Cyclone Feelings Quotes

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No up. No down. No sky. No ground. Just endless dark shot through with tiny spears of sunlight older than you and your entire species stacked end to end. You want to feel small? Spend sixty seconds in a Cyclone's cockpit, chum. Look out at the nothing and feel it looking back. Then you know exactly how much you add up to.
Jay Kristoff (Illuminae (The Illuminae Files, #1))
Make love to me. Please. I’m dying for it, for you. And therein lay the other major problem. His body was a wreck along with his mind. His past addictions were spinning in desperation and it was taking everything he had to keep from flying apart. The hunger to hurt and be hurt had never been more volatile and each second he didn’t connect with Mercy, it grew worse. But how exactly was a monster cyclone supposed to connect with an angel and not rip her apart in ways that made him feel vile and dirty? Fuck, he never wanted to feel that with her.
Lucian Bane (Beg For Mercy (Mercy, #3))
You were talking about the wind," the Fillyjonk said suddenly. "A wind that carries off your washing. But I'm speaking about cyclones. Typhoons, Gaffsie dear. Tornadoes, whirlwinds, sandstorms... Flood waves that carry houses away... But most of all I'm talking about myself and my fears, even if I know that's not done. I know everything will turn out badly. I think about that all the time. Even while I'm washing my carpet. Do you understand that? Do you feel the same way?
Tove Jansson (Tales from Moominvalley (The Moomins, #7))
Don’t think I don’t know what you did, love,” she grinned and didn’t say anything. “Feel free to manipulate me into bed any time. Cause after we sleep I’m waking you with my mouth in your panties.” As if to mark his place one of his hands slid down into the back of her underwear and stayed there while she tried to still the cyclone of need.
V. Theia (Tracking Luxe (Renegade Souls MC Romance Saga #3))
And at that moment, for no reason he could put into words, the hourglass shattered. No more, the cool gray sift of days, the diligent waiting for the future to trickle forth. Lazlo's dream was spilled out into the air, the color and storm of it no longer a future to be reached, but a cyclone here and now. He didn't know what, but as surely as one feels the sting of shards when an hourglass tips of a shelf and smashes, he knew that something was happening. Right now.
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
I could plot all day, but it didn’t matter if I didn’t fall into the story headfirst, if the story itself didn’t spin like a cyclone, pulling me wholly into itself. That was what I’d always loved about reading, what had driven me to write in the first place. That feeling that a new world was being spun like a spiderweb around you and you couldn’t move until the whole thing had revealed itself to you.
Emily Henry (Beach Read)
It’s one thing to flirt with someone you’ve never met. But these? These are actual feelings. I’m not sure what they mean or what to do with them.
Courtney Milan (Hold Me (Cyclone #2))
Come here, he said. Rebeca obeyed. She stopped beside the hammock in an icy sweat, feeling knots forming in her intestines, while Jose Arcadio stroked her ankle with the tips of his fingers, then her calves, then her thighs, murmuring: Oh, little sister, little sister. She had to make a supernatural effort not to die when a startlingly regulated cyclonic power lifted her up by the waist and despoiled her of her intimacy with 3 slashes of its claws and quartered her like a little bird. She managed to thank God for having been born before she lost herself in the inconcievable pleasure of that unbearable pain...
Gabriel García Márquez (One Hundred Years of Solitude)
I used to wonder what it felt like to stand in the middle of a cyclone, a tornado, at the epicenter of an earthquake. Once or twice, when Tyler had bruised my feelings without any awareness of it, I would think, These emotions are tiny. Imagine standing right there when the entire Earth rumbles. I wonder whether what’s happening inside me is simply a smaller version of a tropical storm: everything is being blown around and upended.
Christina Lauren (Josh and Hazel's Guide to Not Dating)
And then I realize: this isn’t dirty water falling from the sky. It is—literally—blood. I look up, and a droplet of blood splashes directly into my eye. I curse, rubbing my face, trying to get the blood out, but it’s everywhere, it’s like trying to dry off in the middle of the ocean. Shielding my face as best I can, I stare up into the sky. I am in the center of a cyclone. Giant white clouds swirl like a spiraling galaxy above me, the eye a tiny dark speck. The storm rages, throwing out bloody rain like punches, the wind so vicious it tears my clothes and cuts my skin. Representative Belles’s mind is swirling with dark thoughts—bloody thoughts—and they have created the biggest storm I have ever seen. I have to stop the cyclone. I have to get him into a peaceful reverie, something that he can hold on to while I root around his brain, looking for answers. I focus all of my concentration on stopping the bloody rain. The drops come slower and slower. I take a deep breath, imagining the clouds breaking up, spinning into fluffy bits of cotton-candy like clouds. I don’t open my eyes until the sounds of beating rain disappear and I can feel the warmth of the Mediterranean sun on my face.
Beth Revis (The Body Electric)
In high school I developed a habit of wandering through shopping malls after school, swaying through the bright, chill mezzanines until I was so dazed with consumer goods and product codes, with promenades and escalators, with mirrors and Muzak and noise and light, that a fuse would blow in my brain and all at once everything would become unintelligible: color without form, a babble of detached molecules. Then I would walk like a zombie to the parking lot and drive to the baseball field, where I wouldn't even get out of the car, just sit with my hands on the steering wheel and stare at the Cyclone fence and the yellowed winter grass until the sun went down and it was too dark for me to see.
