Damaged But Not Broken Quotes

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...things get broken, and sometimes they get repaired, and in most cases, you realize that no matter what gets damaged, life rearranges itself to compensate for your loss, sometimes wonderfully.
Hanya Yanagihara (A Little Life)
You are damaged and broken and unhinged. But so are shooting stars and comets.
Nikita Gill
That's the ultimate kind of broken. The kind of damage you never recover from.
Rainbow Rowell (Fangirl)
Highly sensitive people are too often perceived as weaklings or damaged goods. To feel intensely is not a symptom of weakness, it is the trademark of the truly alive and compassionate. It is not the empath who is broken, it is society that has become dysfunctional and emotionally disabled. There is no shame in expressing your authentic feelings. Those who are at times described as being a 'hot mess' or having 'too many issues' are the very fabric of what keeps the dream alive for a more caring, humane world. Never be ashamed to let your tears shine a light in this world.
Anthon St. Maarten
Instead of saying, "I'm damaged, I'm broken, I have trust issues" say "I'm healing, I'm rediscovering myself, I'm starting over.
Horacio Jones
for the fifth time this month you say you’re going to leave him he calls you a cunt over the phone then walks the three miles to your house and kisses your mouth until the word is just a place on your body. i don’t know what brings broken people together maybe damage seeks out damage the way stains on a mattress halo into one another the way stains on a mattress bleed into each other.
Warsan Shire
If I were a different kind of person, I might say that this whole incident is a metaphor for life in general: things get broken, and sometimes they get repaired, and in most cases, you realize that no matter what gets damaged, life rearranges itself to compensate for your loss, sometimes wonderfully.
Hanya Yanagihara (A Little Life)
When the Japanese mend broken objects, they aggrandize the damage by filling the cracks with gold. They believe that when something's suffered damage and has a history it becomes more beautiful.
Barbara Bloom
I've always known we were two puzzle pieces that fit together in a hollow that is our pain. There was a time when I was certain we were too damaged not to destroy each other. Now I think we are saving each other.
Lisa Renee Jones (Being Me (Inside Out, #2))
Your body is not a first aid kit for broken people and damaged souls and hearts that are too tired to fix themselves.
Nikita Gill (Wild Embers)
I have become convinced that God thoroughly enjoys fixing and saving things that are broken. That means that no matter how hurt and defeated you feel, no matter how badly you have been damaged, God can repair you. God can give anyone a second chance.
Melody Carlson (Damaged: A Violated Trust (Secrets, #3))
All my life I've felt like there was something wrong with me. Something missing or damaged." "Every teenager in the world feels like that, feels broken or out of place, different somehow, royalty mistakenly born into a family of peasants.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
The multiverse is infinite. So, yeah, we go through some terrible things together, and I’ve seen versions of you who are darker, and damaged, and I don’t care. I want you even when you’re broken. I want you no matter what. Your darkness, your anger, whatever it is you fear inside yourself—it doesn’t matter. I love you completely, don’t you see? I even want the worst of you because it’s still a part of you.
Claudia Gray (Ten Thousand Skies Above You (Firebird, #2))
I’m probably going to be crazy for the rest of my life, thanks to her. I’m going to keep making fucked-up decisions and doing weird things that I don’t even realize are weird. People are going to feel sorry for me, and I won’t ever have any normal relationships—and it’s always going to be because I didn’t have a mother. Always. That’s the ultimate kind of broken. The kind of damage you never recover from.
Rainbow Rowell (Fangirl)
No amount of soul searching would fix my past. There was no magical Band-Aid I could stick on my heart, no special glue I could use to make myself whole again. I had shattered to pieces like a fragile vase on concrete; some fragments could be roughly cobbled back together, but many of my vital parts had simply turned to dust, pulverized and scattered by the first gust of wind.
Julie Johnson (Like Gravity)
things get broken, and sometimes they get repaired, and in most cases, you realize that no matter what gets damaged, life rearranges itself to compensate for your loss, sometimes wonderfully.
Hanya Yanagihara (A Little Life)
They also learned that not everything broken could be fixed, and that not everything ruined could be thrown away. Sometimes the damaged things were all you had to work with.
Diane Hammond (Hannah's Dream)
This was my love, her love --torn, damaged, broken, ripped apart and put back together. This was our tattered love.
Lola Stark (Tattered Love (Needle's Kiss, #1))
That throbbing thing in my chest can hardly be called a heart. It has been wrung out and deformed into something merely functional. Nothing can revive it.
Anna Jae
I wanted the chance to give him something, to give him the best of me, as pathetic as it was, damaged and broken, warped at the edges, hardly worth having. I decided that if I had the chance, if he asked, if he needed, it was his.
Sarah Fine (Sanctum (Guards of the Shadowlands, #1))
When I say 'I won't hurt you', it's a promise, which can and will be kept but it does not come from me without a breakdown of what it means. It does not mean we will never disagree, nor does it mean that you will always like everything which I say or do. It does not mean that you will never hurt yourself by behaving in a way which is damaging to a relationship or by behaving in a way which would ultimately result in my withdrawal from your life. What it does mean is that I can promise all that I expect in terms of loyalty, honor and respect. It means I am faithful. It also means that I will not intentionally or carelessly behave in a way which causes upset or doubt. It means, at the lowest level, 'You will break these terms before I do.' Communication is essential. Trust is paramount. Be completely honest and don't make promises that you can't keep, that's all.
Eva Schuette
His steady gaze was even softer than his voice. It reached out to the broken parts of her like a caress. The type of touch that moves through damaged flesh, past fractured bones and into a person's wounded soul.
Stephanie Garber (Caraval (Caraval, #1))
A boy made of stardust and selfishness; a girl filled with fire and fury at the world. We are a tangle of emotional wreckage, two broken messes thrown together, trying to navigate something we can barely comprehend.
