“
It's a dangerous business, Frodo, going out your door. You step onto the road, and if you don't keep your feet, there's no knowing where you might be swept off to.
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
Yes, my consuming desire is to mingle with road crews, sailors and soldiers, barroom regulars—to be a part of a scene, anonymous, listening, recording—all this is spoiled by the fact that I am a girl, a female always supposedly in danger of assault and battery. My consuming interest in men and their lives is often misconstrued as a desire to seduce them, or as an invitation to intimacy. Yes, God, I want to talk to everybody as deeply as I can. I want to be able to sleep in an open field, to travel west, to walk freely at night...
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
That's a dangerous look," said Dimitri, giving me a brief glance before returning his eyes to the road.
"What look?" I asked innocently.
"The one that says you just got some idea."
"I didn't just get an idea. I got a great idea.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
He used often to say there was only one Road; that it was like a great river: its springs were at every doorstep, and every path was its tributary. 'It’s a dangerous business, Frodo, going out of your door,' he used to say. 'You step into the Road, and if you don’t keep your feet, there is no knowing where you might be swept off to.
”
”
J.R.R. Tolkien
“
I'm on such a dangerous road, Milena. You're standing firmly near a tree, young, beautiful, your eyes subduing with their radiance the suffering world.
”
”
Franz Kafka (Letters to Milena)
“
Thatʹs a dangerous look,ʺ said Dimitri, giving me a brief glance before returning his eyes to the road.
ʺWhat look?ʺ I asked innocently.
ʺThe one that says you just got some idea.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
Being born a woman is my awful tragedy. From the moment I was conceived I was doomed to sprout breasts and ovaries rather than penis and scrotum; to have my whole circle of action, thought and feeling rigidly circumscribed by my inescapable feminity. Yes, my consuming desire to mingle with road crews, sailors and soldiers, bar room regulars--to be a part of a scene, anonymous, listening, recording--all is spoiled by the fact that I am a girl, a female always in danger of assault and battery. My consuming interest in men and their lives is often misconstrued as a desire to seduce them, or as an invitation to intimacy. Yet, God, I want to talk to everybody I can as deeply as I can. I want to be able to sleep in an open field, to travel west, to walk freely at night...
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
There is no more disastrous mania, no more dangerous whim, than the speculation over roads not taken.
”
”
Juan Gabriel Vásquez (The Sound of Things Falling)
“
I like storms. Thunder torrential rain, puddles, wet shoes. When the clouds roll in, I get filled with this giddy expectation. Everything is more beautiful in the rain. Don't ask me why. But it’s like this whole other realm of opportunity. I used to feel like a superhero, riding my bike over the dangerously slick roads, or maybe an Olympic athlete enduring rough trials to make it to the finish line. On sunny days, as a girl, I could still wake up to that thrilled feeling. You made me giddy with expectation, just like a symphonic rainstorm. You were a tempest in the sun, the thunder in a boring, cloudless sky. I remember I’d shovel in my breakfast as fast as I could, so I could go knock on your door. We’d play all day, only coming back for food and sleep. We played hide and seek, you’d push me on the swing, or we’d climb trees. Being your sidekick gave me a sense of home again. You see, when I was ten, my mom died. She had cancer, and I lost her before I really knew her. My world felt so insecure, and I was scared. You were the person that turned things right again. With you, I became courageous and free. It was like the part of me that died with my mom came back when I met you, and I didn’t hurt if I knew I had you. Then one day, out of the blue, I lost you, too. The hurt returned, and I felt sick when I saw you hating me. My rainstorm was gone, and you became cruel. There was no explanation. You were just gone. And my heart was ripped open. I missed you. I missed my mom. What was worse than losing you, was when you started to hurt me. Your words and actions made me hate coming to school. They made me uncomfortable in my own home. Everything still hurts, but I know none of it is my fault. There are a lot of words that I could use to describe you, but the only one that includes sad, angry, miserable, and pitiful is “coward.” I a year, I’ll be gone, and you’ll be nothing but some washout whose height of existence was in high school. You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? You’re a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.
”
”
Penelope Douglas (Bully (Fall Away, #1))
“
There's a long road of suffering ahead of you. But don't lose courage. You've already escaped the gravest danger: selection. So now, muster your strength, and don't lose heart. We shall all see the day of liberation. Have faith in life. Above all else, have faith. Drive out despair, and you will keep death away from yourselves. Hell is not for eternity. And now, a prayer - or rather, a piece of advice: let there be comradeship among you. We are all brothers, and we are all suffering the same fate. The same smoke floats over all our heads. Help one another. It is the only way to survive.
”
”
Elie Wiesel (Night)
“
It's dangerous to let your enemy see weakness. Weakness can git you killed.
”
”
Moira Young (Blood Red Road (Dust Lands, #1))
“
a road trip with her ex? danger ahead...
”
”
Lauren Barnholdt (Two-Way Street)
“
There's more to getting to where you're going then just knowing there's a road.
”
”
Joan Lowery Nixon (In the Face of Danger (Orphan Train Adventures, #3))
“
I understand addiction now. I never did before, you know. How could a man (or a woman) do something so self-destructive, knowing that they’re hurting not only themselves, but the people they love? It seemed that it would be so incredibly easy for them to just not take that next drink. Just stop. It’s so simple, really. But as so often happens with me, my arrogance kept me from seeing the truth of the matter.
I see it now though.
Every day, I tell myself it will be the last. Every night, as I’m falling asleep in his bed, I tell myself that tomorrow I’ll book a flight to Paris, or Hawaii, or maybe New York. It doesn’t matter where I go, as long as it’s not here. I need to get away from Phoenix—away from him—before this goes even one step further.
And then he touches me again, and my convictions disappear like smoke in the wind.
This cannot end well. That’s the crux of the matter, Sweets. I’ve been down this road before—you know I have—and there’s only heartache at the end. There’s no happy ending waiting for me like there was for you and Matt. If I stay here with him, I will become restless and angry. It’s happening already, and I cannot stop it. I’m becoming bitter and terribly resentful. Before long, I will be intolerable, and eventually, he’ll leave me. But if I do what I have to do, what my very nature compels me to do, and move on, the end is no better. One way or another, he’ll be gone. Is it not wiser to end it now, Sweets, before it gets to that point? Is it not better to accept that this happiness I have is destined to self-destruct?
Tomorrow I will leave. Tomorrow I will stop delaying the inevitable. Tomorrow I will quit lying to myself, and to him.
Tomorrow.
What about today, you ask? Today it’s already too late. He’ll be home soon, and I have dinner on the stove, and wine chilling in the fridge. And he will smile at me when he comes through the door, and I will pretend like this fragile, dangerous thing we have created between us can last forever.
Just one last time, Sweets. Just one last fix. That’s all I need.
And that is why I now understand addiction.
”
”
Marie Sexton (Strawberries for Dessert (Coda, #4; Strawberries for Dessert, #1))
“
I look at her lips shiny and thick with so much gloss. There’s a wavering quality to her voice, like a car swerving down a dangerous road.
”
”
Mona Awad (Bunny (Bunny, #1))
“
a) he's late.
b) he's acting like an asshole and blowing me off.
c)he's gotten into a horrible car crash that's left dead.
The most likely answer is A. (We went to prom together, and the limo had to wait in his driveway for half an hour. At the end of the night, we got charged for an extra hour. He- read: his parents- paid for it, but still.)
”
”
Lauren Barnholdt (Two-Way Street)
“
It towers above us, dark an jagged an dangerous. Behind it, more mountains stretch as far's the eye can see.
Is this th'only way to Freedom Fields? I says.
No, says Jack. I brought you this way because I thought you'd enjoy the scenery.
”
”
Moira Young (Blood Red Road (Dust Lands, #1))
“
One need not be a prophet to be aware of impending dangers. An accidental combination of experience and interest will often reveal events to one man under aspects which few yet see.