Donna Tartt (The Secret History)
I am a thin layer of all those beings on [samadhi level] 3, mingling, connected with one another in a spherical surface around the whole known universe. Our "backs" are to the void. We are creating energy, matter and life at the interface between the void and all known creation. We are facing into the known universe, creating it, filling it. I am one with them; spread in a thin layer around the sphere with a small, slightly greater concentration of me in one small zone. I feel the power of the galaxy pouring through me. I am following the programme, the conversion programme of void to space, to energy, to matter, to life, to consciousness, to us, the creators. From nothing on one side to the created everything on the other. I am the creation process itself, incredibly strong, incredibly powerful. This time there is no flunking out, no withdrawal, no running away, no unconsciousness, no denial, no negation, no fighting against anything. I am "one of the boys in the engine room pumping creation from the void into the known universe; from the unknown to the known I am pumping". I am coming down from level +3. There are a billion choices of where to descend back down. I am conscious down each one of the choices simultaneously. Finally I am in my own galaxy with millions of choices left, hundreds of thousands on my own solar system, tens of thousands on my own planet, hundreds in my own country and then suddenly I am down to two, one of which is this body. In this body I look back up, see the choice-tree above me that I came down. Did I, this Essence, come all the way down to this solar system, this planet, this place, this body, or does it make any difference? May not this body be a vehicle for any Essence that came into it? Are not all Essences universal, equal, anonymous, and equally able? Instructions for this vehicle are in it for each Essence to read and absorb on entry. The new pilot-navigator reads his instructions in storage and takes over, competently operating this vehicle.
John C. Lilly (The Center of the Cyclone: Looking into Inner Space)
But here’s the tricky part about compassion and connecting: We can’t call just anyone. It’s not that simple. I have a lot of good friends, but there are only a handful of people whom I can count on to practice compassion when I’m in the dark shame place. If we share our shame story with the wrong person, they can easily become one more piece of flying debris in an already dangerous storm. We want solid connection in a situation like this—something akin to a sturdy tree firmly planted in the ground. We definitely want to avoid the following: The friend who hears the story and actually feels shame for you. She gasps and confirms how horrified you should be. Then there is awkward silence. Then you have to make her feel better. The friend who responds with sympathy (I feel so sorry for you) rather than empathy (I get it, I feel with you, and I’ve been there). If you want to see a shame cyclone turn deadly, throw one of these at it: “Oh, you poor thing.” Or, the incredibly passive-aggressive southern version of sympathy: “Bless your heart.” The friend who needs you to be the pillar of worthiness and authenticity. She can’t help because she’s too disappointed in your imperfections. You’ve let her down. The friend who is so uncomfortable with vulnerability that she scolds you: “How did you let this happen? What were you thinking?” Or she looks for someone to blame: “Who was that guy? We’ll kick his ass.” The friend who is all about making it better and, out of her own discomfort, refuses to acknowledge that you can actually be crazy and make terrible choices: “You’re exaggerating. It wasn’t that bad. You rock. You’re perfect. Everyone loves you.” The friend who confuses “connection” with the opportunity to one-up you: “That’s nothing. Listen to what happened to me one time!
Brené Brown (The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are)
The next day’s call would be vital. Then at 12:02 P.M., the radio came to life. “Bear at camp two, it’s Neil. All okay?” I heard the voice loud and clear. “Hungry for news,” I replied, smiling. He knew exactly what I meant. “Now listen, I’ve got a forecast and an e-mail that’s come through for you from your family. Do you want to hear the good news or the bad news first?” “Go on, then, let’s get the bad news over with,” I replied. “Well, the weather’s still lousy. The typhoon is now on the move again, and heading this way. If it’s still on course tomorrow you’ve got to get down, and fast. Sorry.” “And the good news?” I asked hopefully. “Your mother sent a message via the weather guys. She says all the animals at home are well.” Click. “Well, go on, that can’t be it. What else?” “Well, they think you’re still at base camp. Probably best that way. I’ll speak to you tomorrow.” “Thanks, buddy. Oh, and pray for change. It will be our last chance.” “Roger that, Bear. Don’t start talking to yourself. Out.” I had another twenty-four hours to wait. It was hell. Knowingly feeling my body get weaker and weaker in the vain hope of a shot at the top. I was beginning to doubt both myself and my decision to stay so high. I crept outside long before dawn. It was 4:30 A.M. I sat huddled, waiting for the sun to rise while sitting in the porch of my tent. My mind wandered to being up there--up higher on this unforgiving mountain of attrition. Would I ever get a shot at climbing in that deathly land above camp three? By 10:00 A.M. I was ready on the radio. This time, though, they called early. “Bear, your God is shining on you. It’s come!” Henry’s voice was excited. “The cyclone has spun off to the east. We’ve got a break. A small break. They say the jet-stream winds are lifting again in two days. How do you think you feel? Do you have any strength left?” “We’re rocking, yeah, good, I mean fine. I can’t believe it.” I leapt to my feet, tripped over the tent’s guy ropes, and let out a squeal of sheer joy. These last five days had been the longest of my life.
