Daisy And Gatsby Quotes

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I couldn’t forgive him or like him, but I saw that what he had done was, to him, entirely justified. It was all very careless and confused. They were careless people, Tom and Daisy—they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made.
F. Scott Fitzgerald (The Great Gatsby)
Do you ever wait for the longest day of the year and then miss it? I always wait for the longest day of the year and then miss it!
F. Scott Fitzgerald (The Great Gatsby)
There must have been moments even that afternoon when Daisy tumbled short of his dreams -- not through her own fault, but because of the colossal vitality of his illusion. It had gone beyond her, beyond everything. He had thrown himself into it with a creative passion, adding to it all the time, decking it out with every bright feather that drifted his way. No amount of fire or freshness can challenge what a man will store up in his ghostly heart.
F. Scott Fitzgerald (The Great Gatsby)
His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed like a flower and the incarnation was complete.
F. Scott Fitzgerald (The Great Gatsby)
They were careless people, Tom and Daisy- they smashed up things and creatures and then retreated back into their money or their vast carelessness or whatever it was that kept them together, and let other people clean up the mess they had made.
F. Scott Fitzgerald (The Great Gatsby)
What'll we do with ourselves this afternoon?” cried Daisy, “and the day after that, and the next thirty years?
F. Scott Fitzgerald (The Great Gatsby)
And as I sat there brooding on the old, unknown world, I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock. He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night. Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matter—to-morrow we will run faster, stretch out our arms farther. . . . And one fine morning—— So we beat on, boats against the current, borne back ceaselessly into the past.
F. Scott Fitzgerald (The Great Gatsby)
He talked a lot about the past, and I gathered that he wanted to recover something, some idea of himself perhaps, that had gone into loving Daisy. His life had been confused and disordered since then, but if he could once return to a certain starting place and go over it all slowly, he could find out what that thing was ....
F. Scott Fitzgerald (The Great Gatsby)
I thought of Gatsby's wonder when he first picked out the green light at the end of Daisy's dock. He had come a long way to this lawn and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him. [- Nick Carroway]
F. Scott Fitzgerald (The Great Gatsby)
If it wasn’t for the mist we could see your home across the bay," said Gatsby. "You always have a green light that burns at the end of your dock." Daisy put her arm through his abruptly but he seemed absorbed in what he had just said. Possibly it had occurred to him that the colossal significance of that light had now vanished forever. Compared to the great distance that had separated him from Daisy it had seemed very near to him, almost touching her. It had seemed as close as a star to the moon. Now it was again a green light on a dock. His count of enchanted things had diminished by one.
F. Scott Fitzgerald (The Great Gatsby)
They were careless people, Tom and Daisy—they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made.
F. Scott Fitzgerald (The Great Gatsby)
The officer looked at Daisy while she was speaking, in a way that every young girl wants to be looked at sometime, and because it seemed romantic to me I have remembered the incident ever since.
F. Scott Fitzgerald (The Great Gatsby)
She saw something awful in the very simplicity she failed to understand.
F. Scott Fitzgerald
We haven’t met for many years, said Daisy, her voice as matter-of-fact as it could ever be. "Five years next November." The automatic quality set us all back at least another minute.
F. Scott Fitzgerald (The Great Gatsby)
When I read the actual story-how Gatsby loves Daisy so much but can't ever be with her no matter how hard he tries-I feel like ripping the book in half and calling up Fitzgerald and telling him his book is all wrong, even though I know Fitzgerald is probably deceased. Especially when Gatsby is shot dead in his swimming pool the first time he goes for a swim all summer, Daisy doesn't even go to his funeral, Nick and Jordan part ways, and Daisy ends up sticking with racist Tom, whose need for sex basically murders an innocent woman, you can tell Fitzgerald never took the time to look up at clouds during sunset, because there's no silver lining at the end of that book, let me tell you.
Matthew Quick (The Silver Linings Playbook)
I’ve been thinking I’d like to be Daisy; I’d like to have someone like Gatsby stare at my house for whole years and never stop dreaming of me
Koren Zailckas (Smashed: Story of a Drunken Girlhood)
He talked a lot about the past and I gathered that he wanted to recover something, some idea of himself perhaps, that had gone into loving Daisy.
F. Scott Fitzgerald (The Great Gatsby)
I’ve heard it said that Daisy’s murmur was only to make people lean toward her; an irrelevant criticism that made it no less charming.
