D.i.d Quotes

We've searched our database for all the quotes and captions related to D.i.d. Here they are! All 22 of them:

I don’t want to be someone’s ‘girl who got away.’ I want to be someone’s ‘girl who’d I’d never let get away.
Tarryn Fisher (F*ck Love)
Absoballylutely top hole, wot. A and B the C of D I'd say. . . Above and Beyond the Call of Duty.
Brian Jacques (Taggerung (Redwall, #14))
He couldn’t be serious. He was not accusing Marc of wanting me dead! If that wasn’t the pot calling the kettle black, I’d…I’d…pound the shit out of the pot myself!
Rachel Vincent (Pride (Shifters, #3))
Julian's skin was cold, as if he'd been leaning out the window into the night air. She turned his hand and drew with her finger on his bare forearm. It was something they’d done since they were small children and didn't want to get caught talking during lessons. Over the years they'd gotten so good at it that they could map out detailed messages on each other's hands, arms, even their shoulders through their T-shirts. D-I-D Y-O-U E-A-T? she spelled out. Julian shook his head, still staring at Livvy and Ty. His curls were sticking up in tufts as if he’d been raking his hands through his hair. She felt his fingers, light on her upper arm. N-O-T H-U-N-G-R-Y.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Maxon, I hope you find someone you can't love without. I really do. And I hope you never have to know what it's like to have to try and live without them." Maxon's face was a shallow echo of my own pain. He looked absolutely brokenhearted for me. More than that, he looked angry. "I'm sorry, America. I don't..." His face shifted a little. "Is this a good time to pat your shoulder?" His uncertainty made me smile. "Yes. Now would be a great time." He seemed as skeptically as he'd been the other day, but instead of just patting my shoulder, he leaned in and tentatively wrapped his arms around me. "I only really ever hug my mother. Is this okay?" he asked. I laughed. "It's hard to get a hug wrong." After a minute, I spoke again. "I know what you mean, though. I don't really hug anyone besides my family." I felt so drained after the long day of dressing and the Report and dinner and talking. It was nice to have Maxon just hold me, sometimes even patting my hair. He wasn't as lost as he seemed. He patiently waited for my breathing to slow, and when it did, he pulled back to look at me. "America, I promise you I'll keep you here until the last possible moment. I understand that they want me to narrow the Elite down to three and then choose. But I swear to you, I'll make it to two and keep you here until then. I won't make you leave a moment before I have to. Or the moment you're ready. Whichever comes first." I nodded. "I know we just met, but I think you're wonderful. And it bothers me to see you hurt. If he were here, I'd...I'd..." Maxon shook with frustration, then sighed. "I'm so sorry, America." He pulled me back in, and I rested my head on his broad shoulder. I knew Maxon would keep his promises. So I settled into perhaps the last place I ever thought I'd find genuine comfort.
Kiera Cass (The Selection (The Selection, #1))
I'm here because it's been months since you kissed me, but I think about that moment so often it feels like it happened yesterday. And because when I saw you go down in the battle, I thought I'd-- I'd tear apart the world if anything happened to you.
Sabaa Tahir (A ​Sky Beyond the Storm (An Ember in the Ashes, #4))
Honey, I appreciate that so much, I really do, but it’s not just transferring that I’m worrying about. I’m worried about his mind-set. When he gets to UVA, he needs to be focused. He’s going there to be a student athlete. He can’t be driving down to North Carolina every weekend. It just isn’t practical. You’re both so young. Peter’s already making big life decisions based on you, and who even knows what’s going to happen with you two in the future. You’re teenagers. Life doesn’t always work out the way you think it’s going to work out. . . . I don’t know if Peter ever told you this, but Peter’s dad and I got married very young. And I’d—I’d just hate to see you two make the same mistakes we did.” She hesitates. “Lara Jean, I know my son, and he’s not going to let you go unless you let him go first.” I
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
I had just dropped out of medicine in my first year of residency, a few months shy of becoming a licensed M.D. I'd discovered there was something serious, mainly a matter of nerve and perhaps empathy, that stood in my way.
