Cylinders Quotes

It was a movie about American bombers in World War II and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers , and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans though and some of the bombers were in bad repair. Over France though, German fighters came up again, made everything and everybody as good as new. When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again.

When Henry Ford decided to produce his famous V-8 motor, he chose to build an engine with the entire eight cylinders cast in one block, and instructed his engineers to produce a design for the engine. The design was placed on paper, but the engineers agreed, to a man, that it was simply impossible to cast an eight-cylinder engine-block in one piece. Ford replied,''Produce it anyway.

Please follow these instructions: 1. Stack the pages of this letter neatly. 2. Roll the pages up into a cylinder. 3. Smack yourself over the head with it. 4. Repeat. You complete ass.

I slammed the doors open a little harder than I needed to, stalked out to the Blue Beetle, and drove away with all the raging power the ancient four-cylinder engine should muster. Behold the angry wizard puttputt-putting away.

For the briefest moment, they came face to face. Their eyes locked. Then he broke the stare, swiveled, sank into a sitting position, chains clanking, with his knees up. She watched him speechlessly as he set a cooler bag between his boots, like he was settling down to a picnic or something. An image of the contents as hospital blood bags, complete with juice straws, flashed through her mind. Unfolding her legs, she made herself as comfortable as she could on the cold outer edge of the sill. An intangible and unnameable charge electrified the space between them, and at first, neither of them said anything. [...] Finally she heard him unzip the bag and watched him pull out a small cylinder. "I thought you might like some crappy ice cream," he said.

It was a perfectly normal gerbil. It appeared to be living in an exciting construction of cylinders, spheres and treadmills, such as the Spanish Inquisition would have devised if they'd had access to a plastics molding press.

The real first kiss is the one that tells you what it feels like to be an adult and doesn't let you be a child anymore. The first kiss is the one that you suffer the consequences of. It was as if I had been playing Russian roulette and finally got the cylinder with the bullet in it.

But I was wrong. I should have known it wasn't owver, couldn't be over quite easily. No sooner was Xavier out of sight than a little cylinder of paper fell from the top of my locker. As I unrolled it, I knew I'd see black calligraphy crawling across it like a spider. Dread settled around me like a fog as the words burned into my brain: The Lake of Fire awaits my lady

As music becomes less of a thing--a cylinder, a cassette, a disc--and more ephemeral, perhaps we will begin to assign an increasing value to live performances again.

So, in the first round, we have an expandable duck versus a useless metal cylinder. Our contestants are running very close indeed." ... "Judging has been difficult. We have weighed the merits of Junior's boiling sludge, slag heap and useless metal cylinder against the chain-mail waistcoat, bulletproof tie and Expando-Duck. It was a close call.

Alternatively you can twist the cylinder round twice clockwise; that turns it into a hand grenade. Five-second fuse. I tested it on one of my assistants. Poor old Bennett... he should be out of hospital in a couple of months.

The mouth can be better engaged than with a cylinder of rank weed.

You have been a bad alien cylinder," I say to it. "You need a time-out.

I could feel the baby being torn from my insides. It was really painful....Three-quarters of the way through the operation I sat up....In the cylinder I saw the bits and pieces of my little child floating in a pool of blood. I screamed and jumped up off the table....I just couldn't stop throwing up....

At the sight of Gansey's Aglionby sweater, Adam's father had charged out, firing on all cylinders. For weeks after that, Ronan had called Gansey "the S.R.F.," where the S stood for Soft, the R stood for Rich, and the F for something else.

Most people, on waking up, accelerate through a quick panicky pre-consciousness check-up: who am I, where am I, who is he/she, good god, why am I cuddling a policeman's helmet, what happened last night? And this is because people are riddled by Doubt. It is the engine that drives them through their lives. It is the elastic band in the little model aeroplane of their soul, and they spend their time winding it up until it knots. Early morning is the worst time -there's that little moment of panic in case You have drifted away in the night and something else has moved in. This never happened to Granny Weatherwax. She went straight from asleep to instant operation on all six cylinders. She never needed to find herself because she always knew who was doing the looking.

The Earth is cylindrical, three times as wide as it is deep, and only the upper part is inhabited. But this Earth is isolated in space, and the sky is a complete sphere in the center of which is located, unsupported, our cylinder, the Earth, situated at an equal distance from all the points of the sky.

Horror is a feeling that cannot last long; human nature is incapable of supporting it. Sadness, whether it be from bereavement, or disappointment, or misfortune of any kind may linger on through life

And as I sat beneath florescent cylinders spewing aggressively artificial light, I thought about how we all believed ourselves to be the hero of some personal epic, when in fact we were basically identical organisms colonizing a vast and windowless room that smelled of Lysol and lard.

Because what is man without his volition but a stop on a barrel-organ cylinder?

All drunks, particularly those who grew up in alcoholic homes, have that same sense of angst and trepidation, one that has no explainable origins. The fear is not necessarily self-centered, either. It’s like watching someone point a revolver at his temple while he cocks and dry-fires the mechanism, over and over again, until the cylinder rotates a loaded chamber into firing position.

When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were the shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so that they would never hurt anybody ever again.

The vampire gagged. The muscles of its neck constricted, widened, constricted again, and it disgorged a six-inch-long metal cylinder onto my desk. The bloodsucker grasped it, twisted the cylinder’s halves apart, and retrieved a roll of papers. “Photographs,” Ghastek said, handing me a couple of sheets from the roll. “That’s disgusting.” “He is thirty years old,” Ghastek said. “All his internal organs, with the exception of the heart, atrophied long ago. The throat makes for a very good storage cavity. People seem to prefer it to the anus.” Translation: be happy I didn’t pull it out of my ass. Thank the gods for small favors.

Billy looked at the clock on the gas stove. He had an hour to kill before the saucer came. He went into the living room, swinging the bottle like a dinner bell, turned on the television. He came slightly unstuck in time, saw the late movie backwards, then forwards again. It was a movie about American bombers in the Second World War and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new. When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground., to hide them cleverly, so they would never hurt anybody ever again. The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn't in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed.

When you're mortal, life is nothing more than a drawn-out game of Russian Roulette. Every moment is the spin of a gun cylinder, every decision pointing the barrel at your head. Over and over, again and again, you pull the trigger, hoping it won't be your last turn in the game.

To his shock, as Saarang turned the first page, the words slowly transformed into small cylinders, except for one-letter words, which preferred being spheres, and started rolling toward the vertical edges of the book.

Do you still have the revolver you were going to shoot me with?” asked the old man on the telephone. “Yes, I have it here.” “How much ammunition?” “No idea. How do I find out?” He explained. In the moonlight, she felt the bulges of the cartridges in the cylinder. “Six,” she said. “And you don’t know how to use it?” “No.” “But you are American.” “Ha-ha.” “If you do as I say, and go about it cleverly, I hope you won’t need it. Unless Cesare Carnevare crosses your path, in which case please be kind enough to shoot him.” “How about the concordat?” He laughed. “Shoot him when no one’s looking.

I read somewhere that it’s called American roulette. It was invented in America, in the goldfields. You put a single shot in the cylinder, give it a twirl, and then—bang! If you’re lucky you break the bank; if not, then it’s good-bye

He said he ate his food out of our big refrigerators, drove our eight-cylinder American cars, un-hesitatingly used our medicines when he was sick, and relied on the U.S. Army to protect his parents and sisters from Hitler's Germany, and nothing, not one single thing in all his poems, reflected these realities.

A lot of people believe in working long days and doing dou­ble, triple, or even quadruple shifts. I'm not one of them. Neither Transmeta nor Linux has ever gotten in the way of a good night's sleep. In fact, if you want to know the honest truth, I'm a firm believer in sleep. Some people think that's just being lazy, but I want to throw my pillow at them. I have a perfectly good excuse, and I'm standing by it: You may lose a few hours of your produc­tive daytime if you sleep, oh, say, ten hours a day, but those few hours when you are awake you're alert, and your brain functions on all six cylinders. Or four, or whatever.

...while some communities are chasing visions out, others are chasing one another away. ....while some leaders love breaking records, others love breaking constructed buildings. Good leaders deserve golden trophies while gas cylinder is o.k for the bad ones!

I happen to love the way your crankshaft works. Your piston sliding through my cylinder.

How do you know when the Sarows is coming?" hummed Lila as she made her way down the ship's narrow hall, fingertips skimming either wall for balance. Right about the, Alucard's warning about Jasta was coming back in full force. "Never challenge that one to a drinking contest. Or a sword fight. Or anything else you might lose. Because you will." The boat rocked beneath her fee. Or maybe she was the one rocking. Hell. Lila was slight, but not short of practice, and even so, she'd never had so much trouble holding her liquor. When she got to her room, she found Kell hunched over the Inheritor, examining the markings on its side. "Hello, handsome," she said, bracing herself in the doorway. Kell looked up, a smile halfway to his lips before it fell away. "You're drunk," he said, giver her a long, appraising look. "And you're not wearing any shoes." "Your powers of observation are astonishing." Lila looked down at her bare feet. "I lost them." "How do you lose shoes?" Lila crinkled her brow. "I bet them. I lost." Kell rose. "To who?" A tiny hiccup. "Jasta." Kell sighed. "Stay here." He slipped past her into the hall, a hand alighting on her waist and then, too soon, the touch was gone. Lila make her way to the bed and collapsed onto it, scooping up the discarded Inheritor and holding it up to the light. The spindle at the cylinder's base was sharp enough to cut, and she turned the device carefully between her fingers, squinting to make out the words wrapped around it. Rosin, read one side. Cason, read the other. Lila frowned, mouthing the words as Kell reappeared in the doorway. "Give-- and Take," he translated, tossing her the boots. She sat up too fast, winced. "How did you manage that?" "I simply explained that she couldn't have them-- they wouldn't have fit-- and then I gave her mine." Lila looked down at Kell's bare feet, and burst into laughter.

Rising up, rising down! History shambles on! What are we left with? A few half-shattered Greek stelae; Trotsky's eyeglasses; Gandhi's native-spun cloth, Cortes' pieces of solid gold (extorted from their original owner, Montezuma); a little heap of orange peels left on the table by the late Robespierre; John Brown's lengthily underlined letters; Lenin's bottles of invisible ink; one of Di Giovanni's suitcases, with an iron cylinder of gelignite and two glass tubes of acid inside; the Constitution of the Ku Klux Klan; a bruised ear (Napoleon pinched it with loving condescension)... And dead bodies, of course. (They sing about John Brown's body.) Memoirs, manifestoes, civil codes, trial proceedings, photographs, statues, weapons now aestheticized by that selfsame history - the sword of Frederick the Great, and God knows what else. Then dust blows out of fresh graves, and the orange peels go grey, sink, wither, rot away. Sooner or later, every murder becomes quaint. Charlemagne hanged four and a half thousand "rebels" in a single day, but he has achieved a storybook benevolence. And that's only natural: historiography begins after the orange has been sucked,; the peeler believes in the "great and beautiful things," or wants to believe; easy for us to believe likewise, since dust reduced truth and counterfeit to the same greyness - caveat emptor. But ends remain fresh, and means remain inexplicable. Rising up and rising down! And whom shall I save, and who is my enemy, and who is my neighbor?

And he became more and more miserable, until he felt he would explode like a New Year firecracker, where powder is packed into a paper cylinder, and remains quiet until the fuse is lit and it tears itself apart in the explosion.

because the cigarette or spliff was an indispensable technology, a substitute for speech in social situations, a way to occupy the mouth and hands when alone, a deep breathing technique that rendered exhalation material, a way to measure and/or pass the time. More important than the easily satisfiable addiction, what the little cylinders provided me was a prefabricated motivation and transition, a way to approach or depart from a group of people or a topic, enter or exit a room, conjoin or punctuate a sentence. The hardest part of quitting would be the loss of narrative function; it would be like removing telephones or newspapers from the movies of Hollywood’s Golden Age; there would be no possible link between scenes, no way to circulate information or close distance, and when I imagined quitting smoking, I imagined “settling down,” not because I associated quitting with a more mature self-care, but because I couldn’t imagine moving through an array of social spaces without the cigarette as bridge or exit strategy.

The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects … Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. That man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was a part of the monster, a robot in the seat … The driver could not control it – straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the ‘cat, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent the tractor out, had somehow gotten into the driver’s hands, into his brain and muscle, had goggled him and muzzled him – goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the land as it smelled; his feet did not stamp the clods or feel the warmth and power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did not know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor – its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with blades – not plowing but surgery … The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.

Though resident much of his life in the city of Cnidus on the coast of Asia Minor, Eudoxus was a student at Plato’s Academy, and returned later to teach there. No writings of Eudoxus survive, but he is credited with solving a great number of difficult mathematical problems, such as showing that the volume of a cone is one-third the volume of the cylinder with the same base and height. (I have no idea how Eudoxus could have done this without calculus.) But his greatest contribution to mathematics was the introduction of a rigorous style, in which theorems are deduced from clearly stated axioms.

Even mild dehydration can cause headaches and fatigue, affect your concentration, impair short-term memory and impede mental function. If you want to be at your most productive, it’s important for your brain to be firing on all cylinders. Therefore, you should make sure you are sufficiently hydrated before starting work.

Fogarty rolled the cylinder in his fingers.' Know what's interesting? I had a look at this thing when they took it out. The insides are burned out.' Are they?' Blue asked mildly. It takes a lot to burn out one of those implants - almost impossible, in fact. You must love him very much,' Fogarty said quietly. Yes,' Blue said. 'Yes, I do.

One of the most important discoveries wa that 'six cylinders had sex appeal.' The man or woman behind the wheel had a particular allure that was not lost upon the opposite sex.

I drove hard on all cylinders, not realizing that being an entrepreneur means that everything you initiate, by default you must add to your maintenance list.

Sir, you couldn’t count the number of cylinders I’m firing on.

will you stay here? No. Will you go back? You can’t. We must, therefore, go on. That’s is our only hope. Horror is a feeling that cannot last long; human nature is incapable of supporting it. Poverty, sicknes, and death are evils; but the worst of all evils is unrequited love.

