Dancing In The Sunset Quotes

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But art is not simply works of art; it is the spirit that knows Beauty, that has music in its being and the color of sunsets in its headkerchiefs; that can dance on a flaming world and make the world dance, too.
W.E.B. Du Bois
Bright colours in the west, giant butterflies dancing as night crept like a cripple toward the east.
Roberto Bolaño (2666)
Do you see the colours, Salama?' Kenan whispers. The sunset is gorgeous, but it pales in comparison to him. He's drenched in the dying day's glow, a kaleidoscope of shades dancing on his face. Pink, orange, yellow, purple, red. Finally settling into an azure blue. It reminds me of Layla's painting. A colour so stark it would stain my fingers were I to touch it. As the sun sinks, in those few precious moments when the world is caught between day and night, something shifts between Kenan and me. 'Yes,' I breathe. 'Yes.
Zoulfa Katouh (As Long as the Lemon Trees Grow)
I have now seen sucrose beaches and water a very bright blue. I have seen an all-red leisure suit with flared lapels. I have smelled suntan lotion spread over 2,100 pounds of hot flesh. I have been addressed as "Mon" in three different nations. I have seen 500 upscale Americans dance the Electric Slide. I have seen sunsets that looked computer-enhanced. I have (very briefly) joined a conga line.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
Sometimes I wish that I could sing or dance or paint or compose symphonies or build cathedrals to express somehow what all of this means to me. I wish I were a priest or a robin or a child or a sunset.
Robert Benson (Living Prayer)
I will howl with the wolves, soar above the eagles and roam wild with the Mustang. I will breathe life into the sunrise atop a mountain, bathe naked in the streams, dance in the sunset and love beneath the stars, travelling far and wide, seeking new experiences with those who dare to run with the wind, dare to touch the storm that is me...
Virginia Alison
Where, as again Vaughan writes, the liberated soul ascends, looking at the sunset towards the west wind, and hearing secret harmonies.
Anthony Powell (Temporary Kings (A Dance to the Music of Time, #11))
Lasts I want all of my lasts to be with you. —ANONYMOUS Wouldn’t I linger with you till the sky had turned black If this was the very last sunset we’d ever see? Wouldn’t desire be trumping that pain in my back If this was the last time that you could make love to me? Would I complain you were stepping all over my toes If this was the last of the dances we’d ever dance? And wouldn’t I travel wherever the highway goes, If you traveled with me and this was our last chance?
Judith Viorst (Nearing Ninety: And Other Comedies of Late Life (Judith Viorst's Decades))
The Voyager We are all lonely voyagers sailing on life's ebb tide, To a far off place were all stripling warriors have died, Sometime at eve when the tide is low, The voices call us back to the rippling water's flow, Even though our boat sailed with love in our hearts, Neither our dreams or plans would keep heaven far apart, We drift through the hush of God's twilight pale, With no response to our friendly hail, We raise our sails and search for majestic light, While finding company on this journey to the brighten our night, Then suddenly he pulls us through the reef's cutting sea, Back to the place that he asked us to be, Friendly barges that were anchored so sweetly near, In silent sorrow they drop their salted tears, Shall our soul be a feast of kelp and brine, The wasted tales of wishful time, Are we a fish on a line lured with bait, Is life the grind, a heartless fate, Suddenly, "HUSH", said the wind from afar, Have you not looked to the heavens and seen the new star, It danced on the abyss of the evening sky, The sparkle of heaven shining on high, Its whisper echoed on the ocean's spray, From the bow to the mast they heard him say, "Hope is above, not found in the deep, I am alive in your memories and dreams when you sleep, I will greet you at sunset and with the moon's evening smile, I will light your path home.. every last lonely mile, My friends, have no fear, my work was done well, In this life I broke the waves and rode the swell, I found faith in those that I called my crew, My love will be the compass that will see you through, So don't look for me on the ocean's floor to find, I've never left the weathered docks of your loving mind, For I am in the moon, the wind and the whale's evening song, I am the sailor of eternity whose voyage is not gone.
Shannon L. Alder
It was growing dark on this long southern evening, and suddenly, at the exact point her finger had indicated, the moon lifted a forehead of stunning gold above the horizon, lifted straight out of filigreed, light-intoxicated clouds that lay on the skyline in attendant veils. Behind us, the sun was setting in a simultaneous congruent withdrawal and the river turned to flame in a quiet duel of gold....The new gold of moon astonishing and ascendant, he depleted gold of sunset extinguishing itself in the long westward slide, it was the old dance of days in the Carolina marshes, the breathtaking death of days before the eyes of children, until the sun vanished, its final signature a ribbon of bullion strung across the tops of water oaks.
Pat Conroy (The Prince of Tides)
Maybe we're just falling stars, we once danced in the same skyline looking down at the world. And we've fallen like all others, from near and far, we've gathered together, but separated by time and space, keeping a part of that light that we've came with and spreading it in this dark world that we've chosen to live in, in order to shine some light and love around. Maybe we've chosen to believe one truth today, and find it to be false tomorrow. Maybe we're trying to not get attached to the idea that we now know it all. At night, we see the truth of where we've fallen from, gazing in that night sky full of distant stars, constellations, planets, the reflection of the sun on the moon, all with their own stories to tell. Sometimes we wonder why would we leave such a mysterious place, with an infinite amount of stories and wonders. Maybe it's because as stars we could've only seen each other's light from afar, but here we can listen more carefully to each other's story, embrace each other and kiss, discover more and more of what can be seen when infinite star dust potential is put into one body and given freedom to walk the Earth and wander, love and enjoy every moment until coming back. Maybe in the morning, we'll only see one star shining up there and forget the others. Maybe that is also how life and death is, and the beauty of the sunrise and sunset that come in between, our childhood years and old years, when we reflect on the stars that we once were and that we will once again be. Maybe, just maybe.
Virgil Kalyana Mittata Iordache
I scratch down happiness, I want my ink to do happy dances, to careen across the pages staggering like a drunken fellow, giddy on moonshine or sunset.
Bryana Joy (Having Decided To Stay)
Scarcely has night arrived to undeceive, unfurling her wings of crepe (wings drained even of the glimmer just now dying in the tree-tops); scarcely has the last glint still dancing on the burnished metal heights of the tall towers ceased to fade, like a still glowing coal in a spent brazier, which whitens gradually beneath the ashes, and soon is indistinguishable from the abandoned hearth, than a fearful murmur rises amongst them, their teeth chatter with despair and rage, they hasten and scatter in their dread, finding witches everywhere, and ghosts. It is night... and Hell will gape once more.
Charles Nodier (Smarra & Trilby)
And like tea dissolving in hot water, the sun dissolved in the sky… creating a velvet horizon, announcing for the stars’ night dance with the moon, the awaited joy for the wounded souls. -- From Bali – The Rebirth
Abeer Allan
Sunset angles through the heavy curtains, drawn against the light. Dust motes dance in the red beams, ash above a dying fire. I feel like I am inside a heart, surrounded by bloody red.
Victoria Aveyard (King's Cage (Red Queen, #3))
You know those moments, whether you're in them or not, you feel something more than what you intended to feel, what you wanted to feel. That was right now. It was like watching a sunset, one that I expected to be an average sunset and knowing what the colours would be and the specific settings I would use, but then, with so much as a shift in the clouds, a sunset you never expected is revealed. It's a stolen heart in the rain, sprinkled rays of light that kiss your skin and dance in the rain to the sounds of thunder and rolling growls. It's being in the moment and giving yourself whether you intended to or not.
Shey Stahl (Waiting for You (Waiting for You, #1))
A couple of hours after Sunset Michael Robartes returned and told me that I would have to learn the steps of an exceedingly antique dance, because before my initiation could be perfected I had to join three times in a magical dance, for rhythm was the wheel of Eternity, on which alone the transient and accidental could be broken, and the spirit set free.
W.B. Yeats (Rosa Alchemica)
Colour my world with sunset peach and betwixt the dying day and blooming night, we shall dance across the impatient stars of twilight...
Virginia Alison
The sun, a red wheel, was sinking slowly in the west. Besides being spectacularly beautiful, the early-summer sunset was exceedingly soft and gentle: black mulberry leaves turned as red as roses; pristine white acacia petals shed an enshrouding pale-green aura. Mild evening breezes made both the mulberry leaves and the acacia petals dance and whirl, filling the woods with a soft rustle.
Mo Yan (The Garlic Ballads)
When the ship approached the equator, I stopped going out on deck in the daytime. The sun burned like a flame. The days had shortened and night came swiftly. One moment it was light, the next it was dark. The sun did not set but fell into the water like a meteor. Late in the evening, when I went out briefly, a hot wind slapped my face. From the ocean came a roar of passions that seemed to have broken through all barriers:'We mus procreate and multiply! We must exhaust all the powers of lust!' The waves glowed like lava, and I imagined I could see multitudes of living beings - algae, whales, sea monsters - reveling in an orgy, from the surface to the bottom of the sea. Immortality was the law here. The whole planet raged with animation. At times, I heard my name in the clamor: the spirit of the abyss calling me to join them in their nocturnal dance. ("Hanka")
Isaac Bashevis Singer (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
The tide of hope approaches us and recedes from us as we stand on the mortal shore - some of us wait for it to arrive, some chase after it, but we all vanish into the sunset and our footprints in the sand fade in time. The feet of infants replace ours, and the dance of the tide commences anew.
Stewart Stafford
I climbed the hill of firs and looked down over the fields of mist and silver in the moonlight. The shadows of the ferns and sweet wild grasses along the edge of the woods were like a dance of sprites. Away beyond the harbour, below the moonlight, was a sky of purple and amber where a sunset had been.
