“
How could one sentence uttered in anger cause so much damage? But then words were the most powerful thing in the universe. Cuts and bruises always healed, but words spoken in anger were most often permanent. They didn’t damage the body, they destroyed the spirit. (Acheron)
”
”
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
“
In a way fighting was just like using magic. You said the words, and they altered the universe. By merely speaking you could create damage and pain, cause tears to fall, drive people away, make yourself feel better, make your life worse.
”
”
Lev Grossman (The Magicians (The Magicians, #1))
“
for the fifth time this month
you say you’re going to leave him
he calls you a cunt over the phone
then walks the three miles to your house
and kisses your mouth until the word is just
a place on your body.
i don’t know what brings broken people together
maybe damage seeks out damage
the way stains on a mattress halo into one another
the way stains on a mattress bleed into each other.
”
”
Warsan Shire
“
The most self-damaging words in the English language are: try, might, and if. These are words of uncertainty. Will you fail? That is possible. But continue doubting your abilities and you’ll never succeed.
”
”
Dannika Dark (Gravity (Mageri, #4; Mageriverse #4))
“
He walked close enough to hold hands and far enough away that words could never repair the damage we'd done to each other.
”
”
Elana Johnson (Possession (Possession, #1))
“
She fit her head under his chin, and he could feel her weight settle into him. He held her tight and words spilled out of him without prior composition. And this time he made no effort to clamp them off. He told her about the first time he had looked on the back of her neck as she sat in the church pew. Of the feeling that had never let go of him since. He talked to her of the great waste of years between then and now. A long time gone. And it was pointless, he said, to think how those years could have been put to better use, for he could hardly have put them to worse. There was no recovering them now. You could grieve endlessly for the loss of time and the damage done therein. For the dead, and for your own lost self. But what the wisdom of the ages says is that we do well not to grieve on and on. And those old ones knew a thing or two and had some truth to tell, Inman said, for you can grieve your heart out and in the end you are still where you are. All your grief hasn't changed a thing. What you have lost will not be returned to you. It will always be lost. You're left with only your scars to mark the void. All you can choose to do is go on or not. But if you go on, it's knowing you carry your scars with you. Nevertheless, over all those wasted years, he had held in his mind the wish to kiss her on the back of her neck, and now he had done it. There was a redemption of some kind, he believed, in such complete fulfillment of a desire so long deferred.
”
”
Charles Frazier (Cold Mountain)
“
Most things, even the greatest movements on earth, have their beginnings in something small. An earthquake that shatters a city with a tremor, a tremble, a breath. Music begins with a vibration. The flood that rushed into Portland twenty years ago after nearly two months of straight rain, that hurtled up beyond the labs and damaged more than a thousand houses, swept up tire and trash bags and old, smelly shoes and floated them through the streets like prizes, that left a thin film of green mold behind, a stench of rotting and decay that didn't go away for months, began with a trickle of water, no wider than a finger, lapping up onto the docks. And
God created the whole universe from an atom no bigger than a thought. Grace's life fell apart because of a single word: sympathizer. My world exploded because of a different word: suicide. Correction: That was the first time my world exploded. The second time my world exploded, it was also because of a word. A word that worked its way out of my throat and danced onto and out of my lips before I could think about it, or stop it. The question was: Will you meet me tomorrow? And the word was: Yes.
”
”
Lauren Oliver (Delirium (Delirium, #1))
“
When we realize that words can destroy something good, wonderful, and dear, and that by keeping silent we can avoid causing the least damage or harm, it’s easy to stay silent.
”
”
Robert Walser (Masquerade and Other Stories)
“
I think most people are just trying to be happy, and that most of their actions, however misguided, are in line with that goal. Most people just want to feel they belong somewhere, want to be loved, and want to feel they're important to someone. If you really examine all the wrongheaded and messed-up things they do, they can most often be traced back to that basic desire. The abusers, the addicted, the cruel and unpleasant, the manipulators --these are just people who started this quest for happiness in the basement of their lives. Someone communicated to them through word or deed that they were undeserving, so they think they have to claw their way there over the backs of others, leaving scars and creating damage. Of course, they only create more misery for themselves and others.
”
”
Lisa Unger (Sliver of Truth (Ridley Jones, #2))
“
I had lines inside me, a string of guiding lights. I had language. Fiction and poetry are doses, medicines. What they heal is the rupture reality makes on the imagination. I had been damaged, and a very important part of me had been destroyed - that was my reality, the facts of my life. But on the other side of the facts was who I could be, how I could feel. And as long as I had words for that, images for that, stories for that, then I wasn't lost.
”
”
Jeanette Winterson (Why Be Happy When You Could Be Normal?)
“
Get rid of their mast, knock holes in the hull, then get back on board."
"You want us to sink her?" Gundar asked, and Halt shook his head.
"No. I want her badly damaged but capable of making it back to port. I want the word to go out that the strange ship with the red falcon ensign"—he gestured to Evanlyn's ensign, flying from the mast top—"is manned by dangerous, hairy maniacs with axes and is to be avoided at all costs."
"That sounds like us," Gundar said cheerfully.
”
”
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
“
If he'd had to judge based on the two of them, then ExtraOrdinaries were damaged, to say the least. But these words people threw around--humans, monsters, heroes, villains--to Victor it was all just a matter of semantics.
”
”
Victoria E. Schwab (Vicious (Villains, #1))
“
Avoidance sounds like such a harmless word, but that one word can cause some severe damage to a relationship.
”
”
Colleen Hoover (All Your Perfects)
“
Then I remembered that silence can sometimes do more damage than words.
”
”
Alan Bradley (The Sweetness at the Bottom of the Pie (Flavia de Luce, #1))
“
It's the damage that we do and never know. It's the words that we don't say that scare me so.
”
”
Elvis Costello
“
Life is not that simple. That is why it is called life. That word includes both lie and if. Time to figure out which side of the "half" fence you are on: Does your life include a lie or just one big if? There is nothing wrong with either to be honest, but it will make your Sundays longer.
”
”
Corey Taylor (Seven Deadly Sins: Settling the Argument Between Born Bad and Damaged Good)
“
Many Christians... find themselves defeated by the most psychological weapon that Satan uses against them. This weapon has the effectiveness of a deadly missile. Its name? Low self-esteem. Satan's greatest psychological weapon is a gut level feeling of inferiority, inadequacy, and low self-worth This feeling shackles many Christians, in spite of wonderful spiritual experiences and knowledge of God's Word. Although they understand their position as sons and daughters of God, they are tied up in knots, bound by a terrible feeling inferiority, and chained to a deep sense of worthlessness.
”
”
David A. Seamands (Healing for Damaged Emotions (Authentic Classics))
“
When they bombed Hiroshima, the explosion formed a mini-supernova, so every living animal, human or plant that received direct contact with the rays from that sun was instantly turned to ash.
And what was left of the city soon followed. The long-lasting damage of nuclear radiation caused an entire city and its population to turn into powder.
When I was born, my mom says I looked around the whole hospital room with a stare that said, "This? I've done this before." She says I have old eyes.
When my Grandpa Genji died, I was only five years old, but I took my mom by the hand and told her, "Don't worry, he'll come back as a baby."
And yet, for someone who's apparently done this already, I still haven't figured anything out yet.
My knees still buckle every time I get on a stage. My self-confidence can be measured out in teaspoons mixed into my poetry, and it still always tastes funny in my mouth.
But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed.
My parents named me Sarah, which is a biblical name. In the original story God told Sarah she could do something impossible and she laughed, because the first Sarah, she didn't know what to do with impossible.
And me? Well, neither do I, but I see the impossible every day. Impossible is trying to connect in this world, trying to hold onto others while things are blowing up around you, knowing that while you're speaking, they aren't just waiting for their turn to talk -- they hear you. They feel exactly what you feel at the same time that you feel it. It's what I strive for every time I open my mouth -- that impossible connection.
There's this piece of wall in Hiroshima that was completely burnt black by the radiation. But on the front step, a person who was sitting there blocked the rays from hitting the stone. The only thing left now is a permanent shadow of positive light. After the A bomb, specialists said it would take 75 years for the radiation damaged soil of Hiroshima City to ever grow anything again. But that spring, there were new buds popping up from the earth.
When I meet you, in that moment, I'm no longer a part of your future. I start quickly becoming part of your past. But in that instant, I get to share your present. And you, you get to share mine. And that is the greatest present of all.
So if you tell me I can do the impossible, I'll probably laugh at you. I don't know if I can change the world yet, because I don't know that much about it -- and I don't know that much about reincarnation either, but if you make me laugh hard enough, sometimes I forget what century I'm in.
This isn't my first time here. This isn't my last time here. These aren't the last words I'll share.
But just in case, I'm trying my hardest to get it right this time around.
”
”
Sarah Kay
“
I came to explore the wreck. The words are purposes...are maps...I came to see the damage that was done and the treasures that prevail
”
”
Adrienne Rich (Diving Into the Wreck)
“
Love with someone else, an actual person, was another matter. People got hurt doing that. People cried and wrapped their arms around themselves and rocked with loss. Loving words got turned to fierce, sharp, whip-cracks of anger that lefft permanent marks. At the least, it disappointed you. At most, it damaged you.
”
”
Deb Caletti (Wild Roses)
“
There were some things that needed to be said even if the person you were saying them to didn't understand; words that must be released from their trapped place where their flapping to get out could cause internal damage.
”
”
Patti Callahan Henry (Between The Tides)
“
Men know the damage a few words can do to girls’ hearts, and, idiots that we are, we swoon away and fall into the trap, excited because at last a man has set one for us
”
”
Grégoire Delacourt (La liste de mes envies)
“
Arobynn hit her-her ribs, her jaw, her gut. And her face. Again and again and again. Careful blows, meant to inflict as much pain as possible without doing permanent damage. And Sam kept roaring, shouting words that she couldn't quite hear over the agony. The last thing she remembered was a pang of guilt at the sight of her blood staining Arobynn's exquisite red carpet. And then darkness, blissful darkness, full of relief that she hadn't seen them hurt Sam.
