; the giants were gaunt goblins, the pigmies malevolent and fearful imps, Gulliver a most desolate wanderer in most dread and dangerous regions. I closed the book, which I dared no longer peruse, and put it on the table, beside the untasted tart.
”
”
Charlotte Brontë (Jane Eyre)
“
TOBIAS:
Nothing's gonna harm you, not while I'm around.
Nothing's gonna harm you, no sir, not while I'm around.
Demons are prowling everywhere, nowadays,
I'll send 'em howling,
I don't care, I got ways.
No one's gonna hurt you,
No one's gonna dare.
Others can desert you,
Not to worry, whistle, I'll be there.
Demons'll charm you with a smile, for a while,
But in time...
Nothing can harm you
Not while I'm around...
Not to worry, not to worry
I may not be smart, but I ain't dumb
I can do it, put me to it
Show me something, I can overcome.
Not to worry, mum.
Being close and being clever
Ain't like being true
I don't need to,
I would never hide a thing from you,
Like some...
MRS. LOVETT:
Nothing's gonna harm you, not while I'm around.
Nothing's gonna harm you, darling, not while I'm around.
TOBIAS:
Demons'll charm you with a smile, for a while,
But in time...
Nothing's gonna harm you
Not while I'm around...
”
”
Stephen Sondheim (Sweeney Todd: The Demon Barber of Fleet Street)
“
Today, all her mother's judgements had been proved false. She wasn't plain, but pretty. She wasn't distracted and awkward, but confident and a crack shot.
Most of all, Minerva was not hopeless. She had twenty pounds. She had an important scientific discovery.
And she had Colin, the most handsome, charming devil in England, coming fast on her heels. Save for the ransom-minded highwaymen and angry magistrate's son chasing after them...
Life had never been so good.
”
”
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
“
He had not stopped looking into her eyes, and she showed no signs of faltering. He gave a deep sigh and recited:
"O sweet treasures, discovered to my sorrow." She did not understand.
"It is a verse by the grandfather of my great-great-grandmother," he explained. "He wrote three eclogues, two elegies, five songs, and forty sonnets. Most of them for a Portuguese lady of very ordinary charms who was never his, first because he was married, and then because she married another man and died before he did."
"Was he a priest too?"
"A soldier," he said.
Something stirred in the heart of Sierva María, for she wanted to hear the verse again. He repeated it, and this time he continued, in an intense, well-articulated voice, until he had recited the last of the forty sonnets by the cavalier of amours and arms Don Garcilaso de la Vega, killed in his prime by a stone hurled in battle.When he had finished, Cayetano took Sierva María's hand and placed it over his heart. She felt the internal clamor of his suffering.
"I am always in this state," he said.
And without giving his panic an opportunity, he unburdened himself of the dark truth that did not permit him to live. He confessed that every moment was filled with thoughts of her, that everything he ate and drank tasted of her, that she was his life, always and everywhere, as only God had the right and power to be, and that the supreme joy of his heart would be to die with her. He continued to speak without looking at her, with the same fluidity and passion as when he recited poetry, until it seemed to him that Sierva María was sleeping. But she was awake, her eyes, like those of a startled deer, fixed on him. She almost did not dare to ask:
"And now?"
"And now nothing," he said. "It is enough for me that you know."
He could not go on. Weeping in silence, he slipped his arm beneath her head to serve as a pillow, and she curled up at his side. And so they remained, not sleeping, not talking, until the roosters began to crow and he had to hurry to arrive in time for five-o'clock Mass. Before he left, Sierva María gave him the beautiful necklace of Oddúa: eighteen inches of mother-of-pearl and coral beads.
Panic had been replaced by the yearning in his heart. Delaura knew no peace, he carried out his tasks in a haphazard way, he floated until the joyous hour when he escaped the hospital to see Sierva María. He would reach the cell gasping for breath, soaked by the perpetual rains, and she would wait for him with so much longing that only his smile allowed her to breathe again. One night she took the initiative with the verses she had learned after hearing them so often. 'When I stand and contemplate my fate and see the path along which you have led me," she recited. And asked with a certain slyness: "What's the rest of it?"
"I reach my end, for artless I surrendered to one who is my undoing and my end," he said.
She repeated the lines with the same tenderness, and so they continued until the end of the book, omitting verses, corrupting and twisting the sonnets to suit themselves, toying with them with the skill of masters. They fell asleep exhausted. At five the warder brought in breakfast, to the uproarious crowing of the roosters, and they awoke in alarm. Life stopped for them.
”
”
Gabriel García Márquez (Of Love and Other Demons)
“
How dare I complain. I was born in the right time and right place to the right family. I met a man and we built a life together. Yet sometimes even the most charmed existence can change in the blink of an eye, or turn on the length of an eyelash. One moment of indecision. A cancer cell. A rogue gene. A wrong turn. A red light. A drunk driver. A cruel piece of misfortune.
”
”
Michael Robotham (The Secrets She Keeps)
“
The name of Anne Elliot," said he, "has long had an interesting sound to me. Very long has it possessed a charm over my fancy; and, if I dared, I would breathe my wishes that the name might never change.
”
”
Jane Austen (Persuasion)
“
The name of Anne Elliot,” said he, “has long had an interesting sound to me. Very long has it possessed a charm over my fancy; and, if I dared, I would breathe my wishes that the name might never change.”6
”
”
Jane Austen (Persuasion)
“
… a choker they made with a star charm hung from a black grosgrain ribbon - admiring herself in a heart-shaped Venetian mirror, wielding a golden tube of lipstick in her right hand and holding a bottle of perfume in her left.
”
”
Jean Nathan (The Secret Life of the Lonely Doll: The Search for Dare Wright)
“
These women are, quite simply, alive; they know that the source of true values is not in external things but in human hearts. This gives its charm to the world they live in: they banish ennui by the simple fact of their presence, with their dreams, their desires, their pleasures, their emotions, their ingenuities. The sanseverina, that 'active soul' dreads ennui more than death. To stagnate in ennui 'is to keep from dying, she said, not to live'; she is ' always impassioned over something, always in action and gay too '. Thoughtless, childish or profound, gay or grave, daring or secretive, they all reject the heavy sleep in which humanity is mired. And these women who have been able to maintain their liberty- empty as it has been- will rise through passion to heroism once they find an objective worthy of them; their spiritual power, their energy, suggest the fierce purity of total dedication
”
”
Simone de Beauvoir
“
Thorne said, "I saw the village. Just over that rise."
"It didn't look charming, did it?" Colin raised a brow as he reached for the tinderbox. "I should hate for it to be charming. Give me a dank, seedy, vice-ridden pustule of a village any day. Wholesome living makes my skin crawl."
The corporal gave him a stony look. "I wouldn't know about charming, my lord."
"Yes. I can see that," Colin muttered. He struck a flint and lit the fuse. "Fair enough."
-Thorne & Colin
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
When she put the glass in her hand, and she looked at herself with the dress on, finished, an extraordinary bliss shot through her heart. Suffused with light, she sprang into existence. Rid of cares and wrinkles, what she dreamed of herself was here — a beautiful woman. Just for a second (she had dared not look longer), there looked at her, framed in the scrolloping mahogany, a grey-white, mysteriously smiling, charming girl, the core of herself, the soul of herself . . .
”
”
Virginia Woolf (The New Dress)
“
If you dare tell me he’s Odysseus’s son as if that’s some sacred charm, I will scream,” she answers, clear as the ringing of the hollow drum. “I will wail and rend my hair, the whole thing. So help me, Hera, I will do it.” Sweetheart, I whisper, I’m here for it. Many is the time my husband has returned from his frolics and I’ve turned on the waterworks, rent my garments, flung myself upon the ground and sworn that I shall die, scratched at my eyes, drawn blood from my celestial skin and beaten my fists against his chest. It doesn’t change his behaviour long-term, but at least I get to embarrass him some tiny, tiny fraction of the way he humiliates, demeans, dishonours and diswomans me. So you do the wailing; I’ll bring the olives.
”
”
Claire North (Ithaca (The Songs of Penelope, #1))
“
If you dare tell me he’s Odysseus’s son as if that’s some sacred charm, I will scream,” she answers, clear as the ringing of the hollow drum. “I will wail and rend my hair, the whole thing. So help me, Hera, I will do it.” Sweetheart, I whisper, I’m here for it.
”
”
Claire North (Ithaca (The Songs of Penelope, #1))
“
I wanna see the dance!”
“Forget about it,” I tell him. We’re in the living room; each of us has our own couch or armchair. I poured us iced teas and put out a bowl of potato chips, which we’ve already finished.
“Come on,” he pouts. “Show me the dance. Please, please show me the dance.”
“That’s not going to work on me, Peter.”
“What’s not going to work?”
I wave my hand in his Handsome Boy face. “That. I’m immune to your charms, remember?”
Peter lifts his eyebrows like I’ve dared him. “Is that a challenge? ’Cause I’m warning you, you do not want to step into the ring with me. I’ll crush you, Covey.” He doesn’t take his eyes off mine for several long seconds, and I can feel my smile fade and my cheeks heat up.
“Come on, Lara Jean!”
I blink. Kitty. I’d forgotten she was still in the room.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
The ladies egged him on; in Eve's name, they dared him; so he made love with discreet verbs and light nouns, delicate conjunctions. They begged; they defied him to define...define everything. They could not be scandalized—impossible, they said. Indecent prepositions such as in, on, up, merely made them smile, and the roundest exclamation broke upon them like a bubble's kiss, a butterfly's. Smooth and creamy adjectives enabled them to lick their lips upon the crudest story. How charmingly you speak, Reverend Furber, how much you've seen of this wicked world, and how alive you are to it, they said.
”
”
William H. Gass (Omensetter's Luck)
“
Such was the Arab of the desert, the dweller in tents, in whom was fulfilled the prophetic destiny of his ancestor Ishmael. "He will be a wild man; his hand will be against every man, and every man's hand against him." Nature had fitted him for his destiny. His form was light and meagre, but sinewy and active, and capable of sustaining great fatigue and hardship. He was temperate and even abstemious, requiring but little food, and that of the simplest kind. His mind, like his body, was light and agile. He eminently possessed the intellectual attributes of the Shemitic race, penetrating sagacity, subtle wit, a ready conception, and a brilliant imagination.
