β
You've gotta dance like there's nobody watching,
Love like you'll never be hurt,
Sing like there's nobody listening,
And live like it's heaven on earth.
β
β
William W. Purkey
β
A reader lives a thousand lives before he dies, said Jojen. The man who never reads lives only one.
β
β
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
β
And those who were seen dancing were thought to be insane by those who could not hear the music.
β
β
Friedrich Nietzsche
β
Let us read, and let us dance; these two amusements will never do any harm to the world.
β
β
Voltaire
β
You must have chaos within you to give birth to a dancing star.
β
β
Friedrich Nietzsche
β
Percy wouldn't notice a joke if it danced naked in front of him wearing one of Dobby's hats.
β
β
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
β
Dance, when you're broken open. Dance, if you've torn the bandage off. Dance in the middle of the fighting. Dance in your blood. Dance when you're perfectly free.
β
β
Jalal ad-Din Muhammad ar-Rumi
β
We should consider every day lost on which we have not danced at least once.
β
β
Friedrich Nietzsche
β
She says nothing at all, but simply stares upward into the dark sky and watches, with sad eyes, the slow dance of the infinite stars.
β
β
Neil Gaiman (Stardust)
β
Life isn't finding shelter in the storm. It's about learning to dance in the rain.
β
β
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
β
In your light I learn how to love. In your beauty, how to make poems. You dance inside my chest where no-one sees you, but sometimes I do, and that sight becomes this art.
β
β
Jalal ad-Din Muhammad ar-Rumi
β
You are not your job, you're not how much money you have in the bank. You are not the car you drive. You're not the contents of your wallet. You are not your fucking khakis. You are all singing, all dancing crap of the world.
β
β
Chuck Palahniuk (Fight Club)
β
You are not special. You're not a beautiful and unique snowflake. You're the same decaying organic matter as everything else. We're all part of the same compost heap. We're all singing, all dancing crap of the world.
β
β
Chuck Palahniuk (Fight Club)
β
Everything in the universe has a rhythm, everything dances.
β
β
Maya Angelou
β
And hand in hand, on the edge of the sand,
They danced by the light of the moon.
β
β
Edward Lear (The Owl and the Pussycat)
β
To be fond of dancing was a certain step towards falling in love
β
β
Jane Austen (Pride and Prejudice)
β
We dance for laughter, we dance for tears, we dance for madness, we dance for fears, we dance for hopes, we dance for screams, we are the dancers, we create the dreams.
β
β
Albert Einstein
β
Did you see that dress?β "I saw the dress.β "Did you like it?β He didn't answer. I took that as a yes. "Am I going to endanger my reputation if I wear it to the dance?β When he spoke, I could barely hear him. "You'll endanger the school.β I smiled and fell asleep.
β
β
Richelle Mead (Vampire Academy (Vampire Academy, #1))
β
Do a loony-goony dance
'Cross the kitchen floor,
Put something silly in the world
That ain't been there before.
β
β
Shel Silverstein (A Light in the Attic)
β
I would believe only in a God that knows how to dance.
β
β
Friedrich Nietzsche
β
Dance first. Think later. It's the natural order.
β
β
Samuel Beckett
β
Lost love is still love. It takes a different form, that's all. You can't see their smile or bring them food or tousle their hair or move them around a dance floor. But when those senses weaken another heightens. Memory. Memory becomes your partner. You nurture it. You hold it. You dance with it.
β
β
Mitch Albom
β
Almost nobody dances sober, unless they happen to be insane.
β
β
H.P. Lovecraft
β
Human speech is like a cracked kettle on which we tap crude rhythms for bears to dance to, while we long to make music that will melt the stars.
β
β
Gustave Flaubert (Madame Bovary)
β
You will lose someone you canβt live without,and your heart will be badly broken, and the bad news is that you never completely get over the loss of your beloved. But this is also the good news. They live forever in your broken heart that doesnβt seal back up. And you come through. Itβs like having a broken leg that never heals perfectlyβthat still hurts when the weather gets cold, but you learn to dance with the limp.
β
β
Anne Lamott
β
Never forget what you are, for surely the world will not. Make it your strength. Then it can never be your weakness.
β
β
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
β
We are travelers on a cosmic journey,stardust,swirling and dancing in the eddies and whirlpools of infinity. Life is eternal. We have stopped for a moment to encounter each other, to meet, to love, to share.This is a precious moment. It is a little parenthesis in eternity.
