Dagny Taggart Quotes

Do it first and feel about it afterwards.' - Dagny Taggart

You have forbidden me to look for you, you may damn me, you may choose to discard me...but by the right of the fact that I am alive, I must know that you are...I must see you this once." - Dagny Taggart

She's a writer. The kind of writer who wouldn't be published outside. She believes that when one deals with words, one deals with the mind.

She watched the prairies the rivers, the towns slipping past at an untouchable distance below - and she noted that the sense of detachment one feels when looking at the earth from a plane was the same sense she felt when looking at people: only her distance from people seemed longer. - Dagny Taggart

You will follow me, if we are what we are, you and I, if we live, if the world exists, if you know the meaning of this moment and can't let it slip by, as others let it slip, into the senselessness of the unwilled and unreached.

Don't ever get angry at a man for stating the truth." Dagny Taggart

There's something I want you to know,' said Cherryl, her voice taut and harsh, 'so that there won't be any pretending about it. I'm not going to put on the sweet relative act. I know what you've done to Jim and how you've made him miserable all his life. I'm going to protect him against you. I'll put you in your place. I'm Mrs. Taggart. I'm the woman in this family now.' 'That's quite all right,' said Dagny. 'I'm the man.

I'm not asking you to do your best. I'm asking you to do your job." -Dagny Taggart

She felt a bored indifference toward the immediate world around her...She took it as a regrettable accident, to be borne patiently for a while, that she happened to be imprisoned among people who were dull.

We are those who do not disconnect the values of their minds from the actions of their bodies, those who do not leave their values to empty dreams, but bring them into existence, those who give material form to thoughts, and reality to values.

No matter what night preceded it, she had never known a morning when she did not feel the rise of a quiet excitement that became a tightening energy in her body and a hunger for action in her mind—because this was the beginning of day and it was a day of her life.

Well, whose opinion did you take?” “I don’t ask for opinions.” “What do you go by?” “Judgment.” “Well, whose judgment did you take?” “Mine.” “But whom did you consult about it?” “Nobody.

They said you were hard and cold and unfeeling.” “But it’s true...I am, in the sense they mean—only have they ever told you in just what sense they mean it?" "What did they mean about you?” “Whenever anyone accuses some person of being ‘unfeeling,’ he means that that person is just. He means that that person has no causeless emotions and will not grant him a feeling which he does not deserve. He means that .‘to feel’ is to go against reason, against moral values, against reality.

Lillian moved forward to meet her, studying her with curiosity. They had met before, on infrequent occasions, and she found it strange to see Dagny Taggart wearing an evening gown. It was a black dress with a bodice that fell as a cape over one arm and shoulder, leaving the other bare: the naked shoulder was the gown’s only ornament. Seeing her in the suits she wore, one never thought of dagny taggart’s body. The black dress seemed excessively revealing – because it was astonishing to discover that the lines of her shoulder were fragile and beautiful, and that the diamond band on the wrist of her naked arm gave her the most feminine of all aspects: the look of being chained.

She survived it. She was able to survive it, because she did not believe in suffering. She faced with astonished indignation the ugly fact of feeling pain, and refused to let it matter. Suffering was a senseless accident, it was not part of life as she saw it.

She thought of the world’s code that worshipped white lies as an act of mercy—she felt a stab of revulsion against that code..

There was an air of luxury about the room, but it was the luxury of expert simplicity.

Whenever anyone accuses some person of being ‘unfeeling,’ he means that that person is just. He means that that person has no causeless emotions and will not grant him a feeling which he does not deserve. He means that .‘to feel’ is to go against reason, against moral values, against reality.

Oh, but I am quite resigned to taking second place in the shadow of my husband. I am humbly aware that the wife of a great man has to be contented with reflected glory - don't you think so Miss Taggart?" "No," said Dagny, "I don't.

Because in Atlas Shrugged, alpha male Francisco d’Anconia tells railroad company VP Dagny Taggart that she sounds happy in her new relationship: “‘But, you see, the measure of the hell you’re able to endure is the measure of your love.

...she had always looked for sparks of competence, like a diamond prospector in an unpromising wasteland.

If ever the pleasure of one has to be bought by the pain of the other, there better be no trade at all. A trade by which one gains and the other loses is a fraud.

No action could be lower or more futile than for one person to throw upon another the burden of his abdication of choice.