”
”
Friedrich A. Hayek (The Road to Serfdom)
“
It's a dangerous business, Frodo, going out of your door," he used to say. "You step into the Road, and if you don't keep your feet, there is no knowing where you might be swept off to. Do you realize that this is the very path that goes through Mirkwood, and that if you let it, it might take you to the Lonely Mountain or even further and to worse places?
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
Ya lied to me and put yerself in danger. If the Three hadn’t ripped you apart, those two bastards would have. Ya gotta listen to me girl. I’ve been down this road myself.’
Riley Smirked. ‘Those guys wanted to party with you too?
”
”
Jana Oliver (Forsaken (The Demon Trappers, #1))
“
Every age has had its darkness and its dangers. The task of the Christian is not to whine about the moment in which he or she lives but to understand its problems and respond appropriately to them.
”
”
Carl R. Trueman (The Rise and Triumph of the Modern Self: Cultural Amnesia, Expressive Individualism, and the Road to Sexual Revolution)
“
One flake falls, twisting down through the empty sky. One frozen speck of snow. Then another, and another, and before I know it the roads will be covered in dozens of distinct flakes. All these little pieces combining to create one giant, volatile snowstorm, something beautiful and dangerous and epic
”
”
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
“
The greatest dangers you can get into are the ones you see coming. The ones that just happen are just roads waiting to be crossed.
”
”
Melody Manful (Dominion (Guardian Angels, #1))
“
Tell me, Legolas, why did I come on this Quest? Little did I know where the chief peril lay! Truly Elrond spoke, saying that we could not foresee what we might meet upon our road. Torment in the dark was the danger that I feared, and it did not hold me back. But I would have never come, had I known the danger of light and joy.
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
The road to powerful magical items is paved with good intentions and hideous deathtraps.
”
”
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
“
On the other hand, it will be equally forgotten that the vigor of government is essential to the security of liberty; that, in the contemplation of a sound and well-informed judgment, their interest can never be separated; and that a dangerous ambition more often lurks behind the specious mask of zeal for the rights of the people than under the forbidden appearance of zeal for the firmness and efficiency of government. History will teach us that the former has been found a much more certain road to the introduction of despotism than the latter, and that of those men who have overturned the liberties of republics, the greatest number have begun their career by paying an obsequious court to the people; commencing demagogues, and ending tyrants.
”
”
Alexander Hamilton (The Federalist Papers)
“
You're just another f*cking mirage on my road to hell" ~Johnathon Lee Ashfield, AKA Sade~
”
”
Lucian Bane (Mercy (Mercy, #1))
“
The man who promises everything is sure to fulfil nothing, and everyone who promises too much is in danger of using evil means in order to carry out his promises, and is already on the road to perdition.
”
”
C.G. Jung
“
Then don't. I can't help you. They say that women dream of danger to those in their care and men of danger to themselves. But I don't dream at all. You say you can't? Then don't do it. That's all. Because I am done with my own whorish heart and I have been for a long time. You talk about taking a stand but there is no stand to take. My heart was ripped out of me the night he was born so don't ask for sorrow now. There is none. Maybe you'll be good at this. I doubt it, but who knows. The one thing I can tell you is that you won't survive for yourself. I know because I would have never have come this far. A person who had no one would be well advised to cobble together some passable ghost. Breathe it into being and coax it along with words of love. Offer it each phantom crumb and sheild it from harm with your body. As for me my only hope is for eternal nothingness and I hope it with all my heart.
”
”
Cormac McCarthy (The Road)
“
You was the onlyest person that looked past my skin and past my meanness and saw that there was somebody on the inside worth savin...We all has more in common than we think. You stood up with courage and faced me when I was dangerous, and it changed my life. You loved me for who I was on the inside, the person God meant for me to be, the one that had just gotten lost for a while on some ugly roads in life.
”
”
Ron Hall (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
“
It's the danger that makes it fun.
”
”
Katie McGarry (Walk the Edge (Thunder Road, #2))
“
As long as we know what it's about, then we can have the courage to go wherever we are asked to go, even if we fear that the road may take us through danger and pain.
”
”
Madeleine L'Engle (Walking on Water: Reflections on Faith and Art)
“
what sets wilderness apart in the modern day is not that it's dangerous (it's almost certainly safer than any town or road) or that it's solitary (you can, so they say, be alone in a crowded room) or full of exotic animals (there are more at the zoo). it's that five miles out in the woods you can't buy anything.
”
”
Bill McKibben (The Age of Missing Information)
“
To become what one is, one must not have the faintest notion of what one is... The whole surface of consciousness - for consciousness -is- a surface - must be kept clear of all great imperatives. Beware even of every great word, every great pose! So many dangers that the instinct comes too soon to "understand itself" --.
Meanwhile, the organizing idea that is destined to rule keeps growing deep down - it begins to command, slowly it leads us back from side roads and wrong roads; it prepares single qualities and fitnesses that will one day prove to be indispensable as a means toward a whole - one by one, it trains all subservient capacities before giving any hint of the dominant task, "goal," "aim," or "meaning.
”
”
Friedrich Nietzsche (Ecce Homo/The Antichrist)
“
It is dangerous to make everybody go forward by the same road: and worse to measure others by oneself.
”
”
Ignatius of Loyola
“
14. Muddy Road
Tanzan and Ekido were once traveling together down a muddy road. A heavy rain was still falling.
Coming around a bend, they met a lovely girl in a silk kimono and sash, unble to cross the intersection.
"Come on, girl," said Tanzan at once. Lifting her in his arms, he carriedher over the mud.
Ekido did not speak again until that night when they reached a lodging temple. Then he could no longer restrain himself. "We monks don't go near females," he told Tanzan, "especially not young and lovely ones. It is dangerous. Why did you do that?"
"I left the girl there," said Tanzan. "Are you still carrying her?
”
”
Nyogen Senzaki (Zen Flesh, Zen Bones: A Collection of Zen and Pre-Zen Writings)
“
Look to your right... It is the path back home. If you choose, you can take it. It is safe, easy, and comfortable. You do not have to work out or fight or do anything else you do not want to...
Or you can keep moving forward. I will not lie to you. I cannot predict what may become of you. It will require a lot of training, hard work, study, and danger. But in the very end, you will know strength. I swear it. You might just become someone who will make a difference in the world.
”
”
Wesley Chu (The Lives of Tao (Tao, #1))
“
On that walk around the building, two sets of cops coming out stopped to tell our guys to hustle us inside so they could head back out on the road. Accidents everywhere. A pileup on
each of two major roads. “Welcome to winter,” one said. “When fifty percent of drivers should have their licenses temporarily suspended.
”
”
Kelley Armstrong (Dangerous (Darkest Powers, #0.5))
“
He looked at their shabby clothes in puzzlement.
“We were traveling anonymously for safety—” explained the magus.
“But surely—”
“—and then we were robbed on the road.”
“Ah,” said the king, “the danger in being anonymous.
”
”
Megan Whalen Turner
“
All extremes are dangerous. It is best to keep in the middle of the road, in the common ruts, however muddy.
”
”
Virginia Woolf (The Common Reader)
“
When I found you, Father, everything seemed to be new and
smooth, as if I had pulled onto a fine highway from a bumpy village
road.
”
”
Kwei Quartey (Last Seen in Lapaz (Emma Djan Investigation #3))
“
(Why flowers are so important to the main character)
I need the reminder that God loves to make detailed and beautiful things, and that act of creation is itself a sufficient reason to make them. These flowers will live and die here, the majority of them never seen, even though a busy road is less than a mile away.
”
”
Dee Henderson (Danger in the Shadows (O'Malley, #0))
“
Hitting is never the best way to teach a child. Even in the case of real danger - as when a child runs out into the road - you can grab him, sit him down, look him in the eyes, and tell him why he must never do that again. The panic in your voice will communicate your message much more effectively than any spanking. You can be dramatic without being abusive.