”
”
Sarah J. Maas (The Assassin and the Desert (Throne of Glass, #0.3))
“
Glad it was you and not me," Shane said, and offered Myrin a hand up. "Any brain damage?"
"Since the bullet actually passed through his brain, then yes, idiot boy, there's certainly brain damage," Oliver said. "It will pass. His brain's the least fragile thing about him."
"You say the nicest things," Myrin said. He was slurring his words, and he threw an arm around Oliver's neck. "Marry me.
”
”
Rachel Caine (Fall of Night (The Morganville Vampires, #14))
“
The word is now a virus. The flu virus may have once been a healthy lung cell. It is now a parasitic organism that invades and damages the central nervous system. Modern man has lost the option of silence. Try halting sub-vocal speech. Try to achieve even ten seconds of inner silence. You will encounter a resisting organism that forces you to talk. That organism is the word.
”
”
William S. Burroughs (The Ticket That Exploded (The Nova Trilogy #3))
“
You know, there are some words I've known since I was a schoolboy: ' With the first link, the chain is forged. The first speech censured, the first thought forbidden, the first freedom denied, chains us all irrevocably.' Those words were uttered by Judge Aaron Satie as wisdom and warning. The first time any man's freedom is trodden on we're all damaged. I fear that today...
”
”
Jeri Taylor
“
Edward spoke in a voice so peaceful and gentle that it made the words strangely more threatening. "I'm not going to kill you now, because it would upset Bella."
"Hmph," I grumbled.
Edward turned slightly to throw me a quick smile. His face was still calm. "It would bother you in the morning," he said, brushing his fingers across my cheek.
The he turned back to Jacob. "But if you ever bring her back damaged again--and I don't care whose fault it is; I don't care if she merely trips, or if a meteor falls out of the sky and hits her in the head--if you return her to me in less than the perfect condition that I left her in, you will be running with three legs. Do you understand that, mongrel?"
Jacob rolled his eyes.
"who's going back?" I muttered
Edward continued as if he hadn't heard me. "And if you ever kiss her again, I wiil break your jaw for her," he promised, his voice still gentle and velvet deadly.
"What if she wants me to?" Jacob drawled, arrogant.
"Hah!" I snorted.
"If that's what she wants, then I won't object." Edward shrugged, untroubled. "You might want to wait for her to say it, rather than trust your interpretation of body language-but it's your face."
Jacob grinned.
"You wish," I grumbled.
"Yes, he does," Edward murmured.
"Well, if you're done rummaging through my head," Jacob said with a think edge of annoyance, "why don't you go take care of her hand?"
"One more thing," Edward said slowly. "I'll be fighting for her, too. You should know that. I'm not taking anything for granted, and I'll be fighting twice as hard as you will."
"Good," Jacob growled. "it's no fun beating someone who forfeits."
She is mine." Edward's low voice was suddenly dark, not as composed as before, "i did't say I would fight fair."
"Neither did I."
"Best of luck."
Jacob nodded. "Yes, may the best man win."
"That sounds about right...pup.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
Sometimes I can feel my darkness, like a fragment of nerves inside of me somewhere, sparking my hate. I picture it moving throughout my body, the other cells letting it pass by, yielding to its master. It moves to my tongue when it wants me to spew beautiful, damaging words, it moves to my hands when it wants me to feel all it can take away, and it moves to my eyes to blind me from truly seeing the destruction I’ve done.
”
”
Piper Payne (Breathing Black (The Black and White Duet, #1))
“
Dads. It’s time to show our sons how to properly treat a woman. It’s time to show our daughters how a girl should expect be treated. It’s time to show forgiveness and compassion. It’s time to show our children empathy. It’s time to break social norms and teach a healthier way of life! It’s time to teach good gender roles and to ditch the unnecessary ones. Does it really matter if your son likes the color pink? Is it going to hurt anybody? Do you not see the damage it inflicts to tell a boy that there is something wrong with him because he likes a certain color? Do we not see the damage we do in labeling our girls “tom boys” or our boys “feminine” just because they have their own likes and opinions on things? Things that really don’t matter?
”
”
Dan Pearce (Single Dad Laughing: The Best of Year One)
“
You take the words in the sense which is most damaging to the argument.
”
”
Plato (The Republic)
“
I came to explore the wreck. / The words are purposes. / The words are maps. / I came to see the damage that was done / and the treasures that prevail.
”
”
Adrienne Rich (Diving Into the Wreck)
“
Standing there in-between two disgusting Dumpsters in some crappy alley
with the whole world crumbling down around me, and hearing Alex say those
words, all the fear I have carried with me since I learned to sit, stand, breathe—
since I was told that at the very heart of me was something wrong, something
rotten and diseased, something to be suppressed—since I was told that I was
always just a heartbeat away from being damaged—all of it vanishes at once.
That thing—the heart of hearts of me, the core of my core—stretches and unfurls
even further, soaring like a flag: making me feel stronger than I ever have before.
”
”
Lauren Oliver (Delirium (Delirium, #1))
“
For any true stickler, you see, the sight of the plural word “Book’s” with an apostrophe in it will trigger a ghastly private emotional process similar to the stages of bereavement, though greatly accelerated. First there is shock. Within seconds, shock gives way to disbelief, disbelief to pain, and pain to anger. Finally (and this is where the analogy breaks down), anger gives way to a righteous urge to perpetrate an act of criminal damage with the aid of a permanent marker.
”
”
Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
“
You said the words, and they altered the universe. By merely speaking you could create damage and pain, cause tears to fall, drive people away, make yourself feel better, make your life worse.
”
”
Lev Grossman (The Magicians (The Magicians, #1))
“
The wound made by hurting with fire will heal but the wound created by harsh words uttered using out tongue leaves an indelible scar.
”
”
Thiruvalluvar (Thirukkural)
“
The guest is inside you, and also inside me;
you know the sprout is hidden inside the seed.
We are all struggling; none of us has gone far.
Let your arrogance go, and look around inside.
The blue sky opens out farther and farther,
the daily sense of failure goes away,
the damage I have done to myself fades,
a million suns come forward with light,
when I sit firmly in that world.
I hear bells ringing that no one has shaken,
inside "love" there is more joy than we know of,
rain pours down, although the sky is clear of clouds,
there are whole rivers of light.
The universe is shot through in all parts by a single sort of love.
How hard it is to feel that joy in all our four bodies!
Those who hope to be reasonable about it fail.
The arrogance of reason has separated us from that love.
With the word "reason" you already feel miles away.
”
”
Kabir (The Kabir Book: Forty-four of the Ecstatic Poems of Kabir)
“
Sad was such a simple, damaging word. It meant so much more than its elaborate cousins.
”
”
Sarah MacLean (The Rogue Not Taken (Scandal & Scoundrel, #1))
“
From her dubious tone alone, I could see how Karin had no idea how terrifying words spoken quietly could be. How words chosen precisely to wreak maximum damage ticked like a bomb in your head, but exploded in your heart hours later, leaving you scarred and changed.
”
”
Justina Chen (North of Beautiful)
“
Do you not realize that your kids are going to make mistakes, and a lot of them? Do you not realize the damage you do when you push your son’s nose into his mishaps or make your daughter feel worthless because she bumped or spilled something? Do you have any idea how easy it is to make your child feel abject? It’s as simple as letting out the words, “why would you do that!?” or “how many times have I told you…
”
”
Dan Pearce (Single Dad Laughing: The Best of Year One)
“
Anam is the Irish word for “soul” and Ċara is the word for “friend.” In the Anam-Ċara friendship, you were joined in an ancient way with the friend of your soul. This was a bond that neither space nor time could damage. The friendship awakened an eternal echo in the hearts of the friends; they entered into a circle of intimate belonging with each other. The Anam-Ċara friendship afforded a spiritual space to all the other longings of the human heart.
”
”
John O'Donohue (Eternal Echoes: Celtic Reflections on Our Yearning to Belong)
“
I came to explore the wreck.
The words are purposes.
The words are maps.
I came to see the damage that was done
and the treasures that prevail.
”
”
Adrienne Rich (Diving Into the Wreck)
“
We live among ruins in a World in which ‘god is dead’ as Nietzsche stated. The ideals of today are comfort, expediency, surface knowledge, disregard for one’s ancestral heritage and traditions, catering to the lowest standards of taste and intelligence, apotheosis of the pathetic, hoarding of material objects and possessions, disrespect for all that is inherently higher and better — in other words
a complete inversion of true values and ideals, the raising of the victory flag of ignorance and the banner of degeneracy. In such a time, social decadence is so widespread that it appears as a natural component of all political institutions. The crises that dominate the daily lives of our societies are part of a secret occult war to remove the support of spiritual and traditional values in order to turn man into a passive instrument of dark powers.
The common ground of both Capitalism and Socialism is a materialistic view of life and being. Materialism in its war with the Spirit has taken on many forms; some have promoted its goals with great subtlety, whilst others have done so with an alarming lack of subtlety, but all have added, in greater or lesser measure, to the growing misery of Mankind. The forms which have done the most damage in our time may be enumerated as: Freemasonry, Liberalism, Nihilism, Capitalism, Socialism, Marxism, Imperialism, Anarchism, Modernism and the New Age.
”
”
Seyyed Hossein Nasr
“
We live in a time where it has become difficult to distinguish between the President's words and that of a 19 year old assailant. Society gives women the near impossible task of separating harmlessness from danger, the foresight of knowing what some men are capable of. When we call out assault when we hear it, Trump says, "I don't think you understand. Just words. You are overreacting. Overly offended. Hysterical. Rude. Relax." So we dismiss threatening statements and warning signs, apologizing for our paranoia. We go into a party or a meeting, thinking it's just a party or meeting, but when we are taken advantage of and come crawling back damaged they say, "How could you be so naive? You failed to detect danger, let your guard down. What did you think would happen?" Trump made it clear the game is rigged, the rules keep changing. It doesn't matter what you think is assault because, in the end, he decides.
