“
While I'm gone," Gansey said, pausing, "dream me the world. Something new for every night.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
And there are never really endings, happy or otherwise. Things keep going on, they overlap and blur, your story is part of your sister's story is part of many other stories, and there is no telling where any of them may lead.
”
”
Erin Morgenstern (The Night Circus)
“
When Adam kissed him, it was every mile per hour Ronan had ever gone over the speed limit. It was every window-down, goose-bumps-on-skin, teeth-chattering-cold night drive. It was Adam’s ribs under Ronan’s hands and Adam’s mouth on his mouth, again and again and again. It was stubble on his lips and Ronan having to stop, to get his breath, to restart his heart. They were both hungry animals, but Adam had been starving for far longer.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
When Ronan thought of Gansey, he thought of moving into Monmouth Manufacturing, of nights spent in companionable insomnia, of a summer searching for a king, of Gansey asking the Gray Man for his life. Brothers.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
To think you could have been dreaming the cure for cancer," Blue said. "Look, Sargent," Ronan retorted, "I was gonna dream you some eye cream last night since clearly modern medicine's doing jack shit for you, but I nearly had my ass handed to me by a death snake from the fourth circle of dream hell, so you're welcome."
Blue was appropriately touched. "Ah, thanks, man."
"No problem, bro.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
I think it would dismay them to know what it takes to feed you. Not to mention that you could empty their cellars of beer and wine in a single night.' Eragon said.
I would never, Saphira sniffed. Maybe in two nights.
”
”
Christopher Paolini (Eldest (The Inheritance Cycle, #2))
“
It should have been impossible. No one should have been able to dream any of these thing, much less all of them. But Adam had seen what Ronan could do. He'd read the dreamt will and ridden in the dreamt Camaro and been terrified by the dreamt night terror.
It was possible that there were two gods in this church.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
The Hindu religion is the only one of the world’s great faiths dedicated to the idea that the Cosmos itself undergoes an immense, indeed an infinite, number of deaths and rebirths.
It is the only religion in which the time scales correspond to those of modern scientific cosmology. Its cycles run from our ordinary day and night to a day and night of Brahma, 8.64 billion years long. Longer than the age of the Earth or the Sun and about half the time since the Big Bang.
”
”
Carl Sagan (Cosmos)
“
Gansey threw open his door. Gripping the roof of the car, he slid himself out. Even that gesture, Ronan noted, was wild-Gansey, Gansey-on-fire. Like he pulled himself from the car because ordinary climbing out was too slow.
This was going to be a night.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Wind howled throught the night, carrying the scent that would change the world.
”
”
Christopher Paolini (Eragon (The Inheritance Cycle #1))
“
On the beach, Roran stood alone, watching them go. Then he threw back his head and uttered a long, aching cry, and the night echoed with the sound of his loss.
”
”
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
“
Ronan Lynch lived with every sort of secret.
His first secret was himself. He was brother to a liar and brother to an angel, son of a dream and son of a dreamer. He was a warring star full of endless possibilities, but in the end, as he dreamt in the backseat on the way to the Barns that night, he created only this...
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
As they spread out their blankets, Saphira commented with satisfaction,
We are becoming more powerful, Eragon, both of us. Soon no one will be able to stand in our way.
Yes, but which way shall we choose?
Whichever one we want, she said smugly, settling down for the night.
”
”
Christopher Paolini (Eragon (The Inheritance Cycle #1))
“
It's only you," whispered Orphan Girl. She was holding his hand crouched down next to him. "Why do you hate you?"
Ronan thought about it.
The albino night horror swept in, talons opening.
Ronan stood up, stretching out his arm like he would to Chainsaw.
"I don't," he said.
And he woke up.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Everything passes. Everything experiences the birth and death cycle.
”
”
Alyson Noel
“
...tell me the word that will win you, and I will speak it. I will speak the stars of heaven into a crown for your head; I will speak the flowers of the field into a cloak; I will speak the racing stream into a melody for your ears and the voices of a thousand larks to sing it; I will speak the softness of night for your bed and the warmth of summer for your coverlet; I will speak the brightness of flame to light your way and the luster of gold to shine in your smile; I will speak until the hardness in you melts away and your heart is free...
”
”
Stephen R. Lawhead (Taliesin (The Pendragon Cycle #1))
“
There was something unbearably sexy about cars at night, Ronan thought. The way the fenders twisted the light and reflected the road, the way every driver became anonymous. The sight of them knocked his heartbeat askew.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
This was like walking the line between dream and sleep. The night-sharp balance of being asleep enough to dream and awake enough to remember what he wanted.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Closing The Cycle
One always has to know when a stage comes to an end. If we insist on staying longer than the necessary time, we lose the happiness and the meaning of the other stages we have to go through. Closing cycles, shutting doors, ending chapters - whatever name we give it, what matters is to leave in the past the moments of life that have finished.
