Dance Pose Quotes

There was no sleeper more elegant than she, with her curved body posed for a dance and her hand across her forehead, but there was also no one more ferocious when anyone disturbed the sensuality of her thinking she was still asleep when she no longer was.

I'm so glad you're okay." "So, how do we celebrate my okayness? It's my day off. Let's go crazy. Glow-in-the-dark bowling?" "No" "I'll let you use the kiddie ball." "Shut up. I do NOT need the kiddie ball." "The way you bowl, I think you might." He grabbed her in an exaggerated formal dance pose and whirled her around, backpack and all, which didn't make her any more graceful. "Ballroom dancing?" "Are you INSANE?" "Hey, girls who tango are hot." "You think I'm not hot because I don't tango?" He dropped the act. Shane was a smart boy. "I think you are too hot for ballroom or bowling. So you tell me. What do you want to do? And don't say study.

You go through life thinking there's so much you need. Your favorite jeans and sweater. The jacket with the faux-fur lining to keep you warm. Your phone and your music and your favorite books. Mascara. Irish breakfast tea and cappuccinos from Trouble Coffee. You need your yearbooks, every stiffly posed school-dance photo, the notes your friends slipped into your locker. You need the camera you got for your sixteenth birthday and the flowers you dried. You need your notebooks full of the things you learned and don't want to forget. You need your bedspread, white with black diamonds. You need your pillow - it fits the way you sleep. You need magazines promising self-improvement. You need your running shoes and your sandals and your boots. Your grade report from the semester you got straight As. Your prom dress, your shiny earrings, your pendants on delicate chains. You need your underwear, your light-colored bras and your black ones. The dream catcher hanging above your bed. The dozens and dozens of shells in glass jars... You think you need all of it. Until you leave with only your phone, your wallet, and a picture of your mother.

Just so we know we have the story straight you too are posing as husband and wife? No, we’re not posing.

One more comment from the heart: I’m old fashioned and think that reading books is the most glorious pastime that humankind has yet devised. Homo Ludens dances, sings, produces meaningful gestures, strikes poses, dresses up, revels and performs elaborate rituals. I don’t wish to diminish the significance of these distractions-without them human life would pass in unimaginable monotony and possibly dispersion and defeat. But these are group activities above which drifts a more or less perceptible whiff of collective gymnastics. Homo Ludens with a book is free. At least as free as he’s capable of being. He himself makes up the rules of the game, which are subject only to his own curiosity. He’s permitted to read intelligent books, from which he will benefit, as well as stupid ones, from which he may also learn something. He can stop before finishing one book, if he wishes, while starting another at the end and working his way back to the beginning. He may laugh in the wrong places or stop short at words he’ll keep for a life time. And finally, he’s free-and no other hobby can promise this-to eavesdrop on Montaigne’s arguments or take a quick dip in the Mesozoic.

The lounge usually holds his couch, his easels, inks and oils, and original handmade paper imported straight from Kappa—Nihon of the Old World. The center of the lounge is always for the stage—a raised, soft, armless sofa where his subject poses. But this evening isn’t about the stage or his art. This evening, the lounge shouldn’t hold needless furniture. Tonight, Kuhawk is for one book. Tonight, all the moonlight coming through the transparent globe should illuminate only the Devil’s Book—the first key to everything the Mesmerizer seeks. Oh, the trouble he took to earn it!

On clubbers: They were all photographing themselves. In fact, that's all they seemed to be doing. Standing around in expensive clothes, snapping away with phones and cameras. One pose after another, as though they needed to prove their own existence, right there, in the moment. Crucially, this seemed to be the reason they were there in the first place. There was very little dancing. Just pouting and flashbulbs.

You’ve been here the whole time!” I could see it clearly.    The calm, glowing One smiled, and all of a sudden, I knew. It hadn’t been fear telling me not to get on the boat, scaring me away from the fun. It was Jesus trying to spare me the agony of this trip because . . . because He loves me? Yes, He loves me!    And there I’d stood, as if I’d had my hand on His chest, pushing Him away. What was I doing? Seeing Him now, I realized we’d been stuck in this pose a long time. I hadn’t wanted Him to go in case I needed Him, but I hadn’t wanted Him to come inside and control me.    Ever so patiently—suspended in time, but oh-so-very present—Jesus held out His hand and invited me to dance.    “Yes,” I yielded, and something so much more peaceful than peace settled inside even though the storm still raged, and the circumstances hadn’t budged. “Let’s dance.”    Embraced in His arms, I fell asleep—even in the midst of those crazy waves. 

Momentarily drained of lust, he stares at the remembered contortions to which it has driven him. His life seems a sequence of grotesque poses assumed to no purpose, a magic dance empty of belief. There is no God; Janice can die: the two thoughts come at once, in one slow wave. He feels underwater, caught in chains of transparent slime, ghosts of the urgent ejaculations he has spat into the mild bodies of women. His fingers on his knees pick at persistent threads.

Classic Ballet, Keep away, keep building your creaky fairy castles, keep cloning clones and meaningless manners, hang on to your beanstalk ballerinas and their midget male shadows, run yourself out of business with your tons of froufrou and costly clattery toe shoes that ruin all chances for illusions of lightness, keep on crowding the minds of blind balletomanes who prefer dainty poses to the eloquent strength of momentum, who have forgotten or never known the manings of gesture, who would nod their noses to barefoot embargos ("so grab me" spelt backwards). Continue to repolish your stiff technique and to ignore a public that hungers for something other than a bag of tricks and the empty-headedness of surface patterns. Just keep it up, keep imitating yourself, and, , go grow your own dance makers. Come on, don't keep trying to filter modern ones through your so-safe extablishment. We're to be seen undiluted, undistorted, not absorbed by your hollow world like blood into a sponge. Yours truly, A Different Leaf on Our Family Tree

I saw Orin in bars or at post-tournament dances go up to a young lady he would like to pick up and use this fail-safe cross-sectional pick-up Strategy that involved an opening like “Tell me what sort of man you prefer, and then I’ll affect the demeanor of that man.” Which in a way of course is being almost pathologically open and sincere about the whole picking-up enterprise, but also has this quality of Look-At-Me-Being-So-Totally-Open-And-Sincere-I-Rise-Above-The-Whole-Disingenuous-Posing-Process-Of-Attracting-Someone-,-And-I-Transcend-The-Common-Disingenuity-In-A-Bar-Herd-In-A-Particularly-Hip-And-Witty-Self-Aware-Way-,-And-If-You-Will-Let-Me-Pick-You-Up-I-Will-Not-Only-Keep-Being-This-Wittily,-Transcendently-Open-,-But-Will-Bring-You-Into-This-World-Of-Social-Falsehood-Transcendence, which of course he cannot do because the whole openness-demeanor thing is itself a purposive social falsehood; it is a pose of poselessness; Orin Incandenza is the least open man I know.

