Daddy Quotes

We've searched our database for all the quotes and captions related to Daddy. Here they are! All 100 of them:

My daddy said, that the first time you fall in love, it changes you forever and no matter how hard you try, that feeling just never goes away.
Nicholas Sparks (The Notebook (The Notebook, #1))
Sometimes life has a cruel sense of humor, giving you the thing you always wanted at the worst time possible.
Lisa Kleypas (Sugar Daddy (Travises, #1))
Daddy will explain. Come, he is blowing up monsters.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
But hey, at least we’ll have this strange story to tell, love and death and blood and daddy-issues. And holy crap, I’m a psychiatrist’s wet dream.
Kendare Blake (Anna Dressed in Blood (Anna, #1))
Do you even really know how vampires are made?' 'Well, when a mommy vampire and a daddy vampire love each other very much...
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
You're like a little girl demanding answers to questions during a covert operation. Why is the sky blue, daddy? Can I ask that man with the machine gun where the bathroom is? If you don't stay quiet, I'm going to have to dump you.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
My daughter was asked by a little old lady in a London hotel restaurant what her daddy did. She answered, “He’s a pirate” - I was very proud of that answer.
Johnny Depp
At twenty I tried to die And get back, back, back to you. I thought even the bones would do. --from "Daddy", written 12 October 1962
Sylvia Plath (Ariel)
Sometimes a woman needs a man for company, no matter how useless he is.
Lisa Kleypas (Sugar Daddy (Travises, #1))
Many times in life I've regretted the things I've said without thinking. But I've never regretted the things I said nearly as much as the words I left unspoken.
Lisa Kleypas (Sugar Daddy (Travises, #1))
My mother made a squeaking sound that might of been either "yes" or "help". Poseidon took it as a yes and came in. Paul was looking back and forth between us, trying to read our expressions. Finally he stepped forward. "Hi, I'm Paul Blofis." Poseidon raised an eyebrow and then shook his hand. "Blowfish, did you say?" "Ah, no. Blofis, actually." "Oh, I see," Poseidon said. "A shame. I quite like blowfish. I am Poseidon." "Poseidon? That's an interesting name." "Yes, I like it. I've gone by other names, but I do prefer Poseidon." "Like the god of the sea." "Very much like that, yes" "Well!" My mother interrupted. "Um, were so glad you could drop by. Paul, this is Percy's father." "Ah." Paul nodded, though he didn't look real pleased. "I see." Poseidon smiled at me. "There you are, my boy. And Tyson, hello, son!" "Daddy!" Tyson [shouted]... Paul's jaw dropped. He stared at my mother. "Tyson is..." "Not mine," she promised. "It's a long story.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
Daddy," I whispered, feeling my own breath hitch in my throat. "I love you." Just when I was sure he was asleep, the one corner of his mouth lifted in a smile. "I knew that," he murmured. "Always knew that.
Morgan Matson (Second Chance Summer)
Opening up to the wrong person is like putting ammo in their hands.
Lisa Kleypas (Sugar Daddy (Travises, #1))
Most men don't seem to get that telling a pissed-off woman to calm down is like throwing gunpowder on a fire.” ~ Liberty Jones
Lisa Kleypas (Sugar Daddy (Travises, #1))
I used to pray to recover you. --from "Daddy", written 12 October 1962
Sylvia Plath (Ariel: The Restored Edition)
All my life I had to fight. I had to fight my daddy. I had to fight my brothers. I had to fight my cousins and my uncles. A girl child ain't safe in a family of men. But I never thought I'd have to fight in my own house. She let out her breath. I loves Harpo, she say. God knows I do. But I'll kill him dead before I let him beat me.
Alice Walker (The Color Purple)
You know, I get it. Being raised as a superstar must be really, really difficult for you. Always a commodity, never a human being, not a single person in your family thinking you’re worth a damn off the court— yeah, sounds rough. Kevin and I talk about your intricate and endless daddy issues all the time. I know it’s not entirely your fault that you are mentally unbalanced and infected with these delusions of grandeur, and I know you’re physically incapable of holding a decent conversation with anyone like every other normal human being can, but I don’t think any of us should have to put up with this much of your bullshit. Pity only gets you so many concessions, and you used yours up about six insults ago. So please, please, just shut the fuck up and leave us alone.
Nora Sakavic (The Raven King (All for the Game, #2))
It isn't the big troubles in life that require character. Anybody can rise to a crisis and face a crushing tragedy with courage, but to meet the petty hazards of the day with a laugh - I really think that requires spirit. It's the kind of character that I am going to develop. I am going to pretend that all life is just a game which I must play as skillfully and fairly as I can. If I lose, I am going to shrug my shoulders and laugh - also if I win.
Jean Webster (Daddy Long Legs)
Do you play football?' Brandon asks. 'No.' 'Baseball?' 'Nope.' Brandon is on a roll and won't stop until he's found the answer he's looking for. 'Tennis?' 'That would be a nada' 'Then what sport do you play?' Carlos puts down his food. Oh, no. He's got a rebellious gleam in his eye as he says, 'The horizontal tango.' ...Alex stands and says through chlenched teeth, 'Carlos let's talk. In private. Ahora.' ....Brandon turns to my dad with big, innocent eyes. 'Daddy, do you know how to do the horizontal tango?
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
Dating is like trying to make a meal out of leftovers. Some leftovers actually get better when they've had a little time to mature. But others should be thrown out right away, No matter how you try to warm them up, they're never as good as when they were new.
Lisa Kleypas (Sugar Daddy (Travises, #1))
Daddy once told me there's a rage passed down to every black man from his ancestors, born the moment they couldn't stop the slave masters from hurting their families. Daddy also said there's nothing more dangerous than when that rage is activated.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
If loneliness was a choice, what was the other option? To settle for second-best and try to be happy with that? And was that fair to the person you settled for?