Did you lose your job? Has a loving relationship come to an end? Did you leave your parents' house? Gone to live abroad? Has a long-lasting friendship ended all of a sudden?
You can spend a long time wondering why this has happened. You can tell yourself you won't take another step until you find out why certain things that were so important and so solid in your life have turned into dust, just like that. But such an attitude will be awfully stressing for everyone involved: your parents, your husband or wife, your friends, your children, your sister, everyone will be finishing chapters, turning over new leaves, getting on with life, and they will all feel bad seeing you at a standstill.
None of us can be in the present and the past at the same time, not even when we try to understand the things that happen to us. What has passed will not return: we cannot for ever be children, late adolescents, sons that feel guilt or rancor towards our parents, lovers who day and night relive an affair with someone who has gone away and has not the least intention of coming back.
Things pass, and the best we can do is to let them really go away. That is why it is so important (however painful it may be!) to destroy souvenirs, move, give lots of things away to orphanages, sell or donate the books you have at home. Everything in this visible world is a manifestation of the invisible world, of what is going on in our hearts - and getting rid of certain memories also means making some room for other memories to take their place.
Let things go. Release them. Detach yourself from them. Nobody plays this life with marked cards, so sometimes we win and sometimes we lose. Do not expect anything in return, do not expect your efforts to be appreciated, your genius to be discovered, your love to be understood. Stop turning on your emotional television to watch the same program over and over again, the one that shows how much you suffered from a certain loss: that is only poisoning you, nothing else.
Nothing is more dangerous than not accepting love relationships that are broken off, work that is promised but there is no starting date, decisions that are always put off waiting for the "ideal moment." Before a new chapter is begun, the old one has to be finished: tell yourself that what has passed will never come back. Remember that there was a time when you could live without that thing or that person - nothing is irreplaceable, a habit is not a need. This may sound so obvious, it may even be difficult, but it is very important.
Closing cycles. Not because of pride, incapacity or arrogance, but simply because that no longer fits your life. Shut the door, change the record, clean the house, shake off the dust. Stop being who you were, and change into who you are.
”
”
Paulo Coelho
“
But Adam lingered for a moment after he cast off the covers and stood. Here he was, waking in the Lynch home, wearing last night’s clothing that still smelled of smoke from the grill, having overslept the weight class he had this morning by a magnitude of hours. His mouth remembered Ronan Lynch’s.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Beneath this mask of selfish tranquility nothing exists except bitterness and boredom. I am one of those whom suffering has made empty and frivilous: each night in my dreams I pull the scab off a wound; each day, vacuous and habit ridden, I let it reform.
”
”
Cyril Connolly (The Unquiet Grave: A Word Cycle by Palinurus)
“
There are trees, and then there are trees at night. Trees after dark become colorless and sizeless and moving things.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
I think motherhood is the noblest task of all, because you cannot do it at your convenience, or tailor it to suit your preferences. You have to be ready to give up everything when you take on this task: your time, restful nights, your hobbies, your pursuit of physical fitness, any beauty you may have had, and all of the private little pleasures you might have counted as a right, from late dinners and long soaks in the tub to weekend excursions and cycling trips…I’m not saying you can’t have any of these things, but you have to be ready to let them all go if you’re going to have children and put them first.
”
”
Johann Christoph Arnold (Endangered : Your Child in a Hostile World)
“
Gansey always thought that, after dark, it felt like anything could happen. At night, Henrietta felt like magic, and at night, magic felt like it might be a terrible thing.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Somewhere, a dark car raced along a night road. A hand gripped the wheel, leather bands looped over the wrist bone. The Greywaren. Ronan. In this dreamplace, all times were the same time, and so Adam had a strange, lucid beat of reliving the moment Ronan had offered his hand to help Adam up from the asphalt. Stripped of context, the physical sensations exploded: the surprising shock of heat from that skin-to-skin grip; the soft hiss of the bracelets against Adam’s wrist; the sudden bite of possibility —
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
They had been a two-headed creature for so long, Ronan-and-Gansey. He couldn't say it, though. There were a thousand reasons why he couldn't say it.
"While I'm gone", Gansey said, pausing, "dream me the world. Something new for every night.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Life is filled with rhythms-day and night, hot and cold, summer and winter, spring and fall, cloudy and clear. Likewise in a relationship, men and women have their own rhythms and cycles.
”
”
John Gray
“
Where did you say you found that bird again?"
"In my head." Ronan's laugh was a sharp jackal cry.
"Dangerous place," commented Noah.
Ronan stumbled, all his edges blunted by alcohol, and the raven in his hands let out a feeble sound more percussive than vocal. He replied, "Not for Chainsaw."
Back out in the hard spring night, Gansey tipped his head back. Now that he knew that Ronan was all right, he could see that Henrietta after dark was a beautiful place, a patchwork town embroidered with black tree branches.
A raven, of all the birds for Ronan to turn up with.