F. Scott Fitzgerald (The Great Gatsby)
I see now that this has been a story of the West, after all--Tom and Gatsby, Daisy and Jordan and I, were all Westerners, and perhaps we possessed some deficiency in common which made us subtly unadaptable to Eastern life.
F. Scott Fitzgerald (The Great Gatsby)
What'll we do with ourselves this afternoon,' cried Daisy, 'and the day after that, and the next thirty years?' 'Don't be morbid,' Jordan said. 'Life starts all over again when it gets crisp in the fall.' 'But it's so hot,' insisted Daisy, on the verge of tears, 'And everything's so confused. Let's all go to town!
F. Scott Fitzgerald (The Great Gatsby)
He hadn’t once ceased looking at Daisy, and I think he revalued everything in his house according to the measure of response it drew from her well-loved eyes. Sometimes, too, he stared around at his possessions in a dazed way, as though in her actual and astounding presence none of it was any longer real.
F. Scott Fitzgerald (The Great Gatsby)
Out of the corner of his eye Gatsby saw that the blocks of the sidewalks really formed a ladder and mounted to a secret place above the trees—he could climb to it, if he climbed alone, and once there he could suck on the pap of life, gulp down the incomparable milk of wonder. His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for him like a flower and the incarnation was complete. Through all he said, even through his appalling sentimentality, I was reminded of something—an elusive rhythm, a fragment of lost words, that I had heard somewhere a long time ago. For a moment a phrase tried to take shape in my mouth and my lips parted like a dumb man’s, as though there was more struggling upon them than a wisp of startled air. But they made no sound, and what I had almost remembered was uncommunicable forever.
F. Scott Fitzgerald (The Great Gatsby)
But there was Jordan beside me, who, unlike Daisy, was too wise ever to carry well-forgotten dreams from age to age.
F. Scott Fitzgerald (The Great Gatsby)
I can't describe to you how surprised I was to find out I loved her, old sport. I even hoped for a while that she'd throw me over, but she didn't, because she was in love with me too. She thought I knew a lot because I knew different things from her. . . . Well, there I was, 'way off my ambitions, getting deeper in love every minute, and all of a sudden I didn't care. What was the use of doing great things if I could have a better time telling her what I was going to do?" On the last afternoon before he went abroad, he sat with Daisy in his arms for a long, silent time. It was a cold fall day, with fire in the room and her cheeks flushed. Now and then she moved and he changed his arm a little, and once he kissed her dark shining hair. The afternoon had made them tranquil for a while, as if to give them a deep memory for the long parting the next day promised. They had never been closer in their month of love, nor communicated more profoundly one with another, than when she brushed silent lips against his coat's shoulder or when he touched the end of her fingers, gently, as though she were asleep.
F. Scott Fitzgerald (The Great Gatsby)
The night before her wedding, Daisy taught me that after the world ended, you still had to get up in the morning, and the things that you ruined would still be there, needing to be fixed. When I looked at famous Jay Gatsby, soul gone and some terrible engine he called love driving him now, I could see that for him, the world was always ending. For him, it was all a wreck and a ruin, and he had no idea why the rest of us weren't screaming.
Nghi Vo (The Chosen and the Beautiful)
Through this twilight universe Daisy began to move again with the season; suddenly she was again keeping half a dozen dates a day with half a dozen men, and drowsing asleep at dawn with the beads and chiffon of an evening dress tangled among dying orchids on the floor beside her bed.
F. Scott Fitzgerald (The Great Gatsby)
There must have been moments even that afternoon when Daisy tumbled short of his dreams -- not through her own fault but because of the colossal vitality of his illusion.
F. Scott Fitzgerald (The Great Gatsby)
I was looking at it again, through Daisy’s eyes. It is invariably saddening to look through new eyes at things upon which you have expended your own powers of adjustment.
F. Scott Fitzgerald (The Great Gatsby)
I’ve been everywhere and seen everything and done everything…Sophisticated — God, I’m sophisticated! (Daisy)
F. Scott Fitzgerald (The Great Gatsby)
It excited him, too, that many men had already loved Daisy--it increased her value in his eyes. He felt their presence all about the house, pervading the air with the shades and echoes of still vibrant emotions.
F. Scott Fitzgerald (The Great Gatsby)
Daisy began to sing with the music in a husky, rhythmic whisper, bringing out a meaning in each word that it had never had before and would never have again. When the melody rose, her voice broke up sweetly, following it, in a way contralto voices have, and each change tipped out a little of her warm human magic upon the air.