Lisa Kleypas (Sugar Daddy (Travises, #1))
I'm your daddy on the field, bitch.
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
It starts so young, and I'm angry about that. The garbage we're taught. About love, about what's "romantic." Look at so many of the so-called romantic figures in books and movies. Do we ever stop and think how many of them would cause serious and drastic unhappiness after The End? Why are sick and dangerous personality types so often shown a passionate and tragic and something to be longed for when those are the very ones you should run for your life from? Think about it. Heathcliff. Romeo. Don Juan. Jay Gatsby. Rochester. Mr. Darcy. From the rigid control freak in The Sound of Music to all the bad boys some woman goes running to the airport to catch in the last minute of every romantic comedy. She should let him leave. Your time is so valuable, and look at these guys--depressive and moody and violent and immature and self-centered. And what about the big daddy of them all, Prince Charming? What was his secret life? We dont know anything about him, other then he looks good and comes to the rescue.
Deb Caletti (The Secret Life of Prince Charming)
My hands shot up over my head, grabbing his ears. I yanked, bending forward. North sailed over me. I gasped, stunned by what I just did. "Holy shit," Nathan uttered. "Kota," Gabriel whined. "Mommy and daddy are fighting again.
C.L. Stone (Forgiveness and Permission (The Ghost Bird, #4))
Libraries are reservoirs of strength, grace and wit, reminders of order, calm and continuity, lakes of mental energy, neither warm nor cold, light nor dark ... In any library in the world, I am at home, unselfconscious, still and absorbed." [Still in Melbourne January 1987]
Germaine Greer (Daddy, We Hardly Knew You)
Oh, sweetie, I'm sorry, you can't have a baby brother, because that would mean that Daddy had sex, and that's never going to happen again.
Christopher Moore (A Dirty Job (Grim Reaper, #1))
America used to live by the motto "Father Knows Best." Now we're lucky if "Father Knows He Has Children." We've become a nation of sperm donors and baby daddies.
Stephen Colbert (I Am America (And So Can You!))
He said you sparkle like a newborn galaxy and have more attitude than a rich kid with his daddy's Porsche.
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
You do not do, you do not do Any more, black shoe In which I have lived like a foot For thirty years, poor and white, Barely daring to breathe or Achoo. Daddy, I have had to kill you. You died before I had time― Marble-heavy, a bag full of God, Ghastly statue with one grey toe Big as a Frisco seal
Sylvia Plath (Ariel)
Grover wore his fake feet and his pants to pass as human. He wore a green rasta-style cap, because when it rained his curly hair flattened and you could just see the tips of his horns. His bright orange backpack was full of scrap metal and apples to snack on. In his pocket was a set of reed pipes his daddy goat had carved for him, even though he only knew two songs: Mozart's Piano Concerto no. 12 and Hilary Duff's "So Yesterday," both of which sounded pretty bad on reed pipes.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
And then Jack chopped down what was the world's last beanstalk, adding murder and ecological terrorism to the theft, enticement, and trespass charges already mentioned, and all the giant's children didn't have a daddy anymore. But he got away with it and lived happily ever after, without so much as a guilty twinge about what he had done...which proves that you can be excused for just about anything if you are a hero, because no one asks inconvenient questions.
Terry Pratchett (Hogfather)
Fang laughed as he shoved Vane away 'Man, quit hugging on me. You are a perv." Vane punched him in the arm. "You're such an a**hole," Trace gasped. "Daddy said a bad word!" Fang said "You tell him pup. Keep your daddy straight.
Sherrilyn Kenyon (Bad Moon Rising (Dark-Hunter, #18; Were-Hunter, #4; Hellchaser, #2))
She made an impatient noise. "By the Angel, you don't know anything about your kid, do you? Do you even really know how vampires are made?" "Well, when a mommy vampire and a daddy vampire love each other very much ...
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Miss Ellis?" Mrs. Perterson says. "It's your turn. Introduce Alex to the class" "This is Alejandro Fuentes. When he wasn't hanging out on street corners and harrassing innocent people this summer, he toured the inside of jails around the city, if you know what i mean. His secret desire is to go to college and become a chemistry teacher, like you Mrs. Peterson." Brittney flashed me a triumpnet smile, thinking she won this round. Guess again, gringa. "This is Brittney Ellis," I say, all eyes focused on me. "This summer she went to the mall, bought new clothes to extend her wardrobe, and spent her daddy's money on plastic surgery to enhance her, ahem, assets. Her secret desire is to date a Mexicano before she graduates." Game on...
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
I'd do almost anything for you. I think I'd kill for you. But I'm not going to comfort you while you cry in my arms over another man. - Gage Travis
Lisa Kleypas (Sugar Daddy (Travises, #1))
The span of three or four minutes is pretty insignificant in the scheme of things. People lose hundreds of minutes everyday, squandering them on trivial things. But sometimes in those fragments of time, something can happen you'll remember the rest of your life.
Lisa Kleypas (Sugar Daddy (Travises, #1))
Dear Daddy-Long-Legs, You never answered my question and it was very important. ARE YOU BALD?
Jean Webster (Daddy-Long-Legs (Daddy-Long-Legs, #1))
I think that the most necessary quality for any person to have is imagination. It makes people able to put themselves in other people's places. It makes them kind and sympathetic and understanding.
Jean Webster (Daddy-Long-Legs (Daddy-Long-Legs, #1))
You have to rely on whatever sparks you have inside.
