Dahlia Quotes

We've searched our database for all the quotes and captions related to Dahlia. Here they are! All 100 of them:

This was not Aunt Dahlia, my good and kindly aunt, but my Aunt Agatha, the one who chews broken bottles and kills rats with her teeth.
P.G. Wodehouse
It isn't often that Aunt Dahlia lets her angry passions rise, but when she does, strong men climb trees and pull them up after them.
P.G. Wodehouse (Right Ho, Jeeves (Jeeves, #6))
What I'm worrying about is what Tom is going to say when he starts talking." "Uncle Tom?" "I wish there was something else you could call him except 'Uncle Tom,' " Aunt Dahlia said a little testily. "Every time you do it, I expect to see him turn black and start playing the banjo.
P.G. Wodehouse
Dahlia, I will love you forever." Then I kiss her and finish telling her my thoughts. "In this lifetime and in the next.
Kim Karr (Connected (Connections, #1))
We're driving down the highway listening to music when The Mighty Storm's Through It All comes on the radio... "Did I ever tell you I opened for Jake Wethers a couple of years ago?" ~ River "Do you like the D-bags?" ~ River "Of course I do! I love Kellan Kyle!" ~ Dahlia
Kim Karr (Connected (Connections, #1))
She looked like a tomato struggling for self-expression.
P.G. Wodehouse
She stood with her perfect profile turned to the glittering night sky, her hood sliding back. Snow was beginning to fall, and it caught in the dark waves of her hair. “I plant something new for every Grisha lost. Heartleaf for Marie. Yew for Sergei. Red Sentinel for Fedyor. Even Ivan has a place.” She touched her fingers to a frozen stalk. “This will blossom bright orange in the summer. I planted it for Harshaw. These dahlias were for Nina when I thought she’d been captured and killed by Fjerdans. They bloom with the most ridiculous red flowers in the summer. They’re the size of dinner plates.” Now she turned and he could see tears on her cheeks. She lifted her hands, the gesture half-pleading, half-lost. “I’m running out of room.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Life is not a dream. Careful! Careful! Careful! We fall down the stairs in order to eat the moist earth or we climb to the knife edge of the snow with the voices of the dead dahlias. But forgetfulness does not exist, dreams do not exist; flesh exists. Kisses tie our mouths in a thicket of new veins, and whoever his pain pains will feel that pain forever and whoever is afraid of death will carry it on his shoulders.
Federico García Lorca
Some people don’t respond to civility.
James Ellroy (The Black Dahlia (L.A. Quartet, #1))
It's decidedly bizzare, when the Worst Thing hppens and you find yourself still conscious, still breathing.
Elisa Albert (The Book of Dahlia)
Dahlia, this is, was, in no way a one-night stand on my part.
Kim Karr (Connected (Connections, #1))
Like boys all you want, Park. It still won't fix this. I'm bi and I promise you, it's not a fucking light switch. You can't just set it on 'boy' because it's inconvenient that you like a girl right now.
Dahlia Adler (Under the Lights (Daylight Falls, #2))
Anyone who doesn't want you to be happy with who you are is an asshole. Fuck pleasing everyone else. You only live once. Who are you gonna do it for?
Dahlia Adler (Under the Lights (Daylight Falls, #2))
Dahlia, I would have married you at the campus bar that night if you would have asked. You're the only one I have ever really loved; the only one I will ever love. You, beautiful girl, are every breath I take. So of course I'll marry you today.
Kim Karr (Torn (Connections, #2))
That be the jealousy talking," Gator said, in no way perturbed. "I can't help the way the women love me. I was born with the gift." The men hooted and made rude noises. "You were born with a gift of bullshitting." Sam pointed out, "but that's about it." He looked at Dahlia. "Pardon me, ma'am, but its the truth." "I rather thought it was," she agreed.
Christine Feehan (Mind Game (GhostWalkers, #2))
The men gasped at Nicholas. "That's the most I've heard him say in three years." Sam said. He turned to the others. "You ever hear him talk that much?" "I wasn't sure he could talk," Tucker Addison replied straight-faced. "He talks," Dahlia said defensively. "Begging your pardon, ma'am, but he's just plain anti-social," Sam pointed out, "Always had been, always will be.
Christine Feehan (Mind Game (GhostWalkers, #2))
Oh, for heaven's sake, Harper, I didn't just pee on the floor. My water broke.' 'What water?' He blinked, then went pale as a corpse. 'That water. Oh, God. Oh, Jesus. Oh, shit. Sit. Sit, or... I'll get-' An ambulance. The marines. 'My mother.
Nora Roberts (Blue Dahlia (In the Garden, #1))
Cherchez la femme, Bucky. Remember that.
James Ellroy (The Black Dahlia (L.A. Quartet, #1))
(After Nicholas tells Dahlia that he loves her) "...Just don't break my heart my heart, Dahlia. I've never handed it over to anyone before." She placed both hands over his. "I've never had anyone's heart. I don't know the first thing about keeping hearts. You're taking a terrible risk." "That's what I do best." ... "Are you feeling relaxed now?" ... "I was until you started throwing around the L-word. That's enough to scare anyone.
Christine Feehan (Mind Game (GhostWalkers, #2))
Don't 'honey' me in that southern-fried twang.
Nora Roberts (Blue Dahlia (In the Garden, #1))
Sometimes I would worry about my internet habits and force myself awy from the computer, to read a magazine or book. Contemporary literature offered no respite: I would find the prose cluttered with data points, tenuous historical connections, detail so finely tuned it could have only been extracted from a feverish night of search-engine queries. Aphorisms were in; authors were wired. I would pick up books that had been heavily documented on social media, only to find that the books themselves had a curatorial affect: beautiful descriptions of little substance, arranged in elegant vignettes—gestural text, the equivalent of a rumpled linen bedsheet or a bunch of dahlias placed just so. Oh, I would think, turning the page. This author is addicted to the internet, too.