β
β
Paulo Coelho (The Alchemist)
β
If you want to really hurt you parents, and you don't have the nerve to be gay, the least you can do is go into the arts. I'm not kidding. The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possible can. You will get an enormous reward. You will have created something.
β
β
Kurt Vonnegut Jr. (A Man Without a Country)
β
Let there be spaces in your togetherness, And let the winds of the heavens dance between you. Love one another but make not a bond of love: Let it rather be a moving sea between the shores of your souls. Fill each other's cup but drink not from one cup. Give one another of your bread but eat not from the same loaf. Sing and dance together and be joyous, but let each one of you be alone, Even as the strings of a lute are alone though they quiver with the same music. Give your hearts, but not into each other's keeping. For only the hand of Life can contain your hearts. And stand together, yet not too near together: For the pillars of the temple stand apart, And the oak tree and the cypress grow not in each other's shadow.
β
β
Kahlil Gibran (The Prophet)
β
Somebody just gave me a shower radio. Thanks a lot. Do you really want music in the shower? I guess there's no better place to dance than a slick surface next to a glass door.
β
β
Jerry Seinfeld
β
There are shortcuts to happiness and dancing is one of them!
β
β
Vicki Baum (Ballerina)
β
Life isn't about waiting for the storm to pass...It's about learning to dance in the rain.
β
β
Vivian Greene
β
If you cannot get rid of the family skeleton, you may as well make it dance.
β
β
George Bernard Shaw (Immaturity)
β
Hard times require furious dancing. Each of us is proof.
β
β
Alice Walker (Hard Times Require Furious Dancing (A Palm of Her Hand Project))
β
I'd rather learn from one bird how to sing
than teach ten thousand stars how not to dance
β
β
E.E. Cummings
β
Never trust a man who can dance.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
If I can't dance to it, it's not my revolution.
β
β
Emma Goldman
β
Unfortunately, the clock is ticking, the hours are going by. The past increases, the future recedes. Possibilities decreasing, regrets mounting.
β
β
Haruki Murakami (Dance Dance Dance)
β
If your feet are firmly planted on the ground you'll never be able to dance.
β
β
Iris Johansen (Countdown (Eve Duncan, #6))
β
We...we could be friends.'
We COULD be rare specimens of an exotic breed of dancing African elephants, but we're not. At least, I'M not.
β
β
Neil Gaiman (Coraline)
β
The world is like a Mask dancing. If you want to see it well, you do not stand in one place.
β
β
Chinua Achebe
β
One must still have chaos in oneself to be able to give birth to a dancing star.
β
β
Friedrich Nietzsche
β
I don't suffer from my insanity -- I enjoy every minute of it.
β
β
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
β
To be creative means to be in love with life. You can be creative only if you love life enough that you want to enhance its beauty, you want to bring a little more music to it, a little more poetry to it, a little more dance to it.
β
β
Osho
β
You must give everything to make your life as beautiful as the dreams that dance in your imagination.
β
β
Roman Payne
β
Draw a crazy picture,
Write a nutty poem,
Sing a mumble-gumble song,
Whistle through your comb.
Do a loony-goony dance
'Cross the kitchen floor,
Put something silly in the world
That ain't been there before.
β
β
Shel Silverstein
β
After all, Ginger Rogers did everything that Fred Astaire did. She just did it backwards and in high heels.
β
β
Ann Richards
β
I don't care if you danced naked on the roof of the Little Palace with him. I love you, Alina, even the part of you that loved him.
β
β
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
β
Oh, I have slipped the surly bonds of earth,
And danced the skies on laughter-silvered wings
β
β
John Gillespie Magee Jr.
β
His heart danced upon her movements like a cork upon a tide. He heard what her eyes said to him from beneath their cowl and knew that in some dim past, whether in life or revery, he had heard their tale before.
β
β
James Joyce (A Portrait of the Artist as a Young Man)
β
Sleep my little baby-oh
Sleep until you waken
When you wake you'll see the world
If I'm not mistaken...
Kiss a lover
Dance a measure,
Find your name
And buried treasure...
Face your life
Its pain,
Its pleasure,
Leave no path untaken.
β
β
Neil Gaiman (The Graveyard Book)
β
Dance is the hidden language of the soul
β
β
Martha Graham
β
Live your truth. Express your love. Share your enthusiasm. Take action towards your dreams. Walk your talk. Dance and sing to your music. Embrace your blessings. Make today worth remembering.