It is not proper for man’s life to be a circle, she thought, or a string of circles dropping off like zeros behind him—man’s life must be a straight line of motion from goal to farther goal, each leading to the next and to a single growing sum.

It was new to feel protected, and to feel that it was right to accept the protection, to surrender - right, because this peculiar sense of safety was...not the protection of being spared from battle, but of having won it, not a protection granted to her weakness, but to her strength....

She stopped for the duration of a glance around her, as if to recapture the place, but there was no recognition of persons in her eyes, the glance merely swept through the room, as if making a swift inventory of physical objects.

Incredulity and indifference were her only reaction: incredulity, because she could not conceive of what would bring human beings to such a state —indifference, because she could not regard those who reached it, as human any longer.

When the train stopped, when she got off and heard the concrete of the platform under her heels, she felt light, lifted, impelled to action. She started off, walking fast, as if the speed of her steps could give form to the things she felt.

It seemed natural; natural to the moment’s peculiar reality that was sharply clear, but cut off from everything, immediate, but disconnected, like a bright island in a wall of fog, the heightened, unquestioning reality one feels when one is drunk.

The capacity for unclouded enjoyment, she thought, does not belong to irresponsible fools; an inviolate peace of spirit is not the achievement of a drifter; to be able to laugh like that is the end result of the most profound, most solemn thinking.

She heard the words; she understood the meaning; she was unable to make it real—to grant the respect of anger, concern, opposition to a nightmare piece of insanity that rested on nothing but people’s willingness to pretend to believe that it was sane.

She never knew where he was, in what city or on what continent, the day after she had seen him. He always came to her unexpectedly—and she liked it, because it made him a continuous presence in her life, like the ray of a hidden light that could hit her at any moment.

She had always avoided personal reactions, but she was forced to break her rule when she saw the expression on his face. She burst out laughing.

There was so calm, so natural, so total a certainty in the sound of her voice that the mere sound seemed to carry an immense persuasiveness.

She sat beside him in the car, feeling no desire to speak, knowing that neither of them could conceal the meaning of their silence.

She noted that the sense of detachment one feels when looking at the earth from a plane was the same sense she felt when looking at people: only her distance from people seemed longer.

Dagny, why is it that most women would never admit that, but you do?” “Because they’re never sure that they ought to be wanted. I am.” “I do admire self-confidence.” “Self-confidence was only one part of what I said, Hank.” “What’s the whole?” “Confidence of my value—and yours.

Don’t try it.” “What?” “To win any battle when I set the terms.” She did not answer. She was struck by what the words made her feel; it was not an emotion, but a physical sensation of pleasure...

She had forgotten every problem, person and event behind her; they had always been clouded in her sight, to be hurried past, to be brushed aside, never final, never quite real. This was reality, she thought, this sense of clear outlines, of purpose, of lightness, of hope. This was the way she had expected to live—she had wanted to spend no hour and take no action that would mean less than this.

Are you saying,” he asked slowly, “that I rose in your estimation when you found that I wanted you?” “Of course.” “That’s not the reaction of most people to being wanted.” “It isn’t.” “Most people feel that they rise in their own eyes, if others want them.” “I feel that others live up to me, if they want me....

As she looked at him, her dark gray eyes went slowly from astonishment to stillness, then to a strange expression that resembled a look of weariness, except that it seemed to reflect much more than the endurance of this one moment.

He said, looking down at her body, “Dagny, what a magnificent waste!” She had to turn and escape. She felt herself blushing, for the first time in years: blushing because she knew suddenly that the sentence named what she had felt all evening.

She was looking at his face; it was the face she had known...There was no sign of tragedy, no bitterness, no tension—only the radiant mockery, matured and stressed, the look of dangerously unpredictable amusement, and the great, guiltless serenity of spirit.

His face gave her nothing in answer: it had that look of respectful severity with which a man stands before the fact that the truth is the truth.

He was searching for words to name his meaning without naming it, she thought, to make her understand that which he did not want to be understood.

She marveled at the futility of his method: he was acting as if, by naming her opinion in advance, he would make her unable to alter it.

This was the great clarity of being beyond emotion, after the reward of having felt everything one could feel.

They seemed to want her approval, without having to know whether she approved or not.

She lay on her back, looking up at the sky, feeling no desire to move or think or know that there was any time beyond this moment.

She had caught the sound of suffering in the faintest exaggeration of evenness in his voice.

...didn’t you enjoy meeting the young men?” “What men? There wasn’t a man there I couldn’t squash ten of.

