Dan Flashes Quotes

We've searched our database for all the quotes and captions related to Dan Flashes. Here they are! All 37 of them:

Hello, Bradley,' said Mom. She'd regained her composure after my outburst, and now raised her camera. 'Stand close.' 'No, Mom,' I said. 'No pictures.' 'But you're friend's here now,' she said, waving us together. 'Smile!' 'I don't need a picture with-' the flash snapped '-another guy. That's great, Mom, thank you. Send that one to Dad and tell him we're going steady.
Dan Wells (I Don't Want to Kill You (John Cleaver, #3))
A philosopher/mathematician named Bertrand Russell who lived and died in the same century as Gass once wrote: “Language serves not only to express thought but to make possible thoughts which could not exist without it.” Here is the essence of mankind’s creative genius: not the edifices of civilization nor the bang-flash weapons which can end it, but the words which fertilize new concepts like spermatazoa attacking an ovum.
Dan Simmons (Hyperion (Hyperion Cantos, #1))
Just then a word floated out through the buzz saw of Zapata-speak: Nefertari. Dan tuned back in. "...the most beautiful tomb in Egypt," Ms. Zapata was saying. "You probably know the queen because there's a famous bust of her." A photo flashed on the screen. Dan raised his hand. "That's Nefertiti," he said. "Different queen." Ms. Zapata frowned. She looked at her notes. "You could be right, Dan. Uh...let's move on." Another slide flashed on-screen. "Now, this is the inner chamber of the tomb, where she was laid to rest." Dan's hand rose again. Ms. Zapata closed her eyes. "Actually? That's the side chamber." "Really." Ms. Zapata's lips pressed together. "And how do you know this, Dan?" "Because..." Dan hesitated. Because I was there. Because I was locked inside the tomb with an ex-KGB spy, so I got to know it pretty well. "Especially since the tomb is closed for conservation," Ms. Zapata said. Yeah. But we had this connection to an Egyptologist? Except he turned out to be a thief and a liar, so we captured him. I came this close to smashing him with a lamp...
Jude Watson (Vespers Rising (The 39 Clues, #11))
She was being buffeted by the air currents but grinned and flashed Langdon the thumbs-up sign. Langdon smiled weakly and returned the gesture, wondering if she knew it was the ancient phallic symbol for masculine virility.
Dan Brown (Angels & Demons (Robert Langdon, #1))
Here is the essence of mankind's creative genius: not the edifices of civilization nor the bang-flash weapons which can end it, but the words which fertilize new concepts like spermatoza attacking an ovum. It might be argued that the Siamese-twin infants of word/idea are the only contribution the human species can, will, or should make to the reveling cosmos. (Yes, our DNA is unique, but so is a salamander's. Yes, we construct artifacts, but so have species ranging from beavers to the architecture ants... Yes, we weave real fabric things from the dreamstuff of mathematics, but the universe is hardwired with arithmetic. Scratch a circle and pi peeps out. Enter a new solar system and Tycho Brahe's formulae lie waiting under the black velvet cloak of space/time. But where has the universe hidden a word under its outer layer of biology, geometry, or insensate rock?)
Dan Simmons
-flashed Langdon the thumbs-up sign. Langdon smiled weakly and returned the gesture, wondering if she knew it was the ancient phallic symbol for masculine virility.
Dan Brown (Angels & Demons (Robert Langdon, #1))
Finally, exasperated, I asked her if after 107 years she had any advice for younger people. She looked up at me, eyes flashing. “Yes,” she shot back. “Life is short. Don’t run so fast you miss it.