As I exited the car, I glanced over at Henry. "Should I call Asher and tell him we won't be needing that getaway distraction?" Before Henry could reply, pop music reverberated off the building. Asher jogged into the middle of a large crowd and struck a dramatic pose. "You say distraction," Henry deadpanned, "Asher hears 'flash mob'." Five seconds later, Vivvie danced wildly past and gave me a questioning look. I nodded. "The possum has fallen on the nun!" Vivvie called to Asher. Asher didn't miss a beat of choreography. He shimmied and punched a fist into the air. "Long live the possum!

Simplicity itself is the key. Education in ballet, dance, martial arts, etc., is done through poses, or to be more precise, through a countless series of poses. Perfection of movement is achieved through the flow of perfectly rehearsed poses.

After we've been dancing awhile and need a breather, we walk off the dance floor. I whip out my cell and say, "Pose for me." The first picture I take is of him trying to pose like a cool bad boy. It makes me laugh. I take another one before he can strike a pose this time. "Let's take one of the both of us," he says, pulling me close. I press my cheek against his while he takes my cell and puts it as far away as he can reach, then freezes this perfect moment with a click. After the picture is taken, he pulls me into his arms and kisses me.

Agnethe falls to her knees on the stone, the dome of her head tilted back, her arms draped out at her sides in supplication. Lisbet has never seen someone pray in such a pose. When she benders her neck to speak to God, she feels the aim is to make herself as small as possible, turning inwards to find some tiny voice that perhaps sometimes she believes is from heaven, but is more often her mother's. She fails even at carrying God inside her like others seem to. But Agnethe prays like in the holy stories, as though God is everywhere, and she is showing herself as broadly and as boldly as she can.

KNEES FOLDED, SPREAD FAR APART from each other, parallel to the floor—like those of a monk sitting in a lotus pose and peacefully meditating. Except, she’s not meditating; she’s dancing, and she’s not at peace. Sweat forming, flowing down her neck and cleavage, dampening her vest. Her fingers gripping her waist. Only her toes touch the ground to kick off and defeat gravity for one moment, until she drops back to the floor on just her toes, making it a flawless leaping-footwork of Bharatanatyam—a traditional dance. Well, nearly flawless. Soon, her one hand releases her waist in the middle of the dance, breaking the perfection of the footwork. She brushes nothing in particular from her face as if she’s pushing away her blue strands of hair, but she is not. Her hair is tied into a ponytail reaching her waist. No loose strands of hair are annoying her that she’d need to touch her face. At least, not during a dance.

Huffing from her exertion, her face flushed and her expression happy, she looked toward the door—and went still. Dare pushed past Trace and went to the wall unit to turn down the music. Into the silence, Chris asked, “Everyone having fun?” “God, Chris,” Dare said. “Trace is going to kill you if you don’t shut up.” “Really?” Priss struck a pose of annoyance, one hip cocked out, her arms crossed, her chin elevated. “And here Molly and Chris assured Matt that you weren’t the type to cause bodily harm.” “They must have been jesting.” Trace was well used to Chris’s warped sense of humor, so Chris wasn’t in any danger. But Matt . . . Trace zeroed in on him. In a tone more lethal for the quietness of it, he asked, “What are you doing?” “Harmless dancing?” Matt replied in a nervous question, unsure of the right answer. Priss suddenly stepped in front of Matt, which left Matt bemused. “Don’t act snarky with him, Trace. I asked him to dance with me. We had some time to kill before this crud comes out of my hair. And you were nowhere to be found.” Matt pulled her aside, earning a glare from Trace. He quickly held up his hands, palms out, to prove he wasn’t touching her. “Speaking of time, we can go wash your hair right now, if everyone will just excuse us.” “I need a minute with Priss first.” Trace eyed her militant stance, and had to fight a smile. She had a backbone of steel. He liked that. “Alone.

The courtside entertainment provided similar commercial thrills. Smaller businesses that couldn't afford their own teams bought the right to have company mascots wander the aisles, where they posed for photographs, danced as much as their cumbersome costumes allowed, and further blurred the line between professional basketball and a Lewis Carroll acid trip.

We also have to reevaluate the historic benefits of intoxication, at both the individual and group level, in light of the unprecedented threats that intoxicants pose in the modern world. The relatively recent innovations of distillation and social isolation entirely change intoxicants’ balance on the razor’s edge between order and chaos, creating novel dangers that we only dimly appreciate.

To hold a friend in the background at a certain stage of a love affair is a technique some men like to employ; a method which spreads, as it were, the emotional load, ameliorating risks of dual conflict between the lovers themselves, although at the same time posing a certain hazard in the undue proximity of a third party unencumbered with emotional responsibility – and therefore almost always seen to better advantage than the lover himself.

1) Leopardskin is always a neutral. 2) You can get away with nearly anything if you wear the thing with black opaque tights and boots. 3) Contrary to popular opinion, a belt is often not a good friend to a lady. Indeed, in many circumstances, it acts merely as a visual aid to help the onlooker settle the question: "Which half is fatter - the bottom or the top?" 4) Bright red is a neutral. 5) Sellotape is NOT strong enough to mend a hole in the crotch of a pair of tights. 6) You should NOT buy an outfit if you have to strike a sexy pose in the changing-room mirror to make it look good. On the other hand, if you immediately start dancing the minute you put it on, buy it, however much it costs: unless it's lots, in which case, you can't, so don't. Fashion magazines will NEVER say, "Actually, don't buy it if you can't afford it." Neither will your friends. I am probably the only person who will EVER say it to you. You're welcome.