No battle was hard, no decision was dangerous where there was no soggy uncertainty, no shapeless evasion to encounter.

Tension seemed natural to her, not a sign of anxiety, but a sign of enjoyment...

...and the diamond band on the wrist of her naked arm gave her the most feminine of all aspects: the look of being chained.

The hours ahead, like all her nights with him, would be added, she thought, to that savings account of one’s life where moments of time are stored in the pride of having been lived.

...she dismissed it with the thought that there were many kinds of work which were offensive, yet necessary, such as cleaning sewers; somebody had to do it, and Jim seemed to like it.

You—she thought—whoever you are, whom I have always loved and never found, you whom I expected to see at the end of the rails beyond the horizon, you whose presence I had always felt in the streets of the city and whose world I had wanted to build, it is my love for you that had kept me moving, my love and my hope to reach you and my wish to be worthy of you on the day when I would stand before you face to face. Now I know that I shall never find you—that it is not to be reached or lived—but what is left of my life is still yours, and I will go on in your name, even though it is a name I’ll never learn, I will go on serving you, even though I’m never to win, I will go on, to be worthy of you on the day when I would have met you, even though I won’t.… She had never accepted hopelessness, but she stood at the window and, addressed to the shape of a fogbound city, it was her self-dedication to unrequited love.

I’m not going to help you pretend—by arguing with you—that the reality you’re talking about is not what it is, that there’s still a way to make it work and to save your neck. There isn’t.

She felt that his presence seemed more intensely real when she kept her eyes away from him, almost as if the stressed awareness of herself came from him, like the sunlight from the water.

The things you were talking about. The lights and the flowers. Do they expect those things to make them romantic, not the other way around?” “Darling, what do you mean?” “There wasn’t a person there who enjoyed it,” she said, her voice lifeless, “or who thought or felt anything at all. They moved about, and they said the same dull things they say anywhere. I suppose they thought the lights would make it brilliant.” “Darling, you take everything too seriously. One is not supposed to be intellectual at a ball. One is simply supposed to be gay.” “How? By being stupid?

He said it without greeting, as if they had parted the day before. Because it took her a moment to regain the art of breathing, she realized for the first time how much that voice meant to her.

Isn’t it wonderful that our bodies can give us so much pleasure?” he said to her once, quite simply. They were happy and radiantly innocent. They were both incapable of the conception that joy is sin.

It was the only lie she ever told. She did not do it to protect Francisco; she did it because she felt, for some reason which she could not define, that the incident was a secret too precious to share.

This was men’s moral code in the outer world, a code that told them to act on the premise of one another’s weakness, deceit and stupidity, and this was the pattern of their lives, this struggle through a fog of the pretended and unacknowledged, this belief that facts are not solid or final, this state where, denying any form to reality, men stumble through life, unreal and unformed, and die having never been born.

Her face was made of angular planes, the shape of her mouth clear-cut, a sensual mouth held closed with inflexible precision. She kept her hands in the coat pockets, her posture taut, as if she resented immobility...

She thought: To find a feeling that would hold, as their sum, as their final expression, the purpose of all the things she loved on earth . . . To find a consciousness like her own, who would be the meaning of her world, as she would be of his... A man who existed only in her knowledge of her capacity for an emotion she had never felt, but would have given her life to experience . . . and the desire would never be satisfied, except by a being of equal greatness.

He looked at her with a touch of defiance, as if waiting for an angry answer. But her answer was worse than anger: her face remained expressionless, as if the truth or falsehood of his convictions were of no concern to her any longer.

It was a sudden, stunned state of quiet drunkenness, complete in itself, their hair mingled like the rays of two bodies in space that had achieved their meeting, she saw that he walked with his eyes closed, as if even sight would now be an intrusion.

A face that bore no mark of pain or fear or guilt...The shape of his mouth was pride, and more: it was as if he took pride in being proud. The angular planes of his cheeks made her think of arrogance, of tension, of scorn—yet the face had none of these qualities, it had their final sum: a look of serene determination and of certainty, and the look of a ruthless innocence which would not seek forgiveness or grant it. It was a face that had nothing to hide or to escape, a face with no fear of being seen or of seeing, so that the first thing she grasped about him was the intense perceptiveness of his eyes—he looked as if his faculty of sight were his best-loved tool and its exercise were a limitless, joyous adventure, as if his eyes imparted a superlative value to himself and to the world—to himself for his ability to see, to the world for being a place so eagerly worth seeing. It seemed to her for a moment that she was in the presence of a being who was pure consciousness—yet she had never been so aware of a man’s body.