β
β
Steve Maraboli (Unapologetically You: Reflections on Life and the Human Experience)
β
Standing on the fringes of life... offers a unique perspective. But there comes a time to see what it looks like from the dance floor.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
For what is it to die but to stand naked in the wind and to melt into the sun? And when the earth shall claim your limbs, then shall you truly dance.
β
β
Kahlil Gibran
β
The only way to make sense out of change is to plunge into it, move with it, and join the dance.
β
β
Alan W. Watts
β
Let us dance in the sun, wearing wild flowers in our hair...
β
β
Susan Polis Schutz
β
Faeries, come take me out of this dull world,
For I would ride with you upon the wind,
Run on the top of the dishevelled tide,
And dance upon the mountains like a flame.
β
β
W.B. Yeats (The Land of Heart's Desire)
β
If I'm walking on thin ice, I might as well dance my way across.
β
β
Mercedes Lackey
β
You must understand the whole of life, not just one little part of it. That is why you must read, that is why you must look at the skies, that is why you must sing, and dance, and write poems, and suffer, and understand, for all that is life.
β
β
J. Krishnamurti
β
I said to my soul, be still and wait without hope, for hope would be hope for the wrong thing; wait without love, for love would be love of the wrong thing; there is yet faith, but the faith and the love are all in the waiting. Wait without thought, for you are not ready for thought: So the darkness shall be the light, and the stillness the dancing.
β
β
T.S. Eliot
β
Max, you're the last of the hybrids who still has...a soul.' ... 'She doesn't have soul,' Gazzy scoffed. 'Have you ever seen her dance?
β
β
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
β
Dance you guys!" Thalia ordered. "You look stupid just standing there."
I looked nervously at Annabeth, then at the groups of girls who were roaming the gym.
"Well?" Annabeth asked.
"Um, who should I ask?"
She punched me in the gut. "Me, Seaweed Brain."
"Oh. Oh right.
β
β
Rick Riordan
β
I'm not your anything," I snapped, glaring up at him.
His eyebrows pulled in and he stopped dancing. "You're my everything.
β
β
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
β
Noah: "You wanna dance with me?"
Allie: "Sure. Now?"
Noah: "Mmm Hmm"
Allie: "You're not supposed to dance in the street."
Noah: "You are supposed to dance in the street."
Allie: "Yeah, but we don't have any music."
Noah: "Well, we'll make some... Bum bum bum bum bum bum..."
Allie: "You're a terrible singer."
Noah: "I know."
Allie: "And I like this song.
β
β
Nicholas Sparks (The Notebook)
β
Anyone who is in love is making love the whole time, even when they're not. When two bodies meet, it is just the cup overflowing. They can stay together for hours, even days. They begin the dance one day and finish it the next, or--such is the pleasure they experience--they may never finish it. No eleven minutes for them.
β
β
Paulo Coelho (Eleven Minutes)
β
I'm not in search of sanctity, sacredness, purity; these things are found after this life, not in this life; but in this life I search to be completely human: to feel, to give, to take, to laugh, to get lost, to be found, to dance, to love and to lust, to be so human.
β
β
C. JoyBell C.
β
You deserve someone who loves you with every single beat of his heart, someone who thinks about you constantly, someone who spends every minute of every day just wondering what youβre doing, where you are, who youβre with, and if youβre OK. You need someone who can help you reach your dreams and protect you from your fears. You need someone who will treat you with respect, love every part of you, especially your flaws. You should be with someone who could make you happy, really happy, dancing on air happy.
β
β
Cecelia Ahern (Love, Rosie)
β
Funny, when you finally faced reality, it was amazing how clearly you could see things.
β
β
Mary Higgins Clark (Loves Music, Loves to Dance)
β
Anyone who is observant, who discovers the person they have always dreamed of, knows that sexual energy comes into play before sex even takes place. The greatest pleasure isn't sex, but the passion with which it is practiced. When the passion is intense, then sex joins in to complete the dance, but it is never the principal aim.
β
β
Paulo Coelho
β
Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine.
And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others.
And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.
β
β
Haruki Murakami (Kafka on the Shore)
β
Well, that depends, I suppose. I heard someone once say that men dance the same way they have sex. So, if you want everyone here to think you're the kind of guy who just sits around andβ"
He stood up. "Let's dance.
β
β
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
β
As time goes on, you'll understand. What lasts, lasts; what doesn't, doesn't. Time solves most things. And what time can't solve, you have to solve yourself.