L.M. Montgomery (The Complete Emily Starr Trilogy: Emily of New Moon / Emily Climbs . Emily's Quest)
It is a conundrum, this reality of which we speak. And if you do not find joy in the puzzle itself, you will only have isolated moments of stamped-and-approved joy ("I graduated!" "I got the job!" "I'm getting married!" "I won the prize!" "See, I have the picture!" "It's posted online!" "It got so many likes!") and those scrumptious, unexpected ones that take you by surprise-- a sunset, a leaf dancing in the wind, a baby's glee with a wayward bubble, fireworks. As I often say, I am ultimately drawn to-- and stay closest to-- the people who can be satisfied with a state of dissatisfaction, who can find joy in the puzzle itself, who want to play with the puzzle--gnaw on the conundrum--more than they want to finish it.
Shellen Lubin
The story of the herd of seals. Hundreds of them on a beach; among them the hunter killing one after the other with a club. Together they could easily have crushed him— but they lay there, watching him come to murder, and did not move; he was only killing a neighbor— one neighbor after the other. The story of the European seals. The sunset of civilization. Tired shapeless Götterdämmerung. The empty banners of human rights. The sell-out of a continent. The onrushing deluge. The haggling for the last prices. The old dance of despair on the volcano. Peoples again slowly being driven into a slaughterhouse. The fleas would save themselves when the sheep were being sacrificed. As always.
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
But any idiot can see you two are gaga for one another.” As in Lady Gaga? Because I do enjoy riding Wade’s disco stick and playing our own version of poker face. And even though I’m terrified we’ll wind up having a bad romance, leaving me to just dance while watching Wade ride off into the sunset with Alejandro as the paparazzi followed in a frenzy, I can’t seem to stop myself from loving him. I shook the nonsense out of my head.
Ethan Day (Life in Fusion (Summit City, #2))
Shalom is the Hebrew word for “peace.” For rhythm. For everything lining up exactly how it was meant to line up. Shalom is happening in those moments when you are at the dinner table for hours with good friends, good food, and good wine. Shalom is when you hear or see something and can’t quite explain it, but you know it’s calling and stirring something deep inside of you. Shalom is a sunset, that sense of exhaustion yet satisfaction from a hard day’s work, creating art that is bigger than itself. Shalom is enemies being reconciled by love. Shalom is when you are dancing to the rhythm of God’s voice.
Jefferson Bethke (It's Not What You Think: Why Christianity Is About So Much More Than Going to Heaven When You Die)
This house had survived for many, many years. It had copper pipes that reached down into the earth like roots, its woodwork had taught its stonework how to breathe in exchange for lessons in strength, and the ironwork that chased the eaves and climbed the walls and curled along the windows danced in the sunset.
Kate Milford (Ghosts of Greenglass House (Greenglass House, #2))
They rode the tramway to the top of the mountains, watched the watermeleon-colored sunsets, and danced in Mom's little studio to Beatles songs.
Ava Dellaira (Love Letters to the Dead)
Ripples of sunset dance towards our feet, swirling into the colours from the graffiti, reflected on brown water.
Lili Wilkinson (Oona Underground: A #LoveOzYA Short Story)
I dreamed I stood upon a little hill, And at my feet there lay a ground, that seemed Like a waste garden, flowering at its will With buds and blossoms. There were pools that dreamed Black and unruffled; there were white lilies A few, and crocuses, and violets Purple or pale, snake-like fritillaries Scarce seen for the rank grass, and through green nets Blue eyes of shy peryenche winked in the sun. And there were curious flowers, before unknown, Flowers that were stained with moonlight, or with shades Of Nature's willful moods; and here a one That had drunk in the transitory tone Of one brief moment in a sunset; blades Of grass that in an hundred springs had been Slowly but exquisitely nurtured by the stars, And watered with the scented dew long cupped In lilies, that for rays of sun had seen Only God's glory, for never a sunrise mars The luminous air of Heaven. Beyond, abrupt, A grey stone wall. o'ergrown with velvet moss Uprose; and gazing I stood long, all mazed To see a place so strange, so sweet, so fair. And as I stood and marvelled, lo! across The garden came a youth; one hand he raised To shield him from the sun, his wind-tossed hair Was twined with flowers, and in his hand he bore A purple bunch of bursting grapes, his eyes Were clear as crystal, naked all was he, White as the snow on pathless mountains frore, Red were his lips as red wine-spilith that dyes A marble floor, his brow chalcedony. And he came near me, with his lips uncurled And kind, and caught my hand and kissed my mouth, And gave me grapes to eat, and said, 'Sweet friend, Come I will show thee shadows of the world And images of life. See from the South Comes the pale pageant that hath never an end.' And lo! within the garden of my dream I saw two walking on a shining plain Of golden light. The one did joyous seem And fair and blooming, and a sweet refrain Came from his lips; he sang of pretty maids And joyous love of comely girl and boy, His eyes were bright, and 'mid the dancing blades Of golden grass his feet did trip for joy; And in his hand he held an ivory lute With strings of gold that were as maidens' hair, And sang with voice as tuneful as a flute, And round his neck three chains of roses were. But he that was his comrade walked aside; He was full sad and sweet, and his large eyes Were strange with wondrous brightness, staring wide With gazing; and he sighed with many sighs That moved me, and his cheeks were wan and white Like pallid lilies, and his lips were red Like poppies, and his hands he clenched tight, And yet again unclenched, and his head Was wreathed with moon-flowers pale as lips of death. A purple robe he wore, o'erwrought in gold With the device of a great snake, whose breath Was fiery flame: which when I did behold I fell a-weeping, and I cried, 'Sweet youth, Tell me why, sad and sighing, thou dost rove These pleasent realms? I pray thee speak me sooth What is thy name?' He said, 'My name is Love.' Then straight the first did turn himself to me And cried, 'He lieth, for his name is Shame, But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame.' Then sighing, said the other, 'Have thy will, I am the love that dare not speak its name.
Alfred Bruce Douglas
Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide? And how shall you speak of her except she be the weaver of your speech? The aggrieved and the injured say, "Beauty is kind and gentle. Like a young mother half-shy of her own glory she walks among us." And the passionate say, "Nay, beauty is a thing of might and dread. Like the tempest she shakes the earth beneath us and the sky above us." The tired and the weary say, "Beauty is of soft whisperings. She speaks in our spirit. Her voice yields to our silences like a faint light that quivers in fear of the shadow." But the restless say, "We have heard her shouting among the mountains, And with her cries came the sound of hoofs, and the beating of wings and the roaring of lions." At night the watchmen of the city say, "Beauty shall rise with the dawn from the east." And at noontide the toilers and the wayfarers say, "We have seen her leaning over the earth from the windows of the sunset." In winter say the snow-bound, "She shall come with the spring leaping upon the hills." And in the summer heat the reapers say, "We have seen her dancing with the autumn leaves, and we saw a drift of snow in her hair." All these things have you said of beauty, Yet in truth you spoke not of her but of needs unsatisfied, And beauty is not a need but an ecstasy. It is not a mouth thirsting nor an empty hand stretched forth, But rather a heart enflamed and a soul enchanted. It is not the image you would see nor the song you would hear, But rather an image you see though you close your eyes and a song you hear though you shut your ears. It is not the sap within the furrowed bark, nor a wing attached to a claw, But rather a garden for ever in bloom and a flock of angels for ever in flight. People of Orphalese, beauty is life when life unveils her holy face. But you are life and you are the veil. Beauty is eternity gazing at itself in a mirror. But you are eternity and you are the mirror.
Kahlil Gibran (The Prophet)
This was different. It had synths droning and sending saltwater waves under my feet. It had drumbeats bursting like fireworks, rumbling the furniture out of place, and then a crazy, irregular, disharmonious, spiral crescendo of pure electric noise, like a typhoon dragging our bodies into it. It featured brass orchestras and choirs of mermaids and a piano in Iceland, all of them right there, visible, touchable, in Axton House. It shook us, fucked us, suspended us far above the reach of Help bouncing on his hind legs. It spoke of magenta sunsets and plastic patio chairs growing moss under summer storms rolling on caterpillar tracks. It sprinkled a bokeh of car lights rushing through night highways and slapped our faces like the wind at a hundred and twenty miles an hour. It pictured Niamh playing guitar, washed up naked on a beach in Fiji.
Edgar Cantero (The Supernatural Enhancements)
If there was a predominant season in heaven, Jenny Flanigan believed it would be summer. The long days and warm nights felt endless no matter how rushed the rest of the year was. With summer came the sense that all of life slowed to smell the deep green grass, to watch fireflies dance on an evening breeze, or to hear the gentle lap of lake water against the sandy shore. Summer was barbecues and quiet conversation in the fading light of a nine o'clock sunset. It was cutoffs and flip-flops and afternoons on Lake Monroe.
Karen Kingsbury (Summer (Sunrise, #2))
The art of sensuality encompassing the exploration and experiencing of all our senses... Those images are being born from and through living the moments of eating favorite chocolate cake with ice-cream, tranquil meditating, walking the beach and feeling the warm breeze on your face and the soothing sand beneath your feet, watching a never repeating its symphony sunset, dancing and feeling your body move through space, smelling flowers in a garden, painting or working with clay, with your fingertips gently touching piano keys or pulling the tense strings of guitar, caressing your ears with the whispers of one's soul, diving into the depth of loving you eyes, and, joining in a passionate kiss of life...the life of the artist...
Artist Emerald
And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved. What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now. Spring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?