Helplessness was a strange experience, new to her; she had never found it hard to face things and make decisions; but she was not dealing with things—this was a fog without shapes or definitions, in which something kept forming and shifting before it could be seen...

Dagny listened to the Fourth Concerto, her head thrown back, her eyes closed. She lay half-stretched across the corner of a couch, her body relaxed and still; but tension stressed the shape of her mouth on her motionless face, a sensual shape drawn in lines of longing.

She realized that she had always felt a sense of light-hearted relaxation in his presence and known that he shared it. He was the only man she knew to whom she could speak without strain or effort. This, she thought, was a mind she respected, an adversary worth matching.

It was as if he were a single whole, grasped by her first glance at him, like some irreducible absolute, like an axiom not to be explained any further, as if she knew everything about him by direct perception, and what awaited her now was only the process of identifying her knowledge.

If you came here dressed like this in order not to let me notice how lovely you are,” he said, “you miscalculated. You’re lovely. I wish I could tell you what a relief it is to see a face that’s intelligent though a woman’s. But you don’t want to hear it. That’s not what you came here for.

Dagny’s bearing seemed almost indecent, because this was the way a woman would have faced a ballroom centuries ago, when the act of displaying one’s half-naked body for the admiration of men was an act of daring, when it had meaning, and but one meaning, acknowledged by all as a high adventure.

Aren’t you training a man who could become your most dangerous competitor?” “That’s the only sort of men I like to hire. Dagny, have you lived too long among the looters? Have you come to think that one man’s ability is a threat to another?” “Oh no! But I thought I was almost the only one left who didn’t think that.

She knew the general doctrine on sex, held by people in one form or another, the doctrine that sex was an ugly weakness of man’s lower nature, to be condoned regretfully. She experienced an emotion of chastity that made her shrink, not from the desires of her body, but from any contact with the minds who held this doctrine.

Dagny leaned back in her chair. The short sentence was a shock. It was not merely relief: it was the sudden realization that nothing else was necessary to guarantee that it would be done; she needed no proofs, no questions, no explanations; a complex problem could rest safely on three syllables pronounced by a man who knew what he was saying.

The desperate violence of the way he held her, the hurting pressure of his mouth on hers, the exultant surrender of his body to the touch of hers, were not the form of a moment’s pleasure—she knew that no physical hunger could bring a man to this—she knew that it was the statement she had never heard from him, the greatest confession of love a man could make.

...she lay in bed, naked because her body had become an unfamiliar possession, too precious for the touch of a nightgown, because it gave her pleasure to feel naked and to feel as if the white sheets of her bed were touched by Francisco’s body—when she thought that she would not sleep, because she did not want to rest and lose the most wonderful exhaustion she had ever known...

She thought: To find a feeling that would hold, as their sum, as their final expression, the purpose of all the things she loved on earth . . . To find a consciousness like her own, who would be the meaning of her world, as she would be of his... A man who existed only in her knowledge of her capacity for an emotion she had never felt, but would have given her life to experience . . .

She thought suddenly that she was wrong about his lack of emotion: the hidden undertone of his manner was enjoyment. She realized that she had always felt a sense of light-hearted relaxation in his presence and known that he shared it. He was the only man she knew to whom she could speak without strain or effort. This, she thought, was a mind she respected, an adversary worth matching.

She did not listen to the voices of the men behind her. She did not know for how long the broken snatches of their struggle kept rolling past her—the sounds that nudged and prodded one another, trying to edge back and leave someone pushed forward — a struggle, not to assert one’s own will, but to squeeze an assertion from some unwilling victim - a battle in which the decision was to be pronounced, not by the winner, but by the loser.

In an age of casual, cynical, indifferent routine, among people who held themselves as if they were not flesh, but meat-Dagny's bearing seemed almost indecent, because this was the way a woman would have faced a ballroom centuries ago, when the act of displaying one's half-naked body for the admiration of men was an act of daring, when it had meaning, and but one meaning, acknowledged by all as a high adventure. And this-thought Mrs. Taggart, smiling-was the girl she had believed to be devoid of sexual capacity. She felt an immense relief, and a touch of amusement at the thought that a discovery of this kind should make her feel relieved. The relief lasted only for a few hours. At the end of the evening, she saw Dagny in a corner of the ballroom, sitting on a balustrade as if it were a fence rail, her legs dangling under the chiffon skirt as if she were dressed in slacks. She was talking to a couple of helpless young men, her face contemptuously empty.