F. Scott Fitzgerald (The Great Gatsby)
He knew that Daisy was extraordinary, but he didn't realize just how extraordinary a 'nice' girl could be.
F. Scott Fitzgerald (The Great Gatsby)
Suddenly I wasn't thinking of Daisy or Gatsby anymore, but of this clean, hard, limited person, who dealt in universal skepticism, and who leaned back jauntily just within the circle of my arm.
F. Scott Fitzgerald (The Great Gatsby)
They were careless people, Tom and Daisy—they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made.…
F. Scott Fitzgerald (The Great Gatsby)
She had caught a cold and it made her voice huskier and more charming than ever and Gatsby was overwhelmingly aware of the youth and mystery that wealth imprisons and preserves, of the freshness of many clothes and of Daisy, gleaming like silver, safe and proud above the hot struggles of the poor.
F. Scott Fitzgerald (The Great Gatsby)
They were careless people, Tom and Daisy--they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made.
F. Scott Fitzgerald (The Great Gatsby)
As I went over to say good-by I saw that the expression of bewilderment had come back into Gatsby's face, as though a faint doubt had occurred to him as to the quality of his present happiness. Almost five years! There must have been moments even that afternoon when Daisy tumbled short of his dreams-not through her own fault, but because of the colossal vitality of his illusion. It had gone beyond her, beyond everything. He had thrown himself into it with a creative passion, adding to it all the time, decking it out with every bright feather that drifted his way. No amount of fire or freshness can challenge what a man will store up in his ghostly heart
F. Scott Fitzgerald (The Great Gatsby)
They were careless people, Tom and Daisy - they smashed up things and creatures and then retreated back into their money or vast carelessness, or whatever it was that kept them together, and let other people cleanup the mess they had made . . .
F. Scott Fitzgerald (The Great Gatsby)
They were careless people, Tom and Daisy—they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made. . . .
F. Scott Fitzgerald (The Great Gatsby)
It passed, and he began to talk excitedly to Daisy, denying everything, defending his name against accusations that had not been made. But with every word she was drawing further and further into herself, so he gave that up and only the dead dream fought on as the afternoon slipped away, trying to touch what was no longer tangible, struggling unhappily, undespairingly, toward that lost voice across the room.
F. Scott Fitzgerald (The Great Gatsby)
For Daisy was young and her artificial world was redolent of orchids and pleasant, cheerful snobbery and orchestras which set the rhythm of the year, summing up the sadness and suggestiveness of life in new tunes. All night the saxophones wailed the hopeless comment o the 'Beale Street Blues' while a hundred pairs of golden and silver slippers shuffled the shiny dust. At the grey tea hour there were always rooms that throbbed incessantly with this low, sweet fever, while fresh faces drifted here and there like rose petals blown by the sad horns around the floor.
F. Scott Fitzgerald (The Great Gatsby)
Crusoe and Friday. Ishmael and Ahab. Daisy and Gatsby. Pip and Estella. Me. Me. Me. I am not alone. I am surrounded by words that tell me who I am, why I feel what I feel. Or maybe they just help me while away the hours as the rain pounds down on the porch roof, taking me away from the gloom and on to somewhere sunny, somewhere else.
Anna Quindlen (How Reading Changed My Life)
Gatsby looked at Daisy in a way that every young girl wanted to be looked at
F. Scott Fitzgerald
Gatsby bought that house so that Daisy would be just across the bay.
F. Scott Fitzgerald (The Great Gatsby)
What’ll we do with ourselves this afternoon?' cried Daisy, 'and the day after that, and the next thirty years?' 'Don’t be morbid,' Jordan said. 'Life starts all over again when it gets crisp in the fall.
F. Scott Fitzgerald (The Great Gatsby)
He came back from France when Tom and Daisy were still on their wedding trip, and made a miserable but irresistible journey to Louisville on the last of his army pay. He stayed there a week, walking the streets where their footsteps had clicked together through the November night and revisiting the out-of-the-way places to which they had driven in her white car. Just as Daisy's house had always seemed to him more mysterious and gay than other houses so his idea of the city itself, even though she was gone from it, was pervaded with a melancholy beauty.