β
β
Haruki Murakami (Dance Dance Dance)
β
Youβll learn, as you get older, that rules are made to be broken. Be bold enough to live life on your terms, and never, ever apologize for it. Go against the grain, refuse to conform, take the road less traveled instead of the well-beaten path. Laugh in the face of adversity, and leap before you look. Dance as though EVERYBODY is watching. March to the beat of your own drummer. And stubbornly refuse to fit in.
β
β
Mandy Hale (The Single WomanβLife, Love, and a Dash of Sass: Embracing Singleness with Confidence)
β
A reader lives a thousand lives before he dies. The man who never reads lives only one.
β
β
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
β
If a man has to say trust me, Gogu conveyed, it's a sure sign you cannot. Trust him, that is. Trust is a thing you know without words.
β
β
Juliet Marillier (Wildwood Dancing (Wildwood, #1))
β
My parents danced together, her head on his chest. Both had their eyes closed. They seemed so perfectly content. If you can find someone like that, someone who you can hold and close your eyes to the world with, then you're lucky. Even if it only lasts for a minute or a day. The image of them gently swaying to the music is how I picture love in my mind even after all these years.
β
β
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
β
A fit, healthy bodyβthat is the best fashion statement
β
β
Jess C. Scott
β
The spell. Victor said you had to want me... to care about me... for it to work." When he didn't say anything, I tried to grip his shirt, but my fingers were too weak. "Did you? Did you want me?"
His words came out thickly. "Yes, Roza. I did want you. I still do. I wish... we could be together."
"Then why did you lie to me?"
We reached the clinic, and he managed to open the door while still holding me. As soon as he stepped inside, he began yelling for help.
"Why did you lie?" I murmured again.
Still holding me in his arms, he looked down at me. I could hear voices and footsteps getting closer.
"Because we can't be together."
"Because of the age thing, right?" I asked. "Because you're my mentor?"
His fingertip gently wiped away a tear that had escaped down my cheek. "That's part of it," he said. "But also... well, you and I will both be Lissa's gaurdians someday. I need to protect her at all cost. If a pack of Strogoi come, I need to throw my body between them and her."
I know that. Of course that's what you have to do." The black sparkles were dancing in front of my eyes again. I was fading out.
"No. If I let myself love you, I won't throw myself in front of her. I'll throw myself in front of you.
β
β
Richelle Mead (Vampire Academy (Vampire Academy, #1))
β
You think fairy tales are only for girls? Here's a hint - ask yourself who wrote them. I assure you, it wasn't just the women. It's the great male fantasy - all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know - this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don't want a very long courtships. They want to know immediately.
β
β
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
β
He inclined his head at my dress. "What's the occasion?"
"Homecoming," I said, twirling. "Like?"
"Last I heard, Homecoming requires a date."
"About that," I hedged. "I'm sort of...going with Scott. We both figure a high-school dance is the last place Hank will be patrolling."
Patch smiled, but it was tight. "I take that back. If Hank wants to shoot Scott, he has my blessing.
β
β
Becca Fitzpatrick (Silence (Hush, Hush, #3))
β
Nature loves courage. You make the commitment and nature will respond to that commitment by removing impossible obstacles. Dream the impossible dream and the world will not grind you under, it will lift you up. This is the trick. This is what all these teachers and philosophers who really counted, who really touched the alchemical gold, this is what they understood. This is the shamanic dance in the waterfall. This is how magic is done. By hurling yourself into the abyss and discovering it's a feather bed.
β
β
Terence McKenna
β
It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart's longing.
It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive.
It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life's betrayals or have become shriveled and closed from fear of further pain!I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it, or fix it.
I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human.
It doesn't interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithlessand therefore trustworthy.
I want to know if you can see beauty even when it's not pretty, every day,and if you can source your own life from its presence.
I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, βYes!β
It doesn't interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children.
It doesn't interest me who you know or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back.
It doesn't interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away.
I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.
β
β
Oriah Mountain Dreamer
β
She craved a presence beside her, solid. Fingertips light at the nape of her neck and a voice meeting hers in the dark. Someone who would wait with an umbrella to walk her home in the rain, and smile like sunshine when he saw her coming. Who would dance with her on her balcony, keep his promises and know her secrets, and make a tiny world wherever he was, with just her and his arms and his whisper and her trust.
β
β
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
β
It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.
