Cytherea Quotes

I am sorry for your disappointment,’ he continued, glancing into her face. Their eyes having met, became, as it were, mutually locked together, and the single instant only which good breeding allows as the length of such a look, became trebled: a clear penetrating ray of intelligence had shot from each into each, giving birth to one of those unaccountable sensations which carry home to the heart before the hand has been touched or the merest compliment passed, by something stronger than mathematical proof, the conviction, ‘A tie has begun to unite us.’ Both faces also unconsciously stated that their owners had been much in each other’s thoughts of late. Owen had talked to the young architect of his sister as freely as to Cytherea of the young architect.

It knocked Cytherea clean through the wall. The wall was already feeling pretty sorry for itself, and at this last insult it gave up entirely and collapsed, with a terrific rumble and crash of rock and brick and bursting glass slumping outward onto the garden terrace.

Half of the films being made in Hollywood were adaptations of books or plays and Frances was the unquestioned champion of successfully taking books to the screen. She had adapted Dumas and Balzac and walked the tightrope of bringing the potentially censorious Cytherea to the screen. There was simply no one else of her caliber and experience

[...] she had written Clare a letter in school yesterday afternoon and delivered it herself on the way home. In this letter she had mildly said, «Everyone thinks I am sullen, surly, sulky, grim; but I am the two hemispheres of Ptolemaic marvels, I am lost Atlantis risen from the sea, the Western Isles of infinite promise, the apples of the Hesperides and daily make the voyage to Cytherea, island of snaky trees and abundant shade with leaves large and dripping juice, the fruit that is my heart, but I have a thousand hearts hung on every trees, yes, my heart drips alone every fence paling. I am mad with my heart which beats too much in the world and falls in love at every instant with every reflection that glimmers in it.» And much more of this, which she was accustomed to write to Clare, stuff almost without meaning, but yet which seemed to have the entire meaning of life for her, and which made Clare exclaim a dozen times, «Oh, Louie, I can’t believe it, when I get your letters, you are the same person: when I meet you at school I keep looking at you in surprise!»

You did not say, I am sorry; you did not offer empathy. As with many mysteries, this one had turned out to be sad and dull: the Emperor of the Nine Houses had someone, and then, like all his Lyctors, the Emperor of the Nine Houses had lost someone. It was your story. It was Ianthe’s story. It was the story of Augustine, and of Mercymorn, and of Ortus. It was Cytherea’s story, and that of all the Lyctors who had died over that long dark sheaf of years.

Fragment of the Elegy on the Death of Adonis Prom the Greek of Bion Published by Forman, "Poetical Works of P. B. S.", 1876. I mourn Adonis dead—loveliest Adonis— Dead, dead Adonis—and the Loves lament. Sleep no more, Venus, wrapped in purple woof— Wake violet-stoled queen, and weave the crown Of Death,—'tis Misery calls,—for he is dead. The lovely one lies wounded in the mountains, His white thigh struck with the white tooth; he scarce Yet breathes; and Venus hangs in agony there. The dark blood wanders o'er his snowy limbs, His eyes beneath their lids are lustreless, The rose has fled from his wan lips, and there That kiss is dead, which Venus gathers yet. A deep, deep wound Adonis... A deeper Venus bears upon her heart. See, his beloved dogs are gathering round— The Oread nymphs are weeping—Aphrodite With hair unbound is wandering through the woods, 'Wildered, ungirt, unsandalled—the thorns pierce Her hastening feet and drink her sacred blood. Bitterly screaming out, she is driven on Through the long vales; and her Assyrian boy, Her love, her husband, calls—the purple blood From his struck thigh stains her white navel now, Her bosom, and her neck before like snow. Alas for Cytherea—the Loves mourn— The lovely, the beloved is gone!—and now Her sacred beauty vanishes away. For Venus whilst Adonis lived was fair— Alas! her loveliness is dead with him. The oaks and mountains cry, Ai! ai! Adonis! The springs their waters change to tears and weep— The flowers are withered up with grief... Ai! ai! ... Adonis is dead Echo resounds ... Adonis dead. Who will weep not thy dreadful woe. O Venus? Soon as she saw and knew the mortal wound Of her Adonis—saw the life-blood flow From his fair thigh, now wasting,—wailing loud She clasped him, and cried ... 'Stay, Adonis! Stay, dearest one,... and mix my lips with thine— Wake yet a while, Adonis—oh, but once, That I may kiss thee now for the last time— But for as long as one short kiss may live— Oh, let thy breath flow from thy dying soul Even to my mouth and heart, that I may suck That...' NOTE: _23 his Rossetti, Dowden, Woodberry; her Boscombe manuscript, Forman

Dulcinea, with that strange face that was at once the twin to Cytherea’s and yet nothing like it, smiled an extraordinarily rueful little smile that never would have fit the Lyctor’s face.

Eventually, she said: "I think I wish Cytherea were here." "I don't," said the saint on the other side. "We would have had to suffer her favourite conversation of Who had the hottest cavalier?