Dancers Feet Quotes

He was one of those earnest, persevering dancers--the kind that have taken twelve correspondence lessons.

Write with your eyes like painters, with your ears like musicians, with your feet like dancers. You are the truthsayer with quill and torch. Write with your tongues on fire.

Romeo was cute …” “Cute?” Alessandro rolled his eyes. “What kind of man is cute?” “… and an excellent dancer …” “Romeo had feet of lead! He said so himself!” “… but most importantly,” I concluded, “he had nice hands!

On photographs, I was smiling at you, with a smile of a ballet dancer who's owning the stage while her feet are bleeding.

Prince Andrei was one of the best dancers of his day. Natasha danced exquisitely. Her little feet in their satin dancing shoes performed their role swiftly, lightly, as if they had wings, while her face was radiant and ecstatic with happiness.

But he had never seen Myrna in practice...never that close up. He had been impressed and a little frightened by the contrast between seeing ballet on stange, where everyone seemed to either glide or mince effortlessly on the tips of their pointes. and seeing it from less than five feet away, with harsh daylight pouring in the floor-to-ceiling windows and no music- only the choreographer rythmically clapping his hands and yelling harsh criticisms. No praise, only criticisms. Their faces ran with sweat. Their leotards were wet with sweat. The room, as large and airy as it way, stank of sweat. Sleek muscles trembled and fluttered on the nervous edge of exhaustion. Corded tendons stood out like insulated cables. Throbbing veins popped out on foreheads and necks. Except for the choreographer's clapping and angry, hectoring shouts, the only sounds were the thrup-thud of ballet dancers on pointe moving across the floor and harsh, agonized panting for breath. Jack had suddenly realized that these dancers were not just earning a living, they were killing themselves. Most of all he remembered their expressions- all that exhausted concentration, all that pain... but transcending the pain, or at least creeping around its edges, he had seen joy. Joy was unmistakably what that look was, and it scared Jack because it had seemed inexplicable.

I am the best dancer ever. I am a superstar. The shoes are magic. My feet are magic. I am magic.

Rising to her feet, she shot the Bird Man a furious glare, and then stormed off toward Savidlin's house. She was glad to be away from Richard, to be away from watching those girls pawing him. Her fingernails dug into her palms, but she didn't notice as she marched past the happy people. The dancers danced, the drummers drummed, the children laughed. People she passed wished her well. She wanted one of them to say something mean so she would have an excuse to hit someone.

England once there lived a big And wonderfully clever pig. To everybody it was plain That Piggy had a massive brain. He worked out sums inside his head, There was no book he hadn't read. He knew what made an airplane fly, He knew how engines worked and why. He knew all this, but in the end One question drove him round the bend: He simply couldn't puzzle out What LIFE was really all about. What was the reason for his birth? Why was he placed upon this earth? His giant brain went round and round. Alas, no answer could be found. Till suddenly one wondrous night. All in a flash he saw the light. He jumped up like a ballet dancer And yelled, "By gum, I've got the answer!" "They want my bacon slice by slice "To sell at a tremendous price! "They want my tender juicy chops "To put in all the butcher's shops! "They want my pork to make a roast "And that's the part'll cost the most! "They want my sausages in strings! "They even want my chitterlings! "The butcher's shop! The carving knife! "That is the reason for my life!" Such thoughts as these are not designed To give a pig great piece of mind. Next morning, in comes Farmer Bland, A pail of pigswill in his hand, And piggy with a mighty roar, Bashes the farmer to the floor… Now comes the rather grizzly bit So let's not make too much of it, Except that you must understand That Piggy did eat Farmer Bland, He ate him up from head to toe, Chewing the pieces nice and slow. It took an hour to reach the feet, Because there was so much to eat, And when he finished, Pig, of course, Felt absolutely no remorse. Slowly he scratched his brainy head And with a little smile he said, "I had a fairly powerful hunch "That he might have me for his lunch. "And so, because I feared the worst, "I thought I'd better eat him first.

Nothing worse than someone who goes to the dance, is excited to dance, dances all night, and then complains all the next day about his feet being sore.

Like people touch the feet of Jesus on the Pieta and hope for a blessing, I would touch the feet of the dancer and hope for grace.

There are no good tights, It´s all such a rare sight... Gently, I put one in. Holes are within! They´re only good for a fight.

She took another drink and set the ale at her feet, and looked up to the starry sky, and when her eyes moved away, I felt jealous of the heavens themselves.

I am a Dancer; rehearsing the steps of our unheard song with utmost perfection. Never will you tap your feet consciously. I am a Singer; singing the tune of the song I always wanted you to hear. Never will the melody bring back our memories to you. I am an Orator; emphasizing and emoting what I feel for you. Never will you hear your name throughout. I am a Writer; penning all the unsaid intentions with sincerity. Never will you see your name at the top. Because at the end of it all I am Actor; Nevertheless you taught me how well to pretend!

As the sun began to rise, the man reached out to the woman, and they clasped hands. He cradled her, and languidly they lifted themselves up to their feet, their bodies brushing, their eyes lost in each other's. Sensuously, deliberately, they danced, moving as though they were one, their body language smooth as their limbs carefully unfolded. They twirled and rocked, intertwined and separated, nearly leaning onto one another but barely touching, their movements sometimes tender, sometimes almost violent...Moments passed while the dancers held tight to each other, as though their bodies were melting together. The expression on their features as they lifted their faces to the sky was one of unimaginable joy.

The song is gone; the dance is secret with the dancers in the earth, the ritual useless, and the tribal story lost in an alien tale. Only the grass stands up to mark the dancing-ring; the apple-gums posture and mime a past corroboree, murmur a broken chant. The hunter is gone; the spear is splintered underground; the painted bodies a dream the world breathed sleeping and forgot. The nomad feet are still. Only the rider's heart halts at a sightless shadow, an unsaid word that fastens in the blood of the ancient curse, the fear as old as Cain.

Spirit is a child, the tune of dancing feet its lullaby.

They could play an endless game of hide-and -seek in so many rooms and up and down the halls that intersected and turned into dead-end porches and rooms full of wax begonias and elephant's- ears, or rooms full of trunks. She remembered the nights--the moon vine, the everblooming Cape jessamines, the verbena smelling under running feet, the lateness of dancers.

For weeks Octavio returned to the shelter of the trees. The woman would appear as the sun reached midday. She would walk to the edge of the trees, find her chair and drag it to the boat pond. Every Sunday the same chair, the same spot. Every Sunday a book. He needed only one word to imagine a hundred stories: she - was a dancer; cooling her feet after a morning of twists and leaps. was the daughter of a sea captain, remembering her childhood as the toy boats crossed the pond. was an empress hiding among her subjects, shielding her face with a scarf made from the silk of ten thousand worms. Five thousand green, five thousand blue. was a teacher, a lover of learning, patient and gentle with her students. She - was a reader. He had a library.

It would seem to be an inexorable law of Nature that no man shall shine at both ends. If he has a high forehead and a thirst for wisdom, his fox-trotting (if any) shall be as the staggerings of the drunken; while, if he is a good dancer, he is nearly always petrified from the ears upward.

In the production of a good play with a good cast and a knowing director a kind of banding-together occurs; there is formed a fraternity whose members share a mutual sense of destiny. In these five blocks, where the rapping of the tap-dancer's feet and the bawling of the phonographs in the record-shop mix with the roar of the Broadway traffic; where the lonely, the perverted, and the lost wander like souls in Dante's hell and the life of the spirit seems impossible, there are still little circles of actors in the dead silence of empty theaters, with a director in their center, and a new creation of life taking place

We caught the tread of dancing feet, We loitered down the moonlit street, And stopped beneath the harlot's house. Inside, above the din and fray, We heard the loud musicians play The 'Treues Liebes Herz' of Strauss. Like strange mechanical grotesques, Making fantastic arabesques, The shadows raced across the blind. We watched the ghostly dancers spin To sound of horn and violin, Like black leaves wheeling in the wind. Like wire-pulled automatons, Slim silhouetted skeletons Went sidling through the slow quadrille, Then took each other by the hand, And danced a stately saraband; Their laughter echoed thin and shrill. Sometimes a clockwork puppet pressed A phantom lover to her breast, Sometimes they seemed to try to sing. Sometimes a horrible marionette Came out, and smoked its cigarette Upon the steps like a live thing. Then, turning to my love, I said, 'The dead are dancing with the dead, The dust is whirling with the dust.' But she--she heard the violin, And left my side, and entered in: Love passed into the house of lust. Then suddenly the tune went false, The dancers wearied of the waltz, The shadows ceased to wheel and whirl. And down the long and silent street, The dawn, with silver-sandalled feet, Crept like a frightened girl.

But as a kid, I preferred the black side, and often wished that Mommy had sent me to black schools like my friends. Instead I was stuck at that white school, P.S. 138, with white classmates who were convinced I could dance like James Brown. They constantly badgered me to do the “James Brown” for them, a squiggling of the feet made famous by the “Godfather of Soul” himself, who back in the sixties was bigger than life. I tried to explain to them that I couldn’t dance. I have always been one of the worst dancers that God has ever put upon this earth.

Diana hooted in triumph as her feet met the path, sprinting higher to where the trees were sparse, their trunks bent and twisted by the wind. They looked like women, frozen in a mad dance, the tangle of their hair tossed forward in abandon, their backs arched in ecstasy or bent in supplication, a processional of dancers that led Diana up the mountainside.

