Dare To Jump Quotes

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You have to understand that when one is just standing there looking, then just for a second one is ready to jump. If one does it, one dares to do it. But if one waits, it’ll never happen.
Fredrik Backman (Britt-Marie Was Here)
I dare say it is rather hard to be a rat,” she mused. “Nobody likes you. People jump and run away and scream out: ‘Oh, a horrid rat!’ I shouldn’t like people to scream and jump and say: ‘Oh, a horrid Sara!’ the moment they saw me, and set traps for me, and pretend they were dinner. It’s so different to be a sparrow. But nobody asked this rat if he wanted to be a rat when he was made. Nobody said: ‘Wouldn’t you rather be a sparrow?
Frances Hodgson Burnett (A Little Princess)
See, there were these two guys in a lunatic asylum... and one night, one night they decide they don't like living in an asylum any more. They decide they're going to escape! So, like, they get up onto the roof, and there, just across this narrow gap, they see the rooftops of the town, stretching away in the moon light... stretching away to freedom. Now, the first guy, he jumps right across with no problem. But his friend, his friend didn't dare make the leap. Y'see... Y'see, he's afraid of falling. So then, the first guy has an idea... He says 'Hey! I have my flashlight with me! I'll shine it across the gap between the buildings. You can walk along the beam and join me!' B-but the second guy just shakes his head. He suh-says... He says 'Wh-what do you think I am? Crazy? You'd turn it off when I was half way across!
Alan Moore (Batman: The Killing Joke)
Old men tend to forget what thought was like in their youth; they forget the quickness of the mental jump, the daring of the youthful intuition, the agility of the fresh insight. They become accustomed to the more plodding varieties of reason, and because this is more than made up by the accumulation of experience, old men think themselves wiser than the young.
Isaac Asimov (Pebble in the Sky (Galactic Empire, #3))
Danger comes in many forms, I suppose. For some people, it might be jumping off a bridge or climbing impossible moutains. For others, it could be a tawdry love affair or telling off a mean-looking bus driver because he doesn't like to stop for noisy teenagers. It could be cheating at cards or eating a peanut even though you're allergic. For me, danger might be getting out from the protective cloak of my family and venturing into the world more of my own, even though I don't know what- or who- awaits me.
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
Oh, Lord. Now he was not only an impoverished orphan, but an impoverished, unloved orphan with a passion for books. Her every feminine impulse jumped to attention.
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
I see the daring girl rise to the surface. She’s feeling like she can take on the world, conquer anything including an ex-boyfriend. She’s ready to jump. And I’m ready to catch her.
M. Leighton (Down to You (The Bad Boys, #1))
The only reason I can’t jump in and engage life is that I’ve told myself I can’t. Yet I can’t helping wondering would happen if I told myself I could?
Craig D. Lounsbrough
The frog atop the stack of coins dares not jump.
Steven Erikson (Midnight Tides (Malazan Book of the Fallen, #5))
Congratulations, he said. "That was the stupidest thing I've ever seen." His expression was a mix of awe and disbelief. "Ever.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
O for a Muse of fire, that would ascend The brightest heaven of invention, A kingdom for a stage, princes to act And monarchs to behold the swelling scene! Then should the warlike Harry, like himself, Assume the port of Mars; and at his heels, Leash'd in like hounds, should famine, sword and fire Crouch for employment. But pardon, and gentles all, The flat unraised spirits that have dared On this unworthy scaffold to bring forth So great an object: can this cockpit hold The vasty fields of France? or may we cram Within this wooden O the very casques That did affright the air at Agincourt? O, pardon! since a crooked figure may Attest in little place a million; And let us, ciphers to this great accompt, On your imaginary forces work. Suppose within the girdle of these walls Are now confined two mighty monarchies, Whose high upreared and abutting fronts The perilous narrow ocean parts asunder: Piece out our imperfections with your thoughts; Into a thousand parts divide on man, And make imaginary puissance; Think when we talk of horses, that you see them Printing their proud hoofs i' the receiving earth; For 'tis your thoughts that now must deck our kings, Carry them here and there; jumping o'er times, Turning the accomplishment of many years Into an hour-glass: for the which supply, Admit me Chorus to this history; Who prologue-like your humble patience pray, Gently to hear, kindly to judge, our play.
William Shakespeare (Henry V)
The mind is the athlete; the body is simply the means it uses to run faster or longer, jump higher, shoot straighter, kick better, swim harder, hit further, or box better. Hoppie's dictum to me, "First with the head and then with the heart," was more than simply mixing brains with guts. It meant thinking well beyond the powers of normal concentration and then daring your courage to follow your thoughts.
Bryce Courtenay (The Power of One (The Power of One, #1))
Well, well, well,” Santa said once the elf had retreated. “Come and sit on my lap, little boy.” This Santa’s beard was real, and so was his hair. He wasn’t fucking around. “I’m not really a little boy,” I pointed out. “Get on my lap, then, big boy.” I walked up to him. There wasn’t much lap under his belly. And even though he tried to disguise it, as I went up there, I swear he adjusted his crotch. “Ho ho ho!” he chortled. I sat gingerly on his knee, like it was a subway seat with gum on it. “Have you been a good little boy this year?” he asked. I didn’t feel that I was the right person to determine my own goodness or badness, but in the interest of speeding along this encounter, I said yes. He actually wobbled with joy. “Good! Good! Then what can I bring you this Christmas?” I thought it was obvious. “A message from Lily,” I said. “That’s what I want for Christmas. But I want it right now.” “So impatient!” Santa lowered his voice and whispered in my ear. “But Santa does have a little something for you”—he shifted a little in his seat—“right under his coat. If you want to have your present, you’ll have to rub Santa’s belly.” “What?” I asked. He gestured with his eyes down to his stomach. “Go ahead.” I looked closely and saw the faint outline of an envelope beneath his red velvet coat. “You know you want it,” he whispered. The only way I could survive this was to think of it as the dare it was. Fuck off, Lily. You can’t intimidate me. I reached right under Santa’s coat. To my horror, I found he wasn’t wearing anything underneath. It was hot, sweaty, Geshy, hairy … and his belly was this massive obstacle, blocking me from the envelope. I had to lean over to angle my arm in order to reach it, the whole time having Santa laugh, “Oh ho ho, ho ho oh ho!” in my ear. I heard the elf scream, “What the hell!” and various parents start to shriek. Yes, I was feeling up Santa. And now the corner of the envelope was in my hand. He tried to jiggle it away from me, but I held tight and yanked it out, pulling some of his white belly hair with me. “OW ho ho!” he cried. I jumped o1 his lap. “Security’s here!” the elf proclaimed. The letter was in my hand, damp but intact. “He touched Santa!” a young child squealed.
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
I dare say it is rather hard to be a rat," she mused. "Nobody likes you. People jump and run away and scream out, 'Oh, a horrid rat!' I shouldn't like people to scream and jump and say, 'Oh, a horrid Sara!' the moment they saw me. And set traps for me, and pretend they were dinner.
Frances Hodgson Burnett (A Little Princess)
That's what a dare does. It taunts you to take a different direction, to do something you never thought you could do, to jump, knowing that a million consequences could be on the other side of that dare, but that if you don't do it, you'll always wonder. And sometimes wondering is worse than consequences.
Rebekah Crane (The Upside of Falling Down)
Like dogs and lions, small children can sense fear. The slightest flinch, the slightest disinclination, and they will jump atop you and devour you.
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
We dare to jump so we can see something new. And sometimes we do it to recover a sense of what we once had.
Bonnie Tsui (Why We Swim)
Spontaneity is overrated. Movies and television shows would like us to believe that life is better for party goers who dare to jump into pools with their clothes on. But behind the scenes, it's all carefully scripted. The water is the right temperature. Lighting and angles are carefully considered. Dialogue is memorized. And that's why it's so appealing - because someone carefully planned it all. Once you realize this, life gets a whole lot simpler.
Jenn Bennett (Starry Eyes)
He smiled without his teeth. Small, shyly. I found myself smiling back. Like an impulse Then he ruined it by saying… "You're not like other girls, are you?" And I activated. Every single emotion I'd been squashing into my guts exploded like a burst appendix. I jumped off the bed and turned to him with a scowl I was sure he'd need permanent therapy to recover from. "Are you kidding me Harry?" "Woah Audrey. Hey, hey, hey. It's a compliment." I felt like screaming. "It's NOT a compliment. I threw my arms up, any motion to get rid of the rage pulsing through me. It's an insult to every single woman on this PLANET. Don't you DARE try and pull that shit on me. "What shit?!" Harry was stupid enough to ask. "I was saying something nice…" I shook my head so hard. "No, you were saying something clichéd and UNTRUE. I AM like other girls, Harry. Don't misinterpret my hatred of romance as some kooky, laid-back, manic pixie NONSENSE. I am DAMAGED. I am not CUTE. I am emotionally-fucking-traumatised right now, okay? I am screaming on the inside. I am too angry and messed up to contain all the stuff girls spend every day containing. That's why I seem different. That is NOT sexy.
Holly Bourne (It Only Happens in the Movies)
Sally picked up her suitcase and began carrying it toward the open window. "Put the suitcase down, step away from it slowly, and nobody gets hurt," Jen ground out as she came out of the closet. "I'm sorry, Jen, but I can't let you leave. So I'll risk your wrath and do whatever it takes to keep your cranky, sulky, continually pissed off butt in Romania." Jen took a step towards Sally and the suitcase that was now teetering dangerously on the ledge of the open window. "Back the hell off, Jennifer Adams." Sally tilted the suitcase back as if to let it fall. Jen continued to take slow, measured steps towards Sally, thinking that her usually mild mannered friend wouldn't dare let go of the suitcase…She was wrong, so very wrong. Sally didn't just let go of the suitcase, she gave it a huge shove just as Jen lunged to grab it. Sally jumped back, slapping her hands over her mouth. She was nearly as surprised with herself as Jen was. "What…how… why," Jen sputtered as she stared at Sally incredulously. "You bitch," she finally managed to spit out.
Quinn Loftis (Just One Drop (The Grey Wolves, #3))
And indeed there will be time To wonder, 'Do I shed?' and, 'Do I shed?' Time to turn back and stretch out on the bed, And give myself a bath before I'm fed -- (They will say: 'It's the short-haired ones I prefer.') My flea collar buckled neatly in my fur, My expression cool and distant but softened by a gentle purr -- (They will say: 'I'm allergic to his fur!') Do I dare Jump up on the table? In an instant there is time For excursions and inversions that will make me seem unstable." (From The Love Song of J. Morris Housecat)
Henry N. Beard (Poetry for Cats: The Definitive Anthology of Distinguished Feline Verse)
She quirks one eyebrow and smiles. I see the daring girl rise to the surface. She’s feeling like she can take on the world, conquer anything including an ex-boyfriend. She’s ready to jump. And I’m ready to catch her.
M. Leighton (Down to You (The Bad Boys, #1))
I jumped up and "casually" strolled a bit closer. I blinked my eyes in the sun. It couldn't be, could it? But it was. Gabe. ... "You know, if you're going to stalk someone, you should be less obvious." I wheeled around. It was Todd. He'd snuck up on me. He said, "For starters, try not to standing in the middle of a field, gawking at your prey." I kicked at a dusty clump of grass. "Gawking? I... I'm... not gawking. I was just watching your girlfired putting the moves on someone else. Jealous?" "Oh Gabe Webber?" Todd laughed. "Uh...no." I shielded my eyes from the sun. "Why? What's wrong with Gabe Webber?" "Nothing. As in, there's nothing there. He has the personality of dry toast." How dare he insult my Gabe? "Oh yes. I forgot. You prefer the company of assholes and jerks. As they say, 'Birds of a feather...'" "That must be why you hang around.
