Dance Dedication Quotes

I believe that we learn by practice. Whether it means to learn to dance by practicing dancing or to learn to live by practicing living, the principles are the same. In each, it is the performance of a dedicated precise set of acts, physical or intellectual, from which comes shape of achievement, a sense of one's being, a satisfaction of spirit. One becomes, in some area, an athlete of God. Practice means to perform, over and over again in the face of all obstacles, some act of vision, of faith, of desire. Practice is a means of inviting the perfection desired.

In the end, the most important thing is to be true to yourself and those you love and work hard. I mean, work like there's no tomorrow. Train. Strive. I mean, really train and cultivate your talent to the highest degree. Be the best at what you do. Get to know more about your field than anybody alive. Use the tools of your trade, if it's books or a floor to dance on or a body of water to swim in. Whatever it is, it's yours.

I am a dancer. I believe that we learn by practice. Whether it means to learn to dance by practicing dancing or to learn to live by practicing living.... In each it is the performance of a dedicated precise set of acts, physical or intellectual, from which comes shape of achievement, a sense of one's being, a satisfaction of spirit. One becomes in some area an athlete of God.

Dancing may not be the perfect substitute for love, human love, but it certainly requires all the time and thought and energy that could otherwise be dedicated to love.

The DJ opens his eyes and sees what he's done. By all rights, he should switch the song. But it's a long-distance dedication to the boy he loves down in Texas. He dials up the boy right now and holds his phone into the air. Not all songs need to be for dancing. There will always be the next song, to draw the dancers back.

The Voyager We are all lonely voyagers sailing on life's ebb tide, To a far off place were all stripling warriors have died, Sometime at eve when the tide is low, The voices call us back to the rippling water's flow, Even though our boat sailed with love in our hearts, Neither our dreams or plans would keep heaven far apart, We drift through the hush of God's twilight pale, With no response to our friendly hail, We raise our sails and search for majestic light, While finding company on this journey to the brighten our night, Then suddenly he pulls us through the reef's cutting sea, Back to the place that he asked us to be, Friendly barges that were anchored so sweetly near, In silent sorrow they drop their salted tears, Shall our soul be a feast of kelp and brine, The wasted tales of wishful time, Are we a fish on a line lured with bait, Is life the grind, a heartless fate, Suddenly, "HUSH", said the wind from afar, Have you not looked to the heavens and seen the new star, It danced on the abyss of the evening sky, The sparkle of heaven shining on high, Its whisper echoed on the ocean's spray, From the bow to the mast they heard him say, "Hope is above, not found in the deep, I am alive in your memories and dreams when you sleep, I will greet you at sunset and with the moon's evening smile, I will light your path home.. every last lonely mile, My friends, have no fear, my work was done well, In this life I broke the waves and rode the swell, I found faith in those that I called my crew, My love will be the compass that will see you through, So don't look for me on the ocean's floor to find, I've never left the weathered docks of your loving mind, For I am in the moon, the wind and the whale's evening song, I am the sailor of eternity whose voyage is not gone.

America is a young dumb country and it needs all kinds of help. America is a dumb puppy with big teeth that bite and hurt. And we take care of America. We hold America to our bosom; we feed America, we make love to America. There wouldn't be an America if it wasn't for black people. So you have some dedicated black Americans who will die a million deaths to save America. And this is home for us. We don't know really about Africa. We talk it in a romantic sense, but America is it. And so, America is always going to be okay as long as black people don't totally lose their mind, cause we'll pick up the pieces and turn it into a new dance.

Reckoner Reckoner You can’t take it with you Dancing for your pleasure You are not to blame for Bittersweet distractor Dare not speak its name Dedicated to all you all human beings Because we separate like ripples on a blank shore (in rainbows) Because we separate like ripples on a blank shore (in rainbows) Reckoner Take me with you Dedicated to all you all human beings

The only thing you need is faith in Christ and dedication to each other. If you have that... everything else will fall in place.

This book is dedicated to anyone brave enough to embrace your issues… Courageous enough to dance with your demons. Here’s to the beautiful deformities in us all.

This is dedicated to a flirty Gem from a grumpy Cap. He knows who he is.

Mystery the moon A hole in the sky A supernatural nightlight So full but often right A pair of eyes, a closin' one, A chosen child of golden sun A marble dog that chases cars To farthest reaches of the beach and far beyond into the swimming sea of stars A cosmic fish they love to kiss They're giving birth to constellation No riffs and oh, no reservation. If they should fall you get a wish or dedication May I suggest you get the best For nothing less than you and I Let's take a chance as this romance is rising over before we lose the lighting Oh bella bella please Bella you beautiful luna Oh bella do what you do Do do do do do You are an illuminating anchor Of leagues to infinite number Crashing waves and breaking thunder Tiding the ebb and flows of hunger You're dancing naked there for me You expose all memory You make the most of boundary You're the ghost of royalty imposing love You are the queen and king combining everything Intertwining like a ring around the finger of a girl I'm just a singer, you're the world All I can bring ya Is the language of a lover Bella luna, my beautiful, beautiful moon How you swoon me like no other May I suggest you get the best Of your wish may I insist That no contest for little you or smaller I A larger chance happened, all them they lie On the rise, on the brink of our lives Bella please Bella you beautiful luna Oh bella do what you do Bella luna, my beautiful, beautiful moon How you swoon me like no other, oh oh oh ((Bella Luna))

This book is dedicated to all the little girls who want to wear neon green to dance class when all the others are wearing pastel pink.