Julie Johnson (The Monday Girl (The Girl Duet, #1))
MYSTERIES, YES Truly, we live with mysteries too marvelous to be understood. How grass can be nourishing in the mouths of the lambs. How rivers and stones are forever in allegiance with gravity while we ourselves dream of rising. How two hands touch and the bonds will never be broken. How people come, from delight or the scars of damage, to the comfort of a poem. Let me keep my distance, always, from those who think they have the answers. Let me keep company always with those who say "Look!" and laugh in astonishment, and bow their heads.
Mary Oliver (Evidence: Poems)
We're broken in complementary ways, thus rendering our damage comprehensible to each other.
Ann Aguirre (Killbox (Sirantha Jax, #4))
Betrayal annihilates trust. The more trust there is to begin with, and the more deception is involved, the more damage is done.
Sandra Lee Dennis
Storytelling can heal broken hearts and damaged minds.
Dean Koontz (Ashley Bell (Ashley Bell, #1))
That’s the thing about hearts. They don’t get put back together, not really. They just get patched. But the damage is still there.
Lauren Oliver (Broken Things)
She'd never broken a bone, had surgery. But the worst damage didn't leave a mark. When Hellie died, it was as if someone had cut into Alex's chest, cracked her open like balsa wood. What if it really had been like that and she'd had to walk down the street bleeding, trying to hold her ribs together, her heart and her lungs and every part of her open to the world? Instead, the thing that had broken her had left no mark, no scar for her to point to and say, This is where I ended.
Leigh Bardugo (Ninth House (Alex Stern, #1))
We were rough around the edges, but that didn’t make us worthless. Being a little damaged does not make someone broken. It just means they have better stories to tell and cooler scars. It
A.J. Mendez Brooks (Crazy Is My Superpower: How I Triumphed by Breaking Bones, Breaking Hearts, and Breaking the Rules)
She was damaged and broken and there wasn’t any kind of glue in the world that could fix her.
Julie Bale (The Stillness of You (Beautifully Damaged, #1))
You're just another f*cking mirage on my road to hell" ~Johnathon Lee Ashfield, AKA Sade~
Lucian Bane (Mercy (Mercy, #1))
She’s damaged. Broken by men from our world, and it’s my responsibility to patch her back up and make sure she never shatters again.
Somme Sketcher (Sinners Consumed (Sinners Anonymous, #3))
The trouble with rules, though, is that you'll always be tempted to break one- for the right reasons, due to unavoidable circumstances, because it feels as if there's no other choice. And once you break one, the rest seem like so much broken glass. The damage is already done.
Stacey Kade (The Rules (Project Paper Doll, #1))
'I'm sorry' won't fix what's been broken.  It can't reverse time or undo the damage or change anything that happened.  But a sincere, humble apology can serve to soften the sting and sometimes do a pretty good patch up job.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
Or, I guess, she just wears her damage where we can all see it. I bury mine as deep as I can, as far down below my skin as possible, so I can pretend it's not killing me slowly, painfully, constantly.
J. Bree (Broken Bonds (The Bonds that Tie, #1))
I never mastered anything. I am damaged. Broken. And I always will be.
Christine Fonseca (Lacrimosa (Requiem, #1))
Could a body broken and blood spilled two thousand years ago restore my own damaged life?
Frederica Mathewes-Green (At the Corner of East and Now: A Modern Life in Ancient Christian Orthodoxy)
I have more baggage than baggage claim. I'm damaged goods. I'm not good at...” she released him for a moment and fingered between the two of them “this.” “Well, I think you're dancing just fine, Miss Gerhart.” he smirked. He knew that was not what she meant, but he had hoped to lighten their mood. Maybe if he could get her to relax she would give him a chance.
J.B. McGee (Broken (This, #1))
It's possible I've been through too much, lost too much. War damages different people in different ways; Hector taught me that. King Alejandro became spineless and incapable. His father before him was rash and unpredictable, if I'm to believe court gossip. Perhaps this is my damage. Maybe I am numb to fear because I am broken.
Rae Carson (The Bitter Kingdom (Fire and Thorns, #3))
The day i met Cameron,the pieces started to flow into place,and the night that Cameron kissed me,the day that he sat next to me and told that he loved me,that was when the last piece of me were snapped into place.Every other second,minute,hour that i spent with Cameron after that moment made the last piece of my puzzle grow stronger,so that it made the damaged,the broken pieces become insignificant-mere background noise.But Cameron had taken the last piece of the puzzle with him,and a black hole was all that was left in its stead.How do you recover from that? How do you survive?You don't, I resolved.There's no coming back from that permanent void left inside of you.You become a shell,going through the motions without emotion,like a robot,while the rest of me was wherever Cameron was...
Julie Hockley (Crow's Row (Crow's Row, #1))
She wore her pain like a crown, wore broken like a doll and damaged like a warrior.
Anne Malcom (Birds of Paradise)
The library knows that it is a temporary fix. We have a stamp for the inside front cover: BROKEN SPINE NOTED. It is like a bracelet worn by a diabetic. When you return the book with this message stamped inside, we know you're not the one responsible for this horrible thing. It was some other bastard before you. The book has a preexisting condition.
Don Borchert
Mother was,' June thought, 'a beautiful little ornament that was damaged.' Her broken edges cut her daughters in ways both emotional and physical, and only sharpened with age.
Karen Abbott (American Rose: A Nation Laid Bare: The Life and Times of Gypsy Rose Lee)
After all, memoirs are not open doors into another person’s house. They are more like broken windows, with the owner trying to explain away all of the damage.
Michelle Moran (Rebel Queen)
Lumani had never managed a failed delivery because, in the end, no matter how skilled or how hard they fought back, pressure applied in the right places caused even the strongest men to fracture. But this one? He'd watched her. Studied her. Observed what maybe even Uncle, the reader of people, had missed. This one was already fractured, and the lines between her broken pieces were not fissures but scar material stronger than whatever had once filled those spaces.