β
β
Donna Tartt (The Secret History)
β
There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all time, this expression is unique. And if you block it, it will never exist through any other medium and will be lost.
β
β
Martha Graham
β
Derek caught my arm again as I started to move--at this rate, it was going to be as sore as my injured one.
"Dog," he said, jerking his chin toward the fenced yard. "It was inside earlier."
Expecting to see a Doberman slavering at the fence, I followed his gaze to a little puff of white fur, the kind of dog women stick in their purses. It wasn't even barking, just staring at us, dancing in place.
"Oh, my God! It's a killer Pomeranian." I glanced up at Derek. "It's a tough call, but I think you can take him.
β
β
Kelley Armstrong (The Awakening (Darkest Powers, #2))
β
There is a time for everything, and a season for every activity under heaven:
a time to be born and a time to die,
a time to plant and a time to uproot,
a time to kill and a time to heal,
a time to tear down and a time to build,
a time to weep and a time to laugh,
a time to mourn and a time to dance,
a time to scatter stones and a time to gather them,
a time to embrace and a time to refrain,
a time to search and a time to give up,
a time to keep and a time to throw away,
a time to tear and a time to mend,
a time to be silent and a time to speak,
a time to love and a time to hate,
a time for war and a time for peace.
(Ecclesiastes 3:1-8, NIV)
β
β
Anonymous (Study Bible: NIV)
β
Writing and reading decrease our sense of isolation. They deepen and widen and expand our sense of life: they feed the soul. When writers make us shake our heads with the exactness of their prose and their truths, and even make us laugh about ourselves or life, our buoyancy is restored. We are given a shot at dancing with, or at least clapping along with, the absurdity of life, instead of being squashed by it over and over again. It's like singing on a boat during a terrible storm at sea. You can't stop the raging storm, but singing can change the hearts and spirits of the people who are together on that ship.
β
β
Anne Lamott (Bird by Bird)
β
Do not go gentle into that good night,
Old age should burn and rage at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on the sad height,
Curse, bless me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
β
β
Dylan Thomas (Do Not Go Gentle Into That Good Night)
β
Who're you going with, then?" said Ron.
"Angelina," said Fred promptly, without a trace of embarrassment.
"What?" said Ron, taken aback. "You've already asked her?"
"Good point," said Fred. He turned his head and called across the common room, "Oi! Angelina!"
Angelina, who had been chatting with Alicia Spinnet near the fire, looked over at him.
"What?" She called back.
"Want to come to the ball with me?"
Angelina gave Fred a sort of appraising look.
"All right, then," she said, and she turned back to Alicia and carried on chatting with a bit of a grin on her face.
"There you go," said Fred to Harry and Ron, "piece of cake.
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J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
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I was sentimental about many things: a womanβs shoes under the bed; one hairpin left behind on the dresser; the way they said, 'Iβm going to pee.' hair ribbons; walking down the boulevard with them at 1:30 in the afternoon, just two people walking together; the long nights of drinking and smoking; talking; the arguments; thinking of suicide; eating together and feeling good; the jokes; the laughter out of nowhere; feeling miracles in the air; being in a parked car together; comparing past loves at 3am; being told you snore; hearing her snore; mothers, daughters, sons, cats, dogs; sometimes death and sometimes divorce; but always carring on, always seeing it through; reading a newspaper alone in a sandwich joint and feeling nausea because sheβs now married to a dentist with an I.Q. of 95; racetracks, parks, park picnics; even jails; her dull friends; your dull friends; your drinking, her dancing; your flirting, her flirting; her pills, your fucking on the side and her doing the same; sleeping together
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Charles Bukowski (Women)
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These are the things I learned (in Kindergarten):
1. Share everything.
2. Play fair.
3. Don't hit people.
4. Put things back where you found them.
5. CLEAN UP YOUR OWN MESS.
6. Don't take things that aren't yours.
7. Say you're SORRY when you HURT somebody.
8. Wash your hands before you eat.
9. Flush.
10. Warm cookies and cold milk are good for you.
11. Live a balanced life - learn some and drink some and draw some and paint some and sing and dance and play and work everyday some.
12. Take a nap every afternoon.
13. When you go out into the world, watch out for traffic, hold hands, and stick together.
14. Be aware of wonder. Remember the little seed in the Styrofoam cup: The roots go down and the plant goes up and nobody really knows how or why, but we are all like that.