His sensibilities were quick and acute, though not lasting; a proud and daring spirit was stamped on his sallow visage and flashed from his dark and kindling eye. He was easily aroused by the appeals of eloquence, and charmed by the graces of poetry. Speaking a language copious in the extreme, the words of which have been compared to gems and flowers, he was naturally an orator;
but he delighted in proverbs and apothegms, rather than in sustained flights of declamation, and was prone to convey his ideas in the oriental style, by apologue and parable.
”
”
Washington Irving
“
He recognizes a sea goddess when he sees one," Alex said, nudging me with his arm.
"It's a ray," I retorted. "Its brain is the size of a peanut." But I was secretly very, very pleased. I was genuinely sorry to climb out of the pool. The sharks...well, the sharks I could do without. But Ferdinand had charmed me.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
Have I not reason, beldams as you are,
Saucy and overbold? How did you dare
To trade and traffic with Macbeth
In riddles and affairs of death;
And I, the mistress of your charms,
The close contriver of all harms,
Was never call'd to bear my part,
Or show the glory of our art?
And, which is worse, all you have done
Hath been but for a wayward son,
Spiteful and wrathful, who, as others do,
Loves for his own ends, not for you.
But make amends now: get you gone,
And at the pit of Acheron
Meet me i' the morning: thither he
Will come to know his destiny:
Your vessels and your spells provide,
Your charms and every thing beside.
I am for the air; this night I'll spend
Unto a dismal and a fatal end:
Great business must be wrought ere noon:
Upon the corner of the moon
There hangs a vaporous drop profound;
I'll catch it ere it come to ground:
And that distill'd by magic sleights
Shall raise such artificial sprites
As by the strength of their illusion
Shall draw him on to his confusion:
He shall spurn fate, scorn death, and bear
He hopes 'bove wisdom, grace and fear:
And you all know, security
Is mortals' chiefest enemy.
Music and a song within: 'Come away, come away,' & c
Hark! I am call'd; my little spirit, see,
Sits in a foggy cloud, and stays for me.
”
”
William Shakespeare
“
A certain amount of candor in expressing your opinion is a charming thing, but it can be pushed too far. There is no virtuous necessity for expressing all the dislikes that flash across your feelings. Very often it is necessary as a matter of virtue to spare others the hurt that would be given by freely expressing your opinion.
”
”
Lawrence G. Lovasik (The Hidden Power of Kindness: A Practical Handbook for Souls Who Dare to Transform the World, One Deed at a Time)
“
Whatever you want," he said. "Will you please come here now?"
I slipped a piece of protective tissue over my drawing and flipped the book closed. A piece of blue scratch paper slid out, the line I'd copied from Edward;s poetry book. "Hey. Translate for me, Monsieur Bainbridge."
I set the sketchbook on my stool and joined him on the chaise. He tugged me onto his lap and read over his head. "'Qu'ieu sui avinen, leu lo sai.' 'That I am handsome, I know."
"Verry funny."
"Very true." He grinned. "The translation. That's what it says. Old-fashionedly."
I thought of Edward's notation on the page, the reminder to read the poem to Diana in bed, and rolled my eyes. You're so vain.I bet you think this song is about you..."Boy and their egos."
Alex cupped my face in his hands. "Que tu est belle, tu le sais."
"Oh,I am not-"
"Shh," he shushed me, and leaned in.
The first bell came way too soon. I reluctantly loosened my grip on his shirt and ran my hands over my hair. He prompty thrust both hands in and messed it up again. "Stop," I scolded, but without much force.
"I have physics," he told me. "We're studying weak interaction."
I sandwiched his open hand between mine. "You know absolutely nothing about that."
"Don't be so quick to accept the obvious," he mock-scolded me. "Weak interaction can actually change the flavor of quarks."
The flavor of quirks, I thought, and vaguely remembered something about being charmed. I'd sat through a term of introductory physics before switching to basic biology. I'd forgotten most of that as soon as I'd been tested on it,too.
"I gotta go." Alex pushed me to my feet and followed. "Last person to get to class always gets the first question, and I didn't do the reading."
"Go," I told him. "I have history. By definition, we get to history late."
"Ha-ha. I'll talk to you later." He kissed me again, then walked out, closing the door quietly behind him.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
The first time that Raoul saw Christine at the Opera, he was charmed by the girl's beauty and by the sweet images of the past which it evoked, but was rather surprised at the negative side of her art. He returned to listen to her. He followed her in the wings. He waited for her behind a Jacob's ladder. He tried to attract her attention. More than once, he walked after her to the door of her box, but she did not see him. She seemed, for that matter, to see nobody. She was all indifference. Raoul suffered, for she was very beautiful and he was shy and dared not to confess his love, even to himself. And then came the lightning-flash of the gala performance: the heavens torn asunder and an angel's voice heard upon earth for the delight of mankind and the utter capture of his heart.
”
”
Gaston Leroux (The Phantom of the Opera)
“
Anon his heart revives: her vespers done,
Of all its wreathed pearls her hair she frees;
Unclasps her warmed jewels one by one;
Loosens her fragrant boddice; by degrees
Her rich attire creeps rustling to her knees:
Half-hidden, like a mermaid in sea-weed,
Pensive awhile she dreams awake, and sees,
In fancy, fair St. Agnes in her bed,
But dares not look behind, or all the charm is fled.
”
”
John Keats
“
It isn’t always a matter, we should note, of identifying with the protagonist. No one I know, regardless of how much they love his novel, wants to be Humbert Humbert or Victor Frankenstein, although perhaps for different reasons. Or Heathcliff. Ever want to be Heathcliff? I didn’t think so. They are not the stuff of our fantasy lives, yet we may revel in their world, even while reviling their personalities. Consider Humbert. The narrative strategy Nabokov employs is very daring, since it demands that we identify with someone who is breaking what nearly everyone will consider the most absolute taboo. …Sympathy is out of the question. What the novel requires, however, is that we continue reading, something it audaciously gives us reason to do. The word games and intellectual brilliance helps, certainly; he’s detestable but charming and brilliant. The other element is that we watch him with a sort of appalled fascination: can he really intend that; does he really do this; would he really attempt even that; has he lost all sense of proportion? The answers are, in order, yes, yes, yes, and yes. Pretty clearly, then, there are pleasures in the text that are not inherent in the personality of the main character.
”
”
Thomas C. Foster (How to Read Novels Like a Professor: A Jaunty Exploration of the World's Favorite Literary Form)
“
When I was young and knew Virginia Woolf slightly, I learned something that startled me—that a person may be ultrasensitive and not warm. She was intensely curious and plied one with questions, teasing, charming questions that made the young person glow at being even for a moment the object of her attention. But I did feel at times as though I were “a specimen American young poet” to be absorbed and filed away in the novelist’s store of vicarious experience. Then one had also the daring sense that anything could be said, the sense of freedom that was surely one of the keys to the Bloomsbury ethos, a shared secret amusement at human folly or pretensions. She was immensely kind to have seen me for at least one tea, as she did for some years whenever I was in England, but in all that time I never felt warmth, and this was startling.
”
”
May Sarton (Journal of a Solitude)
“
Raven, lying on the sandy ground, covered in creepy-crawlies. Spiders, cockroaches, termites, ants, crickets—they smother her, nibble on her, devouring her from hair to toenails in seconds, leaving just a skeleton behind. Apple, standing at the podium on Legacy Day. Poof, she disappears. And reappears in a goblin cave. The goblin troop moves in, brandishing salad bowls and chopping knives. Daring Charming, no story to call home, thins and melts into a wisp of a ghost, swimming endlessly through walls. The crowded Charmitorium at Ever After High, Headmaster Grimm on the stage. “And remember, students, no matter what you do, don’t follow the example of the worst, most despised, most selfish character in all of Ever After history—Raven Queen!” “Boo!” the students yell. “Boo!” says the Daring ghost. Apple’s head in a goblin bowl opens her eyes and looks straight at Raven. “Boo!
”
”
Shannon Hale (The Storybook of Legends (Ever After High, #1))
“
And so nothing remains but to make a few observations upon the character of Lucius Winstanley. I dare say the reader will not be particularly surprized to learn that he was a most unusual person, quite extraordinarily handsome and possessed of a highly peculiar temper. He behaved more like Thoresby's king than its chief landowner and ruled over the townspeople with a mixture of unreliable charm, exhausting capriciousness and absolute tyranny which would have been entirely familiar to any one at all acquainted with Tom Brightwind.
”
”
Susanna Clarke (The Ladies of Grace Adieu and Other Stories)
“
If only he weren’t so infuriating and so solicitous, all at once. One or the other, she knew how to resist, but insolence and charm made a potent brew indeed. The way he’d soothed her concern with rough fingers, even as his words teased. The way he’d guided her with a light touch at the small of her back, kissed her fingers so tenderly…they could have been in an elegant ballroom, preparing to dance a quadrille.
By all evidence-his fine attire, cultured accent, proud bearing, the rare flash of politesse-Mr. Grayson was a man who could move in the highest echelons of English society, but delighted in doing just the reverse.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
Curse tablets bore the names of their targets, sometimes little more. To name a thing is to set it apart—imbuing it with power, or steering it toward destruction. Bess Visser. Amos. Evangeline. Curse tablets were hidden, buried where they wouldn’t be discovered until long after the charm had done its damage. A discovered tablet could be smashed, breaking the charm, just as burning letters can exorcise old lovers. The book hid itself, through flood, finding homes with people interested in books and old things, people who wouldn’t dare destroy such an interesting piece of history. Until it found its way to me. It’s ready to be undone. I
”
”
Erika Swyler (The Book of Speculation)
“
Thus unto winter’s chill embrace I turn
Who once the summer’s sun did blithely bide
‘Neath solemn visage cold and fair and stern
In her cool breast my hot heart to confide.
Denied the warmth and wit of summer’s sun
Or springtime’s strength, and bright, melodious song
I dreamed not to complete what I’d begun
Nor dared to haste the laggard hours along.
But now with spring and summer sun at rest
Laid bare before bright winter’s pale charms
I would for love of her lay down my quest
And take my ease in Winter-Lady’s arms.
Before her beauty fair ‘neath snow-swept sky
All other seasons blanch and fade, and die.