Gansey didn't believe in coincidences.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
The moon changes each night but she does so in an understandable rhythm. And just as the tides ebb and flow and the moon waxes and wanes, our bodies’ hormones ebb and flow and our energies wax and wane. Our bodies are more like the rivers than like the rocks, more like the oceans than like machines. The more we can respect the cycles and changes and needs of our bodies, the more we can move with the flow of our lives.
In other words, swear by the moon. Or, trust your body.
”
”
Golda Poretsky
“
Adam described the circumstances surrounding his eye and his hand with the same level tone he would use to answer a question in class. He allowed Ronan to lean in to compare his eyes – close enough that Ronan felt his breath on his cheek – and he allowed Ronan to study the palm of his hand. The latter was not strictly necessary, and they both knew it, but Adam watched Ronan closely as he lightly traced the lines there.
This was like walking the line between dream and sleep. The night-sharp balance of being asleep enough to dream and awake enough to remember what he wanted.
He knew Adam had figured out how he felt. But he didn’t know if he could step off this knife-slender path without destroying what he had.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
The seals that hold back night shall weaken, and in the heart of winter shall winter's heart be born amid the wailing of lamentations and the gnashing of teeth, for winter's heart shall ride a black horse, and the name of it is Death.
-from The Karaethon Cycle: The Prophecies of the Dragon
”
”
Robert Jordan (Winter's Heart (The Wheel of Time, #9))
“
It was becoming a nightmare. Ronan could hear the night horrors coming, in love with his blood and his sadness.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Night fell; that, at least, could still be relied upon.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Later, when Ged thought back upon that night, he knew that had none touched him when he lay thus spirit-lost, had none called him back in some way, he might have been lost for good. It was only the dumb instinctive wisdom of the beast who licks his hurt companion to comfort him, and yet in that wisdom Ged saw something akin to his own power, something that went as deep as wizardry. From that time forth he believed that the wise man is one who never sets himself apart from other living things, whether they have speech or not, and in later years he strove long to learn what can be learned, in silence, from the eyes of animals, the flight of birds, the great slow gestures of trees.
”
”
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
“
we have forgotten that we were born
of celestial cataclysm.
we have forgotten how to dance
bare-footed on the earth to the cadence
of our souls. we have forgotten the ritual
fires and the acrid tang of holy smoke
on our tongues.
”
”
Beth Morey (Night Cycles: Poetry for a Dark Night of the Soul)
“
Now they came back to him, on this night he was seventeen years old. All the years and places of his brief broken life came within mind's reach and made a whole again. He knew once more, at last, after this long, bitter, waisted time, who he was and where he was. But where he must go in the years to come, that he could not see; and he feared to see it.
”
”
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
“
And yet I cannot be myself. You teach me all these things and then you put me here to pretend to be something I am not, while she is center stage, doing exactly what she does.
”
”
Erin Morgenstern (The Night Circus)
“
No one tells women that none of it is their fault. That the blame falls squarely on the awful men who do terrible things and the fucked-up society that raises them, molds them, makes excuses for them. People don’t want to admit that there are monsters in their midst, so the monsters continue to roam free and the cycle of violence and blame continues.
”
”
Riley Sager (Survive the Night)
“
imagine the desert
mothers, with hair tangled
tighter than their theology
and breasts that flowed milk
and mystic wisdom. they
knew how to draw the singing
sigils in the sand, how to dig
rough and bitten fingers
into desiccated dirt for water
to wet the lips of their young.
women of hips and heft, who
learned how to burn
beneath the wild and searing
sun, who made loud love
against the star-flecked threat
of night, who knew that strength
is not always a matter of muscle.
imagine your ancestresses,
the prophetesses of the arid
lands, before these starched
traditions and pews too hard
to pray from, who bled true
ritual and birthed their own fierce
souls at creation's crowning --
”
”
Beth Morey (Night Cycles: Poetry for a Dark Night of the Soul)
“
While I’m gone,” Gansey said, pausing, “dream me the world. Something new for every night.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Sometimes at night I worry about TAMMY. I worry that she might get tired of it all. Tired of running at sixty-six terahertz, tired of all those processing cycles, every second of every hour of every day. I worry that one of these cycles she might just halt her own subroutine and commit software suicide. And then I would have to do an error report, and I don't know how I would even begin to explain that to Microsoft.
”
”
Charles Yu (How to Live Safely in a Science Fictional Universe)
“
Doubt – all a Gansey did was doubt. A Gansey reached bravely into the night-blind water, fate uncertain until the hilt of a sword pressed into a hopeful palm.
Except – only a few months before, this Gansey had reached into the dark uncertainty of the future, stretching for the promise of a sword, and had instead pulled out a mirror.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
I stand in my own power now, the questions of permission that I used to choke on for my every meal now dead in a fallen heap, and when they tell me that I will fall, I nod. I will fall, I reply, and
my words are a whisper
my words are a howl
I will fall , I say, and the tumbling will be all my own. The skinned palms and oozing knees are holy wounds, stigmata of my She.