You want me to teach you all the dirty words?” I looked up at him and wiggled my eyebrows. Aaron gave me a lopsided smile that would have made my panties drop to the floor had they been resting on my hips. “Well, you are in luck; I’m a wonderful teacher.” “And I’m a highly dedicated student.” He winked. And that goddamn wink disrupted the beating of my heart. “Although I might get a little distracted every now and then.” “I see.” I placed my index finger against his chest, watching Aaron’s eyes dive down quickly before returning to my face. “Maybe you need the right kind of motivation to keep your attention on the subject.” I trailed that finger up, traveling across his pec and then up his neck, following the line of his jaw until reaching his lips. They parted with a shallow breath. “This …” I pushed myself up and kissed his lips gently. “This is a six-letter word in Spanish. Labios. Tus labios. Your lips.” The only answer he gave me was taking my mouth in his again. As if the only way he’d learn the word was tasting it. “And this,” I said before parting his lips and making the kiss deeper, our tongues dancing together, “is another six-letter word. Lengua—tongue.” “I think I really like that one.” Aaron’s head dipped low, his new favorite word reaching my breast. “And this? What do you call this?” he said, grazing his mouth over the peak. A giggle that soon turned into a moan left my mouth before I was able to answer. “That’s a five-letter word. Pezón. Nipple.

Codependents confuse caretaking and sacrifice with loyalty and love. Although they are proud of their unwavering dedication to the person they love, they end up feeling unappreciated and used. Codependents yearn to be loved, but because of their choice of dance partner, find their dreams unrealized. With the heartbreak of unfulfilled dreams, codependents silently and bitterly swallow their unhappiness. Codependents are essentially stuck in a pattern of giving and sacrificing, without the possibility of ever receiving the same from their partner. They pretend to enjoy the dance, but secretly harbor feelings of anger, bitterness, and sadness for not taking a more active role in their dance experience. They are convinced they will never find a dance partner who will love them for who they are, as opposed to what they can do for them. Their low self-esteem and pessimism manifests as a form of learned helplessness that ultimately keeps them on the dance floor with their narcissistic partner.

When I was an aspiring female poet, in the late 1950s, the notion of required sacrifice was simply accepted. The same was true for any sort of career for a woman, but Art was worse, because the sacrifice required was more complete. You couldn't be a wife and mother and also an artist, because each one of these things required total dedication. As nine-year-olds we'd all been trotted off to see the film The Red Shoes as a birthday-party treat: we remembered Moira Shearer, torn between Art and love, squashing herself under a train. Love and marriage pulled one way, Art another, and Art was a kind of demonic possession. Art would dance you to death. It would move in and take you over, and then destroy you. Or it would destroy you as an ordinary woman.

Sometimes, people say they are very spiritual, but one only has to take a cursory look at their life to see if that is true or not. Are they lazy about their health, blatantly ignoring their bodies calling out for attention? Do they try to calm and reorient out-of-control emotions such as blame and self-pity? Are they treated with respect by intelligent people? Do they hold grudges that they refuse to acknowledge? Do they radiate unpleasantness and selfishness to those around them while proclaiming their great spiritual interest? The state of our body, mind, and heart speaks volumes about where our true interests lie. Let those interests be kind, intelligent, and dedicated to the Good.

The Sandwich Maker would pass what he had made to his assistant who would then add a few slices of newcumber and fladish and a touch of splagberry sauce, and then apply the topmost layer of bread and cut the sandwich with a fourth and altogether plainer knife. It was not that these were not also skilful operations, but they were lesser skills to be performed by a dedicated apprentice who would one day, when the Sandwich Maker finally laid down his tools, take over from him. It was an exalted position and that apprentice, Drimple, was the envy of his fellows. There were those in the village who were happy chopping wood, those who were content carrying water, but to be the Sandwich Maker was very heaven. And so the Sandwich Maker sang as he worked. He was using the last of the year’s salted meat. It was a little past its best now, but still the rich savour of Perfectly Normal Beast meat was something unsurpassed in any of the Sandwich Maker’s previous experience. Next week it was anticipated that the Perfectly Normal Beasts would appear again for their regular migration, whereupon the whole village would once again be plunged into frenetic action: hunting the Beasts, killing perhaps six, maybe even seven dozen of the thousands that thundered past. Then the Beasts must be rapidly butchered and cleaned, with most of the meat salted to keep it through the winter months until the return migration in the spring, which would replenish their supplies. The very best of the meat would be roasted straight away for the feast that marked the Autumn Passage. The celebrations would last for three days of sheer exuberance, dancing and stories that Old Thrashbarg would tell of how the hunt had gone, stories that he would have been busy sitting making up in his hut while the rest of the village was out doing the actual hunting. And then the very, very best of the meat would be saved from the feast and delivered cold to the Sandwich Maker. And the Sandwich Maker would exercise on it the skills that he had brought to them from the gods, and make the exquisite Sandwiches of the Third Season, of which the whole village would partake before beginning, the next day, to prepare themselves for the rigours of the coming winter. Today he was just making ordinary sandwiches, if such delicacies, so lovingly crafted, could ever be called ordinary. Today his assistant was away so the Sandwich Maker was applying his own garnish, which he was happy to do. He was happy with just about everything in fact.