It was a dark and clouded night, but the tracks led to the lake like a broad path. Sylvie walked in front of me. We stepped on every other tie, although that made our stride uncomfortably long, because stepping on every tie made it uncomfortably short. But it was easy enough. I followed after Sylvie with slow, long, dancer's steps, and above us the stars, dim as dust in their Babylonian multitudes, pulled through the dark along the whorls of an enormous vortex--for that is what it is, I have seen it in pictures--were invisible, and the moon was long down. I could barely see Sylvie. I could barely see where I put my feet. Perhaps it was only the certainty that she was in front of me, and that I need only put my foot directly before me, that made me think I saw anything at all.

I have no idea. It’s not my problem. But I’m sure you’ll do just fine. Anyway, you aren’t what I’m looking for. I’m looking for a grand passion, someone who will sweep me off my feet and teach me all about love. And then I’m going to become a really great dancer.

To dance is to create poetry with your feet.

The dancers were in a crowd, so you did not see the intricate play of the feet. All you saw was the heads and shoulders going up and down, up and down.

You must learn to box with your feet, small baas. A good boxer is like a dancer, he is still pretty to watch even if you look only at his feet.

He whirled her around under the stars, and somehow, it was perfect. She moved her feet at just the right time, and despite having never been much of a dancer, with Edouard it just… worked.

The last note drifted away, swallowed up by the whispering surf. A kind of clumsiness came over the dancers as they broke apart, the swell of the music still in their blood but the planked floor flat under their feet.

Audience of angels descend in the ambiance reciting praises in your glory, when you wear your dance shoes, when you arrive at the stage and with every step you take beneath your feet heaven moves. That is the power of dance.

Myrna was part of a ballet troupe and Jack had seen her and the other dancers perform—his mother often made him go with her and it was mostly boring stuff, like church or Sunrise Semester on TV. But he had never seen Myrna in practice . . . never that close up. He had been impressed and a little frightened by the contrast between seeing ballet on stage, where everyone seemed to either glide or mince effortlessly on the tips of their pointes, and seeing it from less than five feet away, with harsh daylight pouring in the floor-to-ceiling windows and no music—only the choreographer rhythmically clapping his hands and yelling harsh criticisms. No praise; only criticisms. Their faces ran with sweat. Their leotards were wet with sweat. The room, as large and airy as it was, stank of sweat. Sleek muscles trembled and fluttered on the nervous edge of exhaustion. Corded tendons stood out like insulated cables. Throbbing veins popped out on foreheads and necks. Except for the choreographer’s clapping and angry, hectoring shouts, the only sounds were the thrup-thud of ballet dancers on pointe moving across the floor and harsh, agonized panting for breath. Jack had suddenly realized that these dancers were not just earning a living; they were killing themselves. Most of all he remembered their expressions—all that exhausted concentration, all that pain . . . but transcending the pain, or at least creeping around its edges, he had seen joy. Joy was unmistakably what that look was, and it had scared Jack because it had seemed inexplicable. What kind of person could get off by subjecting himself or herself to such steady, throbbing, excruciating pain?

Music is heard in the background. As the movemnt becomes sharper; the many dancers acting but as one. She is one with her secret. As the time draws near, the woman's body begins to push. With the rhythm of the music and the beat of the dancer's feet; her secret almost revealed.

Hauk!" a man shouted in the hallway outside. He fell back from the door and braced himself against the wall. Sumi went low in the center of the room, behind a crate. "What?" Dancer answered. "Surrender or we're going to kill them all! Piece by piece, until their screams echo in your ears!" Dancer laughed at the threat. "You do that and I will eat you, piece by fucking piece. The three of them are the only thing keeping you alive right now. Release them and we'll let you live. It's your choice on how you leave this place. On your feet or feet first. You have thirty seconds to decide.

Achilles’ miracle was his speed. His spear, as he began the first pass, moved faster than my eye could follow. It whirled, flashing forward, reversed, then flashed behind. The shaft seemed to flow in his hands, the dark gray point flickered like a snake’s tongue. His feet beat the ground like a dancer, never still.

I don't want pain. I don't want to be a dancer, my feet in the air, my head a faceless oblong of white cloth. I don't want to be a doll hung up on the Wall, I don't want to be a wingless angel. I want to keep on living, in any form. I resign my body freely, to the uses of others. They can do what they like with me. I am abject.

my fingers penetrated your bushy hair, pulled it up in tufts, squeezed the tension out of your head, to your quiet, grateful groans. I untied the Gordian knots in your shoulders with juniper oil, pummelled your back with my fists, knuckle each vertebrae down to your coccyx, knead your hard buttocks, rub oil into your legs, bathe your tired feet, squeeze them until your tingles shoot up my arm, I chew each toe in turn until it is softened, bite into your soles like a joint of pork, you cannot help but giggle, sir, I turn you over, with my palms, rotate your temples, trace the curves on your face, touching yet not, three fingers inside your mouth, let you suckle, baby, from belly to breast, I massage your chest in concentric circles, pinch your nipples, nibble gently, set my belly-dancer tongue on to them, take your hands, my love, tie them above your head, with your belt, I sit astride my steed, take the reins, my flexible muscles holding you in, flexing like strong fists, tighten and release, teasing you, taming you, your eyes are shut, you have died and gone to Olympus, smiling, I slap it off, so hard my hand hurts, your eyes shoot open like a dead man dying, I slap you again, you feign amusement, your eyes suggest so this is slap and tickle? I take your riding crop, fold it, lash your chest. ‘Take that!’ I hiss. ‘How dare you humour me. Who’s the boss now?

But Jiang simply rolled to a sitting position, shook out his left leg, and brushed his white hair back past his shoulders. “That was rude,” he said dreamily as blood trickled down his left temple. “Must you bumble around like a lackwit?” Jun snapped. “Must you interrupt my morning gardening session?” Jiang responded. “You’re not doing any gardening,” Jun said. “You are here purely to annoy me.” “I think you’re flattering yourself.” Jun slammed his staff on the ground, making Jiang jump in surprise. “Out!” Jiang adopted a dramatically wounded expression and hauled himself up to his feet. He flounced out of the garden, swaying his hips like a whorehouse dancer. “If for me your heart aches / I’ll lick you like a mooncake . . .” “You’re right,” Kitay whispered to Rin. “He has been getting high.

You, the woman; I, the man; this, the world: And each is the work of all. There is the muffled step in the snow; the stranger; The crippled wren; the nun; the dancer; the Jesus-wing Over the walkers in the village; and there are Many beautiful arms around us and the things we know. See how those stars tramp over the heavens on their sticks Of ancient light: with what simplicity that blue Takes eternity into the quiet cave of God, where Ceasar And Socrates, like primitive paintings on a wall, Look, with idiot eyes, on the world where we two are. You, the sought for; I, the seeker; this, the search: And each is the mission of all. For greatness is only the drayhorse that coaxes The built cart out; and where we go is reason. But genius is an enormous littleness, a trickling Of heart that covers alike the hare and the hunter. How smoothly, like the sleep of a flower, love, The grassy wind moves over night's tense meadow: See how the great wooden eyes of the forrest Stare upon the architecture of our innocence. You, the village; I, the stranger; this, the road: And each is the work of all. Then, not that man do more, or stop pity; but that he be Wider in living; that all his cities fly a clean flag... We have been alone too long, love; it is terribly late For the pierced feet on the water and we must not die now. Have you ever wondered why all the windows in heaven were broken? Have you seen the homeless in the open grave of God's hand? Do you want to aquaint the larks with the fatuous music of war? There is the muffled step in the snow; the stranger; The crippled wren; the nun; the dancer; the Jesus-wing Over the walkers in the village; and there are Many desperate arms about us and the things we know.

After three years of music-hall and theatre I'm still the same: always ready too soon. Ten thirty-five. . . . I'd better open that book lying on the make-up shelf, even though I've read it over and over again, or the copy of Paris-Sport the dresser was marking just now with my eyebrow pencil; otherwise I'll find myself all alone, face to face with that painted mentor who gazes at me from the other side of the looking-glass, with deep-set eyes under lids smeared with purplish grease-paint. Her cheek-bones are as brightly coloured as garden phlox and her blackish-red lips gleam as though they were varnished. She gazes at me for a long time and I know she is going to speak to me. She is going to say: "Is that you there? All alone, therr in that cage where idle, impatient, imprisoned hands have scored the white walls with interlaced initials and embellished them with crude, indecent shapes? On those plaster walls reddened nails, like yours, have unconsciously inscribed the appeal of the forsaken. Behind you a feminine hand has carved Marie, and the name ends in a passionate mounting flourish, like a cry to heaven. Is it you there, all alone under that ceiling booming and vibrating beneath the feet of dancers, like the floor of a mill in action? Why are you there, all alone? And why not somewhere else?" Yes, this is the dangerous, lucid hour. Who will knock at the door of my dressing-room, what face will come between me and the painted-mentor peering at me from the other side of the looking-glass? Chance, my master and my friend, will, I feel sure, deign once again to send me the spirits of his unruly kingdom. All my trust is now in him----and in myself. But above all in him, for when I go under he always fishes me out, seizing and shaking me like a life-saving dog whose teeth tear my skin a little every time. So now, whenever I despair, I no longer expect my end, but some bit of luck, some commonplace little miracle which, like a glittering link, will mend again the necklace of my days. Faith, that is what it is, genuine faith, as blind as it sometimes pretends to be, with all the dissembling renunciations of faith, and that obstinacy which makes it continue to hope even at the moment if crying. "I am utterly forsaken!" There is no doubt that, if ever my heart were to call my master Chance by another name, I should make an excellent Catholic.