Bear Grylls (Mud, Sweat and Tears)
They grew some of their own vegetables, but Semple was never in eighteen years allowed out into the truck gardens. Instead, he watched out the north window of the violent ward through the thick cyclone mesh and felt himself out there, going down the rows of corn, cutting suckers or tugging up the dark-leafed weeds, feeling the strain low in his back and hearing the dry rustle of stalks in the July wind; the sun reddening his neck and rills of sweat cutting lines through the dust on his cheeks; bent over, his hands green stained and sore, blistered and cut from the weeds and the sharp-edged corn plant leaves; feet hot and swollen in state-issue shoes cracked and dirty; but smelling it, the corn, the dirt, the hand-mashed weeds, the sticky white milk gumming and clotting his fingers; the smell on cloudy days when everything was heavy with the expectancy of rain and sullen with the summer heat, the smell denser then, making him straighten up, his nose high, waiting for it, for something, a man in silhouette against the background of corn, like all the other men in cornfields and gardens and on farms, even the men in cities between the buildings on crowded streets lifting their noses to the heavy clouds and feeling the expectancy of the rain, waiting for the first thick drops to sound against the corn, to strike his face. And then the gallop home through sheets of rain, ducking into doorways, newspapers over heads, laughter coming up out of the heart at this common happening, and men together, in doorways, cafeterias, kitchens, barns, tractor sheds, or even in the lee of haystacks, looking at each other happily with wet red faces because it was raining hard. Loving it and feeling joy from such a thing. He stood at the window and made it happen, even under a blue sky. And would, early in his eighteen years, turn front eh window expressing how he felt in snapping wild-eyed growls and grunts, his hands jerking out of control and his legs falling out from under him, thrashing between the beds, bumping along the floors, his contorted face frightening the other madmen into shrieks and fits and dribbles; happy, so happy inside that it all burst in one white hot uncontrollable surge; the two white-coated attendants coming with their stockings full of powdered soap rolled into fists to club him without marking him, knocking him into enough submission that they could drag him twitching still across the open floor and out to the restraining sheets.
Don Carpenter (Blade of Light)
They grew some of their own vegetables, but Semple was never in eighteen years allowed out into the truck gardens. Instead, he watched out the north window of the violent ward through the thick cyclone mesh and felt himself out there, going down the rows of corn, cutting suckers or tugging up the dark-leafed weeds, feeling the strain low in his back and hearing the dry rustle of stalks in the July wind; the sun reddening his neck and rills of sweat cutting lines through the dust on his cheeks; bent over, his hands green stained and sore, blistered and cut from the weeds and the sharp-edged corn plant leaves; feet hot and swollen in state-issue shoes cracked and dirty; but smelling it, the corn, the dirt, the hand-mashed weeds, the sticky white milk gumming and clotting his fingers; the smell on cloudy days when everything was heavy with the expectancy of rain and sullen with the summer heat, the smell denser then, making him straighten up, his nose high, waiting for it, for something, a man in silhouette against the background of corn, like all the other men in cornfields and gardens and on farms, even the men in cities between the buildings on crowded streets lifting their noses to the heavy clouds and feeling the expectancy of the rain, waiting for the first thick drops to sound against the corn, to strike his face. And then the gallop home through sheets of rain, ducking into doorways, newspapers over heads, laughter coming up out of the heart at this common happening, and men together, in doorways, cafeterias, kitchens, barns, tractor sheds, or even in the lee of haystacks, looking at each other happily with wet red faces because it was raining hard. Loving it and feeling joy from such a thing. He stood at the window and made it happen, even under a blue sky. And would, early in his eighteen years, turn from the window expressing how he felt in snapping wild-eyed growls and grunts, his hands jerking out of control and his legs falling out from under him, thrashing between the beds, bumping along the floors, his contorted face frightening the other madmen into shrieks and fits and dribbles; happy, so happy inside that it all burst in one white hot uncontrollable surge; the two white-coated attendants coming with their stockings full of powdered soap rolled into fists to club him without marking him, knocking him into enough submission that they could drag him twitching still across the open floor and out to the restraining sheets.