There was an infinity of firmest fortitude, a determinate unsurrenderable wilfulness, in the fixed and fearless, forward dedication of that glance. Not a word he spoke; nor did his officers say aught to him; though by all their minutest gestures and expressions, they plainly showed the uneasy, if not painful, consciousness of being under a troubled master-eye. And not only that, but moody stricken Ahab stood before them with a crucifixion in his face; in all the nameless regal overbearing dignity of some mighty woe. Ere long, from his first visit in the air, he withdrew into his cabin. But after that morning, he was every day visible to the crew; either standing in his pivot-hole, or seated upon an ivory stool he had; or heavily walking the deck. As the sky grew less gloomy; indeed, began to grow a little genial, he became still less and less a recluse; as if, when the ship had sailed from home, nothing but the dead wintry bleakness of the sea had then kept him so secluded. And, by and by, it came to pass, that he was almost continually in the air; but, as yet, for all that he said, or perceptibly did, on the at last sunny deck, he seemed as unnecessary there as another mast. But the Pequod was only making a passage now; not regularly cruising; nearly all whaling preparatives needing supervision the mates were fully competent to, so that there was little or nothing, out of himself, to employ or excite Ahab, now; and thus chase away, for that one interval, the clouds that layer upon layer were piled upon his brow, as ever all clouds choose the loftiest peaks to pile themselves upon. Nevertheless, ere long, the warm, warbling persuasiveness of the pleasant, holiday weather we came to, seemed gradually to charm him from his mood. For, as when the red-cheeked, dancing girls, April and May, trip home to the wintry, misanthropic woods; even the barest, ruggedest, most thunder-cloven old oak will at least send forth some few green sprouts, to welcome such glad-hearted visitants; so Ahab did, in the end, a little respond to the playful allurings of that girlish air. More than once did he put forth the faint blossom of a look, which, in any other man, would have soon flowered out in a smile.

What is it about the Greek character that has allowed this complex culture to thrive for millennia? The Greek Isles are home to an enduring, persevering people with a strong work ethic. Proud, patriotic, devout, and insular, these hardy seafarers are the inheritors of working methods that are centuries old. On any given day, fishermen launch their bots at dawn in search of octopi, cuttlefish, sponges, and other gifts of the ocean. Widows clad in black dresses and veils shop the local produce markets and gather in groups of two and three to share stories. Artisans stich decorative embroidery to adorn traditional costumes. Glassblowers, goldsmiths, and potters continue the work of their ancient ancestors, ultimately displaying their wares in shops along the waterfronts. The Greeks’ dedication to time-honored occupations and hard work is harmoniously complemented by their love of dance, song, food, and games. Some of the earliest works of art from the Greek Isles--including Minoan paintings from the second millennium B.C.E.--depict the central, day-to-day role of dance, and music. Today, life is still lived in common, and the old ways often survive in a deep separation between the worlds of women and men. In the more rural areas, dancing and drinking are--officially at least--reserved for men, as the women watch from windows and doorways before returning to their tasks. At seaside tavernas throughout the Greek Isles, old men sip raki, a popular aniseed-flavored liqueur, while playing cards or backgammon under grape pergolas that in late summer are heavy with ripe fruit. Woven into this love of pleasure, however, are strands of superstition and circumspection. For centuries, Greek artisans have crafted the lovely blue and black glass “eyes” that many wear as amulets to ward off evil spirits. They are given as baby and housewarming gifts, and are thought to bring good luck and protect their wearers from the evil eye. Many Greeks carry loops of wooden or glass beads--so-called “worry beads”--for the same purpose. Elderly women take pride in their ability to tell fortunes from the black grounds left behind in a cup of coffee.

But what about my house in Heaven?" I asked, my tone soft and piteous. "Whatever would I do there? It's filled with my memories of Obadiah. We built it together with our own hands. We laid the marble and carved the statues. I sewed the curtains, the bedclothes and the tapestries. I even created the flowers and the landscaping which surrounded our grand mansion beside the sea…" I begin to sob, and Arik pulls me close. I rest my cheek against his chest and close my eyes. "Wh-When we first got to Heaven--me an' Obadiah--we were all each other had. Everyone else was still down on earth, mournin' us. Our physical bodies had been destroyed by Hana's guillotines. Timothy knew that his own death was comin', and he had specifically asked for the two of us to go and make a place for him in Heaven. When we arrived, Heaven was beautiful, but empty. I was suddenly able to see again, and the colors…my heart just danced, y'know? I began to create right away: houses, flowers, animals…it was glorious. I was never happier. It filled up my heart and pushed out the anguish an' guilt that I felt about leavin' all of you behind on earth to suffer. Obadiah and I were filled with so much joy then. I had never seen him so happy. An' the horses, Arik…the horses were his…beautiful, winged creatures, completely dedicated to him, but forever free...he would never have dreamed of restraining them. We would sit on the lanai and watch them...these beautiful creatures, who had nothing in their hearts but love…" I snuggle closer as he presses my head against his chest and weeps with me.

The state of our body, mind, and heart speaks volumes about where our true interests lie. Let those interests be kind, intelligent, and dedicated to the Good.

It was a difficult dance, acting as insubordinate as possible while remaining just indispensable enough not to be slain out of hand and Malus had to admire the man’s dedication and craft.