We are often running on fumes, spiritually, but we must know where the fuel station is and, even more important, that it exists. After trying all kinds of other things, Christians have learned that the worship of God with the whole heart in the assurance of his love through the work of Jesus Christ is the thing their souls were meant to “run on.” That is what gets all the heart’s cylinders to fire. If this is not understood, then we will not have the resources to be good spouses. If we look to our spouses to fill up our tanks in a way that only God can do, we are demanding an impossibility.

sizable number of students seems to feel that a person should be completely moral before beginning to meditate. It is an unworkable strategy. Morality requires a certain degree of mental control as a prerequisite. You can’t follow any set of moral precepts without at least a little self-control, and if your mind is perpetually spinning like a fruit cylinder in a slot machine, self-control is highly unlikely. So mental culture has to come first.

And, of course, between the ups and downs, the good times and bad, there are ongoing challenges to keep everyone firing on all cylinders at all times. Not to get too clever, but “consistent effort is a consistent challenge.” There

The sound of diesel fuel rushing through grimy pistons and cylinders below a morning-fogged window bored through his ears like a deep-water drill bit, and the thump of his own heartbeat cursed him for breaking one of his many rules.

And then it came to him: a seal cylinder. When rolled upon a tablet of soft clay, the carved cylinder left an imprint that formed a picture. Two figures might appear at opposite ends of the tablet, though they stood side by side on the surface of the cylinder. All the world was as such a cylinder. Men imagined heaven and earth as being at the ends of a tablet, with sky and stars stretched between; yet the world was wrapped around in some fantastic way so that heaven and earth touched. It

When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so that they would never hurt anybody ever again.

so this is my collection of human body parts, Dr. Silkston," he said proudly, walking into the storeroom. "each organ is here fro a reason, a purpose. you see this one," he said, pointing to a cylinder containing what appeared to Thomas to be a section of a small intestine with a hole in it. "'Tis a duelist's jejunum. that is the bullet hole, right through the middle. and this, this is the Marquis of Rockingham's heart," he announced proudly. " he gave me a permission to have it a fore he died

American planes full of holes and wounded men and corpses took off backwards from an airfield in England. Over France a few German fighter planes flew at them backwards sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors exerted a miraculous magnetism which shrunk the fires gathered them into cylindrical steel containers and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans though and some of the bombers were in bad repair. Over France though German fighters came up again made everything and everybody as good as new. When the bombers got back to their base the steel cylinders were taken from the racks and shipped back to the United States of America where factories were operating night and day dismantling the cylinders separating the dangerous contents into minerals. Touchingly it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground to hide them cleverly so they would never hurt anybody ever again.

Because I want my life to matter, I approach each area by doing what matters most in it. I view these as the cornerstones of my life and have found that when I’m doing what’s most important in each area, my life feels like it’s running on all cylinders.

His was an impenetrable darkness. I looked at him as you peer down at a man who is lying at the bottom of a precipice where the sun never shines. But I had not much time to give him, because I was helping the engine-driver to take to pieces the leaky cylinders, to straighten a bent connecting-rod, and in other such matters. I lived in an infernal mess of rust, filings, nuts, bolts, spanners, hammers, ratchet-drills—things I abominate, because I don't get on with them. I tended the little forge we fortunately

It takes a CONSTANT flowing of gas from the cylinder to keep the fire burning under your pot. “WOOING your woman” should be a continuous process. It should NEVER end after you get your “yes” from her. If you did a lot to get her, you should do more to keep her.

No mates exist for countless miles around, and a chestnut, though both male and female, will not serve itself. Yet still this tree has a secret tucked into the thin, living cylinder beneath its bark. Its cells obey an ancient formula: Keep still. Wait. Something in the lone survivor knows that even the ironclad law of Now can be outlasted. There’s work to do. Star-work, but earthbound all the same. Or as the nurse to the Union dead writes: Stand cool and composed before a million universes. As cool and composed as wood.

Sexuality is the only drive that is in itself hindered, perverted: simultaneously insufficient and excessive, with the excess as the form of appearance of the lack. On the one hand, sexuality is characterized by the universal capacity to provide the metaphorical meaning or innuendo of any activity or object–any element, including the most abstract reflection can be experienced as ‘alluding to that‘ (suffice it to recall the proverbial example of the adolescent who, in order to forget his sexual obsessions, takes refuge in pure mathematics and physics–whatever he does here again reminds him of ‘that’: how much volume is needed to fill out an empty cylinder? How much energy is discharged when two bodies collide?…). The universal surplus–this capacity of sexuality to overflow the entire field of human experience…is not the sign of preponderance. Rather, it is the sign of a certain structural faultiness: sexuality strives outwards and overflows the adjoining domains precisely because it cannot find satisfaction in itself, because it never attains its goal.

Hunger was pushed out of the tall houses, in the wretched clothing that hung upon poles and lines; Hunger was patched into them with straw and rag and wood and paper; Hunger was repeated in every fragment of the small modicum of firewood that the man sawed off; Hunger stared down from the smokeless chimneys, and started up from the filthy street that had no offal, among its refuse, of anything to eat. Hunger was the inscription on the baker's shelves, written in every small loaf of his scanty stock of bad bread; at the sausage-shop, in every dead-dog preparation that was offered for sale. Hunger rattled its dry bones among the roasting chestnuts in the turned cylinder; Hunger was shred into atomics in every farthing porringer of husky chips of potato, fried with some reluctant drops of oil.

No one ever knew they were old-fashioned; everyone always thought they were up-to-the-minute: Rickety Model T cars weren't rickety when they were invented, scratchy radio wasn't scratchy until television, and silent movies weren't a feeble precursor of talkies until there were talkies. Your two-piece telephone that demanded that you hold a cylinder to your ear while you screeched into the wall demanding a particular exchange of a harried, plug-juggling operator was the highest of high-tech. To know it was anything less would have been like acknowledging you were going to die and life was transient and you were already halfway to being a memory or worse. The real and worst tragedy of twentieth-century East Europeans: They had known they were old-fashioned before they could do anything about it.

He passed the lighter down the table until Descartes held it in one hand while setting the greasy cylinder down on the table. After smoothing it out, Descartes sparked up the lighter. With the lighter drawn near the grease, the aroma of burnt hair filled the board room.

There was a picture of Don Hector on the wall and next to the television was a phonograph with a large collection of cylinders. I looked through them. They were a mixture of old favourites – Dark Side of the Moon, Rumours, Ziggy Stardust – mixed with jazz and a little Puccini.

Writers have come to master nearly every trade. They are inventors and entrepreneurs of character, plot, and dialogue. They are the eager scientists that can’t wait to try out their new experiment. They are the maestros of the symphony that plays in their head, conducting what happens, where, and at what precise moment. They are engineers and architects that design the structure of their piece so it stands the test of time and continues to fire on all cylinders. They play mechanics and doctors in their revisions, hoping they prescribe the correct diagnosis to fix the piece’s 'boo boos'. They are salesmen who pitch not an idea or a product, but themselves, to editors, publishers, and more importantly, their readers. They are teachers who through their craft, preach to pupils about what works and what doesn’t work and why. Writers can make you feel, can make you think, can make you wonder, but they can also grab your hand and guide you through their maze. Similar to what Emerson stated in 'The Poet,' writers possess a unique view on life, and with their revolving eye, they attempt to encompass all. I am a writer.

Karl looked to the far side of the platform and saw the approaching engine. It was immense, a bulky cylinder of metal spewing great plumes of grey smoke from its chimney. With several gleaming carriages stretched out behind it, the train looked like some oversized metallic serpent.

Sunken yellow lurched in a mindfield of black twisted cylinders, falling like poisoned honey across my vision. It cleared, and became a series of flashing images, jagged edges of memories, each more beautiful and terrible than the last, playing across the screen of blackened cement.

Rooster here has missed Ned a few times himself, horse and all,' said the captain. 'I reckon his is on his way now to missing him again.' Rooster was holding a bottle with a little whiskey in it. He said, 'You keep on thinking that.' He drained off the whiskey in about three swallows and tapped the cork back in and tossed the bottle up in the air. He pulled his revolver and fired at it twice and missed. The bottle fell and rolled and Rooster shot at it two or three more times and broke it on the ground. He got out his sack of cartridges and reloaded his pistol. He said, 'The Chinaman is running them cheap shells in on me again.' LaBoeuf said, 'I thought maybe the sun was in your eyes. That is to say, your eye.' Rooster swung the cylinder back in his revolver and said, 'Eyes, is it? I'll show you eyes!' He jerked the sack of corn dodgers free from his saddle baggage. He got one of the dodgers out and flung it in the air and fired at it and missed. Then he flung another one up and he hit it. The corn dodger exploded. He was pleased with himself and he got a fresh bottle of whiskey from his baggage and treated himself to a drink. LaBoeuf pulled one of his revolvers and got two dodgers out of the sack and tossed them both up. He fired very rapidly but he only hit one. Captain Finch tried it with two and missed both of them. Then he tried with one and made a successful shot. Rooster shot at two and hit one. They drank whiskey and used up about sixty corn dodgers like that. None of them ever hit two at one throw with a revolver but Captain Finch finally did it with his Winchester repeating rifle, with somebody else throwing. It was entertaining for a while but there was nothing educational about it. I grew more and more impatient with them. I said, 'Come on, I have had my bait of this. I am ready to go. Shooting cornbread out here on this prairie is not taking us anywhere.' By then Rooster was using his rifle and the captain was throwing for him. 'Chunk high and not so far out this time,' said he.

Tommy looked blank. "What's a flashlight?" "You don't have flashlights?" Jessup said. "Jeeze! A cylinder, like, with batteries inside it, and a light bulb behind glass at one end--" Tommy's blue eyes glinted dangerously. "We have a thing in Scotland that's a cylinder too. Very thin, made of wood, with graphite in the center. We call it a pencil." Jessup hooted. "You think we don't have pencils?" "You think we don't have flashlights?" Tommy snapped. "That's just American dialect. In the English language they're called torches." Emily said mildly, "Actually we're Canadians.

I hope there’s more in it for the woman rolling on the ground, outstretched hands joined in supplication, struggling to finish a lap of the considerable temple perimeter. A grim matronly figure, either mother or mother-in-law I surmise, gives her a hefty shove now and then as if she were a gas cylinder.

in the pre-modern world, when people wrote about the past they were more concerned with what an event had meant. A myth was an event which, in some sense, had happened once, but which also happened all the time. Because of our strictly chronological view of history, we have no word for such an occurrence, but mythology is an art form that points beyond history to what is timeless in human existence, helping us to get beyond the chaotic flux of random events, and glimpse the core of reality. An experience of transcendence has always been part of the human experience. We seek out moments of ecstasy, when we feel deeply touched within and lifted momentarily beyond ourselves. At such times, it seems that we are living more intensely than usual, firing on all cylinders, and inhabiting the whole of our humanity. Religion has been one of the most traditional ways of attaining ecstasy, but if people no longer find it in temples, synagogues, churches or mosques, they look for it elsewhere: in art, music, poetry, rock, dance, drugs, sex or sport. Like poetry and music, mythology should awaken us to rapture, even in the face of death and the despair we may feel at the prospect of annihilation. If a myth ceases to do that, it has died and outlived its usefulness.

This morning's pastry poses challenges. To assemble the tiny mosaic disks of chocolate flake and candied ginger, Avis must execute a number of discrete, ritualistic steps: scraping the chocolate with a fine grater, rolling the dough cylinder in large-grain sanding sugar, and assembling the ingredients atop each hand-cut disk of dough in a pointillist collage. Her husband wavers near the counter, watching. "They're like something Marie Antoinette would wear around her neck. When she still had one." "I thought she was more interested in cake," Avis says, she tilts her narrow shoulders, veers around him to stack dishes in the sink.

She had an absurd meeting, arranged by Violet Trefusis and Raymond Mortimer, with Violet’s mother Mrs Keppel, the ex-mistress of Edward VII. Both had anticipated having nothing to say to each other, but (Violet remembered) they did find one congenial subject: ‘Personally I’ve always been in favour of six cylinders though I know some people think four are less trouble.’ ‘My dear Mrs Keppel, you wouldn’t hesitate if you saw the new Lanchester with the fluid fly-wheel!’ Neither (Violet Trefusis commented) knew a thing about motors, but both thought ‘they were on safe ground’.20 It was just the sort of anecdote Lytton would have enjoyed.

The principal irony of the history of recording is that Edison did not make the phonograph with music in mind. Rather, he conceived of his cylinder as a business gadget, one that would supersede the costly, imperfect practice of stenography and have the added virtue of preserving in perpetuity the voices of the deceased.

A fellow undergraduate student, majoring in history, as was I, who didn't care about the advanced aerodynamic principles of things like boundary layer separation during stalls and exactly why you might get detonation within the cylinders of the engine if the mixture was grossly improperly adjusted for a given power setting at a given altitude.

This gun is blank and empty, and you can fill the cylinder with anything at all. You can pack it with dirt or fill it with bullets. You can change the world forever, depending on where you point it. You can leave behind terror or justice. You can be as important as the Unnamed, or as lost as any of the men she put down with it. You hear?” Etta

You heard me. Let someone else send you to your blaze of glory. You're a speck, man. You're nothing. You're not worth the bullet or the mark on my soul for taking you out." You trying to piss me off again, Patrick?" He removed Campbell Rawson from his shoulder and held him aloft. I tilted my wrist so the cylinder fell into my palm, shrugged. "You're a joke, Gerry. I'm just calling it like I see it." That so?" Absolutely." I met his hard eyes with my own. "And you'll be replaced, just like everything else, in maybe a week, tops. Some other dumb, sick shit will come along and kill some people and he'll be all over the papers, and all over Hard Copy and you'll be yesterday's news. Your fifteen minutes are up, Gerry. And they've passed without impact." They'll remember this," Gerry said. "Believe me." Gerry clamped back on the trigger. When he met my finger, he looked at me and then clamped down so hard that my finger broke. I depressed the trigger on the one-shot and nothing happened. Gerry shrieked louder, and the razor came out of my flesh, then swung back immediately, and I clenched my eyes shut and depressed the trigger frantically three times. And Gerry's hand exploded. And so did mine. The razor hit the ice by my knee as I dropped the one shot and fire roared up the electrical tape and gasoline on Gerry's arm and caught the wisps of Danielle's hair. Gerry threw his head back and opened his mouth wide and bellowed in ecstasy. I grabbed the razor, could barely feel it because the nerves in my hand seemed to have stopped working. I slashed into the electric tape at the end of the shotgun barrel, and Danielle dropped away toward the ice and rolled her head into the frozen sand. My broken finger came back out of the shotgun and Gerry swung the barrels toward my head. The twin shotgun bores arced through the darkness like eyes without mercy or soul, and I raised my head to meet them, and Gerry's wail filled my ears as the fire licked at his neck. Good-bye, I thought. Everyone. It's been nice. Oscar's first two shots entered the back of Gerry's head and exited through the center of his forehead and a third punched into his back. The shotgun jerked upward in Gerry's flaming arm and then the shots came from the front, several at once, and Gerry spun like a marionette and pitched toward the ground. The shotgun boomed twice and punched holes through the ice in front of him as he fell. He landed on his knees and, for a moment, I wasn't sure if he was dead or not. His rusty hair was afire and his head lolled to the left as one eye disappeared in flames but the other shimmered at me through waves of heat, and an amused derision shone in the pupil. Patrick, the eye said through the gathering smoke, you still know nothing. Oscar rose up on the other side of Gerry's corpse, Campbell Rawson clutched tight to his massive chest as it rose and fell with great heaving breaths. The sight of it-something so soft and gentle in the arms of something so thick and mountaineous-made me laugh. Oscar came out of the darkness toward me, stepped around Gerry's burning body, and I felt the waves of heat rise toward me as the circle of gasoline around Gerry caught fire. Burn, I thought. Burn. God help me, but burn. Just after Oscar stepped over the outer edge of the circle, it erupted in yellow flame, and I found myself laughing harder as he looked at it, not remotely impressed. I felt cool lips smack against my ear, and by the time I looked her way, Danielle was already past me, rushing to take her child from Oscar. His huge shadow loomed over me as he approached, and I looked up at him and he held the look for a long moment. How you doing, Patrick?" he said and smiled broadly. And, behind him, Gerry burned on the ice. And everything was so goddamned funny for some reason, even though I knew it wasn't. I knew it wasn't. I did. But I was still laughing when they put me in the ambulance.