There were no traces of human existence around them. Old ruts, overgrown with grass, made human presence seem more distant, adding the distance of years to the distance of miles. A haze of twilight remained over the ground, but in the breaks between the tree trunks there were leaves that hung in patches of shining green and seemed to light the forest. The leaves hung still. They walked, alone to move through a motionless world. She noticed suddenly that they had not said a word for a long time.

Her plain gray suit was like a thin coating of metal over a slender body against the spread of sun-flooded space and sky. Her posture had the lightness and unselfconscious precision of an arrogantly pure self-confidence. She was watching the work, her glance intent and purposeful, the glance of competence enjoying its own function. She looked as if this were her place, her moment and her world, she looked as if enjoyment were her natural state, her face was the living form of an active, living intelligence...

Nominative is when the article is used in the subject of a sentence.  For instance, in the sentence “The dog is brown”, “The dog” is the subject of the sentence. 

To conjugate (or modify the form of the verb) you follow two simple steps: 1) remove the –en from the verb and 2) replace it with the appropriate ending.

Accusative is when the article is used with the direct object of a sentence, in other words the object that is receiving the action of the verb.  In the sentence “Karl loves the dog”, the dog is receiving the love, so it is the direct object in the sentence. 

Pain came back to her in a sudden, piercing stab, like a long splinter from the glass of a protective wall shattered by the knowledge that the next words would be hers; it came back for the brief length of a name in her mind, the name of the man she had called the destroyer: she did not want him to hear what she would now have to say. If you hear it—the pain was like a voice crying it to him—you won’t believe the things I have said to you—no, worse, the things which I have not said, but which you knew and believed and accepted—you will think that I was not free to offer them and that my days with you were a lie—this will destroy my one month and ten of your years—this was not the way I wanted you to learn it, not like this, not tonight—but you will, you who’ve watched and known my every movement, you who’re watching me now, wherever you are—you will hear it—but it has to be said. “—the last descendant of an illustrious name in our industrial history, the woman executive possible only in America, the Operating Vice-President of a great railroad—Miss Dagny Taggart!

She felt an odd, light-hearted indifference, as if she suddenly wanted nothing but the comfort of surrendering to helplessness.

...a tall, fragile woman with pale blond hair and a face of such beauty that it seemed veiled by distance, as if the artist had been merely able to suggest it, not to make it quite real...she was Kay Ludlow, the movie star who, once seen, could never be forgotten; the star who had retired and vanished five years ago, to be replaced by girls of indistinguishable names and interchangeable faces...she felt that the glass cafeteria was a cleaner use for Kay Ludlow’s beauty than a role in a picture glorifying the commonplace for possessing no glory.

She sat at the window of the train, her head thrown back, one leg stretched across to the empty seat before her. The window frame trembled with the speed of the motion, the pane hung over empty darkness, and dots of light slashed across the glass as luminous streaks, once in a while.

...it was the security of being first, with full sight and full knowledge of one’s course—not the blind sense of being pulled into the unknown by some unknown power ahead. It was the greatest sensation of existence: not to trust, but to know.

There were moments when she felt a sudden, violent longing for him, but it was only impatience, not pain.

She wanted to tell him of the years she had spent looking for men such as he to work with; she wanted to tell him that his enemies were hers, that she was fighting the same battle...

She had always been...the motive power of her own happiness.

...were she lying crushed under the ruins of a building, were she torn by the bomb of an air raid, so long as she was still in existence she would know that action is man’s foremost obligation, regardless of anything he feels...

He held her, pressing the length of his body against hers with a tense, purposeful insistence, his hand moving over her breasts as if he were learning a proprietor’s intimacy with her body, a shocking intimacy that needed no consent from her, no permission. She tried to pull herself away, but she only leaned back against his arms long enough to see his face and his smile, the smile that told her she had given him permission long ago. She thought that she must escape; instead, it was she who pulled his head down to find his mouth again.

In English it is very common to say ‘half two’ instead of ‘half past two’. It is very important to note, however, that “half two” (“half twee”) in Dutch is equal to ‘half past one’. Pay close attention to this to prevent confusion in the future.