Don Carpenter (Blade of Light)
After Steve’s death I received letters of condolence from people all over the world. I would like to thank everyone who sent such thoughtful sympathy. Your kind words and support gave me the strength to write this book and so much more. Carolyn Male is one of those dear people who expressed her thoughts and feelings after we lost Steve. It was incredibly touching and special, and I wanted to express my appreciation and gratitude. I’m happy to share it with you. It is with a still-heavy heart that I rise this evening to speak about the life and death of one of the greatest conservationists of our time: Steve Irwin. Many people describe Steve Irwin as a larrikin, inspirational, spontaneous. For me, the best way I can describe Steve Irwin is formidable. He would stand and fight, and was not to be defeated when it came to looking after our environment. When he wanted to get things done--whether that meant his expansion plans for the zoo, providing aid for animals affected by the tsunami and the cyclones, organizing scientific research, or buying land to conserve its environmental and habitat values--he just did it, and woe betide anyone who stood in his way. I am not sure I have ever met anyone else who was so determined to get the conservation message out across the globe, and I believe he achieved his aim. What I admired most about him was that he lived the conservation message every day of his life. Steve’s parents, Bob and Lyn, passed on their love of the Australian bush and their passion for rescuing and rehabilitating wildlife. Steve took their passion and turned it into a worldwide crusade. The founding of Wildlife Warriors Worldwide in 2002 provided Steve and Terri with another vehicle to raise awareness of conservation by allowing individuals to become personally involved in protecting injured, threatened, or endangered wildlife. It also has generated a working fund that helps with the wildlife hospital on the zoo premises and supports work with endangered species in Asia and Africa. Research was always high on Steve’s agenda, and his work has enabled a far greater understanding of crocodile behavior, population, and movement patterns. Working with the Queensland Parks and Wildlife Service and the University of Queensland, Steve was an integral part of the world’s first Crocs in Space research program. His work will live on and inform us for many, many years to come. Our hearts go out to his family and the Australia Zoo family. It must be difficult to work at the zoo every day with his larger-than-life persona still very much evident. Everyone must still be waiting for him to walk through the gate. His presence is everywhere, and I hope it lives on in the hearts and minds of generations of wildlife warriors to come. We have lost a great man in Steve Irwin. It is a great loss to the conservation movement. My heart and the hearts of everyone here goes out to his family. Carolyn Male, Member for Glass House, Queensland, Australia October 11, 2006
Terri Irwin (Steve & Me)
Your Fingerprint and The Cyclone Fence Stand at the baseline. Raise your index and with your finger print about 8 to 12 inches from your face. Focus until you can see your fingerprint perfectly. Everything beyond your finger will be out of focus and most likely appear as double vision. From your fingerprint, shift your focus to the far fence, pick a small object on the fence on which to focus, preferably at the same height which you would be looking at the toss. Did you feel your focus shifting away? Take your focus back and forth from your fingerprint to the back fence until you experience your focus traveling back and forth in between these two objects you are taking turns to focus. Shift your focus as smoothly and quickly as possible between the two objects. This will exercise your eyes to smoothly shift focus. Once you begin to feel very comfortable, then experiment with focusing on the far fence all the way to your fingerprint and have your focus shift as fast as possible, as though you were following a ball in flight. Now do this faster and faster. The focus of your eyes, can shift at well over 100 MPH, but the exact number, or if any limit exists is not known by me. Now go and rally some tennis balls and try to maintain focus on the ball during an entire rally.  Of course, when you are tracking you can work to keep the ball fairly close to the center of your vision. Action Items: * Exercise above for up to 5 minutes each day for one week. * After one week, use as 30 second to 1 minute warm up. * Also use when you have been overpowered by speed of shot.
Bill Patton (Visual Training for Tennis)
Bev’s the whole world to me. I love him like a cyclone. And I love him too the way a prairie feels when it’s still and calm at night, when the wind don’t blow an’ the spring flowers are in bloom and the stars shine soft.
Dorothy Scarborough (The Wind (Barker Texas History Center Series))
I don’t know if I can explain why I find this car so frightening. It’s powerful. It’s fast. I could go sixty and not even notice, and that’s the problem. I feel like I should notice having power like this. Like if I ever stop noticing, I’ll lose something important.
Courtney Milan (Trade Me (Cyclone, # 1))
When you’re six, seven, or eight years old, you know what feels right and what feels way the fuck off. And when you are born into a cyclone of terror and pain, you know it doesn’t have to be that way, and that truth nags at you like a splinter in your jacked up mind. You can choose to ignore it, but the dull throbbing is always there as the days and nights bleed together into one blurred memory.