- The Lost Knight's Lament, "Winter's Lady" (Forthcoming)
”
”
D. Alexander Neill
“
His teeth caught her finger, his tongue stroking over her skin. His mouth was hot, erotic, his eyes burning down at her.
Answering heat leapt into her eyes. Raven laughed softly. “You have it all, don’t you? Charm, you’re so sexy you should be locked up, and you have a smile men would kill for. Or women, however you want to look at it.”
He bent to kiss her, one hand closing over her breast possessively. “You need to mention what a great lover I am. Men need to hear these things.”
“Really?” She arched an eyebrow at him. “I don’t dare. You’re already as arrogant as I can stand.”
“You are crazy about me. I know. I read minds.” He suddenly grinned mischievously, like a little boy.
”
”
Christine Feehan (Dark Prince (Dark, #1))
“
Basil, my dear boy, puts everything that is charming in him into his work. The consequence is that he has nothing left for life but his prejudices, his principles, and his common sense. The only artists I have ever known, who are personally delightful, are bad artists. Good artists exist simply in what they make, and consequently are perfectly uninteresting in what they are. A great poet, a really great poet, is the most unpoetical of all creatures. But inferior poets are absolutely fascinating. The worse their rhymes are, the more picturesque they look. The mere fact of having published a book of second-rate sonnets makes a man quite irresistible. he lives the poetry that he cannot write. The others write poetry that they dare not realize.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
The merman does not want to seduce Agnes, although previously he had seduced many. He is no longer a merman, or, if one so will, he is a miserable merman who already has long been sitting on the floor of the sea and sorrowing. However, he knows (as the legend in fact teaches), that he can be delivered by the love of an innocent girl. But he has a bad conscience with respect to girls and does not dare to approach them. Then he sees Agnes. Already many a time when he was hidden in the reeds he had seen her walking on the shore. Her beauty, her quiet occupation with herself, fixes his attention upon her ; but only sadness prevails in his soul, no wild desire stirs in it. And so when the merman mingles his sighs with the soughing of the reeds she turns her ear thither, and then stands still and falls to dreaming, more charming than any woman and yet beautiful as a liberating angel which inspires the merman with confidence. The merman plucks up courage, he approaches Agnes, he wins her love, he hopes for his deliverance. But Agnes was no quiet maiden, she was fond of the roar of the sea, and the sad sighing beside the inland lake pleased her only because then she seethed more strongly within. She would be off and away, she would rush wildly out into the infinite with the merman whom she loved – so she incites the memman. She disdained his humility, now pride awakens. And the sea roars and the waves foam and the merman embraces Agnes and plunges with her into the deep. Never had he been so wild, never so full of desire, for he had hoped by this girl to find deliverance. He soon became tired of Agnes, yet no one ever found her corpse, for she became a mermaid who tempted men by her songs.
”
”
Søren Kierkegaard (Fear and Trembling)
“
Leo!
Scusi, Nonna." But he still managed to get a good, quiet curse or two out as he backed his way gingerly through the swinging door.
"Here.I got it." Tina took the beer and glass from me. "Ya know them?"
I nodded.
"She looks like butter wouldn't melt.But her kid..." She pursed brilliantly pink lips. "All that and a bag of baked tofu chips?"
I had to smile a little at the image. "No.He's not...He doesn't act like..." I wasn't entirely sure why I was defending him.He hadn't exactly been the Prince Charming of Dinner Orders. Come to think of it, I couldn't completely vouch for Alex Bainbridge being Prince Charming of Anything. Except my own little Villink fantasy. "Maybe."
"Cute,though."
"Yeah."
"Yeah?" I have no idea what is was Tina saw in my face. Something. "Aw, sweetie." She sighed. "Want me to shake up Daddy's beer a little?"
"No," I answered. "but thanks for the offer.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
Jackie, can you tell me if someone’s dead or not?’
“Who it be? Maybe I heard something.”
“Miranda Lopez.” I pulled out the charm and balanced it on my fingertips, and then I realized the photo was probably a better likeness. I pocketed the milagro ad held up the Polaroid.
“I find out for you if you get me a dime.”
I sighed and put the photo away. “You can’t smoke crack. You’re dead. And even if you weren’t, I’m not gonna score for you. I’m a cop. “
“You so full of shit. You ain’t no cop neither.”
“Would I be wearing this fucking suit if I wasn’t a cop?”
“I don’t know. I always thought you sold cars or something.”
I tucked my chin toward my chest and stomped toward my gate. Jackie couldn’t help me. And how dare she call me a used car salesman? I wasn’t always a dork in a blazer. Once upon a time I was actually cool. Until the Cook County Mental Health Centre, anyway. After that, I guess I kinda stopped caring.
”
”
Jordan Castillo Price (Body and Soul (PsyCop, #3))
“
And then—something tore me so cruelly under my shawl, something so dug into my side, a vulture so strong in beak and talon, I must be alone to grapple with it. I think I never felt jealousy till now. This was not like enduring the endearments of Dr. John and Paulina, against which while I sealed my eyes and my ears, while I withdrew thence my thoughts, my sense of harmony still acknowledged in it a charm. This was an outrage. The love born of beauty was not mine; I had nothing in common with it: I could not dare to meddle with it, but another love, venturing diffidently into life after long acquaintance, furnace-tried by pain, stamped by constancy, consolidated by affection’s pure and durable alloy, submitted by intellect to intellect’s own tests, and finally wrought up, by his own process, to his own unflawed completeness, this Love that laughed at Passion, his fast frenzies and his hot and hurried extinction, in this Love I had a vested interest; and whatever tended either to its culture or its destruction, I could not view impassibly.
”
”
Charlotte Brontë (Villette)
“
Tyrion, I know we do not always agree on policy, but it seems to me that I was wrong about you. You are not so big a fool as I imagined. In truth, I realize now that you have been a great help. For that I thank you. You must forgive me if I have spoken to you harshly in the past.”
“Must I?” He gave her a shrug, a smile. “Sweet sister, you have said nothing that requires forgiveness.”
“Today, you mean?” They both laughed . . . and Cersei leaned over and planted a quick, soft kiss on his brow.
Too astonished for words, Tyrion could only watch her stride off down the hall, Ser Preston at her side. “Have I lost my wits, or did my sister just kiss me?” he asked Bronn when she was gone.
“Was it so sweet?”
“It was . . . unanticipated.” Cersei had been behaving queerly of late. Tyrion found it very unsettling. “I am trying to recall the last time she kissed me. I could not have been more than six or seven. Jaime had dared her to do it."
“The woman’s finally taken note of your charms.”
“No,” Tyrion said. “No, the woman is hatching something. Best find out what, Bronn. You know I hate surprises.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
Hermione!”
She stirred, then sat up quickly, pushing her hair out of her face.
“What’s wrong? Harry? Are you all right?”
“It’s okay, everything’s fine. More than fine. I’m great. There’s someone here.”
“What do you mean? Who--?”
She saw Ron, who stood there holding the sword and dripping onto the threadbare carpet. Harry backed into a shadowy corner, slipped off Ron’s rucksack, and attempted to blend in with the canvas.
Hermione slid out of her bunk and moved like a sleepwalker toward Ron, her eyes upon his pale face. She stopped right in front of him, her lips slightly parted, her eyes wide. Ron gave a weak, hopeful smile and half raised his arms.
Hermione launched herself forward and started punching every inch of him that she could reach.
“Ouch--ow--gerroff! What the--? Hermione--OW!”
“You--complete--arse--Ronald--Weasley!”
She punctuated every word with a blow: Ron backed away, shielding his head as Hermione advanced.
“You--crawl--back--here--after--weeks--and--weeks--oh, where’s my wand?”
She looked as though ready to wrestle it out of Harry’s hands and he reacted instinctively.
“Protego!”
The invisible shield erupted between Ron and Hermione: The force of it knocked her backward onto the floor. Spitting hair out of her mouth, she leapt up again.
“Hermione!” said Harry. “Calm--”
“I will not calm down!” she screamed. Never before had he seen her lose control like this; she looked quite demented. “Give me back my wand! Give it back to me!”
“Hermione, will you please--”
“Don’t you tell me what to do, Harry Potter!” she screeched. “Don’t you dare! Give it back now! And YOU!”
She was pointing at Ron in dire accusation: It was like a malediction, and Harry could not blame Ron for retreating several steps.
“I came running after you! I called you! I begged you to come back!”
“I know,” Ron said, “Hermione, I’m sorry, I’m really--”
“Oh, you’re sorry!”
She laughed, a high-pitched, out-of-control sound; Ron looked at Harry for help, but Harry merely grimaced his helplessness.
“You come back after weeks--weeks--and you think it’s all going to be all right if you just say sorry?”
“Well, what else can I say?” Ron shouted, and Harry was glad that Ron was fighting back.
“Oh, I don’t know!” yelled Hermione with awful sarcasm. “Rack your brains, Ron, that should only take a couple of seconds--”
“Hermione,” interjected Harry, who considered this a low blow, “he just saved my--”
“I don’t care!” she screamed. “I don’t care what he’s done! Weeks and weeks, we could have been dead for all he knew--”
“I knew you weren’t dead!” bellowed Ron, drowning her voice for the first time, and approaching as close as he could with the Shield Charm between them. “Harry’s all over the Prophet, all over the radio, they’re looking for you everywhere, all these rumors and mental stories, I knew I’d hear straight off if you were dead, you don’t know what it’s been like--”
“What it’s been like for you?”
Her voice was now so shrill only bats would be able to hear it soon, but she had reached a level of indignation that rendered her temporarily speechless, and Ron seized his opportunity.
“I wanted to come back the minute I’d Disapparated, but I walked straight into a gang of Snatchers, Hermione, and I couldn’t go anywhere!”
“A gang of what?” asked Harry, as Hermione threw herself down into a chair with her arms and legs crossed so tightly it seemed unlikely that she would unravel them for several years.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Though each of them was of a type quite different from the others, all of them were beautiful; but I had been looking at them for so few moments, and was so far from daring to stare at them, that I had not yet been able to individualize any of them. With the exception of one, whose straight nose and darker complexion marked her out among the rest, as a king of Arabian looks may stand out in a Renaissance painting of the Magi, they were knowable only as a pair of hard, stubborn, laughing eyes in one of the faces; as two cheeks of that pink touched by coppery tones suggesting geraniums in another; and none of even these features had I yet inseparably attached to any particular girl rather than to some other; and when (given the order in which I saw their complex whole unfold before me, wonderful because the most dissimilar aspects were mixed into it and all shades of colour were juxtaposed, but also as confused as a piece of music in which one cannot isolate and identify the phrases as they form, which once heard are as soon forgotten) I noticed the emergence of a pale oval, of two green eyes, or black ones, I had no idea whether they were those whose charm had struck me a moment before, in my inability to single out and recognize one or other of these girls and allot them to her.