”
”
Chanel Miller (Know My Name)
“
You have two emotions—apathy and rage—and nothing in between.” Ellie wanted him to stop, but she could hear the truth in his words. She closed her eyes for his killing blow. “It’s like you’re not even a person. You’re an…organism.” “That’s not true.” Ellie forced her eyes open. “I am a person. I’m just not good at it.
”
”
S.G. Redling (Flowertown)
“
not all churches in America are created equal, not in practice and not in politics. And, for me, the damage of going to a church where people whispered disparaging words about “my kind” was itself a spiritual wound—so deep and so hidden that it has taken me years to find and address it.
”
”
Yaa Gyasi (Transcendent Kingdom)
“
For all that "home" was considered a word of warmth and comfort, policemen knew better. Home is where the heart is, and the heart could be a dark and damaged place.
”
”
Kate Morton (Homecoming)
“
With the first link, the chain is forged. The first speech censured, the first thought forbidden, the first freedom denied, chains us all irrevocably. The first time any man's freedom is trodden on we're all damaged...."-Aaron Satie words of wisdom and warning
”
”
Jean luc Picard
“
Use the words that live inside your head. And if the words that live inside your head are those of a sentimental Victorian troubadour, then please close your head in a door jamb until you kill all that overwrought prose in an act of brain damage.
”
”
Chuck Wendig (250 Things You Should Know About Writing)
“
The 'Other Half' is the word. The 'Other Half' is an organism. Word is an organism. The presence of the 'Other Half' is a separate organism attached to your nervous system on an air line of words can now be demonstrated experimentally. One of the most common 'hallucinations' of subject during sense withdrawal is the feeling of another body sprawled through the subject's body at an angle...yes quite an angle it is the 'Other Half' worked quite some years on a symbiotic basis. From symbiosis to parasitism is a short step. The word is now a virus. The flu virus may have once been a healthy lung cell. It is now a parasitic organism that invades and damages the central nervous system. Modern man has lost the option of silence. Try halting sub-vocal speech. Try to achieve even ten seconds of inner silence. You will encounter a resisting organism that forces you to talk. That organism is the word.
”
”
William S. Burroughs (The Ticket That Exploded (The Nova Trilogy #3))
“
When I was first aware that I had been laid low by the disease, I felt a need, among other things, to register a strong protest against the word "depression." Depression, most people know, used to be termed "melancholia," a word which appears in English as the year 1303 and crops up more than once in Chaucer, who in his usage seemed to be aware of its pathological nuances. "Melancholia" would still appear to be a far more apt and evocative word for the blacker forms of the disorder, but it was usurped by a noun with a blank tonality and lacking any magisterial presence, used indifferently to describe an economic decline or a rut in the ground, a true wimp of a word for such a major illness.
It may be that the scientist generally held responsible for its currency in modern times, a Johns Hopkins Medical School faculty member justly venerated -- the Swiss-born psychiatrist Adolf Meyer -- had a tin ear for the finer rhythms of English and therefore was unaware of the semantic damage he had inflicted for such a dreadful and raging disease. Nonetheless, for over seventy-five years the word has slithered innocuously through the language like a slug, leaving little trace of its intrinsic malevolence and preventing, by its insipidity, a general awareness of the horrible intensity of the disease when out of control.
”
”
William Styron (Darkness Visible: A Memoir of Madness)
“
Marriage, in what is evidently its most popular version, is now on the one hand an intimate 'relationship' involving (ideally) two successful careerists in the same bed, and on the other hand a sort of private political system in which rights and interests must be constantly asserted and defended. Marriage, in other words, has now taken the form of divorce: a prolonged and impassioned negotiation as to how things shall be divided. During their understandably temporary association, the 'married' couple will typically consume a large quantity of merchandise and a large portion of each other.
The modern household is the place where the consumptive couple do their consuming. Nothing productive is done there. Such work as is done there is done at the expense of the resident couple or family, and to the profit of suppliers of energy and household technology. For entertainment, the inmates consume television or purchase other consumable diversion elsewhere.
There are, however, still some married couples who understand themselves as belonging to their marriage, to each other, and to their children. What they have they have in common, and so, to them, helping each other does not seem merely to damage their ability to compete against each other. To them, 'mine' is not so powerful or necessary a pronoun as 'ours.'
This sort of marriage usually has at its heart a household that is to some extent productive. The couple, that is, makes around itself a household economy that involves the work of both wife and husband, that gives them a measure of economic independence and self-employment, a measure of freedom, as well as a common ground and a common satisfaction.
(From "Feminism, the Body, and the Machine")
”
”
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
“
What was so important that I had to risk my friends' safety to sneak out here?" I demanded. "Huh? What was so -"
"I had to see you." He closed the space between us. His hands were warm from his pockets as they closed around my fingers. "I had to know that you were okay. I had to see you and touch you and... know."
He brushed my hair away from my face, his fingers light against my skin. "In London..." He trailed off. "After D.C. ..."
"I'm fine," I said, easing away. "CAT scans and X-rays were normal. No lasting damage."
Most people believe me when I lie. I've learned how to say the words just right.I have a trusting kind of face. But the boy in front of me was a trained operative, so Zach knew better. And besides, Zach knew me.
"Really?" He touched my face again. "Cause I'm not.
”
”
Ally Carter (Only the Good Spy Young (Gallagher Girls, #4))
“
Always quick with the wit. It's your defense, isn't it? Little girl doesn't want the world to know how sad she is, how damaged. Your words, your attitude, all a big misdirection. A magician's trick.
”
”
Chuck Wendig (Mockingbird (Miriam Black, #2))
“
I do not have a hero complex. I have always been attracted to strong, independent women. I like a girl who has her shit together. No strings. Simple. Confident. But the way she nearly sighed the word 'broken'--as if it was her sole identifier, as if it's branded on her somehow, as if admitting this has cost her dearly, shamed her--just killed me a little bit. I want to save her. I want to be her hero. I want to make her see she is so much more than her damaged past.
”
”
Cheryl McIntyre (Sometimes Never (Sometimes Never, #1))
“
Here then was the paradox of the President’s speech. We normals—aided, doubtless, by our wish to be fooled, were indeed well and truly fooled (‘Populus vult decipi, ergo decipiatur’). And so cunningly was deceptive word-use combined with deceptive tone, that only the brain-damaged remained intact, undeceived.
”
”
Oliver Sacks (The Man Who Mistook His Wife For A Hat: And Other Clinical Tales)
“
She was fierce, quick to anger, her temper terrifying and unpredictable, her words deeply damaging when she wanted them to be. Because she had almost no need for people, she had no trouble hurting them. It seemed to enlarge her, give her strength. Quinn told her she had "poison blood".
”
”
Marjorie Celona (Y)
“
Dads. Do you honestly expect anybody to believe that you can’t find 20 minutes to step away from your computer or turn off the television to play with your child? It has to happen every single day. Do you not understand that children will hinge their entire facet of trust on whether or not their dad plays with them and how involved he is when he plays with them? Do you know the damage you do by not playing with your children every day?
”
”
Dan Pearce (Single Dad Laughing: The Best of Year One)
“
Words accumulate. And once they're free there's no taking them back.
You can do an awful lot of damage with a handful of words. Destroy a friendship. End a marriage. Start a war. Some words can break you to pieces.
But that's not all. Words can be beautiful. they can make you feel things you've never felt before. Gather enough of them and they can stick those same pieces back together, provided they're the right words, said at the right time. But that takes more courage than you'd think.
”
”
John David Anderson (Posted)
“
Special Logan Kiss...
Yeah, but you didn't know that I'd recited how i felt for you right then, in that moment, in my mins. The words flowed silently, so easily. There's no mistaking them. When I gave you those kisses, I was telling myself and you....
He peck my nose "I..."
He kisses my forehead "..LOVE.."
My heart swells as
He presses his lips to my chin, then he whispers " YOU...
”
”
E.L. Montes (Perfectly Damaged)
“
While earlier generations might have seen damage to body or property as the most serious categories of crime, a highly psychologized era will accord increasing importance to words as means of oppression. And this represents a serious challenge to one of the foundations of liberal democracy: freedom of speech. Once harm and oppression are regarded as being primarily psychological categories, freedom of speech then becomes part of the problem, not the solution, because words become potential weapons.
”
”
Carl R. Trueman (The Rise and Triumph of the Modern Self: Cultural Amnesia, Expressive Individualism, and the Road to Sexual Revolution)
“
Avoidance sounds like such a harmless word, but that one word can cause some severe damage to a relationship. We avoided so much in our marriage, simply out of fear. We avoided communicating. We avoided talking about the challenges we faced. We avoided all the things that made us the saddest. And after time, I began to avoid the other half of my life altogether. I avoided him physically, which led to emotional avoidance, which led to a lot of feelings that were left unsaid.
”
”
Colleen Hoover (All Your Perfects)
“
I grant we should add a third category: that of the true healers. But it is a fact one doesn't come across many of them, and anyhow it must be a hard vocation. That's why I decided to take, in every predicament, the victim's side, so as to reduce the damage done. Among them I can at least try to discover how on attains to the third category; in other words, to peace.
”
”
Albert Camus
“
I scratched the word HELLO in small letters. ... And as names go, it's a good one, isn't it? In spite of all the damage that followed, I still think that's the perfect name for a picture drawn by a man who was trying his best not to be sad anymore - who was trying to remember how it felt to be happy.
”
”
Stephen King (Duma Key)
“
Unkindness is a serial killer.