Barbara Kingsolver (Animal Dreams)
if I was gay, I’d… I’d be mesmerized by you. I’d listen to every word that fell out of your mouth like it was diamonds made of sound waves. I’d memorize the pattern of freckles on your back and spend months taking cooking classes just to find something you’d eat. You are kind, and you are funny, and you are brave, and any man who has you needs to see all that or he just isn’t worth the laces in your combat boots, you hear me
Amy Lane (Talker (Talker, #1))
Me?' He smiled faintly. 'Listen, I could study forever and I'd never break a C. But it's different for you, you're good. You really are. If I had a brain like that, I'd-I'd have my head cut open so people could look at it'. 'Now wait a second. . .
John Knowles (A Separate Peace)
Any time I found myself wavering- thinking about death or dying or ends or Dad or the ToD -I'd force myself to think about June instead... Think about June. Flip my mind overtop of itself, push everything else out until she's all that's left. June laughing at a joke I'd made, or June speaking, or June existing. This didn't serve, exactly, to balance me on the tightrope; it disintegrated the tightrope. It made it so the tightrope had never existed at all. There was no gravity. I could float there, comfortable, and never worry about the fall ever again. What's the point of living it- June. We're all going to die and the universe is indifferent and- June. Her hands on me and her face close to mine but what does it matter if she, if Dad- June. June sitting in the driver's seat. Dad decomposing in the driver's seat- June. Heaven is June in the driver's seat. Hell is June in the driver's seat. There is only June in the driver's seat. And at night, my consciousness would slip away, repeating that smooth, delicious mantra in my head. There is only June in the driver's seat.
Savannah Brown (The Truth About Keeping Secrets)
We needn't quibble about numbers," I said, loftily. "Oh, I think we do need," he said, and then just when I was about to relax, thinking I'd steered us back into safer waters, he dropped his arms again and his face went open and a little pale, leaving scared pink standing out on the edges of his collarbone. "I'd - - I'd like to ask. But not - - in here. After we - - if we - -" "Don't even try. I'm not getting engaged to go out with you," I said rudely, shoving in before he could drag us back onto the shoals. "If you're not asking, that's sufficient unto the day! If we make it out of here alive and you slog across the pond to come ask me, I'll decide what I think of it at the time, and until then, you can keep your Disney movie fantasies," and your secret pet mal, my brain unhelpfully inserted, "to yourself." He said, "Okay, okay, fine!" in a tone one-tenth irritation and nine-tenths relief, while I looked away, trying to stop my mouth contorting around the laugh I was having to fight so desperately to keep in yet again: thanks ever so, Aadhya. Her mum was a genius, actually.
Naomi Novik (A Deadly Education (The Scholomance, #1))
he dropped his arms again and his face went open and a little pale, leaving scared pink standing out on the edges of his cheekbones. “El, I’d—I’d like to ask. But not—in here. After we—if we—” “Don’t even try. I’m not getting engaged to go out with you,” I said rudely, shoving in before he could drag us back onto the shoals. “If you’re not asking now, that’s sufficient unto the day! If we make it out of here alive and you slog across the pond to come ask me, I’ll decide what I think of it at the time, and until then, you can keep your Disney movie fantasies,” and your secret pet mal, my brain unhelpfully inserted, “to yourself.
Naomi Novik (A Deadly Education (The Scholomance, #1))
it?” “Being both married and lonely is an uncomfortable combination,” said Sam. “Why were you lonely?” “I’d—I’d never met a woman who asked so little of me. She never needed to talk. She never burdened me with her problems. The only thing she ever wanted was sex. At first, it seemed perfect.” “Please don’t tell me she was also a good cook,” said Burns. “No. Horrible.” “That’s a relief. But still, she doesn’t sound like any woman—or man, for that matter—I’ve ever met. People need. All of them. There are no exceptions.” “I agree,” said Burroughs. “Most of her other needs were met by Owen.” “So, you’re saying that the primary relationship in Owen and Luna’s lives was not with their spouses but with each other.