Under the seeming disorder of the old city, wherever the old city is working successfully, is a marvelous order for maintaining the safety of the streets and the freedom of the city. It is a complex order. Its essence is intricacy of sidewalk use, bringing with it a constant succession of eyes. This order is all composed of movement and change, and although it is life, not art, we may fancifully call it the art form of the city and liken it to the dance — not to a simple-minded precision dance with everyone kicking up at the same time, twirling in unison and bowing off en masse, but to an intricate ballet in which the individual dancers and ensembles all have distinctive parts which miraculously reinforce each other and compose an orderly whole. The ballet of the good city sidewalk never repeats itself from place to place, and in any once place is always replete with new improvisations. The stretch of Hudson Street where I live is each day the scene of an intricate sidewalk ballet. I make my own first entrance into it a little after eight when I put out my garbage gcan, surely a prosaic occupation, but I enjoy my part, my little clang, as the junior droves of junior high school students walk by the center of the stage dropping candy wrapper. (How do they eat so much candy so early in the morning?) While I sweep up the wrappers I watch the other rituals of the morning: Mr Halpert unlocking the laundry's handcart from its mooring to a cellar door, Joe Cornacchia's son-in-law stacking out the empty crates from the delicatessen, the barber bringing out his sidewalk folding chair, Mr. Goldstein arranging the coils of wire which proclaim the hardware store is open, the wife of the tenement's super intendent depositing her chunky three-year-old with a toy mandolin on the stoop, the vantage point from which he is learning English his mother cannot speak. Now the primary childrren, heading for St. Luke's, dribble through the south; the children from St. Veronica\s cross, heading to the west, and the children from P.S 41, heading toward the east. Two new entrances are made from the wings: well-dressed and even elegant women and men with brief cases emerge from doorways and side streets. Most of these are heading for the bus and subways, but some hover on the curbs, stopping taxis which have miraculously appeared at the right moment, for the taxis are part of a wider morning ritual: having dropped passengers from midtown in the downtown financial district, they are now bringing downtowners up tow midtown. Simultaneously, numbers of women in housedresses have emerged and as they crisscross with one another they pause for quick conversations that sound with laughter or joint indignation, never, it seems, anything in between. It is time for me to hurry to work too, and I exchange my ritual farewell with Mr. Lofaro, the short, thick bodied, white-aproned fruit man who stands outside his doorway a little up the street, his arms folded, his feet planted, looking solid as the earth itself. We nod; we each glance quickly up and down the street, then look back at eachother and smile. We have done this many a morning for more than ten years, and we both know what it means: all is well. The heart of the day ballet I seldom see, because part off the nature of it is that working people who live there, like me, are mostly gone, filling the roles of strangers on other sidewalks. But from days off, I know enough to know that it becomes more and more intricate. Longshoremen who are not working that day gather at the White Horse or the Ideal or the International for beer and conversation. The executives and business lunchers from the industries just to the west throng the Dorgene restaurant and the Lion's Head coffee house; meat market workers and communication scientists fill the bakery lunchroom.

THE BRIGHT ONES Even the bright ones lose their glow Even the royal lose their throne Even the dancer’s feet grow sore I can see your spirit elevated In a majestic leap toward the sky I can understand now Why we wish upon the stars at night Sometimes the ones we love wait quiet Sometimes we lose them in an instant Sometimes we don’t understand the reason I can see your mind reeling Pictures scattered across the floor It should comfort us These memories But right now I want to wage a war Even the bright ones lose their glow

Tony is back on the filed. Every hole is a burn and a pull. Now he feels as if he might not float up but instead fall inside of something underneath him. There is an anchor, something he's been rooted to all this time, as if in each hole there is a hook attached to a line pulling him down. A wind from the bay sweeps through the stadium, moves through him. Tony hears a bird. Not outside. From where he's anchored, to the bottom of the bottom, the middle of the middle of him. The center's center. There is a bird for every hole in him. Singing. Keeping him up. Keeping him from going. Tony remembers something his grandma said to him when she was teaching him how to dance. "You have to dance like birds sing in the morning," she said, and showed him how light she could be on her feet. She bounced and her toes pointed in just the right way. Dancer's feet. Dancer's gravity. Tony needs to be light now. Let the wind sign through the holes in him listen to the birds singing. Tony isn't going anywhere. And somewhere in there, inside him, where he is, where he'll always be, even now it is morning, and the birds, the birds are singing.

I feel like I might be sick,” he said. “That is what city pavement is for,” said James unrepentantly, putting the stele back in his pocket. “And you’re already steadier on your feet.” “I really do not know why people say you are the nicer one of the two of us,” said Matthew. “It is clearly untrue.” Under other circumstances, James would have smiled. He almost smiled now, despite everything, at hearing Matthew sound like himself. “No one says that. What they say is that I am the handsomer one.” “That,” said Matthew, “is also clearly untrue.” “And the better dancer.” “James, this terrible habit of lying seems to have come on you suddenly. I am concerned, very concerned.

Half inebriated, he vaulted up the stairs to find them lolling in chairs in the hall outside Maria’s door. Gabe clasped a bunch of violets in his hand while Jarret held a rolled-up piece of parchment in his. “What are you two louts doing here in the middle of the night?” he growled. “It’s nearly dawn,” Gabe said coolly. “Hardly the middle of the night. Not that you would have noticed, in your drunken state.” Scowling, Oliver took a step toward them. “It’s still earlier than you, at least, every rise.” Gabe glanced at Jarret. “Clearly, the old boy doesn’t remember what today is.” “I believe you’re right,” Jarret returned, a hint of condemnation in his tone. Oliver glared at them both as he sifted through his soggy brain for what they menat. When it came to him, he groaned. St. Valentine’s Day. That sobered him right up. “That doesn’t explain why you’re lurking outside Maria’s door.” Jarret cast him a scathing glance as he got to his feet. “Why do you care? You ran off to town to find your entertainment. Seems to me that you’re relinquishing the field.” “So you two intend to step in?” he snapped. “Why not?” Gabe rose to glower at him. “Since your plan to thwart Gran isn’t working, and it’s looking as if we’ll have to marry someone, we might as well have a go at Miss Butterfield. She’s an heiress and a very nice girl, too, in case you hadn’t noticed If you’re stupid enough to throw her over for a bunch of whores and opera dancers, we’re more than happy to take your place. We at least appreciate her finer qualities.” The very idea of his brothers appreciating anything of Maria’s made his blood boil. “In the first place, I didn’t throw her over for anyone. In the second, I am damned well not relinquishing the field. And I’m certainly not giving it over to a couple of fortune hunters like you.” The sound of footsteps coming down the hall from the servants’ stairs made them whirl in that direction. Betty walked slowly toward them, one hand shading her eyes. That’s when it hit him. His brothers were here because of that silly superstition about a maiden’s heart being joined to that of whoever was the first man she spotted on St. Valentine’s Day. “Good morning, gentlemen,” Betty murmured as she approached, carefully avoiding looking at any of them. A devilish grin lit Gabe’s face. “Betty, catch!” he cried and tossed a violet at her. She didn’t even move a finger to stop it from bouncing off her and falling to the floor. “If your lordships will excuse me,” she said in a decidedly snippy tone, “my mistress rang the bell for me.” With a sniff that conveyed her contempt for them, she slipped inside Maria’s rom and shut the door firmly behind her. “That was shameful,” Jarret told Gabe. “You know bloody well that Betty and John are sweethearts.” “It’s not my fault that John didn’t show up this morning so she could see him first,” Gabe said with a shrug.

I feel as if there’s a gnome inside my head, banging away at my skull with an axe. I ought to give him a name. Something nice and gnomish. Snorgoth the Skullcrusher.” “Now,” said James, “that was witty and charming. Think of Snorgoth. Think of him taking an axe to people you don’t like. The Inquisitor, for instance. Perhaps that can help you get through the party. Or—” “Who is Snortgoth?” It was Eugenia, who had come up to them, her yellow cap askew on her dark hair. “Never mind. I am not interested in your dull friends. Matthew, will you dance with me?” “Eugenia.” Matthew looked at her with weary affection. “I am not in a dancing mood.” “Matthew.” Eugenia looked woebegone. “Piers keeps stepping on my feet, and Augustus is lurking about as if he wants a waltz, which I just can’t manage. One dance,” she wheedled. “You’re an excellent dancer, and I’d like to have a bit of fun.” Matthew looked long-suffering but allowed Eugenia to lead him out onto the floor.

When I was sixteen, we were at the UK championships in the Winter Gardens back in Blackpool. My partner and I were traveling clockwise around the floor doing a paso doble. I was really into it, envisioning myself as the fierce matador. I was intense. I paid no mind to what was going on around me--not the forty other dancers swirling around us, not the flow of the traffic. I thought to myself, “Man! I am on fire!” Then I heard a voice over the microphone: “Derek, you’re going the wrong way.” I froze in my tracks. It was Bill Irvine, the world champion and ballroom legend who was a commentator that day. Out of the corner of my eye I saw Corky waving his arms in the air like a madman, signaling me to turn around. I was mortified, but I didn’t want to show it. So I smiled, pretended I wasn’t the least bit embarrassed, and did a 360, pulling my partner with me. I went right back into the routine, unfazed. Corky always taught me both to be quick on my feet and to think quickly. And if I screwed up, to cover my tracks.

I’m in mid-passage, darling,” he said, beginning to talk like a queen so as to demystify himself, so as to destroy the very qualities John Schaeffer had fallen in love with, “I’m menopausal, change of life, hot flashes, you know. Wondering how much longer I can go without hair transplants and whether Germaine Monteil really works on the crow’s feet. I’ve had it, I’ve been through the mill, I’m a jaded queen. But you, dear, you have that gift whose loss the rest of life is just a funeral for—why else do you suppose those gray-haired gentlemen,” he said, nodding at his friends on the floor, “make money, buy houses, take trips around the world? Why else do they dwindle into a little circle of close friends, a farm upstate, and become in the end mere businessmen, shop-owners, decorators who like their homes filled with flowers and their friends flying in on Air France and someone pretty like you at the dinner table? It is all, my dear, because they are no longer young. Because they no longer live in that magic world that is yours for ten more years. Adolescence in America ends at thirty.