Dan Buettner (The Blue Zones: 9 Lessons for Living Longer From the People Who've Lived the Longest)
Dear Forrest, I am sorry there was no time for us to speech other before I left. The doctors made their decision quickly, and before I knew it, I was being taken away, but I asked if I could stop long enough to write you this note, because you have been so kind to me whileI was here. I sense, Forrest, that you are on the verge of something very significant in your life, some change, or event that will move you in a different direction, and you must seize the moment, and not let it pass. When I think back on it now, there is something in your eyes, some tiny flash of fire that comes now and then, mostly when you smile, and , on those infrequent occasions, I believe what I saw was almost a Genesis of our ability as humans to think, to create, to be. This war is to for you, old pal - nor me - and I am well out of it as I'm sure you will be in time. The crucial question is, what will you do? I don't think you're an idiot at all. Perhaps by the measure of tests or the judgement of fools, you might fall into some category or other, but deep down, Forrest, I have seen that glowing sparkle of curiosity burning deep in your mind. Take the tide, my friend, and as you are carried along, make it work for you, fight the shallows and the snags and never give up. You are a good fellow, forrest, and you have a big heart. Your pal, Dan
Winston Groom (Forrest Gump (Forrest Gump, #1))
Loken tried to imagine the future, but the image would not form. Death would wipe them all from history. Not even the great First Captain Ezekyle Abaddon would survive forever. There would be a time when Abaddon no longer waged bloody war across the territories of humanity. Loken sighed. That would be a sad day indeed. Men would cry out for Abaddon’s return, but he would never come. He tried to picture the manner of his own death. Fabled, imaginary combats flashed through his mind. He imagined himself at the Emperor’s side, fighting some great, last stand against an unknown foe. Primarch Horus would be there, of course. He had to be. It wouldn’t be the same without him. Loken would battle, and die, and perhaps even Horus would die, to save the Emperor at the last. Glory. Glory, like he’d never known. Such an hour would become so ingrained in the minds of men that it would be the cornerstone of all that came after. A great battle, upon which human culture would be based. Then, briefly, he imagined another death. Alone, far away from his comrades and his Legion, dying from cruel wounds on some nameless rock, his passing as memorable as smoke. Loken swallowed hard. Either way, his service was to the Emperor, and his service would be true to the end.
Dan Abnett (Horus Rising (The Horus Heresy, #1))
There are little wisps of jelly in a living brain. Deagle knows this well: neurons, transmitting signals - and the soul, so to speak, is somewhere in those flashes. He heard once on a science program that the spindle cell - present in humans, whales, some apes, elephants - may be at the heart of what we call our "selves." What we recognize in the mirror - that thread we follow through time that we call "me"? It's just a diatom, a paramecium, a bit of ganglia that branches and shudders assertively. A brief brain orgasm, like lightning. In short, it's all chemicals. You can regiment it easily enough: fluoxetine, sertraline, paroxetine, escitalopram, citalopram - the brain can be washed clean, and you can reset yourself, Ctrl+Alt+Del. You don't have to be a prisoner of your memories and emotions.
Dan Chaon (Stay Awake)
La Mort des Amants Nous aurons des lits pleins d'odeurs légères, Des divans profonds comme des tombeaux, Et d'étranges fleurs sur des étagères, Ecloses pour nous sous des cieux plus beaux. Usant à l'envi leurs chaleurs dernières, Nos deux coeurs seront deux vastes flambeaux, Qui réfléchiront leurs doubles lumières Dans nos deux esprits, ces miroirs jumeaux. Un soir fait de rose et de bleu mystique, Nous échangerons un éclair unique, Comme un long sanglot, tout chargé d'adieux; Et plus tard un Ange, entr'ouvrant les portes, Viendra ranimer, fidèle et joyeux, Les miroirs ternis et les flammes mortes. We will have beds which exhale odours soft, We will have divans profound as the tomb, And delicate plants on the ledges aloft, Which under the bluest of skies for us bloom. Exhausting our hearts to their last desires, They both shall be like unto two glowing coals, Reflecting the twofold light of their fires Across the twin mirrors of our two souls. One evening of mystical azure skies, We'll exchange but one single lightning flash, Just like a long sob — replete with good byes. And later an angel shall joyously pass Through the half-open doors, to replenish and wash The torches expired, and the tarnished glass.
Charles Baudelaire
Les moments significatifs de la vie sont parfois les plus courts. Telle la seconde d'un flash qui à jamais immortalise un instant et transforme le fugace en impérissable. Tôt ou tard, la photographie jaunie et racornie de cet instant se substitue au souvenir d'une période. Plus encore, elle devient la loupe à travers laquelle on observe cette période, et la déforme. Dans mon souvenir, le reste de ma vie est une création de cet instant précis où j'ai posé les yeux sur lui.