You go through life thinking there’s so much you need. Your favorite jeans and sweater. The jacket with the faux-fur lining to keep you warm. Your phone and your music and your favorite books. Mascara. Irish Breakfast tea and cappuccinos from Trouble Coffee. You need your yearbooks, every stiffly posed school-dance photo, the notes your friends slipped into your locker. You need the camera you got for your sixteenth birthday and the flowers you dried. You need your notebooks full of the things you learned and don’t want to forget. You need your bedspread, white with black diamonds. You need your pillow—it fits the way you sleep. You need magazines promising self-improvement. You need your running shoes and your sandals and your boots. Your grade report from the semester you got straight As. Your prom dress, your shiny earrings, your pendants on delicate chains. You need your underwear, your light-colored bras and your black ones. The watercolor sunset hanging above your bed. The dozens and dozens of shells in glass jars. You think you need all of it. Until you leave with only your phone, your wallet, and a picture of your mother.

YOU GO THROUGH LIFE thinking there’s so much you need. Your favorite jeans and sweater. The jacket with the faux-fur lining to keep you warm. Your phone and your music and your favorite books. Mascara. Irish Breakfast tea and cappuccinos from Trouble Coffee. You need your yearbooks, every stiffly posed school-dance photo, the notes your friends slipped into your locker. You need the camera you got for your sixteenth birthday and the flowers you dried. You need your notebooks full of the things you learned and don’t want to forget. You need your bedspread, white with black diamonds. You need your pillow—it fits the way you sleep. You need magazines promising self-improvement. You need your running shoes and your sandals and your boots. Your grade report from the semester you got straight As. Your prom dress, your shiny earrings, your pendants on delicate chains. You need your underwear, your light-colored bras and your black ones. The watercolor sunset hanging above your bed. The dozens and dozens of shells in glass jars. The cab was waiting outside the station. The airport, I said, but no sound came out. “The airport,” I said, and we pulled away. You think you need all of it. Until you leave with only your phone, your wallet, and a picture of your mother.

That was the moment Anna felt something inside her trip and fall, something come clean away from all the snares and traps and tangles of the propriety in which she’d been steeped all these years. And as he began to move, she pressed into him as he had shown her, looked up at him from beneath her lashes as he’d directed, and said, in a purring voice, “My, my, sir, how well you move us about the dance floor! One can’t help but wonder if you move as well in other, more intimate circumstances,” she said, and let her lips stretch into a soft smile. It worked. Grif’s grin faded; he slowed his step a little and blinked down at her for a moment. But that dangerous smile slowly appeared again, starting in his eyes and casually reaching his lips. “If ye were to pose such a question to me, lass, I’d say, ‘As fast or as slow, as soft or as hard as ye’d want, leannan. Pray tell, how would ye want?’” The tingling in her groin was a signal that she was on perilous ground. Anna looked into his green eyes, so dark and so deep that she couldn’t quite determine if this was a game they were playing or something far more dangerous. And her good sense, shaped and controlled from years of living among high society, quietly shut down, allowing the real Anna, the Anna who yearned to be loved, to be held and caressed and adored and know all manner of physical pleasure, to slide deeper into the circle of his arms. “I don’t rightly know how I’d want, sir, other than to say…” Her voice trailed away as she let her gaze roam his face, the perfectly tied neckcloth, the breadth of his shoulders, his thick arms. And then she lifted her gaze to his, saw something smoldering there, and recklessly whispered, “… that I’d most definitely want.” He said nothing. The muscles in his jaw bulged as if he refrained from speaking, and she realized that they had come to a halt. But then his hand spread beneath hers, his palm pressed to her palm, and he laced his fingers between hers, one by one, and with the last one, he closed his hand, gripping hers tightly. “Tha sin glè mhath,” he whispered hoarsely. Anna smiled, lifted a curious brow. “I said, that’s very good, lass. Very good indeed

Oh arrive and leave. You were still half a child, Completing a dancing pose for but a moment, The pure form of a star constellation, which is One of the ways in which we overcome the mindless random order Of Nature, also just for a moment. For it was only when Orpheus sang That Nature awoke and heard, was quickened in alertness. Though far away in time, this stirred you. And you were somewhat Surprised that a tree considered so slowly and hesitated To join with you in hearing it. You sensed the very place where the lyre Raised itself aloft -; the mid-point which has never been heard. For you ventured your beautiful steps And you hoped, one day in holy celebration To alter the course and countenance of your friend. (Her friend is himself.)

Omens" Her eyelids were painted blue. When she closed her eyes the sea rolled in like ten thousand fiery chariots, leaving behind silence above & below a thousand years old. He stood beneath a high arched window, gazing out at fishing boats beyond the dikes, their nets unfurled, their offshore gestures a dance of living in bluish entourage. He was only the court’s chief jester. What he said & did made them laugh, but lately what he sometimes thought he knew could cost him his polished tongue & royal wig. He was the masked fool unmasking the emperor. Forget the revelation. Forget the briny sea. He had seen the ravishing empress naked in a forbidden pose. Her blue eye shadow. Aquamarine shells crusted with wormy mud. Anyway, if he said half of what was foretold, the great one would become a weeping boy slumped beneath the Pillars of Hercules. Poetry Apr 2012, Vol. 200 Issue 1, p15