The Womeldorf family loved music, and one of Daddy’s happiest memories was of the day his father came home from town bearing a morning glory horn Edison phonograph with round cylinder records. “How on earth could that contraption sing and play lovely music?” he remembered marveling. The family considered it the wonder of the age and loved listening to it.

Above all, there was Almah. Everything combined to make her most dear to me. My life has been such that I never before had seen anyone whome I loved; and here Almah was the one congenial and sympathetic, and I loved her dearly, even before I understood what my feelings were. One day I learned all, and found that she was more precious to me than all the world.

humans rarely choose things in absolute terms. We don’t have an internal value meter that tells us how much things are worth. Rather, we focus on the relative advantage of one thing over another, and estimate value accordingly. (For instance, we don’t know how much a six-cylinder car is worth, but we can assume it’s more expensive than the four-cylinder model.)

I had entered the Green [of Glasgow] by the gate at the foot of Charlotte Street—had passed the old washing-house. I was thinking upon the engine at the time, and had gone as far as the herd's house, when the idea came into my mind that as steam was an elastic body it would rush into a vacuum, and if a communication were made between the cylinder and an exhausted vessel it would rush into it, and might be there condensed without cooling the cylinder. I then saw that I must get rid of the condensed steam and injection water if I used a jet, as in Newcomen's engine. Two ways of doing this occurred to me. First, the water might be run off by a descending pipe, if an outlet could be got at the depth of 35 or 36 feet, and any air might be extracted by a small pump. The second was to make the pump large enough to extract both water and air. ... I had not walked further than the Golf-house when the whole thing was arranged in my mind. {In Robert Hart's words, a recollection of the description of Watt's moment of inspiration, in May 1765, for improving Thomas Newcomen's steam engine.}

The Python was a double-action weapon, which meant the same trigger pull cocked the hammer and then dropped it, so he started early, getting the cylinder turning while the gun was still moving, seeing the hammer come up, feeling the cams and the levers, waiting, then firing, trusting millisecond timing and momentum and deflection and complex four-dimensional calculations.

Should the soul vanish from the earth, the motors would stop, because that is the power which keeps them going—not the oil under the floor under her feet, the oil that would then become primeval ooze again—not the steel cylinders that would become stains of rust on the walls of the caves of shivering savages—the power of a living mind—the power of thought and choice and purpose.

And then I found myself atop a slender wedge of ice, adorned with a discarded oxygen cylinder and a battered aluminum survey pole, with nowhere higher to climb. A string of Buddhist prayer flags snapped furiously in the wind. Far below, down a side of the mountain I had never laid eyes on, the dry Tibetan plateau stretched to the horizon as a boundless expanse of dun-colored earth.

The container had been packed half-full of steel cylinders of some sort, each one of them in a protective wooden box with a lid. Allan was totally exhausted once the heavy corpse was finally in place inside one of the two innermost cylinders. But when he closed the wooden lid and saw the address label, he livened up. Addis Ababa. ‘He’s going to see the world if he keeps his peepers open,’ said Allan.

He turned the cylinder of the Colt and listened to the small, clear clicks it made. The grip was wood, the barrel cool and blue; the holster had kept a faint smell of saddle soap. He slipped the gun back in its holster, put the gun belt around his waist and felt the gun’s solid weight against his hip. When he walked out into the lots to catch his horse, he felt grown and complete for the first time in his life.

But not so with Mister Sam’s chauffeur, Johnson X, the invisible man. He could hold it no longer. “Shit!” he cried. “Shit!” One couldn’t tell whether it was an order or an exclamation. “Shit! Does anyone in their right state of mind, with all their pieces of gray matter assembled in the right way in they haid, with no fuses blowed in they brain, with they think-piece hitting on all cylinders — you dig me? Anyone — you — me — us — they—we — them—him or her—anyone—you dig me? believe that shittt?” His loose lips punctuated each word with a spray of spit, flapped up and down over white buck teeth like the shutter of a camera photographing missiles shot into space, curled and popped over the tonal effect of each sound, and pronounced the word “shit” as though he had tasted it and spat it out — eloquent, logical and positive.

I, like many of you artists out there, constantly shift between two states. The first (and far more preferable of the two) is white-hot, ‘in the zone’ seat-of-the-pants, firing on all cylinders creative mode. This is when you lay your pen down and the ideas pour out like wine from a royal chalice! This happens about 3% of the time. The other 97% of the time I am in the frustrated, struggling, office-corner-full-of-crumpled-up-paper mode. The important thing is to slog diligently through this quagmire of discouragement and despair. Put on some audio commentary and listen to the stories of professionals who have been making films for decades going through the same slings and arrows of outrageous production problems. In a word: PERSIST. PERSIST on telling your story. PERSIST on reaching your audience. PERSIST on staying true to your vision ….

I returned my attention to my own workout, beginning with military presses, then moving on to shoulder shrugs and lateral raises. I concentrated on steady breathing and careful form, trying to make each repetition identical to the last in motion and power, like cylinders working in an engine. Sweat beaded on my forehead, and the muscles began to ache. It wasn’t a bad pain, though, but one that promised better things ahead.

I am pitching it feebly," said young Bingo earnestly. "You haven't heard the thing. I have. Rosie shoved the cylinder on the dictating-machine last night before dinner, and it was grisly to hear the instrument croaking out those awful sentences. If that article appears I shall be kidded to death by every pal I've got. Bertie," he said, his voice sinking to a hoarse whisper, "you have about as much imagination as a warthog, but surely even you can picture to yourself what Jimmy Bowles and Tuppy Rogers, to name only tow, will say when they see me referred to in print as "half god, half prattling, mischievous child"?" I jolly well could "She doesn't say that?"I gasped. "She certainly does. And when I tell you that I selected that particular quotation because it's about the only one I can stand hearing spoken, you will realise what I'm up against.

(...) You Sophotechs are smarter than I am; why did you let me do such a foolish thing?” “We answer every question our resources and instruction parameters allow; we are more than happy to advise you, when and if we are asked.” “That’s not what I’m thinking of, and you know it.” “You are thinking we should use force to defend you against yourself against your will? That is hardly a thought worth thinking, sir. Your life has exactly the value you yourself place on it. It is yours to damage or ruin as you wish.” (...) “Is that another hint? Are you saying I’m destroying my life? People at the party, twice now, have said or implied that I’m going to endanger the Oecumene itself. Who stopped me?” “Not I. While life continues, it cannot be made to be without risk. The assessment of whether or not a certain risk is worth taking depends on subjective value-judgments. About such judgments even reasonable men can differ. We Sophotechs will not interfere with such decisions. (...) If we were to overrule your ownership of your own life, your life, would, in effect, become our property, and you, in effect, would become merely the custodian or trustee of that life. Do you think you would value it more in such a case, or less? And if you valued it less, would you not take greater risks and behave more self-destructively? If, on the other hand, each man’s life is his own, he may experiment freely, risking only what is his, till he find his best happiness.” “I see the results of failed experiments all around us, in these cylinders. I see wasted lives, and people trapped in mind sets and life forms which lead nowhere.” “While life continues, experimentation and evolution must also. The pain and risk of failure cannot be eliminated. The most we can do is maximize human freedom, so that no man is forced to pay for another man’s mistakes, so that the pain of failure falls only on he who risks it. And you do not know which ways of life lead nowhere. Even we Sophotechs do not know where all paths lead.” “How benevolent of you! We will always be free to be stupid.” “Cherish that freedom, young master; it is basic to all others.

We started walking in that direction. I rolled the Newsweek into a cylinder and held it in one hand. Sakurai said cheerfully, “Looks like a club. Are you going to protect me?” I tossed the magazine at the trash bin some distance away. It went in. “I don’t need a club to do that.” Seemingly happy, Sakurai body-checked me with all her might. I staggered from the impact. Sakurai looked at me, her brows furrowed. “Maybe we’ll need that club back.

They're installing a boiler system," Pandora said, flipping through a book. "It's a set of two large copper cylinders filled with water pipes that are heated by gas burners. One never has to wait for the hot water- it comes at once through expansion pipes attached to the top of the boiler." "Pandora," Kathleen asked suspiciously, "how do you know all that?" "The master plumber explained it to me." "Dear," Helen said gently, "it's not seemly for you to converse with a man when you haven't been introduced. Especially a laborer in our home." "But Helen, he's old. He looks like Father Christmas." "Age has nothing to do with it," Kathleen said crisply. "Pandora, you promised to abide by the rules." "I do," Pandora protested, looking chagrined. "I follow all the rules that I can remember." "How is it that you remember the details of a plumbing system but not basic etiquette?" "Because plumbing is more interesting.

The bigger issue is that your character as a person works best when you are “integrated.” In my book Integrity, I talked about how the word integrity comes from the Latin word meaning “whole,” and how business and leadership work best when a person has an integrated or whole character. They are then running on all cylinders and are the same person on the job as they are at home. They are able to use all of their capacities in both places and accomplish their vision.

LE CHIFFRE looked incuriously at him, the whites of his eyes, which showed all round the irises, lending something impassive and doll-like to his gaze. He slowly removed one thick hand from the table and slipped it into the pocket of his dinner-jacket. The hand came out holding a small metal cylinder with a cap which Le Chiffre unscrewed. He inserted the nozzle of the cylinder, with an obscene deliberation, twice into each black nostril in turn, and luxuriously inhaled the benzedrine vapour.

Plodding slowly up the last few steps to the summit, I had the sensation of being underwater, of life moving at quarter speed. And then I found myself atop a slender wedge of ice, adorned with a discarded oxygen cylinder and a battered aluminum survey pole, with nowhere higher to climb. A string of Buddhist prayer flags snapped furiously in the wind. Far below, down a side of the mountain I had never laid eyes on, the dry Tibetan plateau stretched to the horizon as a boundless expanse of dun-colored earth.

Hey Kells, Miss you. Come home soon. I figured you'd like something more girlish to go with my amulet. There's also an extra gift in the box, just in case you need it. - Kishan" I set the necklace aside and dug through the box. A small cylinder was wrapped in tissue paper. Unrolling it, a cold, metal canister fell into my palm. It was a can of pepper-spray. On it, Kishan had taped a picture of a tiger with a circle and a slash across its face. At the top were the words "Tiger Repellant" in big black letters.

Bruce looked at David and David asked, “Is that Harold?” He was wearing the same Meadow Brook Basketball jacket and had only a few gray hairs left on his round head. Harold walked up to his two favorite players and exclaimed, “Give me five!” and he extended both hands and the guys lightly slapped his palms, as the other eight ex-players chuckled in the background. The cylinders started clicking in David’s mind as Harold said, “On the other side.” The guys lightly slapped the knuckle side of Harold’s hand as David said, “Oh, shit!

Hookers, Hondas and Hollywood all approach customers with a different mindset than the rest of the business world. Whereas most businesses talk about the importance of "customer service," agents, mechanics and people of the night talk about "servicing customers." It is an important distinction, as customer service is generally a reactive process in which professionals and businesses respond to the needs of their clients, while servicing customers involves exploration to discover what the customer needs in order to start firing all the cylinders.

We wrote our software to know the detailed structure of the disk. It knew that the disk had 200 cylinders and 10 heads, and that each cylinder had several dozen sectors per head. It knew which cylinders held the Agents, Employers, and Members. All this was hard-wired into the code. ... One day a more experienced programmer joined our ranks. When he saw what we had done, the blood drained from his face, and he stared aghast at us, as if we were aliens of some kind. Then he gently advised us to change our addressing scheme to use relative addresses.

The broadening of men’s views that has resulted can scarcely be exaggerated. Before the cylinder fell there was a general persuasion that through all the deep of space no life existed beyond the petty surface of our minute sphere. Now we see further. If the Martians can reach Venus, there is no reason to suppose that the thing is impossible for men, and when the slow cooling of the sun makes this earth uninhabitable, as at last it must do, it may be that the thread of life that has begun here will have streamed out and caught our sister planet within its toils.

Thanksgiving dinner is vast and steaming, crowded over the tabletop in hot platters bumping against each other. There are three open bottles of wine, all different colors, and there seem to be far more plates and silverware than are actually needed. Among the guests' contributions, there's a big round fatayer- a lamb pie- that Aziz bought from the green-eyed girl at the Iranian bakery; six sliced cylinders of cranberry sauce from Um-Nadia; whole roasted walnuts in chili sauce from Cristobal; plus Victor brought three homemade pumpkin pies and a half-gallon of whipping cream.