F. Scott Fitzgerald (The Great Gatsby)
But he knew that he was in Daisy's house by a colossal accident. However glorious might be his future as Jay Gatsby, he was at present a penniless young man without a past, and at any moment the invisible cloak of his uniform might slip from his shoulders. So he made the most of his time. He took what he could get, ravenously and unscrupulously - eventually he took Daisy one still October night, took her because he had no real right to touch her hand
F. Scott Fitzgerald
Most of the big shore places were closed now and there were hardly any lights except the shadowy, moving glow of a ferryboat across the Sound. And as the moon rose higher the inessential houses began to melt away until gradually I became aware of the old island here that flowered once for Dutch sailors’ eyes — a fresh, green breast of the new world. Its vanished trees, the trees that had made way for Gatsby’s house, had once pandered in whispers to the last and greatest of all human dreams; for a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder. And as I sat there brooding on the old, unknown world, I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock. He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night. Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that’s no matter — to-morrow we will run faster, stretch out our arms farther… . And one fine morning —— So we beat on, boats against the current, borne back ceaselessly into the past.
F. Scott Fitzgerald (The Great Gatsby)
They were careless people, Tom and Daisy- they smashed up things and creatures and then retreated back into their money or their vast carelessness or whatever it was that kept them together, and let other people clean up the mess they had made
F. Scott Fitzgerald
What make Gatsby so damn great—like da book’s title indicatin’—is dat unlike da rest of deez shallow rich folk, Gatsby actually believe in somethin’: love, dawg. He build himself a new identity jus’ for Daisy. Errybody else straight-up empty inside.
Sparky Sweets (Thug Notes: A Street-Smart Guide to Classic Literature)
The notion originated with Daisy’s suggestion that we hire five bath-rooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea.”—we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny...
F. Scott Fitzgerald (The Great Gatsby)
In two weeks it'll be the longest day in the year.' She looked at us all radiantly. 'Do you always watch for the longest day of the year and then miss it? I always watch for the longest day in the year and then miss it.' 'We ought to plan something,' yawned Miss Baker, sitting down at the table as if she were getting into bed. 'All right,' said Daisy. 'What'll we plan?' She turned to me helplessly. 'What do people plan?
F. Scott Fitzgerald (The Great Gatsby)
They saw me. Milton's smile curled off his face like unsticky tape. And I knew immediately, I was a boy band, a boondoggle, born fool. He was going to pull a Danny Zuko in Grease when Sandy says hello to him in front of the T-Birds, a Mrs. Robinson when she tells Elaine she didn't seduce Benjamin, a Daisy when she chooses Tom with the disposition of a sour kiwi over Gatsby, a self-made man, a man engorged with dreams, who didn't mind throwing a pile of shirts around a room if he wanted too. My heart landslided. My legs earthquaked.
Marisha Pessl (Special Topics in Calamity Physics)
The officer looked at Daisy while she was speaking, in a way that every young girl wants to be looked at sometime
F. Scott Fitzgerald (The Great Gatsby)
Apoi o saruta.La atingerea buzelor lui,Daisy se deschise ca o floare,iar intruchiparea se desavarsi.
F. Scott Fitzgerald (The Great Gatsby)
Pero a mi lado se encontraba Jordan, que, a diferencia de Daisy, era demasiado lista para llevar sueños, ya olvidados, de una era a otra.
F. Scott Fitzgerald (The Great Gatsby)
Oh, I'll stay in the East, don't you worry," he said, glancing at Daisy and then back at me, as if he were alert for something more. "I'd be a God damned fool to live anywhere else.
F. Scott Fitzgerald (The Great Gatsby)
There was a ripe mystery about it, a hint of bedrooms upstairs more beautiful and cool than other bedrooms, of gay and radiant activities taking place through its corridors and of romances that were not musty and laid away already in lavender but fresh and breathing and redolent of this year's shining motor cars and of dances whose flowers were scarcely withered. It excited him too that many men had already loved Daisy--it increased her value in his eyes. He felt their presence all about the house, pervading the air with the shades and echoes of still vibrant emotions.
F. Scott Fitzgerald (The Great Gatsby)
Theme. It’s something a lot of writers don’t like to think about. It brings up painful memories of high school English class (“Write a 1,000 word essay on the theme of The Great Gatsby, and be sure to relate the green light on Daisy’s dock with the eyes of Doctor T. J. Eckleburg. Due tomorrow.”)
James Scott Bell (27 Fiction Writing Blunders - And How Not To Make Them! (Bell on Writing))
For Daisy was young and her artificial world was redolent of orchids and pleasant, cheerful snobbery and orchestras which set the rhythm of the year, summing up the sadness and suggestiveness of life in new tunes.