Kristin Walker (A Match Made in High School)
[I] threw open the door to find Rob sit­ting on the low stool in front of my book­case, sur­round­ed by card­board box­es. He was seal­ing the last one up with tape and string. There were eight box­es - eight box­es of my books bound up and ready for the base­ment! "He looked up and said, 'Hel­lo, dar­ling. Don't mind the mess, the care­tak­er said he'd help me car­ry these down to the base­ment.' He nod­ded to­wards my book­shelves and said, 'Don't they look won­der­ful?' "Well, there were no words! I was too ap­palled to speak. Sid­ney, ev­ery sin­gle shelf - where my books had stood - was filled with ath­let­ic tro­phies: sil­ver cups, gold cups, blue rosettes, red rib­bons. There were awards for ev­ery game that could pos­si­bly be played with a wood­en ob­ject: crick­et bats, squash rac­quets, ten­nis rac­quets, oars, golf clubs, ping-​pong bats, bows and ar­rows, snook­er cues, lacrosse sticks, hock­ey sticks and po­lo mal­lets. There were stat­ues for ev­ery­thing a man could jump over, ei­ther by him­self or on a horse. Next came the framed cer­tificates - for shoot­ing the most birds on such and such a date, for First Place in run­ning races, for Last Man Stand­ing in some filthy tug of war against Scot­land. "All I could do was scream, 'How dare you! What have you DONE?! Put my books back!' "Well, that's how it start­ed. Even­tu­al­ly, I said some­thing to the ef­fect that I could nev­er mar­ry a man whose idea of bliss was to strike out at lit­tle balls and lit­tle birds. Rob coun­tered with re­marks about damned blue­stock­ings and shrews. And it all de­gen­er­at­ed from there - the on­ly thought we prob­ably had in com­mon was, What the hell have we talked about for the last four months? What, in­deed? He huffed and puffed and snort­ed and left. And I un­packed my books.
Annie Barrows (The Guernsey Literary and Potato Peel Pie Society)
So I don’t know why you’re trying to talk yourself out of it now. The hard stuff is over. You dumped the groom, ran out on your wedding reception, and jumped on the back of a Harley in your slip. Then you got drunk and flew to Puerto Rico with your best friend’s older brother, who, incidentally, thinks you look smoking hot. Who’s got more balls than you?
Christine Bell (Down for the Count (Dare Me, #1))
She'd said jump, he'd said how high, and he'd never once thought of saying no to her. Trust seemed such a simple word for the strength of the bond they had shared.
Kate Lattey (Dare to Dream (Dare to Dream, #1))
For the one who feared the fall but dared to jump anyway. This one is for you.
Meagan Brandy (Say You Swear (Boys of Avix, #1))
If you didn’t let a man mean too much, you wouldn’t be too hurt when he went away. But that didn’t mean you had to stop living too. Even if you didn’t jump off a cliff there were other ways to end life.
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
Rikki-tikki had a right to be proud of himself. But he did not grow too proud, and he kept that garden as a mongoose should keep it, with tooth and jump and spring and bite, till never a cobra dared show its head inside the walls.
Rudyard Kipling (Rikki-Tikki-Tavi)
The Los Angeles parade would begin in Griffith Park, where a large crowd would assemble and the speeches would be given. Every politician of consequence would be there. There was no way they would miss a chance to publicly praise the troops and honor those who had lost their lives in service. Some of the tributes would be sincere and heartfelt, and some less so. But participating in the event, vowing undying support for the U.S. military, was an absolute must to maintain political viability. It was okay to vote to cut funds for veterans' healthcare, but don't dare miss a chance to jump on the Memorial Day bandwagon.
David Rosenfelt (Unleashed (Andy Carpenter, #11))
There is difference between knowing something and knowing "about" something. To know tea, you have to drink it. To know "about" it, you can google information and write essays or books on it. Tragedy is that most people just want to know "about" God. Those who dare to jump from the boat of knowledge and dive into nothingness are very very few.
Shunya
She could be a siren; I painted her on the water in my mind, her hair splayed across the surface, eyes daring the viewer to jump in. Would she save them? Save me? Did I want her to?
Deanna Grey (Outdrawn)
Why do we remember the Boys of Summer? We remember because we were young when they were, of course. But more, we remember because we feel the ache of guilt and regret. While they were running, jumping, leaping, we were slouched behind typewriters, smoking and drinking, pretending to some mystic communion with men we didn't really know or like. Men from ghettos we didn't dare visit, or rural farms we passed at sixty miles an hour. Loving what they did on the field, we could forget how superior we felt towards them the rest of the time. By cheering them on we proved we had nothing to do with the injustices that kept their lives separate from ours. There's nothing sordid or false about the Boys of Summer. Only our memories smell like sweaty jockstraps.
Roger Kahn (The Boys of Summer)
There’s a difference between jumping off a cliff and having fun. Once you jump off a cliff, there’s no undoing it, there’s no stopping mid-air. But having the kind of fun that seems daring and embarrassing in front of strangers requires a special bravery.’ “What am I going to do without you?” ‘This loaded question is the reason I didn’t want anyone to know I was dying. There are questions I can’t answer. I cannot tell you how you will survive without me. I cannot tell you how to mourn me. I cannot convince you to not feel guilty if you forget the anniversary of my death, or if you realise days or weeks or months have gone by without thinking about me. I just want you to live.
Adam Silvera (They Both Die at the End (Death-Cast, #1))
The Devil's Rose You would never take a rose from a beast. If his callous hand were to hold out a scarlet flower, his grip unaffected by pricking thorns, you would shrink from the gift and refuse it. I know that is what you would do. But the cunning beast will have his beauty. He hunts not in hopeless pursuit, for fear would have you sprint all the day long. Thus, he turns toward the shadows and clutches the rosebud, crunching and twisting until every delicate petal is detached. One falls not far from your feet, and you notice the red spot in the snow. The color sparkles in the sunlight, catching your curious eye. No beast stands in sight; there is nothing to fear, so you dare retrieve the lone petal. The touch of temptation is velvet against your thumb. It carries a scent you bring to your nose, and both eyes close to float on a cloud of perfume. As your lashes lift, another scarlet drop stains the snow at a near distance. A glance around perceives no danger, and so your footprints scar the snowflakes to retrieve another rosy leaflet as soft and sweet as the first. Your eyes shine with flecks of golden greed at the discovery of more discarded petals, and you blame the wind for scattering them mere footprints apart. All you want is a few, so you step and snatch, step and snatch, step and snatch. Soon, there is enough velvet to rub against your cheek like a silken kerchief. Your collection of one-plus-one-more reeks of floral essence. Distracted, you jump at the sight of the beast in your path. He stands before his lair, grinning without love. His callous hands grip at thorns on a single naked stem, and you look down at your own hands that now cup his rose. But how can it be? You would never take a rose from a beast. You would shrink from the gift and refuse it. He knows that is what you would do.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
Dain could hardly contain his excitement as he jumped from his horse and gazed at the wonder before him. "I may very well be the only member of my party not wearing a frown, but this... I dare anyone to condemn my smile.
Nicole Sager (Cleftlocke (Companions of Arcrea, #3))
The power of one is above all things the power to believe in yourself, often well beyond any latent ability you may have previously demonstrated. The mind is the athlete; the body is simply the means it uses to run faster or longer, jump higher, shoot straighter, kick better, swim harder, hit further, or box better. Hoppie's dictum to me, "First with the head and then with the heart," was more than simply mixing brains with guts. It meant thinking well beyond the powers of normal concentration and then daring your courage to follow your thoughts.
Bryce Courtenay (The Power of One (The Power of One, #1))
If you don't follow through on your creative ideas, someone else will pick them up and use them. When you get an idea of this sort, you should jump in with both feet, not just stick your toe in the water… Be daring, be fearless, and don't be afraid that somebody is going to criticize you or laugh at you. If your ego is not involved no-one can hurt you.
Guru R.H.H.
Well, good night," he said cheerfully. "Thanks for dinner." "Oh. Right." I took a half step back toward the house. "You're welcome." "Ella." "Yeah?" "You've gotta be kidding." PECo hadn't some yet, so it was pretty dark where we were standing. I don't know how his hand found mine so fast, but one second I was thinking about how much I didn't want to say good night, and the next I was up against his chest, standing on my toes with my feet between his. "Is this okay?" he asked, his breath chocolaty and warm against my forehead. "Yeah," I answered, my own breath coming in quick little jumps. "Yeah." "Good.I have something I have to tell you." I waited. "I hate that Klimt painting," he said. "I really hate it." Then he was folding me into his coat and his face was right above mine, and there was only one kiss that mattered.
Melissa Jensen (The Fine Art of Truth or Dare)
The further he raided, the closer he came to the other rooms. Those unused, cobwebbed chambers of her heart. Would he dare to venture there? She doubted. Jumping off a cliff was a flashy sort of courage, but a man would need true strength and valor to break through those padlocked doors. There were dark, uncharted spaces within her that had been built to house love, and even she was afraid to explore them. Terrified to learn just how vast and how achingly empty they truly were.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
It's moments like this, when you need someone the most, that your world seems smallest. I'm told there's no going back. So I’m choosing forward The exhaustion of living was just too much for me to talk any longer It still might be a shock. To realize you are just one story walking among millions Why is it so much easier to talk to a stranger? Why do we feel we need that disconnect in order to connect? I had done it. I had embraced danger. The experience might have been an epic disaster, but it was still…an experience We are reading the story of our lives/ as though we were in it, /as though we had written it Like dogs and lions, small children can sense fear. The slightest flinch, the slightest disinclination, and they will jump atop you and devour you I might have liked to share a dance with you. If I may be so bold to say In a field, I am the absence of field. In a crowd, I am the absence of crowd. In a dream, I am the absence of dream. But I don’t want to live as an absence. I move to keep things whole. Because sometimes I feel drunk on positivity. Sometimes I feel amazement at the tangle of words and lives, and I want to be a part of that tangle…It’s only a game if there is an absence of meaning. And we’ve already gone too far for that You restore my faith in humanity Do you want to go get coffee or something tomorrow and discuss and analyze the situation at length? Let’s just wander and see what happens It was rather awkward, insofar as we were both teetering between the possibility of something and the possibility of nothing. Fate has a strange way of making plans I love a man who doesn’t let go of the leash, even when it leads him to ruin
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
Our textbooks were ridiculous propaganda. The first English sentence we learned was "Long live Chairman Mao!" But no one dared to explain the sentence grammatically. In Chinese the term for the optative mood, expressing a wish or desire, means 'something unreal." In 1966 a lecturer at Sichuan University had been beaten up for 'having the audacity to suggest that "Long live Chairman Mao!" was unreal!" One chapter was about a model youth hero who had drowned after jumping into a flood to save an electricity pole because the pole would be used to carry the word of Mao. With great difficulty, I managed to borrow some English language textbooks published before the Cultural Revolution from lecturers in my department and from Jin-ming, who sent me books from his university by post. These contained extracts from writers like Jane Austen, Charles Dickens, and Oscar Wilde, and stories from European and American history. They were a joy to read, but much of my energy went toward finding them and then trying to keep them. Whenever someone approached, I would quickly cover the books with a newspaper. This was only partly because of their 'bourgeois' content. It was also important not to appear to be studying too conscientiously, and not to arouse my fellow students' jealousy by reading something far beyond them. Although we were studying English, and were paid par fly for our propaganda value by the government to do this, we must not be seen to be too devoted to our subject: that was considered being 'white and expert." In the mad logic of the day, being good at one's profession ('expert') was automatically equated with being politically unreliable ('white').
Jung Chang (Wild Swans: Three Daughters of China)
I woke up this morning exhausted from hiding the me of me. So I stand here confiding there's more to Devon than jump shot and rim. I'm more than tall and lengthy of limb. I dare you to peep behind these eyes, discover the poet in tough-guy disguise. Don't call me Jump Shot. My name is surprise.
Nikki Grimes (Bronx Masquerade)
I buy us hot dogs and try not to watch Emma eat hers. I’m must full of great ideas these days. Yeah, buy her some phallic food and dare your dick not to jump. What a fun game this is. In fact, why stop here? I’m sure she could go for a banana or, better yet, a Popsicle. Shit, what the hell is wrong with me?