Annie Dillard (Pilgrim at Tinker Creek)
How happily we explored our shiny new world! We lived like characters from the great books I curled up with in the big Draylon armchair. Like Jack Kerouak, like Gatsby, we created ourselves as we went along, a raggle-taggle of gypsies in old army overcoats and bell-bottoms, straggling through the fields that surrounded our granite farmhouse in search of firewood, which we dragged home and stacked in the living room. Ignorant and innocent, we acted as if the world belonged to us, as though we would ever have taken the time to hang the regency wallpaper we damaged so casually with half-rotten firewood, or would have known how to hang it straight, or smooth the seams. We broke logs against the massive tiled hearth and piled them against the sooty fire back, like the logs were tradition and we were burning it, like chimney fires could never happen, like the house didn't really belong to the poor divorcee who paid the rates and mortgage even as we sat around the flames like hunter gatherers, smoking Lebanese gold, chanting and playing the drums, dancing to the tortured music of Luke's guitar. Impelled by the rhythm, fortified by poorly digested scraps of Lao Tzu, we got up to dance, regardless of the coffee we knocked over onto the shag carpet. We sopped it up carelessly, or let it sit there as it would; later was time enough. We were committed to the moment. Everything was easy and beautiful if you looked at it right. If someone was angry, we walked down the other side of the street, sorry and amused at their loss of cool. We avoided newspapers and television. They were full of lies, and we knew all the stuff we needed. We spent our government grants on books, dope, acid, jug wine, and cheap food from the supermarket--variegated cheese scraps bundled roughly together, white cabbage and bacon ends, dented tins of tomatoes from the bargain bin. Everything was beautiful, the stars and the sunsets, the mold that someone discovered at the back of the fridge, the cows in the fields that kicked their giddy heels up in the air and fled as we ranged through the Yorkshire woods decked in daisy chains, necklaces made of melon seeds and tie-dye T-shirts whose colors stained the bath tub forever--an eternal reminder of the rainbow generation. [81-82]
Claire Robson (Love in Good Time: A Memoir)
Many fellow exils of mine denounce indignantly (and in this indignation there is a pinch of pleasure) fashionable abominations, including current dances. But fashion is a creature of man's mediocrity, a certain level of life, the vulgarity of equality, and to denounce it means admitting that mediocrity can create something (whether it be a form of government or a new kind of hairdo) worth making a fuss about.
Vladimir Nabokov (Details of a Sunset and Other Stories)
Nicholas pins me with a glare. The angrier he gets, the more I feel like dancing. He’s giving me so many nonverbal cues and they’re fine encouragement that I’m going in the right direction. Muscle twitches. Clenched jaw. Fisted hands. Someone’s got to teach this man about poker tells or he’ll get his pockets cleaned out. Probably by me, in the inevitable divorce. My brilliant lawyer and I will ride into the sunset with everything he’s got.
Sarah Hogle (You Deserve Each Other)
A lean heron of a fellow darted ahead of the others, and Lan danced the forms. Time like cool honey. The graylark sang, and the lean man shrieked as Cutting the Clouds removed his right hand at the wrist, and Lan flowed to one side so the rest could not all come at him together, flowed from form to form. Soft Rain at Sunset laid open a fat man’s face, took his left eye, and a ginger-haired young splinter drew a gash across Lan’s ribs with Black Pebbles on Snow. Only in stories did one man face six without injury. The Rose Unfolds sliced down a bald man’s left arm, and ginger-hair nicked the corner of Lan’s eye. Only in stories did one man face six and survive. He had known that from the start. Duty was a mountain, death a feather, and his duty was to Bukama, who had carried an infant on his back. For this moment he lived, though, so he fought, kicking ginger-hair in the head, dancing his way toward death, danced and took wounds, bled and danced the razor’s edge of life. Time like cool honey, flowing from form to form, and there could only be one ending. Thought was distant. Death was a feather. Dandelion in the Wind slashed open the now one-eyed fat man’s throat—he had barely paused when his face was ruined—a fork-bearded fellow with shoulders like a blacksmith gasped in surprise as Kissing the Adder put Lan’s steel through his heart. And suddenly Lan realized that he alone stood, with six men sprawled across the width of the stableyard. The ginger-haired youth thrashed his heels on the ground one last time, and then only Lan of the seven still breathed. He shook blood from his blade, bent to wipe the last drops off on the blacksmith’s too-fine coat, sheathed his sword as formally as if he were in the training yard under Bukama’s eye.
Robert Jordan (New Spring (The Wheel of Time, #0))
Heaven’s Door" I’d search the world for Heaven’s Door, Over mountains and valleys, each sandy shore. I’d find the stairway, soaring through clouds, I'd climb each step, without making a sound. I’d arrive at the door of glimmering gold, I’d slip through unnoticed, not stirring a soul. I’d gasp at its beauty, at its rivers and trees, I’d stray from the paths, I’d hide among leaves. I’d tiptoe unseen, under sun and sky blue, I’d search every corner until I found you. I’d capture a tear, catch a glimpse of your hair, As you danced and you twirled, without any care. You’d smile and you’d laugh, like a bird you’d be free, I’d try not to cry, you’re there without me. I’d stay my hand from touching your face, From calling your name, to feel your embrace. You’d open your mouth and your voice would be pure, I’d treasure the sound, no more pain you’d endure. I’d stay ‘til the sunset, when I’d have to leave, A pain in my heart, my spirit in grief. I’d blow you a kiss, let it drift to the sky, I’d whisper ‘I love you’ and bid you goodbye. I'd pass through the door, I’d descend out of view, Knowing that one day, some day, I’d again be with you. - Elsie
Tillie Cole (Sweet Soul (Sweet Home, #4; Carillo Boys, #3))
I may love the great outdoors in winter, but even I draw the line at sunset. When November comes, I have no desire to leave the house after dark. My instinct is to hibernate the evenings away. I hate those strange walks along the high street, lit only by street lamps and the glow of shop windows, the cold seeping up your coat sleeves. I don’t like the way that 4 o’clock can feel so desolate, the air damp without the corrective force of the sun./ The very thought of driving seems nightmarish – those impenetrable roads their edges uncertain; the dance you have to perform with the full beam, flicking it on and off, on and off. Far better to stay at home.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
Let me tell you, there is no other way than to live like this – Love with abandon Laugh uncontrollably Write your heart out Dance in the rain (try it!) Sit and try hatching ideas Fall madly in love with someone Move to the drumbeats of your heart Feel the earth beneath your bare feet Go cloud watching, star gazing and moonbaths Have walks along the beach during sunset or sunrise Overnight with fireflies, savor the evening breeze Find at least one snowflake or a miracle Excite your senses, taste everything Indulge in higher pleasures Smell the morning mist Travel. Travel. Travel. Take a leap of faith Live with Passion Bare your soul Why not? Be bold Revel LIVE
Mystqx Skye (Bared - Beneath a Myriad of Skies)
These hearts were woven of human joys and cares, Washed marvellously with sorrow, swift to mirth. The years had given them kindness. Dawn was theirs, And sunset, and the colours of the earth. These had seen movement, and heard music; known Slumber and waking; loved; gone proudly friended; Felt the quick stir of wonder; sat alone; Touched flowers and furs and cheeks. All this is ended. There are waters blown by changing winds to laughter And lit by the rich skies, all day. And after, Frost, with a gesture, stays the waves that dance And wandering loveliness. He leaves a white Unbroken glory, a gathered radiance, A width, a shining peace, under the night.
Rupert Brooke
Why do I know this song?” I ask him. His voice is low, like a whisper of a rumble. “It was the first song we danced to at the gala. An instrumental version of Wildest Dreams.” “You remembered that?” “Kelsey,” he says softly, “I remember everything that involves you. Everything. From what you wore the very first day I met you—a blue turtleneck dress—to the way you smelled when we shared an elevator for the first time—like vanilla and brown sugar—to the way you tasted the first time I had a chance to be intimate with you—like a fucking sunset on a rainy day. This song . . . it was engrained in my brain, and I just hoped that I’d get a chance to play it for you again one day.
Meghan Quinn (So Not Meant To Be (Cane Brothers, #2))
Beauty And a poet said, 'Speak to us of Beauty.' Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide? And how shall you speak of her except she be the weaver of your speech? The aggrieved and the injured say, 'Beauty is kind and gentle. Like a young mother half-shy of her own glory she walks among us.' And the passionate say, 'Nay, beauty is a thing of might and dread. Like the tempest she shakes the earth beneath us and the sky above us.' The tired and the weary say, 'beauty is of soft whispering s. She speaks in our spirit. Her voice yields to our silences like a faint light that quivers in fear of the shadow.' But the restless say, 'We have heard her shouting among the mountains, And with her cries came the sound of hoofs, and the beating of wings and the roaring of lions.' At night the watchmen of the city say, 'Beauty shall rise with the dawn from the east.' And at noontide the toilers and the wayfarers say, 'we have seen her leaning over the earth from the windows of the sunset.' In winter say the snow-bound, 'She shall come with the spring leaping upon the hills.' And in the summer heat the reapers say, 'We have seen her dancing with the autumn leaves, and we saw a drift of snow in her hair.' All these things have you said of beauty. Yet in truth you spoke not of her but of needs unsatisfied, And beauty is not a need but an ecstasy. It is not a mouth thirsting nor an empty hand stretched forth, But rather a heart enflamed and a soul enchanted. It is not the image you would see nor the song you would hear, But rather an image you see though you close your eyes and a song you hear though you shut your ears. It is not the sap within the furrowed bark, nor a wing attached to a claw, But rather a garden forever in bloom and a flock of angels for ever in flight. People of Orphalese, beauty is life when life unveils her holy face. But you are life and you are the veil. Beauty is eternity gazing at itself in a mirror. But you are eternity and you are the mirror
Kahlil Gibran
Notte raminga e fuggitiva lanciata veloce lungo le strade d’Emilia a spolmonare quel che ho dentro, notte solitaria e vagabonda a pensierare in auto verso la prateria, lasciare che le storie riempiano la testa che così poi si riposa, come stare sulle piazze a spiare la gente che passeggia e fa salotto e guarda in aria, tante fantasie una sopra e sotto all’altra, però non s’affatica nulla. Correre allora, la macchina va dove vuole, svolta su e giù dalla via Emilia incontro alle colline e alle montagne oppure verso i fiumi e le bonifiche e i canneti. Poi tra Reggio e Parma lasciare andare il tiramento di testa e provare a indovinare il numero dei bar, compresi quelli all’interno delle discoteche e dei dancing all’aperto ora che è agosto e hanno alzato persino le verande per godersi meglio le zanzare e il puzzo della campagna grassa e concimata. Lungo la via Emilia ne incontro le indicazioni luminose e intermittenti, i parcheggi ampi e infine le strutture di cemento e neon violacei e spot arancioni e grandifari allo iodio che si alzano dritti e oscillano avanti e indietro così che i coni di luce si intrecciano alti nel cielo e pare allora di stare a Broadway o nel Sunset Boulevard in una notte di quelle buone con dive magnati produttori e grandi miti. Ne immagino ventuno ma prima di entrare in Parma sono già trentatré, la scommessa va a puttane, pazienza, in fondo non importa granché.