THAT DAY, while we were in school, four men in a jeep came to visit Ghosh. They took him away as if he were a common criminal, his hands jacked up behind his back. They slapped him when he tried to protest. Hema learned this from W. W. Gonad, who told the men they were surely mistaken in taking away Missing’s surgeon. For his impertinence W.W. got a boot in his stomach. Hema refused to believe Ghosh was gone. She ran home, certain that she’d find him sunk into his armchair, his sockless feet up on the stool, reading a book. In anticipation of seeing him, in the certainty that he would be there, she was already furious with him. She burst through the front door of our bungalow. “Do you see how dangerous it is for us to associate with the General? What have I been telling you? You could get us all killed!” Whenever she came at him like that, all her cylinders firing, it was Ghosh’s habit to flourish an imaginary cape like a matador facing a charging bull. We found it funny, even if Hema never did. But the house was quiet. No matador. She went from room to room, the jingle of her anklets echoing in the hallways. She imagined Ghosh with his arm twisted behind his back, being punched in the face,

I had, I'll admit, effected a certain style - a method, if you will - of cupcake eating. To begin, you remove the cupcake liner carefully so as not to unnecessarily crumble the cake, and set it aside. You then turn the cupcake slowly in your hand, taking bites along the line where cake meets icing, your mouth filling with a perfect combination of both components. Once you've come full circle, you gently twist off the bottom half inch of cake, a move that takes considerable finesse and leaves a delicate sliver of cake - the ideal size for lying flat on your tongue and allowing it to slowly dissolve, building anticipation for that final bite. To finish, you are left with the center cylinder of cake and icing, the cupcake's very heart, sometimes filled with a surprising burst of custard or jam or mousse, sometimes not, but always, always, the most moist, flavorful bite of the entire cupcake. Take a breath before diving into that final, perfect bite; it is to be savored for as long as possible. Finally, of course, you scavenge the crumbs from the cupcake liner you set aside during step one, then ball the liner into your fist and overhand it into the nearest receptacle. Make the shot? You get another cupcake.

In the nineteenth century, scientists described brains and minds as if they were steam engines. Why steam engines? Because that was the leading technology of the day, which powered trains, ships and factories, so when humans tried to explain life, they assumed it must work according to analogous principles. Mind and body are made of pipes, cylinders, valves and pistons that build and release pressure, thereby producing movements and actions. Such thinking had a deep influence even on Freudian psychology, which is why much of our psychological jargon is still replete with concepts borrowed from mechanical engineering.

In Detroit, Dr. Forest Dodrill, a surgeon at Wayne State University, collaborated with engineers at General Motors Research to develop a mechanical pump capable of supporting the circulation of an adult. The resulting stainless-steel and glass device, the Dodrill-GMR mechanical heart pump, had multiple cylinders from which blood circulated and, perhaps not surprisingly, bore an uncanny resemblance to a Cadillac V-12 automobile engine. The device was intended to temporarily replace either the right or left ventricle and was first used in 1952 to support a patient for fifty minutes while Dr. Dodrill repaired a mitral valve.

Thomas Edison was testing wax and sound. Edison’s phonograph was first developed using a steel needle and tinfoil to capture the audio impressions of his voice. Tin tore easily and produced a muted recording, so Edison turned to beeswax, aware of its ability to capture detailed impressions. He substituted a wax cylinder for the tinfoil and recorded tiny scratches and grooves of sound. Applying the ancient technique of lost wax, he applied a micro-thin layer of gold atop the wax so that heavier layers of metal could then be added to create a mold. When the wax was lost and vinyl was added to the mold, the permanent record of sound was gained. Wax

Risking a glance at the dignified young man beside her- what was his name?- Mr. Arthurson, Arterton?- Pandora decided to try her hand at some small talk. "It was very fine weather today, wasn't it?" she said. He set down his flatware and dabbed at both corners of his mouth with his napkin before replying. "Yes, quite fine." Encouraged, Pandora asked, "What kind of clouds do you like better- cumulus or stratocumulus?" He regarded her with a slight frown. After a long pause, he asked, "What is the difference?" "Well, cumulus are the fluffier, rounder clouds, like this heap of potatoes on my plate." Using her fork, Pandora spread, swirled, and dabbed the potatoes. "Stratocumulus are flatter and can form lines or waves- like this- and can either form a large mass or break into smaller pieces." He was expressionless as he watched her. "I prefer flat clouds that look like a blanket." "Altostratus?" Pandora asked in surprise, setting down her fork. "But those are the boring clouds. Why do you like them?" "They usually mean it's going to rain. I like rain." This showed promise of actually turning into a conversation. "I like to walk in the rain, too," Pandora exclaimed. "No, I don't like to walk in it. I like to stay in the house." After casting a disapproving glance at her plate, the man returned his attention to eating. Chastened, Pandora let out a noiseless sigh. Picking up her fork, she tried to inconspicuously push her potatoes into a proper heap again. Fact #64 Never sculpt your food to illustrate a point during small talk. Men don't like it. As Pandora looked up, she discovered Phoebe's gaze on her. She braced inwardly for a sarcastic remark. But Phoebe's voice was gentle as she spoke. "Henry and I once saw a cloud over the English Channel that was shaped in a perfect cylinder. It went on as far as the eye could see. Like someone had rolled up a great white carpet and set it in the sky." It was the first time Pandora had ever heard Phoebe mention her late husband's name. Tentatively, she asked, "Did you and he ever try to find shapes in the clouds?" "Oh, all the time. Henry was very clever- he could find dolphins, ships, elephants, and roosters. I could never see a shape until he pointed it out. But then it would appear as if by magic." Phoebe's gray eyes turned crystalline with infinite variations of tenderness and wistfulness. Although Pandora had experienced grief before, having lost both parents and a brother, she understood that this was a different kind of loss, a heavier weight of pain. Filled with compassion and sympathy, she dared to say, "He... he sounds like a lovely man." Phoebe smiled faintly, their gazes meeting in a moment of warm connection. "He was," she said. "Someday I'll tell you about him." And finally Pandora understood where a little small talk about the weather might lead.

In 1989, I asked the GDR ambassador in Washington, D.C. why his country made such junky two-cylinder cars. He said the goal was to develop good public transportation and discourage the use of costly private vehicles. But when asked to choose between a rational, efficient, economically sound and ecologically sane mass transportation system or an automobile with its instant mobility, special status, privacy, and personal empowerment, the East Germans went for the latter, as do most people in the world. The ambassador added ruefully: "We thought building a good society would make good people. That's not always true." Whether or not it was a good society, at least he was belatedly recognizing the discrepancy between public ideology and private desire.

Kaluza also gave an answer as to where the fifth dimension was. Since we see no evidence of a fifth dimension, it must have "curled up" so small that it cannot be observed. (Imagine taking a two-dimensional sheet of paper and rolling it up tightly into a cylinder. From a distance, the cylinder looks like a one-dimensional line. In this way, a two-dimensional object has been turned into a one-dimensional object by curling it up.) Kaluza's paper initially created a sensation. But in the coming years, objections were found to his theory. What was the size of this new fifth dimension? How did it curl up? No answers could be found. For decades Einstein would work on this theory in fits and starts. After he passed away in 1955, the theory was soon forgotten, becoming just a strange footnote to the evolution of physics.

Mathematics enjoys the greatest reputation as a diversion from sexuality. This had been the very advice to which Jean-Jacques Rousseau was obliged to listen from a lady who was dissatisfied with him: 'Lascia le donne e studia la matematica!' So too our fugitive threw himself with special eagerness into the mathematics and geometry which he was taught at school, till suddenly one day his powers of comprehension were paralysed in the face of some apparently innocent problems. It was possible to establish two of these problems; 'Two bodies come together, one with a speed of ... etc' and 'On a cylinder, the diameter of whose surface is m, describe a cone ... etc' Other people would certainly not have regarded these as very striking allusions to sexual events; but he felt that he had been betrayed by mathematics as well, and took flight from it too.

When the windows like the jackal’s eye and desire pierce the dawn, silken windlasses lift me up to suburban footbridges. I summon a girl who is dreaming in the little gilded house; she meets me on the piles of black moss and offers me her lips which are stones in the rapid river depths. Veiled forebodings descend the buildings’ steps. The best thing is to flee from the great feather cylinders when the hunters limp into the sodden lands. If you take a bath in the watery patterns of the streets, childhood returns to the country like a greyhound. Man seeks his prey in the breezes and the fruits are drying on the screens of pink paper, in the shadow of the names overgrown by forgetfulness. Joys and sorrows spread in the town. Gold and eucalyptus, similarly scented, attack dreams. Among the bridles and the dark edelweiss subterranean forms are resting like perfumers’ corks.

To Whom it May Inspire,” Austin wrote. “I, like many of you artists out there, constantly shift between two states. The first (and far more preferable of the two) is white-hot, ‘in the zone’ seat-of-the-pants, firing on all cylinders creative mode. This is when you lay your pen down and the ideas pour out like wine from a royal chalice! This happens about 3% of the time. The other 97% of the time I am in the frustrated, struggling, office-corner-full-of-crumpled-up-paper mode. The important thing is to slog diligently through this quagmire of discouragement and despair. Put on some audio commentary and listen to the stories of professionals who have been making films for decades going through the same slings and arrows of outrageous production problems. In a word: PERSIST. PERSIST on telling your story. PERSIST on reaching your audience. PERSIST on staying true to your vision.…

How Evolution Came to Indiana In Indianapolis they drive five hundred miles and end up where they started: survival of the fittest. In the swamps of Auburn and Elkhart, in the jungles of South Bend, one-cylinder chain-driven runabouts fall to air-cooled V-4’s, a-speed gearboxes, 16-horse flat-twin midships engines— carcasses left behind by monobloc motors, electric starters, 3-speed gears, six cylinders, 2-chain drive, overhead cams, supercharged to 88 miles an hour in second gear, the age of Leviathan ... There is grandeur in this view of life, as endless forms most beautiful and wonderful are being evolved. And then the drying up, the panic, the monsters dying: Elcar, Cord, Auburn, Duesenberg, Stutz—somewhere out there, the chassis of Studebakers, Marmons, Lafayettes, Bendixes, all rusting in high-octane smog, ashes to ashes, they end up where they started.

Returning to the library, Marcus saw Lillian lying on her back on the carpeted floor. His first thought was that she must have drifted into oblivion, but as he approached, he saw that she was holding a long wooden cylinder in her free hand, and squinting through one end. “I found it,” she exclaimed in triumph. “The kaleidoscope. It’s verrrry interesting. But not quite what I ’spected.” Silently he reached out, plucked the instrument from her hand, and gave her the other end to look through. Lillian promptly gasped in amazement. “Oh, that’s lovely…How does it work?” “One end is fitted with strategically placed panels of silvered glass, and then…” His voice faded as she turned the thing toward him. “My lord,” she pronounced in solemn concern, viewing him through the cylinder, “you have three…hundred…eyes.” She dissolved into a fit of giggles that shook her until she dropped the kaleidoscope.

For instance, we are regularly told, “James Watt invented the steam engine in 1769,” supposedly inspired by watching steam rise from a teakettle’s spout. Unfortunately for this splendid fiction, Watt actually got the idea for his particular steam engine while repairing a model of Thomas Newcomen’s steam engine, which Newcomen had invented 57 years earlier and of which over a hundred had been manufactured in England by the time of Watt’s repair work. Newcomen’s engine, in turn, followed the steam engine that the Englishman Thomas Savery patented in 1698, which followed the steam engine that the Frenchman Denis Papin designed (but did not build) around 1680, which in turn had precursors in the ideas of the Dutch scientist Christiaan Huygens and others. All this is not to deny that Watt greatly improved Newcomen’s engine (by incorporating a separate steam condenser and a double-acting cylinder), just as Newcomen had greatly improved Savery’s.

It was one of those rare moments where one has a vision of the scope of the wild ocean. Not just small cylinders firing to keep a tiny engine running, but rather the giant, massive gears of nature, each one with its own reasoning, its own meta-logic, spinning in its particular circle in competition or in confluence with the gear below it. We zeroed in on the school, but our progress was painfully slow, It would have been foolish to speed into the tumult-we would have ruined our baits in the process and doomed our chances of hooking a tuna. But luckily, the commotion did not subside. If anything it only grew more frantic and exhuberant on our approach. Beneath the birds, beneath the dolphins, beneath the menhaden, there should have been an equally vast school of giant bluefin tuna, collaborating with vertebrates of the so-called higher orders of life to form the floor of the prey trap, sealing the baitfish in from below, while the dolphins and birds made up the trap's walls and ceiling. A strike from a giant tuna seemed inevitable.....as the boat moved forward, I saw seabirds gathering up ahead into a cloud, the size and violence of which I had never seen before. Gannets - big, albatross-like pelagic birds - flew hundreds of feet above the churning surface of the water. In a flock of many thousands, they whirled in unison and then, as if on command from some brigadier general of bird life, dropped in an arc, bird after bird, into the water beneath. The gyre of gannets turned in a clockwise direction, and down below, spinning counterclockwise, was the largest school of dolphins I'd ever seen. There in the angry blue-green sea, the dolphins had corralled a vast school of menhaden-small herringlike creatures that, when bitten, release globules of oil that float on the surface. Oil slicks flattened the water everywhere as the dolphins swirled around, using their exceptional intelligence and wolf-pack cooperation to befuddle and surround the fish, which in turn whirled in a clockwise direction.

To control the release of energy by a nuclear reactor, ‘control rods’ are used. RBMK control rods are long, thin cylinders, composed mostly of neutron-absorbing boron carbide to hinder the reaction. The tips of each rod are made of graphite to prevent cooling water (which is also a neutron absorber) from entering the space the rod’s boron had occupied as it is withdrawn from the core, in order for that section to have a greater impact upon reactivity when reinserted. Chernobyl’s 211 control rods descend down into the core from above as necessary, and are aided in their role by an extra 24 special shortened ‘absorber rods’. These absorber rods ensure an even distribution of power across the entire width of the core by inserting upwards from below. The more control rods that are inserted into the reactor core, and the further they penetrate, the lower the levels of power will be. Conversely, fewer rods equals more power. Every control rod can be inserted together, penetrating as near or as far as the operator wishes, or they can be disconnected and inserted in groups, depending on requirements.77

Flour on the floor makes my sandals slip and I tumble into your arms. Too hot to bake this morning but blueberries begged me to fold them into moist muffins. Sticks of rhubarb plotted a whole pie. The windows are blown open and a thickfruit tang sneaks through the wire screen and into the home of the scowly lady who lives next door. Yesterday, a man in the city was rescued from his apartment which was filled with a thousand rats. Something about being angry because his pet python refused to eat. He let the bloom of fur rise, rise over the little gnarly blue rug, over the coffee table, the kitchen countertops and pip through each cabinet, snip at the stumpy bags of sugar, the cylinders of salt. Our kitchen is a riot of pots, wooden spoons, melted butter. So be it. Maybe all this baking will quiet the angry voices next door, if only for a brief whiff. I want our summers to always be like this—a kitchen wrecked with love, a table overflowing with baked goods warming the already warm air. After all the pots are stacked, the goodies cooled, and all the counters wiped clean—let us never be rescued from this mess.