”
”
Peggy O'Mara
“
Two roads diverged in a yellow-wallpapered room, and we pirates took the better one,
”
”
India Holton (The Wisteria Society of Lady Scoundrels (Dangerous Damsels, #1))
“
Standing in the middle of the road is very dangerous; you get knocked down by the traffic from both sides.
”
”
Margaret Thatcher
“
Ever man should have the courage to stand up and face the enemy,' I said, 'cause ever person that looks like a enemy on the outside ain't necessarily one on the inside. We all has more in common that we think. You stood up with courage and faced me when I was dangerous, and it changed my life. You loved me for who I was on the inside, the person God meant for me to be, the one that had just gotten lost for a while on some ugly roads in life.
”
”
Ron Hall (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
“
The fact is that the government, like a highwayman, says to a man: Your money, or your life...The government does not, indeed, waylay a man in a lonely place, spring upon him from the road side and, holding a pistol to his head, proceed to rifle his pockets. But the robbery is none the less a robbery on that account; and it is far more dastardly and shameful. The highwayman takes solely upon himself the responsibility, danger, and crime of his own act. He does not pretend that he has any rightful claim to your money, or that he intends to use it for your own benefit. He does not pretend to be anything but a robber...Furthermore, having taken your money, he leaves you as you wish him to do. He does not persist in following you on the road, against your will; assuming to be your rightful 'sovereign,' on account of the 'protection' he affords you.
”
”
Lysander Spooner
“
It was dangerous to go back, at least for him, to even think of those days when he was too young and had no way to save the dying. He could only whisper to them, tell them not to be afraid, and that someday, he would avenge them.
”
”
Christine Feehan (Vengeance Road (Torpedo Ink, #2))
“
And then there are the laziest and most presumptuous of people, those who can read but who don’t bother, who live in the smuggest ignorance and seem to me dangerous.
”
”
Paul Theroux (Deep South: Four Seasons on Back Roads)
“
Your shadow is bought and paid for, and your death will not remit that payment. You can go shadowless into the shadowless world, and your death will only be one last dark thing on my long dark road. It will hurt me but I do not care. It is all but over.
”
”
Erin Bow (Plain Kate)
“
All men think they're great kissers. Just like you think you're the only decent driver on the road."
"Maybe, but I am. Amazing kisser. Dangerously amazing. Your panties would, like, disintegrate, I'm such an awesome kisser.
”
”
Meg Maguire (Making Him Sweat (Wilinski's, #1))
“
I don’t know,’ said Frodo. ‘It came to me then, as if I was making it up; but I may have heard it long ago. Certainly it reminds me very much of Bilbo in the last years, before he went away. He used often to say there was only one Road; that it was like a great river: its springs were at every doorstep, and every path was its tributary. “It’s a dangerous business, Frodo, going out of your door,” he used to say. “You step into the Road, and if you don’t keep your feet, there is no knowing where you might be swept off to. Do you realize that this is the very path that goes through Mirkwood, and that if you let it, it might take you to the Lonely Mountain or even further and to worse places?” He used to say that on the path outside the front door at Bag End, especially after he had been out for a long walk.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
In the face of all the dire and often accurate warnings of danger on the road for women, it took modern feminism to ask the rock-bottom question: Compared to what? Whether by dowry murders in India, honor killings in Egypt, or domestic violence in the United States, records show that women are most likely to be beaten or killed at home and by men they know. Statistically speaking, home is an even more dangerous place for women than the road. Perhaps the most revolutionary act for a woman will be a self-willed journey—and to be welcomed when she comes home.
”
”
Gloria Steinem (My Life on the Road)
“
No matter how unattractive or how dangerous the road ahead may be, it is better than the road back. The road ahead may be veiled from sight—but you must teach yourself to regard the unknown as friendly. Remember that God is always on the road ahead. … cause me to know the way wherein I should walk; for I lift up my soul unto thee (Psalm 143:8).
”
”
Emmet Fox (Around the Year with Emmet Fox: A Book of Daily Readings)
“
Little did I know where the chief peril lay! Truly Elrond spoke, saying that we could not foresee what we might meet upon our road. Torment in the dark was the danger that I feared, and it did not hold me back. But I would not have come, had I known the danger of light and joy.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
He’s gorgeous and dangerous. Like the fallen angel Lucifer must have been. This could be the equivalent of a handshake with the devil.
”
”
Katie McGarry (Walk the Edge (Thunder Road, #2))
“
People were mirrors turned inward to infinity, where all choices and roads not taken led to an endless shifting of self.
”
”
Ann Aguirre (Mortal Danger (Immortal Game, #1))
“
As the American historian John Lewis Gaddis put it, it is like looking in a rearview mirror: if you only look back, you will land in the ditch, but it helps to know where you have come from and who else is on the road.
”
”
Margaret MacMillan (Dangerous Games: The Uses and Abuses of History (Modern Library Chronicles Series Book 31))
“
At last, Sturmhond straightened the lapels of his teal frock coat and said, “Well, Brekker, it’s obvious you only deal in half-truths and outright lies, so you’re clearly the man for the job.”
“There’s just one thing,” said Kaz, studying the privateer’s broken nose and ruddy hair. “Before we join hands and jump off a cliff together, I want to know exactly who I’m running with.”
Sturmhond lifted a brow. “We haven’t been on a road trip or exchanged clothes, but I think our introductions were civilized enough.”
“Who are you really, privateer?”
“Is this an existential question?”
“No proper thief talks the way you do.”
“How narrow-minded of you.”
“I know the look of a rich man’s son, and I don’t believe a king would send an ordinary privateer to handle business this sensitive.”
“Ordinary,” scoffed Sturmhond. “Are you so schooled in politics?”
“I know my way around a deal. Who are you? We get the truth or my crew walks.”
“Are you so sure that would be possible, Brekker? I know your plans now. I’m accompanied by two of the world’s most legendary Grisha, and I’m not too bad in a fight either.”
“And I’m the canal rat who brought Kuwei Yul-Bo out of the Ice Court alive. Let me know how you like your chances.” His crew didn’t have clothes or titles to rival the Ravkans, but Kaz knew where he’d put his money if he had any left.
Sturmhond clasped his hands behind his back, and Kaz saw the barest shift in his demeanor. His eyes lost their bemused gleam and took on a surprising weight. No ordinary privateer at all.
“Let us say,” said Sturmhond, gaze trained on the Ketterdam street below, “hypothetically, of course, that the Ravkan king has intelligence networks that reach deep within Kerch, Fjerda, and the Shu Han, and that he knows exactly how important Kuwei Yul-Bo could be to the future of his country. Let us say that king would trust no one to negotiate such matters but himself, but that he also knows just how dangerous it is to travel under his own name when his country is in turmoil, when he has no heir and the Lantsov succession is in no way secured.”
“So hypothetically,” Kaz said, “you might be addressed as Your Highness.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
A dangerous ambition more often lurks behind the specious mask of zeal for the rights of the people than under the forbidden appearance of zeal for the firmness and efficiency of government. History will teach us that the former has been found a much more certain road to the introduction of despotism than the latter, and that of those men who have overturned the liberties of republics, the greatest number have begun their career by paying an obsequious court to the people; commencing demagogues, and ending tyrants.
”
”
Alexander Hamilton
“
Once again her face changed. She was like someone standing in strong sunlight on a mountain top, looking back down the valley from which she had emerged and trembling with the memory still in her bones of the length and nature of the road she had travelled, the glaciers and forded rivers, the weariness and danger, and conscious of how far she still had to go.
”
”
Magda Szabó (The Door)
“
Women are often meticulous and safe drivers, but they are very seldom first-class. In general, Bond regarded them as a mild hazard and he always gave them plenty of road and was ready for the unpredictable. Four women in a car he regarded as the highest potential danger, and two women nearly as lethal. Women together cannot keep silent in a car, and when women talk they have to look into each other’s faces. An exchange of words is not enough. They have to see the other person’s expression, perhaps to read behind the others’ words or analyze the reaction to their own. So two women in the front seat of a car constantly distract each other’s attention from the road ahead and four women are more than doubly dangerous for the driver not only has to hear and see, what her companion is saying but also, for women are like that, what the two behind are talking about.
