Dan Simmons Quotes

We've searched our database for all the quotes and captions related to Dan Simmons. Here they are! All 100 of them:

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In the beginning was the Word. Then came the fucking word processor. Then came the thought processor. Then came the death of literature. And so it goes.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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It occurs to me that our survival may depend upon our talking to one another.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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Words bend our thinking to infinite paths of self-delusion, and the fact that we spend most of our mental lives in brain mansions built of words means that we lack the objectivity necessary to see the terrible distortion of reality which language brings.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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To see and feel one's beloved naked for the first time is one of life's pure, irreducible epiphanies. If there is a true religion in the universe, it must include that truth of contact or be forever hollow. To make love to the one true person who deserves that love is one of the few absolute rewards of being a human being, balancing all of the pain, loss, awkwardness, loneliness, idiocy, compromise, and clumsiness that go with the human condition. To make love to the right person makes up for a lot of mistakes.
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Dan Simmons (The Rise of Endymion (Hyperion Cantos, #4))
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Evolution brings human beings. Human beings, through a long and painful process, bring humanity.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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In such seconds of decision entire futures are made.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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To be a true poet is to become God. I tried to explain this to my friends on Heaven's Gate. 'Piss, shit,' I said. 'Asshole motherfucker, goddamn shit goddamn. Cunt. Pee-pee cunt. Goddamn!' They shook their heads and smiled, and walked away. Great poets are rarely understood in their own day.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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The shortest route to courage is absolute ignorance.
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Dan Simmons (Endymion (Hyperion Cantos, #3))
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In the end--when all else is dust--loyalty to those we love is all we can carry with us to the grave. Faith--true faith--was trusting in that love.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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There is a fullness and calmness there which can come only from knowing pain.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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After fifty-five years of dedicating his life and work to the story of ethical systems, Sol Weintraub had come to a single, unshakable conclusion: any allegiance to a deity or concept or universal principal which put obedience above decent behavior toward an innocent human being was evil.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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In twentieth-century Old Earth, a fast food chain took dead cow meat, fried it in grease, added carcinogens, wrapped it in petroleum-based foam, and sold nine hundred billion units. Human beings. Go figure.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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Words are the only bullets in truth's bandolier. And poets are the snipers.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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I loved you backward and forward in time. I loved you beyond boundaries of time and space.
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Dan Simmons (Endymion (Hyperion Cantos, #3))
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Mobs have passions, not brains.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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Prison always has been a good place for writers, killing, as it does, the twin demons of mobility and diversion
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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Luckily, even as a young man not yet become himself, John Bridgens had two things besides indecision that kept him from self-destruction - books and a sense of irony.
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Dan Simmons (The Terror)
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Its hard to die. Harder to live
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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We are all eaters of souls.
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Dan Simmons (The Terror)
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I know what cancer was. How is it like humankind?" Sek Hardeen's perfectly modulated, softly accented tones showed a hint of agitation. "We have spread out through the galaxy like cancer cells through a living body, DurΓ©. We multiply without thought to the countless life forms that must die or be pushed aside so that we may breed and flourish. We eradicate competing forms of intelligent life.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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It no longer matters who consider themselves the masters of events. Events no longer obey their masters.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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You have to live to really know things, my love
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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Who was Hitler?' I said. Tyrena smiled slightly. 'An Old Earth politician who did some writing.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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Barbarians, we call them, while all the while we timidly cling to our Web like Visigoths crouching in the ruins of Rome's faded glory and proclaim ourselves civilized.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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The beauty of that June day was almost staggering. After the wet spring, everything that could turn green had outdone itself in greenness and everything that could even dream of blooming or blossoming was in bloom and blossom. The sunlight was a benediction. The breezes were so caressingly soft and intimate on the skin as to be embarrassing.
