“
I know that pain is the most important thing in the universes. Greater than survival, greater than love, greater even than the beauty it brings about. For without pain, there can be no pleasure. Without sadness, there can be no happiness. Without misery there can be no beauty. And without these, life is endless, hopeless, doomed and damned.
Adult. You have become adult.
”
”
Harlan Ellison (Paingod and Other Delusions)
“
I cannot have a man who is afraid of everything, I don't have the time to soothe insecurities and fears, I cannot have a man who is standing on a stone by a creek, watching for the fish to swim by and every time he sees a fish he says "Oh look, this fish scares me, I wonder what this fish means, this fish might mean- this, or this fish might mean- that" for God's sake, they are just fish, and they don't mean anything! Such a sad thing, so many fine, strong men standing on top of little stones, pointing at fish all the time! Such a waste! Such a waste of time! I can only have a man who will leap into the water, not minding the damn fish and whatever other little things that scare him. I need to have someone who is braver than me; if I am a pirate, he has to be the pirate Captain, if I am a pirate Captain he has to be the flying dragon.
”
”
C. JoyBell C.
“
Say I feel all sad and self-indulgent, then get stung by a wasp, my misery feels quite abstract and I long just to be in spiritual pain once more - 'damn you tiny assassin, clad in yellow and black, how I crave my former innocence where melancholy was my only trial'.
”
”
Russell Brand (Articles of Faith)
“
There's something sad about people going to bed. You can see they don't give a damn whether they're getting what they want out of life or not, you can see they don't even try to understand what we're here for. They just don't care.
”
”
Louis-Ferdinand Céline (Journey to the End of the Night)
“
But I was young
and didn’t know better
and someone should have told me to capture every second
every kiss & every night
Because now I’m sitting here alone and it’s getting really hard to breath because tears are growing in my throat and they want to break out, but there are people
watching
and I just want to be somewhere silent
somewhere still
But still I don’t want to be alone because I’m scared and lonely
and I don’t understand
Because I was alone my whole life
My whole life
I was so damn lonely and I was content with that
because I liked myself and my own company
and I didn’t need anyone
I thought
But then there was you .. ...
So, someone should have told me that love is for those few brave who can handle the unbearable emptiness,
the unbearable guilt and lack of oneself,
Because I lost myself to someone I love
and I might get myself back one day
but it will take time, it will take time.
This is gonna take some time.
I wish someone would have told me this.
Someone should have told me this.
”
”
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
“
There is something sad about people going to bed. You can see they don’t give a damn whether they’re getting what they want out of life or not, you can see they don’t ever try to understand what we’re here for. They just don’t care. Americans or not, they sleep no matter what, they’re bloated mollusks, no sensibility, no trouble with their conscience.
I’d seen too many troubling things to be easy in my mind. I knew too much and not enough. I’d better go out, I said to myself, I’d better go out again. Maybe I’ll meet Robinson. Naturally that was an idiotic idea, but I dreamed it up as an excuse for going out again, because no matter how I tossed and turned on my narrow bed, I couldn’t snatch the tiniest scrap of sleep. Even masturbation, at times like that, provides neither comfort nor entertainment. Then you're really in despair.
”
”
Louis-Ferdinand Céline (Journey to the End of the Night)
“
Oh, I think not,” Varys said, swirling the wine in his cup. “Power is a curious thing, my lord. Perchance you have considered the riddle I posed you that day in the inn?”
“It has crossed my mind a time or two,” Tyrion admitted. “The king, the priest, the rich man—who lives and who dies? Who will the swordsman obey? It’s a riddle without an answer, or rather, too many answers. All depends on the man with the sword.”
“And yet he is no one,” Varys said. “He has neither crown nor gold nor favor of the gods, only a piece of pointed steel.”
“That piece of steel is the power of life and death.”
“Just so… yet if it is the swordsmen who rule us in truth, why do we pretend our kings hold the power? Why should a strong man with a sword ever obey a child king like Joffrey, or a wine-sodden oaf like his father?”
“Because these child kings and drunken oafs can call other strong men, with other swords.”
“Then these other swordsmen have the true power. Or do they?” Varys smiled. “Some say knowledge is power. Some tell us that all power comes from the gods. Others say it derives from law. Yet that day on the steps of Baelor’s Sept, our godly High Septon and the lawful Queen Regent and your ever-so-knowledgeable servant were as powerless as any cobbler or cooper in the crowd. Who truly killed Eddard Stark, do you think? Joffrey, who gave the command? Ser Ilyn Payne, who swung the sword? Or… another?”
Tyrion cocked his head sideways. “Did you mean to answer your damned riddle, or only to make my head ache worse?”
Varys smiled. “Here, then. Power resides where men believe it resides. No more and no less.”
“So power is a mummer’s trick?”
“A shadow on the wall,” Varys murmured, “yet shadows can kill. And ofttimes a very small man can cast a very large shadow.”
Tyrion smiled. “Lord Varys, I am growing strangely fond of you. I may kill you yet, but I think I’d feel sad about it.”
“I will take that as high praise.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
That’s what I liked about those nuns. You could tell, for one thing, that they never went anywhere swanky for lunch. It mad me so damn sad when I thought about it, their never going anywhere swanky for lunch or anything. I knew it wasn’t too important, but it made me sad anyway.
”
”
J.D. Salinger (The Catcher in the Rye)
“
Just tell me what's so irritating."(katsu)
That's none of your damn business!"(kyok)
Maybe not. But I'm curious."(katsu)
It's EVERYTHING you prick! God, you're annoying! It's everything,okay?!
EVERYTHING PISSES ME OFF!
Them! And them! And them! And YOU! Everyone and everything!I HATE YOUR GODDAMN GUTS! You just...You all treat people like garbage. But you're all just as bad!QUIT TRYING TO ACT LIKE YOU'RE ALL FRIGGIN' PERFECT! Leave me alone. I wish everyone would just...go. Get out of my life. I'd be better off with YOU DEAD! DIE! DIE! GO TO HELL! YOU DISAPPEAR! YOU FALL APART!"(kyok)
Really? I think you WANT them to care. You want them to look at you, don't you? All those people. You want them to need you. You want them.....to listen to you. To understand somehow. You want them to accept you. I think.... you want them to love you.You know something? I'm like that, too."(katsu)
... Wh-why? Why did I....turn out....like this?"(kyok)
You're asking me?"(katsu)
That's what..That's what I wanna know. Why? Why...did I..?!"(kyok)
Where did she go wrong? What was her mistake? "I'm miserable. I feel so alone!"(kyok)
-Katsuya and Kyoko Honda
”
”
Natsuki Takaya (Fruits Basket, Vol. 16)
“
Death isn't empty like you say it is. Emptiness is life without freedom, Darrow. Emptiness is living chained by fear, fear of loss, of death. I say we break those chains. Break the chains of fear and you break the chains that bind us to the Golds, to the Society. Could you imagine it? Mars could be ours. It could belong to the colonists who slaved here, died here." Her face is easier to see as the night fades through the clear roof. It is alive, on fire. "If you led the others to freedom. The things you could do, Darrow. The things you could make happen." She pauses and I see her eyes are glistening. "It chills me. You have been given so, so much, but you set your sights so low."
"You repeat the same damn points," I say bitterly. "You think a dream is worth dying for. I say it isn't. You say it's better to die on your feet. I say it's better to live on our knees."
"You're not even listening!" she snaps. "We are machine men with machine minds, machine lives …"
"And machine hearts?" I ask. "That's what I am?"
"Darrow …"
"What do you live for?" I ask her suddenly. "Is it for me? Is it for family and love? Or is it just for some dream?"
"It's not just some dream, Darrow. I live for the dream that my children will be born free. That they will be what they like. That they will own the land their father gave them."
"I live for you," I say sadly.
She kisses my cheek. "Then you must live for more.
”
”
Pierce Brown (Red Rising (Red Rising Saga, #1))
“
I sat up and wiped my eyes, cursing the damned faeries and their eternal war. It seemed there was never enough time. Time to dance, or talk, or laugh, or even mourn the passing of a friend. Slipping off my corsage, I laid it on Ironhorse’s cold metal shoulder, wanting him to have something natural and beautiful in this lifeless place.Goodbye, Ironhorse.
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
My parents died a long time ago. And you know the sad thing? I still miss them every day. I spent my entire youth fighting with my dad over every little thing and damned if I wouldn’t sell my soul to see him one more time and tell him I was sorry for the last words I said to him. Words I can never take back that should have never been said. So call your mom. No matter what kind of relationship you have with your parents, I swear to you, you’ll miss them when they’re gone. (Kyrian)
”
”
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
“
It’s weird like, you can see the cruelest part of the world. The cruelest part. But then on the other side you see the most beautiful part, do you know? And it’s like you go from one extreme to the next and they’re both worth it, because you wouldn’t see one without the other. But that cruel part, is damn cruel and you’ll never forget it. But that heaven…is heaven.
”
”
Britney Spears
“
I'll be damned if death wears my sadness as glad rags.
”
”
Ray Bradbury (Something Wicked This Way Comes)
“
... the vintage of history is forever repeating ~ same old vines, same old wines!
”
”
E.A. Bucchianeri (Faust: My Soul be Damned for the World, Vol. 2)
“
I try to be as quiet as possible as I get comfortable, but the rustling of the sheets causes Hannah to stir. A soft moan ripples through the darkness, and then she rolls over and a warm hand presses against my bare chest. I stiffen. Or rather, my chest does. Down below, I’m softer than pudding. That’s whiskey dick for you, which is damn sad considering I only had five shots. Man. Me and alcohol really don’t mix.
”
”
Elle Kennedy (The Deal (Off-Campus, #1))
“
Listen, kid. This is what happens: Somebody-girl usually-got a free spirit, doesn't get on too good with her parents. These kids, they're like tied-down helium balloons. They strain against the string and strain against it, and then something happens, and that string gets cut, and they just fly away. And maybe you never see the balloon again. It lands in Canada or somethin', gets work at a restaurant, and before the balloon even notices, it's been pouring coffee in that same dinner to the same sad bastards for thirty years. Or maybe three or four years from now or three or four days from now, the prevailing winds take the balloon back home, because it needs money, or it sobered up, or it misses its kid brother. But listen, kid, that string gets cut all the time."
"Yeah, bu-"
"I'm not finished, kid. The thing about these balloons is that there are so goddamned many of them. The sky is choked full of them, rubbing up against one another as they float to here or from there, and every one of those damned balloons ends up on my desk, one way or another, and after awhile a man can get discouraged. Everywhere the balloons, and each of them with a mother and father, or God forbid both, and after a while, you can't even see'em individually. You look up at all the balloons in the sky and you can see all of the balloons, but you cannot see any one balloon.
”
”
John Green (Paper Towns)
“
You’re not for me.”
“No?”
“Sadly not.” He shook his head.
“Damn.”
“Yeah, I know. You’re really missing out.” He sighed.