M.K. Schiller (The Scars Between Us)
This man. He kept showing me how perfect he was. Kept unveiling all these beautiful parts of him that made me giddy and dizzy and hungry for more. But I still felt like I was standing on the edge of a cliff, looking down at an ocean that whirled in the same deep blue that colored his eyes. Would I dare to jump?
Elena Armas (The Spanish Love Deception (Love Deception, #1))
Get the fuck out of my face, Jim." He pushed Rock backwards, fury filling him. "Don't you dare lecture me, you sorry son of a bitch! I have lived out here in this goddamned place without decent iced tea for years. Lived where I couldn't fucking touch you when I wanted to, where I can't even pretend to be your fuckbuddy, much less your lover. Then I'm out with fucking girls so that I could do the one thing I've never once done with you and MARINES jump me because I'm queer!
Sean Michael
He released her arm and crossed his own over his chest. "I'm trying not to jump to conclusions. Spit it out." "I'm more of a swallowing kind of a girl." Holy hell.
Katee Robert (Seducing the Bridesmaid (Wedding Dare, #3))
You’re being absurd.” He rose to his feet, pacing away. “There are fleas that jump from dog to dog with greater difficulty than your mind leaps from one conclusion to the next.
Tessa Dare (Do You Want to Start a Scandal (Spindle Cove, #5; Castles Ever After, #4))
He spent his entire life looking for a jump-on-the-hand-grenade moment. I just never thought he’d pull the pin himself.
Vincent H. O'Neil (A Pause in the Perpetual Rotation (The Unused Path))
The norms of femininity suppress the body potential of women. We grow up learning that the feminine body is soft, not muscular, passive, incapable, vulnerable. Our parents, teachers and friends suppress our natural urges to run, jump, risk, by cries that we should not act so boldly and move so daringly. . . . Developing a sense of our bodies as beautiful objects to be gazed at and decorated requires suppressing a sense of our bodies as strong, active subjects moving out to meet the world's risk and confront the resistances of matter and motion.
Iris Young
Queen Lily Ruckler, negotiations have ceased with the Commoner leaders of the world. The time for attempting peace is over. There is no other viable option. Mystical-Commoner World War II has been officially declared. Strike now. My heartfelt regrets, Elder Richard Harcourt.” I lowered the missive while Bonnie jumped onto the table, sitting regally but watching everyone warily in front of where I stood, and I stated, “We’re officially at war. I want to strike Sydney’s defenses within the hour, before they realize what’s happening.” My dead gaze landed on Antonio. I blinked, and then moved on to every gentleman and lady in the room, letting my power touch each of them so that no one would dare argue with me. “I will lead the attack alongside Elder Farrar.” I did. I relished it, my rage finally finding a useful outlet. Surprise, surprise, I fucking finally found something I excelled at. Bloodshed.
Scarlett Dawn (King Hall (Forever Evermore, #1))
  Peering sideways at the dude, he seethed in silence when he saw the amused expression on his face. The muthafucka was laughing at him, daring him to jump bad. They locked eyes for a moment before Greg dropped his and looked away.
S.K. Hardy (Shadows of Deceit (Sin City Heat, #5))
Noah held his hand out. She accepted it - it was bone-cold, as always - and together they turned to face the huge room. Noah took a deep breath as if they were preparing to explore the jungle instead of stepping deeper into Monmouth Manufacturing. It seemed bigger with just the two of them there. The cobwebbed ceiling soared, dust motes making mobiles overhead. They turned their heads sideways and read the titles of the books aloud. Blue peered at Henrietta through the telescope. Noah daringly reattached one of the broken miniature roofs on Gansey's scale town. They went through the fridge tucked in the bathroom. Blue selected a soda. Noah took a plastic spoon. He chewed on it as Blue fed Chainsaw a leftover hamburger. They closed Ronan's door - if Gansey still managed to inhabit the rest of the apartment, Ronan's presence was still decidedly pervasive in his room. Noah showed Blue his room. They jumped on his perfectly made bed and then they played a bad game of pool. Noah lounged on the new sofa while Blue persuaded the old record player to play an LP too clever to interest either of them. They opened all the drawers on the desk in the main room. One of Gansey's EpiPens bounced against the interior of the topmost drawer as Blue withdrew a fancy pen. She copied Gansey's blocky handwriting onto a Nino's receipt as Noah put on a preppy sweater he'd found balled under the desk. She ate a mint leaf and breathed on Noah's face. Crouching, they crab-walked along the aerial printout Gansey had spread the length of the room. He'd jotted enigmatic notes to himself all along the margin of it. Some of them were coordinates. Some of them were explanations of topography. Some of them were Beatles lyrics.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
The big rule in lifeguarding is to utilize any means possible before you actually jump in and try to pull someone out of the water. Even though you’re a strong swimmer and the person you’re trying to help is half your size, a desperate person will do anything to save themselves—to grab a breath—including drowning you in their effort to survive. The same is true for women and the shame web. We’re so desperate to get out and stay out of shame that we’re constantly serving up the people around us as more deserving prey.
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
The power of one is above all things the power to believe in yourself, often well beyond any latent ability you may have previously demonstrated. The mind is the athlete; the body is simply the means it uses to run faster or longer, jump higher, shoot straighter, kick better, swim harder, hit further or box better. Hoppie’s dictum to me: ‘First with the head and then with heart’ was more than simply mixing brains with guts. It meant thinking well beyond the powers of normal concentration and then daring your courage to follow your thoughts.
Bryce Courtenay (The Power of One)
Before I could retrieve the bullet off the floor, Helsing jumped down, grabbed it in his mouth, and raced to tuck it under the purple pillow in his bed, where he also kept Gloria’s feathers. Then he crouched, glowering, as if daring any of us to take it away. Great. My cat was a hoarder.
A. Kirk (Drop Dead Demons (Divinicus Nex Chronicles, #2))
I was wondering where the real party was." I jumped, sending my pencil in a sharp line across the page. Alex was standing two feet away, one booted foot on my step, hands thrust into the pockets of what looked too much like Emo pants: black and tight. "Sorry," he said. "I didn't mean to surprise you." "You didn't surprise me," I gasped, left hand plastered to my chest. "You scared the crap out of me. Who raised you? Wolves?" He actually grinned. "You've met my parents. What do you think?" I wasn't going to touch that one. I just shrugged. "Why aren't you inside?" he asked after a few seconds. "It was too hot," I lied, closing my sketchbook as casually as I could. "Oppressive.Why aren't you?" "It was too...God, I don't know. Oppressive's a good word. Some fresh air seemed like a good idea." I looked past him, relieved not to see anyone else there. "All by yourself? That's...bold." His brows wen up. For a second, I thought he was going to turn around and leave. Instead,he took his hands out of his pockets and pointed at my step. "Big words for a small person. Can I sit down?" I swallowed. "Sure." He did, ending up with his elbows resting on his thighs and his right knee not quite touching mine. The silence went on just long enough to make in uncomfortable. But I wasn't going to help him with his small talk. I'm not very good at it in the best of circumstances. Sitting almost thigh to thigh with a guy who turned me into a mental pretzel was nowhere near a good circumstance.
Melissa Jensen (The Fine Art of Truth or Dare)
While Molly stood off to the side laughing, both dogs bounding around her, Priss snuggled up against Matt and got twirled right off her feet. She put her head back and laughed aloud. Her hands clung to Matt’s shoulders. Her pelvis flattened against his. Long ropes of hair wrapped in silver foil stuck out around her head. She wore a cape and she had cotton wrapped in and around her toes. For a woman set on murdering her father, she looked mighty happy. Liger was the only one to notice Trace’s entrance. The big cat jumped down from the windowsill and started his way. Chris and Dare crowded in behind Trace. And still Trace stood there in the open doorway, frozen with some anomalous, churning emotion. Yeah, Matt was more than able to handle Priss. The son-of-a-bitch had just picked her up off her feet. Again. And again, Priss held on to him. Near his ear, Chris said, “Yeah, uh, this might be a good time to remind you that Matt is gay.” “Somehow,” Trace told him, “that’s not mattering to me much right now.” Dare said, “You never know when to quit, do you, Chris?” As Matt twirled her around, Priss laughed without reserve, and Trace wanted her so damn bad that he couldn’t see straight.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
Here, Kells. I brought you something,” he said unassumingly and held out three mangos. “Thanks. Um, dare I ask where you got them?” “Monkeys.” I stopped in mid-brush. “Monkeys? What do you mean monkeys?” “Well, monkeys don’t like tigers because tigers eat monkeys. So, when a tiger comes around, they jump up in the trees and pummel the tiger with fruit or feces. Lucky for me today they threw fruit.” I gulped. “Have you ever…eaten a monkey?” Ren grinned at me. “Well, a tiger does have to eat.” I dug a rubber band out of the backpack so I could braid my hair. “Ugh, that’s disgusting.” He laughed. “I didn’t really eat a monkey, Kells. I’m just teasing you. Monkeys are repellant. They taste like meaty tennis balls and they smell like feet.” He paused. “Now a nice juicy deer, that is delectable.” He smacked his lips together in an exaggerated way. “I don’t think I really need to hear about your hunting.” “Really? I quite enjoy hunting.” Ren froze into place. Then, almost imperceptibly, he lowered his body slowly to a crouch and balanced on the balls of his feet. He placed a hand in the grass in front of him and began to creep closer to me. He was tracking me, hunting me. His eyes locked on mine and pinned me to the spot where I was standing. He was preparing to spring. His lips were pulled back in a wide grin, which showed his brilliant white teeth. He looked…feral. He spoke in a silky, mesmerizing voice. “When you’re stalking your prey, you must freeze in place and hide, remaining that way for a long time. If you fail, your prey eludes you.” He closed the distance between us in a heartbeat. Even though I’d been watching him closely, I was startled at how fast he could move. My pulse started thumping wildly at my throat, which was where his lips now hovered as if he were going for my jugular. He brushed my hair back and moved up to my ear, whispering, “And you will go…hungry.” His words were hushed. His warm breath tickled my ear and made goose bumps fan out over my body. I turned my head slightly to look at him. His eyes had changed. They were a brighter blue than normal and were studying my face. His hand was still in my hair, and his eyes drifted down to my mouth. I suddenly had the distinct impression that this was what it felt like to be a deer. Ren was making my nervous. I blinked and swallowed dryly. His eyes darted back up to mine again. He must have sensed my apprehension because his expression changed. He removed his hand from my hair and relaxed his posture. “I’m sorry if I frightened you, Kelsey. It won’t happen again.” When he took a step back, I started breathing again. I said shakily, “Well, I don’t want to hear any more about hunting. It freaks me out. The least you could do is not tell me about it. Especially when I have to spend time with you outdoors, okay?” He laughed. “kells, we all have some animalistic tendencies. I loved hunting, even when I was young.” I shuddered. “Fine. Just keep your animalistic tendencies to yourself.” He leaned toward me again and pulled on a strand of my hair. “Now, Kells, there are some of my animalistic tendencies that you seem to like.” He started making a rumbling sound in his chest, and I realized that he was purring. “Stop that!” I sputtered. He laughed, walked over to the backpack, and picked up the fruit. “So, do you want any of this mango or not? I’ll wash it for you.” “Well, considering you carried it in your mouth all that way just for me. And taking into account the source of said fruit. Not really.” His shoulders fell, and I hurried to add, “But I guess I could eat some of the inside.” He looked up at me and smiled. “It’s not freeze-dried.” “Okay. I’ll try some.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
There is no such thing as fear until you allow it to enter your heart. If I told you what really happens to your soul when it is put to eternal sleep, you would not fear death; hence, you would never have fear — or fear Fear. But this is something I will share with you another day and time, in another story. We are taught to fear anything that can bring us closer to death — to keep us from taking huge leaps that involve risk. The only thing you should fear in this lifetime is not taking risks while you are living. I do not mean to go jump off a bridge. I mean, to go all out to reach your dreams, to dare to do things you typically would not do out of fear. Pain has a threshold and so does death. Fear neither, and never fear what has no right to be feared. Fear only the Almighty, for he is the only one who can terminate a soul forever. No man can do that. No leader can do that. Only the Creator can do that. As long as the heart is good, a soul can live forever. The body is simply a coating for the soul, and when you die, your soul takes the soul of your heart along with it. Love strengthens both, while fear cripples both. Starting today, train your mind and heart to reject fear. Once you reject fear, you will become the perfect candidate to receive and reflect Truth.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Hustling for Your Worth When people don’t understand where they’re strong and where they deliver value for the organization or even for a single effort, they hustle. And not the good kind of hustle. The kind that’s hard to be around because we are jumping in everywhere, including where we’re not strong or not needed, to prove we deserve a seat at the table. When we do not understand our value, we often exaggerate our importance in ways that are not helpful, and we consciously or unconsciously seek attention and validation of importance. We put more value on being right than on getting it right. It creates franticness instead of calm cooperation.