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
For a second, I’m too shocked to react. I don’t know why; this thing has been lurking between us for weeks, never dormant, always present. But she’s been wary, pushing me away, and I didn’t expect this. My surprise lasts almost no time at all. Just a second’s worth of her lips against mine, her hands, warm against the cool, bare skin of my shoulders. My last intelligent thought is that I’m not letting this go to waste, and then I’m kissing her back. Wrapping my arm around her, bringing her close so that her body lies flush against mine. My free hand tangles in her dark hair, wrapping it around my fingers, following it up to her scalp, the line of her ear. She tastes so good—sweet, like an apple. Her hands slide down my chest, leaving a trail of heat, coming to rest on my hips. Tina shifts her weight and then straddles me. My nerves light up at that, sparking with desire. Fuck, I want her. She’s wearing jeans. I’m wearing jeans. Doesn’t matter that there’s layers of thick denim between us; my body still recognizes the feel of hips pressing against my pelvis. The friction of fabric is rough against my cock, but it’s everything I could have asked for. Her hands rise again, sliding up my chest to rest against my shoulders. She kisses me like she’s been thinking of this as long as I have, like this kiss has been building from the first day we saw each other. She kisses me like there’s no space between us. And there isn’t—not much. I’m not trying to escalate things. I’m not even really thinking about it. But when she smoothes her palm down my chest, my hand creeps up by her side, sliding up until I find the fabric of her bra. Under other circumstances, I might rip it off. But I don’t want to freak her out. I cup her breast in the palm of my hand. She gasps instantly. I was already hard; with that, I find myself turning to stone. Needing, wanting, stone. If I’m stone, she’s fire. Her hips grind into me as my thumb finds her nipple. My lips graze her neck. My tongue darts out and traces down her collarbone. I can’t even remember why I ever thought it was cold in here. It’s a fucking furnace. I pull her close. She’s so fucking responsive. It’s hot beyond belief to watch her go up in flames on top of me, to watch how the smallest touch, the slightest pressure in the right place, gets her going. I don’t have much of a thought process, but it goes something like yes, yes, more now. And she must be thinking the same thing—thank God—because she takes her shirt off. She’s wearing a simple white cotton bra, no padding, and her nipples poke through. I lean forward and catch one in my mouth. She likes it. She grinds against me. Her fingers clench on my shoulders, gripping tight, so fucking tight. I find her other breast—small enough that I can palm it with one hand, so that my fingers can explore every last inch. She’s letting out little moans that seem to go straight to my dick. “You,” I growl out, “have awesome tits.” She freezes on top of me. And then, seconds later, she pulls away. “Don’t.” She reaches for her shirt. “Don’t lie to me. I have nonexistent boobs.” I run my finger over her nipple. “Yeah? What’s this, then?” She shivers. “You have awesome tits,” I repeat. “I love touching them. Licking. Sucking. It makes me fucking wild to be able to drive you crazy like this. Tits are a fucking gift for sexual pleasure. So never tell me you have nonexistent boobs again. I think I just proved otherwise.” She draws in a deep breath. Her eyes meet mine. She looks almost shattered.
Courtney Milan (Trade Me (Cyclone, #1))
Incoming call: Adam Reynolds. I let those words fill my vision for a moment. Not because I intend to make him wait; it’s simply that for a second I freeze. Blake’s dad is a wolf, and I feel very much like the rabbit. The last time Adam and I talked, it didn’t turn out particularly well. But right now, the CEO of Cyclone—and the man who, incidentally, still thinks I’m dating his son—is calling me. What can I do? I hit accept. He appears on the screen: messy pepper-gray hair and beard scruff in need of a shave. His gaze fixes on mine. “Tina.” His voice is just a little hoarse. He clears his throat and sniffs. “Is Blake there?” “No.” “Good.” He frowns. “Look. Blake’s a little distant right now. Is something going on with him?” Something is obviously going on between them, but even I can’t tell what it is, and I suspect I know about as much as anyone on the planet except these two. I shake my head. “I’m not talking to you about Blake.” “Yeah.” He blows out a breath. “Probably just as well that you’re loyal to him. I just…” He pauses, tapping his fingers against his cheek. “It’s not that,” I interject. “It’s just that you’re an…” I choke back the word I’d been planning to put in that blank. Last time was bad enough. “You’re a little intense,” I finish. For a moment, he stares at me. Then, ever so slowly, he smiles. “Don’t start holding out on me now. I’m an asshole.” My surprise must show, because he shrugs a shoulder. “I’ve never claimed otherwise.” I suspect this is as close as Adam Reynolds will ever come to apologizing for his behavior in that restaurant. “Blake thinks you’re not an asshole.” “Blake,” Mr. Reynolds says with a roll of his eyes, “is a ridiculously good kid. There’s a reason I’m a little protective of him. I’m always afraid people will take advantage.” I don’t say anything. A little protective is what he is? Despite my silence, he sighs and waves his hand. “Good point,” he mutters in response to the thing I didn’t say. “It hasn’t happened yet, and God knows if he were as naïve as I really feared, it would have by now. Of all the women he could have had, he did choose you.” I think this is intended as a compliment. “Still,” his dad continues. “I worry. Is everything okay with him?” I have the distinct impression that even though Blake has never said so, most of his problems lie with this man. Somehow. Some way. “This is a conversation you should have with Blake.” He puts his fingers to the bridge of his nose. “Fuck.” He doesn’t move for a few moments. And then—of all things—he sniffles. Unconvincingly. “Mr. Reynolds, are you fake crying to try to get my sympathy?” The hand lowers. He glowers at me—obviously dry-eyed. “Fuck me,” he says. “First, call me Adam. Mr. Reynolds makes me sound like some bullshit old fart. Second, I don’t fucking cry. I especially don’t fake cry. Emotional manipulation is for morons who don’t have the strength of will to get people on their side with reason. I have a cold.” “Aw. Poor baby. You should get some rest.” I incline my head toward him, and then widen my eyes. “Oh, wait. I forgot. You can’t.” He shakes his head, but he’s smiling. “Yeah, yeah. My kid has good taste. I’m fucking things up for you. I hope it won’t be too much of a disturbance.” “You know.” I swallow. “I think Blake gave you the wrong impression about us.” “What, that he’s into you more than you’re into him? I got that from him.” I swallow. “That you need to be convinced? That he’s going to end up convincing you, no matter what you’re telling yourself right now? I let out a breath. “Exactly.” Adam points a finger at me. “That’s what I thought. My money’s on my boy. But hey, don’t tell me what’s going on. Who needs details? Surely not his own father. I’m not invasive.” “Right. Calling me in the middle of the night when Blake’s not around isn’t invasive at all.