”
”
Kylie Scott (Lead (Stage Dive, #3))
“
Do you ever get the feeling that when you show someone your affection for them, you are assaulting them? Like you should probably leave them alone? Your affection, no matter how sincere, does not necessarily mean a damn thing to the person you are giving it to. Love can corner you. When you intrude on someone with your affection, you might find yourself trying to knock a strong door down with your shoulder. Either you break the door or you break yourself. Something almost always gets broken. In my mind it runs like this:
I’m going to like you, whether you like it or not. I’ll wear you down until you relent and swallow this big lie I have for you. Don’t move. Don’t live. I love you.
”
”
Henry Rollins (The First Five (Henry Rollins))
“
so here i sit. a sum of the parts. about a third way down this wonderful path, so to speak. and i've been thinking lately about a friendship that fell apart with time, with distance, and with the misunderstanding of youth. i'm trying not to confuse sadness with regret. not the easiest thing at times. i dont regret that certain things happened. i understand that perhaps i had a choice in the matter, or perhaps i believe in fate. probably not, but so far actions as small as the quickest glance to events as monumental as death have pushed me slowly along to right here, right now. there was no other way to get here. the meandering and erratic path was actually the straightest of lines. take away a handful of angry words, things once thought of as mistakes or regrets, and i'm suddenly a different person with a different history, a different future. that, i would regret. so here i sit. thinking about a person i once called my best friends. a man who might be full of sadness and regret, who might not give a damn, or who might, just might, remember the future and realize that's where its at.
”
”
Chris Wright
“
But why? Why can't you let it go?"
He grabbed her shoulders and shook her. "Because I love you!"
Her mouth fell open.
"I love you," he repeated, shaking her again. "I have for years. And he hurt you and made me watch because he's always known how I felt, too. But if I asked you to pick, you'd choose Arobynn, and I. Can't. Take. It."
The only sounds were their breathing, an uneven beat against the rushing of the sewer river.
"You're a damned idiot," she breathed, grabbing the front of his tunic. "You're a moron and an ass and a damned idiot." He looked like she had hit him. But she went on, and grasped both sides of his face, "Because I'd pick you."
And then she kissed him.
”
”
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
“
People don’t need nice; they need the truth. I find it ridiculous that a guy has this kind of hold on you. Have some self-respect. It’s insane to give full control of your emotions to someone who doesn’t give a damn about you
”
”
Brittainy C. Cherry (Disgrace)
“
Just seeing the smile on her face is enough to keep me satisfied for the rest of my life. Seeing her happy again is better than any feeling in the world. I never want to see her sad again. "This will be worth it, Lake. Everything we had to go through. I promise. Even if you have to wait for me, I'll make it worth it."
The smile fades from her eyes and she clutches her hand to her heart. "You already have, Will."
That. Right there. I don't deserve her.
I walk swiftly back to where she's standing and take her face in my hands. "I mean it," I say. "I love you so damn much, it hurts." I force my lips against hers, then pull away just as fast. "But it hurts in a really good way.
”
”
Colleen Hoover (This Girl (Slammed, #3))
“
All the luck in the world has to come every year, in every part of every year, or there is not a harvest and then the luck, the bad luck will come and everything we are, all that we can ever be, all the Einsteins and babies and love and hate, all the joy and sadness and sex and wanting and liking and disliking, all the soft summer breezes on cheeks and first snowflakes, all the Van Goghs and Rembrandts and Mozarts and Mahlers and Thomas Jeffersons and Lincolns and Ghandis and Jesus Christs, all the Cleopatras and lovemaking and riches and achievements and progress, all of that, every single damn thing that we are or ever will be is dependent on six inches of topsoil and the fact that the rain comes when it's needed and does not come when it is not needed; everything, every...single...thing comes with that luck.
”
”
Gary Paulsen (Clabbered Dirt, Sweet Grass)
“
Well, at least this is what I told myself every day as I fell asleep with the fire still burning and the moon shining high up in the sky and my head spinning comforting from two bottles of wine, and I smiled with tears in my eyes because it was beautiful and so god damn sad and I did not know how to be one of those without the other.
”
”
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
“
I want you to think of two different situations. First, remember times when you've felt your best, at the top of your game, alive and vibrant. Pay attention to your posture, the muscles in your face, your breathing. Then, I want you to think of occasions where you've felt sick or anxious. Don't just think of people. Think of activities. This will help us reveal what makes you happy. Pay attention to how your body responds to these scenarios - it will serve as your biggest indicator in the future when you're actually doing things." This woman was damn brilliant. "And remember, it's okay to feel sad, but just try to limit your bouts with it to an hour a day. Let it all out, give yourself that time to heal, nurture and comfort yourself. You won't heal unless you grieve. Grieving is good."
"Good grief?"
"Yes. It takes courage to grieve.
”
”
Stephanie Klein (Straight Up and Dirty)
“
Stop it,” I said. “Just stop it!” I knew I was starting to cry and I was so sick, sick, sick to death of all those sad damned tears I had inside me. How could I have so many tears living there, in my body? How could they fit? When was it going to stop? When?
”
”
Benjamin Alire Sáenz (Last Night I Sang to the Monster)
“
He missed you just as I did. He worried about you just as I worried. He looked for you. Tried to find you. Just as I did. But you were gone.” She took a step toward him. “You think he left you? It was you who left, Michael. You left us.” Her voice was shaking now, all the anger and sadness and fear she had felt in those months, those years after Michael had disappeared. “You left me.” She put her hands to his chest, pushing him with all her might, with all her anger. “And I missed you so much. I missed you so much. I still do, damn you.
”
”
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
“
He is broken in three ways, sometimes four. I count them.
-He believes himself to be human, but is not actually. At least not anymore. This is similar to the way he believes himself to be alive.
-He has a grim affinity for drugs. This comes with no caveat and no parentheses. This is just a fact of life.
-He is doggedly unhappy and once decided to kill himself. Sadly, he has not really stopped.
-On certain occasions when these first three things have ceased to be bad enough, he loves me. The other sins are commonplace, forgivable under a big enough umbrella. This fourth is irrevocable. Unconscionable. In a word, it is utterly damning.
”
”
Brenna Yovanoff
“
...sadness and anger aren't vampiric. If you let them, they'll follow you around the world, sunshine and stakes be damned.
”
”
Karina Halle (Sins & Needles (The Artists Trilogy, #1))
“
I heard you call my name," she whispered. "I heard you order me to fight."
"First damned time you ever listened."
She smiled, but sadness swelled in her chest. "Don't get used to it.
”
”
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom, #1))
“
The terrible truth about depression, and the part of its nature that terrifies me the most, is that it appears to operate beyond reason; feelings happen to you for no apparent cause. Or rather, there is usually an initial cause, a 'trigger'as they say in therapeutic circles, but in severe depression the feelings of sadness, grief, loneliness and despair continue long after the situation has resolved itself. It is as if depression has a life of its own, which is perhaps why so many sufferers refer to it as a living thing, as some sort of demon or beast.
”
”
Sally Brampton (Shoot the Damn Dog: A Memoir of Depression)
“
Defrosting is excruciatingly painful. You have been numb for so long. As feeling comes back to your soul, you start to tingle, and it’s uncomfortable and strange. But then the tingles start feeling like daggers. Sadness, loss, fear, anger, anxiety—all of these things that you have been numbing with the booze—you feel them for the first time. And it’s horrific at first, to tell you the damn truth. But welcoming the pain and refusing to escape from it is the only way to recovery. You can’t go around it, you can’t go over it, you have to
”
”
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
“
... the lofty mind of man can be imprisoned by the artifices of its own making.
”
”
E.A. Bucchianeri (Faust: My Soul Be Damned for the World)
“
That was it. Shogo stopped breathing. The dim yellow light falling from the ceiling of the pilothouse shone on his pale face. He seemed at ease.
"Shogo!" Shuya yelled. He still had more to say. "You'll see Keiko! You'll be happy with her! You're--"
It was too late. Shogo couldn't hear anything anymore. But his face just looked so damned peaceful.
"Damn it." Shuya's lips trembled along with his words. "Damn it."
Holding Shogo's hands, Noriko was crying.
Shuya also put his hand on Shogo's thick hand. A thought occured to him. He searched through Shogo's pockets and found the red bird call. He pressed it into Shogo's right hand and closed his hands over it so he could hold it. Shuya then finally burst into tears.
”
”
Koushun Takami (Battle Royale)
“
I don't give a damn if there's any hope for them or not. But I know that I am not about to be bugged by any more white jokers who still can't figure out whether I'm human or not. If they don't know, baby, sad on them, and I hope they drop dead slowly, in great pain.
”
”
James Baldwin (Another Country)
“
It’s loneliness. Even though I’m surrounded by loved ones who care about me and want only the best, it’s possible they try to help only because they feel the same thing—loneliness—and why, in a gesture of solidarity, you’ll find the phrase “I am useful, even if alone” carved in stone. Though the brain says all is well, the soul is lost, confused, doesn’t know why life is being unfair to it. But we still wake up in the morning and take care of our children, our husband, our lover, our boss, our employees, our students, those dozens of people who make an ordinary day come to life. And we often have a smile on our face and a word of encouragement, because no one can explain their loneliness to others, especially when we are always in good company. But this loneliness exists and eats away at the best parts of us because we must use all our energy to appear happy, even though we will never be able to deceive ourselves. But we insist, every morning, on showing only the rose that blooms, and keep the thorny stem that hurts us and makes us bleed hidden within. Even knowing that everyone, at some point, has felt completely and utterly alone, it is humiliating to say, “I’m lonely, I need company. I need to kill this monster that everyone thinks is as imaginary as a fairy-tale dragon, but isn’t.” But it isn’t. I wait for a pure and virtuous knight, in all his glory, to come defeat it and push it into the abyss for good, but that knight never comes. Yet we cannot lose hope. We start doing things we don’t usually do, daring to go beyond what is fair and necessary. The thorns inside us will grow larger and more overwhelming, yet we cannot give up halfway. Everyone is looking to see the final outcome, as though life were a huge game of chess. We pretend it doesn’t matter whether we win or lose, the important thing is to compete. We root for our true feelings to stay opaque and hidden, but then … … instead of looking for companionship, we isolate ourselves even more in order to lick our wounds in silence. Or we go out for dinner or lunch with people who have nothing to do with our lives and spend the whole time talking about things that are of no importance. We even manage to distract ourselves for a while with drink and celebration, but the dragon lives on until the people who are close to us see that something is wrong and begin to blame themselves for not making us happy. They ask what the problem is. We say that everything is fine, but it’s not … Everything is awful. Please, leave me alone, because I have no more tears to cry or heart left to suffer. All I have is insomnia, emptiness, and apathy, and, if you just ask yourselves, you’re feeling the same thing. But they insist that this is just a rough patch or depression because they are afraid to use the real and damning word: loneliness. Meanwhile, we continue to relentlessly pursue the only thing that would make us happy: the knight in shining armor who will slay the dragon, pick the rose, and clip the thorns. Many claim that life is unfair. Others are happy because they believe that this is exactly what we deserve: loneliness, unhappiness. Because we have everything and they don’t. But one day those who are blind begin to see. Those who are sad are comforted. Those who suffer are saved. The knight arrives to rescue us, and life is vindicated once again. Still, you have to lie and cheat, because this time the circumstances are different. Who hasn’t felt the urge to drop everything and go in search of their dream? A dream is always risky, for there is a price to pay. That price is death by stoning in some countries, and in others it could be social ostracism or indifference. But there is always a price to pay. You keep lying and people pretend they still believe, but secretly they are jealous, make comments behind your back, say you’re the very worst, most threatening thing there is. You are not an adulterous man, tolerated and often even admired, but an adulterous woman, one who is ...