Every Pirate Wants to Be an Admiral IT’S NOT AS though this is the first time we’ve had to rethink what copyright is, what it should do, and whom it should serve. The activities that copyright regulates—copying, transmission, display, performance—are technological activities, so when technology changes, it’s usually the case that copyright has to change, too. And it’s rarely pretty. When piano rolls were invented, the composers, whose income came from sheet music, were aghast. They couldn’t believe that player-piano companies had the audacity to record and sell performances of their work. They tried—unsuccessfully—to have such recordings classified as copyright violations. Then (thanks in part to the institution of a compulsory license) the piano-roll pirates and their compatriots in the wax-cylinder business got legit, and became the record industry. Then the radio came along, and broadcasters had the audacity to argue that they should be able to play records over the air. The record industry was furious, and tried (unsuccessfully) to block radio broadcasts without explicit permission from recording artists. Their argument was “When we used technology to appropriate and further commercialize the works of composers, that was progress. When these upstart broadcasters do it to our records, that’s piracy.” A few decades later, with the dust settled around radio transmission, along came cable TV, which appropriated broadcasts sent over the air and retransmitted them over cables. The broadcasters argued (unsuccessfully) that this was a form of piracy, and that the law should put an immediate halt to it. Their argument? The familiar one: “When we did it, it was progress. When they do it to us, that’s piracy.” Then came the VCR, which instigated a landmark lawsuit by the cable operators and the studios, a legal battle that was waged for eight years, finishing up in the 1984 Supreme Court “Betamax” ruling. You can look up the briefs if you’d like, but fundamentally, they went like this: “When we took the broadcasts without permission, that was progress. Now that someone’s recording our cable signals without permission, that’s piracy.” Sony won, and fifteen years later it was one of the first companies to get in line to sue Internet companies that were making it easier to copy music and videos online. I have a name for the principle at work here: “Every pirate wants to be an admiral.

He shook hands. With greening faces, with eyes full of sparks, his two friends leaned upon their canes. One had on a crushed bowler (why?)... Both were weary. Both knew that what was approaching was the end. Both had spent the day in their offices and when they interrupted their work with an indiscreet nod, when they turned the conversation toward that end, both broke in "Lord, we have strayed from our business." And ever deeper sunk their eyes, a deathly shadow was descending. The words of his friends had been bought with blood, but they were stolen. Someone, listening, recorded them on a phonograph and thousands of cylinders began to twang. A new enterprise opened, on sale a bronze throat, a screaming cavity; an experienced mechanic installed the throat phonograph. The purchased throat squealed day and night and his friends grew exhausted and one day he said to them both "Lord, I am going." He grinned. And they grinned: they understood everything. Now they stood on the platform, stood with him and saw him off. Someone long and dark with the face of an ox, shoulders crooked as a sorrowful cemetery cross and wrapped up in a frock-coat, swept into the coach. And then the bell rang, and then they waved their bowlers; three wooden arms swung in the air. ("Adam")

The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.

But historically the fourth dimension has been considered a mere curiosity by physicists. No evidence has ever been found for higher dimensions. This began to change in 1919 when physicist Theodor Kaluza wrote a highly controversial paper that hinted at the presence of higher dimensions. He started with Einstein's theory of general relativity, but placed it in five dimensions (one dimension of time and four dimensions of space; since time is the fourth space-time dimension, physicists now refer to the fourth spatial dimension as the fifth dimension). If the fifth dimension were made smaller and smaller, the equations magically split into two pieces. One piece describes Einstein's standard theory of relativity, but the other piece becomes Maxwell's theory of light! This was a stunning revelation. Perhaps the secret of light lies in the fifth dimension! Einstein himself was shocked by this solution, which seemed to provide an elegant unification of light and gravity. (Einstein was so shaken by Kaluza's proposal that he mulled it over for two years before finally agreeing to have this paper published.) Einstein wrote to Kaluza, "The idea of achieving [a unified theory] by means of a five-dimensional cylinder world never dawned on me...At first glance, I like your idea enormously...The formal unity of your theory is startling.

In the face of the calamity, the Modi government froze. In the seven months from March to September 2020, Modi made 82 public appearances—physical as well as virtual. In the next four months, he made 111 such appearances. From February to 25 April 2021, he clocked 92 public appearances. From 25 April, after he called off the Kumbh and his Bengal rallies, Modi disappeared. He made no public appearance for 20 days.147 The prime minister of India fled the field when his people needed the government most. Through all of April and much of May, upper class Indians flooded Twitter with calls for help to find hospital beds, oxygen cylinders, drugs like Remdesivir and ventilators.148 The Union did not think to set up a helpline to guide those who needed this help. Into this space strode the youth Congress leader B.V. Srinivas (@srinivasiyc) who, with a team of volunteers, began to help people reaching out for aid on Twitter. He was so effective in the absence of the State and any government presence that even the embassies of New Zealand and the Philippines contacted him for help when staffers fell ill with Covid.149 Focussed on the government’s image, Jaishankar tweeted: ‘This was an unsolicited supply as they had no Covid cases. Clearly for cheap publicity by you know who. Giving away cylinders like this when there are people in desperate need of oxygen is simply appalling.’ The New Zealand embassy staffer who had received oxygen from Srinivas on 2 May died 18 days later.

JO: A refrain I like throughout the book is, “Music doesn’t mean things. It is things.” RP: Yes. The struggle for composers, which Els goes through in different stages over the course of his seventy years, is precisely that battle between a music that might be a matter of life and death, as it is for Shostakovich, or a way of surviving the evils of human history, as it is for Messiaen. You align yourself to a kind of music in the service of one or another of all the different kinds of things that the human mind might want. And at the end of the day, you have this reflective feeling of saying, it’s very possible that in pursuing a kind of music that you wanted to serve a certain function, to create a certain social urgency, to solve the problems of your historical time and place, that it might also have been worthwhile to make a music that simply moves people in the most etymological sense of that word—actually just makes their bodies want to move. It’s that tension—between the music of pattern, the music of the cognitive brain; and the music of body, the music of pure spirit—that infects his life at every turn. Music is both those things! And human beings are both thinking creatures and feeling creatures. And the art that hits on all cylinders, the art that moves us intellectually and bodily and spiritually, is what we’re after. But to capture all those things in the same vessel is a very, very difficult task. And it’s a very difficult one for Els until the very end.

On May 31, 1921, the Ford Motor Company turned out Car No. 5,000,000. It is out in my museum along with the gasoline buggy that I began work on thirty years before and which first ran satisfactorily along in the spring of 1893. I was running it when the bobolinks came to Dearborn and they always come on April 2nd. There is all the difference in the world in the appearance of the two vehicles and almost as much difference in construction and materials, but in fundamentals the two are curiously alike—except that the old buggy has on it a few wrinkles that we have not yet quite adopted in our modern car. For that first car or buggy, even though it had but two cylinders, would make twenty miles an hour and run sixty miles on the three gallons of gas the little tank held and is as good to-day as the day it was built. The development in methods of manufacture and in materials has been greater than the development in basic design. The whole design has been refined; the present Ford car, which is the "Model T," has four cylinders and a self starter—it is in every way a more convenient and an easier riding car. It is simpler than the first car. But almost every point in it may be found also in the first car. The changes have been brought about through experience in the making and not through any change in the basic principle—which I take to be an important fact demonstrating that, given a good idea to start with, it is better to concentrate on perfecting it than to hunt around for a new idea.

You are God. You want to make a forest, something to hold the soil, lock up energy, and give off oxygen. Wouldn’t it be simpler just to rough in a slab of chemicals, a green acre of goo? You are a man, a retired railroad worker who makes replicas as a hobby. You decide to make a replica of one tree, the longleaf pine your great-grandfather planted- just a replica- it doesn’t have to work. How are you going to do it? How long do you think you might live, how good is your glue? For one thing, you are going to have to dig a hole and stick your replica trunk halfway to China if you want the thing to stand up. Because you will have to work fairly big; if your replica is too small, you’ll be unable to handle the slender, three-sided needles, affix them in clusters of three in fascicles, and attach those laden fascicles to flexible twigs. The twigs themselves must be covered by “many silvery-white, fringed, long-spreading scales.” Are your pine cones’ scales “thin, flat, rounded at the apex?” When you loose the lashed copper wire trussing the limbs to the trunk, the whole tree collapses like an umbrella. You are a sculptor. You climb a great ladder; you pour grease all over a growing longleaf pine. Next, you build a hollow cylinder around the entire pine…and pour wet plaster over and inside the pine. Now open the walls, split the plaster, saw down the tree, remove it, discard, and your intricate sculpture is ready: this is the shape of part of the air. You are a chloroplast moving in water heaved one hundred feet above ground. Hydrogen, carbon, oxygen, nitrogen in a ring around magnesium…you are evolution; you have only begun to make trees. You are god- are you tired? Finished?

We have written the equations of water flow. From experiment, we find a set of concepts and approximations to use to discuss the solution--vortex streets, turbulent wakes, boundary layers. When we have similar equations in a less familiar situation, and one for which we cannot yet experiment, we try to solve the equations in a primitive, halting, and confused way to try to determine what new qualitatitive features may come out, or what new qualitative forms are a consequence of the equations. Our equations for the sun, for example, as a ball of hydrogen gas, describe a sun without sunspots, without the rice-grain structure of the surface, without prominences, without coronas. Yet, all of these are really in the equations; we just haven't found the way to get them out. ...The test of science is its ability to predict. Had you never visited the earth, could you predict the thunderstorms, the volcanoes, the ocean waves, the auroras, and the colourful sunset? A salutary lesson it will be when we learn of all that goes on on each of those dead planets--those eight or ten balls, each agglomerated from the same dust clouds and each obeying exactly the same laws of physics. The next great era of awakening of human intellect may well produce a method of understanding the qualitative content of equations. Today we cannot. Today we cannot see that the water flow equations contain such things as the barber pole structure of turbulence that one sees between rotating cylinders. Today we cannot see whether Schrodinger's equation contains frogs, musical composers, or morality--or whether it does not. We cannot say whether something beyond it like God is needed, or not. And so we can all hold strong opinions either way.

As soon as we take our seats, a sequence of six antipasti materialize from the kitchen and swallow up the entire table: nickels of tender octopus with celery and black olives, a sweet and bitter dance of earth and sea; another plate of polpo, this time tossed with chickpeas and a sharp vinaigrette; a duo of tuna plates- the first seared and chunked and served with tomatoes and raw onion, the second whipped into a light pâté and showered with a flurry of bottarga that serves as a force multiplier for the tuna below; and finally, a plate of large sea snails, simply boiled and served with small forks for excavating the salty-sweet knuckle of meat inside. As is so often the case in Italy, we are full by the end of the opening salvo, but the night is still young, and the owner, who stops by frequently to fill my wineglass as well as his own, has a savage, unpredictable look in his eyes. Next comes the primo, a gorgeous mountain of spaghetti tossed with an ocean floor's worth of clams, the whole mixture shiny and golden from an indecent amount of olive oil used to mount the pasta at the last moment- the fat acting as a binding agent between the clams and the noodles, a glistening bridge from earth to sea. "These are real clams, expensive clams," the owner tells me, plucking one from the plate and holding it up to the light, "not those cheap, flavorless clams most restaurants use for pasta alle vongole." Just as I'm ready to wave the white napkin of surrender- stained, like my pants, a dozen shades of fat and sea- a thick cylinder of tuna loin arrives, charred black on the outside, cool and magenta through the center. "We caught this ourselves today," he whispers in my ear over the noise of the dining room, as if it were a secret to keep between the two of us. How can I refuse?

American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new. •  •  • When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again. The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn’t in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed.

May I ask you a question? If you have to hold your breath too long, what is it that makes you desperate to breathe again?” “I’m running out of oxygen, I guess.” “That’s the interesting fact. It isn’t the absence of oxygen. It’s the presence of carbon dioxide. Kind of the same thing, but not exactly. The point is, you could suck up any kind of gas, and as long as it wasn’t carbon dioxide, your brain would be happy. You could have a chest full of nitrogen, no oxygen at all, about to kill you stone dead, and your lungs would say, hey man, we’re cool, no carbon dioxide here, no need for us to start pumping again until we see some. Which they never will, because you’ll never breathe again. Because you’ll never need to. Because you have no carbon dioxide. And so on. So those folks started sniffing nitrogen, but you have to go to the welding shop and the cylinders are too heavy to lift, so then they tried helium from the balloon store, but you needed masks and tubes, and the whole thing still looks weird, so in the end most folks won’t be satisfied with anything less than the old-fashioned bottle of pills and the glass of scotch. Exactly like it used to be. Except it can’t be anymore. Those pills were most likely either Nembutal or Seconal, and both of those substances are tightly controlled now. There’s no way to get them. Except illegally, of course, way down where no one can see you. There are sources. The holy grail. Most of the offers are scams, naturally. Powdered Nembutal from China, and so on. Dissolve in water or fruit juice. Maybe eight or nine hundred bucks for a lethal dose. Some poor desperate soul takes the cash to MoneyGram and sends it off, and then waits at home, anxious and tormented, and never sees any powdered Nembutal from China, because there never was any. The powder in the on-line photograph was talc, and the prescription bottle was for something else entirely. Which I felt was a new low, in the end. They’re preying on the last hopes of suicidal people.