I will catch my own spilled blood, and not a drop will be wasted.
”
”
Beth Morey (Night Cycles: Poetry for a Dark Night of the Soul)
“
Life is an orbit where light and darkness follow each other in a mercurial cycle, just like night is followed by a day and every day is followed by a night,
”
”
Pramudith D. Rupasinghe (Behind the Eclipse)
“
But we're all walking in the night, now, on ground we don't know. When the day comes we may know where we are, or we may not.
”
”
Ursula K. Le Guin (The Other Wind (Earthsea Cycle, #6))
“
Act natural. Act like all of nature. Act like the entire cycle of life and death and change and rebirth.
”
”
Joseph Fink (The Great Glowing Coils of the Universe (Welcome to Night Vale Episodes, #2))
“
...Time, sweeping through its rounds, gives birth to infinite nights and days...
”
”
Sophocles (The Oedipus Cycle: Oedipus Rex, Oedipus at Colonus, Antigone)
“
Night is the sleep of seven wax moths
Dawn is the singing of five mermaids
Noon is the scratching of three field mice
Dusk is the shadow of a crow
”
”
Xi Chuan (Notes on the Mosquito: Selected Poems)
“
The sun's descent marks not just the end of another day, but a symbolic passage—a reminder that life, like the sun, moves in cycles, each ending giving birth to a new beginning.
”
”
Ryan Gelpke (Peruvian Days)
“
All her life she had looked into dark; but this was a vaster darkness, this night on the ocean. There was no end to it. There was no roof. It went out beyond the stars.
”
”
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
“
There was quiet, and then Ronan said, "I better go feed the bird."
But he looked down at the gearshift instead, eyes unfocused. He said, "I keep thinking about what would've happened if Whelk had shot Gansey today."
Adam hadn't let himself dwell on that possibility. Every time his thoughts came close to touching on the near miss, it opened up something dark and sharp edged inside him. It was hard to remember what life at Aglionby had been like before Gansey. The distant memories seemed difficult, lonely, more populated with late nights where Adam sat on the steps of the doublewide, blinking tears tears out of his eyes and wondering why he bothered. He'd been younger then, only a little more than a year ago. "But he didn't.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
There is no man in creation who is not your brother No woman not your sister, no child not your own For all suffer the Plague, righteous and sinful alike And all must band together to withstand the night.
”
”
Peter V. Brett (The Desert Spear (The Demon Cycle, #2))
“
That night, Ronan didn’t dream.
After Gansey and Blue had left the Barns, he leaned against one of the front porch pillars and looked out at his fireflies winking in the chilly darkness. He was so raw and electric that it was hard to believe that he was awake. Normally it took sleep to strip him to this naked energy. But this was not a dream. This was his life, his home, his night.
After a few moments, he heard the door ease open behind him and Adam joined him. Silently they looked over the dancing lights in the fields. It was not difficult to see that Adam was working intensely with his own thoughts. Words kept rising up inside Ronan and bursting before they ever escaped. He felt he’d already asked the question; he couldn’t also give the answer.
Three deer appeared at the tree line, just at the edge of the porch light’s reach. One of them was the beautiful pale buck, his antlers like branches or roots. He watched them, and they watched him, and then Ronan could not stand it. “Adam?”
When Adam kissed him, it was every mile per hour Ronan had ever gone over the speed limit. It was every window-down, goose-bumps-on-skin, teeth-chattering-cold night drive. It was Adam’s ribs under Ronan’s hands and Adam’s mouth on his mouth, again and again and again. It was stubble on lips and Ronan having to stop, to get his breath, to restart his heart. They were both hungry animals, but Adam had been starving for longer.
Inside, they pretended they would dream, but they did not. They sprawled on the living room sofa and Adam studied the tattoo that covered Ronan’s back: all the sharp edges that hooked wondrously and fearfully into each other.
“Unguibus et rostro,” Adam said.
Ronan put Adam’s fingers to his mouth.
He was never sleeping again.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
We all make a lot of choices in life. Most of the time we can't see with perfect clarity where those choices will lead. It's only with hindsight that we can look back and judge the wisdom-or lack thereof-of the decisions we made. We choose that path less taken and when we find ourselves all alone in the middle of the woods at night, only then do we ask, "What the fuck was I thinking?
”
”
Cameron Haley (Skeleton Crew (Underworld Cycle, #2))
“
do you dare to step in-
to the vulnerable black, stripped
to the soul with human blindness –
when the full and weeping
moon steps from the shade
of a tumult of mountains –
when, in the fragrant dim,
day's tree stump transforms
into some nether-worldly other –
when time's skin is thin and you are
bared – when there is nothing
between you and the Wildest One
whose name is your own?
”
”
Beth Morey (Night Cycles: Poetry for a Dark Night of the Soul)
“
the mind is a treasure
trove, an almanac, a tomb.