I buttoned my own shirt reluctantly though there wasn't much I could do about my throbbing hard on aside from plan a trip back to my room as soon as I could possibly get out of this training session so that I could jerk off repeatedly with all of the new spank bank material she'd just gifted me. Tory remained on the desk in front of me and I was hoping that was because her legs weren't working right yet. The thirst prickled at me again as I eyed her throat and she sighed loudly as she noticed. “You’re still going to bite me, aren’t you?” she asked, her fingers curling around the edge of the desk. “You could look at it as rewarding me for my efforts,” I teased, because there was no fucking way she was getting out of here without me drinking from her and we both knew it. “Well that makes me feel a little better about leaving you with blue balls,” she taunted and I almost groaned in frustration as my dick throbbed in agreement. “Next time, I’ll be sure to carve out a few hours to dedicate to you,” I told her. “And then neither of us will be left wanting.” “Next time?” she asked, raising an eyebrow like that wasn't at all likely to happen. But I could hear her heartbeat pounding and I knew she was wondering how hard I could make her come with several hours at our disposal and my cock a whole lot more involved in the act. I found myself smiling again but then my mood dipped as I realised there wasn't likely to be a next time if the other Heirs succeeded with their plans for the dance. I didn't even really want to go along with the damn plan and in a moment of madness, I suddenly wondered if I could just save her from it. They would still strike at Darcy and maybe that would be enough to force the twins to leave the academy. But if I was being honest, I didn't even really want them to leave anyway. I moved closer to her again, tucking a lock of dark hair behind her ear. “Are you going to the dance on Friday?” I murmured and her pulse scattered, making my smile deepen in satisfaction. “Err, yeah,” she said, that suspicious look returning to her eyes. “Why don’t you blow it off?” I suggested, wondering if I could just convince her to stay away from it all together. She was my Source after all so the others couldn't even really get mad at me for protecting her - that was kinda in the job description anyway. She blinked at me in surprise and I realised she'd probably thought I was going to ask her to go to the dance with me as her date. But I couldn't do that, if I wanted to save her from the other Heirs and their plans then I needed to keep her away from the whole thing. “What possible reason would I have to do that?” she asked, shifting just enough to make my hand fall from her face. I felt the rejection before she could even voice it, but I wasn't going to give up that easily. I ran my dislodged hand down her arm instead, raising goosebumps along her skin and hopefully reminding her of just how good I'd made her feel with these fingers. “Because then I could sneak out and come to your room. We could have the whole House and an entire evening to ourselves." “That’s pretty presumptuous of you, Earth boy.” “Earth boy?” I asked in amusement, refusing to back down no matter how hard she was trying to resist me. I held a hand out to her, bringing earth magic to my fingertips and causing a dark blue flower to blossom in my palm. Girls fucking loved that trick. “Perhaps I’ve gotten what I wanted from you now,” she said, shifting forward to get up without reaching for the flower. Okay, so maybe this girl didn't love that trick after all. I let the flower dissolve into nothing again and stepped forward to stop her from getting to her feet, smiling darkly. “I’m confident you’ll come back for more,” I promised her and I could tell she was at least a little tempted by the prospect.(Caleb POV)

Exercise, as it currently exists in most of our lives, sucks. Like most care tasks, when they function only to fulfill external standards of what we should be doing, it actually moves us further away from real care for self. But when I look back at my life and ask myself, “What memories of movement do I have that are joyful?” I well up with tears. I remember cheerleading in the eighth grade and feeling so happy as my body hit every beat on point and in sync with the rest of my team. I remember jumping higher than I think any human has as we won second place in a championship. I remember how strong I felt that I could throw a girl in the air. I remember youth soccer games and the absolute rush it gave me to feel my foot connect with power to the ball. I remember dancing stoned out of my mind at a Bob Marley festival, barefoot and uncaring that my body moved like a jellyfish, oblivious to the beat or how it should be moving. I remember, at ten years sober, when my wedding DJ dedicated “Rehab” by Amy Winehouse to all of us who had come through hell and survived and an entire dance floor of little sober assholes absolutely went nuts on the dance floor. I remember Josh splitting his pants. I remember my husband looking at me like no other woman existed. I remember being carried over the threshold of our hotel that night, not out of tradition, but because I had worn the bottoms of my feet raw dancing. When did movement lose its pleasure? When did my adult life stop including activities that made movement joyful? Can I get it back? Can you? Can we try together?

I used to be the girl in the corner. I still am sometimes; I often think I don’t quite fit – and I don’t think I am the only one. I dedicate this book to all the women who know what it’s like to feel the churn of nerves in their gut at the thought of putting themselves forward, who would rather cling to the wall than dance alone in the spotlight. I would say this to you: if not now, then when? When is it going to be your time? Take a deep breath and take the plunge and hopefully another girl in a corner will be watching, cheering you on! This is how we gain confidence: by supporting each other instead of tearing each other down, by having each other’s backs instead of talking behind them. Women supporting women – what a wonderful, wonderful thing!

The happiness of man is: “I will.” The happiness of woman is: “He will,”’ Nietzsche wrote in Thus Spoke Zarathustra. And again: ‘Everything in woman is a riddle, and everything in woman has one solution: pregnancy.’ When not bearing Superman’s babies, she dedicates herself to ‘the relaxation of the warrior’. ‘All else,’ he declares, ‘is folly.’ In The Will to Power, he wrote of women, ‘What a treat it is to meet creatures who have only dancing and nonsense and finery in their minds!’ Nietzsche’s fantasies of power and violence are those of a sickly recluse, and his contempt for women is that of a man who fears them.