When Surkov finds out about the Night Wolves he is delighted. The country needs new patriotic stars, the great Kremlin reality show is open for auditions, and the Night Wolves are just the type that’s needed, helping the Kremlin rewrite the narrative of protesters from political injustice and corruption to one of Holy Russia versus Foreign Devils, deflecting the conversation from the economic slide and how the rate of bribes that bureaucrats demand has shot up from 15 percent to 50 percent of any deal. They will receive Kremlin support for their annual bike show and rock concert in Crimea, the one-time jewel in the Tsarist Empire that ended up as part of Ukraine during Soviet times, and where the Night Wolves use their massive shows to call for retaking the peninsula from Ukraine and restoring the lands of Greater Russia; posing with the President in photo ops in which he wears Ray-Bans and leathers and rides a three-wheel Harley (he can’t quite handle a two-wheeler); playing mega-concerts to 250,000 cheering fans celebrating the victory at Stalingrad in World War II and the eternal Holy War Russia is destined to fight against the West, with Cirque du Soleil–like trapeze acts, Spielberg-scale battle reenactments, religious icons, and holy ecstasies—in the middle of which come speeches from Stalin, read aloud to the 250,000 and announcing the holiness of the Soviet warrior—after which come more dancing girls and then the Night Wolves’ anthem, “Slavic Skies”: We are being attacked by the yoke of the infidels: But the sky of the Slavs boils in our veins . . . Russian speech rings like chain-mail in the ears of the foreigners, And the white host rises from the coppice to the stars.

Little Nicky heads to the Badlands to see the show for himself. The Western Roads are outside his remit as a U.S. Treasury agent, but he knows the men he wants are its denizens. Standing on the corner of the Great Western and Edinburgh Roads, a sideshow, a carnival of the doped, the beaten, and the crazed. He walks round to the Avenue Haig strip and encounters the playground of Shanghai’s crackpots, cranks, gondoos, and lunatics. He’s accosted constantly: casino touts, hustling pimps, dope dealers; monkeys on chains, dancing dogs, kids turning tumbles, Chinese ‘look see’ boys offering to watch your car. Their numbers rise as the Japs turn the screws on Shanghai ever tighter. Half-crazy American missionaries try to sell him Bibles printed on rice paper—saving souls in the Badlands is one tough beat. The Chinese hawkers do no better with their porno cards of naked dyed blondes, Disney characters in lewd poses, and bare-arsed Chinese girls, all underage. Barkers for the strip shows and porno flicks up the alleyways guarantee genuine French celluloid of the filthiest kind. Beggars abound, near the dealers and bootleggers in the shadows, selling fake heroin pills and bootleg samogon Russian vodka, distilled in alleyways, that just might leave you blind. Off the Avenue Haig, Nicky, making sure of his gun in its shoulder holster, ventures up the side streets and narrow laneways that buzz with the purveyors of cure-all tonics, hawkers of appetite suppressants, male pick-me-ups promising endless virility. Everything is for sale—back-street abortions and unwanted baby girls alongside corn and callus removers, street barbers, and earwax pickers. The stalls of the letter writers for the illiterate are next to the sellers of pills to cure opium addiction. He sees desperate refugees offered spurious Nansen passports, dubious visas for neutral Macao, well-forged letters of transit for Brazil. He could have his fortune told twenty times over (gypsy tarot cards or Chinese bone chuckers? Your choice). He could eat his fill—grilled meat and rice stalls—or he could start a whole new life: end-of-the-worlders and Korean propagandists offer cheap land in Mongolia and Manchukuo.

Saphira? he asked. Flecks of purple light danced around the interior of the pavilion as she twisted her neck and fixed her eyes upon Eragon’s. Little one? Should I go? I think you must. He pressed his lips together in a rigid line. And what of you? You know I hate to be separated from you, but Nasuada’s arguments are well reasoned. If I can help keep Murtagh and Thorn away by remaining with the Varden, then perhaps I should. His emotions and hers washed between their minds, tidal surges in a shared pool of anger, anticipation, reluctance, and tenderness. From him flowed the anger and reluctance; from her other, gentler sentiments—as rich in scope as his own—that moderated his choleric passion and lent him perspectives he would not otherwise have. Nevertheless, he clung with stubborn insistence to his opposition to Nasuada’s scheme. If you flew me to Farthen Dûr, I would not be gone for as long, meaning Galbatorix would have less of an opportunity to mount a new assault. But his spies would tell him the Varden were vulnerable the moment we left. I do not want to part with you again so soon after Helgrind. Our own desires cannot take precedence over the needs of the Varden, but no, I do not want to part with you either. Still, remember what Oromis said, that the prowess of a dragon and Rider is measured not only by how well they work together but also by how well they can function when apart. We are both mature enough to operate independently of each other, Eragon, however much we may dislike the prospect. You proved that yourself during your trip from Helgrind. Would it bother you fighting with Arya on your back, as Nasuada mentioned? Her I would mind least of all. We have fought together before, and it was she who ferried me across Alagaësia for nigh on twenty years when I was in my egg. You know that, little one. Why pose this question? Are you jealous? What if I am? An amused twinkle lit her sapphire eyes. She flicked her tongue at him. Then it is very sweet of you…. Would you I should stay or go? It is your choice to make, not mine. But it affects us both. Eragon dug at the ground with the tip of his boot. Then he said, If we must participate in this mad scheme, we should do everything we can to help it succeed. Stay, and see if you can keep Nasuada from losing her head over this thrice-blasted plan of hers. Be of good cheer, little one. Run fast, and we shall be reunited in short order. Eragon looked up at Nasuada. “Very well,” he said, “I will go.

Saches que ta présence dans cette vie (ton corps présent dans cet univers, ton âme, ta voix qui décore le silence du bout d’un monde qui est à l’autre extrémité du mien) est suffisante pour que je ne me pose plus la question qui m’a toujours tourmenté: Pourquoi est-ce que j’ai été jeté dans le pan de la robe de cette vie. Je pense que t’avoir aimé et avoir senti ce que je ressens, ce sentiment tellement spirituel comme un derviche soufi qui danse sa dance sacrée, a été suffisant pour que j’accède éternellement au coeur du sens et au coeur du signifiant. Je ne peux pas t’expliquer ce que je ressens. Mais c’est ce que je peux me contenter de dire.

