Damp Problem Quotes

If you want to make money at some point, remember this, because this is one of the reasons startups win. Big companies want to decrease the standard deviation of design outcomes because they want to avoid disasters. But when you damp oscillations, you lose the high points as well as the low. This is not a problem for big companies, because they don't win by making great products. Big companies win by sucking less than other big companies.

And I say no. The problem is the light, the dim light down here. Cupped in the palm of my hand, the cyanide and the wood pill, I can't tell which is which. What's sex and what's death—I can't tell the difference. I ask which one to give her. And Mr. Bacardi leans in to look, both of us breathing hot, damp air into my open hand.

I have never battled a gargoyle before.” Zacharel shook his head, a dark lock of hair tumbling into one emerald eye. Damp from the melting snow, the hair stuck to his skin. He didn’t seem to notice. “But I am certain these will murder Paris before willingly carrying him inside.” As if he were the only intelligent life form left in existence, William splayed his arms. “And the problem with that? He’ll still be inside, exactly where he wants to be. And by the way,” he added, blinking at Paris with lashes so long they should have belonged to a girl. “Your new permanent eyeliner is very pretty. You’ll make a good-looking corpse.” Do not react. He did, and the teasing about his ash/ambrosia tattoos would never end. “Thanks.” “I prefer the lip liner, though. A nice little feminine touch that really makes your eyes pop.” “Again, thanks,” he gritted. He wants us! Stupid demon. William grinned. “Maybe we can make out later. I know you want me.” Tell him yes! Not another word out of you, or— “Paris? Warrior?” Zacharel said. “Are you listening to me?” “No.” Zach nodded, apparently not the least offended. “I enjoy your honesty, though I believe you suffer from what the humans call ADD.” “Oh, yeah. I definitely have attention deficient demon.

On this cliff, I can almost touch the night sky; it hovers so close and puts a distance between me and the things threatening my conscience. I lay on a blanket in the damp grass and enfold myself in the drama of other worlds. The Big and Little Dipper tilt toward me, as if ready to spill their contents, and Scorpius curls its tail, ready to strike. The problems of my little life shrink under the majesty of such an expanse.

From the moment that I lost her, from the time a massive wall, a damp dam without an opening, as heavy as lead, was erected between us, I felt as if my life has become forever meaningless and lost. Even if my caressing gaze and the deep pleasure I took in seeing her were one-sided and unrequited, it was only because she had not seen me. But I needed these eyes, and one look from her was enough to solve all philosophical problems and riddles of the divine - one look from her and secrets and riddles no longer had any meaning for me.

Problem was, whenever I locked eyes with an animal I felt something more soulful than I ever felt from the humans I knew, and what I saw in that sprawled giraffe’s eye made me ache to the bone. The giraffe’s eye had stopped moving, taking on a pallor I’d seen too many times in an animal’s eyes right before my pa would be deciding whether to eat, bury, or burn them. I pushed in closer, waiting for the seamen, all looking like damp hell themselves, to shove me back where I belonged

Tell me this- if you could have a guarantee that your child would be a National Merit Scholar and get into a prestigious college, have good work habits and a successful career, but that your relationship with him would be destroyed in the process, would you do it? Why not? Because you are made to love, that's why. We care about our relationships more than about our accomplishments. That's the way God made us. Then why don't we live that way? Why, come a damp and gloomy day in March, do we yell over a  math lesson or lose our temper over a writing assignment? Why do we see the lessons left to finish and get lost in an anxiety-ridden haze? We forget that we are dealing with a soul, a precious child bearing the Image of God, and all we can see is that there are only a few months left to the school year and we are still only halfway through the math book. When you are performing mommy triage- that is, when you have a crisis moment and have to figure out which fire to put out first- always choose your child. It's just a math lesson. It's only a writing assignment. It's a Latin declension. Nothing more. But your child? He is God's. And the Almighty put him in your charge for relationship. Don't damage that relationship over something so trivial as an algebra problem. And when you do (because you will, and so will I), repent. We like to feed our egos. When our children perform well, we can puff up with satisfaction and pat ourselves on the back for a job well done. But as important as it is to give our children a solid education (and it is important, don't misunderstand me), it is far more important that we love them well.  Our children need to know that the most important thing about them is not whether they finished their science curriculum or score well on the SAT. Their worth is not bound up in a booklist or a test score. Take a moment. Take ten. Look deep into your child's eyes. Listen, even when you're bored. Break out a board game or an old picture book you haven't read in ages. Resting in Him means relaxing into the knowledge that He has put these children in our care to nurture. And nurturing looks different than charging through the checklist all angst-like. Your children are not ordinary kids or ordinary people, because there are no ordinary kids or ordinary people. They are little reflections of the