Lisa Kleypas (Sugar Daddy (Travises, #1))
Blayne turned her head to look at Gwen, but caught sight of Dee-Ann standing behind them. "Ahh! Where the hell did you come from?" "Momma says from the love she shares with my daddy," Dee calmly replied.
Shelly Laurenston (The Mane Squeeze (Pride, #4))
It isn't the great big pleasures that count the most; it's making a great deal out of the little ones--I've discovered the true secret of happiness, Daddy, and that is to live in the now. Not to be for ever regretting the past, or anticipating the future; but to get the most that you can out of this very instant.
Jean Webster (Daddy-Long-Legs (Daddy-Long-Legs, #1))
I realized I wasn't going to find a man until I was willing to expose myself to possible harm, to assume the risks of rejection and betrayal and heartbreak that came along with caring about someone. Someday, I promised myself, I would be ready for that kind of risk.
Lisa Kleypas (Sugar Daddy (Travises, #1))
... I discovered life sometimes has a way of giving you what you need, but not in the form you expect.
Lisa Kleypas (Sugar Daddy (Travises, #1))
I'd sell my soul to have you. In my whole life, you'll always be what I wanted most." ~ Hardy Cates
Lisa Kleypas (Sugar Daddy (Travises, #1))
I'm half good and I'm half bad. My mama is a very good girl and my daddy is a very bad boy. And I guess that leaves me somewhere sort of...here.
C. JoyBell C.
Shock is a merciful condition. It allows you to get through disaster with a necessary distance between you and your feelings.
Lisa Kleypas (Sugar Daddy (Travises, #1))
The world is full of happiness, and plenty to go round, if you are only willing to take the kind that comes your way. The whole secret is in being pliable.
Jean Webster (Daddy-Long-Legs (Daddy-Long-Legs, #1))
One day I was speeding along at the typewriter, and my daughter - who was a child at the time - asked me, "Daddy, why are you writing so fast?" And I replied, "Because I want to see how the story turns out!
Louis L'Amour
Daddy, will you take me to the mill, again?
Trenton Lee Stewart (The Mysterious Benedict Society (The Mysterious Benedict Society, #1))
No kid in the world, no woman in the world should ever raise a hand against a no-good daddy. That's already been taken care of: A Man Who Destroys His Own Home Shall Inherit the Wind.
Dick Gregory
Some of the earliest memories I can recall are of my mother instructing me to always “save ten percent of yourself.” What she meant was that, no matter how much you thought you loved someone, or thought they loved you, you never gave all of yourself. Save 10 percent, always, so there was something to fall back on. “Even from Daddy, I save,” she would add.
Michelle Zauner (Crying in H Mart)
I have one outstanding trait in my character, which must strike anyone who knows me for any length of time, and that is my knowledge of myself. I can watch myself and my actions, just like an outsider. The Anne of every day I can face entirely without prejudice, without making excuses for her, and watch what's good and what's bad about her. This 'self-consciousness' haunts me, and every time I open my mouth I know as soon as I've spoken whether 'that ought to have been different' or 'that was right as it was.' There are so many things about myself that I condemn; I couldn't begin to name them all. I understand more and more how true Daddy's words were when he said: 'All children must look after their own upbringing.' Parents can only give good advice or put them on the right paths, but the final forming of a person's character lies in their own hands.
Anne Frank (The Diary of a Young Girl)
Darlin'...I know what you look like when you've been kissed.
Lisa Kleypas (Sugar Daddy (Travises, #1))
Then Mal let out a loud wailing noise. “I hate it when mommy and daddy fight!
Kylie Scott (Lead (Stage Dive, #3))
Cole made a hissing sound. "Are you inside yet? God bless America and all her sons. What is taking you so long?" The front door was locked. "Here, talk to Grace" "Mommy isn't going to give a different answer than Daddy," Cole said, but I handed her the phone anyway.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
You guys looking for my dad? People are always, like, looking for him, and he's never around. Daddy is so not here. And I mean that literally and spiritually.
Eoin Colfer (The Eternity Code (Artemis Fowl, #3))
How come a boy can be so stupid, but a Daddy, who actually used to be a BOY himself, can be so wonderful?
Jillian Dodd (That Boy (That Boy, #1))
A couple of times in your life, it happens like that. You meet a stranger, and all you know is that you need to know everything about him.
Lisa Kleypas (Sugar Daddy (Travises, #1))
Every woman adores a Fascist, The boot in the face, the brute Brute heart of a brute like you.
Sylvia Plath (Ariel: The Restored Edition)
What are you thinking?" he asks. I know Gage hates it when I cry - he is completely undone by the sight of tears - so I blink hard against the sting. "I'm thinking how thankful I am for everything," I say, "even the bad stuff. Every sleepless night, every second of being lonely, every time the car broke down, every wad of gum on my shoe, every late bill and losing lottery ticket and bruise and broken dish and piece of burnt toast." His voice is soft. "Why, darlin'?" "Because it all led me here to you.
Lisa Kleypas (Sugar Daddy (Travises, #1))
Why?' is always the most difficult question to answer. You know where you are when someone asks you 'What's the time?' or 'When was the battle of 1066?' or 'How do these seatbelts work that go tight when you slam the brakes on, Daddy?' The answers are easy and are, respectively, 'Seven-thirty in the evening,' 'Ten-fifteen in the morning,' and 'Don't ask stupid questions.
Douglas Adams (The Salmon of Doubt: Hitchhiking the Galaxy One Last Time)
How true Daddy's words were when he said: all children must look after their own upbringing. Parents can only give good advice or put them on the right paths, but the final forming of a person's character lies in their own hands.