15. Goldfish and hamster and white mice and even the little seed in the Styrofoam cup - they all die. So do we.
16. And then remember the Dick-and-Jane books and the first word you learned - the biggest word of all - LOOK.
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Robert Fulghum (All I Really Need to Know I Learned in Kindergarten)
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Youβre here!β Isabelle danced up to them in delight, carrying a glass of fuchsia liquid, which she thrust at Clary. βHave some of this!β
Clary squinted at it. βIs it going to turn me into a rodent?β
βWhere is the trust? I think itβs strawberry juice,β Isabelle said. βAnyways, itβs yummy. Jace?β She offered him the glass.
βI am a man,β he told her, βand men do not consume pink beverages. Get thee gone, woman, and bring me something brown.β
βBrown?β Isabelle made a face.
βBrown is a manly color,β said Jace, and yanked on a stray lock of Isabelleβs hair with his free hand. βIn fact, look β Alec is wearing it.β
Alec looked mournfully down at his sweater. βIt was black,β he said. βBut then it faded.β
βYou could dress it up with a sequined headband,β Magnus suggested, offering his boyfriend something blue and sparkly. βJust a thought.β
βResist the urge, Alec.β Simon was sitting on the edge of a low wall with Maia beside him, though she appeared to be deep in conversation with Aline. βYouβll look like Olivia Newton-John in Xanadu.β
βThere are worse things,β Magnus observed.
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Cassandra Clare (City of Glass (The Mortal Instruments, #3))
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But I think the first real change in womenβs body image came when JLo turned it butt-style. That was the first time that having a large-scale situation in the back was part of mainstream American beauty. Girls wanted butts now. Men were free to admit that they had always enjoyed them. And then, what felt like moments later, boomβBeyoncΓ© brought the leg meat. A back porch and thick muscular legs were now widely admired. And from that day forward, women embraced their diversity and realized that all shapes and sizes are beautiful. Ah ha ha. No. Iβm totally messing with you. All Beyonce and JLo have done is add to the laundry list of attributes women must have to qualify as beautiful. Now every girl is expected to have Caucasian blue eyes, full Spanish lips, a classic button nose, hairless Asian skin with a California tan, a Jamaican dance hall ass, long Swedish legs, small Japanese feet, the abs of a lesbian gym owner, the hips of a nine-year-old boy, the arms of Michelle Obama, and doll tits. The person closest to actually achieving this look is Kim Kardashian, who, as we know, was made by Russian scientists to sabotage our athletes.
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Tina Fey (Bossypants)
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The axiom of equality states that x always equals x: it assumes that if you have a conceptual thing named x, that it must always be equivalent to itself, that it has a uniqueness about it, that it is in possession of something so irreducible that we must assume it is absolutely, unchangeably equivalent to itself for all time, that its very elementalness can never be altered. But it is impossible to prove. Always, absolutes, nevers: these are the words, as much as numbers, that make up the world of mathematics. Not everyone liked the axiom of equalityββDr. Li had once called it coy and twee, a fan dance of an axiomββbut he had always appreciated how elusive it was, how the beauty of the equation itself would always be frustrated by the attempts to prove it. It was the kind of axiom that could drive you mad, that could consume you, that could easily become an entire life.
But now he knows for certain how true the axiom is, because he himselfββhis very lifeββhas proven it. The person I was will always be the person I am, he realizes. The context may have changed: he may be in this apartment, and he may have a job that he enjoys and that pays him well, and he may have parents and friends he loves. He may be respected; in court, he may even be feared. But fundamentally, he is the same person, a person who inspires disgust, a person meant to be hated.
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Hanya Yanagihara (A Little Life)
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I was going to die, sooner or later, whether or not I had even spoken myself. My silences had not protected me. Your silences will not protect you.... What are the words you do not yet have? What are the tyrannies you swallow day by day and attempt to make your own, until you will sicken and die of them, still in silence? We have been socialized to respect fear more than our own need for language."
I began to ask each time: "What's the worst that could happen to me if I tell this truth?" Unlike women in other countries, our breaking silence is unlikely to have us jailed, "disappeared" or run off the road at night. Our speaking out will irritate some people, get us called bitchy or hypersensitive and disrupt some dinner parties. And then our speaking out will permit other women to speak, until laws are changed and lives are saved and the world is altered forever.
Next time, ask: What's the worst that will happen? Then push yourself a little further than you dare. Once you start to speak, people will yell at you. They will interrupt you, put you down and suggest it's personal. And the world won't end.