”
”
Beth Morey (Night Cycles: Poetry for a Dark Night of the Soul)
“
Even after all these years, there was something he knew he needed to prove. To himself, and to the night.
”
”
Peter V. Brett (Brayan's Gold (The Demon Cycle, #1.5))
“
Once the arrow has left the bowstring, it has no power to come back. The moon's brightness shines, revealing the night traveller.
”
”
Yuanwu Keqin (The Blue Cliff Record)
“
But Ged went on, falcon-winged, falcon-mad, like an unfalling arrow, like an unforgotten thought, over the Osskil Sea and eastward into the wind of winter and the night.
”
”
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
“
Don’t go getting swollen because you got lucky once. Any Messenger alive will tell you to stay out at night when you have to, not because you want to. The ones that want to always end up cored.
”
”
Peter V. Brett (Brayan's Gold (The Demon Cycle, #1.5))
“
The night following the reading, Gansey woke up to a completely unfamiliar sound and fumbled for his glasses. It sounded a little like one of his roommates was being killed by a possum, or possibly the final moments of a fatal cat fight. He wasn’t certain of the specifics, but he was sure death was involved.
Noah stood in the doorway to his room, his face pathetic and long-suffering. “Make it stop,” he said.
Ronan’s room was sacred, and yet here Gansey was, twice in the same weak, pushing the door open. He found the lamp on and Ronan hunched on the bed, wearing only boxers. Six months before, Ronan had gotten the intricate black tattoo that covered most of his back and snaked up his neck, and now the monochromatic lines of it were stark in the claustrophobic lamplight, more real than anything else in the room. It was a peculiar tattoo, both vicious and lovely, and every time Gansey saw it, he saw something different in the pattern. Tonight, nestled in an inked glen of wicked, beautiful flowers, was a beak where before he’d seen a scythe.
The ragged sound cut through the apartment again.
“What fresh hell is this?” Gansey asked pleasantly. Ronan was wearing headphones as usual, so Gansey stretched forward far enough to tug them down around his neck. Music wailed faintly into the air.
Ronan lifted his head. As he did, the wicked flowers on his back shifted and hid behind his sharp shoulder blades. In his lap was the half-formed raven, its head tilted back, beak agape.
“I thought we were clear on what a closed door meant,” Ronan said. He held a pair of tweezers in one hand.
“I thought we were clear that night was for sleeping.”
Ronan shrugged. “Perhaps for you.”
“Not tonight. Your pterodactyl woke me. Why is it making that sound?”
In response, Ronan dipped the tweezers into a plastic baggy on the blanket in front of him. Gansey wasn’t certain he wanted to know what the gray substance was in the tweezers’ grasp. As soon as the raven heard the rustle of the bag, it made the ghastly sound again—a rasping squeal that became a gurgle as it slurped down the offering. At once, it inspired both Gansey’s compassion and his gag reflex.
“Well, this is not going to do,” he said. “You’re going to have to make it stop.”
“She has to be fed,” Ronan replied. The ravel gargled down another bite. This time it sounded a lot like vacuuming potato salad. “It’s only every two hours for the first six weeks.”
“Can’t you keep her downstairs?”
In reply, Ronan half-lifted the little bird toward him. “You tell me.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Just as an astronomer, alone in an observatory, watches night after night through a telescope the myriads of stars, their mysterious movements, their changeful medley, their extinction and their flaming-up anew, so did Jacob Mendel, seated at his table in the Cafe Gluck, look through his spectacles into the universe of books, a universe that lies above the world of our everyday life, and, like the stellar universe, is full of changing cycles.
”
”
Stefan Zweig (Selected Stories)
“
What use are tears? Ying had murmured to her once, back when they had just crossed their twelfth cycle of life and the wounds of Lan’s losses still cut deep every night. The dead will neither feel them nor be called by them. Grief is for the survivors, and I think that, rather than living my life in pain, I would
live it in laughter and love. To the fullest.
”
”
Amélie Wen Zhao (Song of Silver, Flame Like Night (Song of the Last Kingdom, #1))
“
Eventually, we all must go to sleep. This is our first intimation that the body always wins. No matter how hapywe are, no matter ow much we want our night to stretch out infinitely, sleep is inevitable. You might be able to dodge it for one giddy cycle, but the body's need will always return.
”
”
David Levithan (Two Boys Kissing)
“
That sounded like a great plan, in that it didn’t involve me. I said, “Dr. Mensah, do you need me for anything else?” She turned her chair to face me. “No, I’ll call if we have any questions.” I had worked for some contracts that would have kept me standing here the entire day and night cycle, just on the off chance they wanted me to do something and didn’t want to bother using the feed to call me. Then she added, “You know, you can stay here in the crew area if you want. Would you like that?” They all looked at me, most of them smiling. One disadvantage in wearing the armor is that I get used to opaquing the faceplate. I’m out of practice at controlling my expression. Right now I’m pretty sure it was somewhere in the region of stunned horror, or maybe appalled horror.