Anna Wiener (Uncanny Valley)
Don’t be so goddamn proper. Don’t be such a fucking saint.
James Ellroy (The Black Dahlia (L.A. Quartet, #1))
Allowing ourselves to become a nation of silent, secretive, timid citizens is likely to result in a system of democracy and justice that is neither very democratic nor very just.
Dahlia Lithwick
You listen to me this one time, Dahlia. If something goes wrong, anything at all, you haul butt out of here fast. You have the cell phone and the number. Call Lily. The Ghost Walkers will be here as soon as possible." She caught him before he could turn away. "You listen to me this one time, Nicholas. If anything goes wrong, don't be a hero. Haul your butt out of there and in one piece. We'll call Lily, and she can send the others.
Christine Feehan (Mind Game (GhostWalkers, #2))
Settle for nothing less than the greatest love below Heaven and Above hell.
Dahlia L. Summers
Dahlia shook her head. “While I don't want to experience that again, I learned a lot about myself today and about you. And Nick, even. I didn't know it was possible for me to feel closer to you. I should send that fucking bitch a fruit basket.
Arden Aoide (Club Dishabille (Apprivoisé #1))
If you observe a really happy man, you will find him building a boat, writing a symphony, educating his son, growing double dahlias in his garden, or looking for dinosaur eggs in the Gobi desert. He will not be searching for happiness as if it were a collar button that has rolled under a radiator.
W Beran Wolfe
Suddenly gator was framed in the doorway, grinning at them, his black unruly hair tumbling into his face and his piercing blue eyes bright with laughter. "Oh, I see you are most friendly with each other. And Lily was so worried." He turned his head. "Ian Tucker, come look at this. Our man has found himself a little kitty cat." "Shut up, Gator, or I'm going to shoot you." Nicholas put the gun away and looked down at dahlia. She had the covers pulled up to her chin. Here eyes were enormous and getting bigger by the moment as more Ghost Walkers crowded into the doorway to gape at the sight of Nicholas, the loner, in bed with Dahlia. "And you said he didn't know what to do with a woman," Tucker Addison accused the tallest of the group, Ian McGillicuddy. "I stand corrected." Ian gave Nicholas a small salute. Dahlia made a small distressed squeak. Nicholas picked up the gun. "I'm going to start shooting if the lot of you don't get out and close the door." "What a poor sport," Gator groused. "And this is my house.
Christine Feehan (Mind Game (GhostWalkers, #2))
...what do you want to know? Usual stuff. Serious relationships, age, whether you eat babies. :-D I’m 30. I think babies are tasty, but empty calories, and I’ve had one long-term serious relationship...
Arden Aoide (Club Dishabille (Apprivoisé #1))
Where’s your sketch pad?” I asked. … “I gave that up,” Kay said. “I wasn’t very good, so I changed my major.” “To what?” “To pre-med, then psychology, then English lit, then history.” “I like a woman who knows what she wants.” Kay smiled. “So do I, but I don’t know any.
James Ellroy (The Black Dahlia (L.A. Quartet, #1))
Those lyrics tell the story Dahlia, our story. I wrote that song five years ago and even now when I sing it, your face is the face I see. You’re unforgettable Dahlia. You’re perfect, really.
Kim Karr (Connected (Connections, #1))
When you forgive, you are letting your anger go but you never forget what happened. When you forget, you push it all away pretending it never happened at the same time the pain and anger is held inside, unforgotten.
Never Dahlia
Noctis… this is a little embarrassing, but…your male anatomy is bothering me.
Dahlia L. Summers (The Dark God's Bride (The Dark God's Bride, #1))
Planting a flower's like opening a book, because either way you're starting something. And your garden's your library.
Nora Roberts (Blue Dahlia (In the Garden, #1))
No,' Dahlia said, 'because I think people like him think work is supposed to be drudgery punctuated by very occasional moments of happiness, but when I say happiness, I mostly mean distraction. You know what I mean?' 'No, please elaborate.' 'Okay, say you go into the break room,' she said, 'and a couple people you like are there, say someone's telling a funny story, you laugh a little, you feel included, everyone's so funny, you go back to your desk with a sort of, I don't know, I guess afterglow would be the word? You go back to your desk with an afterglow, but then by four or five o'clock the day's just turned into yet another day, and you go on like that, looking forward to five o'clock and then the weekend and then your two or three annual weeks of paid vacation time, day in day out, and that's what happens to your life.
Emily St. John Mandel (Station Eleven)
I love her so much and I want to not only show her, but also tell her just how much. Letting go of her hands, I softly trail my fingers back up her body, playfully teasing her along the way, but stopping at her heart to trace it. I can feel the goosebumps form on her skin as I lower my head down to kiss the line I just etched. "I love you." I kiss my way back up to her lips and gently cup her chin. I look into her eyes and tell her exactly how I feel. "Dahlia, I will love you forever." Then I kiss her and finish telling her my thoughts. "In this lifetime and in the next.
Kim Karr (Connected (Connections, #1))
You're very dangerous," he informed her, taking a bigger bite. "Very devious. If you had enough money and a small army, you could take over the whole country. And no one would care because you are so damn cute." "Of course they wouldn't mind. I'd let them eat cake," Hayley replied, grinning.
Dahlia West (Shooter (Burnout #1))
I had staked all on Gussie making a favourable impression on his hostess, basing my confidence on the fact that he was one of those timid, obsequious, teacup-passing, thin-bread- and-butter-offering, yes-men whom women of my Aunt Dahlia's type nearly always like at first sight.