Taylor Stevens (The Doll (Vanessa Michael Munroe, #3))
I do not have a hero complex. I have always been attracted to strong, independent women. I like a girl who has her shit together. No strings. Simple. Confident. But the way she nearly sighed the word 'broken'--as if it was her sole identifier, as if it's branded on her somehow, as if admitting this has cost her dearly, shamed her--just killed me a little bit. I want to save her. I want to be her hero. I want to make her see she is so much more than her damaged past.
Cheryl McIntyre (Sometimes Never (Sometimes Never, #1))
The journey of reinvention is one of raw emotions Emerging from dormancy Surprising as a paper cut Overwhelming as a hailstorm One part vulnerability One part rage One part surrender Uncomfortable Unfamiliar Unsure Fearful Alone Damaged Broken And finding a new Self Slowly Different Healing Humble Present Open Longing Free
Dave Rudbarg
He was beyond damaged. He was broken. Smashed to bloody pieces. He was alone in the world without the one person who could make him whole. And he always would be.
Jennifer Donnelly (The Tea Rose (The Tea Rose, #1))
If I were a different kind of person, I might say that that this whole incident is a metaphor for life in general: things get broken, and sometimes they get repaired, and in most cases, you realize that no matter what gets damaged, life rearranges itself to compensate for your loss, sometimes wonderfully.
Hanya Yanagihara (A Little Life)
Luckily, the picture wasn't damaged. We were still whole beneath the jagged scar. I stopped, considering. I was scarred, but I was not broken. Beneath my wounds I was still whole. Beneath my insecurities, beneath my pain, beneath my struggle, beneath it all, I was still whole.
Amy Harmon (A Different Blue)
He said I need to stop thinking I'm nothing more than the damaged version of myself. That who I am is who I am." She looked down at the blanket. "And it made me think: we break, in many different ways. But it doesn't mean we're broken. Do you get what I mean?
Julia Whelan (Thank You for Listening)
You don’t have to be perfect to be loved by me. That’s not how this love works. I don’t only love you on the good days. I love you on the hard ones, too. Be broken, be raw, be damaged. And still, I’ll stay.
Brittainy C. Cherry (Northern Stars (Compass, #4))
Yes," I said, staring at the way the sunshine glinted, quite prettily, on the broken fragments. Odd that something so wrecked could be so beautiful.
Harlem Dae (The Player (Sexy as Hell Trilogy, #2))
Women can say what they want about guys not listening because we are too busy trying to fix the problem. Women are always too busy trying to fix men to ever hear about our problems.
Jack Gunthridge (Broken Hearts Damaged Goods)
We are fundamentally connected.  We met when we were broken seeds, when we were still being formed into something.  We had to grow together to survive.  Some part of us will always be like that, connected, growing together.  We're different flowers, but we were nurtured from the same damaged root.
R.K. Lilley (Mr. Beautiful (Up in the Air, #4))
For Saffron," it said in shaky old writing on the damaged base, and on the other side, "Saffy's angel." Saffron, picking up the broken fragments one by one, said it didn't matter. She hugged Rose and Indigo and Caddy and Sarah, and said again and again that it didn't matter, it didn't matter at all.
Hilary McKay (Saffy's Angel (Casson Family, #1))
I’m here now, and I’m not letting you go until I give you everything I am … And if it’s still not enough, if you still won’t believe me, then I’ll keep trying. Over and over. Until you realize that you could have come to me shattered, broken, in an infinite of pieces, and I would’ve made you whole. I would have loved you. Every damaged piece of you. In all ways and for always.
Jay McLean (Coast (Kick Push, #2))
A woman is always carrying other people’s burdens, kicked to the ground, scorned, and damaged to the core. When a woman is going along at a steady pace, someone comes along to knock her off balance. A woman falls more often than she likes to. That’s okay, give yourself a shake and dust it off. A woman can be bruised many times, but she is not broken, and she always rises above it.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
A delicate scent hung in the air as we strolled down the long boulevard toward the Opera House holding hands. Paris had come to life in a very special way, the lights of the Eiffel Tower a gentle reminder that nothing mattered once that starry blanket covered the great city, except love. Love was the reason Paris existed. For those lonely in their soul, their heart a barren wasteland starving for nourishment, she offered hope. For those like Caroline and I, lucky enough to have found each other and begin the healing process to repair our brokenness, Paris was a bastion to love's transforming power. A year ago I could not have pictured myself holding hands with someone as nice as Caroline, as lovely and unpretentious. She was pretty, but her soul made her beautiful. I loved everything about her, including her damage.
Bobby Underwood (The Long Gray Goodbye (Seth Halliday #2))
Broken by hardships, disappointments and tragedy, people can become discouraged and cynical. But lives can also be mended. Put back together well, they won't be just like they were before. Damaged pieces reassembled with a golden bonding of patience and love will help form a person into an exquisite masterpiece. It is as if people have to be broken before they can become whole and complete.
Steve Goodier
They also learned that not everything broken could be fixed, and that not everything ruined cold be thrown away. Sometimes the damaged things were all you had to work with.
Diane Hammond (Hannah's Dream)
We are all damaged, broken creatures, searching for love, acceptance, understanding, in a world that has no patience or tolerance for beautiful things.
D. Michael Hardy (Pain and Longing: Poetry and Photography)
Logan is a sideways, brilliant, honest guy who does the coolest stuff ever, and everybody hates, but who I am basically in love with. But Logan is damaged, broken. And, let’s not sugarcoat it, that ain’t gonna change. Even though it isn’t his fault, even though his shitty father caused it, even though it’s not fair . . . that kinda thing cuts deep. That kinda thing sticks
Andrea Portes (Anatomy of a Misfit)
That's what love is. It's taking a leap of faith. It's opening yourself up and letting your walls down and allowing someone to see every dark and broken corner of your soul. It's truth and honesty with yourself and them. It's raw and brutal and terrifying and real. You can't just claim to want it, but refuse to allow yourself to be vulnerable to it. That's not how it works. If you love someone, truly love them, you'll bear your soul to them and let them be the keeper of your heart no matter how fragile or damaged it might be. And if they love you then they'll do everything in their power to keep it safe, to nurture and protect it and heal over all the old wounds.