”
”
Ian Fleming (Thunderball (James Bond, #9))
“
From the beginning I've searched out those writers unafraid to stir up the emotions, who entrust me with their darkest passions, their most indestructible yearnings, and their most soul-killing doubts. I trust the great novelists to teach me how to live, how to feel, how to love and hate. I trust them to show me the dangers I will encounter on the road as I stagger on my own troubled passage through the complicated life of books that try to teach me how to die.
”
”
Pat Conroy (My Reading Life)
“
Places are supposed to look smaller when you go back to them, but my road just looked schizoid. A couple of the houses had had nifty little makeovers involving double glazing and amusing faux-antique pastel paint; most of them hadn't. Number 16 looked like it was on its last legs: the roof was in tatters, there was a pile of bricks and a dead wheelbarrow by the front steps, and at some point in the last twenty years someone had set the door on fire. In Number 8, a window on the first floor was lit up, gold and cozy and dangerous as hell.
”
”
Tana French (Faithful Place (Dublin Murder Squad, #3))
“
He released her hand back in her own lap. "Sometimes you give up what you love to stay alive."
"Have you ever had to do that?"
He turned his head to look at her so long it should have been dangerous, but he seemed to have a sixth sense when it came to the road. "It's coming," he said.
And he turned away, driving into the slowly dawning day.
”
”
Anne Stuart (Ice Blue (Ice, #3))
“
We are on the road to producing a race of men too mentally modest to believe in the multiplication table. We are in danger of seeing philosophers who doubt the law of gravity as being a mere fancy of their own. Scoffers of old time were too proud to be convinced; but these are too humble to be convinced.
”
”
G.K. Chesterton (Orthodoxy)
“
A patriarchal blessing is a revelation to the recipient, even a white line down the middle of the road, to protect, inspire, and motivate activity and righteousness. A patriarchal blessing literally contains chapters from your book of eternal possibilities. I say eternal, for just as life is eternal, so is a patriarchal blessing. What may not come to fulfillment in this life may occur in the next. We do not govern God's timetable. 'For my thoughts are not your thoughts, neither are your ways my ways, saith the Lord.' . . .
Your patriarchal blessing is yours and yours alone. It may be brief or lengthy, simple or profound. Length and language do not a patriarchal blessing make. It is the Spirit that conveys the true meaning. Your blessing is not to be folded neatly and tucked away. It is not to be framed or published. Rather, it is to be read. It is to be loved. It is to be followed. Your patriarchal blessing will see you through the darkest night. It will guide you through life's dangers. . . . Your patriarchal blessing is to you a personal Liahona to chart your course and guide your way.
”
”
Thomas S. Monson
“
Shake hands, we shall never be friends; give over:
I only vex you the more I try.
All's wrong that ever I've done and said,
And nought to help it in this dull head:
Shake hands, goodnight, goodbye.
But if you come to a road where danger
Or guilt or anguish or shame's to share,
Be good to the lad that loves you true
And the soul that was born to die for you,
And whistle and I'll be there.
”
”
A.E. Housman (A Shropshire Lad)
“
A man once said of women, "Women are like roads, the more curves, the more fun, exciting and dangerous they are." While the evolved man smiles with class and confidence and says, women with more curves, twists and turns in her mind are the most beautiful, exciting, dangerous creatures alive. And the evolved woman, well, she will accept no less than the evolved man; a man with honor, dignity and depth.
”
”
Melody Lee (Moon Gypsy)
“
Philosophy being nothing else but the study of wisdom and truth, it may with reason be expected that those who have spent most time and pains in it should enjoy a greater calm and serenity of mind, a greater clearness and evidence of knowledge, and be less disturbed with doubts and difficulties than other men. Yet so it is, we see the illiterate bulk of mankind that walk the high-road of plain common sense, and are governed by the dictates of nature, for the most part easy and undisturbed. To them nothing that is familiar appears unaccountable or difficult to comprehend. They complain not of any want of evidence in their senses, and are out of all danger of becoming Sceptics. But no sooner do we depart from sense and instinct to follow the light of a superior principle, to reason, meditate, and reflect on the nature of things, but a thousand scruples spring up in our minds concerning those things which before we seemed fully to comprehend. Prejudices and errors of sense do from all parts discover themselves to our view; and, endeavouring to correct these by reason, we are insensibly drawn into uncouth paradoxes, difficulties, and inconsistencies, which multiply and grow upon us as we advance in speculation, till at length, having wandered through many intricate mazes, we find ourselves just where we were, or, which is worse, sit down in a forlorn Scepticism.
”
”
George Berkeley
“
Ignoring our problems won’t make them go away. We’re playing a dangerous game, and I’ll be honest, I don’t know how many more hits I can take.”
“You want me to walk away?”
“No,” she says quietly. “I never wanted you to walk away. I need you, but I don’t know how to be with you. You need me, but you don’t know how to be with me either.
”
”
Katie McGarry (Long Way Home (Thunder Road, #3))
“
But that will leave no place for us!’ cried Pippin in dismay. ‘We don’t want to be left behind. We want to go with Frodo.’ ‘That is because you do not understand and cannot imagine what lies ahead,’ said Elrond. ‘Neither does Frodo,’ said Gandalf, unexpectedly supporting Pippin. “Nor do any of us see clearly. It is true that if these hobbits understood the danger, they would not dare to go. But they would still wish to go, or wish that they dared, and be shamed and unhappy. I think, Elrond, that in this matter it would be well to trust rather to their friendship than to great wisdom. Even if you chose for us an elf-lord, such as Glorfindel, he could not storm the Dark Tower, nor open the road to the Fire by the power that is in him.
”
”
J.R.R. Tolkien
“
The sensitive person's hostility to the machine is in one sense unrealistic, because of the obvious fact that the machine has come to stay. But as an attitude of mind there is a great deal to be said for it. The machine has got to be accepted, but it is probably better to accept it rather as one accepts a drug - that is, grudgingly and suspiciously. Like a drug, the machine is useful, dangerous and habit-forming. The oftener one surrenders to it the tighter its grip becomes.
”
”
George Orwell (The Road to Wigan Pier)
“
Dangerous and indifferent ground: against its fixed mass the tragedies of people count for nothing although the signs of misadventure are everywhere. No past slaughter nor cruelty, no accident nor murder that occurs on the little ranches or at the isolate crossroads with their bare populations of three or seventeen, or in the reckless trailer courts of mining towns delays the flood of morning light. Fences, cattle, roads, refineries, mines, gravel pits, traffic lights, graffiti'd celebration of athletic victory on bridge overpass, crust of blood on the Wal-Mart loading dock, the sun-faded wreaths of plastic flowers marking death on the highway are ephemeral. Other cultures have camped here a while and disappeared. Only earth and sky matter. Only the endlessly repeated flood of morning light. You begin to see that God does not owe us much beyond that.
”
”
Annie Proulx
“
My own acid-eating experience is limited in terms of total consumption, but widely varied as to company and circumstances ... and if I had a choice of repeating any one of the half dozen bouts I recall, I would choose one of those Hell's Angels parties in La Honda, complete with all the mad lighting, cops on the road, a Ron Boise sculpture looming out of the woods, and all the big speakers vibrating with Bob Dylan's "Mr. Tambourine Man." It was a very electric atmosphere. If the Angels lent a feeling of menace, they also made it more interesting ... and far more alive than anything likely to come out of a controlled experiment or a politely brittle gathering of well-educated truth-seekers looking for wisdom in a capsule. Dropping acid with the Angels was an adventure; they were too ignorant to know what to expect, and too wild to care. They just swallowed the stuff and hung on ... which is probably just as dangerous as the experts say, but a far, far nuttier trip than sitting in some sterile chamber with a condescending guide and a handful of nervous, would-be hipsters.