P.G. Wodehouse
I wonder which one of us is more despicable.Is it the person relentlessly chasing after love or the person desperately holding it captive? We wrapped each other in vines of thorns so that we could watch each other’s heart bleed to the last drop, only there can be no end for creatures of eternal darkness. How much longer must you watch me bleed?
Dahlia Lu (Princess of the Damned)
Baby don't do this." He whispered the words. Why did he thought if she cried she'd feel better? It was too much, too much sorrow for her. He pulled her beneath him, lying over her, somehow trying with his body to protect her from the ggrief. She came awake, her eyes wide, black. Swimming with tears. "Nicholas? What is it?" He touched his face, the lines of worry there. "You're crying, honey. I thought it would be good for you to cry, but not like this, not in your sleep where I can't share it with you." "I can't be crying." Dahlia wiped at the tears on her face with a kind of horror. "I never cry." "You are crying." "I can't stop." She looked desperate. "Make me stop, Nicholas, Make it stop.
Christine Feehan (Mind Game (GhostWalkers, #2))
We look to ourselves to find the reflection of others. That is the origin of all wars.
Dahlia L. Summers
The fact that the Constitution is sufficiently open-ended to infuriate all Americans almost equally is part of its enduring genius.
Dahlia Lithwick
I never knew her in life. She exists for me through others, in evidence of the ways her death drove them
James Ellroy (The Black Dahlia (L.A. Quartet, #1))
Dahlias are the symbol of beauty, wealth and prosperity. Like attracts like. Dahlia attracts prosperity.
Amit Ray (Peace Bliss Beauty and Truth: Living with Positivity)
Funny how I spent ten years searching for someone to make me feel a fraction of the way Dahlia did, only to end up here, hoping I get to spend the rest of my days with her.
Lauren Asher (Love Redesigned (Lakefront Billionaires, #1))
Inside its crumbling walls the house is riddled with bullet holes, and in its garden only the crimson dahlias still hold their heads high. Jing is lying on a chaise longue [sic] playing with his bird. 'I thought you were in prison.' He looks up, his eyes filled with hate and desire. 'You are my prison.
Shan Sa (The Girl Who Played Go)
[Aunt Dahlia to Bertie Wooster] 'To look at you, one would think you were just an ordinary sort of amiable idiot--certifiable, perhaps, but quite harmless. Yet, in reality, you are worse a scourge than the Black Death. I tell you, Bertie, when I contemplate you I seem to come up against all the underlying sorrow and horror of life with such a thud that I feel as if I had walked into a lamp post. I thought as much. Well, it needed but this. I don't see how things could possibly be worse than they are, but no doubt you will succeed in making them so. Your genius and insight will find the way. Carry on, Bertie. Yes, carry on. I am past caring now. I shall even find a faint interest in seeing into what darker and profounder abysses of hell you can plunge this home. Go to it, lad..I remember years ago, when you were in your cradle, being left alone with you one day and you nearly swallowed your rubber comforter and started turning purple. And I, ass that I was, took it out and saved your life. Let me tell you, young Bertie, it will go very hard with you if you ever swallow a rubber comforter again when only I am by to aid.
P.G. Wodehouse
Plus it's just embarrassing when someone - oops.' She pressed a hand to her side, and had the blood draining out of Harper's face. 'What? What?' 'Nothing. baby's moving around. Sometimes it gives me a jolt is all.' 'You should stand up. You should sit down.
Nora Roberts (Blue Dahlia (In the Garden, #1))
You left me.” His words caught like stinging cuts on my lips. “You left me and I was so in love with you. I didn’t want to find you because you broke my heart, Dahlia. You broke my fuckin’ heart.
Samantha Young (Things We Never Said (Hart's Boardwalk, #3))
My Aunt Dahlia, who runs a woman's paper called Milady's Boudoir, had recently backed me into a corner and made me promise to write her a few words for her "Husbands and Brothers" page on "What the Well-Dressed Man is Wearing". I believe in encouraging aunts, when deserving; and, as there are many worse eggs than her knocking about the metrop, I had consented blithely. But I give you my honest word that if I had had the foggiest notion of what I was letting myself in for, not even a nephew's devotion would have kept me from giving her the raspberry. A deuce of a job it had been, taxing the physique to the utmost. I don't wonder now that all these author blokes have bald heads and faces like birds who have suffered.
P.G. Wodehouse
I’m falling in love with you, Dahlia. I don’t expect you to say it back after everything you’ve been through this year, but I didn’t want to go another night without you knowing how I feel. Just like I can’t go another day with you thinking I’m okay with us keeping things casual.” Por Dios. His eyes shimmer from the moon peeking through the clouds. “I missed out on a chance to make you mine before, but I don’t plan on making the same mistake again. We’re the real deal, sweetheart, and I’m done letting you believe anything else.
Lauren Asher (Love Redesigned (Lakefront Billionaires, #1))
I got an alibi, just in case you think I did it. Tighter than a crab's ass, and that is air tight.
James Ellroy (The Black Dahlia (L.A. Quartet, #1))
Tabarnac de câlisse,” he swears under his breath, looking me up and down. God, I love Canada.
Dahlia Adler (Last Will and Testament (Radleigh University, #1))
Good.” His eyes flash fire. “Now ride me like a fucking pony.
Dahlia Adler (Last Will and Testament (Radleigh University, #1))
Life is not a dream. Watch out! Watch out! Watch out! We fall down stairs and eat the moist earth, or we climb up to the snow's edge with the choir of dead dahlias. But there is no oblivion, no dream: raw flesh. Kisses tie mouths in a tangle of new veins and those who are hurt will hurt without rest and those who are frightened by death will carry it on their shoulders.