F. Scott Fitzgerald (The Great Gatsby)
Thirty - the promise of a decade of loneliness, a thinning list of single people to know, a thinning brief-case of enthusiasm, thinning hair. But there was Jordan beside me, who, unlike Daisy, was too wise ever to carry well-forgotten dreams from age to age. As we passed over the dark bridge her wan face fell lazily against my coat's shoulder and the formidable stroke of thirty died away with the reassuring pressure of her hand.
F. Scott Fitzgerald (The Great Gatsby)
I was flattered that she wanted to speak to me, because of all the older girls I admired her most. She asked me if I was going to the Red Cross and make bandages. I was. Well, then, would I tell them that she couldn't come that day? The officer looked at Daisy while she was speaking, in a way that every young girl wants to be looked at sometime, and because it seemed romantic to me I have remembered the incident ever since. His name was Jay Gatsby and I didn't lay eyes on him again for over four years--even after I'd met him on Long Island I didn't realize it was the same man.
F. Scott Fitzgerald (The Great Gatsby)
They were careless people, Tom and Daisy—they smashed up things and creatures and then retreated back into their money or their vast carelessness or whatever it was that kept them together, and let other people clean up the mess they had made….
F. Scott Fitzgerald (The Great Gatsby)
The other girl, Daisy, made an attempt to rise--she leaned slightly forward with a conscientious expression--then she laughed, an absurd, charming little laugh, and I laughed too and came forward into the room. 'I'm p-paralyzed with happiness.' She laughed again, as if she said something very witty, and held my hand for a moment, looking up into my face, promising that there was no one in the world she so much wanted to see. That was a way she had. She hinted in a murmur that the surname of the balancing girl was Baker. (I've heard it said that Daisy's murmur was only to make people lean toward her; an irrelevant criticism that made it no less charming.)
F. Scott Fitzgerald (The Great Gatsby)
When I read the actual story - how Gatsby loves Daisy so much but can't ever be with her no matter how hard he tries - I feel like ripping the book in half and calling up Fitzgerald and telling him his book is all wrong, even though I know Fitzgerald is probably deceased.
Matthew Quick (The Silver Linings Playbook)
When they met again two days later it was Gatsby who was breathless, who was somehow betrayed. Her porch was bright with the bought luxury of star-shine; the wicker of the settee squeaked fashionably as she turned toward him and he kissed her curious and lovely mouth. She had caught a cold and it made her voice huskier and more charming than ever and Gatsby was overwhelmingly aware of the youth and mystery that wealth imprisons and preserves, of the freshness of many clothes and of Daisy, gleaming like silver, safe and proud above the hot struggles of the poor.
F. Scott Fitzgerald (The Great Gatsby)
Non riuscivo a perdonarlo e neanche trovarlo simpatico, ma capii che dal suo punto di vista ciò che aveva fatto era pienamente giustificato. Era stato tutto molto sbadato e pasticciato. Erano gente sbadata, Tom e Daisy: sfracellavano cose e persone e poi si ritiravano nel loro denaro o nella loro ampia sbadataggine o in ciò che comunque li teneva uniti, e lasciavano che altri mettessero a posto il pasticcio che avevano fatto.
F. Scott Fitzgerald (The Great Gatsby)
There must have been moments even that afternoon when Daisy tumbled short of his dreams—not through her own fault but because of the colossal vitality of his illusion. It had gone beyond her, beyond everything. He had thrown himself into it with a creative passion, adding to it all the time, decking it out with every bright feather that drifted his way. No amount of fire or freshness can challenge what a man will store up in his ghostly heart.
F. Scott Fitzgerald (The Great Gatsby)
I went in - after making every possible noise in the kitchen, short of pushing over the stove - but I don't believe they heard a sound. They were sitting at either end of the couch, looking at each other as if some question had been asked, or was in the air, and every vestige of embarrassment was gone. Daisy's face was smeared with tears, and when I came in she jumped up and began wiping at it with her handkerchief before a mirror. But there was a change in Gatsby that was simply confounding. He literally glowed; without a word or a gesture of exultation a new well-being radiated from him and filled the little room.
F. Scott Fitzgerald (The Great Gatsby)
It’s been bothering me more and more that I can’t ever see anything objectively, that every observation I make is filtered through my personal lens whether I like it or not. I mean, all my favorite novels are like that. F. Scott Fitzgerald basically is Gatsby, so obviously it’s Gatsby’s book, and Daisy comes off like a flake. But maybe in Daisy’s unwritten book, Gatsby is a flashy, patronizing asshole who thinks he could win her with money and fancy stuff. And that might be an even better book. Eventually,
Anna Breslaw (Scarlett Epstein Hates It Here)
We're getting old,' said Daisy. 'If we were young we'd rise and dance.