Caroline Peckham
You've been told that you're broken, that you're damaged goods and should be labeled victims. I don't buy it. The truth, instead, is that you are the only folks with the skills, determination, and values to ensure American dominance in this chaotic world.
James Mattis
Jax leaves behind the softest kiss near the base of my neck. “I wish I hated you. But instead, you’re making me like you more. You pretend to be this put-together person, but you’re broken—damaged like me. And the absolute fucking worst is that I want to know your messed-up parts too. I want to put them together with mine and see what we create. So, I don’t know whether to run in the opposite direction or beg you for a chance despite how much of an arse I’ve been,” he whispers.
Lauren Asher (Wrecked (Dirty Air, #3))
Ten Best Song to Strip 1. Any hip-swiveling R&B fuckjam. This category includes The Greatest Stripping Song of All Time: "Remix to Ignition" by R. Kelly. 2. "Purple Rain" by Prince, but you have to be really theatrical about it. Arch your back like Prince himself is daubing body glitter on your abdomen. Most effective in nearly empty, pathos-ridden juice bars. 3. "Honky Tonk Woman" by the Rolling Stones. Insta-attitude. Makes even the clumsiest troglodyte strut like Anita Pallenberg. (However, the Troggs will make you look like even more of a troglodyte, so avoid if possible.) 4. "Pour Some Sugar on Me" by Def Leppard. The Lep's shouted choruses and relentless programmed drums prove ideal for chicks who can really stomp. (Coincidence: I once saw a stripper who, like Rick Allen, had only one arm.) 5. "Amber" by 311. This fluid stoner anthem is a favorite of midnight tokers at strip joints everywhere. Mellow enough that even the most shitfaced dancer can make it through the song and back to her Graffix bong without breaking a sweat. Pass the Fritos Scoops, dude. 6. "Miserable" by Lit, but mostly because Pamela Anderson is in the video, and she's like Jesus for strippers (blonde, plastic, capable of parlaying a broken nail into a domestic battery charge, damaged liver). Alos, you can't go wrong stripping to a song that opens with the line "You make me come." 7. "Back Door Man" by The Doors. Almost too easy. The mere implication that you like it in the ass will thrill the average strip-club patron. Just get on all fours and crawl your way toward the down payment on that condo in Cozumel. (Unless, like most strippers, you'd rather blow your nest egg on tacky pimped-out SUVs and Coach purses.) 8. Back in Black" by AC/DC. Producer Mutt Lange wants you to strip. He does. He told me. 9. "I Touch Myself" by the Devinyls. Strip to this, and that guy at the tip rail with the bitch tits and the shop teacher glasses will actually believe that he alone has inspired you to masturbate. Take his money, then go masturbate and think about someone else. 10. "Hash Pipe" by Weezer. Sure, it smells of nerd. But River Cuomo is obsessed with Asian chicks and nose candy, and that's just the spirit you want to evoke in a strip club. I recommend busting out your most crunk pole tricks during this one.
Diablo Cody
...our current criminal justice system has no provision for restorative justice, in which an offender confronts the damage they have done and tries to make it right to the people they have harmed. Instead, our system of 'corrections' is about arm's-length revenge and retribution, all day and all night. Then its overseers wonder why people leave prison more broken then when they went in.
Piper Kerman (Orange Is the New Black)
Imagine we could see the damage inside ourselves. Imagine it showed through us like contraband on an airport scanner. What would it be like, to walk around the city with it all on view – all the hurts and the betrayals and the things that diminished us; all the crushed dreams and the broken hearts? What would it be like to see the people our lives have made us? The people we are, under our skin. I
Tammy Cohen (When She Was Bad)
No longer do African regimes have to spend vast sums maintaining land lines and telephone exchanges, exposed to the perils of looting or climate damage. A few mobile-phone beacons, powered by solar batteries, cost a fraction of the old, fixed system. And the cash earned by mobile-phone systems is much easier to control. Gone are the days of relying on a failing mail system to send bills to users of landline systems to chase up payment for calls already made. Top-up cards have to be paid for in advance. Mobile-phone networks are among the most cash-rich and fast-growing businesses in today’s Africa. It is no wonder that the sons, nieces and confidants of Africa’s dictators vie for ownership of mobile-phone companies.
Tim Butcher (Blood River: A Journey to Africa's Broken Heart)
Somewhere on the skiff, I heard Nikolai talking, his voice husky and damaged by whatever dark thing had used him. I wanted to go to him, see his face, make sure he was alright. He must have broken bones after that fall. But I'd lost a lot of blood, and I found myself slipping away, my weary mind eager for oblivion.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Until we forgive ourselves, we will always see ourselves through the shattered pieces of the dreams we can no longer have. Nothing can be seen clearly through broken pieces: no future, no hope, no faith, no love is capable of being seen properly until we admit that we are driving on a flat tire. We have to stop believing that just because we are damaged we are irreparably broken.
Sarah Jakes (Lost and Found: Finding Hope in the Detours of Life)
Girls like me don't get the fairytales. Because the white knights never want the dirty, damaged girls. They know there's nothing left of us that's salvageable...nothing left of us that hasn't already been taken and destroyed. And saving us? Will only ruin them.
Ashley Jade (Blame It on the Shame Part 1 (Blame It on the Shame #1))
No wheelchair can support damaged self-esteem until it learns to stand upright. No cane can help emotions limp along until they can walk. A cast or brace can't protect a vulnerable spirit, and not even the strongest painkiller can stop the ache cause by a failed relationship. No, the only way a broken heart mends itself is with stitches of time and the sticky tape of hastily rearranged dreams.
Jay Bell (Something Like Spring (Seasons, #4))
Don't leave "broken windows" (bad designs, wrong decisions, or poor code) unrepaired. Fix each one as soon as it is discovered. If there is insufficient time to fix it properly, then board it up. Perhaps you can comment out the offending code, or display a "Not Implemented" message, or substitute dummy data instead. Take some action to prevent further damage and to show that you're on top of the situation.