The King Horse was so near that I could see the lashes of his dark eyes. His forelock fell between them like a white waterfall between shining stones. His teeth were as big as the ivory plates upon a war helm; but his lip, when he licked the salt out of my palm, felt softer than my mother’s breast. When the salt was finished, he brushed my cheek with his, and snuffed at my hair. Then he trotted back to his hillock, whisking his long tail. His feet, with which as I learned later he had killed a mountain lion, sounded neat on the meadow, like a dancer’s. Now I found myself snatched from all sides, and hustled from the pasture. It surprised me to see the Horse Master as pale as a sick man. He heaved me on his mount in silence, and hardly spoke all the way home. After so much to-do, I feared my grandfather himself would beat me. He gave me a long look as I came near; but all he said was, “Theseus, you went to the horse field as Peiros’ guest. It was unmannerly to give him trouble. A nursing mare might have bitten your arm off. I forbid you to go again.” This happened when I was six years old; and the Horse Feast fell next year.

Our first stop was London, where there were a few competitions leading up to Blackpool. I had never seen this level of competition before. I was so excited by the energy and the feeling of being around all these amazing dancers. I wasn’t overwhelmed, just a little embarrassed. Everyone looked so polished, and they all smelled like fancy cologne. Comparatively, I looked and felt like the poor kid on the block. I didn’t own the proper costume (white tie, black jacket, and black trousers), so I’d rented one from a wedding store before we left home. It was baggy in all the wrong places, and I didn’t have the right shoes. Watching the dancers get ready backstage, we realized we were also completely unprepared. They’d put water or castor oil on the floor and rub the soles of their shoes in it. Then they’d scratch the soles with a wire brush, roughening up the suede to prevent slipping. As we stepped out for the first round, Autumn spit in the middle of the dance floor and rubbed her feet in it. She encouraged me to do the same, so I did--hoping that not too many people were watching. I remember thinking, Yeah, we are definitely from out of town.

The Harlot’s House. We caught the tread of dancing feet, We loitered down the moonlit street, And stopped beneath the harlot’s house. Inside, above the din and fray, We heard the loud musicians play The ‘Treues Liebes Herz’ of Strauss. Like strange mechanical grotesques, Making fantastic arabesques, The shadows raced across the blind. We watched the ghostly dancers spin To sound of horn and violin, Like black leaves wheeling in the wind. Like wire-pulled automatons, Slim silhouetted skeletons Went sidling through the slow quadrille. They took each other by the hand, And danced a stately saraband; Their laughter echoed thin and shrill. Sometimes a clockwork puppet pressed A phantom lover to her breast, Sometimes they seemed to try to sing. Sometimes a horrible marionette Came out, and smoked its cigarette Upon the steps like a live thing. Then, turning to my love, I said, ‘The dead are dancing with the dead, The dust is whirling with the dust.’ But she—she heard the violin, And left my side, and entered in: Love passed into the house of lust. Then suddenly the tune went false, The dancers wearied of the waltz, The shadows ceased to wheel and whirl. And down the long and silent street, The dawn, with silver-sandalled feet, Crept like a frightened girl.

Twirling on the sand, she quotes Emma Goldman to him in a song. “If I can’t dance, I don’t want to be in your revolution.” He steps up. Come on, Gia, he says, be in my revolution. She is barefoot on the sand. Where are her stockings? She hasn’t taken them off; they’re not lying in a heap nearby. When his open palm goes around her waist, he can’t feel her corset, he feels velvet and under it the curve of her natural waist and lower back. Suddenly he has three left feet and, usually such a capable dancer, can’t move backward or forward. She steps on his awkward toes a few times, laughs, and they trip and fall to their knees on the sand. What’s gotten into you, Harry, she says. I can’t imagine, he says, his eyes roaming wildly over her flushed and eager face. Both his hands are entwining the narrow space from which her hips begin. It’s late afternoon on the wide Hampton beach; it’s gray and foggy when he kisses her. He’s never kissed Sicilian lips before, only Bostonian. There is a boiling ocean of contrast between the two. Boston girls were born and raised on soil that was frozen from October to April and breathed through perfectly colored mouths that took in chill winds and fog from the stormy harbor. But his Sicilian queen has roamed the Mediterranean meadows and her abundant lips breathed in fearsome fire from Typhonic volcanoes. He kisses her as if they are alone at night—as if she is already his. His arms wrap around her back and press her to him. They become suspended, he floats like a phantom around her in the moist air. He won’t let her go, he can’t.

Marks,” he replied, crawling about on hands and knees, eyes intent on the short turf. “How did they know where to start and stop?” “Good question. I don’t see anything.” Casting an eye over the ground, though, I did see an interesting plant growing near the base of one of the tall stones. Myosotis? No, probably not; this had orange centers to the deep blue flowers. Intrigued, I started toward it. Frank, with keener hearing than I, leaped to his feet and seized my arm, hurrying me out of the circle a moment before one of the morning’s dancers entered from the other side. It was Miss Grant, the tubby little woman who, suitably enough in view of her figure, ran the sweets and pastries shop in the town’s High Street. She peered nearsightedly around, then fumbled in her pocket for her spectacles. Jamming these on her nose, she strolled about the circle, at last pouncing on the lost hair-clip for which she had returned. Having restored it to its place in her thick, glossy locks, she seemed in no hurry to return to business. Instead, she seated herself on a boulder, leaned back against one of the stone giants in comradely fashion and lighted a leisurely cigarette. Frank gave a muted sigh of exasperation beside me. “Well,” he said, resigned, “we’d best go. She could sit there all morning, by the looks of her. And I didn’t see any obvious markings in any case.” “Perhaps we could come back later,” I suggested, still curious about the blue-flowered vine. “Yes, all right.” But he had plainly lost interest in the circle itself, being now absorbed in the details of the ceremony. He quizzed me relentlessly on the way down the path, urging me to remember as closely as I could the exact wording of the calls, and the timing of the dance.

On the second Sabbat of Twelfthmoon, in the city of Weep, a girl fell from the sky. Her skin was blue, her blood was red. She broke over an iron gate, crimping it on impact, and there she hung, impossibly arched, graceful as a temple dancer swooning on a lover’s arm. One slick finial anchored her in place. Its point, protruding from her sternum, glittered like a brooch. She fluttered briefly as her ghost shook loose, and torch ginger buds rained out of her long hair. Later, they would say these had been hummingbird hearts and not blossoms at all. They would say she hadn’t shed blood but wept it. That she was lewd, tonguing her teeth at them, upside down and dying, that she vomited a serpent that turned to smoke when it hit the ground. They would say a flock of moths came, frantic, and tried to lift her away. That was true. Only that. They hadn’t a prayer, though. The moths were no bigger than the startled mouths of children, and even dozens together could only pluck at the strands of her darkening hair until their wings sagged, sodden with her blood. They were purled away with the blossoms as a grit-choked gust came blasting down the street. The earth heaved underfoot. The sky spun on its axis. A queer brilliance lanced through billowing smoke, and the people of Weep had to squint against it. Blowing grit and hot light and the stink of saltpeter. There had been an explosion. They might have died, all and easily, but only this girl had, shaken from some pocket of the sky. Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead. She was also blue. Blue as opals, pale blue. Blue as cornflowers, or dragonfly wings, or a spring—not summer—sky.

I have talked to many people about this and it seems to be a kind of mystical experience. The preparation is unconscious, the realization happens in a flaming second. It was on Third Avenue. The trains were grinding over my head. The snow was nearly waist-high in the gutters and uncollected garbage was scattered in a dirty mess. The wind was cold, and frozen pieces of paper went scraping along the pavement. I stopped to look in a drug-store window where a latex cooch dancer was undulating by a concealed motor–and something burst in my head, a kind of light and a kind of feeling blended into an emotion which if it had spoken would have said, “My God! I belong here. Isn’t this wonderful?” Everything fell into place. I saw every face I passed. I noticed every doorway and the stairways to apartments. I looked across the street at the windows, lace curtains and potted geraniums through sooty glass. It was beautiful–but most important, I was part of it. I was no longer a stranger. I had become a New Yorker. Now there may be people who move easily into New York without travail, but most I have talked to about it have had some kind of trial by torture before acceptance. And the acceptance is a double thing. It seems to me that the city finally accepts you just as you finally accept the city. A young man in a small town, a frog in a small puddle, if he kicks his feet is able to make waves, get mud in his neighbor’s eyes–make some impression. He is known. His family is known. People watch him with some interest, whether kindly or maliciously. He comes to New York and no matter what he does, no one is impressed. He challenges the city to fight and it licks him without being aware of him. This is a dreadful blow to a small-town ego. He hates the organism that ignores him. He hates the people who look through him. And then one day he falls into place, accepts the city and does not fight it any more. It is too huge to notice him and suddenly the fact that it doesn’t notice him becomes the most delightful thing in the world. His self-consciousness evaporates. If he is dressed superbly well–there are half a million people dressed equally well. If he is in rags–there are a million ragged people. If he is tall, it is a city of tall people. If he is short the streets are full of dwarfs; if ugly, ten perfect horrors pass him in one block; if beautiful, the competition is overwhelming. If he is talented, talent is a dime a dozen. If he tries to make an impression by wearing a toga–there’s a man down the street in a leopard skin. Whatever he does or says or wears or thinks he is not unique. Once accepted this gives him perfect freedom to be himself, but unaccepted it horrifies him. I don’t think New York City is like other cities. It does not have character like Los Angeles or New Orleans. It is all characters–in fact, it is everything. It can destroy a man, but if his eyes are open it cannot bore him. New York is an ugly city, a dirty city. Its climate is a scandal, its politics are used to frighten children, its traffic is madness, its competition is murderous. But there is one thing about it–once you have lived in New York and it has become your home, no place else is good enough. All of everything is concentrated here, population, theatre, art, writing, publishing, importing, business, murder, mugging, luxury, poverty. It is all of everything. It goes all right. It is tireless and its air is charged with energy. I can work longer and harder without weariness in New York than anyplace else….