Brené Brown (Dare to Lead: Brave Work. Tough Conversations. Whole Hearts.)
As the day heats up, Peter convinces me to put down my French book and jump in the pool with him. The pool is crowded with little kids, no one as old as us. Steve Bledell has a pool at his house, but I wanted to come here, for old times’ sake. “Don’t you dare dunk me,” I warn. Peter starts circling me like a shark, coming closer and closer. “I’m serious!” He makes a dive for me and grabs me by the waist, but he doesn’t dunk me; he kisses me. His skin is cool and smooth against mine; so are his lips. I push him away and whisper, “Don’t kiss me--there are kids around!” “So?” “So nobody wants to see teenagers kissing in the pool where kids are trying to play. It isn’t right.” I know I sound like a priss, but I don’t care. When I was little, and there were teenagers horsing around in the pool, I always felt nervous to go in, because it was like the pool was theirs. Peter bursts out laughing. “You’re funny, Covey.” Swimming sideways, he says, “It isn’t right,” and then starts laughing again.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
But like he said, it was clean, and it was very, very cool. I told him so.He beamed. Then ordered, "Seat belt!" as he stowed our bags in the backseat. I was trying. I'd already scanned the duct-tape-patched roof in vain. The clip was where I expected it to be, next to my left hip on the bench seat.Not so the other half. "Oh,yeah.I forgot to mention it's a lap belt." He reached over me, his arm brushing against my chest, his hair just grazing my cheekbone as he pulled the belt from the crevive between the seat and the door. I caught my breath. And jumped a little when he shoved the pieces together with a loud click. "Old parts," he apologized. Quivery parts,I thought as my insides settled.Kinda.
Melissa Jensen (The Fine Art of Truth or Dare)
During those witching hours growing up in 1970s Los Angeles, I banded together with other untethered children. We dared each other to jump from my second-story bedroom window into thick ivy below. We roamed the neighborhood on our bikes, stole candy from the supermarket, and tried out the confessional box at St. Bernard’s even though we weren’t Catholic.
Andrea Jarrell (I'm the One Who Got Away)
Because really, isn’t that what power is? A middle-aged Rumpelstiltskin, jumping up and down, visibly out of breath, swinging on a chandelier, and no one daring to laugh. A grown man so cross with an oil painting of an old lady he looks as if he is about to burst the buttons off his shirt, and nobody daring to suggest he might be overreacting just a little.
Ellery Lloyd (The Club)
These women do not stop to ponder the consequences of their claims to be playing with the boys. They do not consider the full male experience, but cosplay the particular parts the system wants them to play. She works hard for the corporation. She has meaningless sex. She acts tough. She isn't afraid to fight. She then wonders why women are depressed more, committing suicide more often, and why one in four are on mental medication. Playing at just a few parts of the male role drives women to medication, drinking, and despair. It is womans ignorance of masculinity that they would ever dare to claim she was performing a father's role. No man would claim to do a mother's role, for he knows he could never be a mother. A dog may jump around and act like a cat, but it is still a dog.
Ryan Landry (Masculinity Amidst Madness)
Hubris you say, brother? Please, tell us the nature of the prince's actions against you. Let everyone know exactly how Prince Styxx offended you." Bethany Disguised as Athena "He has held himself up as a god. His arrogance and pride are an affront to us all." Apollo "Held himself up as a god? Pray tell, when was this? .... Ah, yes, I remember... It was when he dared to slay your Atlantean grandson during battle. Is that not right, brother? I'm sure, like me, you remember that day well. The Atlanteans, led to our shores by your own blood kin, were slaughtering hundreds of Greeks until the beach sands turned red from good Greek blood. The onslaught was so fierce that entire veteran regiments fled from the Atlanteans and cowered. Even the brave, noble Dorians pulled back in fear. But not Prince Styxx. He rode in like a lion and jumped from his horse to save the life of a young shield-bearer who was about to be killed by one of the Atlantean giants." Bethany/Athena Bethany swept her gaze around the people there, who were completely silent now. "And with reckless disregard for his own life and limb, this prince picked the boy up and put him on the back of his royal steed and told him to ride to safety. He spent the rest of the day fighting on foot. Not as a prince or a god, but as a mere, heroic Greek soldier." She turned back to Apollo. "His actions so enraged the Atlantean gods that they turned all of their animosity toward him. And still Prince Styxx fought on for his people, wounded, bloody, and tired. He never backed off or backed down. Not even when your own grandson almost buried his axe through the prince's skull. He hit Styxx's hoplon so hard, it splintered a portion of it off. And as Xan held the prince down, the prince, who was barely more than a child, managed to stab him through the ribs. But now that I think about it, you don't remember that day, do you, Apollo? You weren't even there when it was fought, but later that very night-
Sherrilyn Kenyon (Styxx (Dark-Hunter, #22))
How can she stand up there so tall as she’s telling us how her mother beat her and her father molested her when she was a little girl? How is it possible for her to look so proud? How is she not being consumed by shame? She should be disintegrating before our eyes. She should be struck by lightning, and God’s big, angry, booming voice should be shaking the room with “How dare you? I told you never to tell.” But that’s not her God, she says. Her God is loving and kind and wants what’s best for her. Her God loves peace and serenity and forgiveness. Her God doesn’t make her keep secrets. I thought I knew God all my life, but maybe it was some other guy the whole time. I want this God. I want Val’s God. I want a God who doesn’t make me jump through hoops and hate myself to earn his love.
Amy Reed (Clean)
She spotted Matt Holden and her eyes began to twinkle. He was a handsome devil, even at his age. His wife had died the year before, and the husky black-eyed politician with his glimmering silver hair and elegant broad-shouldered physique was now on every widow’s list of eligible. Even now, two lovely elderly society dames were attacking from both sides with expensive perfume and daring cleavage. At least one of them should have worn something high-necked, she mused, with her collarbone and skinny neck so prominent. Another pair of eyes followed her amused gaze. “Doesn’t it remind you of shark attacks?” a pleasant voice murmured in her ear. She jumped, and looked up at her companion for the evening. “Good grief, Colby, you scared me out of a year’s growth!” she burst out with a helpless laugh.
Diana Palmer (Paper Rose (Hutton & Co. #2))
[The Devil] 'The question now,' my young thinker reflected, 'is whether or not it is possible for such a period ever to come. If it does come, then everything will be resolved and mankind will finally be settled. But since, in view of man's inveterate stupidity, it may not be settled for another thousand years, anyone who already knows the truth is permitted to settle things for himself, absolutely as he wishes, on the new principles. In this sense, "everything is permitted" to him. Moreover, since God and immortality do not exist in any case, even if this period should never come, the new man is allowed to become a man-god, though it be he alone in the whole world, and of course, in this new rank, to jump lightheartedly over any former moral obstacle of the former slave-man, if need be. There is no law for God! Where God stand--there is the place of God! Where I stand, there at once will be the foremost place..."everything is permitted," and that's that!' It's all very nice; only if one wants to swindle, why, I wonder, should one also need the sanction of truth? But such is the modern little Russian man: without such a sanction, he doesn't even dare to swindle, so much does he love the truth...
Fyodor Dostoevsky (The Brothers Karamazov)
A woman named Cynthia once told me a story about the time her father had made plans to take her on a night out in San Francisco. Twelve-year-old Cynthia and her father had been planning the “date” for months. They had a whole itinerary planned down to the minute: she would attend the last hour of his presentation, and then meet him at the back of the room at about four-thirty and leave quickly before everyone tried to talk to him. They would catch a tram to Chinatown, eat Chinese food (their favourite), shop for a souvenir, see the sights for a while and then “catch a flick” as her dad liked to say. Then they would grab a taxi back to the hotel, jump in the pool for a quick swim (her dad was famous for sneaking in when the pool was closed), order a hot fudge sundae from room service, and watch the late, late show. They discussed the details over and over again before they left. The anticipation was part of the whole experience. This was all going according to plan until, as her father was leaving the convention centre, he ran into an old college friend and business associate. It had been years since they had seen each other, and Cynthia watched as they embraced enthusiastically. His friend said, in effect: “I am so glad you are doing some work with our company now. When Lois and I heard about it we thought it would be perfect. We want to invite you, and of course Cynthia, to get a spectacular seafood dinner down at the Wharf!” Cynthia’s father responded: “Bob, it’s so great to see you. Dinner at the wharf sounds great!” Cynthia was crestfallen. Her daydreams of tram rides and ice cream sundaes evaporated in an instant. Plus, she hated seafood and she could just imagine how bored she would be listening to the adults talk all night. But then her father continued: “But not tonight. Cynthia and I have a special date planned, don’t we?” He winked at Cynthia and grabbed her hand and they ran out of the door and continued with what was an unforgettable night in San Francisco. As it happens, Cynthia’s father was the management thinker Stephen R. Covey (author of The Seven Habits of Highly Effective People) who had passed away only weeks before Cynthia told me this story. So it was with deep emotion she recalled that evening in San Francisco. His simple decision “Bonded him to me forever because I knew what mattered most to him was me!” she said.5 One simple answer is we are unclear about what is essential. When this happens we become defenceless. On the other hand, when we have strong internal clarity it is almost as if we have a force field protecting us from the non-essentials coming at us from all directions. With Rosa it was her deep moral clarity that gave her unusual courage of conviction. With Stephen it was the clarity of his vision for the evening with his loving daughter. In virtually every instance, clarity about what is essential fuels us with the strength to say no to the non-essentials. Stephen R. Covey, one of the most respected and widely read business thinkers of his generation, was an Essentialist. Not only did he routinely teach Essentialist principles – like “The main thing is to keep the main thing the main thing” – to important leaders and heads of state around the world, he lived them.6 And in this moment of living them with his daughter he made a memory that literally outlasted his lifetime. Seen with some perspective, his decision seems obvious. But many in his shoes would have accepted the friend’s invitation for fear of seeming rude or ungrateful, or passing up a rare opportunity to dine with an old friend. So why is it so hard in the moment to dare to choose what is essential over what is non-essential?
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
His wings burned and he felt ashamed. This life in Italy had been a dark and ugly death for her. One of the worst. He would never stop blaming himself for the horrible way she had passed out of this life. But that was years after where Daniel stood today. This was the hospital where they'd first met, when Lucia was so young and lovely, innocent and saucy in the same breath. Here she had loved him instantly and completely. Though she was too young for Daniel to show he loved her back,he had never discouraged her affection. She used to slip her hand inside his when they strolled under the orange trees on the Piazza della Repubblica,but when he squeezed her hand,she would blush.It always made him laugh,the way she could be so bold, then suddenly turn shy.She used to tell him that she wanted to marry him someday. "You're back!" Daniel spun around. He hadn't heard the door behind him opening. Lucia jumped when she saw him. She was beaming, showing a perfect row of tiny white teeth. Her beauty took his breath away. What did she mean,he was back? Ah, this was when he'd hidden from Luce,frightened of killing her by accident. He was not allowed to reveal anything to her; she had to discover the details for herself. Was he even to hint broadly,she would simply combust. Had he stayed,she might have grilled him and perhaps forced the truth out of him...He didn't dare.