Lisa Lutz (The Accomplice)
Anna: Right. I can only imagine. Etienne: And what, exactly, ist hat supposed to mean? Anna: Forget it. Etienne: No. Let’s not forget it. I’m sick and tired of forgetting it, Anna. Anna: You’re tired of forgetting it? I’ve had to do nothing BUT forget it. Do you think it’s easy sitting in my room every night, thinking about you and Ellie? Do you think any of this has been easy for me? Etienne: I’m sorry. Anna: You tell me I’m beautiful, and that you like my hair and you like my smile. You rest your leg against mine in darkened theatres, and then you acta s if nothing happened when the lights go up. You slept in my bed for three nights straight, and then you jsut … blew me off for the next month. What am I supposed to do with that, St. Clair? You said on my birthday that you were afraid of being alone, but I’ve been here this whole time. This whole time. Etienne: Anna. I am so sorry that I’ve hur you. I’ve made terrible decisions. And I realize it’s possible that I don’t deserve your forgiveness, because it’s taken me this long to get here. But I don’t understand why you’re not giving me the chance. You didn’t even let me explain myself lad weekend. You just tore into me, expected the worst of me. But the only truth I know is what i feel when we’re together. I thought you trusted those feelings, too. I thought you trusted me, I thought you knew me … Anna: But that’s just it! I don’t know you. I tell you everything, St. Clair. About my dad, about Bridgette and Toph, about Matt and Cherrie. I told you about being a virgin. And what have you told me? Nothing! I know nothing about you. Not about your father, not about Ellie … Etienne: You know me better than anyone. Andi f you ever bothered to pay attention, you’d understand that things with my father are beyond shite right now. And I can’t believe you think so poorly of me that you’d assume I’d wait the entire year to kiss you, and then the moment it happened, I’d … I’d be done with you. OF COURSE I was with Ellie that night. I WAS BLODDY BREAKING UP WITH HER! You say that I’m afraid of being alone, and it’s true. I am And I’m not proud o fit. But you need to take a good look at yourself, Anna, because I am not the only one in this room who suffers this problem.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Mrs. Harris’s coach should be here any minute. I trek toward the curb, but just as I reach it, the latch on my bag drops open again, and the contents spill into the snow. Cursing, I bend to retrieve my things, but a violent gale whips me backward into the slush, snatching petticoats, chemises, and knickers into the air. “No!” I cry, scrambling after my clothes and stuffing them one by one back into my bag, glancing over my shoulder to make sure no one has caught a glimpse of my underthings dancing across the street. A man snores on a stoop nearby, but no one else is out. Relieved, I scuttle through the snow, jamming skirts and books and socks into the bag and gritting my teeth as the wind burns my ears. A clatter of hooves breaks through the howling tempest, and I catch sight of a cab headed my way. My stomach clenches as I snap my bag closed once more. That must be Mrs. Harris’s coach. I’m really going to do this. But as I make my way toward it, a white ghost of fabric darts in front of me. My eyes widen. I missed a pair of knickers. Panic jolting through my every limb, I sprint after it, but the wind is too quick. My underclothes gust right into the carriage door, twisting against its handle as the cab eases to a stop. I’m almost to it, fingers reaching, when the door snaps open and a boy about my age steps out. “Miss Whitlock?” he asks, his voice so quiet I almost don’t hear it over the wind. Trying not to draw attention to the undergarments knotted on the door just inches from his hand, I give him a stiff nod. “Yes, sir, that’s me.” “Let me get your things,” he says, stepping into the snow and reaching for my handbag. “Uh—it’s broken, so I’d—I’d better keep it,” I mumble, praying he can’t feel the heat of my blush from where he is. “Very well, then.” He turns back toward the coach and stops. Artist, no. My heart drops to my shoes. “Oh…” He reaches toward the fabric knotted tightly in the latch. “Is…this yours?” Death would be a mercy right about now. I swallow hard. “Um, yes.” He glances at me, and blood floods my neck. “I mean, no! I’ve never seen those before in my life!” He stares at me a long moment. “I…” I lurch past him and yank at the knickers. The fabric tears, and the sound of it is so loud I’m certain everyone in the world must have heard it. “Here, why don’t I—” He reaches out to help detangle the fabric from the door. “No, no, no, I’ve got it just fine,” I say, leaping in front of him and tugging on the knot with shaking hands. Why. Why, why, why, why, why? Finally succeeding at freeing the knickers, I make to shove them back into my bag, but another gust of wind rips them from my grasp. The boy and I both stare after them as they dart into the sky, spreading out like a kite so that every damn stitch is visible. He clears his throat. “Should we—ah—go after them?” “No,” I say faintly. “I—I think I’ll manage without…
Jessica S. Olson (A Forgery of Roses)
I would rather be kind than wise.