”
”
Martha Wells (All Systems Red (The Murderbot Diaries, #1))
“
It was a night for truth, but they both had run out of things they were sure about.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Ohls showed the motor-cycle officer his badge and we went out on the pier, into a loud fish smell which one night’s hard rain hadn’t even dented.
”
”
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
“
i feel the spring breeze ruffling
the new-hatched damp of my unfurling
feathers; i see with eyes bleary from egg-dark
the shell clinging sticky to my screaming
beak.
”
”
Beth Morey (Night Cycles: Poetry for a Dark Night of the Soul)
“
Dream me the world. Something new for every night.” Gansey said.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
At night, Henrietta felt like magic, and at night, magic felt like it might be a terrible thing.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
After a thousand years pass, it builds its own funeral pyre, lining it with cinnamon, myrrh and cassia. Climbing to a rest on the very top, it examines the world all throughout the night with the ability to see true good and evil. When the sun rises the next morning, with great sorrow for all that it sees, it sings a haunting song. As it sings, the heat of the sun ignites the expensive spices and the Phoenix dies in the flames.
But the Phoenix is not remarkable for its feathers or flames. It is most revered for its ability to climb from its own funeral pyre, from the very ashes of its old charred body, as a brand new life ready to live again once more. Life after life, it goes through this cycle. It absorbs human sorrow, only to rise from death to do it all again. It never wearies, it never tires. It never questions its fate. Some say that the Phoenix is real, that it exists somewhere out there in the mountains of Arabia, elusive and mysterious. Others say that the Phoenix is only a wish made by desperate humans to believe in the continuance of life.
But I know a secret.
We are the Phoenix.
”
”
Courtney Cole (Every Last Kiss (The Bloodstone Saga, #1))
“
When Elin watched the honeybees or other creatures in the wild, when she observed the diversity of their life cycles and the astounding precision of their habits, there were times when she felt herself become a prick of light in the vastness of the night sky, times when all living things, people, beasts and insects, dwindled to equal points of light twinkling in the darkness.
”
”
Nahoko Uehashi (The Beast Player (The Beast Player, #1-2))
“
Nita stood still, listening to Joanne's footsteps hurrying away, a little faster every second- and slowly began to realize that she'd gotten what she asked for too- the ability to break the cycle of anger and loneliness, not necessarily for others, but at least for herself. It wouldn't even take the Speech; plain words would do it, and the magic of reaching out. It would take a long time, much longer then something simple like breaking the walls of the worlds, and it would cost more effort than even reading the Book of Night with Moon. But it would be worth it- and eventually it would work. A spell always works. Nita went home.
”
”
Diane Duane (So You Want to Be a Wizard (Young Wizards, #1))
“
There was something unfamiliar about him when he arrived in the Pig. Something ferocious about his eyes, some sort of bite in his faint smile. Something altogether hectic and unsettled. She stood on the ledge of his smile and looked over the edge. This wasn’t the Gansey she’d seen in the kitchen earlier; this was the Gansey she secretly called at night.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
Back in Henrietta, night proceeded.
Richard Gansey was failing to sleep. When he closed his eyes: Blue’s hands, his voice, black bleeding from a tree. It was starting, starting. No. It was ending. He was ending. This was the landscape of his personal apocalypse. What was excitement when he was wakeful melted into dread when he was tired.
He opened his eyes.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
All that winter's day and far into the night the kings twisted and squirmed, but Merlin held them in his iron grasp and would not let go. He became first a rock, and then a mountain in Arthur's defence. Arthur stood equally unmoved. No power on earth could have prevailed against them . . .
”
”
Stephen R. Lawhead (Arthur (The Pendragon Cycle, #3))
“
And the Old Matchmaker of the Moon said to the lovers, 'This red thread I bestow upon you. It may stretch and it may tangle, but it will never break. Across cycles and worlds and lifetimes, your souls are now destined.
”
”
Amélie Wen Zhao (Song of Silver, Flame Like Night (Song of the Last Kingdom, #1))
“
we have forgotten how to press our fingers
to the tilting planet's jugular and measure
her pulse. we have forgotten symbiosis,
that she is our mother.
we have forgotten that when we rape
our world we rape ourselves.
”
”
Beth Morey (Night Cycles: Poetry for a Dark Night of the Soul)
“
No one knew what Ganseylike was, even Gansey. Teachers and family friends were always collecting articles and stories that they thought might capture his attention, things they thought were Ganseylike. The well-meaning items always addressed the most obvious parts of him. Welsh kings or old Camaros or other young people who had travelled the world for bizarre reasons no one else understood. No one dug down past that, and he supposed he didn't much encourage it. There was a lot of night in those days behind him, and he preferred to turn his face into the sun. Ganseylike. What was Ganseylike?