Andrew Hunt (The Pragmatic Programmer: From Journeyman to Master)
Darius was savage, brutal, vicious, broken and mine. And in that moment, I had no desire for the darkness in him to ever let up. I wanted him. Every damaged, depraved, dirty piece of his soul was made to fit with all the twisted, ruined parts of my own. And if the stars didn’t like it then I’d happily climb up into the sky and tear them all down for him.
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
The truth is that no one can keep you captive. No one can keep you unhappy. No one can keep you abused. Our lives rise to the level we accept. I do believe we can rise from the screaming blood of our losses, of extreme pain, physically debilitating emotion, psychological neglect, and apathy, and not merely survive, but thrive. We do not need to let our histories or our losses define us except in the way we choose. We can use them as fuel to create real depth, beauty, connectedness, and compassion in our lives. Our stories can make us exceptional people, not damaged ones. If we choose to be truthful with ourselves. And if we choose to digest and release the pain rather than try to avoid it. This is how pain accumulates and creates more pain, leading to neurosis, pathology, and brittleness of spirit.
Jewel (Never Broken Deluxe: Songs Are Only Half the Story)
When shame has been pumping through a heart, over time the heart itself grows toxic. When we are wounded, we leak toxic waste, and that waste poisons us and the people around us—even when we are completely unaware of it—just like I did with Joanna. The reality is: • Hurt people hurt people. • Broken people break people. • Shattered people shatter people. • Damaged people damage people. • Wounded people wound people. • Bound people bind people.
Christine Caine (Unashamed: Drop the Baggage, Pick up Your Freedom, Fulfill Your Destiny)
Think about what it would mean to fight," he said. "Say we barricade ourselves here in the hotel and refuse to leave. They come at us with their Weapon, whatever it is. Some of us are hurt, some die. We go out to meet them with whatever weapons we can find - sticks, maybe, or pieces of broken glass. We battle each other. Maybe they set fire to the hotel. Maybe we march into the village and steal food from them nad they come after us and beat us. We beat them back. In the end, maybe we damage them so badly that they're too weak to make us leave. What do we have? Friends and neighbors and families dead. A place half destroyed, and those left in it full of hatred for us. And we ourselves will have to live with the memory of the terrible things we have done.
Jeanne DuPrau (The People of Sparks (Book of Ember, #2))
Dear Jude Thank you for your beautiful (if unnecessary) note. I appreciate everything in it. You're right; that mug means a lot to me. But you mean more, so please stop torturing yourself. If I were a different kind of person, I might say that this whole incident is a metaphor for life in general: things get broken, and sometimes they get repaired, and in most cases, you realize dat no matter what gets damaged, life rearranges itself to compensate for your loss, sometimes wonderfully. Actually - maybe I am that kind of person after all.
Hanya Yanagihara (A Little Life)
Guard your tongue, and use it for good instead of evil. How many marriages or friendships have been destroyed because of criticism that spiraled out of control? How many relationships have broken down because of a word spoken thoughtlessly or in anger? A harsh word can’t be taken back; no apology can fully repair its damage.
Billy Graham (Billy graham in quotes)
The hard part is that I lost myself. In the midst of life happening all around me, I lost the ability to be okay, I lost the ability to trust. I lost the ability to love myself, and when that happens, you lose everything. And when the one person in the entire world who loves you unconditionally is gone, then you start wondering who will love you? And then when you start wondering, you get scared that you have to even ask that question. But since you have already asked yourself that, you can’t ignore it. Who will love you now? Who could possibly love everything about you, now that the only person in the world who could, is gone? Hell, you don’t even love yourself. Why would someone else? And then when you realize that, the relationship you’re in seems pointless. Because you start believing that they won’t ever be able to withstand your problems and craziness. And then that snowballs to even more insecurities and fear, and you feel trapped in this broken body that can’t ever be healed. And then you feel lost, torn, broken, unfixable, damaged, and like nothing in the entire world could ever possibly be okay again. Because you know from the past, that even when everything seems okay, another devastating blow comes around again and knocks you back down. So you feel even smaller, even weaker. By that point you’re at the bottom, you’re looking up in tears, ready to scream for help. But you’re not sure who’s going to be there, and if the person who does show up, is going to be the person you need, the person who’s going to pick you up, and help you heal. And then you realize again, that you lost yourself. That in the midst of life happening all around you, you lost ability to be okay.
Sabrina K
Kade winced. "You're angry." "A little bit, yes. I understand wanting to know what your allies are capable of, but the fact that I've been damaged doesn't make me broken, and you don't need to behave as if it does. This is my home, my world, and I'm going to fight to get it back, just as hard as Jack will. Harder, maybe. She'll always be a newcomer here. She loves her land, and she'll protect it, but this is where I was born. The Moon has known my first breath, all three times I've taken it, and She loves me all the same.
Seanan McGuire (Come Tumbling Down (Wayward Children, #5))
our current criminal justice system has no provision for restorative justice, in which an offender confronts the damage they have done and tries to make it right to the people they have harmed. (I was lucky to get there on my own, with the help of the women I met.) Instead, our system of “corrections” is about arm’s-length revenge and retribution, all day and all night. Then its overseers wonder why people leave prison more broken than when they went in.
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
You’re covered in all these broken promises from people who said they would never leave. Sometimes afraid of your own skin and the scars that run deep in your veins. Are you ready Are you ready for someone who could turn you inside out? No one dares to peel back all the layers of your skin All this damage, you’re a mess. Are you ready Are you ready Because I want your damaged skin.