Internet subscription for $59—seemed reasonable. The second option—the $125 print subscription—seemed a bit expensive, but still reasonable. But then I read the third option: a print and Internet subscription for $125. I read it twice before my eye ran back to the previous options. Who would want to buy the print option alone, I wondered, when both the Internet and the print subscriptions were offered for the same price? Now, the print-only option may have been a typographical error, but I suspect that the clever people at the Economist's London offices (and they are clever—and quite mischievous in a British sort of way) were actually manipulating me. I am pretty certain that they wanted me to skip the Internet-only option (which they assumed would be my choice, since I was reading the advertisement on the Web) and jump to the more expensive option: Internet and print. But how could they manipulate me? I suspect it's because the Economist's marketing wizards (and I could just picture them in their school ties and blazers) knew something important about human behavior: humans rarely choose things in absolute terms. We don't have an internal value meter that tells us how much things are worth. Rather, we focus on the relative advantage of one thing over another, and estimate value accordingly. (For instance, we don't know how much a six-cylinder car is worth, but we can assume it's more expensive than the four-cylinder model.) In the case of the Economist, I may not have known whether the Internet-only subscription at $59 was a better deal than the print-only option at $125. But I certainly knew that the print-and-Internet option for $125 was better than the print-only option at $125. In fact, you could reasonably deduce that in the combination package, the Internet subscription is free! “It's a bloody steal—go for it, governor!” I could almost hear them shout from the riverbanks of the Thames. And I have to admit, if I had been inclined to subscribe I probably would have taken the package deal myself. (Later, when I tested the offer on a large number of participants, the vast majority preferred the Internet-and-print deal.)

You’re too goddamned fat,” he said. I took a defiant drag on my cigarette and willed myself not to cry. The remark made me dizzy. For the past four years, Ma and Grandma had played by the rule: never to mention my weight. Now my jeans and sweatshirt were folded in a helpless pile beside me and there was only a thin sheet of paper between my rolls of dimply flesh and this detestable old man. My heart raced with fear and nicotine and Pepsi. My whole body shook, dripped sweat. “Any trouble with your period?” he asked. “No.” “What?” “No trouble,” I managed, louder. He nodded in the direction of his stand-up scale. The backs of my legs made little sucking sounds as they unglued themselves from the plastic upholstery. He brought the sliding metal bar down tight against my scalp and fiddled with the cylinder in front of my face. “Five-five and a half,” he said. “Two hundred . . . fifty-seven.” The tears leaking from my eyes made stains on the paper gown. I nodded or shook my head abruptly at each of his questions, coughed on command for his stethoscope, and took his pamphlets on diet, smoking, heart murmur. He signed the form. At the door, his hand on the knob, he turned back and waited until I met his eye. “Let me tell you something,” he said. “My wife died four Tuesdays ago. Cancer of the colon. We were married forty-one years. Now you stop feeling sorry for yourself and lose some of that pork of yours. Pretty girl like you—you don’t want to do this to yourself.” “Eat shit,” I said. He paused for a moment, as if considering my comment. Then he opened the door to the waiting room and announced to my mother and someone else who’d arrived that at the rate I was going, I could expect to die before I was forty years old. “She’s too fat and she smokes,” I heard him say just before the hall rang out with the sound of my slamming his office door. I was wheezing wildly by the time I reached the final landing. On the turnpike on the way home, Ma said, “I could stand to cut down, too, you know. It wouldn’t hurt me one bit. We could go on a diet together? Do they still sell that Metrecal stuff?” “I’ve been humiliated enough for one fucking decade,” I said. “You say one more thing to me and I’ll jump out of this car and smash my head under someone’s wheels.

Then he went up to the window. His heart began pounding excitedly when he turned back the yellow linen of the curtain. An enchantingly beautiful spectacle was revealed before him — although today he immediately noticed that there was something strange in the entire aspect of this extensive and excellently arranged Garden. Precisely what amazed him he was still unable to say right away, and he began to examine the Garden attentively. What was there so unpleasant in its beauty? Why was the Youth's heart trembling so painfully? Was it that everything in the enchanted Garden was too exact. All the paths were laid out geometrically, and all were of the same width, and all were covered with precisely the same amount of yellow sand; the plants were all arranged with exaggerated orderliness; the trees were trimmed in the form of spheres, cones and cylinders; the flowers were arranged according to the various shades so that their composition was pleasing to the eye, but for some reason or other this wounded the soul. But giving it careful thought, what was there unpleasant in that orderliness which merely bore witness to the careful attention which someone paid to the Garden? Of course there was no reason for this to cause the strange apprehension which oppressed the Youth. But it was in something else as yet incomprehensible to the Youth. One thing was for certain, though, that this Garden did not resemble any other garden which the Youth had happened to see in his time. Here he saw giant flowers of an almost too brilliant color — at times it seemed that many-colored fires were burning in the midst of the luxuriant greenery — brown and black stalks of creeping growths, thick like tropical serpents; leaves of a strange shape and immeasurable size, whose greeness seemed to be unnaturally brilliant. Heady and languid fragrances wafted through the window in gentle waves, breaths of vanilla, frankincense and bitter almond, sweet and bitter, ecstatic and sad, like some joyous funereal mysterium. The Youth felt the tender yet lively touches of the gentle wind. But in the Garden it seemed as if the wind had no strength and lay exhausted on the tranquil green grass and in the shadows beneath the bushes of the strange growths. And because the trees and grass of the strange Garden were breathlessly quiet and could not hear the softly blowing wind above them and did not reply to it, they seemed to be inanimate. And thus they were deceitful, evil and hostile to man. ("The Poison Garden")

The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.

The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. ... The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.

But it’s something more than a meteorite. It’s a cylinder—an artificial cylinder, man! And there’s something inside.

If we are witnesses without memory, we are not witnesses at all. A hollow cylinder through which the wind blows will not remember the whistle it produces.

In my life and work, I’ve seen the darkest parts of the human soul. (At least I hope they are the darkest.) That has helped me see more clearly the brightness of the human spirit. Feeling the sting of violence myself has helped me feel more keenly the hand of human kindness. Given the frenzy and the power of the various violence industries, the fact that most Americans live without being violent is a sign of something wonderful in us. In resisting both the darker sides of our species and the darker sides of our heritage, it is everyday Americans, not the icons of big-screen vengeance, who are the real heroes. Abraham Lincoln referred to the “Better angels of our nature,” and they must surely exist, for most of us make it through every day with decency and cooperation. Having spent years preparing for the worst, I have finally arrived at this wisdom: Though the world is a dangerous place, it is also a safe place. You and I have survived some extraordinary risks, particularly given that every day we move in, around, and through powerful machines that could kill us without missing a cylinder: jet airplanes, subways, busses, escalators, elevators, motorcycles, cars—conveyances that carry a few of us to injury but most of us to the destinations we have in mind. We are surrounded by toxic chemicals, and our homes are hooked up to explosive gasses and lethal currents of electricity. Most frightening of all, we live among armed and often angry countrymen. Taken together, these things make every day a high-stakes obstacle course our ancestors would shudder at, but the fact is we are usually delivered through it. Still, rather than be amazed at the wonder of it all, millions of people are actually looking for things to worry about. Near the end of his life, Mark Twain wisely said, “I have had a great many troubles, but most of them never happened.

The girl who asked me the time lights yet another cigarette. I’m sure it’s not so much the pleasure of the nicotine that makes these girls smoke so much – they hardly puff at their cigarettes – it’s having the thing in their hand to complete the pose. They all smoke with practised ease and naturalism, yet this girl has the gestures off more perfectly than most. How to define it? Some equation of extended fingers and wrist bend, lip-pout and head-tilted exhalation. She smokes with great sexual grace: her body is brown and lean and she’s pretty with long milk-chocolate brown hair. And somehow she knows that her perfect manipulation of that perfect white cylinder of packed tobacco sends a subliminal signal to the boys – all their eyes are flicking like lizards’ – that she is ready.

When all three parties were satisfied with the digestion of the medication, they left me alone to rest. To them, I may have seemed in stable condition, but in reality I perceived myself as an object, an inanimate object, a hollow revolving cylinder undergoing imminent changes due in-part to rising atmospheric pressure while hopped up on god knows what, fading to coma-like sleep and becoming more and more inaccessible to any further rational thinking.

Yet still this tree has a secret tucked into the thin, living cylinder beneath its bark. Its cells obey an ancient formula: Keep still. Wait. Something in the lone survivor knows that even the ironclad law of Now can be outlasted. There’s work to do. Star-work, but earthbound all the same.

In the third week of April the stalemate on the Western Front was marked by a new and unpleasant phase: one that was intended by the Germans to end the stalemate and lead to victory. It was on April 22 that gas was used for the first time in the First World War. That evening, near Langemarck in the Ypres Salient, the Germans discharged, within five minutes, 168 tons of chlorine from 4,000 cylinders against two French divisions, one Algerian, the other Territorial, and against the adjacent Canadian Division, over a four-mile front.

ROLL AND FREEZE: Roll up one or two slices of bacon at a time into tight cylinder, place cylinders in zipper-lock bag, and freeze.

Today, ASSA ABLOY describes itself as “the global leader in access solutions.” This shift from lock to access is not merely an update in marketing jargon; it signals the impact of a profound insight that changed ASSA ABLOY from industry leader to ecosystem disruptor. The insight: a key is not just a key. It is also an identity. In a world of mechanical locks, a key is an oddly shaped dongle whose jagged teeth line up pins inside a lock cylinder to release a mechanism that allows for a latch to be withdrawn. But viewed from a different perspective, the key is a signal, a credential. Possession of the key confirms your identity as a “trusted person.

Gritty, timely, and packed with action, The Instructor is a pulse-pounding thriller and a fabulous start to the Derek Harrington series. T.R. Hendricks delivers on all cylinders!

Tarlanders did not come male and female— everything but. In his speech to the Guard’s remaining members, preserved forever in a phonograph cylinder, Hauser explained that Tarlanders came from the Realm of Chaos—the world that existed before the Heavens overruled it, replacing nonsense with divine structure. Their demon forms could not conform to the Holy Order set forth by the Heavens. (Aster knew he referred to what the Surgeon once called hereditary suprarenal dysregula. Due to a broad range of hormonal disturbances, Tarlander bodies did not always present as clearly male and female as the Guard supposed they ought. This explained Aster’s hairiness and muscular build despite being born without the external organs that produced testosterone.) The man who’d taken the role as interim sovereign cleared his throat and, judging by the sound of a clinking glass on the recording, drank from a glass of water.

One of my brain’s cylinders is misfiring!

That’s just the thing. I’m so fucking sick of hearing everyone go on about how much power I’ve got when I have no idea what the hell to do with most of it. I feel like I’m running on all cylinders and going nowhere.

No customer was asking for Echo,” Bezos says. “Market research doesn’t help. If you had gone to a customer in 2013 and said, ‘Would you like a black, always-on cylinder in your kitchen about the size of a Pringles can that you can talk to and ask questions, that also turns on your lights and plays music?’ I guarantee you they’d have looked at you strangely and said ‘No, thank you.

I was so excited by the thing that I couldn’t sleep that night. I kept dreaming of power stations, ocean liners, even automobiles, being operated by balls bouncing back and forth in cylinders. I even worked out a spaceship in my mind, a bullet-shaped affair with a huge rubber ball on its end, gyroscopes to keep it oriented properly, the ball serving as a solution to that biggest of missile-engineering problems, excess heat. You’d build a huge concrete launching field, supported all the way down to bedrock, hop in the ship and start bouncing. Of course, it would be kind of a rough ride… In the morning, I called my superintendent and told him to get a substitute for the rest of the week; I was going to be busy.

They are alive, she thought, but their soul operates them by remote control. Their soul is in every man who has the capacity to equal this achievement. Should the soul vanish from the earth, the motors would stop, because that is the power which keeps them going—not the oil under the floor under her feet, the oil that would then become primeval ooze again—not the steel cylinders that would become stains of rust on the walls of the caves of shivering savages—the power of a living mind—the power of thought and choice and purpose.

You’ve been a bad alien cylinder,” I say to it. “You need a time-out.

Now hitting on all sixteen cylinders, the Beatles bolted back to the woodshed for The Beatles, a blandly designed masterwork that could inspire any reasonable California citizen to launch a race war.

What do we owe him, Uncle?” “He saw our way here. He honored his word.” Carlito rose as the train pulled into Fifty-ninth Street. One gloved hand rested for an instant on Tito’s shoulder. “Do well, nephew.” He turned and was gone. Tito glanced past boarding passengers, hoping to see Vianca still there, but she too was gone. He reached into his jacket’s side pocket, finding the Bulgarian’s singular, meticulously made weapon. It was folded loosely, within a fresh white cotton handkerchief from China, still stiff with sizing. On drawing it from your pocket, those around you might think you were about to blow your nose. Without looking, Tito knew that the cardboard cylinder of carefully milled salt filled the entirety of the very short barrel. He left it where it was. Now that the Bulgarian’s rubber gaskets had been replaced with silicone, an effective charge could be maintained for up to forty-eight hours. The salt, he wondered, was it Bulgarian? Where had those cartridges been made? In Sofia? In Moscow, perhaps? In London, where the Bulgarian was said to have worked before Tito’s grandfather had brought him to Cuba? Or in Havana, where he’d lived out his days? The train pulled away from Columbus Circle.

Let's do snacks." And snacks, we did. We consumed japchae, stir-fried sweet potato noodles with shredded veggies and beef, that were sweet and savory and wonderfully chewy. Ddukbokki, chewy cylinders of rice cake, soft and springy cakes of sweet ground fish, more veggies, and sweet and spicy gochujang sauce. Soondae, a sausage stuffed with noodles, barley, and pig blood, which I had to say gave me slight pause (and made my Jewish grandmother shriek with terror), but which had the most interesting mix of textures. We cleansed our palates with hobakjuk, a porridge made from glutinous rice and the sweetest steamed pumpkin I'd ever tasted, and finished up with hotteok, sweet, crunchy fried pancakes filled with cinnamon, honey, brown sugar, and peanuts.

The sole remaining chestnut goes on flowering. But its blooms have no more blooms to answer them. No mates exist for countless miles around, and a chestnut, though both male and female, will not serve itself. Yet still this tree has a secret tucked into the thin, living cylinder beneath its bark. Its cells obey an ancient formula: Keep still. Wait. Something in the lone survivor knows that even the ironclad law of Now can be outlasted. There’s work to do. Star-work, but earthbound all the same. Or as the nurse to the Union dead writes: Stand cool and composed before a million universes. As cool and composed as wood.