”
”
Paulo Coelho (Adultery)
“
Kate had found a purpose, a point, and now when she met her gaze in the mirror, she didn't see a girl who was sad or lonely or lost. She saw a girl who wasn't afraid of the dark.
She saw a girl who hunted monsters.
And she was damn good at it.
”
”
Victoria E. Schwab (Our Dark Duet (Monsters of Verity, #2))
“
Here sighs and cries and shrieks of lamentation
echoed throughout the starless air of Hell;
at first these sounds resounding made me weep:
tongues confused, a language strained in anguish
with cadences of anger, shrill outcries
and raucous groans that joined with sounds of hands,
raising a whirling storm that turns itself
forever through that air of endless black,
like grains of sand swirling when a whirlwind blows.
And I, in the midst of all this circling horror,
began, "Teacher, what are these sounds I hear?
What souls are these so overwhelmed by grief?"
And he to me: "This wretched state of being
is the fate of those sad souls who lived a life
but lived it with no blame and with no praise.
They are mixed with that repulsive choir of angels
neither faithful nor unfaithful to their God,
who undecided stood but for themselves.
Heaven, to keep its beauty, cast them out,
but even Hell itself would not receive them,
for fear the damned might glory over them."
And I. "Master, what torments do they suffer
that force them to lament so bitterly?"
He answered: "I will tell you in few words:
these wretches have no hope of truly dying,
and this blind life they lead is so abject
it makes them envy every other fate.
The world will not record their having been there;
Heaven's mercy and its justice turn from them.
Let's not discuss them; look and pass them by...
”
”
Dante Alighieri
“
What?” I cut him off. “That’s not true—I do take this seriously—”
“Bullshit.” He laughs a short, sharp, angry laugh. “All you do is sit around and think about your feelings. You’ve got problems. Boo-freaking-hoo,” he says. “Your parents hate you and it’s so hard but you have to wear gloves for the rest of your life because you kill people when you touch them. Who gives a shit?” He’s breathing hard enough for me to hear him. “As far as I can tell, you’ve got food in your mouth and clothes on your back and a place to pee in peace whenever you feel like it. Those aren’t problems. That’s called living like a king. And I’d really appreciate it if you’d grow the hell up and stop walking around like the world crapped on your only roll of toilet paper. Because it’s stupid,” he says, barely reining in his temper. “It’s stupid, and it’s ungrateful. You don’t have a clue what everyone else in the world is going through right now. You don’t have a clue, Juliette. And you don’t seem to give a damn, either.” I swallow, so hard. “Now I am trying,” he says, “to give you a chance to fix things. I keep giving you opportunities to do things differently. To see past the sad little girl you used to be—the sad little girl you keep clinging to—and stand up for yourself. Stop crying. Stop sitting in the dark counting out all your individual feelings about how sad and lonely you are. Wake up,” he says. “You’re not the only person in this world who doesn’t want to get out of bed in the morning. You’re not the only one with daddy issues and severely screwed-up DNA. You can be whoever the hell you want to be now.
You’re not with your shitty parents anymore. You’re not in that shitty asylum, and you’re no longer stuck being Warner’s shitty little experiment. So make a choice,” he says. “Make a choice and stop wasting everyone’s time. Stop wasting your own time. Okay?
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
In all you do, try being a WOW, and not a woe.
”
”
Anthony Liccione
“
Finally those you love are simply ... those you love.
”
”
Anne Rice (The Queen of the Damned (The Vampire Chronicles, #3))
“
Why does nobody understand that these are tears without a beginning or an end? I thought sadness had a beginning and an end. And a middle. A story, if you like. I was wrong.
”
”
Sally Brampton (Shoot the Damn Dog: A Memoir of Depression)
“
Never expect someone to care for you or to care about your feelings and emotios Everyone's fucking heartless, people just don't give a damn about your stupid feelings or your boring stories. People only know how to fool you around and use you for their own benefits.
”
”
Taimoor Madni
“
It was all very purposeful and sad when Anthony told Gloria one night that he wanted, above all things, to be killed. But, as always, they were sorry for each other for the wrong things at the wrong time...
”
”
F. Scott Fitzgerald (The Beautiful and Damned)
“
There's something sad about people going to bed. You can see they don't give a damn whether they're getting what they want out of life or not, you can see they don't even try to understand what we're here for. They just don't care. Americans or not, they sleep no matter what, they're bloated mollusks, no sensibility, no trouble with their conscience.
”
”
Louis-Ferdinand Céline (Journey to the End of the Night)
“
We live forever; but they don't come back.
”
”
Anne Rice (The Queen of the Damned (The Vampire Chronicles, #3))
“
Everything is temporary,
almost like a passing fase,
some of laughter
Some of pain.
What we would do,
If we had the chance to explore
What we had taken for
Granted the very day before,
Some would say I'm selfish,
To hold a little sadness in my eyes,
But they don't feel the sorrow
When I can't do,
all that helps me feel alive.
I can express my emotions,
but I can't run wild and free,
My mind and soul would handle it
but hell upon my hip, ankle and knees,
This disorder came about,
as a friendship said its last goodbyes,
Soooo this is what I got given for all the years I stood by?
I finally stand still to question it, life it is in fact?
What the fuck is the purpose of it all if you get stabbed in the back?
And after the anger fills the air, the regret takes it places,
I never wanted to be that girl,
Horrid, sad and faded...
So I took with a grain of salt,
my new found reality,
I am not of my pain,
the disability doesnt define me.
I find away to adjust,
also with the absence of my friend,
I trust the choices I make,
allow my heart to mend.
I pick up the pieces
I retrain my leg,
I find where I left off
And I start all over again,
You see what happens...
When a warrior gets tested;
They grow from the ashes
Powerful and invested.
So I thank all this heartache,
As I put it to a rest,
I move forward with my life
And I'll build a damn good nest.
”
”
Nikki Rowe
“
Every time you feel sad and swallow down your tears, you abandon yourself. If somebody hurts you and you pretend that you are fine, you abandon yourself. Every time you don’t eat, or fail to feed yourself, you abandon yourself. If you are tired, but refuse to rest, you abandon yourself. If you drink too much and poison yourself with alcohol, you abandon yourself. If you don’t ask for what you need from somebody with whom you are intimate, you abandon yourself. The times when you resent putting somebody else’s needs before your own are the times when you are abandoning yourself. If you don’t ask for help when you need it, you abandon yourself.
”
”
Sally Brampton (Shoot the Damn Dog: A Memoir of Depression)
“
You will never be able to end any battle if the people involved are unable to see their own hypocrisy, or how their insecurity contributed to their problems. Wounded people often choose to play the victim, so they can restore their dignity in unhealthy ways. Sadly, they do this through feeling justified, by making bad choices or actions (that honestly no diety would want them to do). This inability to accept their part in their unhappiness keeps them from growing. They need your prayers more than your anger. Just walk away. Let it go and pray that one day they will understand your pain, as much as you do theirs. Remember: The sexiest woman alive is one that can walk away from a place that God doesn't want them to be. Do so with your head held high and forgive yourself and others. When you can do this, you will know what God's definition of class is-- YOU!
”
”
Shannon L. Alder
“
a blossom past its perfection, shedding petals like a sad metaphor
”
”
Matthew Hughes (The Damned Busters (To Hell and Back, #1))
“
sometimes, like right now, there was just ordinary, dull sadness, settling itself softly, suffocatingly over her like a heavy fog. She was just so damned sad.
”
”
Liane Moriarty (The Husband's Secret)
“
Nobody is happy all the damn time. It doesn't work like that. But if you are more happy than sad then maybe you aren't barely existing
”
”
Tammy Faith (Broken Heart)
“
For a couple of days he was nice and I was on cloud number 9,damn they don’t teach how to come down from there instead leave us to gravity.
”
”
Pushpa Rana (Just the Way I Feel)
“
Rob opened the door, and a tiny kitten ran out. It stopped to sniff Rob‟s ankle and arched its back, spitting tiny kitty defiance at him. Rob scooped it up. The tiny black bundle barely filled his palm. Dark as ink, the only mark on it was a tiny white spot between its eyes. Rob looked up from the kitten to meet Jamie‟s wide-eyed attempt at innocence. "There was a cat in my closet."
"I can explain," Jamie offered.
Rob returned to the bed. He dropped the kitten in Jamie‟s lap, causing it to poke unfortunate things with tiny needle claws.
"Damn!" Jamie yelped, grabbing the kitten and putting a sheet between his delicate parts and danger. "I took out the trash yesterday, and there she was almost buried in a snow bank shivering."
"It was ninety degrees yesterday, and there is no snow." Rob sat down on the edge of the bed. "Aren‟t you supposed to hate cats?"
Jamie cuddled the tiny creature in his hands. It wrestled with his fingers. "That‟s dogs. I‟m not a dog, I‟m a wolf. There might not have been a snow bank, but it was dirty and hungry and very sad.
”
”
Diane Adams (Shattered Secrets (In the Shadow of the Wolf, #1))
“
I still can’t believe that someone as hot as you has validation issues but I also know that being a very sensitive person on this planet is painful and some of us are built like sieves, or have holes where any external validation just pours right through and we never get full, and I also know it’s ultimately an inside job anyway and no amount of external validation will ever be enough (though damn it can feel good in the moment, and it sort of makes me mad at god, actually, like, okay god, you built me like this so teach me how to validate myself in a way that feels as good as when a boy does it or the Internet does it, because there is always a cost when a boy does it or when the Internet does it): a love story.
”
”
Melissa Broder (So Sad Today: Personal Essays)
“
It is astonishing how ideas can change an experience. How we can be in a beautiful forest, on a hike through verdant beauty, but if someone told us that the forest was the site of a brutal massacre, the entire hike would be transformed. It would turn ominous and sad. Or if I was told the forest was where Walk Whitman had walked every morning before working on "Leaves of Grass," the place would take on a holy majesty. Same forest. Same trail and trees. But the idea layered on top of it mutates it, glorifies or damns it.
”
”
Jedidiah Jenkins (To Shake the Sleeping Self: A Journey from Oregon to Patagonia, and a Quest for a Life with No Regret)
“
There’s something sad about people going to bed. You can see they don’t give a damn whether they’re getting what they want out of life or not, you can see they don’t even try to understand what we’re here for. They just don’t care. Americans or not, they sleep no matter what, they’re bloated mollusks, no sensibility, no trouble with their conscience.
”
”
Louis-Ferdinand Céline (Journey to the End of the Night)
“
I don't want Church to be like all those dead pets! she burst out, suddenly tearful and furious. I don't want Church to ever be dead! He's my cat! He's not God's cat! Let God have all the damn old cats He wants, and kill them all! Church is mine!