Courtney Peppernell (Pillow Thoughts)
Ironically, the tattoo represents the opposite for me today. It reminds me that it's important to let yourself be vulnerable, to lose control and make a mistake. It reminds me that, as Whitman would say, I contain multitudes and I always will. I'm a level-one introvert who headlined Madison Square Garden—and was the first woman comic to do so. I'm the ‘overnight success’ who's worked her ass off every single waking moment for more than a decade. I used to shoplift the kind of clothing that people now request I wear to give them free publicity. I'm the SLUT or SKANK who's only had one one-night stand. I'm a ‘plus-size’ 6 on a good day, and a medium-size 10 on an even better day. I've suffered the identical indignities of slinging rib eyes for a living and hustling laughs for cash. I'm a strong, grown-ass woman who's been physically, sexually, and emotionally abused by men and women I trusted and cared about. I've broken hearts and had mine broken, too. Beautiful, ugly, funny, boring, smart or not, my vulnerability is my ultimate strength. There's nothing anyone can say about me that's more permanent, damaging, or hideous than the statement I have forever tattooed upon myself. I'm proud of this ability to laugh at myself—even if everyone can see my tears, just like they can see my dumb, senseless, whack, lame lower back tattoo.
Amy Schumer (The Girl with the Lower Back Tattoo)
A lengthy term of community service working with addicts on the outside would probably have driven the same truth home and been a hell of a lot more productive for the community. But our current criminal justice system has no provision for restorative justice, in which an offender confronts the damage they have done and tries to make it right to the people they have harmed. (I was lucky to get there on my own, with the help of the women I met.) Instead, our system of “corrections” is about arm’s-length revenge and retribution, all day and all night. Then its overseers wonder why people leave prison more broken than when they went in.
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
Through pain and growth, I have come to appreciate -no, more than that-I've come to love my fence, even though it may be different than the neighbors'. The concept of perfection is not flawless or ripped from a magazine. It's happiness. Happiness with all itsmessiness and not-quite-thereness. It's knowing that life is short, and the moments we choose to fill our cup wiht should be purposeful and rich. That we should be present for life, that we should drink deeply. And that's perfection. And my dad and my mom and my family-my past, present, and future with Nella, what the world may view as broken or damaged-have taught me what true beauty really is.
Kelle Hampton (Bloom: Finding Beauty in the Unexpected--A Memoir (P.S.))
Because a bunch of dudes beating on one dude who was already on the ground until he's brain damaged and broken is wrong. Because prosecuting people differently for the same exact crimes because of skin color is wrong. Because some people being able to buy private islands while other people sleep outside on the ground is wrong. Because knowingly destroying poor communities with drugs let in to fund wars against foreign regimes is fundamentally wrong. Because even though you finally enact a Civil Rights Act not even thirty years ago, it doesn't erase centuries of unequal wealth, unequal access, unequal schooling, unequal living conditions, unequal policing. You can't tell people to pull up on bootstraps when half of them never had any boots to begin with, never even had the chance to get them. Or when you let people burn whole, thriving black communities to the ground and conveniently forget about it. Because maybe the problem isn't only with "bad" people, maybe the problem is with the whole system.
Christina Hammonds Reed (The Black Kids)
The town, although it had “suffered greatly,” was not in as bad shape as he had expected, he wrote to John Hancock, “and I have a particular pleasure in being able to inform you, sir, that your house has received no damage worth mentioning.” Other fine houses had been much abused by the British, windows broken, furnishings smashed or stolen, books destroyed. But at Hancock’s Beacon Hill mansion all was in order, as General Sullivan also attested, and there was a certain irony in this, since the house had been occupied and maintained by the belligerent General James Grant, who had wanted to lay waste to every town on the New England coast. “Though I believe,” wrote Sullivan, “the brave general had made free with some of the articles in the [wine] cellar.
David McCullough (1776)
He had seen how the spirit, the reserves in [Bond], could pull him out of badly damaged conditions that would have broken the normal human being. He knew how a desperate situation would bring out those reserves again, how the will to live would spring up again in a real emergency. He remembered how countless neurotic patients had disappeared for ever from his consulting rooms when the last war had broken out. The big worry had driven out the smaller ones, the greater fear the lesser. He made up his mind. He turned back to M. "Give him one more chance.
Ian Fleming (You Only Live Twice (James Bond, #12))
Long black hair and deep clean blue eyes and skin pale white and lips blood red she's small and thin and worn and damaged. She is standing there. What are you doing here? I was taking a walk and I saw you and I followed you. What do you want. I want you to stop. I breathe hard, stare hard, tense and coiled. There is still more tree for me to destroy I want that fucking tree. She smiles and she steps towards me, toward toward toward me, and she opens he r arms and I'm breathing hard staring hard tense and coiled she puts her arms around me with one hand not he back of my head and she pulls me into her arms and she holds me and she speaks. It's okay. I breathe hard, close my eyes, let myself be held. It's okay. Her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and my heart slows and I stop shaking an the Fury melts into her safety an she holds me and she says. Okay. Okay. Okay. Something else comes and it makes me feel weak and scared and fragile and I don't want to be hurt and this feeling is the feeling I have when I know I can be hurt and hurt deeper and more terribly than anything physical and I always fight it and control it and stop it but her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and if she let me go right now I would fall and the need and confusion and fear and regret and horror and shame and weakness and fragility are exposed to the soft strength of her open arms and her simple word okay and I start to cry. I start to cry. I want to cry. It comes in waves. THe waves roll deep and from deep the deep within me and I hold her and she holds me tighter and i let her and I let it and I let this and I have not felt this way this vulnerability or allowed myself to feel this way this vulnerability since I was ten years old and I don't know why I haven't and I don't know why I am now and I only know that I am and that it is scary terrifying frightening worse and better than anything I've ever felt crying in her arms just crying in her ams just crying. She guides me to the ground, but she doesn't let me go. THe Gates are open and thirteen years of addiction, violence, hell and their accompaniments are manifesting themselves in dense tears and heavy sobs and a shortness of breath and a profound sense of loss. THe loss inhabits, fills and overwhelms me. It is the loss of a childhood of being a Teeenager of normalcy of happiness of love of trust anon reason of God of Family of friends of future of potential of dignity of humanity of sanity f myself of everything everything everything. I lost everything and I am lost reduced to a mass of mourning, sadness, grief, anguish and heartache. I am lost. I have lost. Everything. Everything. It's wet and Lilly cradles me like a broken Child. My face and her shoulder and her shirt and her hair are wet with my tears. I slow down and I start to breathe slowly and deeply and her hair smells clean and I open my eyes because I want to see it an it is all that I can see. It is jet black almost blue and radiant with moisture. I want to touch it and I reach with one of my hands and I run my hand from the crown along her neck and her back to the base of her rib and it is a thin perfect sheer and I let it slowly drop from the tips of my fingers and when it is gone I miss it. I do it again and again and she lets me do it and she doesn't speak she just cradles me because I am broken. I am broken. Broken. THere is noise and voices and Lilly pulls me in tighter and tighter and I know I pull her in tighter and tighter and I can feel her heart beating and I know she can feel my heart beating and they are speaking our hearts are speaking a language wordless old unknowable and true and we're pulling and holding and the noise is closer and the voices louder and Lilly whispers. You're okay. You're okay. You're okay.