”
”
Marcel Proust (In the Shadow of Young Girls in Flower)
“
Though each of them was of a type quite different from the others, all of them were beautiful; but I had been looking at them for so few moments, and was so far from daring to stare at them, that I had not yet been able to individualize any of them. With the exception of one, whose straight nose and darker complexion marked her out among the rest, as a king of Arabian looks may stand out in a Renaissance painting of the Magi, they were knowable only as a pair of hard, stubborn, laughing eyes in one of the faces; as two cheeks of that pink touched by coppery tones suggesting geraniums in another; and none of even these features had I yet inseparably attached to any particular girl rather than to some other; and when (given the order in which I saw their complex whole unfold before me, wonderful because the most dissimilar aspects were mixed into it and all shades of colour were juxtaposed, but also as confused as a piece of music in which one cannot isolate and identify the phrases as they form, which once heard are as soon forgotten) I noticed the emergence of a pale oval, of two green eyes, or black ones, I had no idea whether they were those whose charm had struck me a moment before, in my inability to single out and recognize one or other of these girls and allot them to her. The fact that my view of them was devoid of demarcations, which I was soon to draw among them, sent a ripple of harmonious imprecision through their group, the uninterrupted flow of a shared, unstable and elusive beauty.
”
”
Marcel Proust (In the Shadow of Young Girls in Flower)
“
Oh,Ella. I wish you'd had a better time at the ball."
"Fuhgeddaboudit," I muttered. Greaseball. Freddy. Freak. "It's not like she and I were ever going to be BFFs."
"I wasn't just referring to Amanda."
Of course he wasn't.
"I'll try," I moaned into the crook of my elbow. "Oh, Lord.I'll try to carry on."
"That sounds rather dramatic, even for you."
"It's Styx," I told him. "After your time, before mine. I don't know all the words,but those work for the moment. And for the record, I'm being ironic, not dramatic."
"If you say so."
I ignored him. "I have had my last flutter over Alex Bainbridge. I mean it. Frankie was right.How many signs do I need that we are never, ever going to have...anything...before I get it? Obviously, it doesn't matter that we realte to the same schizo seventies songs. Or that we can discuss antique Japanese woodblock prints. Or that when he sits next to me, he kinda takes my breath away. You would think that would count for a lot,wouldn't you?"
Edward gets the concept of rhetorical questions, so I went on. "I wouldn't even want to hazard a guess about what makes Amanda's pulse go all skittery, but I would bet anything it's not Alex. And he's still with her. He doesn't belong with her, but apparently he feels he belongs to her. Explain that,please."
"Oh,Ella.We men are not always the best at looking beyond the...er..."
"Boobs,Edward. You can say it. Amanda Alstead has boobs and blonda hair. Beyond that, I can't see a single thing that's special about her."
"Because there isn't a single thing. Beyond the...er, obvious. You,on the other hand,are a creature of infinite charms. Shall I list them alphabetically or from the top down?"
I scowled up at him. "Y'know, you are beginning to sound a little too much like Frankie and Sadie,my deluded Greek chorus."
"yes,well,I rather thought that's what friends are for."
"You're not supposed to be my friend," I muttered. "You're supposed to be my Prince Charming."
"Ahem." Edward's sculpted lips compressed into a grim line. "Have you looked at me lately? I am supposed to be startling and even a bit scary."
"Nope.Neither." I rested my chin on my forearm. "To me,you are perfect. You are loyal and reliable and completely lacking in surprises."
"That is a good thing?"
"Absolutely," I said. "It's an excellent thing.I don't want any more surprises, over."
"Hardly an admirable goal,that."
"Maybe not," I agreed, "but pleasant. Among all the other bizarreness tonight, I found something new to be afraid of. Evil girlfriends."
"Now,Ella. You can't go on being afraid forever."
"Oh,yes,I can. As far as Amanda Alstead is concerned, I can."
Edward tilted his head and studied me for a moment. He looked annoyed. "Why do you insist on having these conversations with me when you ignore everything I have to say?"
It was a pretty good question. "Fine." I sat up straight and folded my hands in my lap. Home Truth time. "Go ahead. On this night when we celebrate the mysteries of life and death..Say something profound, something startling."
There was a long silence. Then, "Boo," Edward said.
"Thank you,Mr. Willing."
"Don't mention it, Miss Marino. I am yours to command.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
In spite of the cold I took a seat at one of the sidewalk tables. It felt like a slab of ice under my butt. I shivered,but stuck it out.
"Hey, Loco Girl!"
Shout out "Hey, Gorgeous!" or "Einstein," and I don't budge. But this one had me at "Loco." Go figure. I looked across the sidewalk to see Daniel's face, so much like Frankie's, framed in the window of his Jeep. I felt a sad little tug in my chest.
"You are aware it's only forty degrees out there,aren't you?" he asked. I shrugged. "Meeting someone?"
"No," I admitted.
"Then get in.Your hands look like wax. It's seriously creepy."
I looked down at the hand gripping the blindingly cheerful cup.He was right.
He also got out to open the passenger's-side door for me. I was a little charmed, until he pointed at my partially eaten cheesesteak in its wilted paper wrapper. "You are not bringing that thing into my car. It's an abomination."
I eyed the cigarette he'd dropped in the gutter. He did his teeth-baring thing. I tossed my cold meal in the trash, knowing I wouldn't have eaten it anyway. The inside of the Jeep wasn't all that much warmer than out. "Here." Daniel took off his black leather jacket and held it out for me. It was heavy and smelled a little bit like a burned cookie. It went on over my own coat; the sleeves went past my fingertips. "You look like frozen-"
"Don't say it," I muttered as I settled into the battered seat.
"You have no idea what I was going to say," he shot back, grinning. "Something rotten in the state of Marino?"
"And you ask that because...?"
"Really? It's four in the afternoon, and instead of being with Sadie and my brother or at home, eating something colorful, you're sitting outside by yourself here.Not exactly rocket science.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
These beauteous forms,
Through a long absence, have not been to me
As is a landscape to a blind man's eye:
But oft, in lonely rooms, and 'mid the din
Of towns and cities, I have owed to them,
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind
With tranquil restoration:—feelings too
Of unremembered pleasure: such, perhaps,
As have no slight or trivial influence
On that best portion of a good man's life,
His little, nameless, unremembered, acts
Of kindness and of love.
Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened:—that serene and blessed mood,
In which the affections gently lead us on,—
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul:
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things.
If this
Be but a vain belief, yet, oh! how oft—
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart—
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer thro' the woods,
How often has my spirit turned to thee!
And now, with gleams of half-extinguished thought,
With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again:
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts
That in this moment there is life and food
For future years.
And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe
I bounded o'er the mountains, by the sides
Of the deep rivers, and the lonely streams,
Wherever nature led: more like a man
Flying from something that he dreads, than one
Who sought the thing he loved.
For nature then
(The coarser pleasures of my boyish days
And their glad animal movements all gone by)
To me was all in all.—I cannot paint
What then I was. The sounding cataract
Haunted me like a passion: the tall rock,
The mountain, and the deep and gloomy wood,
Their colours and their forms, were then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, not any interest
Unborrowed from the eye.—That time is past,
And all its aching joys are now no more,
And all its dizzy raptures.
Not for this
Faint I, nor mourn nor murmur; other gifts
Have followed; for such loss, I would believe,
Abundant recompense. For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue.
And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air,
And the blue sky, and in the mind of man:
A motion and a spirit, that impels
All thinking things, all objects of all thought,
And rolls through all things.
Therefore am I still
A lover of the meadows and the woods
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear,—both what they half create,
And what perceive; well pleased to recognise
In nature and the language of the sense
The anchor of my purest thoughts, the nurse,
The guide, the guardian of my heart, and soul
Of all my moral being.
”
”
William Wordsworth (Tintern Abbey: Ode to Duty; Ode On Intimations of Immortality; the Happy Warrior; Resolution and Independence; and On the Power of Sound)
“
Mikhail’s hands were gentle as he helped her to lie down. He caressed her silky hair, bent to kiss her tenderly. “You have no idea what you did for me tonight. Thank you, Raven.”
Her eyes were closed, lashes lying like two dark crescents against her soft skin. She smiled. “Someone has to show you what love is, Mikhail. Not possession or ownership, but real unconditional love.” Her hand rose, and even with her eyes closed, her fingertips unerringly found the lines around his mouth. “You need to remember how to play, to laugh. You need to learn to like yourself more.”
The hard edges of his mouth softened, curved. “You sound like the priest.”
“I hope you confessed that you took advantage of me,” she teased.
Mikhail’s breath caught in his throat. Guilt washed over him. He had taken advantage. Maybe not the first time, when he was so out of control after such isolation. It had been necessary to make the exchange to save her life. But the second time had been pure selfishness. He had wanted the sexual rush, the total completion of the ritual. And he had uttered the ritual words. They were bound. He knew it, felt the rightness of it, felt the healing in his soul only a true lifemate could effect.
“Mikhail? I was teasing you.” The long lashes fluttered, lifted so her eyes could confirm what her fingertips tracing his frown told her.
His teeth caught her finger, his tongue stroking over her skin. His mouth was hot, erotic, his eyes burning down at her.
Answering heat leapt into her eyes. Raven laughed softly. “You have it all, don’t you? Charm, you’re so sexy you should be locked up, and you have a smile men would kill for. Or women, however you want to look at it.”
He bent to kiss her, one hand closing over her breast possessively. “You need to mention what a great lover I am. Men need to hear these things.”
“Really?” She arched an eyebrow at him. “I don’t dare. You’re already as arrogant as I can stand.”
“You are crazy about me. I know. I read minds.” He suddenly grinned mischievously, like a little boy.