Death in the flesh sometimes seems like a less excruciating way to succumb than the slow and steady venom unleashed by mean-spirited, cruel words and actions that poison you over time. I guess that’s why I can’t stand the old children’s rhyme: sticks and stones may break my bones but words will never hurt me. Every time I hear it, I think to myself: that’s a lie. You can dodge a rock, but you can’t unhear a word. You can’t undo the intentional damage that some words have on your mind, body, and spirit.
Especially a word like ugly.
”
”
Tarana Burke (Unbound: My Story of Liberation and the Birth of the Me Too Movement)
“
First having read the book of myths,
and loaded the camera,
and checked the edge of the knife-blade,
I put on
the body-armor of black rubber
the absurd flippers
the grave and awkward mask.
I am having to do this
not like Cousteau with his
assiduous team
aboard the sun-flooded schooner
but here alone.
There is a ladder.
The ladder is always there
hanging innocently
close to the side of the schooner.
We know what it is for,
we who have used it.
Otherwise
it is a piece of maritime floss
some sundry equipment.
I go down.
Rung after rung and still
the oxygen immerses me
the blue light
the clear atoms
of our human air.
I go down.
My flippers cripple me,
I crawl like an insect down the ladder
and there is no one
to tell me when the ocean
will begin.
First the air is blue and then
it is bluer and then green and then
black I am blacking out and yet
my mask is powerful
it pumps my blood with power
the sea is another story
the sea is not a question of power
I have to learn alone
to turn my body without force
in the deep element.
And now: it is easy to forget
what I came for
among so many who have always
lived here
swaying their crenellated fans
between the reefs
and besides
you breathe differently down here.
I came to explore the wreck.
The words are purposes.
The words are maps.
I came to see the damage that was done
and the treasures that prevail.
I stroke the beam of my lamp
slowly along the flank
of something more permanent
than fish or weed
the thing I came for:
the wreck and not the story of the wreck
the thing itself and not the myth
the drowned face always staring
toward the sun
the evidence of damage
worn by salt and sway into this threadbare beauty
the ribs of the disaster
curving their assertion
among the tentative haunters.
This is the place.
And I am here, the mermaid whose dark hair
streams black, the merman in his armored body.
We circle silently
about the wreck
we dive into the hold.
I am she: I am he
whose drowned face sleeps with open eyes
whose breasts still bear the stress
whose silver, copper, vermeil cargo lies
obscurely inside barrels
half-wedged and left to rot
we are the half-destroyed instruments
that once held to a course
the water-eaten log
the fouled compass
We are, I am, you are
by cowardice or courage
the one who find our way
back to this scene
carrying a knife, a camera
a book of myths
in which
our names do not appear.
”
”
Adrienne Rich (Diving Into the Wreck)
“
In Martin Seligman's words, 'Psychology is half-baked, literally half-baked. We have baked the part about mental illness. We have baked the part about repair and damage. But the other side is unbaked. The side of strengths, the side of what we are good at, the side…of what makes life worth living.
”
”
Donald O. Clifton (Now, Discover Your Strengths: The revolutionary Gallup program that shows you how to develop your unique talents and strengths)
“
I believe that religion, generally speaking, has been a curse to mankind — that its modest and greatly overestimated services on the ethical side have been more than overcome by the damage it has done to clear and honest thinking.
I believe that no discovery of fact, however trivial, can be wholly useless to the race, and that no trumpeting of falsehood, however virtuous in intent, can be anything but vicious.
I believe that the evidence for immortality is no better than the evidence of witches, and deserves no more respect.
I believe in the complete freedom of thought and speech — alike for the humblest man and the mightiest, and in the utmost freedom of conduct that is consistent with living in organized society.
I believe in the capacity of man to conquer his world, and to find out what it is made of, and how it is run.
I believe in the reality of progress.
I —But the whole thing, after all, may be put very simply. I believe that it is better to tell the truth than to lie. I believe that it is better to be free than to be a slave. And I believe that it is better to know than be ignorant.
”
”
H.L. Mencken (The Artist: A Drama Without Words)
“
Sorry I wish you could apologize to something you broke and it brings it back to what it was without losing its core I wish your ‘sorry’ could undo the damage that was scattered in the distance you left between us I wish your ‘sorry’ could make me love you while forgetting the pain you’ve stricken me with
”
”
Rania Naim (All The Words I Should Have Said)
“
...if you were to bother to read my books, to behave as any educated person would, you would learn that they are not sexy, and do not argue in favor of wildness of any kind. They beg that people be kinder and more responsible than they often are. It is true that some of the characters speak coarsely. That is because people speak coarsely in real life. Especially soldiers and hardworking men speak coarsely, and even our most sheltered children know that. And we all know, too, that those words really don’t damage children much. They didn’t damage us when we were young. It was evil deeds and lying that hurt us.
”
”
Kurt Vonnegut Jr. (If This Isn't Nice, What Is?: Advice for the Young)
“
I rolled my eyes. "I'm not gettin' into this argument with you again. I still have a headache from that day in Dunnes Stores where we engaged in a battle of words, verbal assault if you wish to say-" "And physical. You hit me, remember?" I growled. "You put your arms around me and tried to take my cookies! A judge would understand that, and thank me for not doin' further damage!
”
”
L.A. Casey (Dominic (Slater Brothers, #1))
“
There is one more thing," said Mr. Peabody. "Now you must go and pick up all the feathers."
... "I don't think it's possible to pick up all the feathers," Tommy replied.
"It would be just as impossible to undo the damage that you have done by spreading the rumor that I am a thief," said Mr. Peabody. "Each feather represents a person in Happyville." ... "Next time, don't be so quick to judge a person. And remember the power of your words.
”
”
Madonna (Mr. Peabody's Apples)
“
Love is the devil in disguise. He sweeps in and seduces you when you’re at your weakest, when you’ve lost all hope. But he gives you a sense of want and desire. He whispers sweet words, wrapping you into a world of existence, because before Love, you didn’t exist. Then, when you give in fully, when you’re lost in Love and when he has you exactly where he wants you, he takes over completely, possessing your mind, body, and soul.
That’s when he snatches your heart, rips it to shreds, and leaves you with nothing left to give.
”
”
E.L. Montes (Perfectly Damaged)
“
She knew it the way people say they know they are about to be hit by lightning, yet remain powerless to run, unable to avoid their fate. She panicked, as anyone might have when disparate parts of her life were about to crash into each other, certain to leave a path of anguish and debris. It was true that devotion could be lost as quickly as it was found, which was why some people insisted that love letters be written in ink. How easy it was for even the sweetest words to evaporate, only to be rewritten as impulse and infatuation might dictate. How unfortunate that love could not be taught or trained, like a seal or a dog. Instead it was a wolf on the prowl, with a mind of its own, and it made its own way, undeterred by the damage done. Love like this could turn honest people into liars and cheats, as it now did…
”
”
Alice Hoffman (The River King)
“
O VENENO ARDENTE DO DESGOSTO. THE WHITE HOT POISON OF ANGER.
When others make us angry at them- at their shamelessness, injustice, inconsideration- then they exercise power over us, they proliferate and gnaw at our soul, then anger is like a white-hot poison that corrods all mild, noble and balanced feelings and robs us of sleep. Sleepless, we turn on the light and are angry at the anger that has lodged like a succubus who sucks us dry and debilitates us. We are not only furious at the damage, but also that it develops in us all by itself, for while we sit on the edge of the bed with aching temples, the distant catalyst remains untouched by the corrosive force of the anger that eats at us. On the empty internal stage bathed in the harsh light of mute rage, we perform all by ourselves a drama with shadow figures and shadow words we hurl against enemies in helpless rage we feel as icy blazing fire in our bowels. And the greater our despair that is only a shadow play and not a real discussion with the possibility of hurting the other and producing a balance of suffering, the wilder the poisonous shadows dance and haunt us even in the darkest catacombs of our dreams. (We will turn the tables, we think grimly, and all night long forge words that will produce in the other the effect of a fire bomb so that now he will be the one with the flames of indignation raging inside while we, soothed by schadenfreude, will drink our coffee in cheerful calm.)
What could it mean to deal appropriately with anger? We really don't want to be soulless creatures who remain thoroughly indifferent to what they come across, creatures whose appraisals consist only of cool, anemic judgments and nothing can shake them up because nothing really bothers them. Therefore, we can't seriously wish not to know the experience of anger and instead persist in an equanimity that wouldn't be distinguished from tedious insensibility. Anger also teaches us something about who we are. Therefore this is what I'd like to know: What can it mean to train ourselves in anger and imagine that we take advantage of its knowledge without being addicted to its poison?
We can be sure that we will hold on to the deathbed as part of the last balance sheet- and this part will taste bitter as cyanide- that we have wasted too much, much too much strength and time on getting angry and getting even with others in a helpless shadow theater, which only we, who suffered impotently, knew anything about. What can we do to improve this balance sheet? Why did our parents, teachers and other instructors never talk to us about it? Why didn't they tell something of this enormous significance? Not give us in this case any compass that could have helped us avoid wasting our soul on useless, self-destructive anger?
”
”
Pascal Mercier (Night Train to Lisbon)
“
The heroin flowing through me, I thought about the last time I saw my father alive. He was drunk and overweight in a restaurant in Beverly Hills, and curling into myself on the bed I thought: What if I had done something that day? I had just sat passively in a restaurant booth as the midday light filled the half-empty dining room, pondering a decision. The decision was: should you disarm him? That was the word I remember: disarm. Should you tell him something that might not be the truth but would get the desired reaction? And what was I going to convince him of, even though it was a lie? Did it matter? Whatever it was, it would constitute a new beginning. The immediate line: You’re my father and I love you. I remember staring at the white tablecloth as I contemplated saying this. Could I actually do it? I didn’t believe it, and it wasn’t true, but I wanted it to be. For one moment, as my father ordered another vodka (it was two in the afternoon; this was his fourth) and started ranting about my mother and the slump in California real estate and how “your sisters” never called him, I realized it could actually happen, and that by saying this I would save him. I suddenly saw a future with my father. But the check came along with the drink and I was knocked out of my reverie by an argument he wanted to start and I simply stood up and walked away from the booth without looking back at him or saying goodbye and then I was standing in sunlight. Loosening my tie as a parking valet pulled up to the curb in the cream-colored 450 SL. I half smiled at the memory, for thinking that I could just let go of the damage that a father can do to a son. I never spoke to him again.