”
”
Hunter S. Thompson (Hell's Angels)
“
Gimli wept openly.
"I have looked the last on that which was fairest," he said to Legolas his companion. "Henceforth I will call nothing fair unless it be her gift." He put his hand to his breast.
"Tell me Legolas, why did I come on this Quest? Little did I know where the chief peril lay! Truly Elrond spoke, saying that we could not foresee what we might meet upon our road. Torment in the dark was the danger that I feared, and it did not hold me back. But I would not have come, had I known the danger of light and joy.
”
”
J.R.R. Tolkien
“
As I discussed in the previous chapter, attachment researchers have shown that our earliest caregivers don't only feed us, dress us, and comfort us when we are upset; they shape the way our rapidly growing brain perceives reality. Our interactions with our caregivers convey what is safe and what is dangerous: whom we can count on and who will let us down; what we need to do to get our needs met. This information is embodied in the warp and woof of our brain circuitry and forms the template of how we think of ourselves and the world around us. These inner maps are remarkably stable across time.
This doesn‘t mean, however, that our maps can‘t be modified by experience. A deep love relationship, particularly during adolescence, when the brain once again goes through a period of exponential change, truly can transform us. So can the birth of a child, as our babies often teach us how to love. Adults who were abused or neglected as children can still learn the beauty of intimacy and mutual trust or have a deep spiritual experience that opens them to a larger universe. In contrast, previously uncontaminated childhood maps can become so distorted by an adult rape or assault that all roads are rerouted into terror or despair. These responses are not reasonable and therefore cannot be changed simply by reframing irrational beliefs.
”
”
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
“
It is lonely behind these boundaries. Some people-particularly those whom psychiatrists call schizoid-because of unpleasant, traumatizing experiences in childhood, perceive the world outside of themselves as unredeemably dangerous, hostile, confusing and unnurturing. Such people feel their boundaries to be protecting and comforting and find a sense of safety in their loneliness. But most of us feel our loneliness to be painful and yearn to escape from behind the walls of our individual identities to a condition in which we can be more unified with the world outside of ourselves. The experience of falling in love allows us this escapetemporarily. The essence of the phenomenon of falling in love is a sudden collapse of a section of an individual's ego boundaries, permitting one to merge his or her identity with that of another person. The sudden release of oneself from oneself, the explosive pouring out of oneself into the beloved, and the dramatic surcease of loneliness accompanying this collapse of ego boundaries is experienced by most of us as ecstatic. We and our beloved are one! Loneliness is no more!
In some respects (but certainly not in all) the act of falling in love is an act of regression. The experience of merging with the loved one has in it echoes from the time when we were merged with our mothers in infancy. Along with the merging we also reexperience the sense of omnipotence which we had to give up in our journey out of childhood. All things seem possible! United with our beloved we feel we can conquer all obstacles. We believe that the strength of our love will cause the forces of opposition to bow down in submission and melt away into the darkness. All problems will be overcome. The future will be all light. The unreality of these feelings when we have fallen in love is essentially the same as the unreality of the two-year-old who feels itself to be king of the family and the world with power unlimited.
Just as reality intrudes upon the two-year-old's fantasy of omnipotence so does reality intrude upon the fantastic unity of the couple who have fallen in love. Sooner or later, in response to the problems of daily living, individual will reasserts itself. He wants to have sex; she doesn't. She wants to go to the movies; he doesn't. He wants to put money in the bank; she wants a dishwasher. She wants to talk about her job; he wants to talk about his. She doesn't like his friends; he doesn't like hers. So both of them, in the privacy of their hearts, begin to come to the sickening realization that they are not one with the beloved, that the beloved has and will continue to have his or her own desires, tastes, prejudices and timing different from the other's. One by one, gradually or suddenly, the ego boundaries snap back into place; gradually or suddenly, they fall out of love. Once again they are two separate individuals. At this point they begin either to dissolve the ties of their relationship or to initiate the work of real loving.
”
”
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
“
What happens when one has striven long and hard to develop a working view of the world, a seemingly useful, workable map, and then is confronted with new information suggesting that the view is wrong and the map needs to be largely redrawn? The painful effort required seems frightening, almost overwhelming. What we do more often than not, and usually unconsciously, is to ignore the new information. Often this act of ignoring is much more than passive. We may denounce the new information as false, dangerous, heretical, the work of the devil. We may actually crusade against it, and even attempt to manipulate the world so as to make it conform to our view of reality. Rather than try to change the map, an individual may try to destroy the new reality.
”
”
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
“
THE BEAR AND THE TRAVELLERS Two Travellers were on the road together, when a Bear suddenly appeared on the scene. Before he observed them, one made for a tree at the side of the road, and climbed up into the branches and hid there. The other was not so nimble as his companion; and, as he could not escape, he threw himself on the ground and pretended to be dead. The Bear came up and sniffed all round him, but he kept perfectly still and held his breath: for they say that a bear will not touch a dead body. The Bear took him for a corpse, and went away. When the coast was clear, the Traveller in the tree came down, and asked the other what it was the Bear had whispered to him when he put his mouth to his ear. The other replied, “He told me never again to travel with a friend who deserts you at the first sign of danger.
”
”
Aesop (Aesop's Fables)
“
Cinderella was such a dork. She left behind her glass slipper at the ball and then went right back to her stemonster's house. It seems to me she sho8ld have worn the glass slipper always, to make herself easier to find. I always hoped that after the prince found Cinderella and they rode away in their magnificant carriage, after a few miles she turned to him and said, "Could you drop me off down the road please? Now that I've finally escaped my life of horrific abuse, I'd like to see something of the world, you know? ...I'll catch back up with you later, Prince, once I've found my own way.
Anyone tell you that you grew up to be sort of cute? In like a misfit type of way?
The secret tactic f a good bargainer is to know when to compromise
You have to trust the words. They do not create anything more than themselves.
And while sometimes delights can be tiresome, mostly they re ..Pure, They're burnished by their own hopes
This must be part of Mother Nature's master plan- making these boys so irresistibly cute, in such a naughty way, that the purity of their intentions becomes irrelevant.
I am trying to embrace danger
”
”
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
What happens when one has striven long and hard to develop a working view of the world, a seemingly useful, workable map, and then is confronted with new information suggesting that that view is wrong and the map needs to be largely redrawn? The painful effort required seems frightening, almost overwhelming. What we do more often than not, and usually unconsciously, is to ignore the new information. Often this act of ignoring is much more than passive. We may denounce the new information as false, dangerous, heretical, the work of the devil. We may actually crusade against it, and even attempt to manipulate the world so as to make it conform to our view of reality. Rather than try to change the map, an individual may try to destroy the new reality.
”
”
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
“
Some things you carry around inside you as though they were part of your blood and bones, and when that happens, there’s nothing you can do to forget
…But I had never been much of a believer. If anything, I believed that things got worse before they got better. I believed good people suffered... people who have faith were so lucky; you didn’t want to ruin it for them. You didn’t want to plant doubt where there was none. You had to treat suck individuals tenderly and hope that some of whatever they were feeling rubs off on you
Those who love you will love you forever, without questions or boundaries or the constraints of time. Daily life is real, unchanging as a well-built house. But houses burn; they catch fire in the middle of the night.
The night is like any other night of disaster, with every fact filtered through a veil of disbelief. The rational world has spun so completely out of its orbit, there is no way to chart or expect what might happen next
At that point, they were both convinced that love was a figment of other people’s imaginations, an illusion fashioned out of smoke and air that really didn’t exist
Fear, like heat, rises; it drifts up to the ceiling and when it falls down it pours out in a hot and horrible rain
True love, after all, could bind a man where he didn’t belong. It could wrap him in cords that were all but impossible to break
Fear is contagious. It doubles within minutes; it grows in places where there’s never been any doubt before
The past stays with a man, sticking to his heels like glue, invisible and heartbreaking and unavoidable, threaded to the future, just as surely as day is sewn to night
He looked at girls and saw only sweet little fuckboxes, there for him to use, no hearts involved, no souls, and, most assuredly no responsibilities.