He gave a snide toot to the boys and drove on lower towards the river. Rain was the natural state of Glasgow. It kept the grass green and the people pale and bronchial. Its effect on the taxi business was negligible. It was a problem because it was mostly inescapable and the constant dampness was pervasive, so fares might as well sit damp on a bus as damp in the back of an expensive taxi. On the other hand, rain meant that the young lassies from the dancing all wanted to take a taxi home so as not to ruin their stiff hair or their sharp shoes. For that Shug was in favour of the endless rain.

Red caught her hand and lifted it from his mouth and held it gently. “Say, ‘You’re a polecat, Red Dawson.’ Tell me I’m a mangy, growly old bear. Tell me I’m a sneakin’, low-down coyote. Tell me I’m as mean as a rattler and as cantankerous as Buck and as stubborn as an ox. Say it or admit you’re a liar and a coward, Mrs. Dawson. Tell me I’m a—” “All those animals,” Cassie interrupted, “are put here by God for the exact purpose they serve.” Rather sharply she added, “You’re the problem.” Cassie seemed to realize what she’d said, and she pulled back a step. She’d have covered her mouth again if Red hadn’t held tight to her hand. Red grinned for a second. Then he tipped his head back and laughed out loud. It was a full belly laugh, and when he looked back at her, his eyes were damp from laughing and he had to wipe them. “Why, Cassandra Dawson, I do believe you just insulted me.

told me more about what happened the other night?” she asked, deciding to air her worst fears. “Am I under suspicion or something?” “Everyone is.” “Especially ex-wives who are publicly humiliated on the day of the murder, right?” Something in Montoya’s expression changed. Hardened. “I’ll be back,” he promised, “and I’ll bring another detective with me, then we’ll interview you and you can ask all the questions you like.” “And you’ll answer them?” He offered a hint of a smile. “That I can’t promise. Just that I won’t lie to you.” “I wouldn’t expect you to, Detective.” He gave a quick nod. “In the meantime if you suddenly remember, or think of anything, give me a call.” “I will,” she promised, irritated, watching as he hurried down the two steps of the porch to his car. He was younger than she was by a couple of years, she guessed, though she couldn’t be certain, and there was something about him that exuded a natural brooding sexuality, as if he knew he was attractive to women, almost expected it to be so. Great. Just what she needed, a sexy-as-hell cop who probably had her pinned to the top of his murder suspect list. She whistled for the dog and Hershey bounded inside, dragging some mud and leaves with her. “Sit!” Abby commanded and the Lab dropped her rear end onto the floor just inside the door. Abby opened the door to the closet and found a towel hanging on a peg she kept for just such occasions, then, while Hershey whined in protest, she cleaned all four of her damp paws. “You’re gonna be a problem, aren’t you?” she teased, then dropped the towel over the dog’s head. Hershey shook herself, tossed off the towel, then bit at it, snagging one end in her mouth and pulling backward in a quick game of tug of war. Abby laughed as she played with the dog, the first real joy she’d felt since hearing the news about her ex-husband. The phone rang and she left the dog growling and shaking the tattered piece of terry cloth. “Hello?” she said, still chuckling at Hershey’s antics as she lifted the phone to her ear. “Abby Chastain?” “Yes.” “Beth Ann Wright with the New Orleans Sentinel.” Abby’s heart plummeted. The press. Just what she needed. “You were Luke Gierman’s wife, right?” “What’s this about?” Abby asked warily as Hershey padded into the kitchen and looked expectantly at the back door leading to her studio. “In a second,” she mouthed to the Lab. Hershey slowly wagged her tail. “Oh, I’m sorry,” Beth Ann said, sounding sincerely rueful. “I should have explained. The paper’s running a series of articles on Luke, as he was a local celebrity, and I’d like to interview you for the piece. I was thinking we could meet tomorrow morning?” “Luke and I were divorced.” “Yes, I know, but I would like to give some insight to the man behind the mike, you know. He had a certain public persona, but I’m sure my readers would like to know more about him, his history, his hopes, his dreams, you know, the human-interest angle.” “It’s kind of late for that,” Abby said, not bothering to keep the ice out of her voice. “But you knew him intimately. I thought you could come up with some anecdotes, let people see the real Luke Gierman.” “I don’t think so.” “I realize you and he had some unresolved issues.” “Pardon me?” “I caught his program the other day.” Abby tensed, her fingers holding the phone in a death grip. “So this is probably harder for you than most, but I still would like to ask you some questions.” “Maybe another time,” she hedged and Beth Ann didn’t miss a beat. “Anytime you’d like. You’re a native Louisianan, aren’t you?” Abby’s neck muscles tightened. “Born and raised, but you met Luke in Seattle when he was working for a radio station . . . what’s the call sign, I know I’ve got it somewhere.” “KCTY.” It was a matter of public record. “Oh, that’s right. Country in the City. But you grew up here and went to local schools, right? Your