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Dan Simmons (Drood)
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Nobody gets beyond a petroleum economy. Not while there's petroleum there.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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Every age fraught with discord and danger seems to spawn a leader meant only for that age, a political giant whose absence, in retrospect, seems inconceivable when the history of that age is written.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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Belief in one's identity as a poet or writer prior to the acid test of publication is as naive and harmless as the youthful belief in one's immortality... and the inevitable disillusionment is just as painful.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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Mark Twain once opined in his homey way: β€œThe difference between the right word and the almost right word is the difference between lightning and the lightning bug.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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The day is perfect and I hate it for being so.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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Want to talk about Shakespeare's sonnets?" asked Orphu of Io. Are you shitting me?" The moravecs loved the ancient human colloquial phrases, the more scatological the better. Yes," said Orphu. "I am most definitely shitting you, my friend.
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Dan Simmons (Ilium (Ilium, #1))
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This is every writer's nightmare--the sudden breakdown of meaning in the language that sustains and supports us...
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Dan Simmons (Drood)
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Any allegiance to a deity or concept or universal principal which put obedience above decent behavior toward an innocent human being evil.
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Dan Simmons
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[H]istory viewed from the inside is always a dark, digestive mess, far different from the easily recognizable cow viewed from afar by historians.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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I now understand the need for faithβ€”pure, blind, fly-in-the-face-of-reason faithβ€”as a small life preserver in the wild and endless sea of a universe ruled by unfeeling laws and totally indifferent to the small, reasoning beings that inhabit it.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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The whole planet reeks of mysticism without revelation.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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If I should die," said I to myself, "I have left no immortal work behind me - nothing to make my friends proud of my memory - but I have lov'd the principle of beauty in all things, and if I had had time I would have made myself remember'd.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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Pain is an interesting and off-putting thing. Few if any things in life concentrate our attention so completely and terribly, and few things are more boring to listen to or read about.
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Dan Simmons (The Rise of Endymion (Hyperion Cantos, #4))
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God is the creature, not the creator.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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Do you think it's ready?" I [Silenus, The Poet] asked. "It's perfect... a masterpiece." "Do you think it'll sell?" I asked. "No fucking way.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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I wish we had the technology to fight God on an equal basis. To beard him in his den. To fight back for all of the injustices heaped on humanity. To allow him to alter his smug arrogance or be blown to hell.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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Context is to data what water is to a dolphin
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Dan Simmons (Olympos (Ilium, #2))
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... a society devoted to self-destruction and waste but unwilling to acknowledge its indulgent ways.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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... all good things beyond sleep come precisely because we defy gravity while we live.
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Dan Simmons (A Winter Haunting (Seasons of Horror #4))
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All this natural misery,” Dr. Goodsir said suddenly. β€œWhy do you men have to add to it? Why does our species always have to take our full measure of God-given misery and terror and mortality and then make it worse? Can you answer me that, Mr. Hickey?
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Dan Simmons (The Terror)
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Human art, Mahnmut knew, simply transcended human beings.
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Dan Simmons (Ilium (Ilium, #1))
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...speaking as a novelist myself, I know that members of our profession live in our imaginations as much or more as we inhabit what people call 'the real world'...
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Dan Simmons (Drood)
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But as with so many things in our lives, the reason for doing something is not the important thing. It is the fact of doing that remains.
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Dan Simmons (Endymion (Hyperion Cantos, #3))
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What, after all, is more real to us than the geography of our childhoods?
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Dan Simmons (A Winter Haunting (Seasons of Horror #4))
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But, Dad…” She hesitated. β€œIt will mean raising me all over again. It means suffering through my childhood for a third time. No parent should be asked to do that.” Sol managed a smile. β€œNo parent would refuse that, Rachel.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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Francis Crozier believes in nothing. Life is solitary, poor, nasty, brutish, and short. It has no plan, no point, no hidden mysteries that make up for the oh-so-obvious miseries and banalities. Nothing he has learned in the past six months has persuaded him otherwise. Has it?
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Dan Simmons (The Terror)
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The Song of Kali is with us. It has been with us for a very long time. Its chorus grows and grows and grows. But there are other voices to be heard. There are other songs to be sung.