Light the incense and cleanse your crystals with the smoke before entering the circle.” Tripp held the cords and the paper while I held the incense to the flame. Once lit, I returned the incense to the cauldron. After holding our crystals over the incense smoke, Morgan instructed, “Enter the circle and place the cauldron to one side. You’ll notice that two stones opposite each other on the circle are out of place. Each of you, take a stone and put it in place to close the circle.” Once we’d done that, “Now sit cross-legged in the center of the circle knees to knees, one of you facing north, the other south.” I chose the north-facing position, and Tripp sat with his knees pressed lightly against mine. Next, we were to read the words on the paper out loud to each other. Tripp went first. “On this night, beneath this Snow moon, in the presence of those who love us, I commit to you. I promise to always respect you for who and what you are and to never again reflect past hurts onto you. I love you with all that I am.” After I’d repeated the words to him, Morgan instructed us to secure a length of cord around each other’s left wrists symbolizing our bond. “Now take the longer cord,” Morgan said of the remaining piece, “and tie the two crystals together as a further sign of your commitment to each other.” Tripp wrapped the crystals. As I tied the cord, I thought of Lily Grace’s “two pink cylinders side by side” vision. That might be her best one yet. “The final step,” Morgan said, a smile brightening her face and happy tears gleaming in her dark eyes, “is to remove a stone together, breaking the circle and releasing your commitment into the world.” We did and as we stepped out of the circle, hands clasped tightly, Briar proclaimed, “So mote it be.

cylinder

The bandit was no amateur, whipping one revolver after another from his saddlebag, draining the cylinders in a strobing, crackling cloud of gunsmoke, until only the whinnies of a few horses drifted up from the gully below.

Flash, copy transcribed from Word Yahoo email Q Q Winner Flash Fiction Contest Diversicon 27 (2019) by Scott E. Shjefte “THE NEXT STEP” Flatness, extended flatness, boring endless, on and on, forever… Roundness, I think, I am round. Rolling, I can. Energy found from within and great joy to roll. Roll to the end of Flatness. Sense of self, I can PING!. PING< PING< PING< Hear the ping of my sphere! I am sphere - the flatness extends, as I roll. Roll is great but much sameness everywhere. Destiny to explore, discover. Then a vertical cylinder I ping. It ‘pings’ back with great sadness, standing proud but motionless. It pings to me, I am joyed to find another! Cylinder is sad that it can not roll, cylinder is envious of ME! I touch, we touch, contact is blissful. I am not alone! I push, and push and cylinder falls over. Cylinder is joyful, Cylinder can roll! Great joy to roll together, and roll, and roll. We roll long and far and then ping a pyramid. Pyramid envies our rolling travels. I push the pyramid but just go up its side. Strange to leave upward from the flatness. I back down and away from the pyramid. I gather my energies, I move faster than I ever have towards the pyramid, I roll up its side and off the top outward pinging ever outward, higher and I Ping now that the flatness is curved and a new adventure ever outward, this next step is an ORBITAL LEAP! by Sesame

Water courses through a pipe, or around a cylinder, making a faint smooth hiss. In your mind, you turn up the pressure. A back-and–forth rhythm begins. Like a wave, it knocks slowly against the pipe. Turn the knob again. From somewhere, a second frequency enters, out of synchronization with the first. The rhythms overlap, compete, jar against one another. Already they create such a complicated motion, waves banging against the walls, interfering with one another, that you almost cannot follow it. Now turn up the knob again. A third frequency enters, then a fourth, a fifth, a sixth, all incommensurate. The flow has become extremely complicated. Perhaps this is turbulence. Physicists accepted this picture, but no one had any idea how to predict when an increase in energy would create a new frequency, or what the new frequency would be. No one had seen these mysteriously arriving frequencies in an experiment because, in fact, no one had ever tested Landau’s theory for the onset of turbulence.

To probe the rolling currents, they used laser light. A beam shining through the water would produce a deflection, or scattering, that could be measured in a technique called laser doppler interferometry. And the stream of data could be stored and processed by a computer—a device that in 1975 was rarely seen in a tabletop laboratory experiment. Landau had said new frequencies would appear, one at a time, as a flow increased. “So we read that,” Swinney recalled, “and we said, fine, we will look at the transitions where these frequencies come in. So we looked, and sure enough there was a very well-defined transition. We went back and forth through the transition, bringing the rotation speed of the cylinder up and down. It was very well defined.

Enraptured by their spell, the sirens passed their queen in a spinning circle around Rein, her hair drifting behind her and her arms reaching, imploring some unholy deity for the power to subject her son. Rein refused to waver, his own power nullifying the bewitched harmonies of siren song. Frustrated by her failure to spellbind her son, Suelta changed tactics. Her hands extended to the murky pool of water leading to the open ocean. Crunching her fingers, the water mutated into a hammer. Rein encased himself in his hardened water cylinder a fraction before she swung a magical handle and pounded the hammer repeatedly on her son. Rein’s cylinder held against the onslaught. Still singing, he whipped up several water blades and set them spinning. Slicing through a stone column as easily as peanut butter, the

In the 1690s, Edmund Halley, the English astronomer known primarily for tracking the comet that would be named for him, built a barrel-shaped diving bell out of wood and lined it with lead. It had greater girth than Link’s cylinder but about the same interior volume. Halley devised a system of barrels and leather tubes that channeled fresh air from the surface to give the bell’s occupants more breathing time. During one trial, Halley wrote that he and four others stayed in the bell for an hour and a half at a depth of about sixty feet. The men couldn’t do much while submerged, although Halley had ideas for supplying air so that divers could work outside the bell. No one suffered any ill effects, but Halley and his crew had no way of knowing that with the depth and duration of their dive they narrowly averted getting bent, or worse. Nonetheless, his innovative bell and record stay in the sea made diving history, even if Halley’s Comet would become better known than Halley’s bell.

Tomorrow Was Yesterday” dealt with the discovery by the Enterprise of a giant “universe” or “generation” ship—that is, a slower-than-light spaceship that would take generations to reach its destination because they lacked the power to traverse the vast distances between the stars any faster. The Voyager was a colony ship that had been launched from Earth hundreds of years previously, but only now were Federation ships catching up to it, the Enterprise being the first. Unfortunately, after hundreds of years, the people inside had forgotten that they were aboard a spaceship—instead they believed their enclosed world to be the totality of existence. Part of the reason for this stemmed from a mutiny in their long forgotten past, a mutiny that had left the Voyager’s population divided into two armed camps. The elite were descendants of the well educated, and they had a high standard of living in their part of the ship. The downtrodden oppressed were descendants of the mutineers. Now, the Voyager was a giant sphere, or cylinder. Artificial gravity was provided by spinning the ship to create centrifugal force; therefore, from a shipside point of view, down was outward, up was toward the center. The upper levels in the center of the ship were where the control room was located

Her weight—46,328 gross tons … 66,000 tons displacement. Her dimensions—882.5 feet long … 92.5 feet wide … 60.5 feet from waterline to Boat Deck, or 175 feet from keel to the top of her four huge funnels. She was, in short, 11 stories high and four city blocks long. Triple screw, the Titanic had two sets of four-cylinder reciprocating engines, each driving a wing propeller, and a turbine driving the center propeller. This combination gave her 50,000 registered horsepower, but she could easily develop at least 55,000 horsepower. At full speed she could make 24 to 25 knots.

the test of a real Borsalino hat is to roll it into a cylinder, roll it up into a very tight tube, and pass it through a wedding ring. If it emerges from this test without permanent creases, and if it springs back to its original shape, and if it is not damaged in the experience, it is a genuine Borsalino.

First, the picture of marriage given here is not of two needy people, unsure of their own value and purpose, finding their significance and meaning in one another’s arms. If you add two vacuums to each other, you only get a bigger and stronger vacuum, a giant sucking sound. Rather, Paul assumes that each spouse already has settled the big questions of life—why they were made by God and who they are in Christ. No one lives a life of continual joy in God, of course. It is not automatic and constant. If that were the case, Paul would not have had to start verse 18 with an imperative, exhorting them literally to “go on being filled with the Spirit!” We are often running on fumes, spiritually, but we must know where the fuel station is and, even more important, that it exists. After trying all kinds of other things, Christians have learned that the worship of God with the whole heart in the assurance of his love through the work of Jesus Christ is the thing their souls were meant to “run on.” That is what gets all the heart’s cylinders to fire. If this is not understood, then we will not have the resources to be good spouses. If we look to our spouses to fill up our tanks in a way that only God can do, we are demanding an impossibility.

A small inner chamber (2) sat in the middle of a larger cylinder (13) that contained whatever needed cooling, say ice cream. A chemical named methanol was then evaporated in the inner chamber, thus cooling the surrounding cylinder. A small pipe (5) then conveyed the now gaseous methanol to another cylinder that was connected to an ordinary water tap. From this water flowed, dissolving the methanol and flushing it away. The upside of this design was that it needed no power other than tap-water pressure and that methanol fumes aren’t toxic in small quantities. The downside was that the methanol coolant was not reused. Once its cooling work was done, it was flushed away down the sink. Einstein and Szilard figured that the low cost of methanol meant this wouldn’t put off potential customers.

The answer is that the coolant is forced through a device called a compressor, which is the opposite of a cylinder in a steam engine. In those, heat turns into work by making a gas expand. In a compressor, work is turned into heat by squeezing a gas. Once enough heat is added in this way to ensure the coolant vapor’s temperature is greater than that of the room, it is allowed into the condenser, a network of pipes at the back of the refrigerator. Here the vapor releases into the surroundings the heat that was in the refrigerator’s interior and the heat that was created in the compressor. Put your hand behind your refrigerator to feel that combined heat.

You always have general well-being at your fingertips, and it has an ancient meaning. The ancient key unlocks the universe's most important, mystical, and smart healing power. The key of ancient times is: you. You are the key to your well-being as a whole. You have all the natural world's basic powers inside you, including the healing power. You have the ability to heal while also finding teachers and trained medical practitioners’ advice, guidance, and wisdom. Get support and advice as you enter your lifelong journey of health and vitality. Say what you notice about yourself to your doctors and healers. Ask questions and receive answers. Work together and, through experience and study, increase your knowledge. This book is going to support you in this quest. There are seven big chakras in you that affect you mentally, psychologically, and spiritually. The chakras are bright, glowing centers of energy that control the flow of energy from life-force. The chakras sometimes spin too slowly, sometimes too fast, and sometimes just fine. Energy flows naturally to your physical, emotional, and spiritual bodies if they move correctly. This means that you are firing on all cylinders. You can live your life with ease, joy, clear-headedness, love, intimacy, health, safety, and whatever else your heart desires by learning about the chakras and how to balance them. You will find the chakras are moving in and out of equilibrium, and you can learn and recover from them. You become more connected with wisdom, joy, and the strength of love and appreciation that connects you to everything as you balance the chakras. For good health, these good feelings go hand in hand. Chakra healing is a kind of holistic healing that links mind, body, and spirit (or what you might call power, Source, or God). Colorful, creative, magical, surprising, restorative and cleaning is the experience of chakra healing. This takes you to who you truly are. If you are overweight, underweight, constipated, excessively stressed, depressed, unable to perform tasks, exhausted, nervous, and/or bored, these and many other symptoms are not really what you are. Who you really are is bright, optimistic, clear-minded, caring, positive, happy, fun, and capable of creating the life you desire. As you get to know the chakras, you can switch from the other states to who you really are. If you're struggling with too much discomfort and neglecting the needs of your body, you'll run down and become sick. Your body is smart and will make up for deficiencies in various ways, keeping you as healthy as possible, as long as possible. However, if the vital life-force energy does not flow through you in a balanced way, you will not maintain long-term mental or physical health. You need to unblock the chakras for health, youthfulness, joy, and the life you really want to create.

We’re about to send a picture out over the network.” “But how?” “Watch and see,” Penny advised. In the center of the room stood two machines with cylinders, one for transmitting pictures to distant stations, the other for receiving them. On the sending cylinder was wrapped a glossy 8 by 10 photograph of a fire. As Penny spoke, an attendant pressed a starter switch on the sending machine. There was a high pitched rasp as the clutch threw in, and the cylinder bearing the picture began to turn at a steady measured pace. “It’s a complicated process,” Penny said glibly. “A photo electric cell scans the picture and transmits it to all the points on the network. Salt here could tell you more about it.

3D Character Modeling & low poly game character by 3D Game Art Studio Low poly game character are three-dimensional models based on a small number of polygons. An important condition is that this amount is enough to understand what the visualizer wanted to demonstrate. Since one of the relevant areas where 3d low-poly character developers are involved in the gaming industry, consider the process of work on the example of creating a Game Character Modeling Services. Work on other low poly character is similar. Each game must be unique in its own way. Character Modeling is the process of creating a character within the 3D space of computer programs. The techniques for character modeling are essential for third - and first - person experiences within film, animation, games, and Virtual Reality. It is important to bear in mind that low poly objects have less definition and are made with fewer polygons, spheres, cylinders, or cubes. By using flat lighting, the models will get the desired flat-shaded blocky look. low poly modeling requires a high degree of creativity, as you need to make the most of limited resources to create complex compositions. It has the power of simplicity. Low poly character also has its uses. The most important use is game engines since a computer can only handle many polygons in real time. Low poly keeps everything as low as possible applying normal mapping everywhere. Other uses of low poly include: • Subdivision modeling • Low-polygon proxy geometry for animating and rigging • Low poly style High poly character are preferable in Movie Character Modeling for the film industry since a large number of polygons are needed there for optimal detail. However, their 3d Rendering & Animation can sometimes take several days. But for games, low-poly character are often used: visualization of 3D characters is carried out directly in the course of the game process. GameYan Studio is a Game Development and Movie Animation company offer an animation 3D Character Modeling Services with a wide range of 3d character design services and animation with a specialized team of highly skilled designers & animators are having a capable to transform any characters to virtually animated characters. GameYan Studio is one stop solution for 3D Character Development - 3D Modeling Company. Whether you have concept or not, our creative team can convert your visualization into Sketches and 3d Character Modeling Design. We can deliver the final model with specific technical requirement like Low Poly, High Polygons and many technical detail will be follow by our 3d artist in realistic game character.

In houses and in villages throughout the country, the smoke from indoor cooking contains carbon monoxide, black carbon, and other pollutants, creating pervasive and severe health problems. In response, the government launched a “blue flame revolution” to deliver cylinders of propane—derived from oil or natural gas—to eighty million rural households for cooking.

reminded him of Paul Cézanne’s words about seeing in nature the cone, sphere, and cylinder, words that Picasso and Braque, even his old friend Max

shall never forget as long as I live the sensation of unrolling each of the eight books of Aristotle’s Politics: tiny cylinders of minute Greek characters, the edges slightly damaged by damp from the caves in Asia Minor where they had been hidden for many years. It was like reaching back through time and touching the face of a god.