”
”
Bret Easton Ellis (Lunar Park)
“
Their love was equal; on the hills they roamed together, and together they would go back to their cave; and this time too they went into the Lapith's palace side by side and side by side were fighting in the fray. A javelin (no knowing from whose hand) came from the left and wounded Cyllarus, landing below the place where the chest joins neck--slight wound, but when the point was pulled away, cold grew his damaged heart and cold his limbs. Hylonome embraced him as he died, caressed the wound and, putting lips to lips, she tried to stay his spirit as it fled. And when she saw him lifeless, she moaned words that in that uproar failed to reach my ears; and fell upon the spear that pierced her love, and, dying, held her husband in her arms.
”
”
Ovid (Metamorphoses)
“
I slammed the water off hard enough to make it clack, got out of the shower, dried, and started getting dressed in a fresh set of secondhand clothes.
“Why do you wear those?” asked Lacuna.
I jumped, stumbled, and shouted half of a word to a spell, but since I was only halfway done putting on my underwear, I mostly just fell on my naked ass.
“Gah!” I said. “Don’t do that!”
My miniature captive came to the edge of the dresser and peered down at me.
“Don’t ask questions?”
“Don’t come in here all quiet and spooky and scare me like that!”
“You’re six times my height, and fifty times my weight,” Lacuna said gravely. “And I’ve agreed to be your captive. You don’t have any reason to be afraid.”
“Not afraid,” I snapped back. “Startled. It isn’t wise to startle a wizard!”
“Why not?”
“Because of what could happen!”
“Because they might fall down on the floor?”
“No!” I snarled.
Lacuna frowned and said, “You aren’t very good at answering questions.” I started shoving myself into my clothes. “I’m starting to agree with you.”
“So why do you wear those?” I blinked.
“Clothes?”
“Yes. You don’t need them unless it’s cold or raining.”
“You’re wearing clothes.”
“I am wearing armor. For when it is raining arrows. Your T-shirt will not stop arrows.”
“No, it won’t.” I sighed.
Lacuna peered at my shirt. “Aer-O-Smith. Arrowsmith. Does the shirt belong to your weapon dealer?”
“No.”
“Then why do you wear the shirt of someone else’s weapon dealer?” That was frustrating in so many ways that I could avoid a stroke only by refusing to engage. “Lacuna,” I said, “humans wear clothes. It’s one of the things we do. And as long as you are in my service, I expect you to do it as well.”
“Why?”
“Because if you don’t, I . . . I . . . might pull your arms out of your sockets.” At that, she frowned. “Why?”
“Because I have to maintain discipline, don’t I?”
“True,” she said gravely. “But I have no clothes.”
I counted to ten mentally. “I’ll . . . find something for you. Until then, no desocketing. Just wear the armor. Fair enough?” Lacuna bowed slightly at the waist. “I understand, my lord.”
“Good.” I sighed. I flicked a comb through my wet hair, for all the good it would do, and said, “How do I look?” “Mostly human,” she said.
“That’s what I was going for.”
“You have a visitor, my lord.”
I frowned. “What?”
“That is why I came in here. You have a visitor waiting for you.”
I stood up, exasperated. “Why didn’t you say so?”
Lacuna looked confused. “I did. Just now. You were there.” She frowned thoughtfully. “Perhaps you have brain damage.”
“It would not shock me in the least,” I said.
“Would you like me to cut open your skull and check, my lord?” she asked.
Someone that short should not be that disturbing. “I . . . No. No, but thank you for the offer.”
“It is my duty to serve,” Lacuna intoned.
My life, Hell’s bells.
”
”
Jim Butcher (Cold Days (The Dresden Files, #14))
“
Lucien bent and searched through the scraps of paper at Loki’s stone feet for the blood-kissed prayer Dante had placed among them. Finding it, he plucked it from the pile and straightened.
The fading essence of creawdwr blood magic tingled against his fingers. Unfolding the liquor store receipt, he read the words scrawled in Dante’s lefty slant:
Watch over her, ma mère. S’il te plaît, keep her safe. Even from me.
Lucien reread the prayer until the words blurred. He closed his fingers around the receipt, the paper crinkling against his palm. He had no doubt who she was — Special Agent Heather Wallace.
Wounded, his child, yes. Damaged, yes. But Dante’s heart was whole and in love, it seemed, with a mortal. Perhaps Heather Wallace could bind Dante and help keep his sanity from unraveling.
Insanity. The fate of an unbound creawdwr.
”
”
Adrian Phoenix (In the Blood (The Maker's Song, #2))
“
All sex is a form of longing even as it happens. Because it happens against the crush of time. Because the surface of the act is public, a cross-grain of fear and ruin. She wanted her body to remain a secret of the past, untouched by complexity and regret. She was superstitious about talking to doctors in detail. She thought they would take her body over, name all the damaged parts, speak all the awful words. She lay for a long time with her eyes closed, trying to drift into sleep. Then she rubbed the cat’s fur and felt her childhood there. It was complete in a touch, everything intact, carried out of old lost houses and fields and summer days into the river of her hand.
”
”
Don DeLillo (Mao II)
“
I am sorrowful. I am sorrowful that I happened to be born into a world where being disgusted with yourself was what you were supposed to be. I am sorrowful that my fellow countrymen feel that being human is something to repress, something ugly, something nasty. It's... It's just a fucking shame. It really is.
I am penitent. I am penitent for all the relationships this shame has ruined. I am penitent that I've allowed my shame and unhappiness to spread to others. I've fucked men and I've fucked women, Father Kolkan. I have sucked numerous pricks, and I have had my pricked sucked by numerous people. I have fucked and been fucked. And it was lovely, really lovely. I had an excellent time doing it, and I would gladly do it again. I really would. I have been lucky enough to find and meet and come to hold beautiful people in my arms - honestly, some beautiful, lovely, brilliant people - and I am filled with regret that my awful self-hate drove them away.
I don't know if you made the world, Father Kolkan. And I don't know if you made my people or if they made themselves. But if it was your words they taught me as a child, and if it's your words that encourage this vile self-disgust, this ridiculous self-flagellation, this incredibly damaging idea that to be human and to love and to risk making mistakes is wrong, then... Well, I guess fuck you, Father Kolkan.
”
”
Robert Jackson Bennett (City of Stairs (The Divine Cities, #1))
“
As he once wrote of Kipling, his own enduring influence can be measured by a number of terms and phrases—doublethink, thought police, 'Some animals are more equal than others'—that he embedded in our language and in our minds. In Orwell's own mind there was an inextricable connection between language and truth, a conviction that by using plain and unambiguous words one could forbid oneself the comfort of certain falsehoods and delusions. Every time you hear a piece of psychobabble or propaganda—'people's princess,' say, or 'collateral damage,' or 'peace initiative'—it is good to have a well-thumbed collection of his essays nearby. His main enemy in discourse was euphemism, just as his main enemy in practice was the abuse of power, and (more important) the slavish willingness of people to submit to it.
”
”
Christopher Hitchens
“
AN ACADEMIC DEFINITION of Lynchian might be that the term "refers to a particular kind of irony where the very macabre and the very mundane combine in such a way as to reveal the former's perpetual containment within the latter." But like postmodern or pornographic, Lynchian is one of those Porter Stewart-type words that's ultimately definable only ostensively-i.e., we know it when we see it. Ted Bundy wasn't particularly Lynchian, but good old Jeffrey Dahmer, with his victims' various anatomies neatly separated and stored in his fridge alongside his chocolate milk and Shedd Spread, was thoroughgoingly Lynchian. A recent homicide in Boston, in which the deacon of a South Shore church reportedly gave chase to a vehicle that bad cut him off, forced the car off the road, and shot the driver with a highpowered crossbow, was borderline Lynchian. A Rotary luncheon where everybody's got a comb-over and a polyester sport coat and is eating bland Rotarian chicken and exchanging Republican platitudes with heartfelt sincerity and yet all are either amputees or neurologically damaged or both would be more Lynchian than not.
”
”
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
“
He tried his best to save her but she was deeply damaged. Her soft edges became sharp blades, the moment he got too close to her heart. He tried his best to love her but she was beyond scarred. She mistook his love for possession, his care for obsession and all the words he gently whispered to her in between as accusations. So she fled with her heart and his. She fled because that's the only thing she was good at. She didn't think she was worthy of love. Not after everything that happened to her. Not after everyone she deeply cared about was taken from her, one by one.
Love betrayed her before. It surely will betray her this time too. So she betrayed love before it even did, not knowing that it would have never had.
”
”
Malak El Halabi
“
The left side of my brain had been shut down like a damaged section of a spinship being sealed off, airtight doors leaving the doomed compartments open to vacuum. I could still think. Control of the right side of my body soon returned. Only the language centers had been damaged beyond simple repair. The marvelous organic computer wedged in my skull had dumped its language content like a flawed program. The right hemisphere was not without some language—but only the most emotionally charged units of communication could lodge in that affective hemisphere; my vocabulary was now down to nine words. (This, I learned later, was exceptional, many victims of CVAs retain only two or three.) For the record, here is my entire vocabulary of manageable words: fuck, shit, piss, cunt, goddamn, motherfucker, asshole, peepee, and poopoo;
”
”
Dan Simmons (Hyperion (Hyperion Cantos, #1))
“
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in.
"Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?"
I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.”
She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—”
"Wait," I interrupted. "You broke into a classroom?"
"Yeah, but that’s not the problem."