Anne Frank (The Diary of a Young Girl)
Daddy!” Eva whirled around, glaring. “I’ve been fucking Deuce since I was eighteen! I wanted to fuck him when I was sixteen! Maybe I even wanted him when I was twelve too! Who knows! What I do know is I have been in love with him since I was five! So get over it! And don’t you dare shoot him or I’ll shoot you!
Madeline Sheehan (Undeniable (Undeniable, #1))
Although love could grow in times of peace, it tempered in battle. Daddy told me once - when I'd said something about how perfect his relationship with Mom was - that I should have seen the first five years of their marriage, that they'd fought like hellions, crashed into each other like two giant stones. That eventually they'd eroded each other into the perfect fit, become a single wall, nestled into each other's curves and hollows, her strengths chinking his weaknesses, her weaknesses reinforced by his strengths.
Karen Marie Moning (Dreamfever (Fever, #4))
Menoeceus wants his father. (Astrid) Bob is crying because he wants his mother to stop calling him that crap-ass name. It’s all right, Bob. Daddy’s got you now. I’m saving you from Mommy’s bad naming taste. I’d be crying, too, if my mom named me after an idiot. (Zarek)
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
CUSTOMER: OK, so you want this book? THEIR DAUGHTER: Yes! CUSTOMER: Peter Pan? THEIR DAUGHTER: Yes, please. Because he can fly. CUSTOMER: Yes, he can - he's very good at flying. THEIR DAUGHTER: Why can't I fly, daddy? CUSTOMER: Because of evolution, sweetheart.
Jen Campbell (Weird Things Customers Say in Bookshops)
I believe absolutely in my own free will and my own power to accomplish - and that is the belief that moves mountains.
Jean Webster (Daddy-Long-Legs (Daddy-Long-Legs, #1))
My daddy always told me to just do the best you knew how and tell the truth. He said there was nothin to set a man’s mind at ease like wakin up in the morning and not havin to decide who you were. And if you done somethin wrong just stand up and say you done it and say you’re sorry and get on with it. Don’t haul stuff around with you.
Cormac McCarthy (No Country for Old Men)
Now, I could go on about mommy didn’t love me and daddy hit me, but who doesn’t have a story, right?” I asked. “There are times when we can blame a situation on others, but we own our reactions to them. There comes a point where we are the ones responsible for our choices and excuses don’t carry weight anymore.
Penelope Douglas (Until You (Fall Away, #1.5))
Percy: “You asked Poseidon for… me?” Tyson: "For a friend, young cyclopes grow up alone on the streets, learns to make things out of scraps. Learn to survive." Percy: “But that’s so cruel!” Tyson: “Makes us appreciate blessings, not be greedy and mean and fat like Polyphemus. But I got scared. Monsters chased me so much, clawed me sometimes--" Percy: “The scars on your back?” Tyson: “Sphinx on Seventy-second Street. Big Bully. I prayed to Daddy for help. Soon the people at Meriwether found me. Mey you. Biggest blessing ever. Sorry I said Poseidon was mean. He sent me a brother.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Seven little crazy kids chopping up sticks; One burnt her daddy up and then there were six. Six little crazy kids playing with a hive; One tattooed himself to death and then there were five. Five little crazy kids on a cellar door; One went all schizo and then there were four. Four little crazy kids going out to sea; One wouldn't say a word and then there were three. Three little crazy kids walking to the zoo; One jerked himself too much and then there were two. Two little crazy kids sitting in the sun; One a took a bunch of pills and then there was one. One little crazy kid left all alone; He went and slit his wrists, and then there were none.
Michael Thomas Ford (Suicide Notes)
Some people there's no getting over.
Lisa Kleypas (Sugar Daddy (Travises, #1))
My daddy had told me once that people were gonna give me shit all my life. The monster had told Joe that his family didn't want him anymore. We'd have to live with that, those things that were whispered in our ears. Maybe we'd never be free of those shadows. Not completely. But we'd still fight like hell. And maybe that's all that mattered.
T.J. Klune (Wolfsong (Green Creek, #1))
I remember when my daddy gave me that gun. He told me that I should never point it at anything in the house; and that he'd rather I'd shoot at tin cans in the backyard. But he said that sooner or later he supposed the temptation to go after birds would be too much, and that I could shoot all the blue jays I wanted - if I could hit 'em; but to remember it was a sin to kill a mockingbird.
Harper Lee (To Kill a Mockingbird)
It's much more entertaining to live books than to write them.
Jean Webster (Daddy-Long-Legs (Daddy-Long-Legs, #1))
There are different kinds of fathers. Those who love unconditionally, those who love on condition, and those who never love at all.
Tricia Levenseller (Daughter of the Pirate King (Daughter of the Pirate King, #1))
I'm getting a girlfriend soon," said Michael in a serious tone, and everyone laughed. "You've got plenty of time for that, kiddo," said his father. "No need to rush." "Well, I don't want a boyfriend, Daddy," said Madeline. "Boys are dirty, and they make a mess when they eat." "I'd imagine the six-year-old ones would." Xavier chuckled. "But don't worry, they get better at it.
Alexandra Adornetto (Halo (Halo, #1))
White men get a choice. They get to choose they job, they house. They get to choose to make black babies, then disappear into thin air, like they wasn't never there to begin with, like these black women they slept with or raped done laid on top of themselves and got pregnant. White men get to choose for black men too. Used to sell 'em; now they just send 'em to prison like my daddy, so that they can't be with they kids.
Yaa Gyasi (Homegoing)
Despite being the only one of us who owned the game, I wasn't very good at Resurrection. As I watched them tramp through a ghoul-infested space station, Ben said, "Goblin, Radar, goblin." I see him." Come here you little bastard," Ben said, the controller twisting in his hand. "Daddy's gonna put you on a sailboat across the River Styx." Did you just use Greek mythology to talk trash?" I asked. Radar laughed. Ben started pummeling buttons, shouting, "Eat it, goblin! Eat it like Zeus ate Metis!