Courtney Milan (Trade Me (Cyclone, #1))
I know he’s lying, but even so, he could convince me if I was stupid enough to let him do it. I yank my hand from his. He reaches over and takes it back calmly, as if he’s making a statement. “You know what?” I tell him. “Same holds true for you as for your dad. You don’t get to announce that you’re…you’re…” I choke on the words. Marrying me. The concept is completely ridiculous. We don’t even know each other. And even though he’s acting, even though I know this isn’t real, I don’t even know why he’s doing this. “You don’t get to announce that without talking to me about it.” He looks me square in the eyes. “It’s a statement of intent.” Fuck. I can feel a tension winding in me, curling tighter and tighter. “I got her out to meet you under false pretenses,” Blake says. “She doesn’t know how serious I am. In fact, I bet she doesn’t believe me now. She’s coming up with a reason why I’d say this to you.” True. I have to keep reminding myself of that reason. He wants to do the swap; he thinks I should have the prototypes. Ergo, he must pretend to be serious about me. “One of these days, though,” Blake tells his father, “she’s going to realize that I think the sun rises on her smile.” I inhale slowly. It’s almost cruel of him to be such a good actor. If we were in any kind of relationship—if we’d so much as kissed before—I would have been completely snowed.
Courtney Milan (Trade Me (Cyclone, #1))
Look, Dad. I’m okay. I like this girl. Everything’s normal. “Only my father,” I say to Tina, “would imagine that anyone could find paperwork arousing.” “What?” Her smile is a touch too wide, a little too faked. “Don’t tell me your media training didn’t cover this, either.” I set the stack of papers on the flat surface of my desk and gesture Tina to sit in the leather-bound executive chair. “What am I supposed to say, then? Come on, baby. It’s a nondisclosure agreement. You’ll like it. I promise.” She gives me an unimpressed look. “God,” she says. “And I thought you were supposed to be a good liar. That’s not how you do it.” She bites her lip and then she leans toward me. Her eyelashes sweep down, and when she talks, she lowers her voice toward sultry. “I don’t know, Blake.” She bites her lip and reaches gingerly for the papers, stroking her thumb along the edge. “It’s so…big. I’m not sure it will fit.” I almost choke. She looks up with a touch of a smile. Fuck. I started this. “We’ll go nice and slow.” I pull a chair beside her and sit down, and very slowly take a pen from the holder. “Tell me if it hurts and I can stop anytime. I promise.” “Be gentle.” I know we’re just joking. I know this doesn’t mean anything. Still, my body doesn’t know this is a show when I lean toward her. I don’t feel like I’m lying when I inhale the sent of her hair. It goes straight to my groin, a stab of lust. “Trust me,” I murmur. She’s sitting in my chair. She’s smaller than me and all that dark leather surrounds her, blending in with her hair. But when she looks up, tilting her head toward me, she doesn’t seem tiny. She pulls the first paper-clipped section of pages to her, glances at the first paragraph, and wrinkles her nose. “Ouch,” she says in a much less sensual tone of voice. “It hurts already.” “It basically says that if you tell anyone anything about Cyclone business, we get one of your kidneys,” I translate helpfully. “How sweet.” She hasn’t looked up from the document. “Do your lawyers know you summarize their forms like that?” “Disclose two things,” I say, “and we get two kidneys.” “Mmm. Playing rough. What happens if I disclose three? You shut down my dialysis machine?” “You get a commemorative Cyclone pen,” I say mock-seriously. “Come on. We’re not monsters.” She cracks a smile at that. She’s not one of those girls who always smiles, and that means that when she does smile, it means something. Her whole face lights up and my breath catches at the sight. I lean in, as if I could breathe in her amusement. But then she drops her head and goes back to reading. When she finishes, she signs with a flourish. “What’s next?” she says. “Bring it on.” I hand over the next few pages. She holds it up and looks at me. “Don’t lie to me, baby. I bet you make all the girls you bring in here sign this.” You know what? I have never before found SEC regulations this sexy. I lean close to her. “No way,” I murmur. “This is just for you.” “Really?” She manages that look of hurt skepticism so well. I reach out, almost touching her cheek—until I remember that this isn’t real. “No,” I whisper back. “Not really. Everyone does sign it; it’s company policy.” “Oh, too bad.” She’s still reading the page. “I was hoping you had a selective disclosure just for me.” Selective, I realize, is a sexy word when drawn out the way she does it, her tongue touching her lips on the l sound. So is disclosure. “I can disclose,” I hear myself saying. “Selectively.” “Maybe you can give it to me in a material and nonpublic place.” I lean toward her. “You know me. I put the inside in insider trading.” She’s still holding the pen poised above the paper. I touch my finger to the cap and then slowly slide it down the barrel until my hand meets hers. A shock of electricity hits me, followed by a jolt of lust.