Lauren Kate (Passion (Fallen, #3))
Look,’ she said, sidling a little closer to him in the lift. ‘I understand this wasn’t what you bargained for when some cute girl at the café dared you to jump out of a plane with her. You were in it for thrills and sex and you got breast-cancer girl, her terrifying friend and her flaky mother. That’s above and beyond. And I totally get you’re here because you’d feel like some louse if you left her now, but it’s okay, she’s going to be fine, I’m going to take good care of her.
Amy Andrews
He announced himself as the archangel Gabriel, and commanded the captain to jump overboard. He published his manifesto, whereby he set himself forth as the deliverer of the isles of the sea and vicar-general of all Oceanica. The unflinching earnestness with which he declared these things;—the dark, daring play of his sleepless, excited imagination, and all the preternatural terrors of real delirium, united to invest this Gabriel in the minds of the majority of the ignorant crew, with an atmosphere of sacredness. Moreover, they were afraid of him.
Herman Melville (Moby Dick: or, the White Whale)
Debra pointed her purses lips in Max’s direction. “Overnight guests are forbidden. No exceptions.” “Did you just have the audacity to judge me?” Gina blocked the nurse’s route to the door. “Without knowing the least little thing about me?” Debra lifted an eyebrow. “Well, I have seen your underwear, dear.” “Exactly,” Gina said. “You’ve seen my underwear—not my personality profile, or my resume, or my college transcript, or—” “If you think for one second,” the nurse countered, “that anything about this situation is even remotely unique—” “That’s enough,” Max said. Gina, of course, ignored him. “I don’t just think it, I know it,” she said. “It’s unique because I’m unique, because Max is unique, because—” Debra finally laughed. “Oh, honey, you are so . . . young. Here’s a tip I don’t usually bother to tell girls like you: If I find one pair of panties on the floor, it’s only a matter of time before I find another. And I hate to break it to you, hon, but the girl who comes out of the bathroom next time, well . . . She isn’t going to be you.” “First of all,” Gina said grimly, “I’m a woman, not a girl. And second, Grandma . . . You want to bet it’s not going to be me?” “I said, that’s enough,” Max repeated, and they both turned to look at him. About time. He was used to clearing his throat and having an entire room jump to full attention. “Ms. Forsythe, you took my blood pressure—you have the information you needed, good day to you, ma’am. Gina . . .” He wanted to tell her to untwist her panties and put them back on, but he didn’t dare. “Sit,” he ordered instead, motioning to the desk chair that could be pulled beside the bed. “Please,” he added when Nurse Evil smirked on her way out the door.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
Shh! She said. The waiter. He's about to take their order. She leaned back and to her left, closer,closer,closer,her body like a giraffe's neck, until her chair shot out from under her and she landed on the floor. The whole restaurant turned to look. I jumped up to help. She stood up, righted the chair, and started in again. Did you see the tattoo one of them has on the inside of his arm? It looked like a roll of tape. I took a gulp of margarita and settled into my fallback option, which was to wait her out. Know what one of the guys at the drive-through Starbucks has on his forearm? Bernadette said. A paper clip! It used to be so daring to get a tattoo. And now people are tattooing office supplies on their bodies. You know what I say? Of course this was rhetorical. I say, dare not to get a tattoo. She turned around again, and gasped. Oh My God. It's not just any roll of tape. It's literally Scotch tape, with the green-and-black plaid. This is too hilarious. If you're going to tattoo tape on your arm, at least make it a generic old-fashioned tape dispenser! What do you think happened? Did the Staples catalogue get delivered to the tattoo parlor that day?
Maria Semple (Where'd You Go, Bernadette)
I looked up, my eyes pouring with tears of pain and understanding. I had to look away. I let my other hand slip from the rock and hang loose. “Don’t, Violet!” Lincoln’s voice was strong and unwavering. It caught me by surprise. “Don’t. You. Dare. Look at me!” It wasn’t compulsion, but I still couldn’t stop myself. I had to see him one last time. I opened my mouth to tell him good-bye, but he didn’t let me speak. “If you let go, I’m jumping in there after you!” My hand slipped in his hold and I did little to stop it, but he clung on. “It’s better this way, Linc! You can fight him without me and then you’ll be free!” He looked at me like I was mad until his jaw set with determination. “You smell of winter dew at the first crack of dawn and when you use your power, it feels like being submerged in the most intoxicating vanilla cream that I lose myself in it every time and…and you were beautiful,” he blurted out, catching us both by surprise. But he went on, ignoring the fact my hand was still slipping. “So stunning in that dress the other night, I could hardly look at you it hurt so much. You are the thing I dread the most in myself, Violet, because…I love you so much that I can’t trust myself. I’d die for you, give up all my power for you. I’d give you my soul in an instant, even if it meant I had to spend eternity in torment—just for one moment with you as mine. Wanting you consumes me. I dread you because I know the risk, but I’m so selfish, I want you anyway. I’d take you even though it could kill you.” I cried out again, the pain now so much worse, inside and out. My hand continued to slip as I looked into his eyes, intense with want, and I knew he was telling the truth. He would jump in after me. I forced my loose arm up and he grabbed it, leaning farther into the opening. He lifted me out and as he did, the severity of my burns became apparent. I couldn’t hold back the screams and he placed me belly down on the ground.
Jessica Shirvington (Emblaze (The Embrace Series, #3))
I wished Adam weren’t jumping in for his turn. Because watching Adam wakeboard was not relaxing. He wasn’t careful when wakeboarding. Or in general. He was the opposite of careful. His life was one big episode of Jackass. He would do anything on a dare, so the older boys dared him a lot. My role in this game was to run and tell their mom. If I’d been able to run faster when we were kids, I might have saved Adam from a broken arm, several cracked ribs, and a couple of snake bites. Knowing this, it might not make a lot of sense that Mr. Vader let us wakeboard for the marina. But we’d come to wakeboarding only gradually. When we first started out, it was more like, Look at the very young children on water skis! How adorable. One time the local newspaper ran a photo of me and Adam waterskiing double, each of us holding up an American flag. It’s okay for you to gag now. I can take it. But Mr. Vader was no fool. He understood things changed. After the second time Adam broke his collarbone, Mr. Vader put us under strict orders not to get hurt, because it was bad for business. Customers might not be so eager to buy a wakeboard and all the equipment if they witnessed our watery death. To enforce this rule, the punishment for bleeding in the boat was that we had to clean the boat. Adam cleaned the boat a lot last summer.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
She was especially taken with Matt. Until he said, “It’s time to fess up, hon. Tell Trace how much you care. You’ll feel better when you do.” Climbing up the ladder, Chris said, “Better sooner than later.” He nodded at the hillside behind them. “Because here comes Trace, and he doesn’t look happy.” Both Priss and Matt turned, Priss with anticipation, Matt with tempered dread. Dressed in jeans and a snowy-white T-shirt, Trace stalked down the hill. Priss shielded her eyes to better see him. When he’d left, being so guarded about his mission, she’d half wondered if he’d return before dinner. Trace wore reflective sunglasses, so she couldn’t see his eyes, but his entire demeanor—heavy stride, rigid shoulders, tight jaw—bespoke annoyance. As soon as he was close enough, Priss called out, “What’s wrong?” Without answering her, Trace continued onto the dock. He didn’t stop until he stood right in front of . . . Matt. Backing up to the edge of the dock, Matt said, “Uh . . . Hello?” Trace didn’t say a thing; he just pushed Matt into the water. Arms and legs flailing out, Matt hit the surface with a cannonball effect. Stunned, Priss shoved his shoulder. “What the hell, Trace! Why did you do that?” Trace took off his sunglasses and looked at her, all of her, from her hair to her body and down to her bare toes. After working his jaw a second, he said, “If you need sunscreen, ask me.” Her mouth fell open. Of all the nerve! He left her at Dare’s, took off without telling her a damn thing and then had the audacity to complain when a friend tried to keep her from getting sunburned. “Maybe I would have, if you’d been here!” “I’m here now.” Emotions bubbled over. “So you are.” With a slow smile, Priss put both hands on his chest. The shirt was damp with sweat, the cotton so soft that she could feel every muscle beneath. “And you look a little . . . heated.” Trace’s beautiful eyes darkened, and he reached for her. “A dip will cool you down.” Priss shoved him as hard as she could. Taken by surprise, fully dressed, Trace went floundering backward off the end of the dock. Priss caught a glimpse of the priceless expression of disbelief on Trace’s face before he went under the water. Excited by the activity, the dogs leaped in after him. Liger roused himself enough to move out of the line of splashing. Chris climbed up the ladder. “So that’s the new game, huh?” He laughed as he scooped Priss up into his arms. “Chris!” She made a grab for his shoulders. “Put me down!” “Afraid not, doll.” Just as Trace resurfaced, Chris jumped in with her. They landed between the swimming dogs. Sputtering, her hair in her face and her skin chilled from the shock of the cold water, Priss cursed. Trace had already waded toward the shallower water off the side of the dock. His fair hair was flattened to his head and his T-shirt stuck to his body. “Wait!” Priss shouted at him. He was still waist-deep as he turned to glare at her. Kicking and splashing, Priss doggy-paddled over to him, grabbed his shoulders and wrapped her legs around his waist. “Oh, no, you don’t!” Startled, Trace scooped her bottom in his hands and struggled for balance on the squishy mud bottom of the lake. “What the hell?” And then lower, “You look naked in this damn suit.” Matt and Chris found that hilarious. Priss looked at Trace’s handsome face, a face she loved, and kissed him. Hard. For only a second, he allowed the sensual assault. He even kissed her back. Then he levered away from her. “You ruined my clothes, damn it.” “Only because you were being a jealous jerk.” His expression dark, he glared toward Matt. Christ started humming, but poor Matt said, “Yeah,” and shrugged. “If you think about it, you’ll agree that you sort of were—and we both know there’s no reason.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
Look, Ella..." He stared down at his hands, opening and closing his fists. I waited. I think we might have a little bit of a misunderstanding here... You're a nice girl and all,but... I really like you,but I don't really like you... The unmistakable notes of "Don't Stop Believin'," electronic version, suddenly filled my room, followed by the audible and visual treat of my phone vibrating its way across my desk toward Alex's hip. I flung myself on it. In a clear-headed moment, I would have just turned it off. As it was, I did manage a "Sorry!" to Alex before flipping it open/ "Are you dead?" Frankie demanded from the other end. "No." I edged away from Alex, who was very politely pretending to be interested in the biscotti. "Are you even sick?" "No," I admitted. "Of course not. Okay, I'm coming over." "No!" I cringed as Alex jumped a little. I took a breath. "God, no. Don't. It's wedding central here. Sienna will have you trying up birdseed in little purple pouches." There was a long pause. "You okay, Marino?" "Yeah," I managed. "Truth time.Where were you today?" Could I do it? Could I actually use the word cramps with Alex Bainbridge standing three feet away? I could only imagine how the actual truth would sound. Here, in bed, hiding because I thought I'd made the queen of all fools out of myself e-mailing Alex Bainbridge over the break, and I can't even tell you about it because I promised...But it's okay-or maybe not-because he's here now, in my bedroom. ust about to tell me I made the queen of all fools out of myself. Sure. Come on over.The two of you can bond over my idiocy.