”
”
Stephen King
“
I want you to forget what i told you earlier, I... I couldn’t love someone like you. I hate you. I thought it the second i saw you in the park. You were just poison! Drinking beer in the morning, quoting some stupid Tanka to me! You listening to other people talking all day just so you never have to reveal a thing about yourself! You knew who I was, I was just a kid! What were you thinking what’s wrong with you?! If I’d know who you were I wouldn’t have told you a thing about me or my dreams. You don’t think I can do it! You don’t think I’ll ever amount to anything! What is that why you didn’t say anything to me? You thought maybe you'd humor the little kid? Indulge his fantasies for a little while! Just string him along? Just say it I’ll never measure up to my dreams! You knew from the beginning you could have just admitted it! But you played along. So tell me god damn it! Tell me that little kids should run along to school! Tell me that you hate me! Say it! Come on listener say something for a change! You loser! Its because you act like that. You never say what's important! You act like it's none of your business! You've been living your whole life alone!
”
”
Makoto Shinkai
“
Isaiah’s initial response was to let you bleed out in the street, but then he got sentimental and thought Rachel would be sad if you died, so he called and asked me to take care of you. I told him Rachel would’ve gotten over you and that we could make her happy if we bought her a bunny, but he was so damned insistent. See, Isaiah and I have this past. I’ve known him forever because we met each other in a Dumpster—
”
”
Katie McGarry (Take Me On (Pushing the Limits, #4))
“
of late
I've had this thought
that this country
has gone backwards
4 or 5 decades
and that all the
social advancement
the good feeling of
person toward
person
has been washed
away
and replaced by the same
old
bigotries
we have
more than ever
the selfish wants of power
the disregard for the
weak
the old
the impoverished
the
helpless.
we are replacing want with
war
salvation with
slavery.
we have wasted the
gains
we have become
rapidly
less.
we have our Bomb
it is our fear
or damnation
and our
shame.
now
something so sad
has hold of us
that
the breath
leaves
and we can't even
cry.
- putrefaction
”
”
Charles Bukowski (The Pleasures of the Damned)
“
These people, they give up on people that are struggling.
And you can't do that. Because the people that are struggling.. they've damn near almost given up on themselves.
So when they give up, and you give up, they don't have a fighting chance. Nobody is there anymore for them.
But if they give up, and you NEVER give up on them, there is still a chance.
”
”
Tyler1
“
the trouble with the famous is that they must be replaced and they can never quite be replaced, and that gives us this unique sadness.
”
”
Charles Bukowski (The Pleasures of the Damned: Selected Poems 1951-1993)
“
By morning, I realized that I was his complete superior and I had been sadly cheated in having him for a teacher.
”
”
Anne Rice (The Vampire Chronicles Collection: Interview with the Vampire, The Vampire Lestat, The Queen of the Damned)
“
New Rule: America must stop bragging it's the greatest country on earth, and start acting like it. I know this is uncomfortable for the "faith over facts" crowd, but the greatness of a country can, to a large degree, be measured. Here are some numbers. Infant mortality rate: America ranks forty-eighth in the world. Overall health: seventy-second. Freedom of the press: forty-fourth. Literacy: fifty-fifth. Do you realize there are twelve-year old kids in this country who can't spell the name of the teacher they're having sex with?
America has done many great things. Making the New World democratic. The Marshall Plan. Curing polio. Beating Hitler. The deep-fried Twinkie. But what have we done for us lately? We're not the freest country. That would be Holland, where you can smoke hash in church and Janet Jackson's nipple is on their flag.
And sadly, we're no longer a country that can get things done. Not big things. Like building a tunnel under Boston, or running a war with competence. We had six years to fix the voting machines; couldn't get that done. The FBI is just now getting e-mail.
Prop 87 out here in California is about lessening our dependence on oil by using alternative fuels, and Bill Clinton comes on at the end of the ad and says, "If Brazil can do it, America can, too!" Since when did America have to buck itself up by saying we could catch up to Brazil? We invented the airplane and the lightbulb, they invented the bikini wax, and now they're ahead?
In most of the industrialized world, nearly everyone has health care and hardly anyone doubts evolution--and yes, having to live amid so many superstitious dimwits is also something that affects quality of life. It's why America isn't gonna be the country that gets the inevitable patents in stem cell cures, because Jesus thinks it's too close to cloning.
Oh, and did I mention we owe China a trillion dollars? We owe everybody money. America is a debtor nation to Mexico. We're not a bridge to the twenty-first century, we're on a bus to Atlantic City with a roll of quarters. And this is why it bugs me that so many people talk like it's 1955 and we're still number one in everything.
We're not, and I take no glee in saying that, because I love my country, and I wish we were, but when you're number fifty-five in this category, and ninety-two in that one, you look a little silly waving the big foam "number one" finger. As long as we believe being "the greatest country in the world" is a birthright, we'll keep coasting on the achievements of earlier generations, and we'll keep losing the moral high ground.
Because we may not be the biggest, or the healthiest, or the best educated, but we always did have one thing no other place did: We knew soccer was bullshit. And also we had the Bill of Rights. A great nation doesn't torture people or make them disappear without a trial. Bush keeps saying the terrorist "hate us for our freedom,"" and he's working damn hard to see that pretty soon that won't be a problem.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
His name was Sam.” She was still staring at the fire. Was Sam … “What happened?” She looked at him, smiling sadly. “He died.” “When?” he got out. He would have never teased her like that, never said a damn word if he’d known … Her words were strangled as she said, “Thirteen months ago.” A glimmer of pain flashed across her face, so real and endless that he felt it in his gut. “I’m sorry,” he breathed. She shrugged, as if it could somehow diminish the grief he still saw in her eyes, shining so bright in the firelight. “So am I,” she whispered, and faced the fire again.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
I like these streets... I always feel as though it's a performance being staged for me; as though the second I've passed they'll all stop leaping and laughing and, instead grow very sad, remembering how poor they are, and retreat with bowed heads into their houses. You often get that effect abroad
”
”
F. Scott Fitzgerald (The Beautiful and Damned)
“
Men love a woman who doesn’t seem to give a damn, so long as she’s handsome. We also love a happy woman, so long as she’s fair, or a sad pretty one, or an angry girleen with a good face. You see how this works.
”
”
Christopher Buehlman (The Blacktongue Thief (Blacktongue, #1))
“
I said it to the Flower, I'll say it again: There's a solace to be found in sadness. And I understand why ye’d think ye deserve that dark. Easier to find refuge in drink, in rage, to say hell with it all and push everyone away. Because ye think that cold is easier to live with than the pain that could come if ye let the warmth back in, only to be burned again.
But that's the fire that lets us know we're alive, Gabriel."
‘I shook my head, two pale shadows now rising at my back.
“‘You can't fix a broken blade, Phoebe."
“‘But don't ye see? We don't get broken. We’re made broken. We are not whole alone. But if we're blessed, if we're brave, we might find those few whose edges fit against our own. Like pieces of the same puzzle, or shards of the same shattered blade. Those people who, in their own broken way, make our broken edge complete.
”
”
Jay Kristoff (Empire of the Damned (Empire of the Vampire, #2))
“
10 ways to raise a wild child. Not everyone wants to raise wild, free thinking children. But for those of you who do, here's my tips:
1. Create safe space for them to be outside for a least an hour a day. Preferable barefoot & muddy.
2. Provide them with toys made of natural materials. Silks, wood, wool, etc...Toys that encourage them to use their imagination. If you're looking for ideas, Google: 'Waldorf Toys'. Avoid noisy plastic toys. Yea, maybe they'll learn their alphabet from the talking toys, but at the expense of their own unique thoughts. Plastic toys that talk and iPads in cribs should be illegal. Seriously!
3. Limit screen time. If you think you can manage video game time and your kids will be the rare ones that don't get addicted, then go for it. I'm not that good so we just avoid them completely. There's no cable in our house and no video games. The result is that my kids like being outside cause it's boring inside...hah! Best plan ever! No kid is going to remember that great day of video games or TV. Send them outside!
4. Feed them foods that support life. Fluoride free water, GMO free organic foods, snacks free of harsh preservatives and refined sugars. Good oils that support healthy brain development. Eat to live!
5. Don't helicopter parent. Stay connected and tuned into their needs and safety, but don't hover. Kids like adults need space to roam and explore without the constant voice of an adult telling them what to do. Give them freedom!
6. Read to them. Kids don't do what they are told, they do what they see. If you're on your phone all the time, they will likely be doing the same thing some day. If you're reading, writing and creating your art (painting, cooking...whatever your art is) they will likely want to join you. It's like Emilie Buchwald said, "Children become readers in the laps of their parents (or guardians)." - it's so true!
7. Let them speak their truth. Don't assume that because they are young that you know more than them. They were born into a different time than you. Give them room to respectfully speak their mind and not feel like you're going to attack them. You'll be surprised what you might learn.
8. Freedom to learn. I realize that not everyone can homeschool, but damn, if you can, do it! Our current schools system is far from the best ever. Our kids deserve better. We simply can't expect our children to all learn the same things in the same way. Not every kid is the same. The current system does not support the unique gifts of our children. How can they with so many kids in one classroom. It's no fault of the teachers, they are doing the best they can. Too many kids and not enough parent involvement. If you send your kids to school and expect they are getting all they need, you are sadly mistaken. Don't let the public school system raise your kids, it's not their job, it's yours!
9. Skip the fear based parenting tactics. It may work short term. But the long term results will be devastating to the child's ability to be open and truthful with you. Children need guidance, but scaring them into listening is just lazy. Find new ways to get through to your kids. Be creative!
10. There's no perfect way to be a parent, but there's a million ways to be a good one. Just because every other parent is doing it, doesn't mean it's right for you and your child. Don't let other people's opinions and judgments influence how you're going to treat your kid. Be brave enough to question everything until you find what works for you. Don't be lazy! Fight your urge to be passive about the things that matter. Don't give up on your kid. This is the most important work you'll ever do. Give it everything you have.
”
”
Brooke Hampton
“
You fall into thought while staring at the green foliage back here—so much damn green that it envelops you in its cruddy fist—and the thoughts aren’t too good, either—thoughts of sitting on the toilet—eating a sandwich—standing in line at a grocery store—watching an episode of Cheaters—doing laundry—staring at your face in a mirror—shaving it—snorting crushed pills—falling in love—death—all death—and the green shrubbery carries you away with it.
”
”
Brian Alan Ellis (33 Fragments of Sick-Sad Living)
“
Is that the Three-and-Twentieth, Strabo mine,
Marching below, and we still gulping wine?”
From the sad magic of his fragrant cup
The red-faced old centurion started up,
Cursed, battered on the table. “No,” he said,
“Not that! The Three-and-Twentieth Legion’s dead,
Dead in the first year of this damned campaign—
The Legion’s dead, dead, and won’t rise again.
Pity? Rome pities her brave lads that die,
But we need pity also, you and I,
Whom Gallic spear and Belgian arrow miss,
Who live to see the Legion come to this,
Unsoldierlike, slovenly, bent on loot,
Grumblers, diseased, unskilled to thrust or shoot.