Pier Vittorio Tondelli (Camere separate)
the air veined with balancings in the rootless spaces where endless worlds are formed and dissolve snow duvet dancing in the night beating in the heart’s ear of a language so close to being here — memory of snow on the skin melted flakes of past images edgeless night on the edge of memory clouds assemble and dilate the straw thrown into the light bright plovers turning under the wind I listen again to what ear throat fingers and brain extract in a moment from the endless flowing stream of things a water that transports friable words which we pass from hand to hand from mouth to ear, bits of mourning and clarity — low voices and the footsteps become clear the embers of a life roll on without brakes red of a morning, of another sunset in the gorges, on the broken stonefields someone within me listens relentlessly to the inaudible beating in things. from " Nuits
Lorand Gaspar
I imagine you not telling me to whisper. I imagine you not saying oh don't say this literally. You want me to evoke as opposed to mere describing. You want me to be an invisible scribe that an octoepoose was hiding. I'm not sure if my facial features are an autograph that your Picasso smile is signing. Infamous for the mirror I shook when my sock puppets were pining? I am not just a fish that you gave wings to! I don't simply flop in the air whenever you brush some mannequinn's hair. There is a reason for the bad timing. Exquisite imbalances. A child enjoying the pink sky. I won't say that is my clue! Playing The Beatles on a kazoo is beautiful oooh ooooh Your laughter is a woman with alot of eyeballs on her stomach that pretends that she doesn't see the colors of all them songs. In the pre dawn hours we dance with delusions and illusions. The eternal seamstress does not care for Frakenstein's dress(she still loves our unique caress ) She loves and laughs despite some so-called scientist. Where is that emperor and his nakedness! Darling, our atoms need never split. We compliment in so many ways that all our night's and days have become one swirling sunrise/sunset that only true lovers can scoff at(those who shhhhh) The flower is not passive or apologetic. It blooms through the fractured net. Floating magnetic(eep eeep) You are not just some seductress. You are the leader of an elite group of intergalactic seductress impersonators who reveal corruption but then choose to love. We embrace conclusions that make the puddle heart awake with ethereal drum beat gongs. You think of a heroic poodle in the dark. We both know that the trapeze artist that followed us was not a cliche. He smelled differently. He had never met a floating lady that showed him how to appreciate a symphony without taking away his love for a good rock n roll melody. I am not sure I can only whisper of such realities. I am not sure I can only whisper of such realities.-
Junipurr- Sometimes Trudy
Marlboro Man picked me up the next evening, exactly one month before our wedding day. Our evening apart had made the heart grow fonder, and we greeted each other with a magnificently tight embrace. It filled my soul, the way his arms gripped me…how he almost always used his superior strength to lift me off the ground. A wannabe strong, independent woman, I was continually surprised by how much I loved being swept, quite literally, off my feet. We drove straight into the sunset, arriving on his ranch just as the sky was changing from salmon to crimson, and I gasped. I’d never seen anything so brilliant and beautiful. The inside of Marlboro Man’s pickup glowed with color, and the tallgrass prairie danced in the evening breeze. Things were just different in the country. The earth was no longer a mere place where I lived--it was alive. It had a heartbeat. The sight of the country absolutely took my breath away--the vast expanse of the flat pastures, the endless view of clouds. Being there was a spiritual experience.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
You go through life thinking there’s so much you need. Your favorite jeans and sweater. The jacket with the faux-fur lining to keep you warm. Your phone and your music and your favorite books. Mascara. Irish Breakfast tea and cappuccinos from Trouble Coffee. You need your yearbooks, every stiffly posed school-dance photo, the notes your friends slipped into your locker. You need the camera you got for your sixteenth birthday and the flowers you dried. You need your notebooks full of the things you learned and don’t want to forget. You need your bedspread, white with black diamonds. You need your pillow—it fits the way you sleep. You need magazines promising self-improvement. You need your running shoes and your sandals and your boots. Your grade report from the semester you got straight As. Your prom dress, your shiny earrings, your pendants on delicate chains. You need your underwear, your light-colored bras and your black ones. The watercolor sunset hanging above your bed. The dozens and dozens of shells in glass jars. You think you need all of it. Until you leave with only your phone, your wallet, and a picture of your mother.
Nina LaCour (We Are Okay)
YOU GO THROUGH LIFE thinking there’s so much you need. Your favorite jeans and sweater. The jacket with the faux-fur lining to keep you warm. Your phone and your music and your favorite books. Mascara. Irish Breakfast tea and cappuccinos from Trouble Coffee. You need your yearbooks, every stiffly posed school-dance photo, the notes your friends slipped into your locker. You need the camera you got for your sixteenth birthday and the flowers you dried. You need your notebooks full of the things you learned and don’t want to forget. You need your bedspread, white with black diamonds. You need your pillow—it fits the way you sleep. You need magazines promising self-improvement. You need your running shoes and your sandals and your boots. Your grade report from the semester you got straight As. Your prom dress, your shiny earrings, your pendants on delicate chains. You need your underwear, your light-colored bras and your black ones. The watercolor sunset hanging above your bed. The dozens and dozens of shells in glass jars. The cab was waiting outside the station. The airport, I said, but no sound came out. “The airport,” I said, and we pulled away. You think you need all of it. Until you leave with only your phone, your wallet, and a picture of your mother.
Nina LaCour (We Are Okay)
I get this feeling,' I said, pacing a step, the ancient wood floorboards creaking beneath my boots, my power a writhing, living thing prowling through my veins, 'that it's all some sort of joke. Some sort of cosmic trick, and that no one- no one- can be this happy and not pay for it.' 'You've already paid for it, Rhys. Both of you. And then some.' I waved a hand. 'I just...' I trailed off, unable to finish the words. Cassian stared at me for a long moment. Then he crossed the distance between us, gathering me in an embrace so tight I could barely breathe. 'You made it. We made it. You both endured enough that no one would blame you if you danced off into the sunset like Miryam and Drakon and never bothered with anything else again. But you are bothering- you're both still working to make this peace last. Peace, Rhys. We have peace, and the true kind. Enjoy it- enjoy each other. You paid the debt before it was ever a debt.' My throat tightened, and I gripped him hard around his wings, the scales of his leathers digging into my fingers. 'What about you?' I asked, pulling away after a moment. 'Are you... happy?' Shadows darkened his hazel eyes. 'I'm getting there.' A halfhearted answer. I'd have to work on that, too. Perhaps there were threads to be pulled, woven together. Cassian jerked his chin toward the door. 'Get going, you bastard. I'll see you in three days.' I nodded, opening the door at last. But paused on the threshold. 'Thanks, brother.' Cassian's crooked grin was bright, even if those shadows still guttered in his eyes. 'It's an honour, my lord.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
My mother never seemed to listen to much music, but she loved Barbara Streisand, counting The Way We Were and Yentl as two of her favorite films. I remembered how we used to sing the song "Tell Him" together, and skipped through the album until I found it on track four. "Remember this?" I laughed, turning up the volume. It's a duet between Babe and Celine Dion, two powerhouse divas joining together for one epic track. Celine plays the role of a young woman afraid to confess her feelings to the man she loves, and Barbara is her confidant, encouraging her to take the plunge. "I'm scared, so afraid to show I care... Will he think me weak, if I tremble when I speak?" Celine begins. When I was a kid my mother used to quiver her lower lip for dramatic effect when she sang the word "tremble." We would trade verses in the living room. I was Barbara and she was Celine, the two of us adding interpretive dance and yearning facial expressions to really sell it. "I've been there, with my heart out in my hand..." I'd join in, a trail of chimes punctuating my entrance. "But what you must understand, you can't let the chance to love him pass you by!" I'd exclaim, prancing from side to side, raising my hand to urge my voice upward, showcasing my exaggerated vocal range. Then, together, we'd join in triumphantly. "Tell him! Tell him that the sun and moon rise in his eyes! Reach out to him!" And we'd ballroom dance in a circle along the carpet, staring into each other's eyes as we crooned along to the chorus. My mom let out a soft giggle from the passenger seat and we sang quietly the rest of the way home. Driving out past the clearing just as the sun went down, the scalloped clouds flushed with a deep orange that made it look like magma.