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Dan Simmons (Song of Kali)
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Sarai had treasured every stage of Rachel's childhood, enjoying the day-to-day normalcy of things; a normalcy which she quietly accepted as the best of life. She had always felt that the essence of human experience lay not primarily in the peak experiences, the wedding days and triumphs which stood out in the memory like dates circled in red on old calendars, but, rather, in the unself-conscious flow of little things - the weekend afternoon with each member of the family engaged in his or her own pursuit, their crossings and connections casual, dialogues imminently forgettable, but the sum of such hours creating a synergy which was important and eternal.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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Pain and darkness have been our lot since the Fall of Man. But there must be some hope that we can rise to a higher level ... that consciousness can evolve to a plane more benevolent than its counterpoint of a universe hardwired to indifference.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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The words sounded like a mournful incantation.
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Dan Simmons (The Terror)
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His imagination was always more real than the reality of daily life.
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Dan Simmons (Drood)
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Choose again.
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Dan Simmons (The Rise of Endymion (Hyperion Cantos, #4))
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Sol had not known he was lonely until he met Sarai.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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Goddamn fatherfucking asshole politician moral paraplegic dipshit drag-queen bitch!
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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Men who read a lot have a more sensitive disposition, added Fowler. [...] I did not know what to say to this. Maybe reading is a sort of curse is all I mean, concluded Fowler. Maybe it's better for a man to stay inside his own mind. Amen, I felt like saying, although I do not know why.
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Dan Simmons (The Terror)
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The universe is indifferent to our fates. This was the crushing burden that the character took with him as he struggled through the surf toward survival or extinction. The universe just does not give a shit.
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Dan Simmons (Endymion (Hyperion Cantos, #3))
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The Great Change is when humankind accepts its role as part of the natural order of the universe instead of its role as a cancer
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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Meaning no disrespect, sir, but there's no way in the Good Lord's fucking universe that anyone can bar accidents or the unexpected.
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Dan Simmons (Endymion (Hyperion Cantos, #3))
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Why does our species always have to take our full measure of God-given misery and terror and mortality and then make it worse?
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Dan Simmons (The Terror)
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A philosopher/mathematician named Bertrand Russell who lived and died in the same century as Gass once wrote: β€œLanguage serves not only to express thought but to make possible thoughts which could not exist without it.” Here is the essence of mankind’s creative genius: not the edifices of civilization nor the bang-flash weapons which can end it, but the words which fertilize new concepts like spermatazoa attacking an ovum.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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The past is dead and buried. But I know now that buried things have a way of rising to the surface when one least expects them to.
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Dan Simmons (Prayers to Broken Stones (Hyperion Cantos, #0.5))
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THERE WILL BE NO FURTHER MISUSE OF THIS CHANNEL. YOU ARE DISTURBING OTHERS WHO ARE USING IT TO SERIOUS PURPOSE. ACCESS WILL BE RESTORED WHEN YOU UNDERSTAND WHAT IT IS FOR. GOODBYE
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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... pain has been with him since birth - the universe's gift to a poet ...
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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People always pay a lot of money for things that make them stupid.
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Dan Simmons (Summer of Night (Seasons of Horror, #1))
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Pain is the curl and foam of a wave that does not break.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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at that moment, the sum of the crowd’s IQ was far below that of its most modest single member. Mobs have passions, not brains.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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The life of a poet lies not merely in the finite language-dance of expression but in the nearly infinite combinations of perception and memory combined with the sensitivity to what is perceived and remembered.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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Stand as I did after throwing the switch, a murderer, a betrayer, but still proud, feet firmly planted on Hyperion’s shifting sand, head held high, fist raised against the sky, crying β€œA plague on both your houses!
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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Quality wine, Scotch, and coffee had been the three irreplaceable commodities after the death of Old Earth.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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How do I know what I think until I see what I say?
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Dan Simmons (Endymion (Hyperion Cantos, #3))
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My intellect was my greatest vanity.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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The essence of honor lay in the moment of combat between equals.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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In the beginning was the Word. In the end . . . past honor, past life, past caring . . . In the end will be the Word.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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Eagles are extinct," grumbled Morpurgo. "Perhaps they should have attacked the sky. It betrayed them.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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The problem with being passionately in love ... is that it deprives you of too much sleep.