O, brown cheek, muscled shoulder, sturdy thigh!
Where are they now? God! watch it struggle by,
The sullen pack of ragged ugly swine.
Is that the Legion, Gracchus? Quick, the wine!”
“Strabo,” said Gracchus, “you are strange tonight.
The Legion is the Legion; it’s all right.
If these new men are slovenly, in your thinking,
God damn it! you’ll not better them by drinking.
They all try, Strabo; trust their hearts and hands.
The Legion is the Legion while Rome stands,
And these same men before the autumn’s fall
Shall bang old Vercingetorix out of Gaul.
”
”
Robert Graves
“
This is the beginning of your life in America,” Julio said. “We'll take a freight train from Sunnyside and go to nowhere.” “I would like to go to California,” I said. “I have two brothers there—but I don't know if I could find them.” “All roads go to California and all travelers wind up in Los Angeles,” Julio said. “But not this traveler. I have lived there too long. I know that state too damn well….” “What do you mean?” I asked. Suddenly he became sad and said: “It is hard to be a Filipino in California.
”
”
Carlos Bulosan (America Is in the Heart: A Personal History)
“
It’s that time of the month again…
As we head into those dog days of July, Mike would like to thank those who helped him get the toys he needs to enjoy his summer.
Thanks to you, he bought a new bass boat, which we don’t need; a condo in Florida, where we don’t spend any time; and a $2,000 set of golf clubs…which he had been using as an alibi to cover the fact that he has been remorselessly banging his secretary, Beebee, for the last six months.
Tragically, I didn’t suspect a thing. Right up until the moment Cherry Glick inadvertently delivered a lovely floral arrangement to our house, apparently intended to celebrate the anniversary of the first time Beebee provided Mike with her special brand of administrative support. Sadly, even after this damning evidence-and seeing Mike ram his tongue down Beebee’s throat-I didn’t quite grasp the depth of his deception. It took reading the contents of his secret e-mail account before I was convinced. I learned that cheap motel rooms have been christened. Office equipment has been sullied. And you should think twice before calling Mike’s work number during his lunch hour, because there’s a good chance that Beebee will be under his desk “assisting” him.
I must confess that I was disappointed by Mike’s over-wrought prose, but I now understand why he insisted that I write this newsletter every month. I would say this is a case of those who can write, do; and those who can’t do Taxes.
And since seeing is believing, I could have included a Hustler-ready pictorial layout of the photos of Mike’s work wife. However, I believe distributing these photos would be a felony. The camera work isn’t half-bad, though. It’s good to see that Mike has some skill in the bedroom, even if it’s just photography.
And what does Beebee have to say for herself? Not Much. In fact, attempts to interview her for this issue were met with spaced-out indifference. I’ve had a hard time not blaming the conniving, store-bought-cleavage-baring Oompa Loompa-skinned adulteress for her part in the destruction of my marriage. But considering what she’s getting, Beebee has my sympathies.
I blame Mike. I blame Mike for not honoring the vows he made to me. I blame Mike for not being strong enough to pass up the temptation of readily available extramarital sex. And I blame Mike for not being enough of a man to tell me he was having an affair, instead letting me find out via a misdirected floral delivery.
I hope you have enjoyed this new digital version of the Terwilliger and Associates Newsletter. Next month’s newsletter will not be written by me as I will be divorcing Mike’s cheating ass. As soon as I press send on this e-mail, I’m hiring Sammy “the Shark” Shackleton. I don’t know why they call him “the Shark” but I did hear about a case where Sammy got a woman her soon-to-be ex-husband’s house, his car, his boat and his manhood in a mayonnaise jar.
And one last thing, believe me when I say I will not be letting Mike off with “irreconcilable differences” in divorce court. Mike Terwilliger will own up to being the faithless, loveless, spineless, useless, dickless wonder he is.
”
”
Molly Harper (And One Last Thing ...)
“
Sometimes there was the pure, primal pain of grief, and other times there was anger, the frantic desire to claw and hit and kill, and sometimes, like right now, ther was just ordinary, dull sadness, settling itself softly, suffocatingly over her like a heave fog.
She was just so damned sad.
”
”
Liane Moriarty (The Husband's Secret)
“
… And, after all, an obsolete list. She was in love now, set for the eternal romance that was to be the synthesis of all romance, yet sad for these man and these moonlights and for the ‘thrills’ she had had – and the kisses. The past – her past, oh, what a joy! She had been exuberantly happy.
”
”
F. Scott Fitzgerald (The Beautiful and Damned)
“
He was drafted early in the fall, and the examining doctor made no mention of low blood-pressure. It was all very purposeless and sad when Anthony told Gloria one night that he wanted, above all things, to be killed. But, as always, they were sorry for each other for the wrong things at the wrong times…. They
”
”
F. Scott Fitzgerald (The Beautiful and Damned)
“
Here’s the thing - in this damned century, you’ll meet a lot of people who do a lot of things. What’s funny is the fact that the most desirable attributes of these people are nothing but developed and cultured thoughts. And these things come naturally to people who shine bright. The other guys just try to ape these thoughts, in an embarrassing attempt to recreate some of that magic. Sadly,- what looks beautiful as a natural quotient can be extremely funny and disgusting when replicated manually. Stop replicating feelings; else you’ll turn into one of those duplicate personalities. They’re wannabes. You don’t have to become one!
”
”
Shomprakash Sinha Roy (The Pink Smoke)
“
Work!" she scoffed. "Oh, you sad bird! You bluffer! Work—that means a great arranging of the desk and the lights, a great sharpening of pencils, and 'Gloria, don't sing!' and 'Please keep that damn Tana away from me,' and 'Let me read you my opening sentence,' and 'I won't be through for a long time, Gloria, so don't stay up for me,' and a tremendous consumption of tea or coffee. And that's all. In just about an hour I hear the old pencil stop scratching and look over. You've got out a book and you're 'looking up' something. Then you're reading. Then yawns—then bed and a great tossing about because you're all full of caffeine and can't sleep.
”
”
F. Scott Fitzgerald (The Beautiful and Damned)
“
On Beauty
No, we could not itemize the list
of sins they can't forgive us.
The beautiful don't lack the wound.
It is always beginning to snow.
Of sins they can't forgive us
speech is beautifully useless.
It is always beginning to snow.
The beautiful know this.
Speech is beautifully useless.
They are the damned.
The beautiful know this.
They stand around unnatural as statuary.
They are the damned
and so their sadness is perfect,
delicate as an egg placed in your palm.
Hard, it is decorated with their face
and so their sadness is perfect.
The beautiful don't lack the wound.
Hard, it is decorated with their face.
No, we could not itemize the list.
Cape Cod, May 1974
”
”
Zadie Smith (On Beauty)
“
I still can't believe someone as hot as you has validation issues but I also know that being a very sensitive person on this planet is painful and some of us are built like sieves, or have holes where any external validation just pours right through and we never get full, and I also know it's ultimately an inside job anyway and no amount of external validation will ever be enough (though damn it can feel good in the moment, and it sort of makes me mad at god, actually, like, okay god, you built me like this so teach me how to validate myself in a way that feels as good as when a boy does it or the Internet does it, because there is always a cost when a boy does it or the Internet does it): a love story.
”
”
Melissa Broder (So Sad Today: Personal Essays)
“
The terrible truth about depression, and the part of its nature that terrifies me the most, is that it appears to operate beyond reason; feelings happen to you for no apparent cause. Or rather, there is usually an initial cause, a ‘trigger’ as they say in therapeutic circles, but in severe depression the feelings of sadness, grief, loneliness and despair continue long after the situation has resolved itself. It is as if depression has a life of its own, which is perhaps why so many sufferers refer to it as a living thing, as some sort of demon or beast.
”
”
Sally Brampton (Shoot the Damn Dog: A Memoir of Depression)
“
But, knowing they had had the best of love, they clung to what remained. Love lingered – by way of long conversations at night into those stark hours when the mind thins and sharpens and the borrowings from dreams become the stuff of all life, by way of deep and intimate kindnesses they developed toward each other, by way of their laughing at the same absurdities and thinking the same things noble and the same things sad.
”
”
F. Scott Fitzgerald (The Beautiful and Damned)
“
I put some nice thick socks and my Alpine slippers and then curled up in a chair by the fire to read The Beautiful and Damned. 'Fitzgerald's a poet', Shakespear had said when she recommended it, […]. The writing was exquisite, I had to admit, but it was making me sad to read about Gloria and Anthony. They talked prettily and had nice things, but their lives were hollow. I didn't have the stomach for such a dire picture of marriage, not just now.
”
”
Paula McLain (The Paris Wife)
“
Let it hurt. Pick those flowers on your lungs and let it wither. Let your heart stop beating for someone who doesn’t deserves it. Let yourself be burn to your worst degree. Fall right down on your knees and scream the damn pain inside you. You’ve let the love to do its work, let it hurt. That’s part of its work.
Let it bleed. Let the tears roll down your face. For once, allow yourself to be an artist. Let your mouth bleed with the unspoken feelings you’ve been wanting to say and be the author of your own story. Let the abstract in you be seen by the people who are doubting you. Do not cut your wrist, blood and scar might ruin your skin. I know, your heart was cut by the words they’ve stabbed on you, let it bleed with poetry and speak for yourself.
Let it heal. For how many times people could’ve told you that time heals. Let me now tell you that it’s you, and you only, who could heal yourself. You could pick your broken pieces and build a better and stronger you. Let it heal, not for anyone. Let it heal for yourself. Even for once, let it be for yourself.
And let it go. Snap out of the darkness you’re in right now. Let go of the pain that’s stopping you from moving forward. Let the toxic people go, you could’ve been better without them. Stop holding on to the anchor. Stop drowning yourself from sadness. You could always be happy. Just learn to let go of the things that keep you away from that possibility, just let go.
”
”
Angela Diloy
“
What did I do now?” He reluctantly pulled the car the curb.
I needed to get out of this car – like now. I couldn’t breathe.
I unbuckled and flung open the door.
“Thanks for the ride. Bye.”
I slammed the door shut and began down the sidewalk. Behind me, I heard the engine turn off and his door open and shut. I quickened my stride as James jogged up to me. I slowed down knowing I couldn’t escape his long legs anyway. Plus, I didn’t want to get home all sweaty and have to explain myself.
“What happened?” James asked, matching my pace.
“Leave me alone!” I snapped back. I felt his hand grab my elbow, halting me easily.
“Stop,” he ordered.
Damn it, he’s strong!
“What are you pissed about now?” He towered over me. I was trapped in front of him, if he tugged a bit, I’d be in his embrace.
“It’s so funny huh? I’m that bad? I’m a clown, I’m so funny!” I jerked my arm, trying to break free of his grip. “Let me go!”
“No!” He squeezed tighter, pulling me closer.
“Leave me alone!” I spit the words like venom, pulling my arm with all my might.
“What’s your problem?” James demanded loudly. His hand tightened on my arm with each attempt to pull away. My energy was dwindling and I was mentally exhausted. I stopped jerking my arm back, deciding it was pointless because he was too strong; there was no way I could pull my arm back without first kneeing him in the balls.