Federico García Lorca (Poet in New York (English and Spanish Edition))
ماذا يمكن أن نقول؟ الكل متعطشون للحب وهذا أمرٌ مهين وهي أيضاً لحظة ضعف لكني أملك الجرأة لأقول الكل متعطشون للحب ومن لم يملأ كأس ماءٍ للعطشان نهايته أن يبتلع فراغ فمه حتى آخر أيامه .
Dahlia Ravikovitch
I have always had a suspicion that Aunt Dahlia, while invariably matey and bonhomous and seeming to take pleasure in my society, has a lower opinion of my intelligence than I quite like. Too often it is her practice to address me as ‘fathead’, and if I put forward any little thought or idea or fancy in her hearing it is apt to be greeted with the affectionate but jarring guffaw.
P.G. Wodehouse (Very Good, Jeeves!)
Love is the thing that corrodes the mind and pushes it to do the unimaginable. Love is the thorn that barbs into your flesh and makes you bleed a slow, torturous death. Love is the prison that confines you to the unending darkness that absorbs chunks of your sanity with each fleeting second. Love is an immortal’s worst nightmare.
Dahlia L. Summers
Out in the sky, no one sleeps. No one, no one. No one sleeps. In a graveyard far off there is a corpse who has moaned for three years because of an arid landscape in his knee; and that boy they buried this morning cried so much it was necessary to call out the dogs to keep him quiet. Life is not a dream. Careful! Careful! Careful! We fall down the stairs in order to eat the moist earth or we climb to the snow's edge with the voices of dead dahlias. But there is no oblivion; no dream: only flesh exists. Kisses tie our mouths in a tangle of new veins, and those who hurt will hurt without rest and those who are afraid of death will carry it on their shoulders.
Federico García Lorca
What does kiciciyapi mitawa mean?" He kept his head on her breasts. "What?" "You called me kicicyapi mitawa. It sounded so beautiful. It wasn't Japanese. What was it?" "It's the voice of the Lakota. It would sound silly in English." He cupped her breast, his fingers moving lightly over her skin. His breath warm on her heart. "I want to know. It didn't sound silly when you said it. It sounded...beautiful. It made me feel beautiful. And loved." He kissed her breast. "I called you my heart. And you are.
Christine Feehan
Sometimes I felt connections begging to be made, sometimes I cursed myself for not having ten percent more gray matter, sometimes the report carbons just made me think of Lee.
James Ellroy (The Black Dahlia (L.A. Quartet, #1))
Even though you distance yourself, you always look out for me,it makes me want to get into more trouble
Dahlia L. Summers (The Wish (The Devil's Lover, #1))
There is more beyond this.
Dahlia Adler (Just Visiting)
When a friendship crumbles, there are only really two things that can bring it back: a shitload of time, or a sincere apology.
Dahlia Adler (Just Visiting)
Just because you're telling a good story, doesn't mean it's the right story. And I think that it's really important to tell the right story.
Dahlia Adler (Cool for the Summer)
I actually wanted to drive a stake through your heart when you first came here, all silent and moody. But you're not so bad, after all.
Christina Channelle (Dahlia (Blood Crave, #1))
Once more he became silent, staring before him with sombre eyes. Following his gaze, I saw that he was looking at an enlarged photograph of my Uncle Tom in some sort of Masonic uniform which stood on the mantlepiece. I've tried to reason with Aunt Dahlia about this photograph for years, placing before her two alternative suggestions: (a) To burn the beastly thing; or (b) if she must preserve it, to shove me in another room when I come to stay. But she declines to accede. She says it's good for me. A useful discipline, she maintains, teaching me that there is a darker side to life and that we were not put into this world for pleasure only.
P.G. Wodehouse (Right Ho, Jeeves (Jeeves, #6))
So with the lamps all put out, the moon sunk, and a thin rain drumming on the roof, a downpouring of immense darkness began. Nothing, it seemed, could survive the flood, the profusion of darkness which creeping in at keyholes and crevices, stole round window blinds, came into bedrooms, swallowed up here a jug and basin, there a bowl of red and yellow dahlias, there the sharp edges and firm bulk of a chest of drawers. Not only was furniture confounded; there was scarcely anything left of body or mind by which one could say, 'This is he,' or, 'This is she.
Virginia Woolf
You missed him," she said. Somehow it didn't seem possible. He was so sure of himself, almost invincible in his manner. "I hit what I was aiming at," he answered quietly. "We have to keep moving. I'm hoping I slowed them down, but we can't count on it." He forced the oars through the water with his powerful arms and the boat shot through the channel toward open water. "I didn't feel anything." His gaze brushed her face, an odd little caress she felt all the way through her body, just as if he'd touched her with his fingers. "I wasn't aiming at you." She caught the fleeting glint of his white teeth in what could have been a brief smile. One dark eyebrow rose in response. "Has anyone ever told you your sense of humor needs a little work?" "No one's ever accused me of having a sense of humor before. You keep insulting me. First you accuse me of missing, and then you try to tell me I have a sense of humor." His face was made of stone, his tone devoid of all expression. His eyes were flat and ice cold, but Dahlia felt him laughing. Nothing big, but it was there in the boat between then, and the terrible pressure in her chest lifted a bit. "And it needs work," she pointed out. "Get it right." She even managed a brief smile of her own to match his.