Melissa Jensen (The Fine Art of Truth or Dare)
There is a tremendous rush in defying your fears--staring them down and daring them to mess with you. These days, if something scares me, that’s reason enough for me to do it. I’m kind of a danger junkie. I love wakeboarding, skiing, scuba diving, jumping off cliffs. Many of my Instagrams show me jumping off stuff. My sisters are just as bad--Julianne especially. When we were kids, we’d go to Lake Powell, where there are these amazing red cliffs. I’d be peeking over the edge, trying to talk myself over the fear, and suddenly there would be this little body with blond hair flying through the air and breaking the water. My little sister always beat me to it and showed me up. People might call us reckless or careless, but I call it being alive. I understand now that nothing amazing is ever accomplished without fear. It’s a sign that you’re on the road to experiencing greatness.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
Police protection?" "If necessary." "I'm touched.Why don't I give you a lift, handsome?" "I'll follow you over," he repeated. "Suit yourself," she began, and grazed a hand over his cheek.Her eyes widened slightly as his fingers clamped on her wrist. "Don't like to be petted?" She purred the words,surprised at how her heart had jumped and started to race. "Most animals do." His face was very close to hers, their bodies were just touching,with the heat from the room and something even more sweltering between them.Something old, and almost familiar. He drew her hand down slowly, kept his fingers on her wrist. "Be careful what buttons you push." Excitement,she realized with surprise. It was pure, primal excitement that zipped through her. "Wasted advice," she said silkily, daring him. "I enjoy pushing new ones.And apparently you have a few interesting buttons just begging for attention." She skimmed her gaze deliberately down to his mouth. "Just begging.
Nora Roberts (Treasures: Secret Star / Treasures Lost, Treasures Found (Stars of Mithra, #3))
The partner who surrenders to the reality of who the other is notices the shape a relationship is taking but does not try to control its direction. Here is what aligning to the reality of the other may sound like to a man who is dating: “I enjoy her company, and I notice she enjoys mine. At the same time, she has many male friends with whom she shares her feelings and ideas at what seems like quite an intimate level. I want to honor that support system. I trust that her friendships are all as platonic as she says, yet doubts arise sometimes. I don’t want to jump to conclusions. I don’t want to demand that I be the one and only. But I do want to become special and primary if she is open to that. I can let go of that wish if it can’t match reality, to which I owe my main loyalty. I will open a dialogue with her about all this, state my concerns, and present my wish. I won’t do this all at once but time it all in accord with what seems right for both of us.” This is the healthy alternative to “I can’t trust any woman who has this many male friends.
David Richo (Daring to Trust: Opening Ourselves to Real Love and Intimacy)
You see, it only takes a tiny bit of pressure. A certain A.G. is called in, and it is well known that he is a nincompoop. And so to start he is instructed: "Write down a list of the people you know who have anti-Soviet attitudes." He is distressed and hesitates: "I'm not sure." He didn't jump up and didn't thump the table: "How dare you!" (Who does in our country? Why deal in fantasies!) "Aha, so you are not sure? Then write a list of people you can guarantee are one hundred percent Soviet people! But you are guaranteeing, you understand? If you provide even one of them with false references, you yourself will go to prison immediately. So why aren't you writing?" "Well, I… can't guarantee." "Aha, you can't? That means you know they are anti-Soviet. So write down immediately the ones you know about!" And so the good and honest rabbit A.G. sweats and fidgets and worries. He has too soft a soul, formed before the Revolution. He has sincerely accepted this pressure which is bearing down on him: Write either that they are Soviet or that they are anti-Soviet. He sees no third way out.
Aleksandr Solzhenitsyn (The Gulag Archipelago, 1918-1956: An Experiment in Literary Investigation, Books III-IV)
Why can't we sit together? What's the point of seat reservations,anyway? The bored woman calls my section next,and I think terrible thoughts about her as she slides my ticket through her machine. At least I have a window seat. The middle and aisle are occupied with more businessmen. I'm reaching for my book again-it's going to be a long flight-when a polite English accent speaks to the man beside me. "Pardon me,but I wonder if you wouldn't mind switching seats.You see,that's my girlfriend there,and she's pregnant. And since she gets a bit ill on airplanes,I thought she might need someone to hold back her hair when...well..." St. Clair holds up the courtesy barf bag and shakes it around. The paper crinkles dramatically. The man sprints off the seat as my face flames. His pregnant girlfriend? "Thank you.I was in forty-five G." He slides into the vacated chair and waits for the man to disappear before speaking again. The guy onhis other side stares at us in horror,but St. Clair doesn't care. "They had me next to some horrible couple in matching Hawaiian shirts. There's no reason to suffer this flight alone when we can suffer it together." "That's flattering,thanks." But I laugh,and he looks pleased-until takeoff, when he claws the armrest and turns a color disturbingy similar to key lime pie. I distract him with a story about the time I broke my arm playing Peter Pan. It turned out there was more to flying than thinking happy thoughts and jumping out a window. St. Clair relaxes once we're above the clouds. Time passes quickly for an eight-hour flight. We don't talk about what waits on the other side of the ocean. Not his mother. Not Toph.Instead,we browse Skymall. We play the if-you-had-to-buy-one-thing-off-each-page game. He laughs when I choose the hot-dog toaster, and I tease him about the fogless shower mirror and the world's largest crossword puzzle. "At least they're practical," he says. "What are you gonna do with a giant crossword poster? 'Oh,I'm sorry Anna. I can't go to the movies tonight. I'm working on two thousand across, Norwegian Birdcall." "At least I'm not buying a Large Plastic Rock for hiding "unsightly utility posts.' You realize you have no lawn?" "I could hide other stuff.Like...failed French tests.Or illegal moonshining equipment." He doubles over with that wonderful boyish laughter, and I grin. "But what will you do with a motorized swimming-pool snack float?" "Use it in the bathtub." He wipes a tear from his cheek. "Ooo,look! A Mount Rushmore garden statue. Just what you need,Anna.And only forty dollars! A bargain!" We get stumped on the page of golfing accessories, so we switch to drawing rude pictures of the other people on the plane,followed by rude pictures of Euro Disney Guy. St. Clair's eyes glint as he sketches the man falling down the Pantheon's spiral staircase. There's a lot of blood. And Mickey Mouse ears. After a few hours,he grows sleepy.His head sinks against my shoulder. I don't dare move.The sun is coming up,and the sky is pink and orange and makes me think of sherbet.I siff his hair. Not out of weirdness.It's just...there. He must have woken earlier than I thought,because it smells shower-fresh. Clean. Healthy.Mmm.I doze in and out of a peaceful dream,and the next thing I know,the captain's voice is crackling over the airplane.We're here. I'm home.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
While Missy has acquired a taste for frog legs, she still doesn’t understand my fascination with catching them. One night after church, we were stopped at an intersection while driving home. Our two sons, Reed and Cole, and our daughter, Mia, were in Missy’s car with us. It was raining, and I saw one of the biggest bullfrogs I’ve ever seen sitting in the middle of the road. I put her car in park. “What are you about to do, Jason?” Missy asked me. “I’m going to catch that frog,” I said. “Y’all want to flag traffic for me?” “Don’t you dare get out of this car,” she said. Before she could finish her sentence, I’d jumped out of the driver’s seat and was maneuvering my way to the frog. I moved toward the back of it, assumed the frog position, and then leaped on him! Missy and Mia were screaming in the car, and my boys were laughing. As I got back in the car, I explained to everyone that I probably saved that frog’s life by catching him at a busy intersection. I held the frog in one hand and drove with the other the entire way home. When I walked into the kitchen, Missy asked me, “What are you fixing to do?” I cleaned the frog on the kitchen table and fried its legs in a frying pan. “I can’t believe you just did that,” Missy said. “I thought you saved his life.” Hey, but I gave him a noble death.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Respects my boundaries—for instance, when I say no, he will back off. Tries to work things out by addressing, processing, and resolving issues as they arise. This means that his or her presence in my life has become reliable. In the face of difficulties and conflicts, it is not “Get me outta here,” as the Cowardly Lion would say, but “I still will stay with thee,” as Romeo would.   Does not jump to finding a solution when I tell him or her of a problem in my life but rather looks for ways to deepen his or her feelings about the problem and carefully inquire into what I really need in that moment.   Can listen without judgment (without a fixed or moralistic belief). I do not find myself saying or thinking, “He/she doesn’t hear me.” I notice that my partner is listening attentively to my words, my feelings, and my body language too. The ability to hear someone is really about trust, not simply about communication. A trust issue always lurks beneath a communication difficulty.   Does not give up on me or on anyone. My partner continues to believe in the inherent goodness and potential for enlightenment in everyone and believes that problems between himself or herself and others are workable. When others refuse that option and demand that my partner stay away, however, he or she gets the message and pulls back.
David Richo (Daring to Trust: Opening Ourselves to Real Love and Intimacy)
There was something written in pencil in the bottom corner, smudged and faded. I leaned in until my nose was almost pressed against the glass. Narnia, it looked like. I must have stared for a lot longer than it seemed. A tap on the door had my jumping. "Ella?" A second later. "Um...Ella? You okay in there?" Alex looked red-faced and startled when I jerked the door open. Even more so when I grabbed his wrist with both of my hands and pulled him into the bathroom. Another time,I might have been equally red-faced. I would definitely have been uncomfortable, even if it wasn't in a bad way. But at the moment,I was too busy in a different part of my head. I let go of him and pointed to the sketch. "That's a Willing." "Is it?" He didn't look particularly impressed. More relieved that I hadn't fallen and hit my head or had some similar mishap. "Edward Willing. You have to know who Edward Willing is." He peered past me. "Philadelphia painter. Early twentieth century, right? I was in your art history class last year,you know." I didn't.Not really. "You were?" "I sat in back.You sat in front. Never saw your face during class,but I remember you arguing with Evers about Dali.I remember. You don't like Dali." "Not much." "You like this guy?" "Yeah." I took a breath. "Yeah.I do. And you have one of his sketches. In your guest bathroom.
Melissa Jensen (The Fine Art of Truth or Dare)
Pretty,eh?" I jumped a foot. "Nonna!" She was standing in my doorway, beaming like a demented gnome. "For your underwater dance." "It looks like....a toga." "Toga," she sniffed as she stalked across the room to lift the dress from its hanger, "is for boys at silly parties. This is for a goddess." She held it up to me. "You will be Salacia, Roman goddess of water." It still looked like a toga, and not a very big one, although it did almost reach the floor. My legs would be covered, which was all well and good, except that, other than going a little too long without defuzzing, I didn't have much of a problem with my legs. I did know this wasn't going to work. I just had no idea at the moment how I was going to make it not happen. "This is awfully...pagan of you, Nonna." She rolled her eyes. "Ai, sixteen, with the smart mouth and such certainty. You think I just read the Bible? A goddess, she has more fun than a saint." "Nonna!" "Ah!" She poked me in the center of the chest with her middle finger. "Fun, si, but a bad end if she thinks to hold the heart of a boy who wants only to play. Salacia, she let Neptune chase her and chase her and prove his heart was true." I didn't argue. My grasp of Greco-Roman mythology is shaky at best, and derived mostly from the Percy Jackson books. I had my doubts about Neptune's heart, but figured it would only be smart-assy to mention that to my grandmother.
Melissa Jensen (The Fine Art of Truth or Dare)
The easel had a cloth draped over it. Ideally, he shouldn’t look at the painting at all tonight. The gaslight flickered, its bluish tinge changing every color and tone in the room. No, no, it would be a complete waste of time. But the painting seemed to call to him. At last he could stand it no longer. He jumped up and pulled off the cloth. My God. It looked as if it had been painted by somebody else. That was his first thought. It had an authority that he didn’t associate with his stumbling, uncertain, inadequate self. It seemed to stand alone. Really, to have nothing much to do with him. He’d painted the worst aspect of his duties as an orderly: infusing hydrogen peroxide or carbolic acid into a gangrenous wound. Though the figure by the bed, carrying out this unpleasant task, was by no means a self-portrait. Indeed, it was so wrapped up in rubber and white cloth: gown, apron, cap, mask, gloves—ah, yes, the all-important gloves—that it had no individual features. Its anonymity, alone, made it appear threatening. No ministering angel, this. A white-swaddled mummy intent on causing pain. The patient was nothing: merely a blob of tortured nerves. It shook him. He stood back from it, looked, looked away, back again. It must be the gaslight that was so transforming his view of it. And he was no nearer knowing if it was finished, though at the moment he felt he wouldn’t dare do anything else.