”
”
Christine Feehan (Dark Prince (Dark, #1))
“
After all,” she said, her eyes meeting his, “it’s not as though you lack sufficient charm to woo ladies. And you’re certainly handsome enough, in your own way.”
She bent her head again. “Oh, stop looking s smug. I’m not flattering you, I’m merely stating facts. Privateering was not your only profitable course of action. You might have married, if you’d wished to.”
“Ah, but there’s the snag, you see. I didn’t wish to.”
She picked up a brush and tapped it against her palette. “No, you didn’t. You wished to be at sea. You wished to go adventuring, to seize sixty ships in the name of the Crown and pursue countless women on four continents. That’s why you sold your land, Mr. Grayson. Because it’s what you wanted to do. The profit was incidental.”
Gray tugged at the cuff of his coat sleeve. It unnerved him, how easily she stared down these truths he’d avoided looking in the eye for years. So now he was worse than a thief. He was a selfish, lying thief. And still she sat with him, flirted with him, called him “charming” and “handsome enough.” How much darkness did the girl need to uncover before she finally turned away?
“And what about you, Miss Turner?” He leaned forward in his chair. “Why are you here, bound for the West Indies to work as a governess? You, too, might have married. You come from quality; so much is clear. And even if you’d no dowry, sweetheart…” He waited for her to look up. “Yours is the kind of beauty that brings men to their knees.”
She gave a dismissive wave of her paintbrush. Still, her cheeks darkened, and she dabbed her brow with the back of her wrist.
“Now, don’t act missish. I’m not flattering you, I’m merely stating facts.” He leaned back in his chair. “So why haven’t you married?”
“I explained to you yesterday why marriage was no longer an option for me. I was compromised.”
Gray folded his hands on his chest. “Ah, yes. The French painting master. What was his name? Germaine?”
“Gervais.” She sighed dramatically. “Ah, but the pleasure he showed me was worth any cost. I’d never felt so alive as I did in his arms. Every moment we shared was a minute stolen from paradise.”
Gray huffed and kicked the table leg. The girl was trying to make him jealous. And damn, if it wasn’t working. Why should some oily schoolgirl’s tutor enjoy the pleasures Gray was denied? He hadn’t aided the war effort just so England’s most beautiful miss could lift her skirts for a bloody Frenchman.
She began mixing pigment with oil on her palette. “Once, he pulled me into the larder, and we had a feverish tryst among the bins of potatoes and turnips. He held me up against the shelves and we-“
“May I read my book now?” Lord, he couldn’t take much more of this.
She smiled and reached for another brush. “If you wish.”
Gray opened his book and stared at it, unable to muster the concentration to read. Every so often, he turned a page. Vivid, erotic images filled his mind, but all the blood drained to his groin.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
You do have money, don’t you? You never paid your fare yesterday. It’s six pounds, eight. If you haven’t the coin, I’ll have no choice but to hold you for ransom once we reach Tortola.”
Her fare. Sophia sipped her tea with relief. If Mr. Grayson was this concerned over six pounds, he surely had no idea he was harboring a runaway heiress with nearly one hundred times that amount strapped beneath her stays. She suppressed a nervous laugh. “Yes, of course I can pay my passage. You’ll have your money today, Mr. Grayson.”
“Gray.”
“Mr. Grayson,” she said, her voice and nerves growing thin, “I scarcely think that my moment of…of indisposition gives you leave to make such an intimate request, that I address you by your Christian name. I certainly shall not.”
He clucked softly, wrapping the handkerchief around his fingers. With hypnotic tenderness, he reached out, drawing the fabric across her temple.
“Now, sweetheart-surely my parents can be credited with greater imagination than you imply. Christening me ‘Gray Grayson’?” He chuckled low in his throat. “Everyone aboard this ship calls me Gray. Sorry to disappoint you, but it’s no particular privilege. There’s but one woman on earth permitted to address me by my Christian name.”
“Your mother?”
He grinned again. “No.”
She blinked.
“Oh, now don’t look so disappointed,” he said. “It’s my sister.”
Sophia slanted her gaze to her lip, cursing herself for playing into his charm. If the sight of him drove the wits from her skull, the solution was plain. She mustn’t look.
But then he pressed the handkerchief into her hand, covering her fingers with his own, and Sophia could not retrieve the small, defeated sigh that fell from her lips. His touch devastated her resolve completely. His hand was like the rest of him. Brute strength, neatly groomed. She heartily wished she’d thought to put on gloves.
He leaned closer, his scent intruding through the pervasive smell of seawater-wholly masculine and faintly spicy, like pomade and rum.
“And sweetheart, if I did make an intimate request of you”-his thumb swept boldly over the delicate skin of her wrist-“you’d know it.”
Sophia sucked in her breath.
“So call me Gray.” He released her hand abruptly.
Disappointment-unbidden, imprudent, unthinkable emotion-cinched in Sophia’s chest. Distance from this man was precisely what she wished. Well, if not precisely what she wished, it was exactly what she needed. He looked at her as though he’d laid all her secrets bare, and her body as well.
She pushed the tankard back at him, leaving him no choice but to take it from her hands. “I shall continue to address you as propriety demands, Mr. Grayson.” She cast him a sharp look. “And you certainly are not at liberty to call me ‘sweetheart.’”
He donned an expression of wide-eyed innocence. “That isn’t what it stands for, then?” Teasing the handkerchief from her clenched fist, he ran his thumb over the embroidered monogram.
S.H.
“You see?” He traced each letter with the pad of his finger. “Sweet. Heart. I thought surely that must be it. Because I know your name is Jane Turner.”
His lips curved in that insolent grin. “Unless…don’t tell me. It was a gift?
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
Bram stared into a pair of wide, dark eyes. Eyes that reflected a surprising glimmer of intelligence. This might be the rare female a man could reason with.
“Now, then,” he said. “We can do this the easy way, or we can make things difficult.”
With a soft snort, she turned her head. It was as if he’d ceased to exist.
Bram shifted his weight to his good leg, feeling the stab to his pride. He was a lieutenant colonel in the British army, and at over six feet tall, he was said to cut an imposing figure. Typically, a pointed glance from his quarter would quell the slightest hint of disobedience. He was not accustomed to being ignored.
“Listen sharp now.” He gave her ear a rough tweak and sank his voice to a low threat. “If you know what’s good for you, you’ll do as I say.”
Though she spoke not a word, her reply was clear: You can kiss my great woolly arse.
Confounded sheep.
“Ah, the English countryside. So charming. So…fragrant.” Colin approached, stripped of his London-best topcoat, wading hip-deep through the river of wool. Blotting the sheen of perspiration from his brow with his sleeve, he asked, “I don’t suppose this means we can simply turn back?”
Ahead of them, a boy pushing a handcart had overturned his cargo, strewing corn all over the road. It was an open buffet, and every ram and ewe in Sussex appeared to have answered the invitation. A vast throng of sheep bustled and bleated around the unfortunate youth, gorging themselves on the spilled grain-and completely obstructing Bram’s wagons.
“Can we walk the teams in reverse?” Colin asked. “Perhaps we can go around, find another road.”
Bram gestured at the surrounding landscape. “There is no other road.”
They stood in the middle of the rutted dirt lane, which occupied a kind of narrow, winding valley. A steep bank of gorse rose up on one side, and on the other, some dozen yards of heath separated the road from dramatic bluffs. And below those-far below those-lay the sparkling turquoise sea. If the air was seasonably dry and clear, and Bram squinted hard at that thin indigo line of the horizon, he might even glimpse the northern coast of France.
So close. He’d get there. Not today, but soon. He had a task to accomplish here, and the sooner he completed it, the sooner he could rejoin his regiment. He wasn’t stopping for anything.
Except sheep. Blast it. It would seem they were stopping for sheep.
A rough voice said, “I’ll take care of them.”
Thorne joined their group. Bram flicked his gaze to the side and spied his hulking mountain of a corporal shouldering a flintlock rifle.
“We can’t simply shoot them, Thorne.”
Obedient as ever, Thorne lowered his gun. “Then I’ve a cutlass. Just sharpened the blade last night.”
“We can’t butcher them, either.”
Thorne shrugged. “I’m hungry.”
Yes, that was Thorne-straightforward, practical. Ruthless.
“We’re all hungry.” Bram’s stomach rumbled in support of the statement. “But clearing the way is our aim at the moment, and a dead sheep’s harder to move than a live one. We’ll just have to nudge them along.”
Thorne lowered the hammer of his rifle, disarming it, then flipped the weapon with an agile motion and rammed the butt end against a woolly flank. “Move on, you bleeding beast.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
An upbeat song played over the loudspeaker, and everyone's attention focused on the Jumbotron above the basketball court.
"It's time for the Bulls' Kiss Cam. So, pucker up for your sweetie and kiss them."
The camera found an older couple in their fifties. The man pulled his wife, I assumed, in for a quick peck on the lips.
"Aww. That is so sweet," Trina said. She proceeded to yank poor Owen to his seat in case the spotlight landed on them. She'd do just about anything to get on television, even if it meant not kissing Owen tonight to do so.
"That is so staged," I said and sneaked a quick peek at my phone, seeing if he messaged me back. He didn’t.
"Really?" she countered and slapped my arm. Once I glanced her way, she pointed towards the large screen looming above.
On the screen was Sebastian and me as the camera had just so happened to find us. It stayed there zooming closer. And closer. And closer.
"Come on," the announcer called out, prodding us. "Just one kiss won't hurt."
He had no idea what he was asking. A kiss would initiate feelings I couldn't avoid any longer.
I momentarily forgot how to breathe as the song, “Kiss the Girl” from the Little Mermaid hummed at my lips. Not the best choice, but still. Everything became much worse once my giant moved into view, smiling my favorite smile.
Sebastian inched closer; eyebrow cocked to dare me."No pressure or anything."
I was quiet for a moment before whispering, "Game on, buddy."
My eyes closed a few heartbeats shy of Sebastian's lips meeting mine. His hands rose, cupping my cheeks to keep me from pulling away. Like that was going to happen.
Sebastian’s mouth moved against mine, and I conceded, kissing him in return. He tasted sweet and minty, like the home I’d been missing. The kiss turned from soft and tame to fierce and wantingas if neither of us could get enough.
And already, I considered myself a goner.