Ryad Assani-Razaki (La main d'Iman)
A philosopher/mathematician named Bertrand Russell who lived and died in the same century as Gass once wrote: “Language serves not only to express thought but to make possible thoughts which could not exist without it.” Here is the essence of mankind’s creative genius: not the edifices of civilization nor the bang-flash weapons which can end it, but the words which fertilize new concepts like spermatozoa attacking an ovum. It might be argued that the Siamese-twin infants of word/idea are the only contribution the human species can, will, or should make to the raveling cosmos. (Yes, our DNA is unique but so is a salamander’s. Yes, we construct artifacts but so have species ranging from beavers to the architect ants whose crenellated towers are visible right now off the port bow. Yes, we weave real-fabric things from the dreamstuff of mathematics, but the universe is hardwired with arithmetic. Scratch a circle and π peeps out. Enter a new solar system and Tycho Brahe’s formulae lie waiting under the black velvet cloak of space/time. But where has the universe hidden a word under its outer layer of biology, geometry, or insensate rock?)
Dan Simmons (Hyperion (Hyperion Cantos, #1))
Immediately after leaving the gate we encountered a bunch of raggedly dressed street kids. They blinked sad brown eyes and held out their hands begging for money, but we ignored them. Dan flashed us an accusing look, as if we were heartless bastards. He fished some coins out of his pocket, and tossed them to the children. A frantic mob of kids immediately overwhelmed Dan, hopping up and down, clamoring for money. Dan finally broke free from the grasping children, and we set off down the street. Suddenly, Dan stopped dead in his tracks, belatedly realizing his expensive scuba diving watch was missing. While we laughed and said, “I told you so!” Dan rubbed his naked wrist and stomped around the street in disbelief, bemoaning the loss of his watch. Then an innocent looking little boy timidly approached Dan. Obviously feeling sorry for the kind-hearted American, the cute little ragamuffin timidly spoke, “Mister, I know who stole your watch. Give me a hundred pesos and I’ll get it back for you.” Dan breathed a sigh of relief, thanked the little angel profusely, and gave him a hundred pesos worth eight American dollars. The little boy quickly scuttled into the crowd never to be seen again. We laughed so hard we were choking. Dan had just set a new chump record, losing an expensive watch and a hundred pesos all within minutes of leaving the base. We dragged him into the nearest bar to console him with cold San Miguel beer.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
Whatever the reason, Díaz knew it could wait. At the moment, he had only one task. Apprehend the shooter. As Díaz arrived at the site of the telltale flash, he found a slit in the fabric wall and plunged his hand through the opening, violently tearing the hole all the way down to the floor and clambering out of the dome into a maze of scaffolding. To his left, the agent caught a glimpse of a figure—a tall man dressed in a white military uniform—sprinting toward the emergency exit at the far side of the enormous space. An instant later, the fleeing figure crashed through the door and disappeared. Díaz gave pursuit, weaving through the electronics outside the dome and finally bursting through the door into a cement stairwell. He peered over the railing and saw the fugitive two floors below, spiraling downward
Dan Brown (Origin (Robert Langdon, #5))
May I speak with you for a minute, Frank?” He stopped working. “James, Dan. Keep Janie out of trouble.” “Yes, sir.” Both boys gave a salute. Frank’s long legs consumed the expanse, and he met me in the bright sunlight. We rounded the corner of the barn and moved away from its wall, closer to the pigpen. “Is there a problem?” He bent slightly, resting his arms on the top of the rail fence surrounding the sty, one foot propped up on the lower slat. I picked at the jagged edge of a fingernail and cleared my throat. “I’m going home.” “I know.” He looked almost . . . stricken. But it passed. Worried about not having made arrangement yet for the children, I imagined. He cleared his throat, kicked at a clod of dirt. “At the end of the month.” “This morning, actually. I have my train ticket.” Only his jaw moved, the muscle tightening and loosening and tightening again. I paced behind him, reached the other side of the small enclosure, chewed my lip, waited for him to say something. Anything. But the silence closed in around me. I had to get free of it. “I’ve been here long enough. I know that now. You need to be with your family, Frank. You need to sleep in your own bed, be among your own things. The children are comfortable with you again. Besides”—I grabbed the top rail of the pen to hold me steady—“I have my own life to live.” I stared off into the distance, hoping he thought I gazed happily into the life I desired. The quiet boiled between us until his words spat out like a flash of lightning. “Just like that, you’d abandon us?” I whirled to face him. “Just a few days earlier than you promised to send me home, remember?” He shoved his hands into the pockets of his overalls and looked me over as if I were a possum in the bedroom. “They’ve lost their mother. And Adabelle. Now they’ll lose you, too. You don’t think they’ll feel that?” I shook my head, my heart breaking into tiny shards. “They’re young. They’ll take to whoever you bring in as quickly as they took to me.” His face reddened. He stalked toward the barn, then turned and came back, pointing his finger in my face. “Let’s get this straight. I’ve not asked you to leave. You’ve taken this on yourself.” “It’s for the best, Frank. It really is. But . . .” I hesitated. The intensity of his anger made me unsure of my final request. My voice shrank to nearly a whisper. “Will you tell them for me?” His eyebrows arched. He threw back his head and belched a derisive laugh. “You want to leave? Fine. I can’t stop you. But I’m not going to be the one to tell them. You are.