Behind me, I heard a choking laugh from Ms. Terwilliger’s desk.
"Go on," I said wearily.
"Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her."
"We?" I exclaimed.
"Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.”
I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said.
As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.”
"Oh no," she said nobly. "I didn’t want to be an inconvenience."
Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to.
I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me.
"Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy."
I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.”
"Alleged?" He sounded indignant but strolled in anyways.
I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake.
"Oh," he said, seeing Angeline. "Hi."
Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.”
The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.”
That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
The Allatians believe that they have a writing system superior to all others. Unlike books written in alphabets, syllabaries, or logograms, an Allatian book captures not only words, but also the writer’s tone, voice, inflection, emphasis, intonation, rhythm. It is simultaneously a score and a recording. A speech sounds like a speech, a lament a lament, and a story re-creates perfectly the teller’s breathless excitement. For the Allatians, reading is literally hearing the voice of the past.
But there is a cost to the beauty of the Allatian book. Because the act of reading requires physical contact with the soft, malleable surface, each time a text is read, it is also damaged and some aspects of the original irretrievably lost. Copies made of more durable materials inevitably fail to capture all the subtleties of the writer’s voice, and are thus shunned.
In order to preserve their literary heritage, the Allatians have to lock away their most precious manuscripts in forbidding libraries where few are granted access. Ironically, the most important and beautiful works of Allatian writers are rarely read, but are known only through interpretations made by scribes who attempt to reconstruct the original in new books after hearing the source read at special ceremonies.
”
”
Ken Liu (The Paper Menagerie and Other Stories)
“
You are protected, in short, by your ability to love!" said Dum-bledore loudly. "The only protection that can possibly work against the lure of power like Voldemort's! In spite of all the temptation you have endured, all the suffering, you remain pure of heart, just as pure as you were at the age of eleven, when you stared into a mir-ror that reflected your heart's desire, and it showed you only the way to thwart Lord Voldemort, and not immortality or riches. Harry, have you any idea how few wizards could have seen what you saw in that mirror? Voldemort should have known then what he was dealing with, but he did not! But he knows it now. You have flitted into Lord Voldemort's mind without damage to yourself, but he cannot possess you with-out enduring mortal agony, as he discovered in the Ministry. I do not think he understands why, Harry, but then, he was in such a hurry to mutilate his own soul, he never paused to understand the incomparable power of a soul that is untarnished and whole."
"But, sir," said Harry, making valiant efforts not to sound argu-mentative, "it all comes to the same thing, doesn't it? I've got to try and kill him, or —"
"Got to?" said Dumbledore. "Of course you've got to! But not because of the prophecy! Because you, yourself, will never rest until you've tried! We both know it! Imagine, please, just for a moment,
that you had never heard that prophecy! How would you feel about Voldemort now? Think!"
Harry watched Dumbledore striding up and down in front ol him, and thought. He thought of his mother, his father, and Sinus. He thought of Cedric Diggory. He thought of all the terrible deeds he knew Lord Voldemort had done. A flame seemed to leap inside his chest, searing his throat.
"I'd want him finished," said Harry quietly. "And I'd want to do it."
"Of course you would!" cried Dumbledore. "You see, the prophecy does not mean you have to do anything! But the prophecy caused Lord Voldemort to mark you as his equal. ... In other words, you are free to choose your way, quite free to turn your back on the prophecy! But Voldemort continues to set store by the prophecy. He will continue to hunt you . . . which makes it certain, really, that —"
"That one of us is going to end up killing the other," said Harry. "Yes."
But he understood at last what Dumbledore had been trying to tell him. It was, he thought, the difference between being dragged into the arena to face a battle to the death and walking into the arena with your head held high. Some people, perhaps, would say that there was little to choose between the two ways, but Dumble-dore knew — and so do I, thought Harry, with a rush of fierce pride, and so did my parents — that there was all the difference in the world.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
In the Qur’an’s telling, Abraham after much reflection declares himself a Hanifam-Muslima (3:67). Typically translated as “a pure Muslim,” both words were archaic Arabic terms at the time of the Qur’an’s revelation and together constituted a dynamic new identity for young Abraham. The root Hanif (cited twelve times in the Qur’an) originally described a tree precariously balanced atop eroding soil in a volatile climate, forced to constantly adjust its roots and branches—and was also used to describe traversing a perilous lava formation. The term connoted the need to constantly rebalance in order to stay safe in unstable situations: remaining true to core roots while having the courage to confront reality. In essence, a Hanif is a healthy skeptic who honestly evaluates inherited traditions.
In Abraham’s formula, the Hanif interrogates reality not as a cynic but as a healer, diagnosing injuries in order to repair them. Indeed, Muslim derived from the ancient Semitic root S-L-M, literally “to repair cracks in city walls.” As the integrity of monotheism erodes over time, repairers need to assess the damage and then get to work restoring the fractures.
”
”
Mohamad Jebara (The Life of the Qur'an: From Eternal Roots to Enduring Legacy)
“
Long black hair and deep clean blue eyes and skin pale white and lips blood red she's small and thin and worn and damaged. She is standing there.
What are you doing here?
I was taking a walk and I saw you and I followed you.
What do you want.
I want you to stop.
I breathe hard, stare hard, tense and coiled. There is still more tree for me to destroy I want that fucking tree. She smiles and she steps towards me, toward toward toward me, and she opens he r arms and I'm breathing hard staring hard tense and coiled she puts her arms around me with one hand not he back of my head and she pulls me into her arms and she holds me and she speaks.
It's okay.
I breathe hard, close my eyes, let myself be held.
It's okay.
Her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and my heart slows and I stop shaking an the Fury melts into her safety an she holds me and she says.
Okay.
Okay.
Okay.
Something else comes and it makes me feel weak and scared and fragile and I don't want to be hurt and this feeling is the feeling I have when I know I can be hurt and hurt deeper and more terribly than anything physical and I always fight it and control it and stop it but her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and if she let me go right now I would fall and the need and confusion and fear and regret and horror and shame and weakness and fragility are exposed to the soft strength of her open arms and her simple word okay and I start to cry. I start to cry. I want to cry.
It comes in waves. THe waves roll deep and from deep the deep within me and I hold her and she holds me tighter and i let her and I let it and I let this and I have not felt this way this vulnerability or allowed myself to feel this way this vulnerability since I was ten years old and I don't know why I haven't and I don't know why I am now and I only know that I am and that it is scary terrifying frightening worse and better than anything I've ever felt crying in her arms just crying in her ams just crying.
She guides me to the ground, but she doesn't let me go. THe Gates are open and thirteen years of addiction, violence, hell and their accompaniments are manifesting themselves in dense tears and heavy sobs and a shortness of breath and a profound sense of loss. THe loss inhabits, fills and overwhelms me. It is the loss of a childhood of being a Teeenager of normalcy of happiness of love of trust anon reason of God of Family of friends of future of potential of dignity of humanity of sanity f myself of everything everything everything. I lost everything and I am lost reduced to a mass of mourning, sadness, grief, anguish and heartache. I am lost. I have lost. Everything. Everything.
It's wet and Lilly cradles me like a broken Child. My face and her shoulder and her shirt and her hair are wet with my tears. I slow down and I start to breathe slowly and deeply and her hair smells clean and I open my eyes because I want to see it an it is all that I can see. It is jet black almost blue and radiant with moisture. I want to touch it and I reach with one of my hands and I run my hand from the crown along her neck and her back to the base of her rib and it is a thin perfect sheer and I let it slowly drop from the tips of my fingers and when it is gone I miss it. I do it again and again and she lets me do it and she doesn't speak she just cradles me because I am broken. I am broken. Broken.
THere is noise and voices and Lilly pulls me in tighter and tighter and I know I pull her in tighter and tighter and I can feel her heart beating and I know she can feel my heart beating and they are speaking our hearts are speaking a language wordless old unknowable and true and we're pulling and holding and the noise is closer and the voices louder and Lilly whispers.
You're okay.
You're okay.
You're okay.
”
”
James Frey
“
What I have found is that a baby—though she doesn’t know words yet, or information, or the rules of life—is the most reliable judge of feelings. All a baby has with which to take in the world are her five senses. Hold her, sing to her, show her the night sky or a quivering leaf, or a bug. Those are the ways—the only ways—she learns about the world—whether it is a safe and loving place, or a harsh one. What she will register, at least, will be the fact that she is not alone. And it has been my experience that when you do this—slow down, pay attention, follow the simple instincts of love—a person is likely to respond favorably. It is generally true of babies, and most other people too, perhaps. Also dogs. Hamsters even. And people so damaged by life in the world that there might seem no hope for them, only there may be. So I talk to her. Sometimes we dance. When our daughter’s breathing is steady again—maybe she has fallen asleep, maybe not—we buckle her up in her car seat and continue north. I always know, whatever hour it may be when we pull down the long dirt road leading to their house, that the lights will be on, and the door will be open even before we reach it—my mother standing there, with Frank beside her. You brought the baby, she says.
”
”
Joyce Maynard (Labor Day)
“
Who is he?”
Eleanor lowered her voice, the name rolling off her tongue like a dark secret. “Dante Berlin.”
I laughed. “Dante? Like the Dante who wrote the Inferno? Did he pick that name just to cultivate his ‘dark and mysterious’ persona?”
Eleanor shook her head in disapproval. “Just wait till you see him. You won’t be laughing then.”
I rolled my eyes. “I bet his real name is something boring like Eugene or Dwayne.”
I expected Eleanor to laugh or say something in return, but instead she gave me a concerned look. I ignored it.
“He sounds like a snob to me. I bet he’s one of those guys who know they’re good-looking. He probably hasn’t even read the Inferno. It’s easy to pretend you’re smart when you don’t to anyone.”
Eleanor still didn’t respond. “Shh . . .” she muttered under her breath.
But before I could say “What?” I heard a cough behind me. Oh God, I thought to myself, and slowly turned around.