Everything became a haze. My heart thumped so wildly against my chest, I swore Sebastian could hear. The crowd surrounding us was whistling and cheering us on, and it only kept gaining momentum as the moments passed. The noise quickly faded until it was as if we were the only two people in the room. We could have been the only two people on earth.
"Okay, guys." Trina tapped my shoulder, garnering my attention. "Camera has moved on now."
That was our cue to separate, and I slowly drew away from Sebastian.
He, in turn, slipped his hand to the back of my neck, holding me here. "Don't," he sighed against my lips.
I didn't budge another inch. I didn't want to. Sebastian rewarded me by deepening the kiss. Dear God. There were sparks. My stomach flipped. My toes curled. My body warmed. Every single inch of me only wanted one thing and one thing only.
If this continued for too much longer, it was easy to guess my new favorite hobby: Kissing Sebastian Freaking Birch.
Needing some air, I pressed my palm flat against his chest. This time he released me as we both were breathless.
Sebastian's eyes carefully studied me. He kept staring as if he could read my heart, my mind. And for those brief few seconds, I honestly didn't believe there were any secrets between us. His gaze shifted as he gauged what to do next, and I had no freaking idea where we went from here. We'd done it now. We crossed that line, and there was no way of ever going back.
”
”
Patty Carothers and Amy Brewer (Texting Prince Charming)
“
These beauteous forms,
Through a long absence, have not been to me
As is a landscape to a blind man's eye:
But oft, in lonely rooms, and 'mid the din
Of towns and cities, I have owed to them
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind,
With tranquil restoration:—feelings too
Of unremembered pleasure: such, perhaps,
As have no slight or trivial influence
On that best portion of a good man's life,
His little, nameless, unremembered, acts
Of kindness and of love. Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened:—that serene and blessed mood,
In which the affections gently lead us on,—
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul:
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things.
If this
Be but a vain belief, yet, oh! how oft—
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart—
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer thro' the woods,
How often has my spirit turned to thee!
And now, with gleams of half-extinguished thought,
With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again:
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts
That in this moment there is life and food
For future years. And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe
I bounded o'er the mountains, by the sides
Of the deep rivers, and the lonely streams,
Wherever nature led: more like a man
Flying from something that he dreads, than one
Who sought the thing he loved. For nature then
(The coarser pleasures of my boyish days,
And their glad animal movements all gone by)
To me was all in all.—I cannot paint
What then I was. The sounding cataract
Haunted me like a passion: the tall rock,
The mountain, and the deep and gloomy wood,
Their colours and their forms, were then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, nor any interest
Unborrowed from the eye.—That time is past,
And all its aching joys are now no more,
And all its dizzy raptures. Not for this
Faint I, nor mourn nor murmur, other gifts
Have followed; for such loss, I would believe,
Abundant recompence. For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still, sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue. And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air,
And the blue sky, and in the mind of man;
A motion and a spirit, that impels
All thinking things, all objects of all thought,
And rolls through all things. Therefore am I still
A lover of the meadows and the woods,
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear,—both what they half create,
And what perceive; well pleased to recognise
In nature and the language of the sense,
The anchor of my purest thoughts, the nurse,
The guide, the guardian of my heart, and soul
Of all my moral being.
”
”
William Wordsworth (Tintern Abbey: Ode to Duty; Ode On Intimations of Immortality; the Happy Warrior; Resolution and Independence; and On the Power of Sound)
“
She was not clumsy, precisely. He doubted Miss Boyce would ever do anything so disorderly as stumble. But even at their first meeting, he had been struck by the careless aggression of her movements. She inhabited her body as thoughtlessly as a coat. It was strangely charming, this disconnection between brain and flesh. Rather like a dare. It made a man wonder what it would take to lure her awareness out from the disciplined confines of her brain to the soft, expansive surface of her skin.
”
”
Meredith Duran (Bound by Your Touch)
“
How easy it was. Poor Mrs. Wertheim—she wouldn’t have turned him down, of course. He knew Europeans enough to know that. He had played the aristocrat before the peasant—the peasant who never dared refuse the aristocrat anything; who expected nothing less; who felt it an honor to be imposed upon by that privileged charming irresponsible class; who kept himself and his family in lifelong debt to guarantee the artistocracy its birthright; who would have lost faith, perhaps, if he and his fascinating kind should settle down and become sober, industrious and productive, like themselves; who smiled indulgently, admiringly, even affectionately, at foibles which, in their own children, would have deserved nothing but a beating.
”
”
Charles Jackson (The Lost Weekend)
“
He arched a mocking eyebrow. “Do you plan to stay and watch me dress?” Her blush intensified as she stumbled off the bed. “You’re a devil.” She planted her feet on the floor and struggled to do up her dress. While she fiddled, he wrenched the shirt over his head. Hearing a frustrated hiss, he bit back a smile and the impulse to tell her she was adorable. He stepped up to her. “Let me help.” To his surprise, she presented her back and swept the curtain of hair aside to reveal the graceful line of nape and shoulders. For a forbidden moment, he didn’t move, but inhaled until her flowery scent flooded his senses. “What on earth are you doing?” she asked, turning her head to give him a glimpse of her profile. Her features weren’t delicate. There was too much character in her nose and defiance in her chin. But he dared anyone who saw her ever to forget her. “Considering artistic matters,” he said gently. He set to doing up her gown. Much against his deepest inclinations. Her lips tightened. “Oh?” “You know, I’d never cast you as Cinderella.” He fastened the top hook and lowered his hands to her slim hips. He tempted fate—and self-control—but he couldn’t resist stringing out the physical contact. “You’re more queen than ingénue.” “Well, you’re no Prince Charming.” She wriggled free and faced him. To his regret, her dress once more covered her to the collarbones. “Tch, tch, no need to take your bad temper out on me.” And received a killing glance for his trouble. “It’s a cursed ill wind that landed you on my doorstep,” she muttered, just loudly enough for him to hear. His lips twitched. She wasn’t much good at deception — an appealing quality in a wife. She kept forgetting that she was meant to be a humble housemaid. Humility, like deceit, wasn’t easy for this imperious creature. Any man who took her on would never have the docile wife touted as ideal. But then, Lyle had never settled for the general run of things. If he married Charlotte Warren—and every moment inclined him more toward the outlandish idea—there would be fireworks. Luckily he loved fireworks. “On
”
”
Anna Campbell (Stranded with the Scottish Earl)
“
Supposing it were impossible to disprove Christianity, Pascal thinks, in view of the terrible possibility that it may be true, that it is in the highest degree prudent to be a Christian. As a proof of how much Christianity has lost of its terrible nature, today we find that other attempt to justify it, which consists in asserting, that even if it were a mistake, it nevertheless provides the greatest advantages and pleasures for its adherents throughout their lives:—it therefore seems that this belief should be upheld owing to the peace and quiet it ensures—not owing to the terror of a threatening possibility, but rather out of fear of a life that has lost its charm. This hedonistic turn of thought, which uses happiness as a proof, is a symptom of decline: it takes the place of the proof resulting from power or from that which to the Christian mind is most terrible—namely, fear. With this new interpretation, Christianity is, as a matter of fact, nearing its stage of exhaustion. People are satisfied with a Christianity which is an opiate, because they no longer have the strength to seek, to struggle, to dare, to stand alone, nor to take up Pascal's position and to share that gloomily brooding self-contempt, that belief in human unworthiness, and that anxiety which believes that it ‘may be damned.’ But a Christianity the chief object of which is to soothe diseased nerves, does not require the terrible solution consisting of a ‘God on the cross’; that is why Buddhism is secretly gaining ground all over Europe.
”
”
Friedrich Nietzsche
“
Some say that ever ’gainst that season comes Wherein our Saviour’s birth is celebrated, The bird of dawning singeth all night long; And then, they say, no spirit dare stir abroad, The nights are wholesome, then no planets strike, No fairy takes, nor witch hath power to charm, So hallowed and so gracious is the time.
”
”
Frederick Buechner (Listening to Your Life: Daily Meditations with Frederick Buechne)
“
Answering heat leapt into her eyes. Raven laughed softly. “You have it all, don’t you? Charm, you’re so sexy you should be locked up, and you have a smile men would kill for. Or women, however you want to look at it.”
He bent to kiss her, one hand closing over her breast possessively. “You need to mention what a great lover I am. Men need to hear these things.”
“Really?” She arched an eyebrow at him. “I don’t dare. You’re already as arrogant as I can stand.”
“You are crazy about me. I know. I read minds.” He suddenly grinned mischievously, like a little boy.
”
”
Christine Feehan (Dark Prince (Dark, #1))
“
Everyone had gone to school with someone’s brother or known each other up at Cambridge. These were serious young leftist intellectuals, many of them communists devoted to the idea of a classless society, but they were also upper class and English and so almost unconsciously sought out others of their kind and mixed with them, while the working-class youth stood alone just outside the perimeter of this charmed circle, coming as close as he dared, barred from entry by an invisible boundary of accent.