Anne Mateer (Wings of a Dream)
La pluie tombait. Le grand couvercle du ciel se brisa en six éclats bleuâtres pulvérulents, tel un vernis fendillé à souhait, et s'effondra. Il vit des milliards de gouttes cristallines hésiter le temps qu'il fallait pour être photographiées dans le flash de la décharge électrique. Puis il n'y eut plus qu'eau et ténèbres.
Ray Bradbury
Let’s go, little man.” “I’m not your little man. And you can’t make me.” His eyebrows scrunched down over his eyes, and his fingers curled into fists. “Oh yes, I can.” I lifted him off the floor, his feet kicking out behind me. “What are you doing to him?” Ollie blocked my way out of the kitchen. “I’m taking him to bed.” Her eyes narrowed. “You’re not his mother, you know.” How many times had I said those words to her over the past few weeks? And she dared throw them back at me now? “Neither are you.” I set Dan on the ground but kept his hand imprisoned in mine. Ollie’s eyes flashed. “When are you goin’ home, Rebekah?” “Ollie Elizabeth!” Frank stood at the kitchen door, James at his side. Ollie’s face paled. “But, Daddy, she—” “Get on up to bed. We’ll talk about this in the morning.” Ollie darted from the room, dragging Dan with her. James tugged at my hand. I knelt down in front of him. “You’re not going anywhere, are you?” His bottom lip trembled. “No.” I ran my hand through his blond curls. “I won’t leave you, sweet boy. I promise.” He lurched into my arms, nearly knocking me to the ground. Tears gruffed my voice as I whispered, “Let’s get you tucked in, too.” His head nodded against my shoulder. I carried him from the room without so much as a glance at his daddy. My heart couldn’t bear to know whose side Frank had taken—Ollie’s or James’s.
Anne Mateer (Wings of a Dream)
Each child blah blah blah blah two minutes blah blah blah blah at the end blah blah blah blah please do not take flash pictures blah blah blah blah our judges will decide blah blah blah blah blah . . .
Dan Gutman (Mrs. Lane Is a Pain! (My Weirder School, #12))
Yvette’s eyes flashed this microburst of anger at her husband, so subtle but so hot that I felt my stomach gurgle. And when she turned that look on Dan, I nose-burped acid. She spat, “Do you know that? Do you know what mountain lions are like? Do you know that it wasn’t just scared by us all and trying to get away, and now it’s hurt unnecessarily, and what you did could’ve provoked it to attack…kill Palomino!
Max Brooks (Devolution: A Firsthand Account of the Rainier Sasquatch Massacre)
As Langdon spoke, the ceiling flashed well-known Christian images of the Resurrection, the Virgin Mary, Noah’s Ark, the parting of the Red Sea, heaven, and hell. “So just for
Dan Brown (Origin (Robert Langdon, #5))
Zeus…,” Langdon declared, his voice powerful. “The god of all gods. The most feared and revered of all the pagan deities. Zeus, more than any other god, resisted his own extinction, mounting a violent battle against the dying of his own light, precisely as had the earlier gods Zeus had replaced.” On the ceiling flashed images of Stonehenge, the Sumerian cuneiform tablets, and the Great Pyramids of Egypt. Then Zeus’s bust returned. “Zeus’s followers were so resistant to giving up on their god that the conquering faith of Christianity had no choice but to adopt the face of Zeus as the face of their new God.” On the ceiling, the bearded bust of Zeus dissolved seamlessly into a fresco of an identical bearded face—that of the Christian God as depicted in Michelangelo’s Creation of Adam on the ceiling of the Sistine Chapel.