If you want to make money at some point, remember this, because this is one of the reasons startups win. Big companies want to decrease the standard deviation of design outcomes because they want to avoid disasters. But when you damp oscillations, you lose the high points as well as the low. This is not a problem for big companies, because they don't win by making great products. Big companies win by sucking less than other big companies.” - “The place to fight design wars is in new markets, where no one has yet managed to establish any fortifications. That's where you can win big by taking the bold approach to design, and having the same people both design and implement the product. Microsoft themselves did this at the start. So did Apple. And Hewlett- Packard. I suspect almost every successful startup has.” - “Great software, likewise, requires a fanatical devotion to beauty. If you look inside good software, you find that parts no one is ever supposed to see are beautiful too.” - “The right way to collaborate, I think, is to divide projects into sharply defined modules, each with a definite owner, and with interfaces between them that are as carefully designed and, if possible, as articulated as programming languages. Like painting, most software is intended for a human audience. And so hackers, like painters, must have empathy to do really great work. You have to be able to see things from the user's point of view.” - “It turns out that looking at things from other people's point of view is practically the secret of success.” - “Part of what software has to do is explain itself. So to write good software you have to understand how little users understand. They're going to walk up to the software with no preparation, and it had better do what they guess it will, because they're not going to read the manual.

Having been through prep with Flavius, Venia, and Octavia numerous times, it should just be an old routine to survive. But I haven’t anticipated the emotional ordeal that awaits me. At some point during the prep, each of them bursts into tears at least twice, and Octavia pretty much keeps up a running whimper throughout the morning. It turns out they really have become attached to me, and the idea of my returning to the arena has undone them. Combine that with the fact that by losing me they’ll be losing their ticket to all kinds of big social events, particularly my wedding, and the whole thing becomes unbearable. The idea of being strong for someone else having never entered their heads, I find myself in the position of having to console them. Since I’m the person going in to be slaughtered, this is somewhat annoying. It’s interesting, though, when I think of what Peeta said about the attendant on the train being unhappy about the victors having to fight again. About people in the Capitol not liking it. I still think all of that will be forgotten once the gong sounds, but it’s something of a revelation that those in the Capitol feel anything at all about us. They certainly don’t have a problem watching children murdered every year. But maybe they know too much about the victors, especially the ones who’ve been celebrities for ages, to forget we’re human beings. It’s more like watching your own friends die. More like the Games are for those of us in the districts. By the time Cinna shows up, I am irritable and exhausted from comforting the prep team, especially because their constant tears are reminding me of the ones undoubtedly being shed at home. Standing there in my thin robe with my stinging skin and heart, I know I can’t bear even one more look of regret. So the moment he walks in the door I snap, “I swear if you cry, I’ll kill you here and now.” Cinna just smiles. “Had a damp morning?” “You could wring me out,” I reply.