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Dan Simmons (The Rise of Endymion (Hyperion Cantos, #4))
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Odd how the daily imperatives persist even in the face of collective disaster.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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The Ice Master was too injured and too exhausted to crawl any farther. Let whatever was going to happen to him happen now and may a Sailor's God fuck to Hell this fucking thing that was going to eat him.
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Dan Simmons (The Terror)
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He loved the darkness and the mystery of the Catholic service--the tall priest strutting like a carrion crow and pronouncing magic in a dead language, the immediate magic of the Eucharist bringing the dead back to life so that the faithful could devour Him and become of Him, the smell of incense and the mystical chanting.
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Dan Simmons (The Terror)
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Sol Weintraub suddenly understood perfectly why Abraham had agreed to sacrifice Isaac, his son, when the Lord commanded him to do so. It was not obedience. It was not even to put the love of God above the love of his son. Abraham was testing God. By denying the sacrifice at the last moment, by stopping the knife, God had earned the rightβ€”in Abraham’s eyes and the hearts of his offspringβ€”to become the God of Abraham. Sol
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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The Chinese poet George Wu ... recorded on his comlog: "Poets are the mad midwives to reality. They see not what is, nor what can be, but what must become." Later, on his last disk to his lover the week before he died, Wu said: "Words are the only bullets in truth's bandolier. And poets are the snipers.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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And above it all the butterfly effect. The sure knowledge that the entire life of a human being is like a single day in that human's life: unplannable, unpredictable, governed by the hidden tides of chaotic factors and buffered by butterfly wings...
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Dan Simmons (The Hollow Man)
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The sunset was that long, achingly beautiful balance of stillness in which the sun seemed to hover like a red balloon above the western horizon, the entire sky catching fire from the death of day; a sunset unique to the American Midwest and ignored by most of its inhabitants. The twilight brought the promise of coolness and the certain threat of night.
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Dan Simmons (Summer of Night (Seasons of Horror, #1))
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Religion and ethics were not always - or even frequently - mutually compatible. The demands of religious absolutism or fundamentalism or rampaging relativism often deflected the worst aspects of contemporary culture or prejudices rather than a system which both man and God could live under with a sense of real justice.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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We are created for precisely this sort of suffering. In the end, it is all we are, these limpid tide pools of self-consciousness between crashing waves of pain. We are destined and designed to bear our pain with us, hugging it tight to our bellies like the young Spartan thief hiding a wolf cub so it can eat away our insides. What other creature in God's wide domain would carry the memory of you, Fanny, dust these nine hundred years, and allow it to eat away at him even as consumption does the same work with its effortless efficiency? Words assail me. The thought of books makes me ache. Poetry echoes in my mind, and if I had the ability to banish it, I would do so at once.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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This is some sort of joke, isn't it?" asks Hunt, staring at the flawless blue sky and distant fields. I cough as lightly and briefly as possible into a handkerchief I have made from a towel borrowed from the inn. "Probably," I say. "But then, what isn't?
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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When the last autumn of Dickens's life was over, he continued to work through his final winter and into spring. This is how all of us writers give away the days and years and decades of our lives in exchange for stacks of paper with scratches and squiggles on them. And when Death calls, how many of us would trade all those pages, all that squandered lifetime-worth of painfully achieved scratches and squiggles, for just one more day, one more fully lived and experienced day? And what price would we writers pay for that one extra day spent with those we ignored while we were locked away scratching and squiggling in our arrogant years of solipsistic isolation? Would we trade all those pages for a single hour? Or all of our books for one real minute?