Courtney Milan
He doesn’t put his arm around me. He doesn’t touch me. He just looks at me like he wants to. “Out of curiosity,” he says, “that money I transferred to your account. Have you spent any of it?” I haven’t wanted to touch any of it. I want to let it build up, a huge sum to ward off any possible danger. Still, I slowly nod my head. “On anything extravagant? Anything silly?” I swallow. “I bought mangoes.” He smiles a touch sarcastically, and I reach out and give him a little shove. That’s a mistake. It puts my hand in contact with his shoulder. His bare skin is cool to the touch, and I don’t pull away. “Hey,” I say. “Mangoes are expensive.” He doesn’t laugh at me, even though I know that to someone like him—to someone who spends fifteen thousand dollars a month, something I can’t even contemplate, mangoes are nothing. Even though I haven’t moved my hand from the point where it rests on his shoulder, and my thumb itches to caress him. “I’ll make you a deal,” he says. “I’ll pay your parents’ utility bill this month.” I have some idea how little money he must have. I know exactly how much that would cost him. “But—” “Hey,” he says. “No arguments. We’re trading lives. I’m taking that on. If you’re terrified, I should be, too. But you have to do something for me in return.” I still haven’t moved away, and I know I should. Sitting here this close to him, touching him—I’m giving him ideas. I’m giving myself ideas. Fuck, I don’t know what to do with these ideas. I have a sudden urge to slide my hand down his chest, feeling the ridge of every muscle, the whisper of short, light hairs against my fingers. I could undo his jeans. Find out precisely how much of that bulge there is fabric, and how much is him. “What?” My throat is hoarse. “I don’t care,” he says. “Something you wouldn’t normally do. Something risky. Something silly. Go skydiving. Buy a name-brand purse. Do something that terrifies you, something you can’t get out of your mind, that you’ve been holding back on.” I look at my hand on his shoulder. I’ve never wanted to go skydiving. I’ve never lusted after purses. I’m just getting used to the luxury of the occasional mango. There’s really only one thing I want right now that terrifies me. “I’m thinking of something.” My throat feels dry. “Something blindingly stupid. Risky. Idiotic.” “Do you want to do it?” My mouth goes dry. “Yes.” “Then go for it,” he says. For a second, I’m frozen in indecision. It will change everything. It will start a snowball rolling down a mountain, and I’m not sure I’ll escape the avalanche. Still, I turn to him. I look into his eyes. My hands tremble. “Okay,” I say, and my voice trembles, too. “Here goes.” And before I can think better of it, I do the stupidest thing possible: I kiss him.
Courtney Milan (Trade Me (Cyclone, #1))
For a second, I’m too shocked to react. I don’t know why; this thing has been lurking between us for weeks, never dormant, always present. But she’s been wary, pushing me away, and I didn’t expect this. My surprise lasts almost no time at all. Just a second’s worth of her lips against mine, her hands, warm against the cool, bare skin of my shoulders. My last intelligent thought is that I’m not letting this go to waste, and then I’m kissing her back. Wrapping my arm around her, bringing her close so that her body lies flush against mine. My free hand tangles in her dark hair, wrapping it around my fingers, following it up to her scalp, the line of her ear. She tastes so good—sweet, like an apple. Her hands slide down my chest, leaving a trail of heat, coming to rest on my hips. Tina shifts her weight and then straddles me. My nerves light up at that, sparking with desire. Fuck, I want her. She’s wearing jeans. I’m wearing jeans. Doesn’t matter that there’s layers of thick denim between us; my body still recognizes the feel of hips pressing against my pelvis. The friction of fabric is rough against my cock, but it’s everything I could have asked for. Her hands rise again, sliding up my chest to rest against my shoulders. She kisses me like she’s been thinking of this as long as I have, like this kiss has been building from the first day we saw each other. She kisses me like there’s no space between us. And there isn’t—not much. I’m not trying to escalate things. I’m not even really thinking about it. But when she smoothes her palm down my chest, my hand creeps up by her side, sliding up until I find the fabric of her bra. Under other circumstances, I might rip it off. But I don’t want to freak her out. I cup her breast in the palm of my hand. She gasps instantly. I was already hard; with that, I find myself turning to stone. Needing, wanting, stone. If I’m stone, she’s fire. Her hips grind into me as my thumb finds her nipple. My lips graze her neck. My tongue darts out and traces down her collarbone. I can’t even remember why I ever thought it was cold in here. It’s a fucking furnace. I pull her close. She’s so fucking responsive. It’s hot beyond belief to watch her go up in flames on top of me, to watch how the smallest touch, the slightest pressure in the right place, gets her going. I don’t have much of a thought process, but it goes something like yes, yes, more now. And she must be thinking the same thing—thank God—because she takes her shirt off. She’s wearing a simple white cotton bra, no padding, and her nipples poke through. I lean forward and catch one in my mouth. She likes it. She grinds against me. Her fingers clench on my shoulders, gripping tight, so fucking tight. I find her other breast—small enough that I can palm it with one hand, so that my fingers can explore every last inch. She’s letting out little moans that seem to go straight to my dick. “You,” I growl out, “have awesome tits.” She freezes on top of me. And then, seconds later, she pulls away. “Don’t.” She reaches for her shirt. “Don’t lie to me. I have nonexistent boobs.” I run my finger over her nipple. “Yeah? What’s this, then?” She shivers. “You have awesome tits,” I repeat. “I love touching them. Licking. Sucking. It makes me fucking wild to be able to drive you crazy like this. Tits are a fucking gift for sexual pleasure. So never tell me you have nonexistent boobs again. I think I just proved otherwise.” She draws in a deep breath. Her eyes meet mine. She looks almost shattered.