Shall I get drunk or cut myself a piece of cake, a pasty Syrian with a few words of English or the Turk who says she is a princess--she dances apparently by levitation? Or Marcelle, Parisienne always preoccupied with her dull dead lover: she has all the photographs and his letters tied in a bundle and stamped Decede in mauve ink. All this takes place in a stink of jasmin. But there are the streets dedicated to sleep stenches and the sour smells, the sour cries do not disturb their application to slumber all day, scattered on the pavement like rags afflicted with fatalism and hashish. The women offering their children brown-paper breasts dry and twisted, elongated like the skull, Holbein's signature. But his stained white town is something in accordance with mundane conventions- Marcelle drops her Gallic airs and tragedy suddenly shrieks in Arabic about the fare with the cabman, links herself so with the somnambulists and legless beggars: it is all one, all as you have heard. But by a day's travelling you reach a new world the vegetation is of iron dead tanks, gun barrels split like celery the metal brambles have no flowers or berries and there are all sorts of manure, you can imagine the dead themselves, their boots, clothes and possessions clinging to the ground, a man with no head has a packet of chocolate and a souvenir of Tripoli.

home only to pine over an ex-girlfriend, so he stopped. He apologized, saying a few more things that Catherine once again just nodded her head to, smiling, and before she knew it, she had plans to go see a movie with Dickie the following Friday. It was a date, the first of many. It went like this for two months: Friday night dates. Rides home from school while other girls looked on in jealousy. Long nights parked up at The Point, the low rumble of his car idling away while they made out with the heat blowing on her legs. Him sliding his hands up her skirt. Under her shirt. Her moaning. Her face flushing red. Her toes curling. The Rolling Stones on the radio. Why did he taste so good? Never sex, though. Even when he begged for it, she would refuse. She knew what their relationship really was. It was great and fun and wild and exciting, but she knew it wouldn’t last; he was off to college soon, and she remembered how he felt about being tethered to something familiar. That conversation never left her mind for the duration of their relationship, always reminding her to be ready to lose him. At the time, she was still a virgin, and as much as she loved Dickie she did not wish to give herself fully to someone who would more than likely forget about her within months, if not weeks, of leaving. Catherine was young, but never stupid or naive. She knew how the world worked… even Dickie’s world. What she felt and experienced with him may have been real by her definition, but she understood that that did not make the relationship everlasting or meant-to-be. Their time together had been great and fun and had changed her in ways she would never be able to put into words. She would forever cherish their moments together. Or at least, that’s what she’d thought at the time, before these cherished memories soured. Everything changed the night of the dance. The night he changed. The night she changed, too. It was Dickie’s senior prom. He invited her to go and she happily accepted. She even bought a new dress with the money she’d saved working shifts down at Woolworth’s. The dance was fine and good. They had a blast. They’d even kissed in the middle of the gymnasium during the last slow dance. It had been so romantic. But afterward was a different sort of time. Dickie and some of his friends rented a few rooms at the Heartsridge Motel for a place to hang out after the dance. But it was more than just a place to hang out. It was a place to party, a place to drink alcohol purchased illegally, a place for some of the looser girls to sleep with their dates. She had been to parties with Dickie before, parties with drinking and drugs and where there were rooms dedicated to fooling around. She wasn’t a square. But this was different. This place made her skin crawl. There was a raw energy in the air. She remembered feeling it on her skin. And the fact that it was a motel made the whole scene seem depraved. It just felt off, and she wanted to beg him to go somewhere else. But instead she held her tongue and went along with Dickie. He was leaving soon, after all. Why not appease him? He seemed excited about going. A few of them—all friends of Dickie’s—ended up together in one room, drinking Schnapps, smoking cigarettes, having

This is your god, Arisha. It is he whom we serve, and it is he to whose service you are dedicated.” She looked up at him. The hierodules circled her. They wore scanty transparent cloth, veils, and swayed like hypnotic snakes. “These shall be your sisters. They shall teach you the ways of the cult. It is time for you to become one of them.” “I am afraid, Izbaxl,” whimpered Arisha. “Do not be,” he replied. “I will watch over you. You will be mine, and no one will hurt you. You will be taught to dance and how to please men and satyr alike. It is time for you to become a nymph.

Unlike my mother, he had no anxiety in connection with her, he found her single-minded dedication to her dancing sweet, and also, I think, admirable- it appealed to his work ethic- and it was very clear that Tracey adored my father, was even a little in love with him. She was so painfully grateful for the way he talked to her like a father, although sometimes he went too far in this direction, not understanding that what came after borrowing a father for a few minutes was he pain of having to give him back.

Unlike my mother, he had no anxiety in connection with her, he found her single-minded dedication to her dancing sweet, and also, I think, admirable- it appealed to his work ethic- and it was very clear that Tracey adored my father, was even a little in love with him. She was so painfully grateful for the way he talked to her like a father, although sometimes he went too far in this direction, not understanding that what came after borrowing a father for a few minutes was the pain of having to give him back.

Psalm 30 For the dedication of the temple. Of David. 1 I will exalt you, O LORD, for you lifted me out of the depths and did not let my enemies gloat over me. 2 O LORD my God, I called to you for help and you healed me. 3 O LORD, you brought me up from the grave; you spared me from going down into the pit. 4 Sing to the LORD, you saints of his; praise his holy name. 5 For his anger lasts only a moment, but his favor lasts a lifetime; weeping may remain for a night, but rejoicing comes in the morning. 6 When I felt secure, I said, “I will never be shaken.” 7 O LORD, when you favored me, you made my mountain stand firm; but when you hid your face, I was dismayed. 8 To you, O LORD, I called; to the Lord I cried for mercy: 9 “What gain is there in my destruction, in my going down into the pit? Will the dust praise you? Will it proclaim your faithfulness? 10 Hear, O LORD, and be merciful to me; O LORD, be my help.” 11 You turned my wailing into dancing; you removed my sackcloth and clothed me with joy, 12 that my heart may sing to you and not be silent. O LORD my God, I will give you thanks forever.