John Green (Paper Towns)
Where you come from is gone, where you thought you were going to never was there, and where you are is no good unless you can get away from it. Where is there a place for you to be? No place. Nothing outside you can give you any place," he said. "You needn't look at the sky because it's not going to open up and show no place behind it. You needn't to search for any hole in the ground to look through into somewhere else. You can't go neither forwards nor backwards into your daddy's time nor your children's if you have them. In yourself right now is all the place you've got. If there was any Fall, look there, if there was any Redemption, look there, and if you expect any Judgment, look there, because they all three will have to be in your time and your body and where in your time and your body can they be?
Flannery O'Connor (Wise Blood)
Is it snowing where you are? All the world that I see from my tower is draped in white and the flakes are coming down as big as pop-corns. It's late afternoon - the sun is just setting (a cold yellow colour) behind some colder violet hills, and I am up in my window seat using the last light to write to you.
Jean Webster (Daddy-Long-Legs (Daddy-Long-Legs, #1))
crawling up into daddy's lap when dad was still DADDY nodding my head against his chest soaking in the comfort of his heart LISTENING to the thump...thump somewhere beneath muscle and breastbone I remember his arms their sublime ENCIRCLING and the shawdow of his voice "I love you, little girl. Put away your bad dreams. Daddy's here" I put them away, Until Daddy became my nightmare that one that came HOME from work everyday and instead of picking me up, chased me far far away
Ellen Hopkins (Identical)
Don't be an asshole" Rhage summed up the regurgitation with two words: "Kettle.Black." Fucking hell. "Did you guys plan that out?" "Yeah and if you don't fight us"- Hollywood bit down on the grape Tootsie Pop-"we'll do it again- only with the dance moves this time" "Spare me." "Fine.Unless you agree to home it,we WILL rock the dance moves." To prove the point ,the moron linked his palms behind his head and started doing something obscene with his hips. Which was backed up by a series of,"Uh-huh,uh-huh,ohhhh, yeeeeeeah,who's your daddy..." The others looked at Rhage like he'd grown a horn in the middle of his forehead. Nothing unusual there. And Tohr knew that, in spite of this ridiculous diversion,if he didn't cave,the lot of them would crawl so far up his ass,he'd be coughing up shitkickers. Rhage wheeled around,shoved out his butt,and started slapping his moneymaker like it was bread dough. "For the love of the Virgin Scribe,"Z muttered "put us out of this misery, and go the fuck home" Someone else chimed in, "You know, I never thought there were advantages to being blind..." "Or deaf" "Or mute," somebody added
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
Daddy claims the Hogwarts houses are really gangs. They have their own colors, their own hideouts, and they are always riding for each other, like gangs. Harry, Ron, and Hermione never snitch on one another, just like gangbangers. Death Eaters even have matching tattoos. And look at Voldemort. They’re scared to say his name. Really, that “He Who Must Not Be Named” stuff is like giving him a street name. That’s some gangbanging shit right there.
Angie Thomas (The Hate U Give)
Right. Lack of opportunities," Daddy says. "Corporate America don't bring jobs to our communities, and they damn sure ain't quick to hire us. Then, shit, even if you do have a high school diploma, so many of the schools in our neighborhoods don't prepare us well enough. That's why when your momma talked about sending you and your brothers to Williamson, I agreed. Our schools don't get the resources to equip you like Williamson does. It's easier to find some crack that it is the find a good school around here. "Now, think 'bout this," he says. "How did the drugs even get in our neighborhood? This is a multibillion-dollar industry we talking 'bout, baby. That shit is flown into our communities, but I don't know anybody with a private jet. Do you?" "No." "Exactly. Drugs come from somewhere, and they're destroying our community," he says. "You got folks like Brenda, who think they need them survive, and then you got the Khalils, who think they need to sell them to survive. The Brendas can't get jobs unless they're clean, and they can't pay for rehab unless they got jobs. When the Khalils get arrested for selling drugs, they either spend most of their life in prison, another billion-dollar industry, or they have a hard time getting a real job and probably start selling drugs again. That's the hate they're giving us, baby, a system designed against us. That's Thug Life.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
I’ll check on you when I get home. I love you, baby. (Kiefer) I love you too, Daddy. (Kiara) What the hell was that action? (Syn) I think it’s something called ‘paternal concern.’ (Nykyrian) What…? You sure? I thought that crap was a myth. (Syn) No, really. I watched it once in a documentary. It was fascinating. Believe it or not, there are people out there who actually have feelings for their progeny. (Nykyrian) Get the fuck out. No way. You’re screwing with my head again, aren’t you? (Syn) No, I swear. You just saw it with your own eyes. I did not make that shit up. (Nykyrian) Yeah but it’s really messing with my concept of the natural order of the universe. Paternal love? What’s next? Limb regrowth? Genetic splicing reversals? (Syn)
Sherrilyn Kenyon (Born of the Night (The League, #1))
When I was twelve, my parents had two talks with me. One was the usual birds and bees. Well, I didn't really get the usual version. My mom, Lisa, is a registered nurse, and she told me what went where, and what didn't need to go here, there, or any damn where till I'm grown. Back then, I doubted anything was going anywhere anyway. While all the other girls sprouted breasts between sixth and seventh grade, my chest was as flat as my back. The other talk was about what to do if a cop stopped me. Momma fussed and told Daddy I was too young for that. He argued that I wasn't too young to get arrested or shot. "Starr-Starr, you do whatever they tell you to do," he said. "Keep your hands visible. Don't make any sudden moves. Only speak when they speak to you." I knew it must've been serious. Daddy has the biggest mouth of anybody I know, and if he said to be quiet, I needed to be quiet. I hope somebody had the talk with Khalil.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