Dan Brown (Origin (Robert Langdon, #5))
She’s a native Californian.” A mental picture of a lank-haired vegetarian who believed in astrology and the mystical benefits of cocaine flashed through Dan’s mind.
Ben Bova (Privateers (The Grand Tour Book 2))
Dan’s. Shakespeare was right, the eyes are the windows to your soul, and the old man had a permanent “vacancy” sign flashing behind his peepers.
Tom McCaffrey (The Wise Ass (The Claire Trilogy, #1))
Minuit dix, le 7 septembre 1969. J'ai vingt-neuf ans et demi, je pèse 48 kilos. Je suis un junkie qui va se finir dans la montagne. Je ne suis ni heureux, ni malheureux, ni anxieux ni tourmenté. J'ai en moi la fatalité des Orientaux. Je ne me donne pas plus de trois semaines à vivre.
Charles Duchaussois (Flash: ou le grand voyage)
Jusqu'à présent, chaque fois que je l'ai fait, il était très léger. Pour la première fois, il est lourd. Et sa tête pend en arrière, par-dessus mon bras. Il est mort... Je le pose sur sa natte et je reste là, sans réaction. J'ai mal, très mal. Ce mort à mon côté, c'est moi, tel que je serai dans quelque temps dans la neige, quand je me serai fait mon overdose...
Charles Duchaussois (Flash: ou le grand voyage)
Jusqu'à présent, chaque fois que je l'ai fait, il était très léger. Pour la première fois, il est lourd. Et sa tête pend en arrière, par-dessus mon bras. Il est mort... Je le pose sur sa natte et je reste là, sans réaction. J'ai mal, très mal. Ce mort à mon côté, c'est moi, tel que je serai dans quelque temps, dans la neige, quand je me serai fait mon overdose...
Charles Duchaussois (Flash: ou le grand voyage)
Since the beginning of time,” the camerlengo said, “this church has fought the enemies of God. Sometimes with words. Sometimes with swords. And we have always survived.” The camerlengo radiated conviction. “But the demons of the past,” he continued, “were demons of fire and abomination . . . they were enemies we could fight—enemies who inspired fear. Yet Satan is shrewd. As time passed, he cast off his diabolical countenance for a new face . . . the face of pure reason. Transparent and insidious, but soulless all the same.” The camerlengo’s voice flashed sudden anger—an almost maniacal transition. “Tell me, Mr. Kohler! How can the church condemn that which makes logical sense to our minds! How can we decry that which is now the very foundation of our society! Each time the church raises its voice in warning, you shout back, calling us ignorant. Paranoid. Controlling! And so your evil grows. Shrouded in a veil of self-righteous intellectualism. It spreads like a cancer. Sanctified by the miracles of its own technology. Deifying itself! Until we no longer suspect you are anything but pure goodness. Science has come to save us from our sickness, hunger, and pain! Behold science—the new God of endless miracles, omnipotent and benevolent! Ignore the weapons and the chaos. Forget the fractured loneliness and endless peril. Science is here!
Dan Brown (Angels & Demons (Robert Langdon #1))
On le savait, on l’avait su au début dans un éclair de lucidité, mais ensuite, pendant le reste de notre vie, on a perdu ce savoir. Comme quand on se lève la nuit et qu’on tâtonne dans l’obscurité de la chambre pour aller aux toilettes : on se sent perdu, on allume une fraction de seconde, on éteint aussitôt et ce flash nous montre le chemin, mais seulement le temps nécessaire pour aller faire pipi et revenir nous coucher. La fois suivante, on sera à nouveau perdu.