The Parthenon was 228 feet long by 101 broad, and 64 feet high; the porticoes at each end had a double row of eight columns; the sculptures in the pediments were in full relief, representing in the eastern the Birth of Athene, and in the western the Struggle between that goddess and Poseidon, whilst those on the metopes, some of which are supposed to be from the hand of Alcamenes, the contemporary and rival of Phidias, rendered scenes from battles between the Gods and Giants, the Greeks and the Amazons, and the Centaurs and Lapithæ. Of somewhat later date than the Parthenon and resembling it in general style, though it is very considerably smaller, is the Theseum or Temple of Theseus on the plain on the north-west of the Acropolis, and at Bassæ in Arcadia is a Doric building, dedicated to Apollo Epicurius and designed by Ictinus, that has the peculiarity of facing north and south instead of, as was usual, east and west. Scarcely less beautiful than the Parthenon itself is the grand triple portico known as the Propylæa that gives access to it on the western side. It was designed about 430 by Mnesicles, and in it the Doric and Ionic styles are admirably combined, whilst in the Erectheum, sacred to the memory of Erechtheus, a hero of Attica, the Ionic order is seen at its best, so delicate is the carving of the capitals of its columns. It has moreover the rare and distinctive feature of what is known as a caryatid porch, that is to say, one in which the entablature is upheld by caryatides or statues representing female figures. Other good examples of the Ionic style are the small Temple of Niké Apteros, or the Wingless Victory, situated not far from the Propylæa and the Parthenon of Athens, the more important Temple of Apollo at Branchidæ near Miletus, originally of most imposing dimensions, and that of Artemis at Ephesus, of which however only a few fragments remain in situ. Of the sacred buildings of Greece in which the Corinthian order was employed there exist, with the exception of the Temple of Jupiter at Athens already referred to, but a few scattered remains, such as the columns from Epidaurus now in the Athens Museum, that formed part of a circlet of Corinthian pillars within a Doric colonnade. In the Temple of Athena Alea at Tegea, designed by Scopas in 394, however, the transition from the Ionic to the Corinthian style is very clearly illustrated, and in the circular Monument of Lysicrates, erected in 334 B.C. to commemorate the triumph of that hero's troop in the choric dances in honour of Dionysos, and the Tower of the Winds, both at Athens, the Corinthian style is seen at its best. In addition to the temples described above, some remains of tombs, notably that of the huge Mausoleum at Halicarnassus in memory of King Mausolus, who died in 353 B.C., and several theatres, including that of Dionysos at Athens, with a well-preserved one of larger size at Epidaurus, bear witness to the general prevalence of Doric features in funereal monuments and secular buildings, but of the palaces and humbler dwelling-houses in the three Greek styles, of which there must have been many fine examples, no trace remains. There is however no doubt that the Corinthian style was very constantly employed after the power of the great republics had been broken, and the Oriental taste for lavish decoration replaced the love for austere simplicity of the virile people of Greece and its dependencies. CHAPTER III

He was the only man who’s ever loved me-the only man willing to dedicate his life to me-the only man who’s ever made me feel like I was someone. He was the heroin in my veins, the vodka in my blood and the dance in my heart. He was my lifeline. My world. My Regg. And now, he is gone.

Soon after this meeting with the Morelands came the period of crisis leading up to the Abdication, one of those public events which occupied the minds not only of those dedicated by temperament to eternal discussion of what they read about in the newspapers, but of everyone else in the country of whatever age, sex, or social class. The constitutional and emotional issues were left threadbare by debate. Barnby would give his views on the controversy in his most down-to-earth manner; Roddy Cutts treated it with antiseptic discretion; Frederica’s connexion with the Court caused her to show herself in public as little as possible, but she did not wholly avoid persecution at the hands of friends and relations vainly hoping for some unreleased titbit.

Kate, too, is beginning to paint a picture of herself, not with too many words at the moment, but in her actions. With her charity affiliations she has sought out vulnerable children and wretched addicts, and is encouraging others to take inspiration from the natural world, sports and the arts. She loves theatre, opera and fine art, but she is also a fan of the Harry Potter franchise, went to see Bridesmaids at the cinema, and by all accounts is a demon on the dance floor. She is a lady but she doesn't mind a bit of rough and tumble - always looking immaculate, painting watercolours and making jam, but she is also an outdoorsy country girl who doesn't mind getting her hair wet or her feet dirty while camping or hiking. For her wedding day, she told her hairdresser that she wanted to look like "herself" and when sitting for her portrait she requested that she look like her "natural self, not her formal self". She is proud of and dedicated to her royal position, but she doesn't allow it to totally define her - she wants to remain true to herself, and remain her own person as well, and that is what will emerge more and more over time.

Rent answers the question of how people come together this way: through shared hardship, a message of the story that was readily adopted by the show’s most dedicated audiences. All theater brings people together in a room, but musical theater regularly brings people together to contemplate the spectacle of people coming together, in book, song, and dance. Musical theater also encourages and relies on the audience’s desire to perform the songs that they have heard performed, and to form communities based on that desire. In its examination and staging of the problems and pleasures of community on stage to a group of people offstage, live musical theater offers an experience unlike anything else.