Things to worry about: Worry about courage Worry about cleanliness Worry about efficiency Worry about horsemanship Things not to worry about: Don’t worry about popular opinion Don’t worry about dolls Don’t worry about the past Don’t worry about the future Don’t worry about growing up Don’t worry about anybody getting ahead of you Don’t worry about triumph Don’t worry about failure unless it comes through your own fault Don’t worry about mosquitoes Don’t worry about flies Don’t worry about insects in general Don’t worry about parents Don’t worry about boys Don’t worry about disappointments Don’t worry about pleasures Don’t worry about satisfactions Things to think about: What am I really aiming at? How good am I really in comparison to my contemporaries in regard to: (a) Scholarship (b) Do I really understand about people and am I able to get along with them? (c) Am I trying to make my body a useful instrument or am I neglecting it? With dearest love, Daddy
F. Scott Fitzgerald
See? See what you can do? Never mind you can’t tell one letter from another, never mind you born a slave, never mind you lose your name, never mind your daddy dead, never mind nothing. Here, this here, is what a man can do if he puts his mind to it and his back in it. Stop sniveling,’ [the land] said. ‘Stop picking around the edges of the world. Take advantage, and if you can’t take advantage, take disadvantage. We live here. On this planet, in this nation, in this county right here. Nowhere else! We got a home in this rock, don’t you see! Nobody starving in my home; nobody crying in my home, and if I got a home you got one too! Grab it. Grab this land! Take it, hold it, my brothers, make it, my brothers, shake it, squeeze it, turn it, twist it, beat it, kick it, kiss it, whip it, stomp it, dig it, plow it, seed it, reap it, rent it, buy it, sell it, own it, build it, multiply it, and pass it on – can you hear me? Pass it on!
Toni Morrison (Song of Solomon)
people used to tell me that i had beautiful hands told me so often, in fact, that one day i started to believe them until i asked my photographer father, “hey daddy could i be a hand model” to which he said no way, i dont remember the reason he gave me and i wouldve been upset, but there were far too many stuffed animals to hold too many homework assignment to write, too many boys to wave at too many years to grow, we used to have a game, my dad and i about holding hands cus we held hands everywhere, and every time either he or i would whisper a great big number to the other, pretending that we were keeping track of how many times we had held hands that we were sure, this one had to be 8 million 2 thousand 7 hundred and fifty three. hands learn more than minds do, hands learn how to hold other hands, how to grip pencils and mold poetry, how to tickle pianos and dribble a basketball, and grip the handles of a bicycle how to hold old people, and touch babies , i love hands like i love people, they're the maps and compasses in which we navigate our way through life, some people read palms to tell your future, but i read hands to tell your past, each scar marks the story worth telling, each calloused palm, each cracked knuckle is a missed punch or years in a factory, now ive seen middle eastern hands clenched in middle eastern fists pounding against each other like war drums, each country sees theyre fists as warriors and others as enemies. even if fists alone are only hands. but this is not about politics, no hands arent about politics, this is a poem about love, and fingers. fingers interlock like a beautiful zipper of prayer. one time i grabbed my dads hands so that our fingers interlocked perfectly but he changed positions, saying no that hand hold is for your mom. kids high five, but grown ups, we learn how to shake hands, you need a firm hand shake,but dont hold on too tight, but dont let go too soon, but dont hold down for too long, but hands are not about politics, when did it become so complicated. i always thought its simple. the other day my dad looked at my hands, as if seeing them for the first time, and with laughter behind his eye lids, with all the seriousness a man of his humor could muster, he said you know you got nice hands, you could’ve been a hand model, and before the laughter can escape me, i shake my head at him, and squeeze his hand, 8 million 2 thousand 7hundred and fifty four.
Sarah Kay
When it’s time to leave, we put on our shoes, kiss Daddy good-bye, and tumble out the front door. Waiting for us on the street in front of his car is Peter with a bouquet of cellophane-wrapped pink carnations. “Happy birthday, kid,” he says. Kitty’s eyes bulge. “Are those for me?” He laughs. “Who else would they be for? Hurry and get in the car.” Kitty turns to me, her eyes bright, her smile as wide as her face. I’m smiling too. “Are you coming too, Lara Jean?” I shake my head. “No, there’s only room for two.” “You’re my only girl today, kid,” Peter says, and Kitty runs to him and snatches the flowers out of his hand. Gallantly, he opens the door for her. He shuts it and turns and winks at me. “Don’t be jealous, Covey.” I’ve never liked him more than in this moment.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
How You Doing, Little Lucy?” His bright tone and mild expression indicates we’re playing a game we almost never play. It’s a game called How You Doing? and it basically starts off like we don’t hate each other. We act like normal colleagues who don’t want to swirl their hands in each other’s blood. It’s disturbing. “Great, thanks, Big Josh. How You Doing?” “Super. Gonna go get coffee. Can I get you some tea?” He has his heavy black mug in his hand. I hate his mug. I look down; my hand is already holding my red polka-dot mug. He’d spit in anything he made me. Does he think I’m crazy? “I think I’ll join you.” We march purposefully toward the kitchen with identical footfalls, left, right, left, right, like prosecutors walking toward the camera in the opening credits of Law & Order. It requires me to almost double my stride. Colleagues break off conversations and look at us with speculative expressions. Joshua and I look at each other and bare our teeth. Time to act civil. Like executives. “Ah-ha-ha,” we say to each other genially at some pretend joke. “Ah-ha-ha.” We sweep around a corner. Annabelle turns from the photocopier and almost drops her papers. “What’s happening?” Joshua and I nod at her and continue striding, unified in our endless game of one-upmanship. My short striped dress flaps from the g-force. “Mommy and Daddy love you very much, kids,” Joshua says quietly so only I can hear him. To the casual onlooker he is politely chatting. A few meerkat heads have popped up over cubicle walls. It seems we’re the stuff of legend. “Sometimes we get excited and argue. But don’t be scared. Even when we’re arguing, it’s not your fault.” “It’s just grown-up stuff,” I softly explain to the apprehensive faces we pass. “Sometimes Daddy sleeps on the couch, but it’s okay. We still love you.