“Hi,” he said with a half grin that seemed to be mocking me.
And that’s how I met Dante Berlin.
So how do you describe someone who leaves you speechless?
He was beautiful. Not Monet beautiful or white sandy beach beautiful or even Grand Canyon beautiful. It was both more overwhelming and more delicate. Like gazing into the night sky and feeling incredibly small in comparison. Like holding a shell in your hand and wondering how nature was able to make something so complex yet to perfect: his eyes, dark and pensive; his messy brown hair tucked behind one ear; his arms, strong and lean beneath the cuffs of his collared shirt.
I wanted to say something witty or charming, but all I could muster up was a timid “Hi.”
He studied me with what looked like a mix of disgust and curiosity.
“You must be Eugene,” I said.
“I am.” He smiled, then leaned in and added, “I hope I can trust you to keep my true identity a secret. A name like Eugene could do real damage to my mysterious persona.”
I blushed at the sound of my words coming from his lips. He didn’t seem anything like the person Eleanor had described.
“And you are—”
“Renee,” I interjected.
“I was going to say, ‘in my seat,’ but Renee will do.”
My face went red. “Oh, right. Sorry.”
“Renee like the philosopher Rene Descartes? How esoteric of you. No wonder you think you know everything. You probably picked that name just to cultivate your overly analytical persona.”
I glared at him. I knew he was just dishing back my own insults, but it still stung. “Well, it was nice meeting you,” I said curtly, and pushed past him before he could respond, waving a quick good-bye to Eleanor, who looked too stunned to move.
I turned and walked to the last row, using all of my self-control to resist looking back.
”
”
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
“
I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it.
Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem.
It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face.
I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now.
I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.
”
”
Dodie Smith (I Capture the Castle)
“
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me."
His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?"
Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year."
Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak.
The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him?
"Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth.
When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes."
She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about."
Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile."
"I wanted to kiss every one of them," she lied indignantly.
"No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you."
Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul.
He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation.
Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit."
Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Of a real, true contract, on whatsoever subject, there is no vestige in Rousseau's book. To give an
exact idea of his theory, I cannot do better than compare it with a commercial agreement, in which
the names of the parties, the nature and value of the goods, products and services involved, the
conditions of quality, delivery, price, reimbursement, everything in fact which constitutes the
material of contracts, is omitted, and nothing is mentioned but penalties and jurisdictions.
"Indeed, Citizen of Geneva, you talk well. But before holding forth about the sovereign and the
prince, about the policeman and the judge, tell me first what is my share of the bargain? What? You
expect me to sign an agreement in virtue of which I may be prosecuted for a thousand
transgressions, by municipal, rural, river and forest police, handed over to tribunals, judged,
condemned for damage, cheating, swindling, theft, bankruptcy, robbery, disobedience to the laws of
the State, offence to public morals, vagabondage,--and in this agreement I find not a word of either
my rights or my obligations, I find only penalties!
"But every penalty no doubt presupposes a duty, and every duty corresponds to a right. Where then
in your agreement are my rights and duties? What have I promised to my fellow citizens? What
have they promised to me? Show it to me, for without that, your penalties are but excesses of
power, your law-controlled State a flagrant usurpation, your police, your judgment and your
executions so many abuses. You who have so well denied property, who have impeached so
eloquently the inequality of conditions among men, what dignity, what heritage, have you for me in
your republic, that you should claim the right to judge me, to imprison me, to take my life and
honor? Perfidious declaimer, have you inveighed so loudly against exploiters and tyrants, only to
deliver me to them without defence?
”
”
Pierre-Joseph Proudhon (The General Idea of the Revolution in the Nineteenth Century)
“
On the contrary, I’m too weak for it. I mean, everyone is, but I am especially susceptible to its false rewards, you know? It’s designed to addict you, to prey on your insecurities and use them to make you stay. It exploits everybody’s loneliness and promises us community, approval, friendship. Honestly, in that sense, social media is a lot like the Church of Scientology. Or QAnon. Or Charles Manson. And then on top of that—weaponizing a person’s isolation—it convinces every user that she is a minor celebrity, forcing her to curate some sparkly and artificial sampling of her best experiences, demanding a nonstop social performance that has little in common with her inner life, intensifying her narcissism, multiplying her anxieties, narrowing her worldview. All while commodifying her, harvesting her data, and selling it to nefarious corporations so that they can peddle more shit that promises to make her prettier, smarter, more productive, more successful, more beloved. And throughout all this, you have to act stupefied by your own good luck. Everybody’s like, Words cannot express how fortunate I feel to have met this amazing group of people, blah blah blah. It makes me sick. Everybody influencing, everybody under the influence, everybody staring at their own godforsaken profile, searching for proof that they’re lovable. And then, once you’re nice and distracted by the hard work of tallying up your failures and comparing them to other people’s triumphs, that’s when the algorithmic predators of late capitalism can pounce, enticing you to partake in consumeristic, financially irresponsible forms of so-called self-care, which is really just advanced selfishness. Facials! Pedicures! Smoothie packs delivered to your door! And like, this is just the surface stuff. The stuff that oxidizes you, personally. But a thousand little obliterations add up, you know? The macro damage that results is even scarier. The hacking, the politically nefarious robots, opinion echo chambers, fearmongering, erosion of truth, etcetera, etcetera. And don’t get me started on the destruction of public discourse. I mean, that’s just my view. Obviously to each her own. But personally, I don’t need it. Any of it.” Blandine cracks her neck. “I’m corrupt enough.
”
”
Tess Gunty (The Rabbit Hutch)
“
He was, he realized, comforted by her presence. They didn’t need to talk. They didn’t even need to touch (although he wasn’t about to let go just then). Simply put, he was a happier man— and quite possibly a better man— when she was near.
He buried his face in her hair, inhaling her scent, smelling . . .
Smelling . . .
He drew back. “Would you care for a bath?”
Her face turned an instant scarlet. “Oh, no,” she moaned, the words muffled into the hand she’d clapped over her mouth. “It was so filthy in jail, and I was forced to sleep on the ground, and—”
“Don’t tell me any more,” he said.
“But—”
“Please.”
If he heard more he might have to kill someone. As long as there had been no permanent damage, he didn’t want to know the details.
“I think,” he said, the first hint of a smile tugging at the left corner of his mouth, “that you should take a bath.”
“Right.” She nodded as she rose to her feet. “I’ll go straight to your mother’s—”
“Here.”
“Here?”
The smile spread to the right corner of his mouth. “Here.”
“But we told your mother—”
“That you’d be home by nine.”
“I think she said seven.”
“Did she? Funny, I heard nine.”
“Benedict . . .”
He took her hand and pulled her toward the door. “Seven sounds an awful lot like nine.”
“Benedict . . .”
“Actually, it sounds even more like eleven.”
“Benedict!”
He deposited her right by the door. “Stay here.”
“I beg your pardon?”
“Don’t move a muscle,” he said, touching his fingertip to her nose.
Sophie watched helplessly as he slipped out into the hall, only to return two minutes later.
“Where did you go?” she asked.
“To order a bath.”
“But—”
His eyes grew very, very wicked. “For two.”
She gulped.
He leaned forward. “They happened to have water heating already.”
“They did?”
He nodded. “It’ll only take a few minutes to fill the tub.”
She glanced toward the front door. “It’s nearly seven.”
“But I’m allowed to keep you until twelve.”
“Benedict!”
He pulled her close. “You want to stay.”
“I never said that.”
“You don’t have to. If you really disagreed with me, you’d have something more to say than, ‘Benedict’!”
She had to smile; he did that good an imitation of her voice.
His mouth curved into a devilish grin. “Am I wrong?”
She looked away, but she knew her lips were twitching.
“I thought not,” he murmured.
”
”
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
“
This seat taken?" My eyes grazing over the only other occupant, a guy with long glossy dark hair with his head bent over a book.
"It's all yours," he says. And when he lifts his head and smiles,my heart just about leaps from my chest.
It's the boy from my dreams.
The boy from the Rabbit Hole,the gas station,and the cave-sitting before me with those same amazing,icy-blue eues, those same alluring lips I've kissed multiple times-but only in slumber, never in waking life.
I scold my heart to settle,but it doesn't obey.
I admonish myself to sit,to act normal, casual-and I just barely succeed.
Stealing a series of surreptitious looks as I search through my backpack, taking in his square chin,wide generous lips,strong brow,defined cheekbones, and smooth brown skin-the exact same features as Cade.
"You're the new girl,right?" He abandons his book,tilting his head in a way that causes his hair to stream over his shoulder,so glossy and inviting it takes all of my will not to lean across the table and touch it.
I nod in reply,or at least I think I do.I can't be too sure.I'm too stricken by his gaze-the way it mirrors mine-trying to determine if he knows me, recognizes me,if he's surprised to find me here.Wishing Paloma had better prepared me-focused more on him and less on his brother.
I force my gaze from his.Bang my knee hard against the table as I swivel in my seat.Feeling so odd and unsettled,I wish I'd picked another place to sit, though it's pretty clear no other table would have me.
He buries his smile and returns to the book.Allowing a few minutes to pass,not nearly enough time for me to get a grip on myself,when he looks up and says, "Are you staring at me because you've seen my doppelganer roaming the halls,playing king of the cafeteria? Or because you need to borrow a pencil and you're too shy to ask?"
I clear the lump from my throat, push the words past my lips when I say, "No one's ever accused me of being shy." A statement that,while steeped in truth, stands at direct odds with the way I feel now,sitting so close to him. "So I guess it's your twin-or doppelganer,as you say." I keep my voice light, as though I'm not at all affected by his presence,but the trill note at the end gives me away.Every part of me now vibrating with the most intense surge of energy-like I've been plugged into the wall and switched on-and it's all I can do to keep from grabbing hold of his shirt, demanding to know if he dreamed the dreams too.