Courtney Milan (Trade Me (Cyclone, #1))
Yes.” His voice is hoarse in response. “That. Always that.” And he slides his arm around me, pulls me close, and kisses me. He tastes sweet like mango. Like he’s bigger than my taste buds, like he’s precisely the luxury I have been craving. I let my eyes shut and tilt my head back, falling into his embrace. And I know, despite all the constellations placed in the sky as warning, why all those Greek maidens gave it up in the end. It’s because all the pain is worth it for this one moment. His tongue is sure against mine, touching me with insistent strokes. His hand clamps around me, holding me in place. And he holds me like I matter, like I’m the entire world. “I can’t touch you,” I say. “My hands are sticky.” “That,” he says, “is what washing machines are for.” He reaches out and takes hold of my fingers and then, very deliberately, he wipes them on his shirt. The sun is hot against my shoulders; Blake is sweet to the taste and tempting to the touch. I’m not sure how long we stay there, kissing in the sun and the wind, stopping only long enough to feed each other bites of fruit. Long enough for me to touch him all over, to feel his body hard and lean through his shirt. The air smells of new beginnings—crisp and clear, untouched by any worries. He touches me like the middle of the story, strong and sure. But despite the mango on his tongue, he tastes almost bittersweet, because the end is coming. It’s coming, but it’s not here. Not yet. “Let’s get home,” I tell him. “Let’s go home and find a bed.” I glance over at Blake. He’s driving. For the first time in…I’m not sure how long, he looks completely calm. As if he’s finally in place. And for all the turmoil I feel inside, I sense it too. That hint of calmness, as if in a sea of things that have gone wrong, this one thing is right.
Courtney Milan (Trade Me (Cyclone, #1))
I imagined becoming lost in some spiritual plane. Would my body stay here while my mind fled, never to return? “I still want to learn,” I said eagerly despite these risks. “Then close your eyes, Yaga, and raise your arms up to the sky.” Dusha’s voice was soft and reverent. “Can you feel the cyclone of energy above you in the sky?” I raised my arms and immediately sensed a force pressing against my fingers, as if the clouds were slowly creeping toward the Earth, toward me. “Feel your body, Yaga, hollow, waiting to be filled!” chanted Dusha. “It is only with your entire being that you can tap into this place of earth magic, this spot of spiritual power. Feel the energy from the sky and draw it into your body with your arms!” I felt my heart pounding and my blood heating, then my body emptying. I allowed the energy from the sky to flow into me through my arms until a warm light burst into my every cell, my every organ, my very skin—natural energy, the magic of the earth, spiritual power. It crackled until my entire being vibrated with it, as if I had come in contact with a lightning bolt and swallowed it whole. Though I had always been attuned to nature, I had never felt it to this extent or felt such power in the earth magic. I had never known how to accept nature into my own body and harness it. Indeed, how to be aware of my body at all. Dusha was right—Mother had taught me the immortal side of earth magic, of doing without awareness, without feeling. With Dusha, I learned to listen to the natural world around me, not only to the sky, the trees, the waters, the very air, but also to myself.
Olesya Salnikova Gilmore (The Witch and the Tsar)
what was behind her smile. I could virtually feel her sadness.
Alexandria House (PERSONAL (St. Louis Cyclones Book 3))
I knew all along that, if the two of us ever got to this point, we’d be a cyclone. A full immersion of passion meets lust wrapped in a magnitude of infinite emotion. I’ve never been with someone who makes me feel as if their entire being is entwined with mine. I catch myself holding my breath, and then I gasp as we connect. Our pulses match, our heartbeats racing as our nearly silent dance of desire takes us to a new plane.
A. Wilding Wells (How To Tame Beasts And Other Wild Things)
He stands behind me, gathering our towels, while I sit in the draining tub, watching the water swirl in a cyclone. A perfect reflection of how I’m currently feeling inside. Shaken up. Spinning. Thoroughly not myself and yet, more myself than I’ve ever felt.
Elsie Silver (Flawless (Chestnut Springs, #1))
Alive. The improbability—hell, the impossibility—was staggering. Marjory had died in his arms. He had held her in the dark on that beach while the moon climbed the sky and her heart shuddered to a stop. And then he’d held her longer, clutching her to his chest until the dawn had threatened. Only then had he gone. But there she’d stood, her black hair like a wild tumble of seaweed around her shoulders and her green eyes flashing in the yellow glow of the kitchen’s overhead light. Joy and relief and shock and—godsdamnit, was that hope?—had all swirled in his brain like a cyclone. They were feelings he hadn’t felt in a very long time, almost long enough to forget them entirely.
Eliza MacArthur (‘Til All the Seas Run Dry (Elements of Pining, #2))