F. Scott Fitzgerald (The Great Gatsby)
Voi abitate a West Egg" disse con fare sprezzante. "Conosco qualcuno laggiù." "Io non conosco nessuno." "Dovete conoscere Gatsby." "Gatsby?" chiese Daisy. "Che Gatsby?
F. Scott Fitzgerald (The Great Gatsby)
L'ufficiale, mentre Daisy parlava, la fissava come tutte le ragazzine desidarano essere fissate una volta o l'altra [...]. Lui si chiamava Jay Gatsby [...].
F. Scott Fitzgerald (The Great Gatsby)
The officer looked at Daisy while she was speaking, in a way that every young girl wants to be looked at sometime,
F. Scott Fitzgerald (The Great Gatsby)
He hadn’t once ceased looking at Daisy and I think he revalued everything in his house according to the measure of response it drew from her well-loved eyes.
F. Scott Fitzgerald (The Great Gatsby)
Pero Jordan estaba a mi lado y, al contrario que Daisy, era demasiado prudente como para arrastrar, de época en época, sueños olvidados.
F. Scott Fitzgerald (The Great Gatsby)
He lit Daisy's cigarette from a trembling match, and sat down with her on a couch far across the room, where there was no light save what the gleaming floor bounced in from the hall.
F. Scott Fitzgerald (The Great Gatsby)
What'll we do with ourselves this afternoon?' cried Daisy, 'and the day after that, and the next thirty years?' 'Don't be morbid,' Jordan said. 'Life starts all over again when it gets crisp in the fall.
F. Scott Fitzgerald (The Great Gatsby)
What'll we do with ourselves this afternoon?' cried Daisy, 'and the day after that, and the next thirty years?' 'Don't be morbid,' Jordan said. 'Life starts all over again when it gets crisp in the fall.
F. Scott Fitzgerald (The Great Gatsby: The Original F. Scott Fitzgerald that You Must Read Before You Die (Annotated))
Gatsby was overwhelmingly aware of the youth and mystery that wealth imprisons and preserves, of the freshness of many clothes, and of Daisy, gleaming like silver, safe and proud above the hot struggles of the poor.
F. Scott Fitzgerald (The Great Gatsby)
Daisy put her arm through his abruptly but he seemed absorbed in what he had just said. Possibly it had occurred to him that the colossal significance of that light had now vanished forever. Compared to the great distance that had separated him from Daisy it had seemed very near to her, almost touching her. It has seemed as close as a star to the moon. Now it was again a green light on a dock. His count of enchanted objects had diminished by one.
F. Scott Fitzgerald (The Great Gatsby)
You weren't meant to look at people the way that Lieutenant Gatsby looked at Daisy Fay. You couldn't peel your skin back and show them how your heart had gone up in flames, how nothing that had come before mattered and nothing that came afterward mattered as long as you had what you wanted. In that one still moment, it was as if Daisy had, all unknowing, taken Jay Gatsby's heart for her own, and he would spend the rest of his life trying to get it back.
Nghi Vo (The Chosen and the Beautiful)
The third boat was quite pretty, too...this one was an Adirondack fishing boat, and even though it was only half finished, I could picture Jay Gatsby in it, casting a line over the side while he yearned for that shallow tramp, Daisy.
Kristan Higgins (All I Ever Wanted)
...we often imagined, as we drove, a fictional universe in which Fitzgerald's and Wodehouse's creations might visit one another. Bertie Wooster and Jeeves might have intruded on the rarefied world of the Eggs, silly-ass Bertie stepping into sensible Nick Carraway's shoes, and Reginald Jeeves the fish-eating Spinoza-loving gentleman's gentleman and genius finding a way to give Jay Gatsby the happy-ever-after ending with Daisy Buchanan for which he so profoundly longed.
Salman Rushdie (The Golden House)
Perfino in quel pomeriggio dovevano esserci stati momenti in cui Daisy non era riuscita a stare all'altezza del sogno, non per sua colpa, ma a causa della vitalità colossale dell'illusione di lui che andava al di là di Daisy, di qualunque cosa. Gatsby vi si era gettato con passione creatrice, continuando ad accrescerla, ornandola di ogni piuma vivace che il vento gli sospingesse a portata di mano. Non c'è fuoco né gelo tale da sfidare ciò che un uomo può accumulare nel proprio cuore.