Sally Thorne (The Hating Game)
He and I always think the same things are funny, and that is such a lot; it's dreadful when two people's senses of humor are antagonistic. I don't believe there's any bridging that gulf! And he is--Oh, well! He is just himself, and I miss him, and miss him, and miss him. The whole world seems empty and aching. I hate the moonlight because it's beautiful and he isn't here to see it with me. But maybe you've loved somebody, too, and you know? If you have, I don't need to explain; if you haven't, I can't explain.
Jean Webster (Daddy-Long-Legs (Daddy-Long-Legs, #1))
Sarah Cynthia Sylvia Stout Would not take the garbage out! She'd scour the pots and scrape the pans, Candy the yams and spice the hams, And though her daddy would scream and shout, She simply would not take the garbage out. And so it piled up to the ceilings: Coffee grounds, potato peelings, Brown bananas, rotten peas, Chunks of sour cottage cheese. It filled the can, it covered the floor, It cracked the window and blocked the door With bacon rinds and chicken bones, Drippy ends of ice cream cones, Prune pits, peach pits, orange peel, Gloppy glumps of cold oatmeal, Pizza crusts and withered greens, Soggy beans and tangerines, Crusts of black burned buttered toast, Gristly bits of beefy roasts. . . The garbage rolled on down the hall, It raised the roof, it broke the wall. . . Greasy napkins, cookie crumbs, Globs of gooey bubble gum, Cellophane from green baloney, Rubbery blubbery macaroni, Peanut butter, caked and dry, Curdled milk and crusts of pie, Moldy melons, dried-up mustard, Eggshells mixed with lemon custard, Cold french fried and rancid meat, Yellow lumps of Cream of Wheat. At last the garbage reached so high That it finally touched the sky. And all the neighbors moved away, And none of her friends would come to play. And finally Sarah Cynthia Stout said, "OK, I'll take the garbage out!" But then, of course, it was too late. . . The garbage reached across the state, From New York to the Golden Gate. And there, in the garbage she did hate, Poor Sarah met an awful fate, That I cannot now relate Because the hour is much too late. But children, remember Sarah Stout And always take the garbage out!
Shel Silverstein
And then I stand in front of God's Throne squinting up at His blazing glory and He says, 'You had your opportunities, boy. But did you listen? No. You went on heedlesly reading that garbagey magazine with pictures of naked girls in it. How juvenile! I gave geese more sense than that.' Please, God. I'm only fourteen years old. A teenager. Have mercy. Be loving. I was,' says God. 'For eons. And look at what it got me. You.' God turns in disgust, just the way Daddy does. 'Sorry, but I'm the Creator. I take it personally. There are slugs and bugs and night-crawlers I feel better about having created - I mean, there are sparrows - I've got my eye on one right now. Is that sparrow consumed with lust? No. He mates in the spring and that's the end of it. Consider the lilies. Do they think about lily tits all the time? No. They look not and they lust not, and yet I say unto you that you will never be half as attractive as they. Therefore, I say unto you, think not about peckers and boobs and all that nonsense and your Heavenly Father will see that you meet a good woman and marry her, just as I do for the sparrow and walleye - yea verily, even the night-crawler and the eelpout. But I've told you this over and over for nineteen centuries. And now, verily, it's too late. Time's up, buster. Lights out! Game's over!
Garrison Keillor
What?” I cut him off. “That’s not true—I do take this seriously—” “Bullshit.” He laughs a short, sharp, angry laugh. “All you do is sit around and think about your feelings. You’ve got problems. Boo-freaking-hoo,” he says. “Your parents hate you and it’s so hard but you have to wear gloves for the rest of your life because you kill people when you touch them. Who gives a shit?” He’s breathing hard enough for me to hear him. “As far as I can tell, you’ve got food in your mouth and clothes on your back and a place to pee in peace whenever you feel like it. Those aren’t problems. That’s called living like a king. And I’d really appreciate it if you’d grow the hell up and stop walking around like the world crapped on your only roll of toilet paper. Because it’s stupid,” he says, barely reining in his temper. “It’s stupid, and it’s ungrateful. You don’t have a clue what everyone else in the world is going through right now. You don’t have a clue, Juliette. And you don’t seem to give a damn, either.” I swallow, so hard. “Now I am trying,” he says, “to give you a chance to fix things. I keep giving you opportunities to do things differently. To see past the sad little girl you used to be—the sad little girl you keep clinging to—and stand up for yourself. Stop crying. Stop sitting in the dark counting out all your individual feelings about how sad and lonely you are. Wake up,” he says. “You’re not the only person in this world who doesn’t want to get out of bed in the morning. You’re not the only one with daddy issues and severely screwed-up DNA. You can be whoever the hell you want to be now. You’re not with your shitty parents anymore. You’re not in that shitty asylum, and you’re no longer stuck being Warner’s shitty little experiment. So make a choice,” he says. “Make a choice and stop wasting everyone’s time. Stop wasting your own time. Okay?