Welcome to the real world. Herein is the place where no one can tell you whether or not you’ve done the right thing.
I could tell people anything I wanted to, and whatever I told them, that would be the truth as far as they were concerned. Whoever I said I was, well then, that’s who id be
The truths by which she has lived her life have evaporated, leaving her empty of everything except the faint blue static of her own skepticism. She has never been a person to question herself; now she questions everything
Something’s, are true no matter how hard you might try to bloc them out, and a lie is always a lie, no matter how prettily told
You were nothing more than a speck of dust, good-looking dust, but dust all the same
Some people needed saving
She doesn’t want to waste precious time with something as prosaic as sleep. Every second is a second that belongs to her; one she understands could well be her last
Why wait for anything when the world is so cockeyed and dangerous? Why sit and stare into the mirror, too fearful of what may come to pass to make a move?
At last she knows how it feels to take a chance when everything in the world is at stake, breathless and heedless and desperate for more
She’ll be imagining everything that’s out in front of them, road and cloud and sky, all the elements of a future, the sort you have to put together by hand, slowly and carefully until the world is yours once more
”
”
Alice Hoffman (Blue Diary)
“
A Boy was bathing in a river and got out of his depth, and was in great danger of being drowned. A man who was passing along a road heard his cries for help, and went to the riverside and began to scold him for being so careless as to get into deep water, but made no attempt to help him. “Oh, sir,” cried the Boy, “please help me first and scold me afterwards.” Give assistance, not advice, in a crisis. THE QUACK FROG Once upon a time a Frog came forth from his home in the marshes and proclaimed to all the world that he was a learned physician, skilled in drugs and able to cure all diseases. Among the crowd was a Fox, who called out, “You a doctor! Why, how can you set up to heal others when you cannot even cure your own lame legs and blotched and wrinkled skin?” Physician, heal thyself.
”
”
Aesop (Aesop's Fables)
“
Many people in this room have an Etsy store where they create unique, unreplicable artifacts or useful items to be sold on a small scale, in a common marketplace where their friends meet and barter. I and many of my friends own more than one spinning wheel. We grow our food again. We make pickles and jams on private, individual scales, when many of our mothers forgot those skills if they ever knew them. We come to conventions, we create small communities of support and distributed skills--when one of us needs help, our village steps in. It’s only that our village is no longer physical, but connected by DSL instead of roads. But look at how we organize our tribes--bloggers preside over large estates, kings and queens whose spouses’ virtues are oft-lauded but whose faces are rarely seen. They have moderators to protect them, to be their knights, a nobility of active commenters and big name fans, a peasantry of regular readers, and vandals starting the occasional flame war just to watch the fields burn. Other villages are more commune-like, sharing out resources on forums or aggregate sites, providing wise women to be consulted, rabbis or priests to explain the world, makers and smiths to fashion magical objects. Groups of performers, acrobats and actors and singers of songs are traveling the roads once more, entertaining for a brief evening in a living room or a wheatfield, known by word of mouth and secret signal. Separate from official government, we create our own hierarchies, laws, and mores, as well as our own folklore and secret history. Even my own guilt about having failed as an academic is quite the crisis of filial piety--you see, my mother is a professor. I have not carried on the family trade.
We dwell within a system so large and widespread, so disorganized and unconcerned for anyone but its most privileged and luxurious members, that our powerlessness, when we can summon up the courage to actually face it, is staggering. So we do not face it. We tell ourselves we are Achilles when we have much more in common with the cathedral-worker, laboring anonymously so that the next generation can see some incremental progress. We lack, of course, a Great Work to point to and say: my grandmother made that window; I worked upon the door. Though, I would submit that perhaps the Internet, as an object, as an aggregate entity, is the cathedral we build word by word and image by image, window by window and portal by portal, to stand taller for our children, if only by a little, than it does for us. For most of us are Lancelots, not Galahads. We may see the Grail of a good Classical life, but never touch it. That is for our sons, or their daughters, or further off.
And if our villages are online, the real world becomes that dark wood on the edge of civilization, a place of danger and experience, of magic and blood, a place to make one’s name or find death by bear. And here, there be monsters.
”
”
Catherynne M. Valente
“
If you’re not pursuing a dangerous quest with your life, well, then, you don’t need a Guide. If you haven’t found yourself in the midst of a ferocious war, then you won’t need a seasoned Captain. If you’ve settled in your mind to live as though this is a fairly neutral world and you are simply trying to live your life as best you can, then you can probably get by with the Christianity of tips and techniques. Maybe. I’ll give you about a fifty-fifty chance. But if you intend to live in the Story that God is telling, and if you want the life he offers, then you are going to need more than a handful of principles, however noble they may be. There are too many twists and turns in the road ahead, too many ambushes waiting only God knows where, too much at stake. You cannot possibly prepare yourself for every situation. Narrow is the way, said Jesus. How shall we be sure to find it? We need God intimately, and we need him desperately.
”
”
John Eldredge (Waking the Dead: The Glory of a Heart Fully Alive)
“
For the fortunate amongst us, the fourth danger is comfort; the temptation to follow the easy and familiar path of personal ambition and financial success so grandly spread before those who have the privilege of an education. But that is not the road history has marked out for us. There is a Chinese curse which says "May he live in interesting times." Like it or not, we live in interesting times. They are times of danger and uncertainty; but they are also the most creative of any time in the history of mankind. And everyone here will ultimately be judged - will ultimately judge himself - on the effort he has contributed to building a new world society and the extent to which his ideals and goals have shaped that effort."
Robert F. Kennedy Speeches
Day of Affirmation Address, University of Capetown, Capetown, South Africa, June 6, 1966
”
”
Robert F. Kennedy
“
People allow India to exist only in two versions: In the first, everything is too beautiful to be encapsulated, women are swarthy and hippy, shoeless boys play soccer in dirt roads, elephants roam the streets, and temples are merely there for your enjoyment. In the second, India is a country lurching forward awkwardly, suffering a rape epidemic, incapable of a feminist movement or proper health care, a place where people shit and piss in the streets, where the caste system has ruined entire generations, where poverty is so rampant and depressing that you'll hardly make it out with your soul intact, where your IT centre is based, a place just close enough to Pakistan or Iraq or Afghanistan to be scary, but stable enough to be fun and exotic. Because, boy, isn't the food good, and aren't the landmarks something, and hasn't everyone there figured out a kind of profound meditative inner peace that we should all learn from? Like all things, the truth lies somewhere in the middle. A place, any place, can be beautiful and perfect and damaged and dangerous at the same time.
”
”
Scaachi Koul (One Day We'll All Be Dead and None of This Will Matter)
“
Miss Finch, it’s not wise for officers to quarter in the same house with an unmarried gentlewoman. Have a care for your reputation, if your father does not.”
“Have a care for my reputation?” She had to laugh. Then she lowered her voice. “This, from the man who flattened me in the road and kissed me without leave?”
“Precisely.” His eyes darkened.
His meaning washed over her in a wave of hot, sensual awareness. Surely he wasn’t implying…
No. He wasn’t implying at all. Those hard jade eyes were giving her a straightforward message, and he underscored it with a slight flex of his massive arms: I am every bit as dangerous as you suppose. If not more so.
“Take your kind invitation and run home with it. When soldiers and maids live under the same roof, things happen. And if you happened to find yourself under me again…” His hungry gaze raked her body. “You wouldn’t escape so easily.”
She gasped. “You are a beast.”
“Just a man, Miss Finch. Just a man.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
Marry me, Thena, please.