F. Scott Fitzgerald (The Great Gatsby)
They were careless people, Tom and Daisy—they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made…
F. Scott Fitzgerald (The Great Gatsby)
Compared to the great distance that had separated him from Daisy it had seemed very near to her, almost touching her. It had seemed as close as a star to the moon. Now it was again a green light on a dock. His count of enchanted objects had diminished by one.
F. Scott Fitzgerald (The Great Gatsby)
It was all very careless and confused. They were careless people, Tom and Daisy—they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made.… I shook hands with him; it seemed silly not to, for I felt suddenly as though I were talking to a child. Then he went into the jewelry store to buy a pearl necklace—or perhaps only a pair of cuff buttons—rid of my provincial squeamishness forever.
F. Scott Fitzgerald (The Great Gatsby)
You’re acting like a little boy,” I broke out impatiently. “Not only that, but you’re rude. Daisy’s sitting in there all alone.” He raised his hand to stop my words, looked at me with unforgettable reproach, and, opening the door cautiously, went back into the other room.
F. Scott Fitzgerald (The Great Gatsby)
It was all very careless and confused. They were careless people, Tom and Daisy—they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made. . . .
F. Scott Fitzgerald (The Great Gatsby)
Daisy ha una voce indiscreta," osservai. "È piena di..." esitai. "Ha una voce piena di soldi," disse lui all'improvviso. Era così. Prima non me n'ero mai reso conto. Era piena di soldi: era quello l'inesauribile fascino che saliva e scendeva dentro, il tintinnio, il canto dei cembali... Lassù in un palazzo bianco la figlia del re, la ragazza d'oro...
F. Scott Fitzgerald (The Great Gatsby)
Out of the corner of his eye Gatsby saw that the blocks of the sidewalks really formed a ladder and mounted to a secret place above the trees—he could climb to it, if he climbed alone, and once there he could suck on the pap of life, gulp down the incomparable milk of wonder. His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for him like a flower and the incarnation was complete.
F. Scott Fitzgerald (The Great Gatsby)
How happily we explored our shiny new world! We lived like characters from the great books I curled up with in the big Draylon armchair. Like Jack Kerouak, like Gatsby, we created ourselves as we went along, a raggle-taggle of gypsies in old army overcoats and bell-bottoms, straggling through the fields that surrounded our granite farmhouse in search of firewood, which we dragged home and stacked in the living room. Ignorant and innocent, we acted as if the world belonged to us, as though we would ever have taken the time to hang the regency wallpaper we damaged so casually with half-rotten firewood, or would have known how to hang it straight, or smooth the seams. We broke logs against the massive tiled hearth and piled them against the sooty fire back, like the logs were tradition and we were burning it, like chimney fires could never happen, like the house didn't really belong to the poor divorcee who paid the rates and mortgage even as we sat around the flames like hunter gatherers, smoking Lebanese gold, chanting and playing the drums, dancing to the tortured music of Luke's guitar. Impelled by the rhythm, fortified by poorly digested scraps of Lao Tzu, we got up to dance, regardless of the coffee we knocked over onto the shag carpet. We sopped it up carelessly, or let it sit there as it would; later was time enough. We were committed to the moment. Everything was easy and beautiful if you looked at it right. If someone was angry, we walked down the other side of the street, sorry and amused at their loss of cool. We avoided newspapers and television. They were full of lies, and we knew all the stuff we needed. We spent our government grants on books, dope, acid, jug wine, and cheap food from the supermarket--variegated cheese scraps bundled roughly together, white cabbage and bacon ends, dented tins of tomatoes from the bargain bin. Everything was beautiful, the stars and the sunsets, the mold that someone discovered at the back of the fridge, the cows in the fields that kicked their giddy heels up in the air and fled as we ranged through the Yorkshire woods decked in daisy chains, necklaces made of melon seeds and tie-dye T-shirts whose colors stained the bath tub forever--an eternal reminder of the rainbow generation. [81-82]
Claire Robson (Love in Good Time: A Memoir)
Almost five years! There must have been moments even that afternoon when Daisy tumbled short of his dreams—not through her own fault, but because of the colossal vitality of his illusion. It had gone beyond her, beyond everything. He had thrown himself into it with a creative passion, adding to it all the time, decking it out with every bright feather that drifted his way. No amount of fire or freshness can challenge what a man will store up in his ghostly heart.