Pat Barker (Life Class)
Moscow can be a cold, hard place in winter. But the big old house on Tverskoy Boulevard had always seemed immune to these particular facts, the way that it had seemed immune to many things throughout the years. When breadlines filled the streets during the reign of the czars, the big house had caviar. When the rest of Russia stood shaking in the Siberian winds, that house had fires and gaslight in every room. And when the Second World War was over and places like Leningrad and Berlin were nothing but rubble and crumbling walls, the residents of the big house on Tverskoy Boulevard only had to take up a hammer and drive a single nail—to hang a painting on the landing at the top of the stairs—to mark the end of a long war. The canvas was small, perhaps only eight by ten inches. The brushstrokes were light but meticulous. And the subject, the countryside near Provence, was once a favorite of an artist named Cézanne. No one in the house spoke of how the painting had come to be there. Not a single member of the staff ever asked the man of the house, a high-ranking Soviet official, to talk about the canvas or the war or whatever services he may have performed in battle or beyond to earn such a lavish prize. The house on Tverskoy Boulevard was not one for stories, everybody knew. And besides, the war was over. The Nazis had lost. And to the victors went the spoils. Or, as the case may be, the paintings. Eventually, the wallpaper faded, and soon few people actually remembered the man who had brought the painting home from the newly liberated East Germany. None of the neighbors dared to whisper the letters K-G-B. Of the old Socialists and new socialites who flooded through the open doors for parties, not one ever dared to mention the Russian mob. And still the painting stayed hanging, the music kept playing, and the party itself seemed to last—echoing out onto the street, fading into the frigid air of the night. The party on the first Friday of February was a fund-raiser—though for what cause or foundation, no one really knew. It didn’t matter. The same people were invited. The same chef was preparing the same food. The men stood smoking the same cigars and drinking the same vodka. And, of course, the same painting still hung at the top of the stairs, looking down on the partygoers below. But one of the partygoers was not, actually, the same. When she gave the man at the door a name from the list, her Russian bore a slight accent. When she handed her coat to a maid, no one seemed to notice that it was far too light for someone who had spent too long in Moscow’s winter. She was too short; her black hair framed a face that was in every way too young. The women watched her pass, eyeing the competition. The men hardly noticed her at all as she nibbled and sipped and waited until the hour grew late and the people became tipsy. When that time finally came, not one soul watched as the girl with the soft pale skin climbed the stairs and slipped the small painting from the nail that held it. She walked to the window. And jumped. And neither the house on Tverskoy Boulevard nor any of its occupants ever saw the girl or the painting again.
Ally Carter (Uncommon Criminals (Heist Society, #2))
But if her idiot suitors were staying at Halstead Hall with her, then by thunder, he'd be here, too. They wouldn't take advantage of her on his watch. "We're agreed that you won't do any of that foolish nonsense you mentioned, like spying on them, right?" "Of course not. That's what I have you for." Her private lackey to jump at her commands. He was already regretting this. "Surely the gentlemen will accept the invitation," she went on, blithely ignoring his disgruntlement. "It's hunting season, and the estate has some excellent coveys." "I wouldn't know." She cast him an easy smile. "Because you generally hunt men, not grouse. And apparently you do it very well." A compliment? From her "No need to flatter me, my lady," he said dryly. "I've already agreed to your scheme." Her smile vanished. "Really, Mr. Pinter, sometimes you can be so..." "Honest?" he prodded. "Irritating." She tipped up her chin. "It will be easier to work together if you're not always so prickly." He felt more than prickly, and for the most foolish reasons imaginable. Because he didn't like her trawling for suitors. Or using him to do it. And because he hated her "lady of the manor" role. It reminded him too forcibly of the difference in their stations. "I am who I am, madam," he bit out, as much a reminder for himself as for her. "You knew what you were purchasing when you set out to do this." She frowned. "Must you make it sound so sordid?" He stepped as close as he dared. "You want me to gather information you can use in playing a false role to catch s husband. I am not the one making it sordid." "Tell me, sir, will I have to endure your moralizing at every turn?" she said in a voice dripping with sugar. "Because I'd happily pay extra to have you keep your opinions to yourself." "There isn't enough money in all the world for that." Her eyes blazed up at him. Good. He much preferred her in a temper. At least then she was herself, not putting on some show. She seemed to catch herself, pasting an utterly false smile to her lips. "I see. Well then, can you manage to be civil for the house party? It does me no good to bring suitors here if you'll be skulking about, making them uncomfortable." He tamped down the urge to provoke her further. If he did she'd strike off on her own, and that would be disastrous. "I shall try to keep my 'skulking' to a minimum." "Thank you." She thrust out her hand. "Shall we shake on it?" The minute his fingers closed about hers, he wished he'd refused. Because having her soft hand in his roused everything he'd been trying to suppress during this interview. He couldn't seem to let go. For such a small-boned female, she had a surprisingly firm grip. Her hand was like her-fragility and strength all wrapped in beauty. He had a mad impulse to lift it to his lips and press a kiss to her creamy skin. But he was no Lancelot to her Guinevere. Only in legend did lowly knights dare to court queens. Releasing her hand before he could do something stupid, he sketched a bow. "Good day, my lady. I'll begin my investigation at once and report to you as soon as I learn something." He left her standing there, a goddess surrounded by the aging glories of an aristocrat's mansion. God save him-this had to be the worst mission he'd ever undertaken, one he was sure to regret.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
The thunder howled and the rain splashed, the leaves played with the breeze and the lightning flashed, and the tigress growled at last. She looked here and she looked there, she hadn't seen so much rain anywhere, a desire suddenly came in her heart, a mad longing that had to start, she felt deep love in the rain, looking at her cubs all over again But two years ago she had been wounded, By cowardly men who wanted her grounded, They were afraid of her power, they wanted to capture her and to enslave her in their tower They laid traps and they waited in the trees, The jungle was full of birds and the bees, The tigress was out hunting for meat, her cubs awaiting in the cave for their treat There was something missing in the air, the fragrance of jasmine was not there, The tigress looked up into the trees and saw the men's faces painted in grease, She challenged them looking into their eyes, And saw fear, fright , and faces full of lies! She roared with all her might, This was her land, She had all the right! The cowardly men crouching behind the trees, Fired their guns in twos and threes, The brave Tigress looked them in the eye, She was the fire and she was the sky, Indomitable force, invincible power, She was the Tigress, The Queen in her Empire None of the bullets could break her Spirit, Only one could graze her right leg a bit, She roared with all her heart's might, For she was the Queen for all to sight! The guns emptied and no more bullets to shoot, The cowardly men jumped from the trees and ran away in two hoots! The Tigress laughed and loudly roared, For she was the power and her Spirit soared She is the Tigress inside every Woman, She has the Power to defeat any Man, Love her and she would love you back, Respect her and she would respect you back, Dare to harm her and she would defeat you till the Last!
Avijeet Das
While his patience frayed, in the end, it was Meena who snapped first. Whether it was the fact a woman touched him, hanging on to his arm, gushing at how beautiful the wedding was, or the fact that Meena couldn’t handle the frustration of the last few days, it didn’t matter. With a snarled, “Get your hands off my husband!” Meena sliced through the crowd, skirts hiked. She leaped the last few feet and soared through the air to tackle the lioness at his side, who, as it turned out, was Loni’s cousin. But at the time, all he knew was his new wife was in full-on jealous mode and determined to scalp a wedding guest. As omega, Leo should have jumped in to calm the hot tempers— and stop the hair pulling. At the very least, he should have definitely pried Meena off the lioness before she got blood on her white dress. But… Well… He kind of liked it. While Leo had dated his fair share of women, he’d never had one show such a possessive side before. Definitely never had one go after a girl for daring to flirt with him. He didn’t know what it said about him, the fact that he enjoyed her jealous outburst. Feeling kind of smug about it, he took a moment to bask. Hers. Yes, he was hers, and she was his, at least on paper. Perhaps it was time to complete the bond and truly mate so that everyone would know they belonged to each other. Time to claim each other. First, though, he needed to pry her off the other woman before she literally spilled blood. Winding an arm around her middle, he lifted Meena, even as she continued to snarl at the woman on the ground. “Touch my man again and I will rip that hand from you and slap you with it!” Ah, the romantic words of a woman in lust. Tossing Meena over his shoulder, he ignored the amused glances of the crowd as he carted her away from the party. “I wasn’t done, Pookie,” she grumbled. “I’ve got better plans for that energy,” was his reply. And yes, she announced to all that, “Leo’s finally going to debauch me.” She wasn’t the only one fist pumping. The other ladies in the pride were cheering too while Leo fought not to blush, and poor Peter, he made a beeline for the bar. However, embarrassment wasn’t enough to stop him.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
There was talk in the fields about the witch in the woods, but go see her? No one would dare. So I thought to myself I’d sneak out one night to see what I could find there.   I slipped from my straw, jumped over the gate, a candle alight in my hand. I went to the woods at the edge of the park as the moon fell down on this land.   I walked through the trees, so scared and alone, though with hope in the back of my mind. As I saw a small light and smoke rising high I wondered what I would find.   I walked up to a door but before I could knock, it opened with a creak and a squeak. There stood a woman all dressed in white; I felt completely unable to speak.   I sat on a chair by the side of a fire whilst she looked fondly at me. ‘Are you a witch?’ I asked her at last. And she said ‘I may possibly be.   But don’t be afraid I just prefer it out here Away from experienced minds. I live with my innocent, simple, sweet thoughts That are pure and gentle and kind.’   I was a little confused So I said to her now, ‘How do you even survive?’ She said to me softly ‘Just love, my young man, It is only on love that I thrive.’   ‘What can I do?’ I said to her now ‘So I can be just like you?’ ‘What, wearing a dress? Clad only in white? I’m sure you’d look better in blue!’   ‘No,’ I said, laughing, ‘To feel just like you Where everything seems so right.’ She thought for a while, And closed her deep eyes As the full moon shed its fair light.   ‘All I can say Is open your mind, The world is more than you know. Look deeper than deep, Be a dreamer, my boy, And give love wherever you go.   When others hurt you, Accept that it hurts, Have faith in the bad and the good. Walk with the soul And the eyes of a child You will always be safe in these woods.   As for the world That lies there outside, Remember the words that I’ve said. Keep them inside Your heart and your mind And by them may you be led.   Soon others will see There is no such thing As being too nice or too kind. And then one fine day, When more are like you, I can leave this sweet glory behind.’   So when I got home I thought of the woman That had entered my life that dark night. I will walk tall forever With the eyes of a child, To the blackness of life I’ll bring light.
Stuart Ayris (Tollesbury Time Forever)
Most of these reveal a psychological shrewdness about human fallibility: • A man of genius is but seldom ruined but by himself. • If you are idle, be not solitary; if you are solitary, be not idle. • There are people whom one should like very well to drop, but would not wish to be dropped by. • All censure of self is oblique praise. It is in order to show how much he can spare. • Man’s chief merit consists in resisting the impulses of his nature. • No place affords a more striking conviction of the vanity of human hopes than a public library. • Very few can boast of hearts which they dare lay open to themselves. • Read over your compositions, and wherever you meet with a passage you think is particularly fine, strike it out. • Every man naturally persuades himself he can keep his resolutions; nor is he convinced of his imbecility but by length of time and frequency of experiment. Through his moral essays, Johnson was able to impose order on the world, to anchor his experiences in the stability of the truth. He had to still himself in order to achieve an objective perception of the world. When people are depressed, they often feel overcome by a comprehensive and yet hard to pin down sadness. But Johnson jumps directly into the pain, pins it down, dissects it, and partially disarms it. In his essay on sorrow he observes that most passions drive you to their own extinction. Hunger leads to eating and satiety, fear leads to flight, lust leads to sex. But sorrow is an exception. Sorrow doesn’t direct you toward its own cure. Sorrow builds upon sorrow. That’s because sorrow is “that state of mind in which our desires are fixed upon the past, without looking forward to the future, an incessant wish that something were otherwise than it has been, a tormenting and harassing want of some enjoyment or possession we have lost.” Many try to avoid sorrow by living timid lives. Many try to relieve sorrow by forcing themselves to go to social events. Johnson does not approve of these stratagems. Instead, he advises, “The safe and general antidote against sorrow is employment…. Sorrow is a kind of rust of the soul, which every new idea contributes in its passage to scour away. It is the putrefaction of stagnant life and is remedied by exercise and motion.