James Frey
You were the colors to my monochrome life. My morning light and my midnight dream. Flawed, yet whole. You used to think that you weren’t enough – but you were enough for me. You were my first everything. My fire. My tornado. You were the eye of my storm. The moment I saw you, I knew you were going to destroy my life. But I let it happen. There was just something magical and outlandish about playing with fire that I couldn’t resist. I wanted to be as close as I could to the idea of destroying myself. It didn’t happen out of the blue. Day by day – moment by moment, I started to lose myself. With every kiss, you took away a part of me. Until one day, I woke up and I wasn’t myself anymore. I never thought that a disaster could be so damn beautiful. I don’t regret it. But I regret waking up next to an empty bed and how unceremoniously you left when the damage was done. I saw your picture today, holding someone else’s hand. And it made me realize that some disasters don’t make a sound. Not every destruction stands still. Some of them might walk right past you.
Bhavya Kaushik
Still, I also had grasped enough of the West’s views of such fatalism—that it made of us primitives, naïfs, and fools—to keep such beliefs to myself. In the West, it was believed that attitude and ambition saved you. In Africa, we had learned no one was immune to capricious tragedy. What I didn’t know then was that ignoring my own southern African knowledge was its own kind of mischief: it rendered me speechless when I should have spoken, helpless when I was profoundly capable, and broken when in fact the very places inside me that had been damaged and snapped were their own kind of strength. I saw the landscape around us as tattooed with death, fraught with the possibility of unrecovered land mines and undetonated ordnance.
Alexandra Fuller (Leaving Before the Rains Come)
Yet for the first time I really understood how my choices made me complicit in their suffering. I was the accomplice to their addiction. A lengthy term of community service working with addicts on the outside would probably have driven the same truth home and been a hell of a lot more productive for the community. But our current criminal justice system has no provision for restorative justice, in which an offender confronts the damage they have done and tries to make it right to the people they have harmed. (I was lucky to get there on my own, with the help of the women I met.) Instead, our system of “corrections” is about arm’s-length revenge and retribution, all day and all night. Then its overseers wonder why people leave prison more broken than when they went in.
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
So it was that the Red Tower put into production its new, more terrible and perplexing, line of unique novelty items. Among the objects and constructions now manufactured were several of an almost innocent nature. These included tiny, delicate cameos that were heavier than their size would suggest, far heavier, and lockets whose shiny outer surface flipped open to reveal a black reverberant abyss inside, a deep blackness roaring with echoes. Along the same lines was a series of lifelike replicas of internal organs and physiological structures, many of them evidencing an advanced stages of disease and all of them displeasingly warm and soft to the touch. There was a fake disembodied hand on which fingernails would grow several inches overnight and insistently grew back should one attempt to clip them. Numerous natural objects, mostly bulbous gourds, were designed to produce a long, deafening scream whenever they were picked up or otherwise disturbed in their vegetable stillness. Less scrutable were such things as hardened globs of lava into whose rough, igneous forms were sent a pair of rheumy eyes that perpetually shifted their gaze from side to side like a relentless pendulum. And there was also a humble piece of cement, a fragment broken away from any street or sidewalk, that left a most intractable stain, greasy and green, on whatever surface it was placed. But such fairly simple items were eventually followed, and ultimately replaced, by more articulated objects and constructions. One example of this complex type of novelty item was an ornate music box that, when opened, emitted a brief gurgling or sucking sound in emulation of a dying individual's death rattle. Another product manufactured in great quantity at the Red Tower was a pocket watch in a gold casing which opened to reveal a curious timepiece whose numerals were represented by tiny quivering insects while the circling 'hands' were reptilian tongues, slender and pink. But these examples hardly begin to hint at the range of goods that came from the factory during its novelty phase of production. I should at least mention the exotic carpets woven with intricate abstract patterns that, when focused upon for a certain length of time, composed themselves into fleeting phantasmagoric scenes of a kind which might pass through a fever-stricken or even permanently damaged brain.
Thomas Ligotti (Teatro Grottesco)
These men suffer. Their anguish and despair has no limits or boundaries. They suffer in a society that does not want men �� to change, that does not want men to reconstruct masculinity so that the basis for the social formation of male identity is not rooted in an ethic of dom- ination. Rather than acknowledge the intensity of their suffering, they dissim- ulate. They pretend. They act as though they have power and privilege when they feel powerless. Inability to acknowledge the depths of male pain makes it difficult for males to challenge and change patriarchal masculinity. Broken emotional bonds with mothers and fathers, the traumas of emo- tional neglect and abandonment that so many males have experienced and been unable to name, have damaged and wounded the spirits of men. Many men are unable to speak their suffering. Like women, those who suffer the most cling to the very agents of their suffering, refusing to resist sexism or sexist oppression. Their refusal is rooted in the fear that their weakness will be exposed. They fear acknowledging the depths of their pain. As their pain intensifies, so does their need to do violence, to coercively dominate and abuse others. Barbara Deming explains: “I think the reason that men are so very violent is that they know, deep in themselves, that they’re acting a lie, and so they’re furious. You can’t be happy living a lie, and so they’re furious at being caught in the lie. But they don’t know how to break out of it, so they just go further into it.” For many men the moment of violent connection may be the only intimacy, the only attainable closeness, the only space where the agony is released. When feminist women insist that all men are powerful op- pressors who victimize from the location of power, they obscure the reality that many victimize from the location of victimization. The violence they do to others is usually a mirroring of the violence enacted upon and within the self.