Lottie pressed her face into the crook of his neck and shoulder. She had to stop him now, before her will was completely demolished. “No. Please stop. I’m sorry.” His hand slid from her blouse, and he touched her damp lips with his fingers. “Have I frightened you?” he whispered. Lottie shook her head, somehow resisting the urge to curl into his embrace like a sun-warmed cat. “No… I’ve frightened myself.” For some reason her admission made him smile. His fingers moved to her throat, tracing the fragile line with a sensitivity that made her breath catch. Tugging the peasant blouse back up to her shoulder, he retied the frayed ribbon that secured the neckline. “Then I’ll stop,” he said. “Come— I’ll take you to the house.” He stayed close to her as they continued through the forest, occasionally moving to push a branch out of the way, or taking her hand to guide her over a rough place on the path. As familiar as she was with the woods of Stony Cross Park, Lottie had no need of his assistance. But she accepted the help with demur. And she did not protest when he paused again, his lips finding hers easily in the darkness. His mouth was hot and sweet as he kissed her compulsively… swift kisses, languid ones, kisses that ranged from intense need to wicked flirtation. Drugged with pleasure, Lottie let her hands wander to the thick dishevelment of his hair, the iron-hard nape of his neck. When the blistering heat rose to an untenable degree, Lord Sydney groaned softly. “Charlotte…” “Lottie,” she told him breathlessly. He pressed his lips to her temple and cuddled her against his powerful body as if she were infinitely fragile. “I never thought I would find someone like you,” he whispered. “I’ve looked for you so long… needed you…” Lottie shivered and dropped her head to his shoulder. “This isn’t real,” she said faintly. His lips touched her neck, finding a place that made her arch involuntarily. “What’s real, then?” She gestured to the yew hedge that bordered the estate garden. “Everything back there.” His arms tightened, and he spoke in a muffled voice. “Let me come to your room. Just for a little while.” Lottie responded with a trembling laugh, knowing exactly what would happen if she allowed that. “Absolutely not.” Soft, hot kisses drifted over her skin. “You’re safe with me. I would never ask for more than you were willing to give.” Lottie closed her eyes, her head spinning. “The problem is,” she said ruefully, “I am willing to give you entirely too much.” She felt the curve of his smile against her cheek. “Is that a problem?” “Oh, yes.” Pulling away from him, Lottie held her hands to her hot face and sighed unsteadily. “We must stop this. I don’t trust myself with you.” “You shouldn’t,” he agreed hoarsely. -Lottie & Nick

wall, clenching and unclenching his fists. He wore running shorts and an oversized sweatshirt, sweat-darkened triangles at the chest and armpits. Matted hair, damp. But breathing easy. Gordon slid his gaze to the gurney. Megan wore a pair of loose cotton shorts. A warmup jacket hung over the arm of a nearby chair and a pair of sneakers sat on the floor below. Had she been running with Justin? He nodded in Solomon’s direction, then edged across the room to Justin’s side. “How is she?” Gordon asked. Justin stared into space, as if he were trapped in another dimension. A muscle in his jaw twitched rhythmically. He seemed agitated, which was understandable, but it seemed to be more than concern for Megan. “Justin?” Gordon said. “Are you okay?” The man blinked and clawed his fingers through his hair. “What?” He shook his head, as if to clear it. “Oh, yeah. No problem.

No, emptiness is not nothingness. Emptiness is a type of existence. You must use this existential emptiness to fill yourself.” His words were very enlightening to me. Later, after I thought about it a bit, I realized that it wasn’t Buddhist philosophy at all, but was more akin to some modern physics theories. The abbot also told me he wasn’t going to discuss Buddhism with me. His reason was the same as my high school teacher’s: With my sort, he’d just be wasting his time. That first night, I couldn’t sleep in the tiny room in the temple. I didn’t realize that this refuge from the world would be so uncomfortable. My blanket and sheet both became damp in the mountain fog, and the bed was so hard. In order to make myself sleep, I tried to follow the abbot’s advice and fill myself with “emptiness.” In my mind, the first “emptiness” I created was the infinity of space. There was nothing in it, not even light. But soon I knew that this empty universe could not make me feel peace. Instead, it filled me with a nameless anxiety, like a drowning man wanting to grab on to anything at hand. So I created a sphere in this infinite space for myself: not too big, though possessing mass. My mental state didn’t improve, however. The sphere floated in the middle of “emptiness”—in infinite space, anywhere could be the middle. The universe had nothing that could act on it, and it could act on nothing. It hung there, never moving, never changing, like a perfect interpretation for death. I created a second sphere whose mass was equal to the first one’s. Both had perfectly reflective surfaces. They reflected each other’s images, displaying the only existence in the universe other than itself. But the situation didn’t improve much. If the spheres had no initial movement—that is, if I didn’t push them at first—they would be quickly pulled together by their own gravitational attraction. Then the two spheres would stay together and hang there without moving, a symbol for death. If they did have initial movement and didn’t collide, then they would revolve around each other under the influence of gravity. No matter what the initial conditions, the revolutions would eventually stabilize and become unchanging: the dance of death. I then introduced a third sphere, and to my astonishment, the situation changed completely. Like I said, any geometric figure turns into numbers in the depths of my mind. The sphereless, one-sphere, and two-sphere universes all showed up as a single equation or a few equations, like a few lonesome leaves in late fall. But this third sphere gave “emptiness” life. The three spheres, given initial movements, went through complex, seemingly never-repeating movements. The descriptive equations rained down in a thunderstorm without end. Just like that, I fell asleep. The three spheres continued to dance in my dream, a patternless, never-repeating dance. Yet, in the depths of my mind, the dance did possess a rhythm; it was just that its period of repetition was infinitely long. This mesmerized me. I wanted to describe the whole period, or at least a part of it. The next day I kept on thinking about the three spheres dancing in “emptiness.” My attention had never been so completely engaged. It got to the point where one of the monks asked the abbot whether I was having mental health issues. The abbot laughed and said, “Don’t worry. He has found emptiness.” Yes, I had found emptiness. Now I could be at peace in a bustling city. Even in the midst of a noisy crowd, my heart would be completely tranquil.