Sandro Veronesi (Il colibrì)
On the street, on my way to the store, I had an insight, a flash that penetrated my understanding. My real difficulty—my problem—wasn’t my depressions or my drinking or my job failures or even the unarticulated fear that I was a fucking insane whack. My problem was people. And they were located everywhere
Dan Fante (Mooch)
KNIGHTS, KNAVES, POPES, AND PENTACLES: THE HISTORY OF THE HOLY GRAIL THROUGH TAROT “Not surprising,” Langdon said to Sophie. “Some of our keywords have the same names as individual cards.” He reached for the mouse to click on a hyperlink. “I’m not sure if your grandfather ever mentioned it when you played Tarot with him, Sophie, but this game is a ‘flash-card catechism’ into the story of the Lost Bride and her subjugation by the evil Church.” Sophie eyed him, looking incredulous. “I had no idea.” “That’s the point. By teaching through a metaphorical game, the followers of the Grail disguised their message from the watchful eye of the Church.” Langdon often wondered how many modern card players had any clue that their four suits—spades, hearts, clubs, diamonds—were Grail-related symbols that came directly from Tarot’s four suits of swords, cups, scepters, and pentacles. Spades were Swords—The blade. Male. Hearts were Cups—The chalice. Feminine. Clubs were Scepters—The Royal Line. The flowering staff. Diamonds were Pentacles—The goddess. The sacred feminine.
Dan Brown (The Da Vinci Code (Robert Langdon, #2))
Nous pendons la tête en bas à la balustrade chauves-souris au hou sur notre temps d’inactivité. la dame professeur de technologie s’est oublié une heure de trop. l’heure s’y est miré dedans. jette à chaque fois avec quelque motif en nous. nous nous ballonnons à cause de quelque gros mot. nous nous dévissons des écrous et des boulons. nouveau cœur en attente. un foie chacun. nous nous étirons encore un tas de nerfs les cous des flashs à feu doux des haricots blancs secs. nous nous souvenons du livre herbier de nerfs. nous oublions que nous vivons. la mort nous l’espérons plus. comment empêcher les lucioles de s’envoler dans les couloirs je leur dis ma déception. ils ne veulent pas rentrer dans les salles de cours pour placer sur les bancs des belles mauvaises habitudes monsieur le professeur d’allemand a deux montres pour chaque corps. pas une seule minute de retard dans le corps A ni dans le corps B. quand il perd une minute il s’accroupit il dépose deux paumes sur ses yeux pour pleurer de l’intérieur. un enfant qui n’arrive pas à l’heure. nous le dorlotons nous sommes généreux. (traduit du roumain par Gabrielle Danoux)
Emil Iulian Sude (Paznic de noapte)
One of the free fallers, an obese woman, maneuvered toward the window. She was being buffeted by the air currents but grinned and flashed Langdon the thumbs-up sign. Langdon smiled weakly and returned the gesture, wondering if she knew it was the ancient phallic symbol for masculine virility.
Dan Brown (Angels & Demons (Robert Langdon #1))
An army! Not an idea in it, not an ideal, not a fighting spark, not a flash of imagination, not a capful of the fresh air of inspiration in it: just a dead, frozen, congealed mass of routine, restriction and prejudice, mud, leaves and dead twigs that any January might freeze together: paltry, petty, incapable, craven, dead-brained: betraying the faith and courage of the soldier: holding together, not by a common aim and a common resolution, but by the sheer weight of inertia and blanco. Blanco, symbol of the corruption of the army, blanco, as stiff as starch, and crumbling to dust under the first pressure.
Dan Billany (The Trap)
A pale Ford Focus arrived at one am. Eva was right. The party had been cut short. Dan saw the faces of Charlie Rowntree and Fran Pendleton as they came through the entrance. Fran Pendleton was looking around through the car windows. Her face looked stretched tight and unhappy. He couldn’t see Rowntree’s face, but Dan reckoned it would be exactly the same. They’d revealed the name of their residence to Joe the photographer, so they were probably expecting an army of press to blitz them with camera flashes. People were self-absorbed by nature. If they had something to hide, they usually worried too much about being caught and therefore they thought the very worst. 
Solomon Carter (Long Time Dying Box Set (Long Time Dying, #1-3))
Intuitive knowing can be described as an openness to flashes of insight
Laurie Nadel (Sixth Sense: Unlocking Your Ultimate Mind Power)
His hand cupped my face and his head dipped lower, lightly brushing his lips across mine. Little warning lights flashed in my head. What was I doing, lying on a bed with Jared, about to kiss him? This couldn’t happen. Not only because of what Dan had said about the producers and the show, but because I knew if I fell for Jared, I might never recover.
Elizabeth Briggs (More than Music (Chasing the Dream, #1))