Sometimes the best way to relax, unwind, and get everything straightened out... is to curl up with a good book. – Douglas Pagels, from 100 Things to Always Remember and One Thing to Never Forget Give something of yourself to the day... even if it’s just a smile to someone walking the other way. – Douglas Pagels, from 100 Things to Always Remember and One Thing to Never Forget Even if you can’t just snap your fingers and make a dream come true, you can travel in the direction of your dream, every single day, and you can keep shortening the distance between the two of you. – Douglas Pagels, from 100 Things to Always Remember and One Thing to Never Forget Rest assured that, whenever you need them, your guardian angels are great about working overtime. – Douglas Pagels, from A Special Christmas Blessing Just for You Never forget what a treasure you are. That special person in the mirror may not always get to hear all the compliments you so sweetly deserve, but you are so worthy of such an abundance... of friendship, joy, and love. – Douglas Pagels, from You Are One Amazing Lady I love that I get to wake up every morning in a world that has people like you in it. – Douglas Pagels, from You Are One Amazing Lady Be someone who doesn’t make your guardian angel work too hard or worry too much. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life! Each day is a blank page in the diary of your life. Every day, you’re given a chance to determine what the words will say and how the story will unfold. The more rewarding you can make each page, the more amazing the entire book will be. And I would love for you to write a masterpiece. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life! Practice your tree pose. I want you to have a goal of finding a way to bring everything in your life into balance. Let the roots of all your dreams go deep. Let the hopes of all your tomorrows grow high. Bend, but don’t break. Take the seasons as they come. Stick up for yourself. And reach for the sky. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life! Remember that a new morning is good medicine... and one of the joys of life is realizing that you have the ability to make this a really great day. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life! Find comfort in knowing that “rising above” is something you can always find a way to do. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life! Look up “onward” in the thesaurus and utilize every one of those synonyms whenever you’re wondering which direction to go in. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life! Don’t judge yourself – love yourself. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life! If you have a choice between a la-di-da life and an ooh-la-la! one, well... you know what to do. Choose the one that requires you to dust off your dancing shoes. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life! Write out your own definition of success. Fill it with a mix of stardust and wishes and down-to-earth things, and provide all the insight you can give it. Imagine what it takes to have a really happy, rewarding life. And then go out... and live it. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life!

Vinyasa is a fast-paced type of yoga. Its main aim is usually to link your movement and breath together with a series of yoga poses in a dance-like

the actual studies that say that power posing like Wonder Woman for five minutes not only improves self-esteem but even hours later improves how others perceive you.

Feel the beat. It is the wind,” A’isha directed. “Fly with it.” The soft beat of a drum, paired with the lilting melody of a flute, filled the room as Danica stepped onto the dais at the back of the nest. Closing her eyes, Danica stretched upward, moving onto the balls of her feet, wrists crossed high above her head, and paused there for a heartbeat. The pose was known as a prayer--a dancer’s call for guidance from the powers that be. She moved into the dance flawlessly, the sway of her body as fluid as water over stone. This was the magic of the serpent and the snake charmer combined, as pure and intense as a thunderstorm. The first dance was soft and gentle, a common sakkri’nira. I could feel the drive in the music, however, and knew the moment when the first dance would move into a more complex one. When the flute stilled, Danica rose once again onto the balls of her feet for an instant. She smiled at me before she began the most complex of the intre’marl: Maeve’s solo from the Namir-da. What had been praise and beauty became passion. Maeve’s dance was a seduction, and the way Danica held my eyes made me feel it. Seeing my mate perform those steps made me want to join her, as any royal-born serpiente would. The holiday for which the Namir-da had been named was still four months away; she would be able to perform then, and I with her, in a ritual that dated back to the creation of my kind.

They’d never had anyone on the show who was missing an arm before. They’d had amputees on the show, but with different injuries. Mine posed a bit more of a challenge for dance. They mentioned Amy Purdy, the double amputee, who had been on the show, so I said, “Yeah, Amy Purdy is amazing, a very athletic, very impressive woman, but she has both of her knees. I don’t have a knee on my left side.” The phone went silent for a little while. But it didn’t turn them off. They just resumed talking. “Do you have any dance experience?” “No.” “Anytime in your life, if you were at a bar or a club, what did you do?” “I stood at the bar and ran my mouth. That’s what I do. I have never danced in any capacity. I don’t dance.” I was not trying to sell myself to them at all. I was being straight with them. Then they said, “If you decide to do it, we’ll put you in a house in L.A.” I knew then I had to say no to this show. “Well, I’m sorry, I’ve got three kids here and I can’t be away that long.” And without hesitation Deena Katz, one of the executive producers, said, “That’s fine. Your dancer will come to where you are and that’s where you’ll rehearse and come back and forth. Where do you live?” “Alabama.” She just answered, “Okay.” I don’t think they thought about that, either. Alabama is a long way from Los Angeles. We talked a little while longer and that was it. I never said yes. They never said I was doing it.

Every murderer creates his own story. This story may be simple or elaborate, coherent or deeply fragmented. Serial murderers often leave signs and symbols at the crime scene—messages for the police to decipher. Notes, maps, images. The posing of the body, a unique modus operandi. The killer is the riddler extraordinaire, and his narrative—the story he wishes to tell—is the enigma he presents to the detective. Someone—perhaps Nietzsche—once said that those seen dancing were thought insane by those who could not hear the music. Our job is to find the killer’s music.