navigator,” added Orion. “The only problem is his side of the cockpit is always damp,” she paused, hoping for a laugh. None came.

And someone told me recently, they told me that my problem isn’t actually stage fright. My problem is life fright. And you know what? They’re fucking right. Because life is frightening, and it is frightening for a reason, and the reason is that it doesn’t matter which branch of a life we get to live, we are always the same rotten tree. I wanted to be many things in my life. All kinds of things. But if your life is rotten, it will be rotten no matter what you do. The damp rots the whole useless thing . . .

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He likes reading," his parents had told their friends in the same awed tones they might have used to announce he'd been awarded the Victoria Cross. Peter did like reading. He'd read his way through the entire children's section of the Kilburn Library bu the time he was eight, a feat that might have been a source of pride and celebration but for the problem posed by his still being years off acquiring the coveted adult borrowing card. Thank God for Miss Talbot, who'd bitten her lip and straightened the library name badge on her lemon cardigan, and told him-a faint quiver of purpose enlivening her usually soft, smooth voice-that she would personally ensure he never ran out of things to read. She was a magician, as far as Peter was concerned. Decipherer of secret codes, master of index cards and Dewey decimal, opener of doors to wonderful places. Those afternoons in the library, breathing the stale sun-warmed dust of a thousand stories (accented by the collective mildew of a hundred years of rising damp), had been enchanted.

For prisoners living in Birkenau, life was even worse, with their barracks frequently damp and lice and rats a frequent problem. In addition, they had access to water only in the kitchen barracks, which meant they could not wash and had to go around dirty. They also had to perform their bodily functions in outdoors latrines. Although bathhouses and disinfecting equipment were installed, overcrowding again ensured that prisoners had limited use of them. Given these conditions, it should not be surprising that disease and death was rampant.

As I stalk down the damp stone corridor in a perfectly foul mood, still unlaid and raging with testosterone, fully aware that I probably just made a deal with some kind of devil or someone controlled by some kind of devil, Ryodan appears around the corner, stalking toward me, and I’m beyond offended because my perimeter alarms didn’t go off, and I specifically warded against the Nine. He looks furious, which for him means a muscle twitches beneath his eye. He’s the bloody reason I have another of my problems: Thanks to him, Uncle Dageus is immortal and a beast while his wife is mortal and not a beast, which really crapped in all the Keltar Wheaties. We Keltar druids bond for life and beyond. Which means, for both my aunt and uncle, the “beyond” part is going to be—figuratively, at least—a long and lonely hell.

General traditional theory asserts that when under stress, the body’s meridian system becomes imbalanced. Many factors cause stress, including physical, emotional, mental, or spiritual challenges, psychological issues, biochemical problems, and even electromagnetic difficulties such as geopathicstress. Even natural environmental factors such as excess cold, damp, wind, dryness, or heat can create imbalance. Under duress, the blood, chi, and fluid cannot flow normally, usually leading to congestion (excess or blockage) or depletion (deficiency or weakness). Symptoms of these imbalances can be found through the meridians even before they manifest physically. Once these problems appear physically, these underlying causes can impede the body’s healing ability. The meridian therapist essentially stimulates the acupuncture points to restore balance. Stagnant chi calls for stimulation. Cold chi needs warmth. As we will see in the section on meridian treatment modalities, diagnosis, and treatment, there are many paths open to a meridian specialist, including needling and non-needling techniques, massage, energy work, diet, herbs, and more. YIN/YANG Yin/yang is a synthesis of the other categories. Yin equals interior, empty, and cold. Yang equals exterior, full, and hot. It can also describe two kinds of emptiness: deficiency (not enough yin or yang) and collapse (critical “collapse” or recession of yin or yang).