Michelle Zauner (Crying in H Mart)
Not every time Self Love means pampering your wants, sometimes it just means to pat yourself while knowing you did the right thing by choosing the path of Patience. Sometimes it's just waking up in the morning and telling yourself, you've got this. Sometimes it is as simple as a cup of coffee or a hot shower after a really tiresome day. Sometimes it's just watching the day pass by, while you take time to assimilate your thoughts and let your mind detangle in the simplicity of literally not doing anything. Sometimes it's the urge to find a reason and purpose to carry on, to feel alive, to live. Sometimes it's watching the sunset paint in a beautiful horizon and sometimes it's just keeping awake just to catch a glimpse of the rising Sun. Sometimes it's getting drenched in the rain or simply madly crazily dancing in the rain not caring of what or who passes by. Because who knows how long you got this dance of Life. Sometimes it's pulling yourself up and letting your heart know all that happens has a reason and you don't have to know all of it. Really you don't have to have all the answers, trusting the Universe is always the Only answer. Sometimes it's just reminding yourself that you can't change the past but value what your past has taught you, that you can't write your future entirely because circumstances always play a part but you can work through your present, you can live and make your present a gift, a present that your future would feel good about. Sometimes it's just knowing that disciplining Life is never easy but that always finds the lasting smile in the end. Sometimes it's just holding on with all your Soul to know that you have done your bit, to know that somewhere someday everything will make sense. Sometimes it's just to know that goals aren't always about achieving something but to be some more of yourself by truly loving yourself, a little bit more each passing day. Love & Light, always - Debatrayee
Debatrayee Banerjee
Not everytime Self Love means pampering your wants, sometimes it just means to pat your self while knowing you did the right thing by choosing the path of Patience. Sometimes it's just waking up in the morning and telling your self, you've got this. Sometimes it is as simple as a cup of coffee or a hot shower after a realy tiresome day. Sometimes it's just watching the day pass by, while you take time to assimilate your thoughts and let your mind detangle in the simplicity of literally not doing anything. Sometimes it's the urge to find a reason and purpose to carry on, to feel alive, to live. Sometimes it's watching the sunset paint in a beautiful horizon and sometimes it's just keeping awake just to catch a glimpse of the rising Sun. Sometimes it's getting drenched in the rain or simply madly crazily dancing in the rain not caring of what or who passes by. Because who knows how long you got this dance of Life. Sometimes it's pulling yourself up and letting your heart know all that happens has a reason and you don't have to know all of it. Really you don't have to have all the answers, trusting the Universe is always the Only answer. Sometimes it's just reminding yourself that you can't change the past but value what your past has taught you, that you can't write your future entirely because circumstances always play a part but you can work through your present, you can live and make your present a gift, a present that your future would feel good about. Sometimes it's just knowing that disciplining Life is never easy but that always finds the lasting smile in the end. Sometimes it's just holding on with all your Soul to know that you have done your bit, to know that somewhere someday everything will make sense. Sometimes it's just to know that goals aren't always about achieving something but to be some more of your self by truly loving your self, a little bit more each passing day. Love & Light, always - Debatrayee
Debatrayee Banerjee
Because I'd like to ask you out." "Out where?" Oh crap, he means a date. I got that about two seconds too late. He shrugged, "I don't care. Anywhere you want. Lunch, dinner, brunch, high tea, low tea, coffee, pretzels in the park, dancing in the dark, sightseeing at sunset?
M.K. Schiller (Variables of Love)
The truth is that I'd gain nothing by being a saint after being dead, an artist is what I am, and the only thing I want is to be alive so I can keep going along at donkey level in this six-cylinder touring car I bought from the marines' consul, with this Trinidadian chauffeur who was a baritone in the New Orleans pirates' opera, with my genuine silk shirts, my Oriental lotions, my topaz teeth, my flat straw hat, and my bicolored buttons, sleeping without an alarm clock, dancing with beauty queens, and leaving them hallucinated with my dictionary rhetoric, and with no flutter in my spleen if some Ash Wednesday my faculties wither away, because in order to go on with this life of a minister, all I need is my idiot face, and I have more than enough with the string of shops I own from here to beyond the sunset, where the same tourists who used to go around collecting from us through the admiral, now go stumbling after my autographed pictures, almanacs with my love poetry, medals with my profile, bits of my clothing, and all of that without the glorious plague of spending all day and all night sculpted in equestrian marble and shat on by swallows like the fathers of our country.
Gabriel García Márquez (Collected Stories)
Vile people displayed no gift for poetry or aptitude to display kindness. The Captain could not stretch the lineament of his mind beyond his own hide. He did not see his shadow. He could not hear the Parnassus muse whose voice raps at the hidden door of the poet’s soul. He had no coyote spirit to guide him; he was unable to comprehend the passionate wilderness of life. He could not talk to nature. He could not make friends with the thunder and he could not see beauty in the lightning. He did not open his bedroom window to let in the sweet smell of night rain. His hooded eyes did not glow in the moonlight. He did not appreciate the taste of quaintness. He could not sense the feelings of other people who soaked in the rose scented silence of a sunset. He was incapable of oneness. He never discovered how to dance barefooted for pure joy under a sprinkle of stars or take a knee in a meadow of tears mourning other people’s sorrow.
Kilroy J. Oldster (Dead Toad Scrolls)
When they see the sun setting, do the birds go in a frenzy to stop him or dance in his exuberance through the day?
Nitya Prakash
Ritual characterizes every aspect of life here, and even mundane, daily activities take on an ageless quality. The daily rhythm begins at dawn, as the fishermen launch boats from countless harbors, an event that has taken place for centuries. The women go to market, exchanging greetings and comments. Ritual rules the care and time taken with every detail of the midday meal, from the hearty seafood appetizers to the strong, syrupy coffee that marks the end of the feast. The day winds down with the evening stroll, a tradition thoroughly ingrained in the culture of the Greek Isles. In villages and towns throughout the islands, sunset brings cooler air and draws people from their homes and the beaches for an enjoyable evening walk through town squares, portside promenades, and narrow streets. Ancient crafts still flourish in the artisans’ studios and in tidy homes of countless mountain villages and ports. Embroidery--traditionally the province of Greek women--is created by hand to adorn the regional costumes worn during festivals. Artists craft delicate silver utensils, engraved gems, blown glass, and gold jewelry. Potters create ceramic pieces featuring some of the same decorative patterns and mythological subjects that captured their ancestors’ imagination. Weddings, festivals, saints’ days. And other celebrations with family and friends provide a backdrop for grave and energetic Greek dancing. For centuries--probably ever since people have lived on the islands--Greek islanders have seized every opportunity to play music, sing, and dance. Dancing in Greece is always a group activity, a way to create and reinforce bonds among families, friends, and communities, and island men have been dancing circle dances like the Kalamatianos and the Tsamikos since antiquity. Musicians accompany revelers on stringed instruments like the bouzouki--the modern equivalent of the lyre. While traditional attire is reserved mainly for festive occasions, on some islands people still sport these garments daily. On Lefkada and Crete, it is not unusual to find men wearing vraka, or baggy trousers, and vests, along with the high boots known as stivania. Women wear long, dark, pleated skirts woven on a traditional loom, and long silk scarves or kerchiefs adorn their heads. All the garments are ornamented by hand with rich brocades and elaborate embroidery. All over the Greek Isles, Orthodox priests dress in long black robes, their shadowy figures contrasting with the bright whites, blues, and greens of Greek village architecture.
Laura Brooks (Greek Isles (Timeless Places))
Silence—true silence is universal. It is the profound stillness at the center of everything, at the center of every relationship—at the center of yourself. While it is always there, it can only be experienced beyond the veil of judgment, expectation, and attachment. From time to time, a person can spontaneously enter into a perfect moment of silence when dancing, watching a sunset, holding an infant, or making love; but for most,true silence remains elusive at best. Yet through various forms of meditation and prayer this veil can be lifted, allowing that inner silence to wash through you, leaving in its wake a cleansed mind and a compassionate heart.
Darren Main (The River of Wisdom: Reflections on Yoga, Meditation, and Mindful Living)
DESERT SAFARI DUBAI IN SUMMER Desert Safari Dubai is a popular, highly visited, and exciting area for knocking the thrills. It offers a variety of activities and games full of fun and memorable adventures. If you are looking for the best desert safari Dubai experience with thrill, a lot of fun, and ultimate outdoor entertainment, you have come to the right place. Desert Safari Dubai is all this and much more. You might think that Dubai as a desert country will be scorching warm and hot, but when you actually visit you’ll be surprised to discover the climate and weather not just pleasant, but cozy, even during summertime. If you’re visiting Dubai in the summer months (i.e.. the months of July through September) then you should take the evening desert safari. Our highly-trained and experienced driver will pick you up from your hotel and drop you into the vast desert and are joined by other tourists in a small number of jeeps that are 4X4. After traveling for a long distance, the jeeps pull over for a break to refuel and for desert activities such as quad biking. After a refreshing ride, the desert safari will take passengers on an exciting dune bashing crisscross, and when you arrive at the camp in the desert take part in fun activities such as camel rides, and sand-boarding, taking a picture with a falcon. It is also possible to enjoy traditional rituals such as having a Mehndi tattoo or puffing on a Shisha and being enthralled by the belly dancing and the Tanura dance, all taking in the traditional Arabian food. The battle between the massive red dunes and the rolling Land Cruiser is only experienced and appreciated when you are there and taking care of your precious life. The guide on safari keeps you on the edge, yet you’re safe. The thrilling safari will have its supporters screaming and shouting for the next exciting adventure. Experience the desert safari with friends or family members in Dubai’s sprawling and captivating desert. Sand, sun, as well as 4×4, bring thrilling adventures for the entire family and friends. Desert Safari Dubai is something you cannot miss or forget. You will also enjoy the Desert Safari Dubai, which is a never-ending experience. So join us today! We’ll provide you with many deals so you can take advantage of them when they definitely work for you. You can dine in Morning Desert Safari according to your schedule. Evening Desert Safari Deals are perfect for those who love sunsets and enjoy relaxing at dusk. The Overnight Desert Safari is another exciting activity that we offer for night camping lovers. Enjoy the incredible Overnight Desert Safari with morning and evening combo for a lifetime memorable adventure.
ArabianDesertsafari
In what was recognizably a Lowcountry sunset, trees and swamp and flowers blended together by watercolors. Rather than detailing the scene, this piece evoked emotion---with literal drips of color blending past with present, the seen with the unseen. Twilight filled the sky, but the dimming sun flooded the piece with unexpected color and illuminated two figures dancing.