As they walked toward the dance floor, Pamela barely felt the bruises on her feet from Henry. The thrill of waltzing with Mr. Carter practically banished the ache. On the floor, he took her into his arms. She liked the feel of his hand on her waist, the press of their gloved palms together. For the first time, the intimate posture, which had always made her feel uncomfortable and stiff, seemed right, and she wished he would pull her closer. Throughout the beginning of the waltz, they remained silent. She had the sense that Mr. Carter was concentrating on his steps, and she didn't want to distract him. He frowned. "I'm sorry I'm not a very good dancer." "Not at all." Pamela thought of Henry and had to restrain a laugh. She didn't want Mr. Carter to think she was making fun of him. "You couldn't possibly be worse than my previous partner, who led me in the wrong direction and trod on my toes!" His troubled expression cleared. "Well, then, I'm grateful you decided to risk your toes again with me. I promise, I'll try to keep my boots on the floor where they belong." He wiggled his eyebrows. Pamela laughed at his playful act. "I watched you with Elizabeth, and you were fine. So accepting your invitation to dance was not such a risk as you're making it out to be." As they bantered, Pamela found herself relaxing. Conversing with this stranger she'd only met twenty minutes ago was far easier than talking with some men she'd known all her life. Mr. Carter also seemed to become comfortable. His lead became more expert, and he picked up their speed. As they became in tune with each other, they flowed in perfect step to the music. Exhilaration welled up in Pamela. She'd never known dancing could feel like this. She glanced up at him, feeling a smile as wide as the moon stretch across her face. "We're flying!

The fox barked at her, one sharp, short sound. Without expecting to, Irène laughed. "What?" she said aloud. The fox's mouth opened, showing its white teeth, and its tongue lolled, laughing with her. A sense of recognition tingled in Irène's bones and throbbed in her forehead. Her laughter died. She came to her feet, facing the creature. It scrambled down from the tree trunk, its lithe body weaving through the branches as easily as a stream of water might. It stood on the opposite bank. Its tail arced above its back, a plume of red and black. Its unblinking gaze fixed itself on her. Irène whispered, "Are you here for me?" Again the fox's mouth opened in its grin, and its tail waved once, twice, before it leaped the little brook as easily as if it could fly. Irène stood very still as the fox stepped toward her on narrow black feet as dainty as a dancer's. It---he, she could see now---pressed his cold black nose against the back of her hand, and, when she turned it, nosed her palm. She thrilled at the touch, though the touch of so many other beasts disgusted her. He was different, this fox. It was not just that he was beautiful, and graceful. It was more, much more. Her soul knew him. Her power flared in his presence. He took a step back, his eyes never leaving hers, then whirled and leaped back over the brook to disappear into the forest on the other side. The last thing she saw was that lush red-and-black tail, switching back and forth as he faded into the dimness of the woods. Irène brought her palm to her nose and sniffed the toasty smell of him. She knew what he was, and she knew what it meant. Her mother had Aramis. Her grandmother, Ursule had told her, had had an ugly gray cat. And she---now, surely, a witch in full possession of her power---had a glorious vulpine creature like no other. She had her fox. She would see him again.

against the velvet rope force fields that kept everyone without an invitation at bay. As I walked toward the entrance, the crowd bombarded me with a mix of insults, autograph requests, death threats, and tearful declarations of undying love. I had my body shield activated, but surprisingly, no one took a shot at me. I flashed the cyborg doorman my invitation, then mounted the long crystal staircase leading up into the club. Entering the Distracted Globe was more than a little disorienting. The inside of the giant sphere was completely hollow, and its curved interior surface served as the club’s bar and lounge area. The moment you passed through the entrance, the laws of gravity changed. No matter where you walked, your avatar’s feet always adhered to the interior of the sphere, so you could walk in a straight line, up to the “top” of the club, then back down the other side, ending up right back where you started. The huge open space in the center of the sphere served as the club’s zero-gravity “dance floor.” You reached it simply by jumping off the ground, like Superman taking flight, and then swimming through the air, into the spherical zero-g “groove zone.” As I stepped through the entrance, I glanced up—or in the direction that was currently “up” to me at the moment—and took a long look around. The place was packed. Hundreds of avatars milled around like ants crawling around the inside of a giant balloon. Others were already out on the dance floor—spinning, flying, twisting, and tumbling in time with the music, which thumped out of floating spherical speakers that drifted throughout the club. In the middle of all the dancers, a large clear bubble was suspended in space, at the absolute center of the club. This was the “booth” where the DJ stood, surrounded by turntables, mixers, decks, and dials. At the center of all that gear was the opening DJ, R2-D2, hard at work, using his various robotic arms to work the turntables. I recognized the tune he was playing: the ’88 remix of New Order’s “Blue Monday,” with a lot of Star Wars droid sound samples mixed in. As I made my way to the nearest bar, the avatars I passed all stopped to stare and point in

On the second Sabbat of Twelfthmoon, in the city of Weep, a girl fell from the sky. Her skin was blue, her blood was red. She broke over an iron gate, crimping it on impact, and there she hung, impossibly arched, graceful as a temple dancer swooning on a lover’s arm. One slick finial anchored her in place. Its point, protruding from her sternum, glittered like a brooch. She fluttered briefly as her ghost shook loose, and torch ginger buds rained out of her long hair. Later, they would say these had been hummingbird hearts and not blossoms at all. They would say she hadn’t shed blood but wept it. That she was lewd, tonguing her teeth at them, upside down and dying, that she vomited a serpent that turned to smoke when it hit the ground. They would say a flock of moths came, frantic, and tried to lift her away. That was true. Only that. They hadn’t a prayer, though. The moths were no bigger than the startled mouths of children, and even dozens together could only pluck at the strands of her darkening hair until their wings sagged, sodden with her blood. They were purled away with the blossoms as a grit-choked gust came blasting down the street. The earth heaved underfoot. The sky spun on its axis. A queer brilliance lanced through billowing smoke, and the people of Weep had to squint against it. Blowing grit and hot light and the stink of saltpeter. There had been an explosion. They might have died, all and easily, but only this girl had, shaken from some pocket of the sky. Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead. She was also blue. Blue as opals, pale blue. Blue as cornflowers, or dragonfly wings, or a spring—not summer—sky. Someone screamed. The scream drew others. The others screamed, too, not because a girl was dead, but because the girl was blue, and this meant something in the city of Weep. Even after the sky stopped reeling, and the earth settled, and the last fume spluttered from the blast site and dispersed, the screams went on, feeding themselves from voice to voice, a virus of the air. The blue girl’s ghost gathered itself and perched, bereft, upon the spearpoint-tip of the projecting finial, just an inch above her own still chest. Gasping in shock, she tilted back her invisible head and gazed, mournfully, up. The screams went on and on. And across the city, atop a monolithic wedge of seamless, mirror-smooth metal, a statue stirred, as though awakened by the tumult, and slowly lifted its great horned head.

They killed everyone in the camps. The whole world was dying there. Not only Jews. Even a black woman. Not gypsy. Not African. American like you, Mrs. Clara. They said she was a dancer and could play any instrument. Said she could line up shoes from many countries and hop from one pair to the next, performing the dances of the world. They said the Queen of Denmark honored her with a gold trumpet. But she was there, in hell with the rest of us. A woman like you. Many years ago. A lifetime ago. Young then as you would have been. And beautiful. As I believe you must have been, Mrs. Clara. Yes. Before America entered the war. Already camps had begun devouring people. All kinds of people. Yet she was rare. Only woman like her I saw until I came here, to this country, this city. And she saved my life. Poor thing. I was just a boy. Thirteen years old. The guards were beating me. I did not know why. Why? They didn't need a why. They just beat. And sometimes the beating ended in death because there was no reason to stop, just as there was no reason to begin. A boy. But I'd seen it many times. In the camp long enough to forget why I was alive, why anyone would want to live for long. They were hurting me, beating the life out of me but I was not surprised, expected no explanation. I remember curling up as I had seen a dog once cowering from the blows of a rolled newspaper. In the old country lifetimes ago. A boy in my village staring at a dog curled and rolling on its back in the dust outside a baker's shop and our baker in his white apron and tall white hat striking this mutt again and again. I didn't know what mischief this dog had done. I didn't understand why the fat man with flour on his apron was whipping it unmercifully. I simply saw it and hated the man, felt sorry for the animal, but already the child in me understood it could be no other way so I rolled and curled myself against the blows as I'd remembered the spotted dog in the dusty village street because that's the way it had to be. Then a woman's voice in a language I did not comprehend reached me. A woman angry, screeching. I heard her before I saw her. She must have been screaming at them to stop. She must have decided it was better to risk dying than watch the guards pound a boy to death. First I heard her voice, then she rushed in, fell on me, wrapped herself around me. The guards shouted at her. One tried to snatch her away. She wouldn't let go of me and they began to beat her too. I heard the thud of clubs on her back, felt her shudder each time a blow was struck. She fought to her feet, dragging me with her. Shielding me as we stumbled and slammed into a wall. My head was buried in her smock. In the smell of her, the smell of dust, of blood. I was surprised how tiny she was, barely my size, but strong, very strong. Her fingers dug into my shoulders, squeezing, gripping hard enough to hurt me if I hadn't been past the point of feeling pain. Her hands were strong, her legs alive and warm, churning, churning as she pressed me against herself, into her. Somehow she'd pulled me up and back to the barracks wall, propping herself, supporting me, sheltering me. Then she screamed at them in this language I use now but did not know one word of then, cursing them, I'm sure, in her mother tongue, a stream of spit and sputtering sounds as if she could build a wall of words they could not cross. The kapos hesitated, astounded by what she'd dared. Was this black one a madwoman, a witch? Then they tore me from her grasp, pushed me down and I crumpled there in the stinking mud of the compound. One more kick, a numbing, blinding smash that took my breath away. Blood flooded my eyes. I lost consciousness. Last I saw of her she was still fighting, slim, beautiful legs kicking at them as they dragged and punched her across the yard. You say she was colored? Yes. Yes. A dark angel who fell from the sky and saved me.