He nods,allowing an easy,cool smile to widen his lips. "We're identical," he says. "As I'm sure you've guessed. Though it's easy enough to tell us apart. For one thing,he keeps his hair short.For another-"
"The eyes-" I blurt,regretting the words the instant they're out.From the look on his face,he has no idea what I'm talking about. "Yours are...kinder." My cheeks burn so hot I force myself to look away,as words of reproach stampede my brain.
Why am I acting like such an inept loser? Why do I insist on embarrassing myself-in front of him-of all people?
I have to pull it together.I have to remember who I am-what I am-and what I was born to do.Which is basically to crush him and his kind-or,at the very least,to temper the damage they do.
”
”
Alyson Noel (Fated (Soul Seekers, #1))
“
She opened the book.
“Don’t,” said Arin. “Please.”
But she had already seen the inscription.
For Arin, it read, from Amma and Etta, with love.
This was Arin’s home. This house had been his, this library his, this book his, dedicated to him by his parents, some ten years ago.
Kestrel breathed slowly. Her fingers rested on the page, just below the black line of writing. She lifted her gaze to meet Irex’s smirk.
Her mind chilled. She assessed the situation as her father would a battle. She knew her objective. She knew her opponent’s. She understood what she could afford to lose, and what she could not.
Kestrel closed the book, set it on a table, and turned her back to Arin. “Lord Irex,” she said, her voice warm. “It is but a book.”
“It is my book,” Irex said.
There was a choked sound behind her. Without looking, Kestrel said in Herrani, “Do you wish to be removed from the room?”
Arin’s answer was low. “No.”
“Then be silent.” She smiled at Irex. In their language, she said, “This is clearly not a case of theft. Who would dare steal from you? I’m certain he meant only to look at it. You can’t blame him for being curious about the luxuries your house holds.”
“He shouldn’t have even been inside the library, let alone touching its contents. Besides, there were witnesses. A judge will rule in my favor. This is my property, so I will decide the number of lashes.”
“Yes, your property. Let us not forget that we are also discussing my property.”
“He will be returned to you.”
“So the law says, but in what condition? I am not eager to see him damaged. He holds more value than a book in a language no one has any interest in reading.”
Irex’s dark eyes flicked to look behind Kestrel, then returned to her. They grew sly. “You take a decided interest in your slave’s well-being. I wonder to what lengths you will go to prevent a punishment that is rightfully mine to give.” He rested a hand on her arm. “Perhaps we can settle the matter between us.”
Kestrel heard Arin inhale as he understood Irex’s suggestion. She was angry, suddenly, at the way her mind snagged on the sound of that sharp breath. She was angry at herself, for feeling vulnerable because Arin was vulnerable, and at Irex for his knowing smile. “Yes.” Kestrel decided to twist Irex’s words into something else. “This is between us, and fate.”
Having uttered the formal words of a challenge to a duel, Kestrel stepped back from Irex’s touch, drew her dagger, and held it sideways at the level of her chest like a line drawn between him and her.
“Kestrel,” Irex said. “That isn’t what I had in mind when I said we might solve the matter.”
“I think we’ll enjoy this method more.”
“A challenge.” He tsked. “I’ll let you take it back. Just this one.”
“I cannot take it back.”
At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades.
“I’ll even let you choose the weapons,” Irex said.
“Needles. Now it is to you to choose the time and place.”
“My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.”
This gave Kestrel pause. But she nodded, and finally turned to Arin.
He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up.
“You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--”
“Not a word. Don’t speak until we are in the carriage.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
All right, now that the weirdness between us has caused actual physical damage, I think it’s time we talked it out, don’t you?”
He gave a half smile and then turned back to the path. “We don’t need to be weird,” he said. “These past few days, since the thing with Elodie, I’ve been thinking.” He took a deep breath, and I knew that this was one of those rare occasions when Cal was about to say a lot of words at once. “I like you, Sophie. A lot. For a while, I thought it might be more than that. But you love Cross.”
He said it matter-of-factly, but I still caught the way his ears reddened. “I know I’ve said some pretty awful stuff about him, but…I was wrong. He’s a good guy. So, I guess what I’m saying is that as the guy who’s betrothed to you, I wish we could be more than friends.” He stopped, turning around to face me. “But as your friend, I want you to be happy. And if Cross is who you want, then I’m not gonna stand in the way of that.”
“I’m the worst fiancé ever, aren’t I?”
Cal lifted one shoulder. “Nah. This one warlock I knew, his betrothed set him on fire.”
Laughing so I wouldn’t cry, I tentatively lifted my arms to hug him. He folded me against his chest, and there was no awkwardness between us, and I knew the warmth in the pit of my stomach was love. Just a different kind.
Sniffling, I pulled back and rubbed at my nose. “Okay, now that the hard part’s over, let’s go tackle the Underworld.”
“Got room for two more?”
Startled, I turned to see Jenna and Archer standing on the path, Jenna’s hand clutching Archer’s sleeve as she tried to stay on her feet. “What?” was all I could say.
Archer took a few careful steps forward. “Hey, this has been a group effort so far. No reason to stop now.”
“You guys can’t go into the Underworld with me,” I told them. “You heard Dad, I’m the only one with-“
“With powers strong enough. Yeah, we got that,” Jenna said. “But how are you supposed to carry a whole bunch of demonglass out of that place? It’ll burn you. And hey, maybe your powers will be strong enough to get all of us in, too.” She gestured to herself and the boys. “Plus it’s not like we don’t have powers of our own.”
I knew I should tell them to go back. But having the three of them there made me feel a whole lot better and whole lot less terrified. So in the end, I gave an exaggerated sign and said, “Okay, fine. But just so you know, following me into hell means you’re all definitely the sidekicks.”
“Darn, I was hoping to be the rakishly charming love interest,” Archer said, taking my hand.
“Cal, any role you want?” I asked him, and he looked ruefully at the craggy rock looming over us. As he did, there was the grinding sound of stone against stone. We all stared at the opening that appeared.
“I’m just hoping to be the Not Dead Guy,” Cal muttered.
We faced the entrance. “Between the four of us, we fought ghouls, survived attacks by demons and L’Occhio di Dio, and practically raised the dead,” I said. “We can do this.”
“See, inspiring speeches like that are why you get to be the leader,” Archer said, and he squeezed my hand.
And then, moving almost as one, we stepped into the rock.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
What did I do now?” He reluctantly pulled the car the curb.
I needed to get out of this car – like now. I couldn’t breathe.
I unbuckled and flung open the door.
“Thanks for the ride. Bye.”
I slammed the door shut and began down the sidewalk. Behind me, I heard the engine turn off and his door open and shut. I quickened my stride as James jogged up to me. I slowed down knowing I couldn’t escape his long legs anyway. Plus, I didn’t want to get home all sweaty and have to explain myself.
“What happened?” James asked, matching my pace.
“Leave me alone!” I snapped back. I felt his hand grab my elbow, halting me easily.
“Stop,” he ordered.
Damn it, he’s strong!
“What are you pissed about now?” He towered over me. I was trapped in front of him, if he tugged a bit, I’d be in his embrace.
“It’s so funny huh? I’m that bad? I’m a clown, I’m so funny!” I jerked my arm, trying to break free of his grip. “Let me go!”
“No!” He squeezed tighter, pulling me closer.
“Leave me alone!” I spit the words like venom, pulling my arm with all my might.
“What’s your problem?” James demanded loudly. His hand tightened on my arm with each attempt to pull away. My energy was dwindling and I was mentally exhausted. I stopped jerking my arm back, deciding it was pointless because he was too strong; there was no way I could pull my arm back without first kneeing him in the balls.
We were alone, standing in the dark of night in a neighborhood that didn’t see much traffic.
“Fireball?” he murmured softly.
“What?” I replied quietly, defeated.
Hesitantly, he asked, “Did I say something to make you sad?”
I wasn’t going to mention the boyfriend thing; there was no way.
“Yes,” I whimpered.
That’s just great, way to sound strong there, now he’ll have no reason not to pity you!
“I’m sorry,” came his quiet reply.
Well maybe ‘I’m sorry’ just isn’t good enough. The damage is already done!
“Whatever.”
“What can I do to make it all better?”
“There’s nothing you could–” I began but was interrupted by him pulling me against his body. His arms encircled my waist, holding me tight. My arms instinctively bent upwards, hands firmly planted against his solid chest. Any resentment I had swiftly melted away as something brand new took its place: pleasure.
Jesus!
“What do you think you’re doing?” I asked him softly; his face was only a few inches from mine.
“What do you think you’re doing?” James asked back, looking down at my hands on his chest. I slowly slid my arms up around his neck.
I can’t believe I just did that!
“That’s better.”
Our bodies were plastered against one another; I felt a new kind of nervousness touch every single inch of my body, it prickled electrically.
“James,” I murmured softly.
“Fireball,” he whispered back.
“What do you think you’re doing?” I repeated; my brain felt frozen. My heart had stopped beating a mile a minute instead issuing slow, heavy beats.
James uncurled one of his arms from my waist and trailed it along my back to the base of my neck, holding it firmly yet delicately. Blood rushed to the very spot he was holding, heat filled my eyes as I stared at him.
“What are you doing?” My bewilderment was audible in the hush.
I wasn’t sure I had the capacity to speak anymore. That function had fled along with the bitch. Her replacement was a delicate flower that yearned to be touched and taken care of. I felt his hand shift on my neck, ever so slightly, causing my head to tilt up to him. Slowly, inch by inch, his face descended on mine, stopping just a breath away from my trembling lips.
I wanted it. Badly. My lips parted a fraction, letting a thread of air escape.
“Can I?” His breath was warm on my lips.
Fuck it!
“Yeah,” I whispered back. He closed the distance until his lush lips covered mine.
My first kiss…damn!
His lips moved softly over mine. I felt his grip on my neck squeeze as his lips pressed deeper into
”
”
Sarah Tork (Young Annabelle (Y.A #1))