Christine Feehan (Mind Game (GhostWalkers, #2))
Lucifer looked over her shoulder. “What?” Dahlia cleared her throat. “You stupid bitch, I hate you and love you. Do not wear anything Patience gave you, it’s all ugly. I am going to write on every single blank page. Ha-ha! Love, the Faithful slut.” Lucifer scowled. “That person was mean to you.” Dahlia grinned. “No way, Faith was funny. I was the bitch, she was the slut, and Patience was the crack whore.
Darcy Town (Morningstar (Morningstar, #1))
My skin’s not just inked up, honey. It’s armored, too.
Dahlia West (Easy (Burnout, #4))
Holy shit! Chickens could fly?! It
Dahlia West (Preacher (Rapid City Stories, #1))
I think about that handshake a lot, because it reassures me that it was clearly just a friendly suggestion. I had no idea what it would spark.
Dahlia Adler (Cool for the Summer)
What am I? It's one summer. You can't change into a different person over a summer.
Dahlia Adler (Cool for the Summer)
I think we’ve both waited long enough to turn the page in this story, don’t you?
Dahlia Adler (Cool for the Summer)
She developed a kind of disdain for her only sibling usually reserved for despotic political regimes and perpetrators of genocide.
Elisa Albert (The Book of Dahlia)
The Framers were no more interested in binding future Americans to a set of divinely inspired commandments than any of us would wish to be bound by them.
Dahlia Lithwick
Silverlake-Echo was several miles due est of Mount lee, a hilly area with lots of twisting streets, greenery and seclusion, the kind of terrain a necrophiliac might find soothing.
James Ellroy (The Black Dahlia (L.A. Quartet, #1))
I heard the telephone tootling out in the hall and rose to attend it. “Bertram Wooster’s residence,” I said, having connected with the instrument. “Wooster in person at this end. Oh, hullo,” I added, for the voice that boomed over the wire was that of Mrs. Thomas Portalington Travers of Brinkley Court, Market Snodsbury, near Droitwich — or, putting it another way, my good and deserving Aunt Dahlia. “A very hearty pip-pip to you, old ancestor,” I said, well pleased, for she is a woman with whom it is always a privilege to chew the fat. “And a rousing toodle-oo to you, you young blot on the landscape,” she replied cordially.
P.G. Wodehouse (How Right You Are, Jeeves (Jeeves, #12))
The first bout of warm spring rain caused normally respectable women to pull off their stockings and run through muddy puddles alongside their children. Viviane was convinced it was due to the way the rain smelled: like the earth, tulip bulbs, and dahlia roots. It smelled like the mud along a riverbed, like if she opened her mouth wide enough, she could taste the minerals in the air.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
He was thinking of the book, and what Dahlia had said about sleepwalking, and a strange thought came to him: had Arthur seen that Clark was sleepwalking? Would this be in the letters to V.? Because he had been sleepwalking, Clark realized, moving half-asleep through the motions of his life for a while now, years; not specifically unhappy, but when had he last found real joy in his work? When was the last time he'd truly been moved by anything? When had he last felt awe or inspiration? He wished he could somehow go back and find the iPhone people whom he'd jostled on the sidewalk earlier, apologize to them--I'm sorry, I've realized that I'm just as minimally present in this world as your are, I had no right to judge--and also he wanted of every 360° report and apologize to them too, because it's an awful thing to appear in someone else's report, he saw that now, it's an awful thing to be a target.
Emily St. John Mandel (Station Eleven)
And can you get this girl something with a laxative effect?” I add to the waitress, refusing to spare Sophie a glance as I slide my menu back into place. “My treat. I just can’t stand to see someone so full of shit, you know? Especially when her boyfriend keeps feeding her more of it.
Dahlia Adler (Last Will and Testament (Radleigh University, #1))
At first, as the months went by, it was shameful to me when I would realize that without my consent, almost without my knowledge, something had made me happy. And then I learned to think, when those times would come, 'Well, go ahead. If you're happy, then be happy.' No big happiness came to me yet, but little happinessess did come, and they came from ordinary pleasures in ordinary things; the baby, sunlight, breezes, animals and birds, daily work, rest when I was tired, food, strands of fog in the hollows early in the morning, butterflies, flowers. The flowers didn't have to be dahlias and roses either, but just the weeds blooming in the fields, the daisies and the yarrow. I began to trust the world again, not to give me what I wanted, for I saw that it could not be trusted to do that, but to give unforeseen goods and pleasures that I had not thought to want.
Wendell Berry (Hannah Coulter)
Yes, Jeeves?" The man had materialized on the carpet. Absolutely noiseless, as usual. "A note for you, sir." "A note for me, Jeeves?" "A note for you, sir." "From whom, Jeeves?" "From Miss Bassett, sir." "From whom, Jeeves?" "From Miss Bassett, sir." "From Miss Bassett, Jeeves?" "From Miss Bassett, sir." At this point, Aunt Dahlia begged us for heaven's sake to cut out the cross-talk vaudeville stuff. Always willing to oblige, I dismissed Jeeves with a nod, and he flickered for a moment and was gone.
P.G. Wodehouse (Right Ho, Jeeves (Jeeves, #6))
As he walked, he knew the bathroom instantly because of the reflective tile floor. Hers would be the last door again. As he took another step forward, he could see a sliver of skin cut by the light, reflecting a glimpse of her pale skin. It served as a beacon to him, an invitation to touch something that would only belong to him. Could only be his.
Arden Aoide (Club Dishabille (Apprivoisé #1))
She set the bouquet of dahlias- a most harmonious flower, the vivid petals springing from its center like a work of art- at the base of the headstone, the pink and white blooms cheery against the day's overcast dreariness. Dahlias were long bloomers (Nellie had even seen them survive an early frost) and signified an unbreakable commitment between two people. While Nellie found the flower too gay for such a profound meaning, Elsie had insisted that was why dahlias were so enchanting. "Just as powerful as they are pretty. Like you, my sweet girl.