dusty light invaded the pitch-black core of him. He felt a dull ache in his ankles. Rising up like a ballet dancer on the balls of his feet, he stretched his Achilles tendons and calf muscles. The pain and the music stopped, and then the sliver of light disappeared. The elevator gate rattled. “Geiger?” Harry said. The word came to Geiger as if called to him across a canyon. He turned to find Harry standing in the doorway, bafflement breaking across his face. “Jesus Christ. What the hell happened?” Geiger glanced back at Hall. “We’re leaving,” he said, as if he were informing the body instead of Harry. Harry put the attaché case down at his feet. “Oh fuck. What’d you do to him? Is—is he dead?” “No. We have to go now.” Geiger moved for the door, and Harry put his hands up like a traffic cop. Geiger stopped, staring at Harry’s raised palms. “Wait a second,” Harry said. “Just wait, okay? Jesus Christ.” He put his palms to his cheeks. “What the hell is going on with you?” “We have to go.” “Can we talk about this for a minute?” “Right now, Harry, it’s more important that we leave.” “I disagree, man. This is crazy. This is truly nuts,

Not leaving so soon, are you?” he asked when he reached her. “Lord Carrington was in pursuit,” she said. He nodded, a smile tugging at his lips. “And you ran like a rabbit.” “Like a jackrabbit,” she agreed, smiling. “How did you know it was me?” He touched a curl hanging to her shoulder. “No one else has hair like that.” His comment brought her pleasure. “Thank you. I think.” She smiled up into his face. He put her hand on his arm and turned back toward the ballroom. “It’s necessary for us to face our fears. I promise to protect you.” “How easy for you to say,” she said. “You aren’t out of your element like I am mine. I don’t even know how to dance.” “We can remedy that.” He laid his right hand on top of hers, where it rested on his left arm. “I’m not the best dancer in the world, but I can waltz without breaking your toes.” “I can’t give you the same promise,” she said. “You’ll be risking your feet if you dance with me.” “I do believe it would be worth it,” he said, leading her back into the crowd.

The world, with all its impossible variegation and the basic miracle of its existence, draws most mourners out of their grief and back into itself. The homosexual forsythia blooms; the young Irish dancers in Killarney dance, their arms as rigid as shovel handles; secret deals are done involving weapons or office space or crude oil or used cars or drugs; new lovers, believing they will never really have to get up, lie down together; the Large Hadron Collider smashes the Higgs boson into view; snow drapes its white stoles on the bare limbs of winter; the crack of the bat swung by a hefty Dominican pulls a crowd to its feet in Boston; bricks for the new hospital in Phnom Penh are laid in true courses; the single-engine Cessna lands safely in an Ohio alfalfa field during a storm. How can you resist? The true loss in only to the dying, and even the won't feel it when the dying's done.

One day a fellow countryman from Valencia, Jorge Esteban, arrived to stay with the sisters. He had a travel agency back home and was driving around West Africa collecting materials for a tourist brochure. Jorge was a cheerful, merry, energetic man, naturally convivial. He felt at home everywhere, at ease with everyone. He spent only one day with us. He paid no heed to the scorching sun; the heat only seemed to energize him. He unpacked a bag full of cameras, lenses, filters, rolls of film, and began walking around the street, chatting with people, joking, making various sorts of promises. That done, he placed his Canon on a tripod, took out a loud referee’s whistle, and blew it. I was looking out the window and couldn’t believe my eyes. Instantly, the street filled with people. In a matter of seconds they formed a large circle and began to dance. I don’t know where the children came from. They had empty cans, which they beat rhythmically. Everyone was keeping the rhythm, clapping their hands and stomping their feet. People woke up, the blood flowed again through their veins, they became animated. Their pleasure in this dance, their happiness in finding themselves alive again, was palpable. Something started to happen in this street, around them, within them. The walls of the houses moved, the shadows stirred. More and more people joined the ring of dancers, which grew, swelled, and accelerated. The crowd of onlookers was also dancing, the whole street, everyone. Colorful bou-bous, white djellabahs, blue turbans, all were swaying. There is no asphalt or pavement here, so billows of dust soon began to rise above the dancers, dark, thick, hot, choking, and these clouds, just like ones from a raging fire, drew more people still from the surrounding areas. Before long the entire neighborhood was shimmying, shaking, partying—right in the middle of the worst, most debilitating and unbearable noontime heat. Partying? No, this was something different, something bigger, something loftier and more important. You had only to look at the faces of the dancers. They were attentive, listening intently to the loud rhythm the children beat on their tin cans, concentrating, so that the sliding of their feet, the swaying of their hips, the turns of their arms, and the bobbing of their heads corresponded to it. And they looked determined, decisive, alive to the significance of this moment in which they were able to express themselves, participate, prove their presence. Idle and superfluous all day long, all at once they had become visible, needed, and important. They existed. They created.

When you got back to his apartment, the flamenco dancers were still stomping around in the restaurant upstairs. Moriarity pushed a bottle of cheap Sauterne and sliced salami across the kitchen table. A large cockroach fell from the top of the refrigerator and landed with a click on the scarred linoleum floor. You lifted both your feet and curled your toes.

On my right, beyond the dark waters of the bay dotted with small craft, some anchored and some under way from one end of the harbor toward the other, the lights on the Balboa peninsula glittered like jewels. Not more than a hundred yards from me was a small sandy beach, a few feet beyond it the color and movement of the Balboa Fun Zone. Occasionally the sound of a merry-go-round there mingled raucously with the combo's more delicate harmonies, and lights from the Ferris wheel spun slowly over the amusement booths below it. As I passed the dance area, the music stopped. I walked to the portable bar farther back on the stern and asked the uniformed bartender for another bourbon highball. I got it, went back near the dancers and leaned against the rail, looking them over. The combo swung into Manhattan, and half a dozen couples started dancing.

The Ballad of Philippe Petit —for the world's greatest rope dancer Philippe Petit hangs his high wire in the third eye of God, fills the dull air with blue fire, all alone on the big city street, Little Phillip, Philippe Petit. Philippe Petit, high priest of daring, feels wind pulse in his feet, flying high on his mystical string, between tall towers above the street. Little Phillip, Philippe Petit. Little Phillip by the Golden Fleece, making Seventh Avenue sing. He draws a magic circle of chalk, rides his cycle around in a ring, Little Phillip, Philippe Petit. Little Phillip, clown gargoyle, spewing light on the grey street, rope dances twirling sticks of fire, bright sparkle of the dark street, Little Phillip, Philippe Petit. Philippe Petit juggles fire and balls, winks at Zeus, laughs at Mars, pulls Newton's beard, sups with God, cycling his way from heaven to street. Little Phillip, Philippe Petit. Little Phillip, when we get there, you'll surely be on high, juggling molecules for your maker on the wide streets of the sky, Little Phillip, Philippe Petit. Philippe Petit, The King of Heaven has a brilliant little fool juggling fire at his footstool. A light on the dark city street, A light, a light, Philippe Petit.

As I'm a WIP (work in progress) whip me if I'm wrong or disgress, but time has no excuse to age us at all, no use when all that we feel is being ageless!

Without persistence or resistance we can never push forward, Reach out our goals toward, defy the laws of gravity or dance!

You can never force nature. You just let it come so sure! When it's ready To spread its wings steady And dry them waiting the sun Not aware it'll be so much fun to go towards the sky. Then simply watch it fly...

The ones who know eternity Are those who show serenity! - Ana Claudia Antunes #amwriting

Instead, I said, “Now she kills men in streets.” “It’s been less than a year since she received control from the advisors that ruled in her stead during her childhood. She had that power for weeks before she started getting tyrannical.” He said it with such disdain, and though I didn’t know the word itself, I knew well enough what he meant. Especially when I thought of that blood spilling over the stairs, seeping at Max’s feet. But something didn’t sit right. “What does she want?” I asked. Max scoffed. “Does it matter? Power. Revenge. Who knows.” I shook my head. I had been excellent at the role I played at Esmaris’s estate, and it wasn’t because I was the most beautiful girl or the most talented or the best dancer. It was because, every single time I turned my attention to a man, I asked, What does he want? “Is more complicated and more simple than that,” I said. “Always.

Aleksandr, are you even listening to me? You better not be chasing that ballet dancer, or I swear to God I will bury you ten feet under myself.” I expel an exasperated breath. “Please. You wouldn’t get your hands so dirty.” “Well, maybe not, but that’s why I have River now. To dig holes for all my bodies.” I hear him laughing in the background.

Soon, they were above the stage itself, ensconced by enormous drapes that reached into the rafters. The heavy thud of wood and feet betrayed the gravity that was inaudible to the audience. Dancers and stage crew rushed amongst the wings. The choreographed chaos reminded Ethan of the emergency department.