Let me kiss you Irma! There in the middle, in the space between the light and dark, Let me love you in the corners bright, Where your heart beat is the mark, To guide me through the mist of time with all my might, Because my love it is you that spreads like brightness in my world, Where your memories cast everlasting light, On the darkest and desolate corners of my world, And then fills me with the spirit to fight, All my demons and my fears, Your simple look offers me endless joy, As my existence the drapery of your brightness wears, And I begin to foil life’s every ploy, To oust me from my dominion, that is mine, But little does it know one can never steal the scent from the rose, And your memories that enrich me, become my goldmine, Granting me courage that before the brightest flash of life, I may put up my best pose, So come let me bear you in my arms, Let me kiss you like the night kisses everything beyond those shadows, And as my heart with these beautiful feelings warms, Let me offer smiles to the life’s marooned widows, Who have moaned enough and grieved a lot, Let me kiss you and then wage the war, Between the right and the evil in the reality’s merciless plot, It may happen that then stars that seem too far, Would tumble from the skies, To bury the evil in the star dust, But let us tread with caution for haste is only good when catching flies, For lovers always do what they must, It is the destiny of love and maybe the price of the kiss, That we all pay for with our heart beats, So let me hold you in my arms and feel my real bliss, Before my fate confronts the destiny and my courage both of them meets, In the open playground of life and chance, Where the truthful and the valiant always wins, Because it is a well coordinated dance, Where one always has to win though it is a competition between the twins, So kiss me and wish for my victory, Because through me you shall win too, As we are cast in the life’s endless trajectory, Where there shall always be one constant Irma, that, I love you, So, let the stars bear witness to valour of love, And as you kiss me, let the stars tumble from the skies, Then let no one seek the Heavens above, Because for our love, our passions and joys, here is where a lover dies, And this is where Christ died, This is where crusades were waged, This is where goodness was promoted and this is where Judas lied, And this is where lovers are caged, So let our battles of love be fought here, For a kiss, for a warm embrace, for a sweet memory’s sake, Then as I see you and your beauty everywhere, Let me love you forever for love’s and my own sake, Tonight when the sky shall be lit with many a twinkling star, I shall wait under the open sky and the moonlight, And as my eyes behold their darling most star, We shall then be the shadows in the darkness secretly kissing our heart beats in the cover of the night. To cast particles of darkness and cover the moonlight, And make it a part of our own shadows, Then we shall create a romantic night, As we freely fleet across the night’s endless love meadows.

Oh, I should like to dance and laugh And pose and preen and sway, And rip the hearts of men in half, And toss the bits away. I’d like to view the reeling years Through unastonished eyes, And dip my finger-tips in tears, And give my smiles for sighs.

Selena between them at a long counter overlooking the dance floor. Backs to the D.J. booth, they faced the door. Two other homicide detectives, hand-picked by Lt. Lee, posed as a waitress and a bouncer, covering the crowd and the door. The composite the police sketch artist had created with Selena's help burned in their brains, but nothing so far. "This is not nearly

February 7: At Tokyo Army Hospital Marilyn signs autographs and poses for photographs. One soldier remembers that she “did a little skip—a kind of dance—with quick motions and a little song and came down the line to greet us.” When Marilyn linked arms with the soldier, he asked about DiMaggio: “She told me he was playing baseball and seemed disgusted by that. I got the feeling she felt he should have been up there with her.

My lover’s alluring propensities took on a vivacity I had difficulty conceding. His passion magnified a thousand-fold within my consciousness as I closed my eyes to this wanton dexterity. I desired him, and he wanted me. Under this euphoric ecstasy, I relinquished my person to his coveted demands.               My Apollo, my Phoebus, who never failed to brighten my person and radiate my soul, had coiled me into his solicitous web of ardent devotion. My coverings fell away with every inhalation of his loving elixir. My lover had exposed my nakedness to the gazing eyes of the unseen voyeur and stalker. They alone were granted dispensation to witness the audacity between my lover and me.               Our fiery gazes never left or strayed from each other. Bewitched by his blueish-green eyes, my soul was bare to him. His oral stimulation had fostered me to arch my back in a balletic pose as his hands supported the small of my back. Watched through the submerged glass, we felt like Poseidon’s pleasure slaves, performing solely for his gratification. I was awed by our agility and reminded of a supple aquatic dance performance I had witnessed during my extensive travels. My former ballet training surged through me as I saw myself swirling and pirouetting across the room, and Andy’s thickness gyrated within the core of my being. The ecstasy and the agony of my dance pedagogy had transformed into the art of intercourse. The grace of movement and the beauty of love had merged into a seraphic epiphany – a unity of the Godhead within and without.               At the precise moment of our orgasmic exultations, I finally grasped my chaperone’s universal knowledge: that the divine and I are but one and the same. It was then I comprehended my guardian’s god-like comportment. Andy knew his birth-right, and he wore his divinity with pride and honour. All of that I saw in him as it came gushing to the forefront. He was indeed a Phoebus Apollo, a sun god beheld in a darkened chamber. There and then, I made a secret covenant to myself, like an apostle to the Son of God - I would follow in his footsteps.               My Valet’s sanctity swirled within me, flooding my kernel with beatific sows of celestial grace. Overjoyed by his tokens of affection, I too released my passion into his garnering gulf. Streams of my succulent splendour oozed from his enticing lips. It was only when we shared the final droplets of my luscious deposits that he liberated his engorgement from my sopping honeycomb. I supped at his dripping remains before sharing my fill with him, so we could both partake in this sexual liturgy of heavenly Eucharist.               We did not relinquish our performance after the lights and music had disappeared, but remained entwined in darkness, savouring the inseparable devotion that had once been the domain of Apollo and his beloved Hyacinth.

Most of the crowd spread their garments on the road, and others cut branches from the trees and spread them on the road. And the crowds that went before him and that followed him shouted, “Hosanna to the Son of David!…” —Matthew 21:8–9 (RSV) PALM SUNDAY: REMAINING FAITHFUL It’s graduation day at the University of Pittsburgh. It’s thrilling, watching the young men and women I’ve taught go forth and do all of the world’s work, but there’s a nagging disquiet. Like many weighty truths, their education is accompanied by an equally weighty lie. I’ve told my students they’re unique and capable of wonderful things (true); I didn’t warn them of the attendant difficulties that lay ahead. I’ve long stopped betting on their futures. Who am I to tell them about the odds of a successful life, the weird dance of hard work and good luck, the slings and arrows of outrageous fortune? Luckily, today is filled with smiles, flowing robes, hugs, funny hats. In ancient times such celebrations would be marked by palm fronds, like Jesus’ entrance into Jerusalem. And then is no different from now, where celebration can suddenly turn to trepidation, where young lives quickly discover that speaking the truth may lead to trouble, betrayal, or worse. But today they’ll throw their hats into the air with faith in the future. And when asked, I’ll pose with them for photos. Years from now they’ll wonder about the teacher with the gray hair and wan, anxious smile, who looks as if he might be praying. Lord, we often praise You one day, then betray You the next. Let us overcome our fickle nature and be faithful companions to You and our brothers and sisters. —Mark Collins Digging Deeper: Mt 21:1–11