Tahereh Mafi (Unravel Me (Shatter Me, #2))
The Beat Generation, that was a vision that we had, John Clellon Holmes and I, and Allen Ginsberg in an even wilder way, in the late forties, of a generation of crazy, illuminated hipsters suddenly rising and roaming America, serious, bumming and hitchhiking everywhere, ragged, beatific, beautiful in an ugly graceful new way--a vision gleaned from the way we had heard the word 'beat' spoken on streetcorners on Times Square and in the Village, in other cities in the downtown city night of postwar America--beat, meaning down and out but full of intense conviction--We'd even heard old 1910 Daddy Hipsters of the streets speak the word that way, with a melancholy sneer--It never meant juvenile delinquents, it meant characters of a special spirituality who didn't gang up but were solitary Bartlebies staring out the dead wall window of our civilization--the subterraneans heroes who'd finally turned from the 'freedom' machine of the West and were taking drugs, digging bop, having flashes of insight, experiencing the 'derangement of the senses,' talking strange, being poor and glad, prophesying a new style for American culture, a new style (we thought), a new incantation--The same thing was almost going on in the postwar France of Sartre and Genet and what's more we knew about it--But as to the actual existence of a Beat Generation, chances are it was really just an idea in our minds--We'd stay up 24 hours drinking cup after cup of black coffee, playing record after record of Wardell Gray, Lester Young, Dexter Gordon, Willie Jackson, Lennie Tristano and all the rest, talking madly about that holy new feeling out there in the streets- -We'd write stories about some strange beatific Negro hepcat saint with goatee hitchhiking across Iowa with taped up horn bringing the secret message of blowing to other coasts, other cities, like a veritable Walter the Penniless leading an invisible First Crusade- -We had our mystic heroes and wrote, nay sung novels about them, erected long poems celebrating the new 'angels' of the American underground--In actuality there was only a handful of real hip swinging cats and what there was vanished mightily swiftly during the Korean War when (and after) a sinister new kind of efficiency appeared in America, maybe it was the result of the universalization of Television and nothing else (the Polite Total Police Control of Dragnet's 'peace' officers) but the beat characters after 1950 vanished into jails and madhouses, or were shamed into silent conformity, the generation itself was shortlived and small in number.
Jack Kerouac
The greatest mystery the universe offers is not life but size. Size encompasses life, and the Tower encompasses size. The child, who is most at home with wonder, says: Daddy, what is above the sky? And the father says: The darkness of space. The child: What is beyond space? The father: The galaxy. The child: Beyond the galaxy? The father: Another galaxy. The child: Beyond the other galaxies? The father: No one knows. You see? Size defeats us. For the fish, the lake in which he lives is the universe. What does the fish think when he is jerked up by the mouth through the silver limits of existence and into a new universe where the air drowns him and the light is blue madness? Where huge bipeds with no gills stuff it into a suffocating box and cover it with wet weeds to die? Or one might take the tip of the pencil and magnify it. One reaches the point where a stunning realization strikes home: The pencil tip is not solid; it is composed of atoms which whirl and revolve like a trillion demon planets. What seems solid to us is actually only a loose net held together by gravity. Viewed at their actual size, the distances between these atoms might become league, gulfs, aeons. The atoms themselves are composed of nuclei and revolving protons and electrons. One may step down further to subatomic particles. And then to what? Tachyons? Nothing? Of course not. Everything in the universe denies nothing; to suggest an ending is the one absurdity. If you fell outward to the limit of the universe, would you find a board fence and signs reading DEAD END? No. You might find something hard and rounded, as the chick must see the egg from the inside. And if you should peck through the shell (or find a door), what great and torrential light might shine through your opening at the end of space? Might you look through and discover our entire universe is but part of one atom on a blade of grass? Might you be forced to think that by burning a twig you incinerate an eternity of eternities? That existence rises not to one infinite but to an infinity of them?
Stephen King (The Gunslinger (The Dark Tower, #1))
Your daddy is standing in a swimming pool out a little bit from the edge. You are, let’s say, three years old and standing on the edge of the pool. Daddy holds out his arms to you and says, “Jump, I’ll catch you. I promise.” Now, how do you make your daddy look good at that moment? Answer: trust him and jump. Have faith in him and jump. That makes him look strong and wise and loving. But if you won’t jump, if you shake your head and run away from the edge, you make your daddy look bad. It looks like you are saying, “he can’t catch me” or “he won’t catch me” or “it’s not a good idea to do what he tells me to do.” And all three of those make your dad look bad. But you don’t want to make God look bad. So you trust him. Then you make him look good–which he really is. And that is what we mean when we say, “Faith glorifies God” or “Faith gives God glory.” It makes him look as good as he really is. So trusting God is really important. And the harder it seems for him to fulfill his promise, the better he looks when you trust him. Suppose that you are at the deep end of a pool by the diving board. You are four years old and can’t swim, and your daddy is at the other end of the pool. Suddenly a big, mean dog crawls under the fence and shows his teeth and growls at you and starts coming toward you to bite you. You crawl up on the diving board and walk toward the end to get away from him. The dog puts his front paws up on the diving board. Just then, your daddy sees what’s happening and calls out, “Johnny, jump in the water. I’ll get you.” Now, you have never jumped from one meter high and you can’t swim and your daddy is not underneath you and this water is way over your head. How do you make your daddy look good in that moment? You jump. And almost as soon as you hit the water, you feel his hands under your arms and he treads water holding you safely while someone chases the dog away. Then he takes you to the side of the pool. We give glory to God when we trust him to do what he has promised to do–especially when all human possibilities are exhausted. Faith glorifies God. That is why God planned for faith to be the way we are justified.
John Piper