And the speaking will get easier and easier. And you will find you have fallen in love with your own vision, which you may never have realized you had. And you will lose some friends and lovers, and realize you don't miss them. And new ones will find you and cherish you. And you will still flirt and paint your nails, dress up and party, because, as I think Emma Goldman said, "If I can't dance, I don't want to be part of your revolution." And at last you'll know with surpassing certainty that only one thing is more frightening than speaking your truth. And that is not speaking.
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Audre Lorde
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Why aren't you in school? I see you every day wandering around."
"Oh, they don't miss me," she said. "I'm antisocial, they say. I don't mix. It's so strange. I'm very social indeed. It all depends on what you mean by social, doesn't it? Social to me means talking to you about things like this." She rattled some chestnuts that had fallen off the tree in the front yard. "Or talking about how strange the world is. Being with people is nice. But I don't think it's social to get a bunch of people together and then not let them talk, do you? An hour of TV class, an hour of basketball or baseball or running, another hour of transcription history or painting pictures, and more sports, but do you know, we never ask questions, or at least most don't; they just run the answers at you, bing, bing, bing, and us sitting there for four more hours of film-teacher. That's not social to me at all. It's a lot of funnels and lot of water poured down the spout and out the bottom, and them telling us it's wine when it's not. They run us so ragged by the end of the day we can't do anything but go to bed or head for a Fun Park to bully people around, break windowpanes in the Window Smasher place or wreck cars in the Car Wrecker place with the big steel ball. Or go out in the cars and race on the streets, trying to see how close you can get to lampposts, playing 'chicken' and 'knock hubcaps.' I guess I'm everything they say I am, all right. I haven't any friends. That's supposed to prove I'm abnormal. But everyone I know is either shouting or dancing around like wild or beating up one another. Do you notice how people hurt each other nowadays?
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Ray Bradbury (Fahrenheit 451)
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Ladies and gentlemen of the class of '97:
Wear sunscreen.
If I could offer you only one tip for the future, sunscreen would be it. The long-term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now.
Enjoy the power and beauty of your youth. Oh, never mind. You will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine.
Don't worry about the future. Or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 pm on some idle Tuesday.
Do one thing everyday that scares you.
Sing.
Don't be reckless with other people's hearts. Don't put up with people who are reckless with yours.
Floss.
Don't waste your time on jealousy. Sometimes you're ahead, sometimes you're behind. The race is long and, in the end, it's only with yourself.
Remember compliments you receive. Forget the insults. If you succeed in doing this, tell me how.
Keep your old love letters. Throw away your old bank statements.
Stretch.
Don't feel guilty if you don't know what you want to do with your life. The most interesting people I know didn't know at 22 what they wanted to do with their lives. Some of the most interesting 40-year-olds I know still don't.
Get plenty of calcium. Be kind to your knees. You'll miss them when they're gone.
Maybe you'll marry, maybe you won't. Maybe you'll have children, maybe you won't. Maybe you'll divorce at 40, maybe you'll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don't congratulate yourself too much, or berate yourself either. Your choices are half chance. So are everybody else's.
Enjoy your body. Use it every way you can. Don't be afraid of it or of what other people think of it. It's the greatest instrument you'll ever own.
Dance, even if you have nowhere to do it but your living room.
Read the directions, even if you don't follow them.
Do not read beauty magazines. They will only make you feel ugly.
Get to know your parents. You never know when they'll be gone for good. Be nice to your siblings. They're your best link to your past and the people most likely to stick with you in the future.
Understand that friends come and go, but with a precious few you should hold on. Work hard to bridge the gaps in geography and lifestyle, because the older you get, the more you need the people who knew you when you were young.
Live in New York City once, but leave before it makes you hard. Live in Northern California once, but leave before it makes you soft. Travel.
Accept certain inalienable truths: Prices will rise. Politicians will philander. You, too, will get old. And when you do, you'll fantasize that when you were young, prices were reasonable, politicians were noble, and children respected their elders.
Respect your elders.
Don't expect anyone else to support you. Maybe you have a trust fund. Maybe you'll have a wealthy spouse. But you never know when either one might run out.
Don't mess too much with your hair or by the time you're 40 it will look 85.
Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia. Dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts and recycling it for more than it's worth.
But trust me on the sunscreen.
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Mary Schmich (Wear Sunscreen: A Primer for Real Life)
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And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your
and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
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Sarah Kane (Crave)