bell hooks (The Will to Change: Men, Masculinity, and Love)
So it was that the Red Tower put into production its terrible and perplexing line of unique novelty items. Among the objects and constructions now manufactured were several of an almost innocent nature. These included tiny, delicate cameos that were heavier than their size would suggest, far heavier, and lockets whose shiny outer surface flipped open to reveal a black reverberant abyss inside, a deep blackness roaring with echoes. Along the same lines was a series of lifelike replicas of internal organs and physiological structures, many of them evidencing an advanced stage of disease and all of them displeasingly warm and soft to the touch. There was a fake disembodied hand on which fingernails would grow several inches overnight, every night like clockwork. Numerous natural objects, mostly bulbous gourds, were designed to produce a long deafening scream whenever they were picked up or otherwise disturbed in their vegetable stillness. Less scrutable were such things as hardened globs of lava into whose rough igneous forms were set a pair of rheumy eyes that perpetually shifted their gaze from side to side like a relentless pendulum. And there was also a humble piece of cement, a fragment broken away from any street or sidewalk, that left a most intractable stain, greasy and green, on whatever surface it was placed. But such fairly simple items were eventually followed, and ultimately replaced, by more articulated objects and constructions. One example of this complex type of novelty item was an ornate music box that, when opened, emitted a brief gurgling or sucking sound in emulation of a dying individual's death rattle. Another product manufactured in great quantity at the Red Tower was a pocket watch in gold casing which opened to reveal a curious timepiece whose numerals were represented by tiny quivering insects while the circling "hands" were reptilian tongues, slender and pink. But these examples hardly begin to hint at the range of goods that came from the factory during its novelty phase of production. I should at least mention the exotic carpets woven with intricate abstract patterns that, when focused upon for a certain length of time, composed themselves into fleeting phantasmagoric scenes of the kind which might pass through a fever-stricken or even permanently damaged brain.
Thomas Ligotti (The Nightmare Factory)
AUTHOR’S NOTE Dear reader: This story was inspired by an event that happened when I was eight years old. At the time, I was living in upstate New York. It was winter, and my dad and his best friend, “Uncle Bob,” decided to take my older brother, me, and Uncle Bob’s two boys for a hike in the Adirondacks. When we left that morning, the weather was crisp and clear, but somewhere near the top of the trail, the temperature dropped abruptly, the sky opened, and we found ourselves caught in a torrential, freezing blizzard. My dad and Uncle Bob were worried we wouldn’t make it down. We weren’t dressed for that kind of cold, and we were hours from the base. Using a rock, Uncle Bob broke the window of an abandoned hunting cabin to get us out of the storm. My dad volunteered to run down for help, leaving my brother Jeff and me to wait with Uncle Bob and his boys. My recollection of the hours we spent waiting for help to arrive is somewhat vague except for my visceral memory of the cold: my body shivering uncontrollably and my mind unable to think straight. The four of us kids sat on a wooden bench that stretched the length of the small cabin, and Uncle Bob knelt on the floor in front of us. I remember his boys being scared and crying and Uncle Bob talking a lot, telling them it was going to be okay and that “Uncle Jerry” would be back soon. As he soothed their fear, he moved back and forth between them, removing their gloves and boots and rubbing each of their hands and feet in turn. Jeff and I sat beside them, silent. I took my cue from my brother. He didn’t complain, so neither did I. Perhaps this is why Uncle Bob never thought to rub our fingers and toes. Perhaps he didn’t realize we, too, were suffering. It’s a generous view, one that as an adult with children of my own I have a hard time accepting. Had the situation been reversed, my dad never would have ignored Uncle Bob’s sons. He might even have tended to them more than he did his own kids, knowing how scared they would have been being there without their parents. Near dusk, a rescue jeep arrived, and we were shuttled down the mountain to waiting paramedics. Uncle Bob’s boys were fine—cold and exhausted, hungry and thirsty, but otherwise unharmed. I was diagnosed with frostnip on my fingers, which it turned out was not so bad. It hurt as my hands were warmed back to life, but as soon as the circulation was restored, I was fine. Jeff, on the other hand, had first-degree frostbite. His gloves needed to be cut from his fingers, and the skin beneath was chafed, white, and blistered. It was horrible to see, and I remember thinking how much it must have hurt, the damage so much worse than my own. No one, including my parents, ever asked Jeff or me what happened in the cabin or questioned why we were injured and Uncle Bob’s boys were not, and Uncle Bob and Aunt Karen continued to be my parents’ best friends. This past winter, I went skiing with my two children, and as we rode the chairlift, my memory of that day returned. I was struck by how callous and uncaring Uncle Bob, a man I’d known my whole life and who I believed loved us, had been and also how unashamed he was after. I remember him laughing with the sheriff, like the whole thing was this great big adventure that had fortunately turned out okay. I think he even viewed himself as sort of a hero, boasting about how he’d broken the window and about his smart thinking to lead us to the cabin in the first place. When he got home, he probably told Karen about rubbing their sons’ hands and feet and about how he’d consoled them and never let them get scared. I looked at my own children beside me, and a shudder ran down my spine as I thought about all the times I had entrusted them to other people in the same way my dad had entrusted us to Uncle Bob, counting on the same naive presumption that a tacit agreement existed for my children to be cared for equally to their own.
Suzanne Redfearn (In an Instant)