There were more beautiful girls, too, who always seemed stickier than other people, easier to snare, as if made of Velcro—the pale-haired dancer whose feet twitched as she slept; the radish farmer who could say thread in seven languages; the anthropology student with exactly seventy-five brown freckles on each cheek. More and more and more small hooks on which his thread caught and stretched outward from his body. More harp strings that yanked him here or there, which grew tighter the farther he moved from whatever or whomever he was tied to. The Thread

They touched their faces, put their fingers in their mouths, tugged on their ears and stomped the ground, their bodies moving and creating a new rhythm that the men had to change their claps to fit, the claps now being determined by the dancers moving, while the men got to stomping and shouting joyfully, syncopating their palms to the women and children and if the men got off beat they fixed that by paying close attention to the feet blurring and kicking and stomping near the fire so they laid down their instruments and played a song with their bodies and their heads got to nodding and hips to rocking to gyrating to the claps pulsating around them changing changing changing and their mouths open and the funk of the body let loose the sweat the stink all in the hair until somebody hollered something beyond a word and they kept on hollering it the sound leading into another sound into a new sound loud from the mouth like a spirit trying to answer the bodies or the bodies trying to answer the spirit that wouldn’t be contained as their legs kicked and their heads rolled until their movements spoke in Tongues and the throat got to letting out a moan here and a groan there and the sound of pain left their flesh while their muscular bodies and their thin bodies and their fat bodies and their sickly bodies glistened in the fire and every child screamed as they jumped and spun and every man clapped moaned and testified with their feet to what sounded like it hurt so bad must have hurt them so bad coming up out the body out the burning well of the throat out the wet of their spit wailing lifting up from the bodies now contortion-flexed and contracting on the ground eyes fluttering in their heads the body creating a new way of being a new way of thinking creating a new knowledge that belonged to them—then Saint stopped moving and stood up; her body shook and shined.

I'll never forget the day I met Rudy (aka Rudolf Nureyev). He was at the St Peter's Theatre for a rehearsal with the Ballet of Nancy on the same stage I would dance with the Young Ballet of Sao Paulo some years later. I saw him leaving the place in the backdoor wearing his Black outfit boots and Bohemian hat. People surrounded him to get his autograph. My sister pulled me out so we wouldn't be massacred by the crowd. He did a very Russian move step-step and stop before a hole (such a cute role) in the sidewalk. Took the limousine and passed right in front of where my sister and I stood. He took a glance at me and had a gentle expression like saying, "yep you stood up from that crowd. I see you..." Lovely soul. I have this image in my heart ever since. What I didn't know then and could never imagine it was that just a few months later I would be dancing with the Ballet of São Paulo in the same Theatre he performed his Apollo. He did send his charisma towards me!

Like a geyser there is a life force bubbling from undernearth pushing forward and up with an energy to burst like fireworks. Keep that energy flowing. If you stuck and limit that energy all types of depletion will cause every kind of dis-ease...just release it straitght foward and in high. Keep that good vibe!! Mahalo and Aloha

There was humor in this—it wasn’t lost on him, despite the utterly unhumorous situation. Once upon a time, before Roma met Juliette, before Roma rolled a marble at her feet and fell in love with her, he had been sent into Scarlet territory with another mission. He had been sent in for Rosalind. That was why his father had started to suspect him in the end. Rosalind Lang had become the talk of the town as the best dancer the Scarlet burlesque club had ever seen, and there had been plans for Roma to mingle into the Scarlet crowds, to get closer to Rosalind and obtain Scarlet information under the guise of a great, star-crossed love affair. Instead, Roma had heard rumors of Juliette Cai’s return to Shanghai and had switched gears while crossing onto Scarlet territory, wanting to see this terrible Scarlet heir for himself. He hadn’t stood a chance. The moment he saw Juliette Cai for the first time, saw that smile playing on her lips, standing there at the Bund, it was a done matter. That false star-crossed love affair pivoted and turned real. Roma would claim, in reporting back, he hadn’t had any luck with their plan, yet he kept slinking into Scarlet territory regardless. Of course his father caught on.

Train, train, train, Put yourself to the test. Under sun or rain, With no reason nor rest. Without feeling pain You'll always be the best!

If the cowards who wage war Were to fight on the front lines No more discord would be on earth And no more innocent people would die -Ana Claudia (Scheurer) Antunes- great-granddaughter of a soldier killed in the First World War

With a deep breath, I extend my arms, beginning with an adagio, syncing with the melody of the flowers. When I find comfort in the rhythm, I dip into a cambré, sweeping my body into a whirlpool as I rise. I hesitate as plumes of color emerge from the ground, encompassing me in a veil of fuchsia, amber, and gold. The colors gather me, and I move with them like the language of fire--- hot, quick steps, languid and elegant. The forest begins to change, and my eyes widen. When I began my bourrée steps, foxgloves sprout like lace-crafted trumpets, marrying the sound of blooming hibiscuses, rattling like tambourines. With every step I take, more flowers grow, kissing the earth with their velvet lips. I almost swear I hear the ground sing back, harmonizing with the forest's song. I guess the angel was right. With a glimmer of confidence, I burst into a grand jeté, and golden hummingbirds mimic me, tracing my every move as I dive into a piqué manège. Damien's eyes glisten, and it fills my spirit.With every chassé, the forest unravels in color. Fireflies come to life and kiss my cheeks, circling my body in a lattice as I pirouette. New colors rise from the ground--- topaz, lazuli, and chartreuse--- dancing with me like my own ensemble, I transition into my fouettés, leaning into an arabesque, as if to touch the rising moon. I lose all sense of self, leaping into the air. My body transcends into a wind-like creature, moving wildly with mild grace. New life sprouts, as if this world belongs to me and not the angels. Tiny stars emerge in a trail behind my feet, and I climb them like stairs. Damien smiles. I reach for his hand and lift him onto the steps. His hands wrap around my waist, and together we spin higher into the sky. My grip around his shoulders tenses as we rise closer and closer to the Heavens. I can feel Luna radiating over me. I'm in command. Here, I'm free. I wish I could hold on to this moment forever.

Oh tell me please, how does it go, the triple jump?" She pro nounced it tripee-el She had a way of pleading for things in her Brazilian English to make you understand that they were matters simultaneously of no consequence and of life and death. You could refuse, and nothing would be changed; or you could give, and earn undying gratitude. It was a great gift, which she had won by long effort and sorrow and laughter. It was the humorous residue of cravings which had once been corrosive enough to etch her face. "Is that the hop, skip and jump?" I asked lazily from the rock where I was sitting and reading. I did not want to leave my rock. I had my left leg over the side with the foot in the sand. Every thirty seconds or so the movements of the water combined to send a wave swishing along the side of the rock, covering my leg up to the knee and cooling it. I felt the sun's heat flowing through me into the sea. "I really don't know," I said. `Why? What's fascinating you?" She had asked about the triple jump once before, I remembered, in Rio. "I don't know," she said, each word long-drawn-out and husky. "I am going to try it anyway." She pursed her mouth and did a coltish sprint along the sand finishing with both feet together. She stood for a while with the sun on her back, her face in shadow, looking again at the prints she had left. I watched her still, exploring the shape of her body. I would have expected a dancer's body to be harder, to show more muscle.

Standing near one of the potted shrubs that isolated the food and drink, I sipped at the punch and started picking out individual voices from the chatter around me, and individual dancers from the mass. I overheard a conversation from the other side of the shrub. “…see Tamara? That’s the third time she’s gotten him.” Curious, I looked at the dancers and easily found Lady Tamara--dancing with Shevraeth. They made a very handsome couple, her pale blue gown and dark hair, his colors the opposite. Her eyes gleamed through her famous lashes as she smiled up into his face; she then spoke, though the words were inaudible. He, of course, was exactly as unreadable as always. “Tsk tsk.” A new voice joined in, drawling with sardonic amusement. “I suppose it’s inevitable. She’s always gotten what she’s wanted; and beware whoever gets in her way.” “Everything?” the first voice said with a tinkly sort of laugh. “Compassing marriage to either of the cousins?” “Come now, she’s dropped the lesser prospect. Why settle for a duke when there’s a king in reach?” “Perhaps she’s been dropped” was the answer. “Or else the glare while Savona danced with the little Tlanth countess was a sham to provide entertainment for our speculation.” Laughing, the speakers moved away. I stood where I was, watching Lady Tamara happily whirling about the room in Shevraeth’s grasp, and I realized that he hadn’t been near me since the beginning of the evening. Uncomfortable emotions began eroding my enjoyment. I tried to banish them, and also what I’d heard. It’s nothing to do with me, I told myself firmly, hoping there wasn’t some like conversation taking place elsewhere in the room--only with me as its subject. I didn’t do anything wrong. Still, it was hard during the remaining dances to recapture the earlier joy, and at the end I was glad to follow Bran and Nee back upstairs to our rooms, Nee yawning all the way. My feet were tired, but I buoyed myself with the reminder that my Name Day came with dawn.