My problem is life fright. And you know what? They’re fucking right. Because life is frightening, and it is frightening for a reason, and the reason is that it doesn’t matter which branch of a life we get to live, we are always the same rotten tree. I wanted to be many things in my life. All kinds of things. But if your life is rotten, it will be rotten no matter what you do. The damp rots the whole useless thing . . .

Habitat. The environmental niche occupied by a plant reflects stresses and conditions which it has had to adapt to, and these often correspond to conditions in the organism. Plants which grow in wet situations often relate to organ systems which handle dampness in the body, such as the lymphatics and kidneys. They correspond to diseases produced by an excess of dampness—respiratory problems, mucus, lymphatic stagnation, swollen glands, kidney and bladder problems, intermittent fever and rheumatic complaints (rheuma = dampness in Greek). Here we think of Horsetail (low, wet sands/kidneys), Eryngo (salty, sandy seashores/kidneys), Gravel Root (swamps/kidneys), Swamp Milkweed (swamps/kidneys), Hydrangea (sides of streams/kidneys), Boneset (wet soils/joints and fever), Willow (low ground/joints and fever), Meadowsweet (low ground/rheumatic pains, intermittent fever), Northern White Cedar (cedar swamps and margins of lakes/lymphatics), Labrador Tea (cedar swamps and margins of lakes/lymphatics), various Knotweeds (low ground/kidneys), Sweet Flag (swamps/mucus, lungs and joints), Angelica (damp, shady, cool valleys/damp, cold rheumatic and respiratory conditions).

Habitat. The environmental niche occupied by a plant reflects stresses and conditions which it has had to adapt to, and these often correspond to conditions in the organism. Plants which grow in wet situations often relate to organ systems which handle dampness in the body, such as the lymphatics and kidneys. They correspond to diseases produced by an excess of dampness—respiratory problems, mucus, lymphatic stagnation, swollen glands, kidney and bladder problems, intermittent fever and rheumatic complaints (rheuma = dampness in Greek). Here we think of Horsetail (low, wet sands/kidneys), Eryngo (salty, sandy seashores/kidneys), Gravel Root (swamps/kidneys), Swamp Milkweed (swamps/kidneys), Hydrangea (sides of streams/kidneys), Boneset (wet soils/joints and fever), Willow (low ground/joints and fever), Meadowsweet (low ground/rheumatic pains, intermittent fever), Northern White Cedar (cedar swamps and margins of lakes/lymphatics), Labrador Tea (cedar swamps and margins of lakes/lymphatics), various Knotweeds (low ground/kidneys), Sweet Flag (swamps/mucus, lungs and joints), Angelica (damp, shady, cool valleys/damp, cold rheumatic and respiratory conditions). It is interesting to note that sandy, gravely soils are also a signature for kidney remedies (Horsetail, Eryngo, Gravel Root, Gromwell, False Gromwell, Uva ursi, etc.)

It was the miners’ misfortune that mosquitoes bred in damp mine shafts and that poverty, a deficient diet, and substandard housing were powerful risk factors for the disease. By 1900 malaria had become the chief health problem of the mining population.

You see, I know that you were expecting my TED talk on the path to success. But the truth is that success is a delusion. It’s all a delusion. I mean, yes, there are things we can overcome. For instance, I am someone who gets stage fright and yet, here I am, on a stage. Look at me . . . on a stage! And someone told me recently, they told me that my problem isn’t actually stage fright. My problem is life fright. And you know what? They’re fucking right. Because life is frightening, and it is frightening for a reason, and the reason is that it doesn’t matter which branch of a life we get to live, we are always the same rotten tree. I wanted to be many things in my life. All kinds of things. But if your life is rotten, it will be rotten no matter what you do. The damp rots the whole useless thing . . .’ Joe

You see, I know that you were expecting my TED talk on the path to success. But the truth is that success is a delusion. It's all a delusion. I mean, yes, there are things we can overcome. For instance, I am someone who gets stage fright and yet, here I am, on a stage. Look at me...on a stage! And someone told me recently, they told me that my problem isn't actually stage fright. My problem is life fright. And you know what? They're fucking right. Because life is frightening, and it is frightening for a reason, and the reason is that it doesn't matter which branch of a life we get to live, we are always the same rotten tree. I wanted to be many things in my life. All kinds of things. But if your life is rotten, it will be rotten no matter what you do. The damp rots the whole useless thing...