For a third of their day they seemed to freely give what was in them to be given, whatever passion woke them each morning and just spilled over. From what Charlie saw, those passions included building things, growing things, teaching, dancing, learning. People seemed to almost become themselves simply by offering what they loved doing most. Another third of their day dedicated time for growing, strengthening the body, the mind, the heart. All over the city, people gathered together in groups talking, eating, training, learning history, planning futures, accepting all the things others had to give. The method of erudition struck him as similar, in many ways, to Howard, where classrooms and schedules could not contain learning. And there was so much to learn, new things and old, equaled only by a willingness to teach. Spirituality, in the last third of their days, played a formless role in the lives of the Mobile people. Some prayed on their knees to gods in the earth. Some shook runes in their palms and dipped bones in blood to access the lessons of the dead. Some stood face up at the bases of obelisks, their serene expressions brightly painted in the light of the sun. Charlie acknowledged the spirituality in everything, an awareness of magic and gods and spirits. But no defined religion. The people of Mobile dreamt. They meditated. They communed with something higher, seemingly capable of sensing the subtlest energies.

This darkly romantic tale of fantasy, wonder and woe is dedicated to all the wandering souls of the world, seeking refuge between the pages of books and wistfully dancing through make-believe lands that call to you all the more deeply than your own.

My dedication is for all those who are living with depression. For all those who are thinking or have thought that suicide might be the best option. I am proof that there is a life to be lived after depression and a life to be lived with depression – though it might not always feel like it. Don’t give up. Talk it through, write it down, run, dance, read, paint, sleep, play sport, do yoga, sit in a chair, walk in a park! Do whatever you need to and wait it out until the demon is off your back and the darkness passes. Take a breath. Take a moment. As I say in the book, things can and often do get better. Don’t delete yourself.

only melancholy has its dedicated following: everyone loves a good sob story every now and then.

An interesting Mexican ritual involving marijuana is described in Peter Furst’s Flesh of the Gods, concerning the Tepe-hua Indians. They regard the plant as potentially dangerous (just like our solons in Washington) but control it by ritual rather than by law, dedicating it to the worship of the three most powerful local gods, Jesus, the Virgin Mary, and the sun. Praying, sometimes laughing, they get high amid song, speeches, ringing of bells, dancing, chanting and whistling. The ceremony not only allows each worshipper to confront his god directly, but is believed to cure any illnesses the children of the village might have.

Students lined up on the stage, reading sheets of paper that probably had the schedule for the morning. The stage that Gavin had fixed looked awesome and solid as a rock. In fact, if I didn’t know the corner was busted earlier in the week, I’d never be able to tell. Overnight, a crew had set up a few hundred foldout chairs, lining them in rows for the audience. The cafeteria lights had been switched off, and the talent show stage lights were being tested, making the room look like some sort of dance club. The only students in the cafeteria were those who had acts in the show. Everyone was standing around, laughing and having a good time. It actually felt relieving to see others enjoying themselves. The missing penguin had been in everyone’s thoughts all week, but nobody knew that Hotcakes might’ve been just the tip of the iceberg. The rest of the sixth graders at Buchanan would arrive when homeroom dismissed, which was still about twenty minutes away. The first half of the school day had been dedicated to Zoe’s talent show, which was killer because it meant all those classes would be put on hold. It also meant

In Hikari’s arms, I forget what I am and where I am from. The idea of home no longer has gravity. I have flown off my orbit, chosen to follow meteors with no aim but to roam. I am not afraid of what constitutes life or mere existence. I watch and yet I smile, hug, kiss, run, speak, sing, shout, swim, play, create, and love all the same. This place—this exact spot where land and sea meet—is where the world was born. It is where time ceases, disease festers, and death dies. Because the world was built for kids who dreamt of life and were raptured by loss. It is theirs, and it is mine. It is ours to claim, and it is ours to reap. In this place, freedom takes us by the hand, and we dance to its rhythm in coarse, cool sand and wild, welcoming waters. In the book of our lives, upon a single page dedicated to its creation, we name it Heaven.

New York, NY's chiropractor, Melissa Kanes, is dedicated to transforming lives through spinal adjustments and massage therapy. Fueled by her passion for dance, fitness, and music, she stays invigorated. Melissa's vision includes the success of her new clinic and the initiation of a podcast.