David Brooks (The Road to Character)
They came in to look. I watched them. Most people go through museums like they do Macy's: eyes sweeping the display, stopping only if something really grabs their attention. These two looked at everything. They both clearly liked the bicycle picture. Yup, Dutch, I decided. He was a few steps ahead when he got to my favorite painting there. Diana and the Moon. It was-surprise surprise-of Diana, framed by a big open window, the moon dominating the sky outside. She was perched on the windowsill, dressed in a gauzy wrap that could have been nightclothes or a nod to her goddess namesake. She looked beautiful, of course, and happy, but if you looked for more than a second, you could see that her smile had a teasing curve to it and one of her hands was actually wrapped around the outside frame. I thought she looked like she might swing her legs over the sill and jump, turning into a moth or owl or breath of wind even before she was completely out of the room. I thought she looked, too, like she was daring the viewer to come along. Or at least to try. The Dutch guy didn't say anything. He just reached out a hand. His girlfriend stepped in, folding herself into the circle of his outsretched arm. They stood like that, in front of the painting, for a full minute. Then he sneezed. She reached into her pocket and pulled out a tissue.He took in and, without letting go of her, did a surprisingly graceful one-handed blow. Then he crumpled the tissue and looked around for a trash can. There wasn't one in sight. She held out her free hand; he passed over the tissue, and she stuck it right back into her pocket. I wanted to be grossed out. Instead, I had the surprising thought that I really really wanted someone who would do that: put my used Kleenex in his pocket. It seemed like a declaration of something pretty big. Finally,they finished their examination of Diana and moved on.There wasn't much else, just the arrogant Willings and the overblown sunrise. They came over to examine the bronzes. She saw my book. "Excuse me. You know this artist?" Intimately just didn't seem as true anymore. "Pretty well," I answered. "He is famous here?" "Not very." "I like him." she said thoughtfully. "He has...oh, the word...personism?" "Personality?" I offered. "Yes!" she said, delighted. "Personality." She reached behind her without looking. Her boyfriend immediately twined his fingers with hers. They left, unfolding the map again as they went, she chattering cheerfully. I think she was telling him he had personality. They might as well have had exhibit information plaques on their backs: "COUPLE." CONTEMPORARY DUTCH. COURTESY OF THE ESTATE OF LOVE, FOR THE VIEWING PLEASURE (OR NOT) OF ANYONE AND EVERYONE.
Melissa Jensen (The Fine Art of Truth or Dare)
Stop!” she called out. To a one, the crewmen froze. A dozen heads swiveled to face her. Sophia swallowed and turned to Mr. Grayson. “What about me? I’m also a virgin voyager.” His lips quirked as his gaze swept her from head to toe and then back up partway. “Are you truly?” “Yes. And I haven’t a coin to my name. Do you plan to dunk and shave me, too?” “Now there’s an idea.” His grin widened. “Perhaps. But first, you must submit to an interrogation.” A lump formed in Sophia’s throat, impossible to speak around. Mr. Grayson raised that sonorous baritone to a carrying pitch. “What’s your name then, miss?” When Sophia merely firmed her chin and glared at him, he warned dramatically, “Truth or eels.” Bang. Excited whispers crackled through the assembly of sailors. Davy was completely forgotten, dropped to the deck with a dull thud. Even the wind held its breath in anticipation, and Sophia gave a slight jump when a sail smacked limp against the mast. Though her heart pounded an erratic rhythm of distress, she willed her voice to remain even. “I’ve no intention of submitting myself to any interrogation, by god or man.” She lifted her chin and arched an eyebrow. “And I’m not impressed by your staff.” She paused several seconds, waiting for the crew’s boisterous laughter to ebb. Mr. Grayson pinned her with his bold, unyielding gaze. “You dare to speak to me that way? I’m Triton.” With each word, he stepped closer. “King of the Sea. A god among men.” Now they stood just paces apart. Hunger gleamed in his eyes. “And I demand a sacrifice.” Her hand remained pressed against her throat, and Sophia nervously picked at the neckline of her frock. This close, he was all bronzed skin stretched tight over muscle and sinew. Iridescent drops of seawater paved glistening trails down his chest, snagging on the margins of that horrific scar, just barely visible beneath his toga. “A sacrifice?” Her voice was weak. Her knees were weaker. “A sacrifice.” He flipped the trident around, his biceps flexing as he extended the blunt end toward her, hooking it under her arm. He lifted the mop handle, pulling her hand from her throat and raising her wrist for his inspection. Sophia might have yanked her arm away at any moment, but she was as breathless with anticipation as every other soul on deck. She’d become an observer of her own scene, helpless to alter the drama unfolding, on the edge of her seat to see how it would play out. He studied her arm. “An unusually fine specimen of female,” he said casually. “Young. Fair. Unblemished.” Then he withdrew the stick, and Sophia’s hand dropped to her side. “But unsatisfactory.” She felt a sharp twinge of pride. Unsatisfactory? Those words echoed in her mind again. I don’t want you. “Unsatisfactory. Too scrawny by far.” He looked around at the crew, sweeping his makeshift trident in a wide arc. “I demand a sacrifice with meat on her bones. I demand…” Sophia gasped as the mop handle clattered to a rest at her feet. Mr. Grayson gave her a sly wink, bracing his hands on his hips in a posture of divine arrogance. “I demand a goat.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
The phone was snatched from her grasp. She let out a screech, her fingers clasping at air. “Hey! Give that back.” Gracie slipped it down the V of her tank and into her ample cleavage. “Come and get it.” Billy plopped down on a vacant stool, eyes bugging out of his head. Maddie stared at Gracie’s chest and contemplated. She could stick her hand down a woman’s top. It was no big deal—just skin, for God’s sake. She jumped off the stool and straightened to her full five-foot-three inches. “What is wrong with calling him?” “It’s a girlfriend’s responsibility to stop her friend from the dreaded drunk dial.” Maddie scowled. She was not drunk dialing! “Telling him where I am isn’t a crime.” Gracie planted her hands on her hips. “Sorry, honey. I’m doing this for your own good.” “You don’t understand.” Maddie picked up her drink and took a slow sip. Her gaze was fixed on the stretch of fabric across Gracie’s ample chest. She wanted that phone, and with way too many margaritas in her system, she wasn’t above groping another woman to get it. “I’m getting that phone.” Billy’s mouth dropped open, and Maddie was surprised no drool hung down his chin like a rabid dog’s. “You’ll thank me later.” Gracie didn’t appear the least bit threatened. If anything, she thrust her breasts out farther, as though daring Maddie to come and get it. “Give it to me!” Maddie stomped her foot. “Like I said, come and get it.” Gracie batted her thick lashes, cornflower-blue eyes sparkling. She tucked her hand into her top and shoved it lower into her bra. “All right, but remember, I know how to fight.” Gracie laughed and Billy whooped like he’d hit the jackpot. Maddie charged. Gracie’s eyes widened in surprise, and she let out a holler, crossing her arms over her chest for protection. Maddie refused to be thwarted. She squeezed her lids together so she wouldn’t have to look and flung her hands out, praying she’d get hold of something. When her palm brushed against soft, pillowy cotton, she squealed. Pay dirt. “Maddie!” Gracie grabbed her hand, twisting her body to block Maddie’s progress. “That’s my boob!” Maddie reached again and this time her hand curled around the cotton neckline. She pulled, squirming down the deep V of the top. Her fingers brushed the phone and a surge of adrenaline pounded through her. “Now, why doesn’t this surprise me?” Mitch’s voice made her knees go weak. Before she could swing around, she was hauled against his warm, strong body. She sagged in relief. He’d come for her after all. “You girls are giving everyone quite a show.” Charlie stood next to Mitch, looking lethal in all black. Maddie could picture him with an FBI armband over his bicep. Wait . . . was that the FBI? Or was it SWAT? “With all these disappointed faces, I’m sorry we broke them up.” Mitch’s tone rang with amusement, and Maddie realized it had been too long since she’d heard him sound like that. “I wanted to call you, but she wouldn’t let me.” Her pulse raced from her girl fight and the buzz of tequila. His palm spread wide over the expanse of her stomach, his thumb brushing the bottom of her breast. “Well, here I am.” “See!” Gracie pointed and shook her hips in a little booty dance. “I told you so!” Yes,
Jennifer Dawson (Take a Chance on Me (Something New, #1))
The man was naked. He was all bones and ribs and snarling mouth. The front of him was caked in blood, a smear of charcoal black in the dim red glow of Palmer’s dive light. There was just a flash of this grisly image before the man crashed into Palmer, knocking him to the ground, desperate hands clenching around his throat. Palmer saw pops of bright light as his head hit the floor. He couldn’t breathe. He heard his own gurgles mix with the raspy hisses from the man on top of him. A madman. A thin, half-starved, and full-crazed madman. Palmer fought for a breath. His visor was knocked from his head. Letting go of the man’s wrists, he reached for his dive knife, but his leg was pinned, his boot too far away. He pawed behind himself and felt his visor, had some insane plan of getting it to his temples, getting his suit powered on, overloading the air around him, trying to shake the man off. But as his fingers closed on the hard plastic—and as the darkness squeezed in around his vision—he instead swung the visor at the snarling man’s face, a final act before the door to that king’s crypt sealed shut on him. A piercing shriek returned Palmer to his senses. Or it was the hands coming off his neck? The naked man howled and lunged again, but Palmer got a boot up, caught the man in the chest, kicked him. He scrambled backward while the man reeled. The other diver. Brock’s diver. Palmer turned and crawled on his hands and knees to get distance, got around a desk, moving as fast as he could, heart pounding. Two divers. There had been two divers. He waited for the man’s partner to jump onto his back, for the two men to beat him to death for his belly full of jangling coin— —when he bumped into the other diver. And saw by his dive light that he was no threat. And the bib of gore on the man chasing him was given sudden meaning. Palmer crawled away, sickened. He wondered how long the men had been down here, how long one had been eating the other. Hands fell onto his boots and yanked him, dragging him backward. A reedy voice yelled for him to be still. And then he felt a tug as his dive knife was pulled from its sheath, stolen. Palmer spun onto his back to defend himself. His own knife flashed above him traitorously, was brought down by those bone-thin arms, was meant to skewer him. There was a crunch against his belly. A painful blow. The air came out of Palmer. The blade was raised to strike him again, but there was no blood. His poor life had been saved by a fistful of coin. Palmer brought up his knee as the man struck again—and shin met forearm with a crack. A howl, and the knife was dropped. Palmer fumbled for it, his dive light throwing the world into pale reds and deep shadows. Hand on the hilt, his knife reclaimed, he slashed at the air, and the man fell back, hands up, shouting, “Please, please!” Palmer scooted away, keeping the knife in front of him. He was weak from fitful sleep and lack of food, but this poor creature before him seemed even weaker. Enraged and with the element of surprise, the man had nearly killed him, but it had been like fighting off a homeless dune-sleeper who had jumped him for some morsel of bread. Palmer dared to turn his dive light up so he could see the man better. “Sorry. I’m sorry,” the man said. “Thought you were a ghost.” The
Hugh Howey (Sand (The Sand Chronicles, #1))