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Back at the office, Woodward went to the rear of the newsroom to call Deep Throat. Bernstein wished he had a source like that. The only source he knew who had such comprehensive knowledge in any field was Mike Schwering, who owned Georgetown Cycle Sport Shop. There was nothing about bikes - and, more important, bike thieves - that Schwering didn't know. Bernstein knew something about bike thieves: the night of the Watergate indictments, somebody had stolen his 10-speed Raleigh from a parking garage. That was the difference between him and Woodward. Woodward went into a garage to find a source who could tell him what Nixon's men were up to. Bernstein walked into a garage to find an eight-pound chain cut neatly in two and his bike gone.
-- Carl Bernstein, Bob Woodward
”
”
Carl Bernstein (All the President’s Men)
“
Drunk one night, Sarah had told me Women are the race, Tak. No two ways about it. Male is just a mutation with more muscle and half the nerves. Fighting, fucking machines. My own cross-sleevings had born that theory out. To be a woman was a sensory experience beyond the male. Touch and texture ran deeper, an interface with environment that male flesh seemed to seal out instinctively. To a man, skin was a barrier, a protection. To a woman, it was an organ of contact. That had its disadvantages. In general, and maybe because of this, female pain thresholds ran higher than male, but the menstrual cycle dragged them down to an all-time low once a month.
”
”
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
“
But winter was necessary. Why else would the world have it? The trees seemed to welcome the season, from the way they changed colors before they dropped their leaves and went to sleep. Winter was a part of a cycle, like day and night, life and death.
”
”
Merrie Haskell (The Castle Behind Thorns)
“
It strikes me how small everything is, our whole world, everything with a meaning - our stores and our raids and our jobs and our lives, even. Meanwhile the world just goes on the same as always, night cycling into day and back into night, an endless circle; seasons shifting and reforming like a monster shaking off its skin and growing up again.
”
”
Lauren Oliver (Delirium (Delirium, #1))
“
Beautiful, fragile, fleeting, the sunrise shell; but not, for all that, illusory. Because it is not lasting, let us not fall into the cynic's trap and call it an illusion. Duration is not a test of true or false. The day of the dragon-fly or the night of the Saturnid moth is not invalid simply because that phase in its life cycle is brief. Validity need have no relation to time, to duration, to continuity. It is on another plane, judged by other standards. "And what is actual is actual only for one time and only for one place." The sunrise shell has the eternal validity of all beautiful and fleeting things.
”
”
Anne Morrow Lindbergh (Gift from the Sea)
“
When Adam kissed him it was every mile per hour Ronan had ever gone over the speed limit. It was every window-down, goose-bumps-on-skin, teeth-chattering-cold night drive.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Something inhuman has come to Tarker’s Mills, as unseen as the full moon riding the night sky high above.
”
”
Stephen King (Cycle of the Werewolf)
“
we have forgotten what night tastes like,
salted by full moon silver rupturing
the dark. we have forgotten how the skin
sings when the lunar fervor unfurls
across its follicles.
”
”
Beth Morey (Night Cycles: Poetry for a Dark Night of the Soul)
“
All men are brothers in the night.
”
”
Peter V. Brett (The Desert Spear (The Demon Cycle, #2))
“
She found that their company revived her, carried her away from the constant presence of last night's terror, little by little, till she could begin to look back on it as something that had happened, not something that was happening, that must always be happening to her.
”
”
Ursula K. Le Guin (Tehanu (Earthsea Cycle, #4))
“
Wednesday, November 8th, 1893
Here I sit in the still winter night on the drifting ice-floe, and see only stars above me. Far off I see the threads of life twisting themselves into the intricate web which stretches unbroken from life’s sweet morning dawn to the eternal death-stillness of ice. Thought follows thought—you pick the whole to pieces, and it seems so small—but high above all towers one form … Why did you take this voyage? … Could I do otherwise? Can the river arrest its course and run up hill? My plan has come to nothing. That palace of theory which I reared, in pride and self-confidence, high above all silly objections has fallen like a house of cards at the first breath of wind. Build up the most ingenious theories and you may be sure of one thing—that fact will defy them all. Was I so very sure? Yes, at times; but that was self-deception, intoxication. A secret doubt lurked behind all the reasoning. It seemed as though the longer I defended my theory, the nearer I came to doubting it. But no, there is not getting over the evidence of that Siberian drift-wood. But if, after all, we are on the wrong track, what then? Only disappointed human hopes, nothing more. And even if we perish, what will it matter in the endless cycles of eternity?
”
”
Fridtjof Nansen (Farthest North: The Incredible Three-Year Voyage to the Frozen Latitudes of the North (Modern Library Exploration))
“
The boy was weeping openly when Leesha turned back to him. “Just put me back out into the night,” he said, holding up a crippled hand. “I was meant to die a long time ago, and everyone that tries to save me ends up dead.”
Leesha took the crippled hand in hers and looked him in the eye. “I'll take my chances,” she said, squeezing. “We survivors have to look out for one another.