Typical conduct guides described how to stand (with feet turned out and one hand inside the waistcoat), to bow (with hat in hand, one knee bent and eyes downcast) and to walk (with head high and arms free) along with helpful pictures of the ideal poses, as well as detailed instructions on table manners and how to dance the minue

On the other stage, there was a girl who looked like a mix of Japanese and something Mediterranean or Latin. A good mix. She had that silky, almost shimmering black hair so many modern Japanese women like to ruin with chapatsu dye, worn short and swept over from the side. The shape of the eyes was also Japanese, and she was on the petite side. But her skin, a smooth gold like melted caramel, spoke of something else, something tropical. Her breasts and hips, too, appealingly full and slightly incongruous on her Japanese-sized frame, suggested some foreign origin. She was using the pole skillfully, grabbing it high, posing with her body held rigid and parallel to the floor, then spiraling down in time to the music. There was real vitality in her moves and she didn’t seem to mind that most of the patrons were focused on the blonde. Mr. Ruddy held out a chair for me at an empty table in the center of the room. After a routine glance to ensure the seat afforded a proper view of the entrance, I sat. I wasn’t displeased to see that I also had a good view of the stage where the dark-haired girl was dancing. “Wow,” I said in English, looking at her. “Yes, she is beautiful,” he replied, also in English. “Would you like to meet her?” I watched her for another moment before answering. I didn’t want to wind up with one of the Japanese girls here. I would have a better chance of creating rapport, and therefore of eliciting information, by chatting with a foreigner while playing the role of foreigner. I nodded.

Tempting Trouble August 5, 2024 at 9:45 AM [Verse] I see you standing there, a smile that could light up the night, Your eyes are calling me, but I know it wouldn’t be right. You're so tempting, but I got one at home who loves me, This heart’s not wanderin', though it’s tough for you to see. [Verse 2] The jukebox plays a tune, sweet and slow like honey wine, Your voice like velvet, sending shivers down my spine. You're so tempting, but there’s more than just a fling, I've got a love back home, got to protect this golden ring. [Chorus] Oh, tempting trouble, stay away from me, I can’t afford to lose what’s true and meant to be. Your sweet whispers in the dark won't make me stray, Tempting trouble, my heart’s anchored, it won't sway. [Verse 3] You lean in closer, try to get under my skin, But I hear her laughter, reminds me of where I've been. She’s been my rock, through the storms and the rain, And I can’t trade our forever for just another name. [Verse 4] It’s a smoky bar, but I see her face so clear, Her gentle touch, her loving words, always near. So I'll step back, 'cause this dance ain't for free, I’ll take my memories home where they’re s’posed to be. [Chorus] Oh, tempting trouble, stay away from me, I can’t afford to lose what’s true and meant to be. Your sweet whispers in the dark won't make me stray, Tempting trouble, my heart’s anchored, it won't sway.

Shiva raised both his arms in an elegant circular movement to the sides to bring them in line with his shoulder. His right hand was holding an imaginary dumru, a small, handheld percussion instrument. His left hand was open with its palm facing upward, almost like it was receiving some divine energy. He held this pose for some time; his glowing face indicated that Shiva was withdrawing into his inner world. His right hand then moved effortlessly forward, almost as if it had a mind of its own. Its palm was now open and facing the audience. Somehow, the posture seemed to convey a feeling of protectiveness to a very surprised Sati. Almost languidly, his left arm glided at shoulder height and came to rest with the palm facing downwards and pointing at the left foot. Shiva held this pose for some time. And then began the dance. Sati stared in wonder at Shiva. He was performing the same steps as her. Yet it looked like a completely different dance. His lyrical hand movements graced the mystical motion of his body. How could a body this muscular also be so flexible? The Guruji tried helplessly to get his dhol to give Shiva the beats. But clearly that wasn’t necessary. As it was Shiva’s feet which were leading the beat for the dhol! The dance conveyed the various emotions of a woman. In the beginning it conveyed her feelings of joy and lust as she cavorted with her husband. The next emotion was anger and pain at the treacherous killing of her mate. Despite his rough masculine body, Shiva managed to convey the tender yet strong emotions of a grieving woman. Shiva’s eyes were open. But the audience realised that he was oblivious to them. Shiva was in his own world. He did not dance for the audience. He did not dance for appreciation. He did not dance for the music. He danced only for himself. In fact, it almost seemed like his dance was guided by a celestial force. Sati realised that Shiva was right. He had opened himself and the dance had come to him. After what seemed like an eternity the dance came to an end, with Shiva’s eyes firmly shut. He held the final pose for a long time as the glow slowly left him. It was almost as if he was returning to this world. Shiva gradually opened his eyes to find Sati, Krittika and the Guruji gaping at him wonder-struck.

Hjordis’s house in Oslo is filled in the afternoons with sunlight. In the evenings and during winter she burns a score of candles to soften and lift the dark that flattens even the best artificial light. Her living room feels alive; it seems to dance. By contrast, the Carpenters’ front room, with its thick brown curtains, umber wool rug, and heavy furniture, felt stiff and formal, but Hjordis would have understood immediately the ritual aspects of the gathering; to the right of the fireplace, Jud sat in a wingbacked chair turned slightly to face the upholstered sofa, where I sat in a carefully nonconfrontational pose, briefcase tucked out of sight. Adeline’s chair faced Jud’s across the fire, turned to give him all her support.

How do we quantify the help needed to rebuild these ruined lives? The question is answered easily enough if we pose it not in the abstract but in relation to ourselves. To put ourselves in the place of these victims is to know that all the help in the world would not be enough. Sufficiency is not a concept that is applicable here; potentially there is no limit to the amount of relief that can be used.