Hot Press is a term used to describe paper that is pressed and flattened with heated cylinders during the manufacturing process. This paper is very smooth and offers little to no texture.

seal cylinder.

Sun-power!” grunted the captain. “That’s primitive!” And the engineer added an emphatic “Ja!” of agreement. “Not as primitive as all that,” corrected Jarvis. “The sunlight focused on a queer cylinder in the center of a big concave mirror, and they drew an electric current from it. The juice worked the pumps.” “A t’ermocouple!” ejaculated Putz.

When used with the paddle-wheel apparatus, their readings supported the conclusions from Joule’s dynamo experiments. In those, he had estimated the mechanical equivalent of heat as 831 foot-pounds. The new experiment gave the figure as 781.5 foot-pounds. Joule repeated the experiment with sperm-whale oil in the cylinder and obtained a similar result—781.8 foot-pounds.

They had to raise enormous stones, massive pieces of wrought iron, heavy corner-clamps and huge portions of cylinder, with an object-glass weighing nearly 30,000 pounds, above the line of perpetual snow for more than 10,000 feet in height, after crossing desert prairies, impenetrable forests, fearful rapids, far from all centers of population, and in the midst of savage regions, in which every detail of life becomes an almost insoluble problem. And yet, notwithstanding these innumerable obstacles, American genius triumphed.

Serotonin boosts your mood, endorphins block pain, and dopamine, the pleasure hormone, is stimulated when you strive toward a goal. When these giddy guys are firing on all cylinders, you get a burst of joy, energy, and motivation.

She flowed across that office with the rippling, effortless progress of a cylinder of jelly sliding off a tilted plate.

Back at the drawing board, Einstein and Szilard came up with their most imaginative idea—a device that worked like a conventional refrigerator, but which had a revolutionary compressor design. Remember this key component warms gaseous coolant and then pumps it into a condenser so it can then release the heat it has absorbed from the refrigerator’s cold interior to the outside air. Unlike a conventional compressor, which used spinning metal blades to work, the Einstein-Szilard device used a varying electromagnetic field, generated by an electric coil, to make liquid metal in a sealed cylinder move back and forth. This motion drove the compressor. The advantage from the safety perspective was that all the potentially dangerous substances—the refrigerator’s coolant and the liquid metal—were permanently contained within stainless steel pipes and cylinders. There was no seal that might become damaged and leak.

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How could this be corrected? One way, Carnot argues, is to use atmospheric air as the substance that pushes the piston. Because air contains oxygen, fuel can burn and generate heat inside the cylinder and not in an external boiler as happens in a steam engine.

For an engine to keep going, some of the work created during expansion must be sacrificed, pressing the piston back to its starting position. To minimize that, the gas in the cylinder is cooled so it’s easier to squeeze. But as the piston returns, it squashes the gas in the cylinder. This reheats it, making it resistant again. For a sense of how this happens, squeeze a balloon full of air. You will feel it become hotter.

So, heat must be sucked out of the cylinder into a sink in this compressing stage. If this wasn’t done, all the work created in the expanding stage would be used up. The engine would be useless. In a typical car engine this back-and-forth process is repeated rapidly. Heat is created in and then flows out of its cylinders several times every second.

Newcomen engines” work as follows: Heat from burning coal creates steam. This flows via an inlet valve into a large cylinder in which a piston can move up and down. Initially the piston rests at the top of the cylinder. Once this is full of steam, the inlet valve closes. Cold water is sprayed into the cylinder, cooling the steam inside, causing it to condense into water. Because water occupies much less space than steam, this creates a partial vacuum below the piston. Atmospheric air will always try to fill a void, and the only way it can do so in this arrangement is by pushing the piston down. This is the source of the engine’s power. The steam is a means to create a vacuum and the downward pressure of the atmosphere does the work.

The revolver was chambered for .442 rounds, which meant there was only room for five. "These are large caliber bullets for such a short gun," Merritt remarked. "It's designed to stop someone at close range," Ethan said, absently arching up to rub a spot on his chest. "Being hit by one of those bullets feels like a kick from a mule." "Why is the hammer bobbed?" "To keep it from catching on the holster or clothing, if I have to draw it fast." Keeping the muzzle of the gun pointed away from him, Merritt reassembled the revolver, slid the extractor rod into place, and locked it deftly. "Well done," Ethan commented, surprised by her assurance. "You're familiar with guns, then." "Yes, my father taught me. May I shoot it?" "What are you going to aim for?" By this time, the others had come out from the parlor to watch. "Uncle Sebastian," Merritt asked, "are those pottery rabbits on the stone wall valuable?" Kingston smiled slightly and shook his head. "Have at it." "Wait," Ethan said calmly. "That's a twenty-yard distance. You'll need a longer-range weapon." With meticulous care, he took the revolver from her and replaced it in his coat. "Try this one." Merritt's brows lifted slightly as he pulled a gun from a cross-draw holster concealed by his coat. This time, Ethan handed the revolver to her without bothering to disassemble it first. "It's loaded, save one chamber," he cautioned. "I put the hammer down to prevent accidental discharge." "A Colt single-action," Merritt said, pleased, admiring the elegant piece, with its four-and-a-half-inch barrel and custom engraving. "Papa has one similar to this." She eased the hammer back and gently rotated the cylinder. "It has a powerful recoil," Ethan warned. "I would expect so." Merritt held the Colt in a practiced grip, the fingers of her support hand fit neatly underneath the trigger guard. "Cover your ears," she said, cocking the hammer and aligning the sights. She squeezed the trigger. An earsplitting report, a flash of light from the muzzle, and one of the rabbit sculptures on the wall shattered. In the silence that followed, Merritt heard her father say dryly, "Go on, Merritt. Put the other bunny out of its misery." She cocked the hammer, aimed and fired again. The second rabbit sculpture exploded. "Sweet Mother Mary," Ethan said in wonder. "I've never seen a woman shoot like that." "My father taught all of us how to shoot and handle firearms safely," Merritt said, giving the revolver back to him grip-first.

This prediction was borne out in the late nineteenth century by the arrival of the internal combustion engine, a device that burns petrol or diesel to raise the air temperatures in its cylinders to well over 1,000°. Rudolf Diesel, who published his theories on how to build such an engine in 1893, was inspired by Carnot’s ideas.

And as his research continued in Syracuse, Archimedes made sure word of what he was doing got back to friends in Alexandria. Among his correspondents was a former Croton pupil named Dositheusa to whom Archimedes would send one major treatise after another that would revolutionize mathematics. There was Quadrature of the Parabola, then two books on Sphere and Cylinder, one on Spiral Lines, and finally a treatise on Conoids and Spheroids.27

If you had gone to a customer in 2013 and said “Would you like a black, always-on cylinder in your kitchen about the size of a Pringles can that you can talk to and ask questions, that also turns on your lights and plays music?” I guarantee you they’d have looked at you strangely and said, “No, thank you.

For instance, Le Corbusier and Amedee Ozenfant proposed a theory of painting and architecture which would be based primarily on Platonic forms: cones, spheres, cylinders, cubes, etc. They argued that only these simple forms were universal, and that they would in fact set off "identical sensations" in "everyone on earth- a Frenchman, a Negro, a Laplander”. In essence they were arguing for a universal language of the emotions- Purisme which would cut through the Babel of contending, eclectic languages. The individual words of this language would be the psychophysical constants found by psychologists. A flat line would mean "repose," a blue color "sadness,'' a jagged, diagonal line "activity,'' and so on until the whole gamut of emotions” (82>83) had been built up. They argued, as Plato often did, that nature had constructed within us a fixed language based on efficiency, geometry and function; this language of the emotions was the most economical and pure one-hence Purisme.

read as to eat. I was greatly taken with this new way of talking and derived considerable pleasure from speaking it to the waiter. I asked him for a luster of water freshly drawn from the house tap and presented au nature in a cylinder of glass, and when he came around with the bread rolls I entreated him to present me a tonged rondelle of blanched wheat, oven baked and masked in a poppy-seed coating. I was just getting warmed up to this and about to ask for a fanned lap coverlet, freshly laundered and scented with a delicate hint of Lemon Daz, to replace the one that had slipped from my lap and now lay recumbent on the horizontal walking surface subjacent to my feet, when he handed me a card that said “Sweets Menu” and I realized that we were back in the no-nonsense world of English. It’s a funny thing about English diners. They’ll let you dazzle them with piddly duxelles of this and fussy little noisettes of that, but don’t mess with their puddings,

If your body isn’t firing on all cylinders, nothing you do will fundamentally change the way things are happening for you in your life.

His future was all there like a three-draw spyglass shut up and compact and he would draw it out cylinder by cylinder. Behind him were the flames of a burning barn in Kentucky and a childhood of bastardy. The worst was knowing all the time he was a good fiddler, even a superb fiddler, but long before this time and surely now many a good man had gone down to ruin or death unrecognized and probably drunk into the bargain.

Instinctively, Cody glanced over but all he could see was the gaping silver-rimmed muzzle of a snub-nosed large caliber revolver an inch from his eye. The cylinder revolved, filled with dull lead bullets, as the trooper pulled the trigger. There was a tremendous explosion of light and thunder. He could no longer see out of his right eye, but it was more than that. There was no pain, only tremendous silence. Then he was floating, light as air, as if his lungs had filled with helium. He passed through the sheet metal roof of his pickup into the night, which was no longer cold. As he rose his eyesight was restored but he no longer had feeling in his limbs and his arms hung loose at his sides. He looked down. He could see the top of his pickup from above, the bed of his truck which was empty except for a crumpled fast-food wrapper in the corner, then the rusted metal roof of the First National Bar. The windows of his pickup strobed three more times but there was no sound and he felt nothing. Cody’s life didn’t pass before his eyes, but he clearly saw the photo of Justin in his football uniform and a vision of Jenny sleeping in bed from years before they separated the first time and he rose until he could see the river and the ribbon of highway through the valley and Jimmy and the truck driver emerge from the bar and stand on the porch and he knew what happened to those poor girls and he felt both cheated and angry at the same time and he wished he could do it all over again, everything. Especially the last five minutes. Then nothing. No sound, smell, or sight. Peace.

I don't understand," she said. "I have no clue what you were trying to say this morning." "Yeah. I'm sorry. I'm not firing on all eight cylinders right now." He self-consciously attempted to rub away the purpling sags beneath his eyes. After the white spots dissipated she had impossibly grown even more beautiful. She was magical like that; even if he only looked away for a moment, when he returned his gaze upon her, those cheeks, those eyes, those lips were somehow even more enticing. Somehow even more irresistible. Jesus, could she make him thump. "I didn't really sleep last night. After reading your comments and seeing your handwriting again after such a long time...my head shot into a kind of hyperdrive." "What do you mean?" Her eyes fluttered as she looked up at him. Not flirtatiously, but with inquisitiveness. Oh, the way she fluttered those lids. His chest expanded; he was beyond enamored of her intellect and the way she always needed to get the clearest picture possible. "I just couldn't stop thinking how great everything was between us, and how fantastic everything is going to be once we work out the personal shit we're both dealing with," he said. "I had goosebumps trilling up my arms and the back of my neck because I have already done three or four rewrites, and like eighty percent of the changes I made mirrored your suggestions." He took a deep breath. He would inhale her entirety if he could, make her a permanent part of himself- absorb her being. "It was kind of eerie." He placed a clumsy hand on her cheek and caressed her eyebrow with his thumb, wishing to god it were his bottom lip. "And so not surprising.

... the cylinder itself has only just begun its revolutions ... as it gathers speed the objects grouped around its fulcrum assume, collectively ... no ... as it gathers speed the whole intricate system of cords, weights, metal spikes and rods, brass plates engraved with labyrinthine patterns, bricks, scraps of fabric, paper, canvas, unmarked sheets ... the entire elaborate network of components begins to shudder into wild spasmodic motion, rattling almost farcically within the framework of the machine.

Certain elements of the early dynastic civilization, which do not appear in that of the earlier pre-dynastic period, resemble well-known elements of the civilization of Babylonia. We may instance the use of the cylinder-seal, which died out in Egypt in the time of the XVIIIth Dynasty, but was always used in Babylonia from the earliest to the latest times. The early Egyptian mace-head is of exactly the same type as the early Babylonian one.

Frank heard the glass of water thump on the stand that he now imagined might be beside the bed, which meant it was. Finally something firm to grasp, in his mind and with his hand. He reached out very slowly, as he didn’t want to risk tearing the gauze that was so precariously holding his vital organs together. He felt wood. His fingers slid shakily over the corners of the table, feeling their reality, their solidity. He tried to picture it in his head, all rough hewn and unpainted, but the white kept slipping in, even though he knew Mexicans rarely painted anything with a neutral color. Still, there it was, a whitewashed bed stand in his mind. He tried to overlook it, and reached up higher to find the glass cylinder full of what his body was screaming out for, water. That was why he felt so tight, he figured. His tissues and muscles had all dried up, and he needed to rehydrate them before even attempting to move. So at last, grasping the all important container, his fingers straining against its mighty heft, he slowly slipped it to and then off of the edge of the little table. Vast oceans of bluey refuge sloshed against their constraints, spilling their powerful waves over the side, across his sleeping hand, and onto the bed sheets below that were undoubtedly as white as Santa’s fucking beard. But the spill, the great cresting of the breakers over the levee walls, tremendous in its awesome power and glory, had only served to excite him, to intrigue him, the refreshment that the backside of his hand was lapping up osmotically served only to stoke the great thirst within him, and with God steadying his hand, he tipped his gauze laden head up, muscled the glass towards his mouth with veins rippling in his arms, and tipped it. It was not a perfect pour. Water splashed against his forehead, his eyes still clenched tightly in their death struggle against the white, as he had no idea where his mouth was at that point anyway. But he really didn’t give a shit where the life giving fluid went, for he had become a very gauzey sponge, and his tissues would reach their strange and parched tendrils across the entire room if they must to soak up the precious juices that would in turn dissolve their steely grip and allow him to rise from his low perch and sallie forth across the blue fields of agave that awaited a non-suicidal tourist’s itinerary, just outside the door he could not remember but which must surely be bolted to an opening that must surely be the gateway to the very room in which he must surely be attempting to drink.