Rhythm is evident everywhere in the world. In the Way of Noh dance, minstrels with their wind and string instruments all have their own harmonious, regular rhythms. In the Way of martial arts, releasing an arrow, firing a gun and even riding a horse have distinctive cadences. Rhythm must never be contravened in any of the arts. Rhythm is also present in things that are invisible. For the samurai, there is rhythm in how he succeeds in service or falls from grace. There is rhythm for harmony and rhythm for discord. In the Way of commerce, there is cadence in the accumulation of great wealth and a rhythm for losing it. Each Way has its own rhythm. Judge carefully the rhythms signifying prosperity and those that spell regression. There are myriad rhythms in strategy. First, the warrior must know the cadence of harmony and then learn that of discord. He must know the striking, interval and counter cadences that manifest among big and small, fast and slow rhythms [between attacks]. In combat, it is critical for success to know how to adopt the “counter rhythm.” You must calculate the cadences of various enemies and employ a rhythm that is unexpected to them. Use your wisdom to detect and strike concealed cadences to seize victory. I devote much explanation to the question of cadence in all the scrolls. Consider what I record and train assiduously. As written above, your spirit will naturally expand through training diligently from morning to night in the Way of my school’s combat strategy. I hereby convey to the world for the first time in writing my strategy for collective and individual combat in the five scrolls of Ground, Water, Fire, Wind and Ether. For those who care to learn my principles of combat strategy, follow these rules in observing the Way: 1. Think never to veer from the Way 2. Train unremittingly in the Way 3. Acquaint yourself with all arts 4. Know the Ways of all vocations 5. Discern the truth in all things 6. See the intrinsic worth in all things 7. Perceive and know what cannot be seen with the eyes 8. Pay attention even to trifles 9. Do not engage in superfluous activities Train in the Way of combat strategy keeping these basic principles in mind. Particularly in this Way, inability to comprehensively see the most fundamental matters will make it difficult to excel. If you learn these principles successfully, however, you will not lose to twenty or even thirty foes. First, by dedicating your energies wholeheartedly to learning swordsmanship and practicing the “Direct Way,” you will defeat men through superior technique, and even beat them just by looking with your eyes. Your body will learn to move freely through the rigors of arduous training and you will also overcome your opponent physically. Furthermore, with your spirit attuned to the Way you will triumph over the enemy with your mind.

Residing in a Castle of Shed Tears" When the time comes around for people to encounter the end of their life having put on years, death seems to be quietly approaching It was not supposed to be my style to be frightened of that, but I am In the shadows of my loved ones footprints, distress revisits me at the dead of night refreshing my memories Being in love with and longing for you, I have locked myself up in this “castle of shed tears” Now may be the time for me to wander off into the place, the guidepost to the other world points to And the sky is waiting for me, attended by numerous clouds Overwhelmed by your tenderness that has always encouraged me I have been searching for “love” in earnest taking my wish for happiness along Let me call out to and ask the birds flying about in the sky I want to convey to them my feelings Over many long years, with art as a weapon I have treaded the path in search of love During the days I have lived through keeping “despair”, “emptiness” and “loneliness” all to myself along the way there were times when the fireworks of life “splendidly” adorned the sky Dancing in the night sky in a myriad of colors, the fireworks sprinkled dust all over my body I will never forget that exhilarating moment Now I think is the time to dedicate my heart to you, my dearest Was the beauty of the end of one’s life nothing more than illusion? Would you give me an answer to this? Devoting all my heart to you, I have lived through to this day Hoping to leave beautiful footprints at the end of my life I spend each day praying that my wish will be fulfilled This is my message of love to you

Dedicated to the Earth and Hope   Reality is where we are, Reality is who we are, Reality is what we are, Reality is always so near and never too far, It nestles as much in peace as much in war, And that is why it is important to know who we are, The inhabitants of the Earth where we are, Blessed with the warmth and life granting glow of a munificent star, That happens to be our reality in which we are, Whether we learn to bend it, Or stretch it, The realism of reality is where we always are; in an inescapable part of it. So let us not bend the reality, Because then roses will lose their beauty, And we as humans shall be deprived of our character and integrity, Let Saabir always find his rose and offer it to his beloved Hope, Even if time with reality does elope, Yet it always lies in a dimension of reality and hope, Let us all strive together to give Earth its second chance, For future generations a playground to feel loved and to romance, And then let reality get engrossed in its joyful dance, Where being trapped forever is an endless feeling of merriment, Because who knows what lies in that distant firmament, Our reality is Earth and it is a reality so permanent, Let us be the guardians of her soul, Let us protect it as a whole, And by doing so don’t you think we actually resurrect the reality of our own soul?

To be happy, we must fulfil our individual innate potential. Otherwise, we will feel frustrated at some level. In fulfilling ourselves, we will naturally contribute something of worth to the world. Selfish ambition, whether blatant or secret, destroys many a friendship and many a career. Selfish ambition cannot help but see others as competition. If someone else is succeeding, we think that means that we are not or perhaps not as well as them. Dedication to the good of all, including ourselves, takes the ill-will out of competitive thinking and makes the way to success smoother than we could otherwise orchestrate. We will have God/good on our team.

In the end, the greatest victory we can know is the result of all of our hard work, discipline, and dedication: the realization of our dreams.

I have come to realize that a person’s relationship with their career is no different than their relationship with their spouse. You wake up together. You go to sleep together. You live together. It is possible to stay in a relationship that is based on convenience, financial security, or necessity, as opposed to genuine passion or love. But chances are that if the relationship is not built on genuine passion and love, it will have some difficulty at some point in time. Chances are it will fall apart at some point in time. And even if you manage to make it work, it just doesn’t feel good every day to wake up and go to sleep with someone or something you are simply not passionate about. The other thing I have come to realize is perhaps even more important. They say that people are afraid to fail. The proverbial “they”. I don’t know who “they” are, but they say it… People are afraid to fail. Or so it goes. But I disagree. People may think they are afraid to fail. But they are not afraid of failure per se. They are actually only afraid that other people will see that they have failed. They are afraid of what other will think of their failure. People will take incredible chances when there is no risk of others witnessing their failure. It’s why people dance and sing in the shower. It is the fear of what others will think of their failure that leads to constraints. Despair. Even suicide. In my career, I have seen multiple friends and clients give up, I am certain, out of a perceived shame of what they must have thought others were thinking of their failures... But it is an objective, outright, and utterly useless hindrance. A hindrance to success. There is nothing constructive about it. It is a reflex to overcome.... Flukes aside, success requires total dedication.