Before she could say more, she looked up to find Cade towering over her. "Do you think they could do one song without us so I might have the pleasure of the next dance?" he asked formally. Lily looked startled and Whitaker frowned, but Anna had just arrived and offered shyly, "I'll play for you, Mrs. Brown. What would you like to hear?" It was settled. Feeling a quiver of excitement, Lily took Cade's hand and rose from the bench. "Do you know 'Molly Cotton-tail'?" It was an easy song, one every child learned, but great fun for dancing. Lily smiled at the child's eager nod. She would finally have a chance to try dancing. Lily's excitement was irresistible. Ignoring the fact that he would most likely get his head blown off for daring to lay a hand to a white woman, Cade led her out to join the dancers. Langton and his wife were there, and they joined the circle beside them. Cade hid his surprise as Maria haughtily joined them, towing one of Lily's farmhands behind her. Maria was a whore at heart, but she hadn't denied him her bed as many another had done before. Cade wouldn't begrudge this offer of friendship now. Unaware that a small cadre of friends and neighbors were forming a protective circle around them, Lily laughed and took Cade's hand as the music began. She had waited for this moment all her life, and she expected to enjoy it to the fullest. She no longer pictured a dream man to sweep her off her feet. She merely wanted to enjoy the music. Cade watched in amazement as Lily spread her wings and flew. She didn't need anyone's protection. The sheer delight on her face as she swung from arm to arm around the circle, her feet scarcely touching the floor, was enough to stop even the hardest heart from treading on her happiness. Cade almost half-believed that life had some meaning beyond mere existence as he watched her. He wouldn't need liquor if he could always feel that kind of joy, even secondhand. Lily collapsed, laughing, into his arms as the music ended. For a moment, Cade was supporting her slenderness against him while she recovered her breath. He had no right being aroused by innocence incarnate, but while Lily laughed, Cade burned. The

After taking a shell from her apron pocket and putting it carefully into the weapon’s chamber, she pointed the shotgun away from the house and Dancer, who was tethered nearby, and drew back on the trigger. There was a deafening explosion, and Lily was flung backwards onto the ground, the butt of the shotgun striking her square in the stomach as she fell. It sure wasn’t anything like using a .22 caliber to hunt grouse. “Damnation!” she shouted, struggling back to her feet.

You look as if you’ve just lost your best friend.” Eve took a place beside Jenny on this observation, which leavened Jenny’s sense of desolation with a spike of resentment. “With all my family around me, how could I possibly be in want of companionship?” Eve watched their mutual siblings stepping through a minuet while their brother Valentine held forth at the piano. “The same way I can long to dance while the minuet plays all around me.” Marriage had settled Eve, and impending motherhood had only honed her already formidable instincts. “You’re admiring your husband, Lady Deene, even when you can’t dance with him.” “He’s promised me a waltz, though Valentine will probably find one to play at the speed of a dirge.” She fell silent for a moment as the dancers one-two-three’d around the space created by the music room and an adjoining parlor. “You would make a wonderful mother, Jenny.” The worst pain was not in the words Eve offered, but the combination of pleading and pity with which she offered them. “Becoming a mother usually contemplates becoming a wife first, and I’ve no wish to wed some man for the sole purpose of bearing his babies.” Not the sole purpose… As the dancers twirled and smiled, it occurred to Jenny that Victor had made her promise not to stop painting, but he hadn’t said anything specific about eschewing motherhood. Had he? Another pause in the conversation, while the music played on. Eve, however, was notably tenacious, so Jenny waited for the next salvo, and Eve did not disappoint. “You look at Bernward the way I look at Deene, the way Maggie looks at Benjamin, the way—” “Louisa looks at Joseph, I suppose.” And Sophie at her baron too, of course. They needn’t start on how the Windham brothers regarded their respective wives. “Louisa’s gaze is a touch more voracious. I was going to say, the way Mama looks at Papa.” Ouch. Ouch, indeed. The duke and duchess turned down the room with the grace of a more elegant age, and yet, their gazes spoke volumes about the sheer pleasure of sharing a dance. Jenny stated the obvious as matter-of-factly as possible. “Their Graces dance beautifully.” Eve’s feet were propped on a hassock. She wiggled her toes in time with the music, the left and right foot partnering each other. “Bernward also dances quite well.” Elijah was dancing with Valentine’s lady, Ellen’s preferred partner being ensconced at the keyboard, as usual. “Bernward is dancing carefully, lest Valentine take exception.” Eve twitched her skirts. “Bernward is dancing with one eye on you, you ninnyhammer, and with the certain knowledge that all three of our brothers are waiting for him to come over here and get you to stand up with him. How many more times do you think you can check on the punch bowl between sets without Bernward taking insult?” Check

Feel the beat. It is the wind,” A’isha directed. “Fly with it.” The soft beat of a drum, paired with the lilting melody of a flute, filled the room as Danica stepped onto the dais at the back of the nest. Closing her eyes, Danica stretched upward, moving onto the balls of her feet, wrists crossed high above her head, and paused there for a heartbeat. The pose was known as a prayer--a dancer’s call for guidance from the powers that be. She moved into the dance flawlessly, the sway of her body as fluid as water over stone. This was the magic of the serpent and the snake charmer combined, as pure and intense as a thunderstorm. The first dance was soft and gentle, a common sakkri’nira. I could feel the drive in the music, however, and knew the moment when the first dance would move into a more complex one. When the flute stilled, Danica rose once again onto the balls of her feet for an instant. She smiled at me before she began the most complex of the intre’marl: Maeve’s solo from the Namir-da. What had been praise and beauty became passion. Maeve’s dance was a seduction, and the way Danica held my eyes made me feel it. Seeing my mate perform those steps made me want to join her, as any royal-born serpiente would. The holiday for which the Namir-da had been named was still four months away; she would be able to perform then, and I with her, in a ritual that dated back to the creation of my kind.

Reaching a bench, he dismounted and tied Dancer to the arm. “Are you intending to be a student here?” one of the older boys asked, looking him over. Hadrian got the impression from the wrinkled nose that the student didn’t approve. The boy had a haughty tone for someone so young, small, and weaponless. “I’m here to see a man by the name of Arcadius.” “ Professor Arcadius is in Glen Hall.” “Which one of these…” He looked up at the columned buildings that appeared even taller with his feet on the grass. “The big one,” the boy said. Hadrian almost chuckled, wondering which ones the boy thought were small. The student pointed to the hall with the bell tower. “Ah … thanks.” “You didn’t answer me. Do you expect to attend this school?” “Naw-already graduated.” The young man looked stunned. “From Sheridan?” Hadrian shook his head and grinned. “Different school. Easier to get into but literally murder to pass. Hey, watch my horse, will you? But be careful-she bites.” He left the boy and three others standing bewildered by the bench, watching him cross to the big doors of Glen Hall.

The other dancers were embarrassed themselves, which meant that they weren't actually embarrassing; they weren't doing much more than tapping their feet, and the only way you could tell they were dancing at all was that they were facing each other but not looking at each other and not talking.

For as long as I can remember, I've known I would be a dancer. From the moment my mother laced a pair of tiny pink ballet slippers on my feet, my destiny was set. I would be just like her, a prima ballerina, one of the greats; gliding across those hallowed stages, moving my audience to tears. Nothing else mattered. Nothing would ever be so true. Or so I thought.

Some feet are made for racing, but some special feet are made for dancing.

Dancing is like you having a romance with yourself.

He inclined his head, bowed slightly, then swept me up in the music. My feet seemed to move on their own. All I saw was Lucien’s smiling face and flashes of color as he twirled me around and around among the other dancers.

Well, dancers practice a lot, too. I guess it’s similar. You’ve got soft hands.” He did a little spin as he walked. “And I’ve got fast feet.

‪“This is a story about two bloody feet, and how the sight of them changed a young couple’s plans. ... It’s about fine dining, a bicycle, burritos at midnight, and a girl who dreamed of being a dancer. This is a Las Vegas story.”‬

And a man troubled by loss and furrowed in brow examined the exhilaration of the dancers uninhibiting all around Jackson Square and wondered why are they free and what about me? And the wind found the rut crumpling his brow and it soothed the swelter of his concentration as the pretty blond in moccasins’ howl raised its pitch and also his pulse and he saw all at once the broken hearts and the wary eyes, the lonely nights and the shattered dreams, the sufferings of solitude that seethe within the soul of all. And his sweaty hands freed themselves from his slumping pockets as his aching feet began to move and he was clumsy and he was awkward but he was smiling just the same and no longer was there loss as herky-jerky he danced, high-stepping his feet as his arms flailed the fool but no one was judging and least of all he for he became we and we are so free for we are Spirit embodied and our bodies are but leotards for the soul and we are here to caress this Earth with the dance of our lives and there is nothing we can build that will not collapse but we can love without limit and dance without denial ‘cause this is our life and this is our death and we don’t know why and we don’t know where but this is our dream and if this dream is to be then we must be free to abandon the past and give up control and dance, and dance, and dance the wild divine.

I dare you to…” He pauses, and I want him to say it. I want him to want a kiss, because I realize I’d do it so fast it’d make his head spin. “I dare you to do your happy dance,” he says instead. “Happy dance?” “Come on, everyone has a happy dance.” “But… I have to be extremely happy to do a happy dance. It’s not something I can just, you know, jump into.” “How about I give you some inspiration.” He pulls his phone out of his pocket and presses a few buttons. A song with an upbeat keyboard begins, and Logan stands up. The happy lyrics say something about a birdhouse and a bee. He waves his hand at me to follow. Bouncing on the balls of his feet, he looks at me expectantly. I stand up to face him and try to sway a little. He shakes his head as he turns the volume up. “I just can’t, I’m not happy enough.” “Pretend like the Natchitoches Central Chiefs just won the Super Bowl.” He bounces a little more enthusiastically. “That’s good, I guess.” My sway becomes a little more pronounced. A smile takes hold, not because of the thought of the Chiefs winning the Super Bowl, but because Logan is such an awkward dancer. He’s gone from bouncing to alternating snaps of his fingers as he bobs his head. Plus, he’s a little off rhythm. “There’s a Tangled marathon on in two minutes!” He has to yell over the music now. “That’s better.” I start nodding my head to the beat. “It’s Christmas! You just got your Hogwarts acceptance letter, a copy ofAction Comics #1, and a brand new car that runs on water!” “Hell yeah!” I scream and let go.

On the big bed, Mamima and Sandeep’s mother began to dream, sprawled in vivid crab-like postures. His aunt lay on her stomach, her arms bent as if she were swimming to the edge of a lake; his mother lay on her back, her feet (one of which had a scar on it) arranged in the joyous pose of a dancer.