Ashley Clark (Paint and Nectar (Heirloom Secrets, #2))
What’s your favorite part of the trip?” “I don’t have one.” “C’mon, there must’ve been something.” “I took a weekend trip to Caño Cristales. I liked seeing the different colors of the river. It was like a liquid rainbow.” Many of the students had spent their time traveling around Colombia on the weekends. No one had a car, but we could hop on a plane for fairly cheap and fly into different areas such as Bogotá, the country’s official capital city, or Cali, the salsa-dancing capital of the world. Amanda had even convinced me to fly with her to the seductive, sizzling city of Cartagena. We climbed the fortified walls that had once protected the city from pirate attacks and watched the sunset. The entire city had a Miami-style skyline and, after the sun went down, infatuation seemed to bloom into fever and take hold of the city. At night we could hear the clink of rum bottles and mojito glasses in cafés on almost every street as moonlight picked out the silhouettes of softly swaying couples. We walked for hours along the coastal city streets. Candle flames beckoned from the dimness of nearby baroque churches.
Kayla Cunningham
as I can now and I know that the things I do, the things I've done are unforgivable. But I also know that being that man is all I know how to be. And I'm not going to have some epiphany one day where I fall in love with a girl and realise the error of my ways and dance off into the sunset. My version of a happily ever after is never going to fall into a nice, neat little box that can be tied off with a pretty bow and have me making some girl's dreams all come true.
Caroline Peckham (Kings of Anarchy (Brutal Boys of Everlake Prep #3))
We're one of the three Solar Courts,' he said, motioning for me to sit with a graceful twist of his wrist. 'Our nights are far more beautiful and our sunsets and dawns are exquisite, but we do adhere to the laws of nature.' I slid into the upholstered chair across from him. His tunic was unbuttoned at the neck, revealing a hint of the tanned chest beneath. 'And do the other courts choose not to?' 'The nature of the Seasonal Courts,' he said, 'is linked to their High Lords, whose magic and will keeps them in eternal spring, or winter, or fall, or summer. It has always been like that- some sort of strange stagnation. But the Solar Courts- Day, Dawn, and Night- are of a more... symbolic nature. We might be powerful, but even we cannot alter the sun's path or strength. Tea?' The sunlight danced along the curve of the silver teapot. I kept my eager nod to a restrained dip of my chin. 'But you will find,' Rhysand went on, pouring a cup for me,' that our nights are more spectacular- so spectacular that some in my territory even awaken at sunset and go to bed at dawn, just to live under the starlight.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
This was how we fought war. We drowned the battle sounds in the din of festive music and spent our time on song, dance and ritual.
Ijen Kim (The Sunset Emperor)
Enough of these discouragements Enough of these discouragements, you said. Enough gnawed skulls. Why all these red wet tickets to the pain theatricals? Why these boxfuls of ruin? Whole big-block warehouses full. Why can't you tell about flowers? But I did tell, I answer. Petal by petal, snowdrop and rose unfolding in season, I told them all— the leaf, the stem, the intricate bloom— I praised each one in its turn. I told about sunsets, as well, and silvery dawns, and noons. I told about young men playing their flutes beside pools and young girls dancing. I raised up fountains, golden pears: such gentle miracles. You didn't want them, these pastel flavours. You were bored by them. You wanted the hard news, the blows of hammers, bodies slammed through the air. You wanted weaponry, the glare of sun on metal, the cities toppled, the dust ascending, the leaden thud of judgment. You wanted fire. Despite my singed feathers and this tattered scroll I haul around, I'm not an angel. I'm only a shadow, the shadow of your desires. I'm only a granter of wishes. Now you have yours.
Margaret Atwood
I looked toward the small vent in the corner of the ceiling through which the music entered my cell. The source must have been far away, for it was just a faint stirring of notes, but when I closed my eyes, I could hear it more clearly. I could... see it. As if it were a grand painting, a living mural. There was beauty in the music- beauty and goodness. The music folded over itself like batter being poured from a bowl, one note atop another, melting together to form a whole, rising, filling me. It wasn't wild music, but there was a violence of passion in it, a swelling kind of joy and sorrow. I pulled my knees to my chest, needing to feel the sturdiness of my skin, even with the slime of the oily paint upon it. The music built a path, an ascent founded upon archways of colour. I followed it, walking out of that cell, through layers of earth, up and up- into fields of cornflowers, past a canopy of trees, and into the open expanse of sky. The pulse of the music was like hands that gently pushed me onward, pulling me higher, guiding me through the clouds. I'd never seen clouds like these- in their puffy sides, I could discern faces fair and sorrowful. They faded before I could view them too clearly, and I looked into the distance to where the music summoned me. It was either a sunset or a sunrise. The sun filled the clouds with magenta and purple, and its orange-gold rays blended with my path to form a band of shimmering metal. I wanted to fade into it, wanted the light of that sun to burn me away, to fill me with such joy that I would become a ray of sunshine myself. This wasn't music to dance to- it was music to worship, music to fill in the gaps of my soul, to bring me to a place where there was no pain. I didn't realise I was weeping until the wet warmth of a tear splashed upon my arm. But even then I clung to the music, gripping it like a ledge that kept me from falling. I hadn't realised how badly I didn't want to tumble into that deep dark- how much I wanted to stay here among the clouds and colour and light. I let the sounds ravage me, let them lay me flat and run over my body with their drums. Up and up, building to a palace in the sky, a hall of alabaster and moonstone, where all that was lovely and kind and fantastic dwelled in peace. I wept- wept to be so close to that palace, wept for the need to be there. Everything I wanted was there- the one I loved was there- The music was Tamlin's fingers strumming my body; it was the gold of his eyes and the twist of his smile. It was that breathy chuckle, and the way he said those three words. It was this I was fighting for, this I had sworn to save. The music rose- louder, grander, faster, from wherever it was played- a wave that peaked, shattering the gloom of my cell. A shuddering sob broke from me at the sound faded into silence. I sat there trembling and weeping, too raw and exposed, left naked by the music and the colour in my mind.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
It was the girl with red hair and her friend. Jace stood up straight. The girl had taken her hair out of its ponytail and it spilled down over her shoulders, the color of a sunset. She was dancing with her eyes closed. And Jace felt something inside him stir at the way she moved, as if she had found her own circle of peace inside the chaos. She seemed sheltered by something he didn’t quite understand as she danced — and he had seen people dance and move with rare skill and amazing grace — with no sense of rhythm or practice. Jace rarely thought about mundanes. They were the people he was supposed to protect, but his father had never brought him up to think about them as anything but an undifferentiated mass of needs and wants. A need to be saved. A want to be ignorant. Never to know of the darkness that surrounded them, the things that moved in the shadows. He had never thought of them as carrying light themselves. But the girl with the red hair, there was a light around her.
Cassandra Clare (We Jace you a Clary Xmas)
Watch The Sky. Look how majestically it walks, it moves and shifts, it growls and screams, and sometimes sheds tears, like every drizzle or a rain droplet is a tear of either a deep melancholy or a mad ecstasy, like the clouds float along the sky drifting in a tune of their own, as if they are dancing in the Stage of this Magnificent Pathway, a string of Stars play hide and seek in its camouflage and while everything treads along this hurricane of a very Chaotic Forever Moving Wheel, there is this Calm, this innate Calm that is so breathable, so palpable, so tangible, as if the Whole Sky is a Magic weave of Something Eternal, something Extraordinarily Strangely Beautiful, something Simple yet Unfathomable, something that churns Hope and Despondency at the same time, something Smiling and Crying at the same time, something beyond our Understanding. Something that when we closely look in, we can just be, we can just float like those clouds and release the droplets of chaos from our mind in the very Silence of its mystical Majesticity, and slowly, perhaps very very distinctly in a snail's pace our Mind finally declutters its passing turmoil knowing how everything moves and shifts, growls and screams, but eventually finds a Silence of its own.
Debatrayee Banerjee
My eyes bloom as I meet a silk as smooth as water. It shines like a pool of opals. The connection is tender and romantic, like how the feeling of summer swelled up within Romeo when he first laid eyes on Juliet. She was beautiful, as fair as their beloved Verona. And here, this dress reminds me of all the loveliness of Luna Island. It's hand dyed soft colors--- blush and blue, lilac and lemon--- like a sunset sky above island waters. A blue sash cinches the waist, and the bow in the back fans out into multiple ribbons, each one a color featured on the dress. Labyrinthine embroidery coils into rose-like shapes, and ruffled sleeves remind me of cream puff shells.
Kiana Krystle (Dance of the Starlit Sea)
I Am What Remains of Me”: October 9, 2024 at 9:53 AM Verse 1: I used to be a cowboy, riding high and free, With a heart full of dreams and a love that was meant to be. But the winds of change blew hard, and the years took their toll, Now I’m just a shadow, a man without a soul. Chorus: I am what remains of me, a ghost of who I used to be, Lost in the echoes of a love that couldn’t stay. I am what remains of me, a broken heart and memories, Wandering these empty fields, where we used to play. Verse 2: We danced under the moonlight, with stars in our eyes, But the fire burned out, and left me with goodbyes. Now the whiskey’s my companion, and the night my only friend, As I search for pieces of a heart that won’t mend. Chorus: I am what remains of me, a ghost of who I used to be, Lost in the echoes of a love that couldn’t stay. I am what remains of me, a broken heart and memories, Wandering these empty fields, where we used to play. Bridge: The sunsets still remind me of the warmth of your embrace, But the dawn brings the cold, and the tears upon my face. I keep holding on to moments that have slipped away, Hoping someday I’ll find the strength to face another day. Chorus: I am what remains of me, a ghost of who I used to be, Lost in the echoes of a love that couldn’t stay. I am what remains of me, a broken heart and memories, Wandering these empty fields, where we used to play. Outro: So I’ll ride into the sunset, with the pain that never fades, A lonely cowboy searching for the love that we once made. I am what remains of me, a story left untold, In the heart of a cowboy, who’s lost his way back home.