Karma Brown (Recipe for a Perfect Wife)
His hold is tight, our fingers are laced, and he’s occasionally rubbing circles on the top of my hand with his thumb. These small gestures definitely make handholding seem more like an art.
Kim Karr
If being bi means always knowing, well, that isn't me. The only girls on my bedroom walls are my friends, and I'm certainly not into any of them that way. That settles it. I'm straight. Just like I always thought. I wait for the feeling of a weight lifting from my shoulders, but it never comes.
Dahlia Adler (Cool for the Summer)
Song for the Last Act Now that I have your face by heart, I look Less at its features than its darkening frame Where quince and melon, yellow as young flame, Lie with quilled dahlias and the shepherd's crook. Beyond, a garden. There, in insolent ease The lead and marble figures watch the show Of yet another summer loath to go Although the scythes hang in the apple trees. Now that I have your face by heart, I look. Now that I have your voice by heart, I read In the black chords upon a dulling page Music that is not meant for music's cage, Whose emblems mix with words that shake and bleed. The staves are shuttled over with a stark Unprinted silence. In a double dream I must spell out the storm, the running stream. The beat's too swift. The notes shift in the dark. Now that I have your voice by heart, I read. Now that I have your heart by heart, I see The wharves with their great ships and architraves; The rigging and the cargo and the slaves On a strange beach under a broken sky. O not departure, but a voyage done! The bales stand on the stone; the anchor weeps Its red rust downward, and the long vine creeps Beside the salt herb, in the lengthening sun. Now that I have your heart by heart, I see.
Louise Bogan (Collected Poems 1923-1953)
Item. A hand in plaster. This was the right hand of Venus. A hand like a dahlia blossom, a pure white hand, mounted on a stand. But if you looked at it carefully you could tell how this pure white, delicate hand, with whorl-less finger tips and unmarked palms, expressed, so pitifully that even the beholder was stabbed with pain, the shame intense enough to make Venus stop her breath; in the gesture was implicit the moment when Venus' full nakedness was seen by a man, when she twisted away her body, flushed all over with the prickling warmth of her shock, the whirlwind of her shame, and the tragedy of her nudity. Unfortunately, this was only a piece of bric-à-brac. The clerk valued it at fifty sen.
Osamu Dazai (The Setting Sun (New Directions Book))
We’ve met before you know?” I look at him a little perplexed and a little hurt that he hasn’t mentioned it. I nod my head indicating that, of course, I remember. Then with a low raspy voice I answer, “You remember meeting me and haven’t said anything up until now. Why?” With an equally low voice and the harshness seemingly gone in his tone, he says, “Why haven’t you, Dahlia?” He’s looking at me with his powerful green eyes and I know there’s no seeing the future in them right now.
Kim Karr (Connected (Connections, #1))
River doesn’t let me finish my sentence as he gently pushes me back against the rail. His arms are extended on either side of me, he’s surrounding me, caging me in, but once again, I don’t feel trapped. He never moves his lips away from my neck as he repositions us. My breath is hitched and my heartbeat has doubled as I tilt my head back to allow him full access to my neck. He’s softly running a trail of kisses from my neck up to my mouth, slowly, lightly licking, softly sucking, until his lips finally meet mine.
Kim Karr (Connected (Connections, #1))
Greg looked at Aunt Dahlia. “You need to leave.” “I already told her that,” Ham growled. Greg ignored Ham like he didn’t exist and said to Aunt Dahlia, “I’ll ask the manager to have you removed.” “Since I dine here once a month, I doubt he’ll choose removing me over removing the lot of you.” She twirled her finger in the air to indicate us all. “Do you think,” Nina started and I looked at her to see her looking at Max, “that this is normal? I mean, does this kind of thing happen to other people in the world? I really want to know.” Max smiled at his wife. I looked back at Aunt Dahlia to see, scarily, she was looking at me. “You need to phone your father.” “No, she doesn’t.” This was said by Kami Maxwell. I leaned forward and plonked my forehead on the table. --- “Is there a problem here?” A mild-mannered-looking suited man I suspected was the manager entered the situation. “No, I’m simply having a word with my niece,” my aunt replied. “Yes, this woman interrupted my wife’s dinner in an extremely unpleasant way,” Greg contradicted. “She’s not your wife,” Ham grunted. Uh-oh. Shocking the crap out of me, Greg, with narrowed eyes and anger contorting his face, instantly fired back at Ham, “She’ll always be my wife.” I went still. The table went still. I fancied the restaurant went still as I was pretty certain I watched ice form in a thick layer, crackling and groaning all around Ham. “Well shit.” His words were sarcastic but that didn’t mean they weren’t dripping icicles. “See I’m in a position to apologize since I fucked your wife against the wall before we left to come here.” This was when I plonked my head on the table again. “Oh my,” Nina breathed as she glanced at Max. “We haven’t done that in a while, darling. We should do that again.