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David Leavitt (While England Sleeps)
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I cannot marry you,” she told the clump of toadstools flourishing at its base. “I’m so terribly sorry. I should have told you years ago, but—” “For God’s sake, Cecily.” His soft laugh startled her, and she lifted her gaze. “You can’t do this, not yet. How can a lady refuse a man, when he hasn’t even proposed? I won’t stand for it.” “It’s not right, Denny. I’ve known for some time now that we wouldn’t . . . that I couldn’t . . .” He shushed her gently, placing his hands on her shoulders. “The truth is, we know nothing of what could be or would be. We’ve been delaying this conversation for years now, haven’t we? I’ve been waiting for . . . Well, I hardly know what I’ve been waiting for. Something indefinable, I suppose. And you’ve been waiting for Luke.” Her breath caught. Denny knew? Oh, dear. Perhaps she shouldn’t be so surprised. They’d grown up together. He’d known her longer than anyone. “Yes, of course I knew,” he said, as if reading her thoughts. “Why do you think I invited you both here, to my home? I wanted to know how matters stood between you.” “And how do they stand?” she asked, hoping he would understand her better than she knew herself. He sighed. “I know he has some strange hold on your heart. But I believe you’d be happier marrying me.” Cecily shook her head in disbelief. If she didn’t know better, she would think him working in concert with Luke. Their arguments were one and the same. “But, Denny . . .” She prayed these words would not hurt his pride overmuch. “But we don’t love one another, not in that way.” “Perhaps not. But you’ve been in love with Luke for four years now. Has it made you happy?” She had no answer to that. “And I’ll admit, bachelorhood is losing its charms for me.” Gently, he folded her hands in his. “I know there is no grand passion between us, Cecily. But there is genuine caring. Honesty. Respect. Lasting unions have been built on foundations far weaker than these. And in time, perhaps some deeper attachment would grow. We don’t know what could happen, if only we gave it a chance.” He brought her hands to his lips and kissed them warmly—first the knuckles, then each sensitive palm—before pressing them to either side of his face and holding them there. The sweetness in the gesture surprised her, as did the fond regard in his eyes. This was Denny’s face she held in her hands. Dear, familiar, uncomplicated Denny, with the dimple on his right cheek and the tiny pockmark on the other. She’d known this face since her childhood. Could she learn to see to him in a new light, as a husband? She did want children and companionship and a happy home—all the things Luke refused to offer her. She sighed. “I don’t know what to say.” “That’s all right. I’m not asking you to say yes, not right now. Just . . . don’t say no quite yet?” He smiled then, that crooked, endearing Denny smile. And he kissed her, still holding her hands pressed against his face. It was sweet. He tasted of tea and peppermint, and his lips felt soft and warm. Denny’s kiss was mild, tender. Comforting and comfortable. And it was wretchedly unfair to him, that even as he claimed her lips, her heart remained divided. She couldn’t stop comparing this kiss to Luke’s. It just wasn’t the same. “Do
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Tessa Dare (How to Catch a Wild Viscount)
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Andy, angry that I ignored his explicit instructions not to go exploring alone, lectured me on unethical conduct and consistently taking dangerous initiatives into my own hands without his approval. Most importantly, he was angry with my blatant dishonesty. Since I knew I was in the wrong, I listened attentively to my lover’s reprimands, not daring to answer back. Sam did his best to shoulder the blame but Andy would not hear of it. Seeing my lover’s beguiled state, I conjured up my boyish charm and vowed never to wander off on my own again, especially in this dangerous country.
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Young (Unbridled (A Harem Boy's Saga, #2))
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But the ride I was really looking forward to was the Zombie Thrasher. They say that the G-forces on the Zombie Thrasher are so strong that if you’re not strapped in, it can rip your rotten flesh right off. One Zombie rode it, and he didn’t strap in because his friend dared him not to, so he came out looking like a Skeleton. They gave him a toy bow and arrow to keep him quiet. But I made sure I was strapped in. Hey, I like living on the edge… But I like my entrails more, thank you. But riding the Zombie thrasher was awesome! I even got a free toy bow and arrow too. I had Skelee pretend like he was me coming out of the ride, and it worked like a charm. Man, this is the best scarecation ever.
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Herobrine Books (When Nature Calls (Diary of a Minecraft Zombie, #3))
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Melba comes over and takes our baskets away, interrupting the conversation. Once she’s gone, my eyes drop to the table. Holy crap. The only things left are two placemats, mine and Dev’s. His looks brand new, but mine, on the other hand, is covered in a sample of every bit of food that passed through my lips. Fish? Yes. Fish coating? Yes. Hushpuppy guts? Yes. Coleslaw? Of course. It’s like a Chicken Licken bomb went off at our table, but only left shrapnel in front of me. How embarrassing! Now he knows I eat like a total warthog! Dev doesn’t say a word. Instead, he lifts his placemat up, reaches over and slides my placemat to his side of the table, and then places his down in front of me. Now he’s the warthog, and I’m the princess who wouldn’t dare drop a speck of hushpuppy anywhere but on her napkin. I know it’s crazy, but tears well up in my eyes. This has to be the single most chivalrous, charming thing a man has ever done for me. Forget opening doors and throwing jackets over puddles. When a man covers for me, taking the heat for my horrible table manners, he wins my loyalty for life. When Melba returns with sweet tea refills, she looks down at the table and smiles. She doesn’t need to say anything; she just looks at me and winks. My heart feels like it’s filling up so full with happiness that it’s going to explode. “You
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Elle Casey (Wrong Place, Right Time (The Bourbon Street Boys, #2))
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You look beautiful, Alex. All grown up.” Blackmoor’s grey eyes darkened, narrowing on the garment in question, then rising to meet her gaze. The look in his eyes was one she’d never seen before, and it sent a tremor of excitement through her as she felt heat rising in her cheeks again. He looked away, then back again, and the emotion she had seen there was gone, so quickly that she couldn’t be certain it was ever there to begin with. She forced a smile, attempting to bring the conversation back to the realm of the comfortable. “Thank you, my lord.” “If I may speak frankly?” “Certainly.” “I know you want to try out all your lessons, but take care with whom you test your skills. I noticed how Stanhope was looking at you earlier.” “Lord Stanhope was a charming partner.” Alex met Blackmoor’s eyes, daring him to disagree. “I’m certain I don’t know to what you are referring.” “I think you know all too well to what I’m referring. Any man would have to be blind not to notice you. This dress is designed to lure a lion. I assure you that particular lion will bite.” “What are you saying?” “Simply that I would prefer not to have to play protector tonight. I merely caution you to think twice before getting wrapped up with Stanhope, or any like him.” Alex’s spine stiffened in response. Her tone turned frosty. “As usual, my lord, your caution—or shall I say interference?—is unnecessary. Need I remind you that I’ve been managing Freddie Stanhope since he was in short pants?” His chuckle held no humor. “Take my advice, Alex. Your ‘Freddie’ is no longer in the schoolroom. And you’re out of your league if you think you can, as you say, ‘manage’ him. Just because you wear a gown that marks you as all grown up doesn’t mean you are prepared to take him on.” Alex’s temper flared. “I require neither your advice, nor your opinion, my lord. I would thank you to remember that, besides the fact that you’re not that much older than I am, I already have a father—and three brothers. I hardly need another overbearing male telling me what to do and with whom to do it.” “More like what not to do. And with whom not to do it.” She inhaled in a sharp intake of air, eyes narrowing, and made a move to leave him mid-waltz. To an outside observer, nothing changed about their movements—but Alex felt Blackmoor’s arms turn to stone around her. He held her fast, and tight, and his voice lowered. “You will finish this waltz with me, Alexandra. I will not allow you the pleasure of giving me a set-down at your first ball.” Recognizing
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Sarah MacLean (The Season)
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Joan told her, “Knock it off, Marsh; you don’t always have to be such a putz.”
Marsha, still leaning onto the sink, told them, “You guys and your always-must-make-nice crap.
“Mincing around with your damned fresh coffee, playing Little Miss Nicey-Poo alla time. The charming hostess with all her non-threatening jokes, never hurting anyone’s feelings. Sitting around trying to sort out the karmic implications of sneezing on the burglar who just shot your dog. Fuck it! Some things you just can’t Om away.”
Clarice’s smile had frozen in place, but her eyes belied her terror. She didn’t understand what was going on, but tried to calm the waters anyway. “You send out love; you get love back,” she said.
Marsha finally turned toward them all, and it wasn’t pretty. “Great. You can put that on a Hallmark card and feed it to the goats.” She turned toward Paulette.
Paulette said nothing. She didn’t dare look too deeply inside this rabid anti-Christian standing before her. She was horrified that she might find herself looking back.
- From “The Gardens of Ailana” handbook for healers & mystics
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Edward Fahey
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Prologue to David Garrick's Lethe Prodigious Madness of the writing Race! Ardent of Fame, yet fearless of Disgrace. Without a boding Fear, or anxious Sigh, The Bard obdurate sees his Brother die. Deaf to the Critic, sullen to the Friend, Not One takes Warning, by Another's End. Oft has our Bard in this disastrous Year, Beheld the Tragic Heroes taught to fear. Oft has he seen the Poignant Orange fly, And heard th' ill-omened Catcall's direful Cry. Yet dares to venture on the dangerous Stage, And weakly hopes to 'scape the Critic's Rage. This night he hopes to show that farce may charm, Though no lewd hint the mantling virgin warm, That useful truth with humour may unite. That
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Samuel Johnson (The Major Works of Samuel Johnson)
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If you looking for Rafting Company in Rishikesh? Then we are the people to call because we have it all. If you are looking for camping in Rishikesh, adventure, fun, anticipation and family bonding then your one weekend with us is awaiting. As in this weekend we give you all kind of rafting in Rishikesh like river rafting, bungee jumping and trekking, if you are the daring kind. And you can dare to paint the town red then paintball is your thing. Diffidence prevents us from audacity, but we do have the best camps for hosting your family weekends. So what are you coming up for Pack your bags as Uttarakhand Adventure is calling.
If adventure runs from side to side your veins and you dare to ride high on the wild waters of the Ganga then head to Rishikesh for a rejuvenate and exciting holiday journey. Revitalize your drained body and mind in the good-looking surroundings of this holy town and let the thrill of white water rafting take you absent from the rest of the world.
Offering a synthesis of chilly conditions and gorgeous sand beaches with Garhwal Himalaya Mountains in the background, Rishikesh is one of the most important rafting destinations in India. It is a place that continues to strike the thoughts of city dwellers who want to escape from their work routine and droning lifestyle. The best element of river rafting company in Rishikesh is that it can be enjoyed by anyone; you don’t need to be a swimmer or a specialized rafter to enjoy this sport. The strong present of the Ganga flowing down from a very high height through the Himalayan Mountain Range makes it one of the best rivers in India to enjoy rafting adventure. Wash away your fears and go in front and sail crossways the river awash with demanding whirlpools and rapids. If you manage to successfully man oeuvre through the stretch with little help from the guide, you positively deserve a pat on your back for your skirmishing spirit.
Most of river rafting packages in Rishikesh are incomplete without experiencing the rustic charm of beach camping under the open sky. The best instance for white water rafting in Rishikesh is from February to May and as of September to November. River Rafting is best enjoyed in the consecrated valley of Rishikesh which boasts of the Great Ganges River downward with an ultimate force and existing precisely as the originator intended her to be- Wild and Free. The attendance of numerous rapids and troughs along the make bigger of the river fortifies the stand of Rishikesh as the River Rafting capital of India. Once here; you will be given a crash course on the sport, its navigational technique, and how to make it safer. Following the briefing, the organizers will hand you gear like rafts, paddles, helmets and life jackets.