We were alone, standing in the dark of night in a neighborhood that didn’t see much traffic.
“Fireball?” he murmured softly.
“What?” I replied quietly, defeated.
Hesitantly, he asked, “Did I say something to make you sad?”
I wasn’t going to mention the boyfriend thing; there was no way.
“Yes,” I whimpered.
That’s just great, way to sound strong there, now he’ll have no reason not to pity you!
“I’m sorry,” came his quiet reply.
Well maybe ‘I’m sorry’ just isn’t good enough. The damage is already done!
“Whatever.”
“What can I do to make it all better?”
“There’s nothing you could–” I began but was interrupted by him pulling me against his body. His arms encircled my waist, holding me tight. My arms instinctively bent upwards, hands firmly planted against his solid chest. Any resentment I had swiftly melted away as something brand new took its place: pleasure.
Jesus!
“What do you think you’re doing?” I asked him softly; his face was only a few inches from mine.
“What do you think you’re doing?” James asked back, looking down at my hands on his chest. I slowly slid my arms up around his neck.
I can’t believe I just did that!
“That’s better.”
Our bodies were plastered against one another; I felt a new kind of nervousness touch every single inch of my body, it prickled electrically.
“James,” I murmured softly.
“Fireball,” he whispered back.
“What do you think you’re doing?” I repeated; my brain felt frozen. My heart had stopped beating a mile a minute instead issuing slow, heavy beats.
James uncurled one of his arms from my waist and trailed it along my back to the base of my neck, holding it firmly yet delicately. Blood rushed to the very spot he was holding, heat filled my eyes as I stared at him.
“What are you doing?” My bewilderment was audible in the hush.
I wasn’t sure I had the capacity to speak anymore. That function had fled along with the bitch. Her replacement was a delicate flower that yearned to be touched and taken care of. I felt his hand shift on my neck, ever so slightly, causing my head to tilt up to him. Slowly, inch by inch, his face descended on mine, stopping just a breath away from my trembling lips.
I wanted it. Badly. My lips parted a fraction, letting a thread of air escape.
“Can I?” His breath was warm on my lips.
Fuck it!
“Yeah,” I whispered back. He closed the distance until his lush lips covered mine.
My first kiss…damn!
His lips moved softly over mine. I felt his grip on my neck squeeze as his lips pressed deeper into
”
”
Sarah Tork (Young Annabelle (Y.A #1))
“
WHEN I DESCRIBED THE TUMOR IN MY ESOPHAGUS as a “blind, emotionless alien,” I suppose that even I couldn’t help awarding it some of the qualities of a living thing. This at least I know to be a mistake: an instance of the pathetic fallacy (angry cloud, proud mountain, presumptuous little Beaujolais) by which we ascribe animate qualities to inanimate phenomena. To exist, a cancer needs a living organism, but it cannot ever become a living organism. Its whole malice—there I go again—lies in the fact that the “best” it can do is to die with its host. Either that or its host will find the measures with which to extirpate and outlive it. But, as I knew before I became ill, there are some people for whom this explanation is unsatisfying. To them, a rodent carcinoma really is a dedicated, conscious agent—a slow–acting suicide–murderer—on a consecrated mission from heaven. You haven’t lived, if I can put it like this, until you have read contributions such as this on the websites of the faithful:
Who else feels Christopher Hitchens getting terminal throat cancer [sic] was God’s revenge for him using his voice to blaspheme him? Atheists like to ignore FACTS. They like to act like everything is a “coincidence.” Really? It’s just a “coincidence” [that] out of any part of his body, Christopher Hitchens got cancer in the one part of his body he used for blasphemy? Yeah, keep believing that, Atheists. He’s going to writhe in agony and pain and wither away to nothing and then die a horrible agonizing death, and THEN comes the real fun, when he’s sent to HELLFIRE forever to be tortured and set afire.
There are numerous passages in holy scripture and religious tradition that for centuries made this kind of gloating into a mainstream belief. Long before it concerned me particularly I had understood the obvious objections. First, which mere primate is so damn sure that he can know the mind of god? Second, would this anonymous author want his views to be read by my unoffending children, who are also being given a hard time in their way, and by the same god? Third, why not a thunderbolt for yours truly, or something similarly awe–inspiring? The vengeful deity has a sadly depleted arsenal if all he can think of is exactly the cancer that my age and former “lifestyle” would suggest that I got. Fourth, why cancer at all? Almost all men get cancer of the prostate if they live long enough: It’s an undignified thing but quite evenly distributed among saints and sinners, believers and unbelievers. If you maintain that god awards the appropriate cancers, you must also account for the numbers of infants who contract leukemia. Devout persons have died young and in pain. Betrand Russell and Voltaire, by contrast, remained spry until the end, as many psychopathic criminals and tyrants have also done. These visitations, then, seem awfully random. My so far uncancerous throat, let me rush to assure my Christian correspondent above, is not at all the only organ with which I have blasphemed. And even if my voice goes before I do, I shall continue to write polemics against religious delusions, at least until it’s hello darkness my old friend. In which case, why not cancer of the brain? As a terrified, half–aware imbecile, I might even scream for a priest at the close of business, though I hereby state while I am still lucid that the entity thus humiliating itself would not in fact be “me.” (Bear this in mind, in case of any later rumors or fabrications.)
”
”
Christopher Hitchens (Mortality)
“
we stared at each other, and I knew we were both thinking about the same exact thing: the night before. Not the long talk we’d had about our families—and that raw honesty we’d given each other—but about what happened after that.
The movie. The damn movie.
I didn’t know what the hell I’d been thinking, fully fucking aware I was already mopey, when I asked if he wanted to watch my favorite movie as a kid. I’d watched it hundreds of times. Hundreds of times. It felt like love and hope.
And I was an idiot.
And Aiden, being a nice person who apparently let me get away with most of the things I wanted, said, “Sure. I might fall asleep during it.”
He hadn’t fallen asleep.
If there was one thing I learned that night was that no one was impervious to Little Foot losing his mom. Nobody. He’d only slightly rolled his eyes when the cartoon started, but when I glanced over at him, he’d been watching faithfully.
When that awful, terrible, why-would-you-do-that-to-children-and-to-humanity-in-general part came on The Land Before Time, my heart still hadn’t learned how to cope and I was feeling so low, the hiccups coming out were worse than usual. My vision got cloudy. I got choked up. Tears were coming out of my eyes like the powerful Mississippi. Time and dozens of viewings hadn’t toughened me up at all.
And as I’d wiped at my face and tried to remind myself it was just a movie and a young dinosaur hadn’t lost his beloved mom, I heard a sniffle. A sniffle that wasn’t my own. I turned not-so-discreetly and saw him.
I saw the starry eyes and the way his throat bobbed with a gulp. Then I saw the sideways look he shot me as I sat there dealing with my own emotions, and we stared at each other. In silence.
The big guy wasn’t handling it, and if there were ever a time in any universe, watching any movie, this would be the cause of it.
All I could do was nod at him, get up to my knees, and lean over so I could wrap my arms around his neck and tell him in as soothing of a voice as I could get together, “I know, big guy. I know,” even as another round of tears came out of my eyes and possibly some snot out of my nose.
The miraculous part was that he let me. Aiden sat there and let me hug him, let me put my cheek over the top of his head and let him know it was okay. Maybe it happened because we’d just been talking about the faulty relationships we had with our families or maybe it was because a child losing its mother was just about the saddest thing in the world, especially when it was an innocent animal, I don’t know. But it was sad as shit.
He sniffed—on any other person smaller than him it would have been considered a sniffle—and I squeezed my arms around him a little tighter before going back to my side of the bed where we finished watching the movie
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
Sometimes, in prison, when he’d been lying awake at night staring at the bunk over his head, Johnny had thought that he missed Wolf most of all.
Wasn’t that a damned sad commentary on his life?
The dog whined again. Knowing he was being ridiculous, that he was liable to lose the hand at the wrist when the animal charged, Johnny nonetheless took a step forward,holding out his fingers for sniffing.
“Wolf? Come here, boy.”
Incredibly, the huge animal sank to its belly and slunk forward, behaving as if it wanted to believe but feared a cruel trick. Johnny dropped to his knees to greet it, his hands reaching out, burrowing in the coarse hide, stroking and scratching as the dog whined and licked and pawed him and butted him with its head.
“Ah, Wolf,” he said as he accepted the truth at last, that this one thing that he had loved had been spared in order to greet him. Then, as the big head snuggled into his lap, he wrapped his arms around the dog’s thick neck and buried his face against the animal’s side.
For the first time in eleven years, he wept.
”
”
Karen Robards (One Summer)
“
When I go musing all alone
Thinking of divers things fore-known.
When I build castles in the air,
Void of sorrow and void of fear,
Pleasing myself with phantasms sweet,
Methinks the time runs very fleet.
All my joys to this are folly,
Naught so sweet as melancholy.
When I lie waking all alone,
Recounting what I have ill done,
My thoughts on me then tyrannise,
Fear and sorrow me surprise,
Whether I tarry still or go,
Methinks the time moves very slow.
All my griefs to this are jolly,
Naught so mad as melancholy.
When to myself I act and smile,
With pleasing thoughts the time beguile,
By a brook side or wood so green,
Unheard, unsought for, or unseen,
A thousand pleasures do me bless,
And crown my soul with happiness.
All my joys besides are folly,
None so sweet as melancholy.
When I lie, sit, or walk alone,
I sigh, I grieve, making great moan,
In a dark grove, or irksome den,
With discontents and Furies then,
A thousand miseries at once
Mine heavy heart and soul ensconce,
All my griefs to this are jolly,
None so sour as melancholy.
Methinks I hear, methinks I see,
Sweet music, wondrous melody,
Towns, palaces, and cities fine;
Here now, then there; the world is mine,
Rare beauties, gallant ladies shine,
Whate'er is lovely or divine.
All other joys to this are folly,
None so sweet as melancholy.
Methinks I hear, methinks I see
Ghosts, goblins, fiends; my phantasy
Presents a thousand ugly shapes,
Headless bears, black men, and apes,
Doleful outcries, and fearful sights,
My sad and dismal soul affrights.
All my griefs to this are jolly,
None so damn'd as melancholy.
Methinks I court, methinks I kiss,
Methinks I now embrace my mistress.
O blessed days, O sweet content,
In Paradise my time is spent.
Such thoughts may still my fancy move,
So may I ever be in love.
All my joys to this are folly,
Naught so sweet as melancholy.
When I recount love's many frights,
My sighs and tears, my waking nights,
My jealous fits; O mine hard fate
I now repent, but 'tis too late.
No torment is so bad as love,
So bitter to my soul can prove.
All my griefs to this are jolly,
Naught so harsh as melancholy.
Friends and companions get you gone,
'Tis my desire to be alone;
Ne'er well but when my thoughts and I
Do domineer in privacy.
No Gem, no treasure like to this,
'Tis my delight, my crown, my bliss.
All my joys to this are folly,
Naught so sweet as melancholy.
'Tis my sole plague to be alone,
I am a beast, a monster grown,
I will no light nor company,
I find it now my misery.