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Dan Simmons (Drood)
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Sol wanted to know how any ethical system – much less a religion so indomitable that it had survived every evil mankind could throw at it – could flow from a command from God for a man to slaughter his son. It did not matter to Sol that the command had been rescinded at the last moment. It did not matter that the command was a test of obedience. In fact, the idea that it was the obedience of Abraham which allowed him to become the father of all the tribes of Israel was precisely what drove Sol into fits of fury.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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Sometimes there is no hope," whispered Das. "There's always some hope, Mr. Das." "No, Mr. Luczak, there is not. Sometimes there is only pain. And acquiescence to pain. And, perhaps, defiance at the world which demands such pain." "Defiance is a form of hope, is it not, sir?
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Dan Simmons (Song of Kali)
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Rage. Sing, O Muse, of the rage of Achilles, of Peleus’ son, murderous, man-killer, fated to die, sing of the rage that cost the Achaeans so many good men and sent so many vital, hearty souls down to the dreary House of Death. And while you’re at it, Muse, sing of the rage of the gods themselves, so petulant and so powerful here on their new Olympos, and of the rage of the post-humans, dead and gone though they might be, and of the rage of those few true humans left, self-absorbed and useless though they have become. While you are singing, O Muse, sing also of the rage of those thoughtful, sentient, serious but not-so-close-to-human beings out there dreaming under the ice of Europa, dying in the sulfur ash of Io, and being born in the cold folds of Ganymede. Oh, and sing of me, O Muse, poor born-against-his-will Hockenberry, dead Thomas Hockenberry, Ph.D., Hockenbush to his friends, to friends long since turned to dust on a world long since left behind. Sing of my rage, yes, of my rage, O Muse, small and insignificant though that rage might be when measured against the anger of the immortal gods, or when compared to the wrath of the god-killer Achilles. On second though, O Muse, sing nothing of me. I know you. I have been bound and servant to you, O Muse, you incomparable bitch. And I do not trust you, O Muse. Not one little bit.
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Dan Simmons (Ilium (Ilium, #1))
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We thought we were special, opening our perceptions, honing our empathy, spilling that cauldron of shared pain onto the dance floor of language and then trying to make a minuet out of all that chaotic hurt. It doesn’t matter a damn bit. We’re no avatars, no sons of god or man. We’re only us, scribbling our conceits alone, reading alone, and dying alone.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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I discovered what a mental stimulant physical labor could be; not mere physical labor, I should add, but absolutely spine-bending, lung-racking, gut-ripping, ligament-tearing, and ball-breaking physical labor. But as long as the task is both onerous and repetitive, I discovered, the mind is not only free to wander to more imaginative climes, it actually flees to higher planes.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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It has been my experience that immediately after certain traumatic separationsβ€”leaving one’s family to go to war, for instance, or upon the death of a family member, or after parting from one’s beloved with no assurances of reunionβ€”there is a strange calmness, almost a sense of relief, as if the worst has happened and nothing else need be dreaded.
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Dan Simmons (The Rise of Endymion (Hyperion Cantos, #4))
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He enjoyed the soft sound of night wind and the knowledge that he was the only boy β€” perhaps the only human being β€” out there in the dark on the windy, frozen-grass meadows on this night that smelled of coming snow, alienated from the lighted windows and the warm hearths, very aware that he was of the village but not part of it at that moment. It was a thrilling, almost erotic feeling β€” an illicit discovery of self separated from everyone and everything else in the cold and dark
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Dan Simmons (The Terror)
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When you've spent thirty years entering rooms filled with strangers you feel less pressure than when you've had only half that number of years of experience. You know what the room and the people in it probably hold for you and you go looking for it. If it's not there, you sense it earlier and leave to go about your business. You just know more about what is, what isn't, and how little time there is to learn the difference.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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I will not try to describe the beauty of life in a Swarm β€’ their zero-gravity globe cities and comet farms and thrust clusters, their micro-orbital forests and migrating rivers and the ten thousand colors and textures of life at Rendezvous Week. Suffice it to say that I believe the Ousters have done what Web humanity has not in the past millennia: evolved. While we live in our derivative cultures, pale reflections of Old Earth life, the Ousters have explored new dimensions of aesthetics and ethics and biosciences and art and all the things that must change and grow to reflect the human soul.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))