Kristen Ashley (Jagged (Colorado Mountain, #5))
THOSE BORN UNDER Pacific Northwest skies are like daffodils: they can achieve beauty only after a long, cold sulk in the rain. Henry, our mother, and I were Pacific Northwest babies. At the first patter of raindrops on the roof, a comfortable melancholy settled over the house. The three of us spent dark, wet days wrapped in old quilts, sitting and sighing at the watery sky. Viviane, with her acute gift for smell, could close her eyes and know the season just by the smell of the rain. Summer rain smelled like newly clipped grass, like mouths stained red with berry juice — blueberries, raspberries, blackberries. It smelled like late nights spent pointing constellations out from their starry guises, freshly washed laundry drying outside on the line, like barbecues and stolen kisses in a 1932 Ford Coupe. The first of the many autumn rains smelled smoky, like a doused campsite fire, as if the ground itself had been aflame during those hot summer months. It smelled like burnt piles of collected leaves, the cough of a newly revived chimney, roasted chestnuts, the scent of a man’s hands after hours spent in a woodshop. Fall rain was not Viviane’s favorite. Rain in the winter smelled simply like ice, the cold air burning the tips of ears, cheeks, and eyelashes. Winter rain was for hiding in quilts and blankets, for tying woolen scarves around noses and mouths — the moisture of rasping breaths stinging chapped lips. The first bout of warm spring rain caused normally respectable women to pull off their stockings and run through muddy puddles alongside their children. Viviane was convinced it was due to the way the rain smelled: like the earth, tulip bulbs, and dahlia roots. It smelled like the mud along a riverbed, like if she opened her mouth wide enough, she could taste the minerals in the air. Viviane could feel the heat of the rain against her fingers when she pressed her hand to the ground after a storm. But in 1959, the year Henry and I turned fifteen, those warm spring rains never arrived. March came and went without a single drop falling from the sky. The air that month smelled dry and flat. Viviane would wake up in the morning unsure of where she was or what she should be doing. Did the wash need to be hung on the line? Was there firewood to be brought in from the woodshed and stacked on the back porch? Even nature seemed confused. When the rains didn’t appear, the daffodil bulbs dried to dust in their beds of mulch and soil. The trees remained leafless, and the squirrels, without acorns to feed on and with nests to build, ran in confused circles below the bare limbs. The only person who seemed unfazed by the disappearance of the rain was my grandmother. Emilienne was not a Pacific Northwest baby nor a daffodil. Emilienne was more like a petunia. She needed the water but could do without the puddles and wet feet. She didn’t have any desire to ponder the gray skies. She found all the rain to be a bit of an inconvenience, to be honest.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
Roses climbed the shed, entwined with dark purple clematis, leaves as glossy as satin. There were no thorns. Patience's cupboard was overflowing with remedies, and the little barn was often crowded with seekers. The half acre of meadow was wild with cosmos and lupine, coreopsis, and sweet William. Basil, thyme, coriander, and broad leaf parsley grew in billowing clouds of green; the smell so fresh your mouth watered and you began to plan the next meal. Cucumbers spilled out of the raised beds, fighting for space with the peas and beans, lettuce, tomatoes, and bright yellow peppers. The cart was righted out by the road and was soon bowed under glass jars and tin pails of sunflowers, zinnias, dahlias, and salvia. Pears, apples, and out-of-season apricots sat in balsa wood baskets in the shade, and watermelons, some with pink flesh, some with yellow, all sweet and seedless, lined the willow fence.
Ellen Herrick (The Sparrow Sisters)
In the sky there is nobody asleep. Nobody, nobody. Nobody is asleep. The creatures of the moon sniff and prowl about their cabins. The living iguanas will come and bite the men who do not dream, and the man who rushes out with his spirit broken will meet on the street corner the unbelievable alligator quiet beneath the tender protest of the stars. Nobody is asleep on earth. Nobody, nobody. Nobody is asleep. In a graveyard far off there is a corpse who has moaned for three years because of a dry countryside on his knee; and that boy they buried this morning cried so much it was necessary to call out the dogs to keep him quiet. Life is not a dream. Careful! Careful! Careful! We fall down the stairs in order to eat the moist earth or we climb to the knife edge of the snow with the voices of the dead dahlias. But forgetfulness does not exist, dreams do not exist; flesh exists. Kisses tie our mouths in a thicket of new veins, and whoever his pain pains will feel that pain forever and whoever is afraid of death will carry it on his shoulders. One day the horses will live in the saloons and the enraged ants will throw themselves on the yellow skies that take refuge in the eyes of cows. Another day we will watch the preserved butterflies rise from the dead and still walking through a country of gray sponges and silent boats we will watch our ring flash and roses spring from our tongue. Careful! Be careful! Be careful! The men who still have marks of the claw and the thunderstorm, and that boy who cries because he has never heard of the invention of the bridge, or that dead man who possesses now only his head and a shoe, we must carry them to the wall where the iguanas and the snakes are waiting, where the bear’s teeth are waiting, where the mummified hand of the boy is waiting, and the hair of the camel stands on end with a violent blue shudder. Nobody is sleeping in the sky. Nobody, nobody. Nobody is sleeping. If someone does close his eyes, a whip, boys, a whip! Let there be a landscape of open eyes and bitter wounds on fire. No one is sleeping in this world. No one, no one. I have said it before. No one is sleeping. But if someone grows too much moss on his temples during the night, open the stage trapdoors so he can see in the moonlight the lying goblets, and the poison, and the skull of the theaters - City That Does Not Sleep
Federico García Lorca
Nicolas sat very still just watching her. What he wanted to do was yank her back into the boat and weld their mouths together. Their bodies. He craved her like he would a drug. He made himself breath. In and out. He could read the desperation in her eyes, the fear. Not of him, for him. The tight coil in his belly began to relax. Not giving her time to argue or think, he simply caught her small wrists and lifted her into the boat. “We’re adults, remember? Now that we know it can happen, we’ll be more careful.” He managed a quick, teasing grin. “Until we don’t want to be careful.” Dahlia swallowed hard. She had courage, he had to give her that. Respect for her grew with every moment in her company. She didn’t back away from him, but held her ground. They were both standing up, and she had a long way to look up. “It could happen, Nicolas. You’ve never seen what pure energy can do, but I have. I generate heat when it happens and fires start. People get hurt.” “Have you ever made love to someone, Dahlia?” His voice was so low she had to strain to hear him. She felt the surge of darkness, of danger, something lethal and deadly emanating from him. “No, I’ve never wanted to get that close to anyone.” “Until now.” He wanted to hear her say it. At least give him that much. He needed that much. “Until now,” she agreed. Nicolas stepped away from her, sank back into position. “Thanks for not pushing me into the water. You must have thought about it.” “Don’t give me too much credit.” She made her way to the motor. “I wasn’t certain if I shoved, you’d fall.