The scene is turn'd, my joys are gone,
Fear, discontent, and sorrows come.
All my griefs to this are jolly,
Naught so fierce as melancholy.
I'll not change life with any king,
I ravisht am: can the world bring
More joy, than still to laugh and smile,
In pleasant toys time to beguile?
Do not, O do not trouble me,
So sweet content I feel and see.
All my joys to this are folly,
None so divine as melancholy.
I'll change my state with any wretch,
Thou canst from gaol or dunghill fetch;
My pain's past cure, another hell,
I may not in this torment dwell!
Now desperate I hate my life,
Lend me a halter or a knife;
All my griefs to this are jolly,
Naught so damn'd as melancholy.
”
”
Robert Burton (The Anatomy of Melancholy: What It Is, With All the Kinds, Causes, Symptoms, Prognostics, and Several Cures of It ; in Three Partitions; With Their ... Historically Opened and Cut Up, V)
“
Furthermore, I refuse to wear a burqa. Of all the burdens they've put on us, that's the most degrading. The Shirt of Nessus woudn't do as much damage to my dignity as that wretched getup. It cancels my face and takes away my identity and turns me into an object. Here, at least, I'm me Zunaira, Mohsen Ramat's wife, age thirty-two, former magistrate, dismissed by obscurantists without a hearing and without compensation, but with enough self-respect left to brush my hair every day and pay attention to my clothes. If I put that damned veil on, I'm neither a human being nor an animal, I'm just an affront, a disgrace, a blemish that has to be hidden. That's too hard to deal with. Especially for someone who was a lawyer, who worked for women's rights. Please, I don't want you to think for a minute that I'm putting on some sort of act. I'd like to, you know, but unfortunately my heart's not in it anymore. Don't ask me to give up my name, my features, the color of my eyes, and the shape of my lips so I can take a walk through squalor and desolation. Don't ask me to become something less than a shadow, an anonymus thing rustling around in a hostile place.
”
”
Yasmina Khadra (Swallows of Kabul)
“
You, my dear, do not know how to have fun." "I do, too!" "You do not. You are as bad as Lucien. And do you know something? I think it's time someone showed you how to have fun. Namely, me. You can worry all you like about our situation tomorrow, but tonight ... tonight I'm going to make you laugh so hard that you'll forget all about how afraid of me you are." "I am not afraid of you!" "You are." And with that, he pushed his chair back, stalked around the table, and in a single easy movement, swept her right out of her chair and into his arms. "Gareth! Put me down!" He only laughed, easily carrying her toward the bed. "Gareth, I am a grown woman!" "You are a grown woman who behaves in a manner far too old for her years," he countered, still striding toward the bed. "As the wife of a Den member, that just will not do." "Gareth, I don't want — I mean, I'm not ready for that!" "That? Who said anything about that?" He tossed her lightly onto the bed. "Oh, no, my dear Juliet. I'm not going to do that —" She tried to scoot away. "Then what are you going to do?" "Why, I'm going to wipe that sadness out of your eyes if only for tonight. I'm going to make you forget your troubles, forget your fears, forget everything but me. And you know how I'm going to do that, O dearest wife?" He grabbed a fistful of her petticoats as she tried to escape. "I'm going to tickle you until you giggle ... until you laugh ... until you're hooting so loudly that all of London hears you!" He fell upon the bed like a swooping hawk, and Juliet let out a helpless shriek as his fingers found her ribs and began tickling her madly. "Stop! We just ate! You'll make me sick!" "What's this? Your husband makes you sick?" "No, it's just that — aaaoooooo!" He tickled her harder. She flailed and giggled and cried out, embarrassed about each loud shriek but helpless to prevent them. He was laughing as hard as she. Catching one thrashing leg, he unlaced her boot and deftly removed it. She yelped as his fingers found the sensitive instep, and she kicked out reflexively. He neatly ducked just in time to avoid having his nose broken, catching her by the ankle and tickling her toes, her soles, her arch through her stockings. "Stop, Gareth!" She was laughing so hard, tears were streaming from her eyes. "Stop it, damn it!" Thank goodness Charlotte, worn out by her earlier tantrum, was such a sound sleeper! The tickling continued. Juliet kicked and fought, her struggles tossing the heavy, ruffled petticoats and skirts of her lovely blue gown halfway up her thigh to reveal a long, slender calf sheathed in silk. She saw his gaze taking it all in, even as he made a grab for her other foot. "No! Gareth, I shall lose my supper if you keep this up, I swear it I will — oooahhhhh!" He seized her other ankle, yanked off the remaining boot, and began torturing that foot as well, until Juliet was writhing and shrieking on the bed in a fit of laughter. The tears streamed down her cheeks, and her stomach ached with the force of her mirth. And when, at last, he let up and she lay exhausted across the bed in a twisted tangle of skirts, petticoats, and chemise, her chest heaving and her hair in a hopeless tumbled-down flood of silken mahogany beneath her head, she looked up to see him grinning down at her, his own hair hanging over his brow in tousled, seductive disarray.
”
”
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
“
People always feel sorry for you if you’re physically sick. It doesn’t matter if you have cancer or a cold. People always feel sorry for you and ask you if you’re okay. You need money? You got it! You want to meet a celebrity? Of course you can! You want to go to a convention, ComiCon, Disney World, anywhere in the world? You’re going to go there.
That doesn’t happen when you’re mentally ill.
If you’re mentally ill, people look at you differently. People roll their eyes when you talk about how sad you are. People won’t lift a finger to help you. “Get a job,” they’ll tell you. “Stop being so lazy. Be grateful you don’t have cancer. Get over it. It’s in the past. You have no reason to be sad.”
And that isn’t how it works.
But, of course, they wouldn’t know that.
They’ve never been mentally ill, they don’t know how you can be so permanently damaged by your past that your present is painful and your future looks bleak. They don’t understand that most days getting out of bed is a chore. They don’t get that sometimes getting a job is out of the question because you’re just too damn afraid to even speak to anyone.
That isn’t something you can just get over.
But no one knows that because mental illnesses aren’t a real problem apparently.
Apparently, the fact that over 800,000 million people die from suicide each year isn’t a real problem. Apparently, the fact that 15% of the adolescent population self-harms isn’t a real problem either. And, apparently, it isn’t a cause to worry that one in 200 American women suffer from an eating disorder.
And, as I stand on the balcony, staring at the glittering city, thinking about the short time I spent in Paperthin Hearts, meeting all of the damaged children, I wonder how in the world people don’t understand what a mistake they’re making when they assume that having cancer is worse than being depressed or anxious or wanting to starve yourself to the point of death. How is that a mystery to anyone? Cancer patients are told they’re brave. They’re all made out to be martyrs. They’re given everything they need. Almost all of them. Mental health patients? They’re lucky if they get the right treatment they need before their broken, bleeding hearts, desperate only for love, destroy a part of them that can never be repaired.
”
”
Annie Ortiz (StarBright (Paperthin Hearts, #2))
“
I wanted to go home, to Velaris, but I had to stay, to make sure things were set in motion, that you were all right. So I waited as long as I could, then I sent a tug through the bond. Then you came to find me.
'I almost told you then, but... You were so sad. And tired. And for once, you looked at me like... like I was worth something. So I promised myself that the next time I saw you, I'd free you of the bargain. Because I was selfish, and knew that if I let go right then, he'd lock you up and I'd never get to see you again. When I went to leave you... I think transforming you into Fae made the bond lock into place permanently. I'd known it existed, but it hit me then- hit me so strong that I panicked. I knew if I stayed a second longer, I'd damn the consequences and take you with me. And you'd hate me forever.
'I landed at the Night Court, right as Mor was waiting for me, and I was so frantic, so... unhinged, that I told her everything. I hadn't seen her in fifty years, and my first words to her were, "She's my mate." And for three months... for three months I tried to convince myself that you were better off without me. I tried to convince myself that everything I'd done had made you hate me. But I felt you through the bond, through your open mental shields. I felt your pain, and sadness, and loneliness. I felt you struggling to escape the darkness of Amarantha the same way I was. I heard you were going to marry him, and I told myself you were happy. I should you let you be happy, even if it killed me. Even if you were my mate, you'd earned that happiness.
'The day of your wedding, I'd planned to get rip-roaring drunk with Cassian, who had no idea why, but... But then I felt you again, I felt your panic, and despair, and heard you beg someone- anyone- to save you. I lost it. I winnowed to the wedding, and barely remembered who I was supposed to be, the part I was supposed to play. All I could see was you, in your stupid wedding dress- so thin. So, so thin, and pale. And I wanted to kill him for it, but I had to get you out. Had to call in that bargain, just once, to get you away, to see if you were all right.'
Rhys looked at me, eyes desolate. 'It killed me, Feyre, to send you back. To see you waste away, month by month. It killed me to know he was sharing your bed. Not just because you were my mate, but because I...' He glanced down, then up at me again. 'I knew... I knew I was in love with you that moment I picked up the knife to kill Amarantha.'
'When you finally came here... I decided I wouldn't tell you. Any of it. I wouldn't let you out of the bargain, because your hatred was better than facing the two alternatives: that you felt nothing for me, or that you... you might feel something similar, and if I let myself love you, you would be taken from me. The way my family was- the way my friends were. So I didn't tell you. I watched as you faded away. Until that day... that day he locked you up.
'I would have killed him if he'd been there. But I broke some very, very fundamental rules in taking you away. Amren said if I got you to admit that we were mates, it would keep any trouble from our door, but... I couldn't force the bond on you. I couldn't try to seduce you into accepting the bond, either. Even if it gave Tamlin license to wage war on me. You had been through so much already. I didn't want you to think that everything I did was to win you, just to keep my lands safe. But I couldn't... I couldn't stop being around you, and loving you, and wanting you. I still can't stay away.'
He leaned back, loosing a long breath.
”
”
Sarah J. Maas
“
You’re not meant to be a martyr.” Sighing, she lies back in disappointment. “You wouldn’t see the point to it.”
“Oh? Well then, tell me, Eo. What is the point to dying? I’m only a martyr’s son. So tell me what that man accomplished by robbing me of a father. Tell me what good comes of all that bloodydamn sadness. Tell me why it’s better I learned to dance from my uncle than my father.” I go on. “Did his death put food on your table? Did it make any of our lives any better? Dying for a cause doesn’t do a bloodydamn thing. It just robbed us of his laughter.” I feel the tears burning my eyes. “It just stole away a father and a husband. So what if life isn’t fair? If we have family, that is all that should matter.”
She licks her lips and takes her time in replying.
“Death isn’t empty like you say it is. Emptiness is life without freedom, Darrow. Emptiness is living enchained by fear, fear of loss, of death. I say we break those chains. Break the chains of fear and you break the chains that bind us to the Golds, to the Society. Could you imagine it? Mars could be ours. It could belong to the colonists who slaved here, died here.” Her face is easier to see as night fades through the clear roof. It is alive, on fire. “If you led the others to freedom. The things you could do, Darrow. The things you could make happen.” She pauses and I see her eyes are glistening. “It chills me when I think of the things you could do. You have been given so, so much, but you set your sights so low.”
