Cyclone Sad Quotes

We've searched our database for all the quotes and captions related to Cyclone Sad. Here they are! All 4 of them:

Almost Out Of The Sky" Almost out of the sky, half of the moon anchors between two mountains. Turning, wandering night, the digger of eyes. Let’s see how many stars are smashed in the pool. It makes a cross of mourning between my eyes, and runs away. Forge of blue metals, nights of stilled combats, my heart revolves like a crazy wheel. Girl who have come from so far, been brought from so far, sometimes your glance flashes out under the sky. Rumbling, storm, cyclone of fury, you cross above my heart without stopping. Wind from the tombs carries off, wrecks, scatters your sleepy root. The big trees on the other side of her, unprooted. But you, cloudless girl, question of smoke, corn tassel. You were what the wind was making with illuminated leaves. Behind the nocturnal mountains, white lily of conflagration, ah, I can say nothing! You were made of everything. Longing that sliced my breast into pieces, it is time to take another road, on which she does not smile. Storm that buries the bells, muddy swirl of torments, why touch her now, why make her sad. Oh to follow the road that leads away from everything, without anguish, death, winter waiting along it with their eyes open through the dew
Pablo Neruda (Twenty Love Poems and a Song of Despair)
Leave the baited hook alone. Turn off the ringer to that phone. Don’t take an interest in that loan. Don’t be a clone with no ring-tone of your own. Be prone to roam the guilt-free zone. Don’t fetch the bone, by the mirror thrown. Leave it alone with its sad groan (a tombstone on a grave unknown). Don’t postpone the gemstone able to atone. A wind has blown in the homegrown cyclone. The eagle has flown with wings long grown. A lesson’s been sown in the reflection’s own.
Calvin W. Allison (Poetic Cognition)
what was behind her smile. I could virtually feel her sadness.
Alexandria House (PERSONAL (St. Louis Cyclones Book 3))
George Malcolm: half white, half black, with messy tousled hair, rumpled and tugged between kind of curly and extremely curly. Once, a year or so before, he'd been at our house and he'd pulled out a lock of his hair and used it to teach me about eddies and helixes. It's a circular current into a central station, he'd explained, giving me one to hold. I pulled on the spring. Nature is full of the same shapes, he said, taking me to the bathroom sink and spinning on the top and pointing out the way the water swirled down the drain. Taking me to the bookshelf and flipping open a book on weather and showing me a cyclone. Then a spiral galaxy. Pulling me back to the bathroom sink, to my glass jar of collected seashells, and pointing out the same curl in a miniature conch. See? he said, holding the seashell up to his hair. Yes! I clapped. His eyes were warm with teaching pleasure. It's galactic hair, he said, smiling. At school, George was legendary already. He was so natural at physics that one afternoon the eighth-grade science teacher had asked him to do a preview of the basics of relativity, really fast, for the class. George had stood up and done such a fine job, using a paperweight and a yardstick and the standard-issue school clock, that the teacher had pulled a twenty-dollar bill from his wallet. I'd like to be the first person to pay you for your clarity of mind, the teacher had said. George used the cash to order pizza for the class. Double pepperoni, he told me later, when I'd asked.
Aimee Bender (The Particular Sadness of Lemon Cake)