Christine Feehan (Mind Game (GhostWalkers, #2))
You’re back and forth with me, with your actions, with your emotions. You act like you don’t remember me, then spring on me that you do. You flirt with me and then you stop on a dime. You kiss me and then you pull away as soon as I touch you. You’re mad then you’re not.” I don’t stop to take a breath or let him speak before finally raising the hand he’s holding and letting it go. “You’re holding my hand, then . . .” I trail off, not sure of how to finish that thought. Tearing my gaze from his, I try to rein in my emotions, to wipe the flustered girl up off the floor.
Kim Karr (Connected (Connections, #1))
In my beginning is my end. In succession Houses rise and fall, crumble, are extended, Are removed, destroyed, restored, or in their place Is an open field, or a factory, or a by-pass. Old stone to new building, old timber to new fires, Old fires to ashes, and ashes to the earth Which is already flesh, fur and faeces, Bone of man and beast, cornstalk and leaf. Houses live and die: there is a time for building And a time for living and for generation And a time for the wind to break the loosened pane And to shake the wainscot where the field-mouse trots And to shake the tattered arras woven with a silent motto. In my beginning is my end. Now the light falls Across the open field, leaving the deep lane Shuttered with branches, dark in the afternoon, Where you lean against a bank while a van passes, And the deep lane insists on the direction Into the village, in the electric heat Hypnotised. In a warm haze the sultry light Is absorbed, not refracted, by grey stone. The dahlias sleep in the empty silence. Wait for the early owl. In that open field If you do not come too close, if you do not come too close, On a summer midnight, you can hear the music Of the weak pipe and the little drum And see them dancing around the bonfire The association of man and woman In daunsinge, signifying matrimonie— A dignified and commodiois sacrament. Two and two, necessarye coniunction, Holding eche other by the hand or the arm Whiche betokeneth concorde. Round and round the fire Leaping through the flames, or joined in circles, Rustically solemn or in rustic laughter Lifting heavy feet in clumsy shoes, Earth feet, loam feet, lifted in country mirth Mirth of those long since under earth Nourishing the corn. Keeping time, Keeping the rhythm in their dancing As in their living in the living seasons The time of the seasons and the constellations The time of milking and the time of harvest The time of the coupling of man and woman And that of beasts. Feet rising and falling. Eating and drinking. Dung and death. Dawn points, and another day Prepares for heat and silence. Out at sea the dawn wind Wrinkles and slides. I am here Or there, or elsewhere. In my beginning.
T.S. Eliot (Four Quartets)
Nicolas couldn’t stop looking at her with her head thrown back, her thick, black hair streaming in the wind, her body perfectly balanced as she guided the boat. With her head back, he could see her neck and the outline of her body beneath the shirt, almost as if she wore nothing at all. His body stirred, hardened. Nicolas didn’t bother to fight the reaction. Whatever was between them, the chemistry was apparent and it wasn’t going to go away. He could sit in the boat and admire the flawless perfection of her skin. Imagine the way it would feel beneath his fingertips, his palm. Dahlia’s head suddenly turned and her eyes were on him. Hot Wild. Wary. “Stop touching my breasts.” She lifted her chin, faint color stealing under her skin. He held up his hands in surrender. “I have no idea what you’re talking about.” “You know exactly what I’m talking about.” Dahlia’s breasts ached, felt swollen and hot, and deep inside her, a ravenous appetite began to stir. Nicolas was sitting across from her, looking the epitome of the perfect male statue, his features expressionless and his eyes cool, but she felt his hands on her body. Long caresses, his palms cupping her breasts, thumbs stroking her nipples until she shivered in awareness and hunger. “Oh, that.” “Yes, that.” She couldn’t help seeing the rigid length bulging beneath his jeans, and he made no effort to hide it. His unashamed display sent her body into overtime reaction so that she felt a curious throbbing where no throbbing needed to be. She grit her teeth together. “I can still feel you touching me.” He nodded thoughtfully. “I consider myself an innocent victim in this situation,” Nicolas said. “I’ve always had control, in fact I pride myself on self-discipline. You seem to have destroyed it. Permanently.” He wasn’t exactly lying to her. He couldn’t take his eyes or his mind from her body. It was an unexpected pleasure, a gift. He was devouring her with his eyes. With his mind. A part of her, the truly insane part—and Dahlia was beginning to believe there really was one—loved the way he was looking at her. She’d never experienced a man’s complete attention centered on her in a sexual way before. And he wasn’t just any man. He was . . . extraordinary. “Well, stop all the same,” she said, caught between embarrassment and pleasure. “I don’t see why my having a few fantasies should bother you.” “I’m feeling your fantasies. I think you’re projecting just a little too strongly.” His eyebrows shot up. “You mean you can actually feel what I’m thinking? My hands on your body? I thought you were reading my mind.” “I told you I could feel you touching me.” “That’s amazing. Has that ever happened before?” “No, and it better not happen again. Good grief, we’re strangers.” “You slept with me last night,” he pointed out. “Do you sleep with many strangers?” He was teasing her, but the question sent a dark shadow skittering through him.
Christine Feehan (Mind Game (GhostWalkers, #2))