“You repeat the same damn points,” I say bitterly. “You think a dream is worth dying for. I say it isn’t. You say it’s better to die on your feet. I say it’s better to live on our knees.”
“You’re not even living!” she snaps. “We are machine men with machine minds, machine lives.…”
“And machine hearts?” I ask. “That’s what I am?”
“Darrow …”
“What do you live for?” I ask her suddenly. “Is it for me? Is it for family and love? Or is it for some dream?”
“It’s not just some dream, Darrow. I live for the dream that my children will be born free. That they will be what they like. That they will own the land their father gave them.”
“I live for you,” I say sadly.
She kisses my cheek. “Then you must live for more.”
There’s a long, terrible silence that stretches between us. She does not understand how her words wrench my heart, how she can twist me so easily. Because she does not love me like I love her. Her mind is too high. Mine too low. Am I not enough for her?
”
”
Pierce Brown (Red Rising (Red Rising Saga, #1))
“
I was here. I was fine. It was a beautiful day, and I was around people who gave me more love and happiness in a month than I’d had for seventeen years.
I would never have to see those jerks again.
And today was going to be a good day, damn it.
So I got it together and finally looked back down at my best friend to ask, “Did I tell you I stole a bottle of Visine once because I wanted to put a few drops into my dad’s coffee, but I always chickened out?”
Lenny snickered. “No. Psycho. Did I tell you that one time I asked Santa to bring my mom back?”
I made a face. “That’s sad, Lenny.” I blinked. “I pretty much did the same thing.”
“Uh-huh.”
I raised my eyebrows at her. “Did I ever tell you that I wanted to have like ten kids when I was younger?”
The laugh that came out of her wasn’t as strong as it usually was, but I was glad she let it out anyway. It sounded just like her, loud and direct and so full of happiness it was literally infectious. “Ten? Jesus, why?”
I wrinkled my nose at her. “It sounded like a good number.”
The scoff that came out of her right then was a little louder. “You’re fucking nuts, Luna. One, two, three, four, five, six, seven, eight, nine, ten-ten?”
“That’s what ten means.” I grinned at her. “I said that was back when I was younger, not any time recently. I can’t afford ten kids.”
“Still. How about… none?”
I glanced down the table again when I heard Thea’s sharp laugh. “Okay, Only Child.” I laughed. “I think four’s a good number now.”
My friend beside me groaned before reaching forward to grab a chip, dipping it into the tiny bowl of guacamole beside it. “Look, Grandpa Gus was basically my brother, my dad, my uncle, and my grandpa all rolled into one, and I had a bunch of kids to play with,” she claimed. “Whatever makes you happy, but I think I’m fine with zero kids in my future.”
I reached over and grabbed one of the pieces of fajita from her plate and plopped it into my mouth. “Watch, you’ll end up with two,” I told her, covering my mouth while I chewed the meat. “You’ve already got that ‘mom’ vibe going on better than anyone I know.”
That had her rolling her eyes, but she didn’t argue that she didn’t, because we both knew it was true. She was a twenty-seven-year-old who dealt with full-grown man babies daily. She had it down. I was friends with my coworkers. Lenny was a babysitter for the ones she was surrounded with regularly.
“Like you’re one to talk, bish,” she threw out in a grumpy voice that said she knew she couldn’t deny it.
She had a point there.
She picked up a piece of fajita and tossed it into her mouth before mumbling, “For the record, you should probably get started on lucky number four soon. You aren’t getting any younger.”
I rolled my eyes, still chewing. “Bish.”
“Bish.
”
”
Mariana Zapata (Luna and the Lie)
“
Mom,” Vaughn said. “I’m sure Sidney doesn’t want to be interrogated about her personal life.”
Deep down, Sidney knew that Vaughn—who’d obviously deduced that she’d been burned in the past—was only trying to be polite. But that was the problem, she didn’t want him to be polite, as if she needed to be shielded from such questions. That wasn’t any better than the damn “Poor Sidney” head-tilt.
“It’s okay, I don’t mind answering.” She turned to Kathleen. “I was seeing someone in New York, but that relationship ended shortly before I moved to Chicago.”
“So now that you’re single again, what kind of man are you looking for? Vaughn?” Kathleen pointed. “Could you pass the creamer?”
He did so, then turned to look once again at Sidney. His lips curved at the corners, the barest hint of a smile. He was daring her, she knew, waiting for her to back away from his mother’s questions.
She never had been very good at resisting his dares.
“Actually, I have a list of things I’m looking for.” Sidney took a sip of her coffee.
Vaughn raised an eyebrow. “You have a list?”
“Yep.”
“Of course you do.”
Isabelle looked over, surprised. “You never told me about this.”
“What kind of list?” Kathleen asked interestedly.
“It’s a test, really,” Sidney said. “A list of characteristics that indicate whether a man is ready for a serious relationship. It helps weed out the commitment-phobic guys, the womanizers, and any other bad apples, so a woman can focus on the candidates with more long-term potential.”
Vaughn rolled his eyes. “And now I’ve heard it all.”
“Where did you find this list?” Simon asked. “Is this something all women know about?”
“Why? Worried you won’t pass muster?” Isabelle winked at him.
“I did some research,” Sidney said. “Pulled it together after reading several articles online.”
“Lists, tests, research, online dating, speed dating—I can’t keep up with all these things you kids are doing,” Adam said, from the head of the table. “Whatever happened to the days when you’d see a girl at a restaurant or a coffee shop and just walk over and say hello?”
Vaughn turned to Sidney, his smile devilish. “Yes, whatever happened to those days, Sidney?”
She threw him a look. Don’t be cute. “You know what they say—it’s a jungle out there. Nowadays a woman has to make quick decisions about whether a man is up to par.” She shook her head mock reluctantly. “Sadly, some guys just won’t make the cut.”
“But all it takes is one,” Isabelle said, with a loving smile at her fiancé.
Simon slid his hand across the table, covering hers affectionately. “The right one.”
Until he nails his personal trainer. Sidney took another sip of her coffee, holding back the cynical comment. She didn’t want to spoil Isabelle and Simon’s idyllic all-you-need-is-love glow.
Vaughn cocked his head, looking at the happy couple. “Aw, aren’t you two just so . . . cheesy.”
Kathleen shushed him. “Don’t tease your brother.”
“What? Any moment, I’m expecting birds and little woodland animals to come in here and start singing songs about true love, they’re so adorable.”
Sidney laughed out loud. Quickly, she bit her lip to cover.
”
”
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
“
Do those things, god damnit, because nothing sucks worse than a girl who reads. Do it, I say, because a life in purgatory is better than a life in hell. Do it, because a girl who reads possesses a vocabulary that can describe that amorphous discontent as a life unfulfilled—a vocabulary that parses the innate beauty of the world and makes it an accessible necessity instead of an alien wonder. A girl who reads lays claim to a vocabulary that distinguishes between the specious and soulless rhetoric of someone who cannot love her, and the inarticulate desperation of someone who loves her too much. A vocabulary, god damnit, that makes my vacuous sophistry a cheap trick.
Do it, because a girl who reads understands syntax. Literature has taught her that moments of tenderness come in sporadic but knowable intervals. A girl who reads knows that life is not planar; she knows, and rightly demands, that the ebb comes along with the flow of disappointment. A girl who has read up on her syntax senses the irregular pauses—the hesitation of breath—endemic to a lie. A girl who reads perceives the difference between a parenthetical moment of anger and the entrenched habits of someone whose bitter cynicism will run on, run on well past any point of reason, or purpose, run on far after she has packed a suitcase and said a reluctant goodbye and she has decided that I am an ellipsis and not a period and run on and run on. Syntax that knows the rhythm and cadence of a life well lived.
Date a girl who doesn’t read because the girl who reads knows the importance of plot. She can trace out the demarcations of a prologue and the sharp ridges of a climax. She feels them in her skin. The girl who reads will be patient with an intermission and expedite a denouement. But of all things, the girl who reads knows most the ineluctable significance of an end. She is comfortable with them. She has bid farewell to a thousand heroes with only a twinge of sadness.
Don’t date a girl who reads because girls who read are the storytellers. You with the Joyce, you with the Nabokov, you with the Woolf. You there in the library, on the platform of the metro, you in the corner of the café, you in the window of your room. You, who make my life so god damned difficult. The girl who reads has spun out the account of her life and it is bursting with meaning. She insists that her narratives are rich, her supporting cast colorful, and her typeface bold. You, the girl who reads, make me want to be everything that I am not. But I am weak and I will fail you, because you have dreamed, properly, of someone who is better than I am. You will not accept the life that I told of at the beginning of this piece. You will accept nothing less than passion, and perfection, and a life worthy of being storied. So out with you, girl who reads. Take the next southbound train and take your Hemingway with you. I hate you. I really, really, really hate you.
”
”
Charles Warnke
“
What in the sodding Dark happened back there on Aarden? What did you find?"
He stared at her hand for a long moment. His cheek muscle bunched rhythmically, a tell she had learned meant he was struggling over some internal debate. Sigel's Wives burned down from above; Sherp went on snoring away, and Scow appeared to be giving chase again. Mung, Voth and Rantham hadn't moved from where they lay in some time, either, and Biiko was at his post. This was about as alone as they could ever hope to be.
She reached up with her other hand, feather-soft, touched his cheek, his chin. It was rough with stubble, the same fiery copper-and-chestnut as his hair. His jaw stopped twitching and he closed his eyes, but did not resist as she gently turned his head to face her. She could hear the subtle trembling in his breathing and leaned closer, licked her cracked lips.
"Triistan, please...tell me what terrible secret you are guarding..." she whispered, barely a breath really, but his eyes snapped open as if she'd struck him. He looked so sad.
"I'm sorry," he mumbled. Then he was standing, gently disengaging himself from her, and moving towards Biiko where he stood his watch on the other side of the launch. He paused a moment at the mainmast and she thought he might come back, but he only turned his head, speaking over his shoulder without looking at her. His voice was heavy with sorrow.
"Please don't take my journal again." Without bothering to wait for a response, he slipped around the mainmast and left her by herself.
Dreysha sat there brooding for a long time. She was angry with him for rejecting her, and with herself for mishandling both him and his Dark-damned journal. Most of all, though, she was angry with herself for what she had felt when he'd looked at her.
After awhile Scow snorted himself awake. He groaned and stretched, then grumbled a greeting at her, getting barely a grunt in reply for his trouble. The Mattock stood and stretched some more, his massive frame providing some welcome shade, and she sensed him watching her, could imagine him glancing across the deck at Triistan. He knew his men almost as well as his ship, which is why he stood there silently for awhile.
Thunder rumbled again, great boulders of sound rolling across the sea, and this time there could be no doubt it was closer. She rose and leaned over the rail. The southern horizon was lost in a dark shadow beneath towering columns of bruised, sullen clouds. She could smell the rain, though the air was as still as death. Beside her, Scow hawked and spat over the side.
"Storm's comin' ".
"Aye," she answered softly. "Been coming for some time now."
- from the upcoming "RUINE" series.
”
”
T.B. Schmid