I tried to sigh and would have managed it, had he left me enough air space. If he intended on kissing me like this a lot, I was going to need a nose-mask and oxygen tanks in the future.
Yes, I said reluctantly, I think I must.
It was perfectly clear to me that the poor man had become disturbed in his reason, and in those conditions it would be cruel and unfair to send him to space alone, much less when space had become so dangerous. I must marry him, just to make sure he stayed safe. It was the least I could do, since I was fairly sure I'd started him on this road by trying to garrotte him and reducing his supply of oxygen to the
brain.
Yes, yes, you must, he said. It gets very boring in the Cathouse, without anyone to kick me.
Poor man. Madder than a broomer hopped up on oblivium.
”
”
Sarah A. Hoyt (DarkShip Thieves (Darkship, #1))
“
Fifteen years ago, the cultural critic Greil Marcus wrote of Jimi's performance of our national anthem as "his great NO to the war, to racism, to whatever you or he might think of and want gone. But then that discord shattered, and for more than four and a half long, complex minutes Hendrix pursued each invisible crack in a vessel that had once been whole, feeling out and exploring and testing himself and his music against anguish, rage, fear, hate, love offered, and love refused. When he finished, he had created an anthem that could never be summed up and that would never come to rest. In the end it was a great YES, both a threat and a beckoning, an invitation to America to match its danger, glamour, and freedom."
...
In late 1969, Jimi Hendrix wrote a poem celebrating Woodstock, saying with words what his music had in August: "500,000 halos outshined the mud and history. We washed and drank in God's tears of joy. And for once, and for everyone, the truth was not still a mystery.
”
”
Michael Lang (The Road to Woodstock)
“
Here's a note to the parents of addicted children: choose your music carefully. Avoid Louis Armstrong's "What a Wonderful World", from the Polaroid or Kodak or whichever commercial, and the songs "Turn Around" and "Sunrise, Sunset" and - there are thousands more. Avoid Cyndi Lauper's "Time After Time," and this one, Eric Clapton's song about his son. Leonard Cohen's "Hallelujah" sneaked up on me one time. The music doesn't have to be sentimental. Springsteen can be dangerous. John and Yoko. Bjork. Dylan. I become overwhelmed when I hear Nirvana. I want to scream like Kurt Cobain. I want to scream at him. Music isn't all that does it. There are millions of treacherous moments. Driving along Highway 1, I will see a peeling wave. Or I will reach the fork where two roads meet near Rancho Nicasio, where we veered to the left in carpool. A shooting star on a still night at the crest of Olema Hill. With friends, I hear a good joke - one that Nic would appreciate. The kids do something funny or endearing. A story. A worn sweater. A movie. Feeling wind and looking up, riding my bike. A million moments.
”
”
David Sheff (Beautiful Boy: A Father's Journey Through His Son's Addiction)
“
Advice"
I must do as you do? Your way I own
Is a very good way, and still,
There are sometimes two straight roads to a town,
One over, one under the hill.
You are treading the safe and the well-worn way,
That the prudent choose each time;
And you think me reckless and rash to-day
Because I prefer to climb.
Your path is the right one, and so is mine.
We are not like peas in a pod,
Compelled to lie in a certain line,
Or else be scattered abroad.
'T were a dull old world, methinks, my friend,
If we all just went one way;
Yet our paths will meet no doubt at the end,
Though they lead apart today.
You like the shade, and I like the sun;
You like an even pace,
I like to mix with the crowd and run,
And then rest after the race.
I like danger, and storm, and strife,
You like a peaceful time;
I like the passion and surge of life,
You like its gentle rhyme.
You like buttercups, dewy sweet,
And crocuses, framed in snow;
I like roses, born of the heat,
And the red carnation's glow.
I must live my life, not yours, my friend,
For so it was written down;
We must follow our given paths to the end,
But I trust we shall meet--in town.
”
”
Ella Wheeler Wilcox
“
The only thing we can do now,” said Benjy, crouching and stroking his whiskers in thought, “is to try and fake a question, invent one that will sound plausible.”
“Difficult,” said Frankie. He thought. “How about, What's yellow and dangerous?”
Benjy considered this for a moment.
“No, no good,” he said. “Doesn't fit the answer.”
They sank into silence for a few seconds.
“All right,” said Benjy. “What do you get if you multiply six by seven?”
“No, no, too literal, too factual,” said Frankie, “wouldn't sustain the punter's interest.”
Again they thought.
Then Frankie said: “Here's a thought. How many roads must a man walk down?”
“Ah!” said Benjy. “Aha, now that does sound promising!” He rolled the phrase around a little. “Yes,” he said, “that's excellent! Sounds very significant without actually tying you down to meaning anything at all. How many roads must a man walk down? Forty-two. Excellent, excellent, that'll fox 'em. Frankie, baby, we are made!
”
”
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (The Hitchhiker's Guide to the Galaxy, #1))
“
I am still vaguely haunted by our hitchhiker’s remark about how he’d “never rode in a convertible before.” Here’s this poor geek living in a world of convertibles zipping past him on the highways all the time, and he’s never even ridden in one. It made me feel like King Farouk. I was tempted to have my attorney pull into the next airport and arrange some kind of simple, common-law contract whereby we could just give the car to this unfortunate bastard. Just say: “Here, sign this and the car’s yours.” Give him the keys and then use the credit card to zap off on a jet to some place like Miami and rent another huge fireapple-red convertible for a drug-addled, top-speed run across the water all the way out to the last stop in Key West … and then trade the car off for a boat. Keep moving. But this manic notion passed quickly. There was no point in getting this harmless kid locked up—and, besides, I had plans for this car. I was looking forward to flashing around Las Vegas in the bugger. Maybe do a bit of serious drag-racing on the Strip: Pull up to that big stoplight in front of the Flamingo and start screaming at the traffic: “Alright, you chickenshit wimps! You pansies! When this goddamn light flips green, I’m gonna stomp down on this thing and blow every one of you gutless punks off the road!” Right. Challenge the bastards on their own turf. Come screeching up to the crosswalk, bucking and skidding with a bottle of rum in one hand and jamming the horn to drown out the music … glazed eyes insanely dilated behind tiny black, gold-rimmed greaser shades, screaming gibberish … a genuinely dangerous drunk, reeking of ether and terminal psychosis. Revving the engine up to a terrible high-pitched chattering whine, waiting for the light to change … How often does a chance like that come around? To jangle the bastards right down to the core of their spleens. Old elephants limp off to the hills to die; old Americans go out to the highway and drive themselves to death with huge cars.
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Hunter S. Thompson (Fear and Loathing in Las Vegas)
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They have never put it into words, they cannot; but each absence is a threat. They never felt this way in New York - they moved all over New York. Here each is afraid that one of the others will get into some terrible trouble before he is seen again, and before anyone can help him. It is the spirit of the people, the eyes which endlessly watch them, eyes which never meet their eyes. Something like lust, something like hatred, seems to hover in the air along the country roads, shifting like mist or steam, but always there, gripping the city streets like fog, making every corner a dangerous corner. They spend more of themselves, each day, than they can possibly afford, they are living beyond their means; they drop into bed each evening, exhausted, into an exhausting sleep. And no one can help them. The people who live here know how to do it - so it seems, anyway - but they cannot teach the secret. The secret can be learned only by watching, by emulating the models, by dangerous trial and possibly mortal error.