James Hilton-Cowboy
You aren’t just on my mind; you own my every craving. Nothing smells as sweet as your hair on my pillow. No wine could ever taste as sweet as your lips on mine. No paltry sunset could ever mesmerize me like the flecks of gold that dance in your emerald eyes. You have become my reason for breathing—the thought of another woman is comical compared to what I feel for you.
Jill Ramsower (Impossible Odds (The Five Families, #4))
That her choice was really him. The silver ringed the blue, and he let himself fall into that circle of fiery heat. His little lightning bug. A force to be reckoned with. A delicate pixie dancing in the grass, lighting up the sunset, flashing fire, a warrior when needed.
Christine Feehan (Lightning Game (GhostWalkers, #17))
Stu believed in love at first sight. He believed in new romances and slow dances, the power of a sunset and the passion of two hearts becoming one. He believed in selfless, long-suffering love—the kind of love that prompted a man to abandon his career, dreams, and position on the church softball team in order to rescue the woman of his dreams. Stu believed in long walks on the beach and quiet evenings on the front porch; the nervous anticipation of a first kiss and the heartache of a final goodbye. But mostly Stu believed in love. Unconditional to-have-and-to-hold-till-death-do-us-part love. He had to. Stu was a romance writer. And romance readers loved all that about him.
Stu Summers (Summers' Love)
Ideally my penultimate day would be spent attending a giant beach party thrown in my honor. Everyone would gather around me at sunset, and the golden light would make my skin and hair beautiful as I told hilarious stories and gave away my extensive collection of moon art to my ex-lovers. I and all of my still-alive friends (which, let’s face it, will mostly be women) would sing and dance late into the night. My sons would be grown and happy. I would be frail but adorable. I would still have my own teeth, and I would be tended to by handsome and kind gay men who pruned me like a bonsai tree. Once the party ended, everyone would fall asleep except for me. I would spend the rest of the night watching the stars under a nice blanket my granddaughter made with her Knit-Bot 5000. As the sun began to rise, an unexpected guest would wake and put the coffee on. My last words would be something banal and beautiful. “Are you warm enough?” my guest would ask. “Just right,” I would answer. My funeral would be huge but incredibly intimate. I would instruct people to throw firecrackers on my funeral pyre and play Purple Rain on a loop.
Amy Poehler (Yes Please)
I want to hold her. I want to sit her on my lap and read her Christopher Robin and Dr. Seuss. I want to brush her hair and teach her about toothpaste and put Band-Aids on her knees. I want to hug her in the sunset in a room full of puppies while the band plays “Happy Birthday,” and watch her grow up into wonderful beautiful cancer-curing symphony-writing adulthood, and to do that I cannot be who I have always been—and that is fine with me, because I realize one more important thing. I don’t want to be Dark Dexter anymore. The thought is not so much a shock as a completion. I have lived my life moving in one direction and now I am there. I don’t need to do those things anymore. No regrets, but no longer necessary. Now there is Lily Anne and she trumps all that other dancing in the dark. It is time to move on, time to evolve! Time to leave Old Devil Dexter behind in the dust. That part of me is complete, and now— Now
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
Sunsets steal our breath. Caribbean blue stills our hearts. Newborn babies stir our tears. But take all these away—strip away the sunsets, oceans, and cooing babies—and leave us in the Sahara, and we still have reason to dance in the sand. Why? Because God is with us.
Max Lucado (One God, One Plan, One Life: A 365 Devotional (A Teen Devotional to Inspire Faith, Confront Social Issues, and Grow Closer to God))
Cemetery Nights V Wheel of memory, wheel of forgetting, bitter taste in the mouth--those who have been dead longest group together in the center of the graveyard facing inward. The sooner they become dust the better. They pick at their flesh and watch it crumble, they chip at their bones and watch them dissolve. Do they have memories? Just shadows in the mind like a hand passing between a candle and a wall. Those who have been dead a lesser time stand closer to the fence, but already they have started turning away. Maybe they still have some sadness. And what are their thoughts? Colors mostly, sunset, sunrise, a burning house, someone waving from the flames. Those who have recently died line up against the fence facing outward, watching the mailman, deliverymen, the children returning from school, listening to the church bells dealing out the hours of the living day. So arranged, the dead form a great spoked wheel-- such is the fiery wheel that rolls through heaven. For the rats, nothing is more ridiculous than the recently dead as they press against the railing with their arms stuck between the bars. Occassionally, one sees a friend, even a loved one. Then what a shouting takes place as the dead tries to catch the eye of the living. One actually sees his wife waiting for a bus and reaches out so close that he nearly touches her yellow hair. During life they were great lovers. Maybe he should throw a finger at her, something to attract her attention. Like a scarecrow in a stiff wind, the dead husband waves his arms. Is she aware of anything? Perhaps a slight breeze on an otherwise still day, perhaps a smell of earth. And what does she remember? Sometimes, when she sits in his favorite chair or drinks a wine that he liked, she will recall his face but much faded, like a favorite dress washed too often. And her husband, what does he think? As a piece of crumpled paper burns within a fire, so the thought of her burns within his brain. And where is she going? These days she has taken a new lover and she's going to his apartment. Even as she waits, she sees herself sitting on his bed as he unfastens the buttons of her blouse. He will cup her breasts in his hands. A sudden breeze will invade the room, making the dust motes dance and sparkle as if each bright spot were a single sharp eyed intelligence, as if the vast legion of the dead had come with their unbearable jumble of envy and regret to watch the man as he drops his head presses his mouth to the erect nipple.
Stephen Dobyns
Athena, Demeter, Andromeda, Cassiopeia ~ dearest thoughtful Svetlana, your glorious angelic light outshines the entire goddess pantheon of Mount Olympus, , your radiant splendor surpasses the luminous sunsets of a thousand distant worlds, , in all my galactic travels you are the only star whose elegant sway has the power to swing me into orbit, , may our cosmic dance last forever, , may our mutual tidal gravity eternally signal our telepathic presence in each others soulful wandering lives
Sean Terrence Best (Cloak of the Devil)
Long ago and far away, the Moth King, known for his jealousy, uncertain temper and melancholy, courted the frivolous Butterfly Queen. They were very different. He was nocturnal; she loved the sun. He was sullen and taciturn; she was filled with merriment. Even so, they fell in love, and their wedding was held at sunset on the edge of a bramble wood, with all of their folk in attendance, and with dancing throughout the night and day.
Joanne Harris (The Moonlight Market)
I Won't Be a Part of Letting You Destroy Me" (Verse 1) I've walked through fire, I've danced in the rain, Felt the sting of heartache, the weight of the pain. But there's one thing I've learned, as I've roamed free, I won't be a part of letting you destroy me. (Chorus) I'm standing tall, like an old oak tree, Roots dug deep, where the eye can't see. You may try to break me, try to decree, But I won't be a part of letting you destroy me. (Verse 2) I've seen the darkness, I've chased the light, Fought my demons, every single night. Your words can cut deep, but they won't decree, I won't be a part of letting you destroy me. (Bridge) Like a cowboy ridin' into the sunset, I'll find my peace, without a single regret. Life's a rodeo, wild and free, And I won't be a part of letting you destroy me. (Chorus) I'm standing tall, like an old oak tree, Roots dug deep, where the eye can't see. You may try to break me, try to decree, But I won't be a part of letting you destroy me. (Outro) So here's to the strong, the brave, the free, Here's to the hearts that refuse to flee. I'll take my leave, with my soul decree, I won't be a part of letting you destroy me.
James Hilton-Cowboy
What Am I Gonna Do When You’re Gone August 26, 2024 at 1:59 PM (Verse 1) I see the sunset in your eyes, A love that never fades, it never dies. But time’s a thief, it won’t be long, What am I gonna do when you’re gone? (Chorus) All I can do is hold you tight, Spend every moment in your light. Loving you until the end, My heart will break, but it won’t mend. (Verse 2) We’ll dance under the moonlit sky, Whisper secrets, you and I. Every second, every song, What am I gonna do when you’re gone? (Chorus) All I can do is hold you tight, Spend every moment in your light. Loving you until the end, My heart will break, but it won’t mend. (Bridge) I’ll cherish every laugh, every tear, Every memory we hold dear. Though the road ahead is long, I’ll be lost when you’re gone. (Chorus) All I can do is hold you tight, Spend every moment in your light. Loving you until the end, My heart will break, but it won’t mend. (Outro) So here’s to us, to love so strong, I’ll keep you with me, even when you’re gone.
James Hilton-Cowboy
You made it. We made it. You both endured enough that no one would blame you if you danced off into the sunset like Miryam and Drakon and never bothered with anything else again. But you are bothering—you’re both still working to make this peace last. Peace, Rhys. We have peace, and the true kind. Enjoy it—enjoy each other. You paid the debt before it was ever a debt.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
Daddy's Little Girl [Verse] I remember when you took your first steps, Tiny shoes dancing in the soft spring grass, I was chasing dreams, didn't see the moments pass, Now all I have are these memories to confess. [Verse 2] Birthday candles lighting up your eyes, I was on the road while you cried your childish cries, Missed your laughter, your hugs, and all your highs, Each mile I traveled was another goodbye. [Chorus] I'm sorry I wasn't there when you needed me the most, I'm sorry I wasn't the father you needed me to be, But you'll always be daddy's little girl, No matter where life leads you, in my heart, you're free. [Verse 3] Years have flown by like a runaway train, Photographs can't capture all the joy and pain, I missed your proms, your fears, your growing pains, But you shined a light that helped me see again. [Verse 4] I see your face in every sunset's hue, Wishing I could turn back and stand beside you, Your forgiveness is a gift that pulls me through, You're the song I sing when the day is anew. [Chorus] I'm sorry I wasn't there when you needed me the most, I'm sorry I wasn't the father you needed me to be, But you'll always be daddy's little girl, No matter where life leads you, in my heart, you're free.