F. Scott Fitzgerald (The Great Gatsby)
I was thirty. Before me stretched the portentous, menacing road of a new decade. It was seven o’clock when we got into the coupe with him and started for Long Island. Tom talked incessantly, exulting and laughing, but his voice was as remote from Jordan and me as the foreign clamor on the sidewalk or the tumult of the elevated overhead. Human sympathy has its limits, and we were content to let all their tragic arguments fade with the city lights behind. Thirty—the promise of a decade of loneliness, a thinning list of single men to know, a thinning brief-case of enthusiasm, thinning hair. But there was Jordan beside me, who, unlike Daisy, was too wise ever to carry well-forgotten dreams from age to age. As we passed over the dark bridge her wan face fell lazily against my coat’s shoulder and the formidable stroke of thirty died away with the reassuring pressure of her hand. So we drove on toward death through the cooling twilight.
F. Scott Fitzgerald (The Great Gatsby)
I spent a great deal of my youth fantasizing about entertaining. In my early twenties I would spend hours poring over cookbooks at the Seventh Avenue Barnes & Noble in Park Slope, planning elaborate parties that I would throw when I was older and had money. Now I am older and have money, but I almost never entertain. I have yet to throw my Great Gatsby–themed Super Bowl viewing party, but when I do, it will be a big hit, as will be my Daisy Buchanan slow-cooker chicken enchiladas.
Mindy Kaling (Why Not Me?)
One of my most vivid memories is of coming back West from prep school and later from college at Christmas time. Those who went farther than Chicago would gather in the old dim Union Station at six o’clock of a December evening, with a few Chicago friends, already caught up into their own holiday gayeties, to bid them a hasty good-by. I remember the fur coats of the girls returning from Miss This-or-that’s and the chatter of frozen breath and the hands waving overhead as we caught sight of old acquaintances, and the matchings of invitations: “Are you going to the Ordways’? the Herseys’? the Schultzes’?” and the long green tickets clasped tight in our gloved hands. And last the murky yellow cars of the Chicago, Milwaukee and St. Paul railroad looking cheerful as Christmas itself on the tracks beside the gate. When we pulled out into the winter night and the real snow, our snow, began to stretch out beside us and twinkle against the windows, and the dim lights of small Wisconsin stations moved by, a sharp wild brace came suddenly into the air. We drew in deep breaths of it as we walked back from dinner through the cold vestibules, unutterably aware of our identity with this country for one strange hour, before we melted indistinguishably into it again. That’s my Middle West — not the wheat or the prairies or the lost Swede towns, but the thrilling returning trains of my youth, and the street lamps and sleigh bells in the frosty dark and the shadows of holly wreaths thrown by lighted windows on the snow. I am part of that, a little solemn with the feel of those long winters, a little complacent from growing up in the Carraway house in a city where dwellings are still called through decades by a family’s name. I see now that this has been a story of the West, after all — Tom and Gatsby, Daisy and Jordan and I, were all Westerners, and perhaps we possessed some deficiency in common which made us subtly unadaptable to Eastern life.
F. Scott Fitzgerald (The Great Gatsby)
learned this. It is a lesson he has closed himself to. From the moment he meets Daisy, his ideas about who he is and what he wants and what he can become are immutable. It’s ironic that he is so in love with the moment of greatest possibility in his youth, the moment he kissed Daisy, but his love for that moment has rendered all other avenues of possibility impossible, has fossilized him, sealed him in amber, turned him to stone. Made it possible for him to see only one version of himself. After years of underhanded dealing and shady business, he is wealthy, popular, feared, respected. On West Egg, he hosts
F. Scott Fitzgerald (The Great Gatsby)
Out of the corner of his eye Gatsby saw that the blocks of the sidewalk really formed a ladder and mounted to a secret place above the trees—he could climb to it, if he climbed alone, and once there he could suck on the pap of life, gulp down the incomparable milk of wonder. His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for him like a flower and the incarnation was complete.
F. Scott Fitzgerald (The Great Gatsby)
walking down the street when the leaves were falling, and they came to a place where there were no trees and the sidewalk was white with moonlight. They stopped here and turned toward each other. Now it was a cool night with that mysterious excitement in it which comes at the two changes of the year. The quiet lights in the houses were humming out into the darkness and there was a stir and bustle among the stars. Out of the corner of his eye Gatsby saw that the blocks of the sidewalk really formed a ladder and mounted to a secret place above the trees—he could climb to it, if he climbed alone, and once there he could suck on the pap of life, gulp down the incomparable milk of wonder. His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for
F. Scott Fitzgerald (The Great Gatsby)