Debasish Mridha
Riddle said I'm like him. Strange likenesses, he said...." "Did he now?" said Dumbledore, looking thoughtfully at Harry from under his thick silver eyebrows. "And what do you think, Harry?" "I don't think I'm like him!" said Harry, more loudly than he'd intended. "I mean, I'm- I'm in Gryffindor, I'm..." But he fell silent, a lurking doubt resurfacing in his mind. "Professor," he started again after a moment. "The Sorting Hat told me I'd- I'd have done well in Slytherin. Everyone thought I was Slytherin's heir for a while... because I can speak Parseltongue...." "You can speak Parseltongue, Harry," said Dumbledore calmly, "because Lord Voldemort- who is the last remaining ancestor of Salazar Slytherin- can speak Parseltongue. Unless I'm much mistaken, he transferred some of his own powers to you the night he gave you that scar. Not something he intended to do, I'm sure..." "Voldemort put a bit of himself in me?" Harry said, thunderstruck. "It certainly seems so." "So I should be in Slytherin," Harry said, looking desperately into Dumbledore's face. "The Sorting Hat could see Slytherin's power in me, and it-" "Put you in Gryffindor," said Dumbledore calmly. "Listen to me, Harry. You happen to have many qualities Salazar Slytherin prized in his hand-picked students. His own very rare gift, Parseltongue- resourcefulness- determination- a certain disregard for rules," he added his mustache quivering again. "Yet the Sorting Hat placed you in Gryffindor. You know why that was. Think." "It only put me in Gryffindor," said Harry in a defeated voice, "because I asked not to go in Slytherin...." "Exactly," said Dumbledore, beaming once more. "Which makes you very different from Tom Riddle. It is our choices, Harry, that show what we truly are, far more than our abilities.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
I’d—I’d killed the Archbishop to save her, for Christ’s sake. How could she say I’d scorned her?
Shelby Mahurin (Blood & Honey (Serpent & Dove, #2))
I have cans. In my bag. Where do I? Out them there no don't put down or they'll go you'll be sorry. Money spent. I trup trup off behind her. Think I'm new and white. In the garden. In the wet. For grass still sucks it up all day. Where's this? Just some fella I know she says. He said come and bring a friend. Him and other lads have this band. Oh. Brilliant. Good too. They squat here. Christ. What do I know? What do I know? People living mad life but I'm around it now. I can't be in. I'm. What'd I'd say to those girls in school if. No. I won't. Won't be going back in there.
Eimear McBride (A Girl Is a Half-formed Thing)
Sitting at home that day and listening to her singing, I was thinking about how amazing she was. I was thinking about how she was the cutest person in the world, and how hard it would be to leave her to go back on tour that fall. Then I heard what she was singing. It was a Korn song called “A.D.I.D.A.S.,” which stands for “All Day I Dream About Sex.” These words were coming out of my five-year-old little girl’s mouth, and I knew right then that something had to change.
Brian Welch (Save Me from Myself: How I Found God, Quit Korn, Kicked Drugs, and Lived to Tell My Story)
True suffering is being trapped in your own head.
Adam Snowflake