James Hilton-Cowboy
The sun descended slowly, casting a warm golden hue upon the landscape. Shadows danced along the coastline, creating a magnificent contrast between the gilded and the obsidian. We reveled in the sights, taking in the breathtaking vistas that surrounded us. The remaining daylight illuminated the sea, gifting it with a transcendent shimmer.
Leilac Leamas (Devil's Puzzle: Love, Sex & Espionage)
To a heart that never gets tired. There's a whole lot of road, a path entirely mapped out with a bunch of pebbles, some already warmly enwrapped in your knapsack, while some lay wonderfully laden in your journey. A whole lot of people, a bunch of stars and a handful amount of time, do you find yourself alone? No, it cannot be yet you seek out company, in a blister of Hope, while all along something inside of you bathes in majestic solitude. Do you find peace? Rather do you seek peace? In a tangle of dreams, in a knot of illusions where would you walk? Which road, which path would you find yourself walking down the trail, is it the one that your soul yearns for or the one that is slithering through your mind, is it the one that your heart churns out from the vessel of lost time, or the Mirage of Time, in a mirror of passionate embers of your limitless soul. You walk by, you come close but let that walk you by, for dreams are but dead flowers when the spring gives in to winters of a sunset porch. And there but stands one fire, ignited through the countless stars dancing in a mad jest of a gypsy soul, a heart that never tires of its dreams softly kissing the stars of a distant paradise. So leads the way, where the journey unfolds in tiptoeing the vagabond mind, in decluttering all that is vapourised through the written pages of a story unwritten, to caress the pages yet to come, in a cocoon of a heart that never stops. Love & Light, always - Debatrayee
Debatrayee Banerjee
Bittersweet" A little light looks through her bedroom window. She dances and I dream, she's not so far as she seems, Of brighter meadows, melting sunsets, Her hair blowing in the breeze. And she can't see me watching. And I'm thinking love... Love... Love... Love... It's bittersweet More sweet than bitter, Bitter than sweet. It's a bittersweet surrender. It's bittersweet More sweet than bitter, Bitter than sweet. It's a bittersweet surrender. I'm older now. I work in the city. We live together. But it's different than my dream. Morning light fills the room. I rise. She pretends she's sleeping. Are we everything we wanted? And I'm thinking love... Love... Love... Love... It's bittersweet More sweet than bitter, Bitter than sweet. It's a bittersweet surrender. It's bittersweet More sweet than bitter, Bitter than sweet. It's a bittersweet surrender. I know we don't talk about it. We don't tell each other. All the little things that we need. We work our way around each other. As we tremble and we As we tremble and we bleed. As we tremble and we As we tremble and we bleed. It's bittersweet More sweet than bitter, Bitter than sweet. It's a bittersweet surrender. It's bittersweet More sweet than bitter, Bitter than sweet. It's a bittersweet surrender. Big Head Todd & The Monsters, Sister Sweetly (1993)
Big Head Todd and the Monsters
Blessed be this worthy sadness. Blessed be this knowing love. Blessed be the finding home. Blessed be the kitchen slow dance. Blessed be the magical sunset. Blessed be the strong arms. Blessed be the true north. Blessed be the unmet hope. Blessed be the unwavering light. Blessed be the hard goodbye. Blessed be this holy life.
Jeanette LeBlanc
Cassian stared at me for a long moment. Then he crossed the distance between us, gathering me in an embrace so tight I could barely breathe. “You made it. We made it. You both endured enough that no one would blame you if you danced off into the sunset like Miryam and Drakon and never bothered with anything else again. But you are bothering—you’re both still working to make this peace last. Peace, Rhys. We have peace, and the true kind. Enjoy it—enjoy each other. You paid the debt before it was ever a debt.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
Jackdaws on the tower jackdaws are preached on the tower outside my window. Another year gone and nothing has come of my resolutions. The cities, more and more populous, in an opulent sunset. Awaiting the end, as then, in Antioch, Rome, and Alexandria. A promise was given to us, though it was thousand years ago. And you did not return, O savior and Teacher. They marked me with your sign and sent me out to serve. I put on the burden of ecclesiastical robes. And the mask of benevolent smile. People come to me and force me to touch their wounds, Their fear of death, and the misery of passing time. Could I dare to confess to them that I am a priest without faith, That I pray every day for the grace of understanding, Though there is in me only a hope of hope? There are days when people seem to me a festival Of marionettes dancing at the edge of nothingness. And the torture inflicted on the Son of Man on the cross Occurred so that the world could show its indifference.
Czesław Miłosz (Second Space: New Poems)
But Bryce ignored him and laid her hands flat on the table, leaning over it to breathe in the Ocean Queen’s face. “I refuse to open a gate like that. I won’t help you condemn the majority of Midgard’s people while a select few dance off into the sunset.” The sea krait on the Ocean Queen’s wrist hissed at Bryce. Even as its mistress’s face remained as cold as the ice floes of the north. “You will come around to the idea when your friends and loved ones start dying around you.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
What I need is someone to eat off the same plate with me. Someone who makes me comfortable enough to be silly, someone I can dance poorly around, someone who gets it when I cry at commercials. I also need someone honest enough to tell me I have food in my teeth or too much product in my hair. I want someone who kisses me as if it’s the last scene of a romantic movie and we’re on a bridge with a perfect sunset behind us, even though we’re just in line at the grocery store. After all those years of teen magazines asking some form of the question “What Does John Stamos Want in a Girl?” I think it’s simpler than anyone could have imagined.
John Stamos (If You Would Have Told Me)
Where the body began its slow dance with death, one falling leaf at a time, one sunset after the other, the spirit livened with every moment, with every realization that time was a gift far more precious than wealth.
B.S.H. Garcia (From the Ashes (The Heart of Quinaria, #0.5))
No true warrior, Rhaenys loved music, dancing, and poetry, and supported many a singer, mummer, and puppeteer. Yet it was said that Rhaenys spent more time on dragonback than her brother and sister combined, for above all she loved to fly. She was once heard to say that before she died she meant to fly Meraxes across the Sunset Sea to see what lay upon it's western shores
George R.R. Martin (Fire & Blood (A Targaryen History, #1))
He smelled like a heady combination of citrus and sandalwood, accented with a hint of masculine musk from his time on the dance floor that said promising things about all the other delicious smells and tastes his body might offer.
C. Travis Rice (Sapphire Sunset (Sapphire Cove, #1))
The sunset of the forest had given the signal to robin and tanager to begin their vesper song. The sunset of the mount had issued the dew-time call that conjures out of the caves and hollow trees the smallest of the winged Brownie folk, whose kingdom is the twilight and whose dance hall is high above the tree-tops.
Ernest Thompson Seton (Raggylug and Other Stories From Wild Animals I Have Known Being the Personal Histories of Raggylug, the Springfield Fox, the Pacing Mustang, Wully)
ELLE (4:16 P.M.):favorite movie ELLE (4:16 P.M.):go DARCY (4:19 P.M.):Just one? That’s too difficult. ELLE (4:20 P.M.):fine ELLE (4:20 P.M.):action comedy rom-com and idk drama? DARCY (4:25 P.M.):Comedy would be History of the World Part One. Action . . . God, I don’t know. The Mummy, maybe? Rom-com . . . America’s Sweethearts. Drama would have to be Dead Poets Society. ELLE (4:26 P.M.):the mummy?!? ELLE (4:26 P.M.):i credit that movie for my bisexual awakening She waited, watching the little dots dance up and down, up and down . . . DARCY (4:28 P.M.):Oh? ELLE (4:29 P.M.):yeah ELLE (4:30 P.M.):did I want to be evelyn or did i want to ride off into the sunset with her? ELLE (4:30 P.M.):both obviously
Alexandria Bellefleur (Written in the Stars (Written in the Stars, #1))
And a poet said, Speak to us of Beauty. And he answered: Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide? And how shall you speak of her except she be the weaver of your speech? The aggrieved and the injured say, “Beauty is kind and gentle. “Like a young mother half-shy of her own glory she walks among us.” And the passionate say, “Nay, beauty is a thing of might and dread. “Like the tempest she shakes the earth beneath us and the sky above us.” The tired and the weary say, “Beauty is of soft whisperings. “She speaks in our spirit. “Her voice yields to our silences like a faint light that quivers in fear of the shadow.” But the restless say, “We have heard her shouting among the mountains, “And with her cries came the sound of hoofs, and the beating of wings and the roaring of lions.” At night the watchmen of the city say, “Beauty shall rise with the dawn from the east.” And at noontide the toilers and the wayfarers say, “We have seen her leaning over the earth from the windows of the sunset.” In winter say the snow-bound, “She shall come with the spring leaping upon the hills.” And in the summer heat the reapers say, “We have seen her dancing with the autumn leaves, and we saw a drift of snow in her hair.” All these things have you said of beauty, Yet in truth you spoke not of her but of needs unsatisfied, And beauty is not a need but an ecstasy. It is not a mouth thirsting nor an empty hand stretched forth, But rather a heart inflamed and a soul enchanted. It is not the image you would see nor the song you would hear, But rather an image you see though you close your eyes and a song you hear though you shut your ears. It is not the sap within the furrowed bark, nor a wing attached to a claw, But rather a garden forever in bloom and a flock of angels forever in flight. People of Orphalese, beauty is life when life unveils her holy face. But you are life and you are the veil. Beauty is eternity gazing at itself in a mirror. But you are eternity and you are the mirror.
Kahlil Gibran (The Prophet (Macmillan Collector's Library) by Kahlil Gibran (2016-07-14))