Petipa responds with vigor equal to Ralph's robust song and flamboyant gestures. Once the energy level is raised, Ralph feels that his postures become imbued with an unconscious spiritual significance which Petipa affirms by countering with her own complementary moves. A hopping arabesque from Ralph may provoke a series of elegant stalking leaps from Petipa, while a fluttering of fingers may be countered with tiny aerial flurries. Poignant moments of unconcerned fur licking punctuate the patterns of the dance. Dancing with a tail of his own attached, Fred becomes a psychic extension of the cat. 'I share its grace, power, and oneness with the universe. I relate to Fluff and the whole spectrum of feline physicality on a profound level--I even regard birds differently.' Cat dancing is likely a complex vocabulary of gestures that we have yet to recognize and fully understand. Helen, along with others who share her covenant, has come to feel that Boot's studied poses communicate his inner thoughts and embody his souls unexpressed desires. But you have to be careful; sometimes the energy is so powerful I worry about overstimulating my aura. At those levels, an unstable etheric oscillation could collapse into an astral vortex and suck my spiritual reserves into a sate of negative sub-matter.

Robbie, at the moment, was very much full of hell. I was trying out a big Zoomar telescopic lens on my new Bell & Howell movie camera, holding on Robbie while she danced and pranced. She posed, flew around, wiggled a little. The word for it was: sensational.

took in the Phoenix and Dragon which played at war with one another across his flesh. I’d always liked the image, but looking at it now hit different than it had before. Because instead of the heat of the battle which I’d always seen in the image, I found more of a dance in it now. Two predators who had met their match and fought for nothing more than the thrill of one another’s company and the challenge they posed.

I think we need to face the nay-sayers and get it over and done with.” “You mean I need to face the nay-sayers. Nobody is nay-saying to you.” Nia struck a dance pose and sang the Nae-Nae song.

Dancer Raven Wilkinson was one of the first African American ballerinas permitted to join a ballet company. During the 1950s, she danced with the Ballets Russes de Monte Carlo under the condition that she pose as a white woman by painting her face.

There were lots of blurry views of Tanya, talking in hushed tones on the phone, watching television or practicing her yoga poses, dancing around the living room to her favorite Taylor Swift song as Maya laughed and, with Ellie in hand, spun around in dizzying circles until mother and daughter collapsed, breathlessly, onto the floor (238).

That never could have happened if he hadn’t been a guy. For one, girls aren’t allowed to wear onesies to school. They’re deemed immodest. Because, you know, distracting female bodies pose a huge educational barrier for the poor boys. And if a girl had done that zany dance, either it’d have been sexualized or it’d have been stupid, depending on the girl. “She’s hot,” people would say. Or “She’s weird.” That morning, leaving Town Meeting, everyone was jostling one another, still in high spirits. “Andy is so out there.” Voices dripping with admiration. “He’s such a…” They couldn’t even finish. No words. Shake head. Smile, smile, smile. What they meant, of course, was this: Andy Monroe is so, so freaking cool. Right after that dance—still in the onesie!—he tapped the mike and said, “Next announcement. The Service Club is hosting a winter-coat drive on behalf of the Coalition for the Homeless.” A girl wouldn’t be allowed to bridge both worlds, the silly and the sober. To be taken seriously, she’d have to act serious, and her seriousness would make her unelectable—just as a lack of seriousness would. It was a quintessential catch-22, and we couldn’t even call it out, because it sounded like an excuse. Well, I could be that cool, if I were a guy…. We couldn’t say it, but we felt it. We felt it as surely as we felt the weight of our bodies, because, like gravity, it was a truth about how it worked, this world we knew. Girls didn’t even consider running for Chawton School chairman because, as girls, we knew, we knew deep in our bones, that we would always lose.

Let every cell dance, love in harmony and breathe through yoga poses.

In their need to cope with the human heart in conflict, in their desire to reconcile the contradictions posed by suffering, fear, anger, and the pursuit of well-being, humans turned to wonder and awe and discovered music making, dancing, painting, and literature. They continued their efforts by creating the often beautiful and sometimes frayed epics that go by such names as religious belief, philosophical inquiry, and political governance. From cradle to grave, these were some of the ways in which the cultural mind addressed the human drama.

The question everyone asked me before I went to Birobidzhan and after I returned was: Are there any Jews in the Jewish Autonomous Region? I posed it to Valery Gurevich, the deputy governor responsible for everything Jewish in the region, from the children's song-and-dance ensemble to the statues of imaginary shtetl figures all over the city - a series of illustrations to Sholem Aleichem stories cast in bronze. I felt ridiculous asking a Jew in Birobidzhan if there were Jews in Birobidzhan, but was a master at answering this question. His answer was "Well . . ." He tried to avoid giving me any figures at all - I had to fill them in later - but the gist of his story was this: Before the Soviet Union collapsed, the census placed the percentage of Jews in the Jewish Autonomous Region at a bit over four, which was about four times the percentage of Jews in the general population of the Soviet Union. In absolute figures, that was about nine thousand Jews. But these figures were based on answers people gave to the census taker, an official, in a country where if one had a choice (for example, if one of one's parents was not Jewish), one did not choose to call oneself Jewish. Just ten years before the last Soviet census, the percentage of Jews in the region's population had been three times higher - suggesting that it had been diluted by intermarriage but the number of people who had some Jewish roots was a lot higher than the official nine thousand. So it should come as no surprise that the number of people who emigrated to Israel when this became possible, at the turn of the 1990s, far exceeded the official number of Jews in Birobidzhan. And there were still some Jews left - a couple thousand, give or take as many. Of them, roughly five people - including Iosif Bekerman, Maria Rak, and Valery Gurevich - were engaged on an ongoing basis with Jewish culture. Of them, only one - Bekerman - spoke Yiddish. There were no Yiddish writers left in the Jewish Autonomous Region.

I had no idea that a burly man working through yoga poses would be more exciting to me than a lap dance at a strip club.

It depends on what I want the energy for. The Nataraj pose helps me to ask respectfully for energy for a dance that wants to come to me. If I wanted the energy for a thought to come to me, I would have to sit cross-legged and meditate.