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uttarakhand adventure
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Worked like a charm!
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Herobrine Books (A Scare of a Dare (Diary of a Minecraft Zombie, #1))
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For a moment their gazes met — his, warm and charming; hers, confused and scared — but then he grinned, draped an arm around her shoulders to pull her close, and the moment was lost. She lay stiffly against the hollow of his shoulder, heart pounding, reluctant to put the weight of her head against him and hardly daring to breathe — but very aware of the hard body beneath his soft shirt, the faint hint of his own unique, masculine scent. True to his word, he did nothing but hold her as he prompted her to talk about her fears, her dreams, and, yes, even Charles. And sometime during that long hour that he held her, Lord Gareth de Montforte ceased being the man she'd married and became her best friend.
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Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
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If you want to play this game, then so be it,” he snapped. “We’ll play settler until you finally learn what a miserable, hardscrabble life it really is!” He’d swept his hat off his head, and when he slapped it against his thigh, dust flew. “You mean you’re going to marry me?” Lily dared to ask, coughing. “Hell, no!” Caleb retorted in a raspy whisper. “I wouldn’t marry a stubborn, sneaky little chit like you for anything!” Lily might have slapped him if she hadn’t been so aware that Wilbur and the others were looking on, no matter how disinterested they might pretend to be. “Well, I know I’m stubborn,” Lily admitted grudgingly. “But sneaky?” “Yes, sneaky!” Caleb hissed, whacking his hat against his leg again. “I turn my back for a week, and here you are, charming my men into building your damned house for you!” Lily
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Linda Lael Miller (Lily and the Major (Orphan Train, #1))
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how I see the distinction between sexism and misogyny. When a husband tells his wife, “I can’t quite explain why and I don’t even like admitting this, but I don’t want you to make more money than me, so please don’t take that amazing job offer,” that’s sexism. He could still love her deeply and be a great partner in countless ways. But he holds tight to an idea that even he knows isn’t fair about how successful a woman is allowed to be. Sexism is all the big and little ways that society draws a box around women and says, “You stay in there.” Don’t complain because nice girls don’t do that. Don’t try to be something women shouldn’t be. Don’t wear that, don’t go there, don’t think that, don’t earn too much. It’s not right somehow, we can’t explain why, stop asking. We can all buy into sexism from time to time, often without even noticing it. Most of us try to keep an eye out for those moments and avoid them or, when we do misstep, apologize and do better next time. Misogyny is something darker. It’s rage. Disgust. Hatred. It’s what happens when a woman turns down a guy at a bar and he switches from charming to scary. Or when a woman gets a job that a man wanted and instead of shaking her hand and wishing her well, he calls her a bitch and vows to do everything he can to make sure she fails. Both sexism and misogyny are endemic in America. If you need convincing, just look at the YouTube comments or Twitter replies when a woman dares to voice a political opinion or even just share an anecdote from her own lived experience. People hiding in the shadows step forward just far enough to rip her apart. Sexism in particular can be so pervasive, we stop seeing it. It reminds me of the opening anecdote from author David Foster Wallace’s 2005 commencement speech at Kenyon College. Two young fish are swimming along. They meet an older fish swimming the other way, who nods at them and says, “Morning, boys, how’s the water?” The two young fish swim on for a bit, until one looks at the other and asks, “What’s water?” “In other words,” Wallace said, “the most obvious realities are often the ones that are the hardest to see and talk about.
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Hillary Rodham Clinton (What Happened)
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One time I told her that she reminded me of that charming tale, the one with the red shoes."
Helen had always hated that story, in which a little girl who had dared to wear red shoes to her confirmation had been doomed to dance in them until she died. "You're referring to the one by Hans Christian Andersen? It's a morality tale about the wages of sin, is it not?"
His smile faded, and his gaze returned to hers, now appraising rather than dismissive. "I confess, I don't recall the moral of the story."
"No doubt it's been a long time since you've read it." Helen made her face into the inscrutable mask that had always annoyed the twins and provoked them to call her a sphinx. "The red shoes become instruments of death, after a girl yields to temptation.
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Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
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Baltsaros, what have you done? he thought weakly. Run and find me. Run and find me. Run. Jon felt dizzy, the two images of the captain overlapping: one charming and gentle, the other a blood-thirsty murderer. He let out a slow breath, his pulse thrumming in his ears. The monster holding his arms stared at him while the seconds ticked by. Baltsaros was crazy. Tom knew it and had hid the captain’s insanity from him. Jon had to get away, now. Before it was too late. Before Baltsaros finished the job he had started the night they passed the spires. Before he went crazy himself. He had to go. Had to. Jon didn’t move. He simply closed his eyes. The captain loosened his grip on Jon’s arms, and his fingers stroked Jon’s skin softly. He turned Jon’s forearms in his hands and laughed quietly. Jon let out a small gasp as the captain ran a fingertip along the fresh knife wound. “I’m not crazy, Jon,” whispered Baltsaros. The captain touched the healed scar on the inside of Jon’s other forearm, the one that had been made in a tiny room above a tavern half a world away. “You believe in blood magic too, after all.” Jon’s eyes snapped open, and he growled at Baltsaros. “Don’t you dare equate the pact we made with your damned perversions.” He yanked his arms out of Baltsaros’s grasp and pulled himself backwards on the bed.
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Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
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In 1937, [James Laver] wrote that the same costume will be Indecent ten years before its time, Shameless five years before its time, Outre (daring) one year before its time, Smart - (in the present day), Dowdy one year after its time, hideous ten years after its time, Ridiculous twenty years after its time, Charming 70 years after its time, Romantic 100 years after its time, beautiful 150 years after its time.
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Paul Baker (Camp!: The Story of the Attitude that Conquered the World)
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Enthusiastic? You?”
Raising a single eyebrow, he countered, “I can be charming.”
“Yeah, okay.” I scoffed.
“You doubt me?” Those blue eyes were daring me to argue.
“Liam, husband of mine, the day you are charming is the day that pigs grow wings and fly.”
“Are you done yet? Tell me about your project.
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Siena Trap (Playing Pretend with the Prince (The Remington Royals, #2))
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This angry, violent man comes out only to protect what he cares deeply for, I realize. Nobody saw past his charming mask as the CEO of Creighton Technologies. Anyone daring to dig deeper they’d find that cold, calculated man who would stop at nothing to get what he wanted. And past that… Is a boy wounded from his father’s tyranny. A man willing to sacrifice himself. Even for someone like me.
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Kia Carrington-Russell (Fractured Obsession (Insidious Obsession #2))
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For by what manner of right did Xerxes march against Greece, or his father against Scythia? Or take the countless other cases of the sort that one might mention. Why, surely these men follow nature—the nature of right—in acting thus; yes, on my soul, and follow the law of nature[nomos phuseos]—though not that, I dare say, which is made by us; we mold the best and strongest amongst us, taking them from their infancy like young lions, and utterly enthrall them by our spells and witchcraft, telling them the while that they must have but their equal share, and that this is what is fair and just. But, I fancy, when some man [aner] arises with enough nature [hikanen phusin], he shakes off all that we have taught him, bursts his bonds, and breaks free; he tramples underfoot our codes and juggleries, our charms and “laws,” which are all against nature; our slave rises in revolt and shows himself [epanastas anephane] our master, and there shines [exelampse] out the full light of the right by nature [tes phuseos dikaion].
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Costin Alamariu (Selective Breeding and the Birth of Philosophy)
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I thought you didn’t want to be a wallflower,” he says.
And that’s it. I explode into a million embarrassed pieces. I bury myself underneath the vineyard to be remembered forever, I—
“I like your list,” he says, breaking me out of my thoughts of complete and utter mortification.
“Don’t—don’t you dare tell anyone about it!”
He frowns as if I’ve said something stupid.
No way. Is it too late? Has he posted an Instagram Story about my list, laughing about the weird things his once-childhood best friend does?
Then he says, “Why would I do that?”
As if it’s simple. As if he hasn’t spent the last five years ignoring my existence. As if he has some sort of loyalty to me, though I know he never did. We were friends once upon a time, like a twisted fairy tale, until it was more convenient to drop me and focus on CharmWorks instead. To be liked and popular, to become somebody who people remember at school, to no longer be invisible.
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Julie Abe (The Charmed List)
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And please, you know you’re cute.”
Jack raises an eyebrow, his eyes seeing only me, not looking anywhere else.
And, somehow, I don’t feel like a wallflower, not with the way he looks at me. The rest of the world might not know I’m here, but he does.
He does.
We’re so close it feels like each breath alone is a dare, an impossible hurdle we’re both overcoming. In, out. In, out.
“Me, cute?” He steps closer, eyes glittering. His hand brushes against my fingers, leaving a blazing trail of gooseflesh. And it’s like I’ve forgotten how to breathe. In, in, hold, hold, hold—
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Julie Abe (The Charmed List)
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The fact that our ears are invisible to us is a sure sign of the Creator's genius', says Doc Ranee.
'Or a sign that she hates us all,' says you.
Dr. Ranee shakes her head. She tells you the ears are karmic fingerprints and that your 'meat-cloak' is littered with clues to previous lives. The suliya on your head, the ratios of your toes, the patterns on your skin, the angles of your teeth, the bounce of your gait. There are reasons even the most journeyman of charm makers include hair or nails or teeth or blood in their huniyam curses.
You are dragged along towards the lift shaft. Moses holds his staff to the wind. He-Man glares as if daring you to run. The wind has grown to a gale and roars like a cornered beast. 'If you want answers,' shouts Dr Ranee over it. 'To find the "Whoever" behind it all. First find the "whoever" between your ears.'
You rise up through the shaft, amidst spirits floating in many directions. Floor after floor passes you by. If you were keeping track of the levels, you would count Forty-Two.
'It is difficult to know God's face. When you do not even know your own,' she says.
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Almeida maali
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The Lady caught sight of herself in a window, a creature all glittering and unnatural, corset putting the soft curves of her breasts on display and making her waist look smaller than it was. It seemed as if passing the door into the front of the house would make everything real. She had felt daring, letting Pain recolor her hair pink, donning Mistress Charm’s dazzling clothes. It had been easy to be daring in private.
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Sara A. Mueller (The Bone Orchard)