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James Baldwin (Just Above My Head)
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It seems that there is a general rule in the moral universe which may be formulated, 'The higher, the more in danger'. The 'average sensual man' who is sometimes unfaithful to his wife, sometimes tipsy, always a little selfish, now and then (within the law) a trifle sharp in his deals, is certainly, by ordinary standards, a 'lower' type than the man whose soul is filled with some great Cause, to which he will subordinate his appetites, his fortune, and even his safety. But it is out of the second man that something really fiendish can be made; an Inquisitor, a Member of the Committee of Public Safety. It is great men, potential saints, not little men, who become merciless fanatics. Those who are readiest to die for a cause may easily become those who are readiest to kill for it. ...For the supernatural, entering a human soul, opens to it new possibilities of both good and evil. From that point the road branches: one way to sanctity, love, humility, the other to spiritual pride, self-righteousness, persecuting zeal. And no way back to the mere humdrum virtues and vices of the un-awakened soul. If the Divine call does not make us better, it will make us very much worse. Of all bad men religious bad men are the worst. Of all created beings, the wickedest is one who originally stood in the immediate presence of God. There seems no way out of this. It gives a new application to Our Lord's words about 'counting the cost'.
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C.S. Lewis (Reflections on the Psalms)
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The more south we were, the more deep a sky it seemed, till, in the Valley of Mexico, I thought it held back an element too strong for life, and that the flamy brilliance of blue stood off this menace and sometimes, like a sheath or silk membrane, shoed the weight it held in sags. So when later he would fly high over the old craters on the plain, coaly bubbles of the underworld, dangerous red everywhere from the sun, and then coats of snow on the peak of the cones—gliding like a Satan—well, it was here the old priests, before the Spaniards, waited for Aldebaran to come into the middle of heaven to tell them whether or not life would go on for another cycle, and when they received their astronomical sign built their new fire inside the split and emptied chest of a human sacrifice. And also, hereabouts, worshipers disguised as gods and as gods in the disguise of birds, jumped from platforms fixed on long poles, and glided as they spun by the ropes—feathered serpents, and eagles too, the voladores, or fliers. There still are such plummeters, in market places, as there seem to be remnants or conversions or equivalents of all the old things. Instead of racks or pyramids of skulls still in their hair and raining down scraps of flesh there are corpses of dogs, rats, horses, asses, by the roads; the bones dug out of the rented graves are thrown on a pile when the lease is up; and there are the coffins looking like such a rough joke on the female form, sold in the open shops, black, white, gray, and in all sizes, with their heavy death fringes daubed in Sapolio silver on the black. Beggars in dog voices on the church steps enact the last feebleness for you with ancient Church Spanish, and show their old flails of stump and their sores. The burden carriers with the long lines, hemp lines they wind over their foreheads to hold the loads on their backs, lie in the garbage at siesta and give themselves the same exhibited neglect the dead are shown. Which is all to emphasize how openly death is received everywhere, in the beauty of the place, and how it is acknowledged that anyone may be roughly handled—the proudest—pinched, slapped, and set down, thrown down; for death throws even worse in men’s faces and makes it horrible and absurd that one never touched should be roughly dumped under, dumped upon.
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Saul Bellow (The Adventures of Augie March)
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Bill.' If you don't, I'll do this," and with that he gave me a twitch that I thought would have made me faint. Between this and that, I was so utterly terrified of the blind beggar that I forgot my terror of the captain, and as I opened the parlour door, cried out the words he had ordered in a trembling voice. The poor captain raised his eyes, and at one look the rum went out of him and left him staring sober. The expression of his face was not so much of terror as of mortal sickness. He made a movement to rise, but I do not believe he had enough force left in his body. "Now, Bill, sit where you are," said the beggar. "If I can't see, I can hear a finger stirring. Business is business. Hold out your left hand. Boy, take his left hand by the wrist and bring it near to my right." We both obeyed him to the letter, and I saw him pass something from the hollow of the hand that held his stick into the palm of the captain's, which closed upon it instantly. "And now that's done," said the blind man; and at the words he suddenly left hold of me, and with incredible accuracy and nimbleness, skipped out of the parlour and into the road, where, as I still stood motionless, I could hear his stick go tap-tap-tapping into the distance. It was some time before either I or the captain seemed to gather our senses, but at length, and about at the same moment, I released his wrist, which I was still holding, and he drew in his hand and looked sharply into the palm. "Ten o'clock!" he cried. "Six hours. We'll do them yet," and he sprang to his feet. Even as he did so, he reeled, put his hand to his throat, stood swaying for a moment, and then, with a peculiar sound, fell from his whole height face foremost to the floor. I ran to him at once, calling to my mother. But haste was all in vain. The captain had been struck dead by thundering apoplexy. It is a curious thing to understand, for I had certainly never liked the man, though of late I had begun to pity him, but as soon as I saw that he was dead, I burst into a flood of tears. It was the second death I had known, and the sorrow of the first was still fresh in my heart. 4 The Sea-chest I LOST no time, of course, in telling my mother all that I knew, and perhaps should have told her long before, and we saw ourselves at once in a difficult and dangerous position. Some of the man's money—if he had any—was certainly due to us, but it was not likely that our captain's shipmates, above all the two specimens seen by me, Black Dog and the blind beggar, would be inclined to give up their booty in payment of the dead man's debts. The captain's order to mount at once and ride for Doctor Livesey would have left my mother alone and unprotected, which was not to be thought of. Indeed, it seemed impossible for either of us to remain much longer in the house; the fall of coals in the kitchen grate, the very ticking of the clock, filled us with alarms. The neighbourhood, to our ears, seemed haunted by approaching footsteps; and what between the dead body of the captain on the parlour floor and the thought of that detestable blind beggar hovering near at hand and ready to return, there were moments when, as the saying goes, I jumped in my skin for terror. Something must speedily be resolved upon, and it occurred to us at last to go forth together and seek help in the neighbouring hamlet. No sooner said than done. Bare-headed as we were, we ran out at once in the gathering evening and the frosty fog. The hamlet lay not many hundred yards away, though out of view, on the other side of the next cove; and what greatly encouraged me, it was in an opposite direction from that whence the blind man had made his appearance and whither he had presumably returned. We were not many minutes on the road, though we sometimes stopped to lay hold of each other and hearken. But there was no unusual sound—nothing but the low wash of the ripple and the croaking of the inmates of the wood.
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Robert Louis Stevenson (Treasure Island)
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At that distance, peacefully eating, the elephant looked no more dangerous than a cow. I thought then and I think now that his attack of “must” was already passing off; in which case he would merely wander harmlessly about until the mahout came back and caught him. Moreover, I did not in the least want to shoot him. I decided that I would watch him for a little while to make sure that he did not turn savage again, and then go home.
But at that moment I glanced round at the crowd that had followed me. It was an immense crowd, two thousand at the least and growing every minute. It blocked the road for a long distance on either side. I looked at the sea of yellow faces above the garish clothes-faces all happy and excited over this bit of fun, all certain that the elephant was going to be shot. They were watching me as they would watch a conjurer about to perform a trick. They did not like me, but with the magical rifle in my hands I was momentarily worth watching. And suddenly I realized that I should have to shoot the elephant after all. The people expected it of me and I had got to do it; I could feel their two thousand wills pressing me forward, irresistibly. And it was at this moment, as I stood there with the rifle in my hands, that I first grasped the hollowness, the futility of the white man’s dominion in the East. Here was I, the white man with his gun, standing in front of the unarmed native crowd — seemingly the leading actor of the piece; but in reality I was only an absurd puppet pushed to and fro by the will of those yellow faces behind. I perceived in this moment that when the white man turns tyrant it is his own freedom that he destroys. He becomes a sort of hollow, posing dummy, the conventionalized figure of a sahib. For it is the condition of his rule that he shall spend his life in trying to impress the “natives,” and so in every crisis he has got to do what the “natives” expect of him. He wears a mask, and his face grows to fit it. I had got to shoot the elephant. I had committed myself to doing it when I sent for the rifle. A sahib has got to act like a sahib; he has got to appear resolute, to know his own mind and do definite things. To come all that way, rifle in hand, with two thousand people marching at my heels, and then to trail feebly away, having done nothing — no, that was impossible. The crowd would laugh at me. And my whole life, every white man’s life in the East, was one long struggle not to be laughed at.
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George Orwell (Shooting an Elephant)