”
”
Peter V. Brett (The Warded Man (Demon Cycle #1))
“
The long matrimonial haul was accomplished in cycles. One cycle of bad breath, one cycle of renewed desire, a third cycle of breakdown and small avoidances, still another of plays and dinners that spurred a conversation between them late at night that reminded her of their like minds and the pleasure they took in each other's talk. And then back to hating him for not taking out the garbage on Wednesday. That was the struggle. Sickness and death, caretaking, the martyrdom of matrimony--that was fluff stuff. When the vows kick in, you don't even blink. You just do. She had to be up for it.
”
”
Joshua Ferris (The Unnamed)
“
Woman . . . I do the best I can do. I come in here every Friday. I carry a sack of potatoes and a bucket of lard. You all line up at the door with your hands out. I give you the lint from my pockets. I give you my sweat and my blood. I ain't got no tears. I done spent them. We go upstairs in that room at night . . . and I fall down on you and try to blast a hole into forever. I get up Monday morning . . . find my lunch on the table. I go out. Make my way. Find my strength to carry me through to the next Friday.
”
”
August Wilson (Fences (The Century Cycle, #6))
“
Then she called Gansey.
It rang twice, three times, and then: "Hello?"
He sounded boyish and ordinary. Blue asked, "Did I wake you up?"
She heard Gansey fumble for and scrape up his wireframes.
"No," he lied, "I was awake."
"I called you by accident anyway. I meant to call Congress, but your number was one off."
"Oh?"
"Yeah, because yours has 6-6-5 in it." She paused. "Get it?"
"Oh, you."
"6-6-5. One number different. Get it?"
"Yeah, I got it.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
Great Light, Mover of all that is moving and at rest, be my Journey and my far Destination, be my Want and my Fulfilling, be my Sowing and my Reaping, be my glad Song and my stark Silence. Be my Sword and my strong Shield, be my Lantern and my dark Night, be my everlasting Strength and my piteous Weakness. Be my Greeting and my parting Prayer, be my bright Vision and my Blindness, be my Joy and my sharp Grief, be my sad Death and my sure Resurrection!
”
”
Stephen R. Lawhead (Merlin (The Pendragon Cycle, #2))
“
now I'm blinking in a new gloaming
and all I see as I'm stretched low down here
is a world of women flat on their frozen
faces. we are the ground itself, corporeal
carpet of cells, softness calloused hard
beneath the pebbled soles of the fathers
and husbands and brothers and priests
and it's a horror if you could see it,
a world of women ruined
by man's fear.
”
”
Beth Morey (Night Cycles: Poetry for a Dark Night of the Soul)
“
Every day away from succor was another night spent outside with the corelings, and not even Arlen took that lightly, but he had a deep and driving need to see things that no other man had seen, to go places no other man had gone. He had been eleven when he ran away from home. Now he was twenty, and had seen more of the world than any but a handful of other men.
”
”
Peter V. Brett (The Great Bazaar and Other Stories (Demon Cycle, #1.6))
“
Everything is balanced. Everything physical (matter/energy) goes back and forth in balanced circles, cycles, or the equivalent. Birth-death, old-young, big-small, strong-weak, start-stop, up-down, rich-poor, beginning-end, fast-slow, hot-cold, pain-pleasure, win-lose, day-night, full-empty, high-low, in-out, success-failure, united-divided, give-receive, creation-destruction, on-off, positive-negative, etc.
Positive and negative forces moving in balance are the physical universe.
”
”
Michael Smith (The Present)
“
Outside, overgrown grass lapped dew on Ronan’s boots, and mist curled around the tyres of the charcoal BMW. The sky over Monmouth Manufacturing was the colour of a muddy lake. It was cold, but Ronan’s gasoline heart was firing. He settled into the car, letting it become his skin. The night air was still coiled beneath the seats and lurking in the door pockets; he shivered as he tethered his raven to the seat belt fastener in the passenger seat. Not the fanciest setup, but effective for keeping a corvid from flapping around one’s sports car. Chainsaw bit him, but not as hard as the early morning cold.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Once I am sure there's nothing going on
I step inside, letting the door thud shut.
Another church: matting, seats, and stone,
And little books; sprawlings of flowers, cut
For Sunday, brownish now; some brass and stuff
Up at the holy end; the small neat organ;
And a tense, musty, unignorable silence,
Brewed God knows how long. Hatless, I take off
My cycle-clips in awkward reverence.
Move forward, run my hand around the font.
From where I stand, the roof looks almost new -
Cleaned, or restored? Someone would know: I don't.
Mounting the lectern, I peruse a few
Hectoring large-scale verses, and pronounce
'Here endeth' much more loudly than I'd meant.
The echoes snigger briefly. Back at the door
I sign the book, donate an Irish sixpence,
Reflect the place was not worth stopping for.
Yet stop I did: in fact I often do,
And always end much at a loss like this,
Wondering what to look for; wondering, too,
When churches will fall completely out of use
What we shall turn them into, if we shall keep
A few cathedrals chronically on show,
Their parchment, plate and pyx in locked cases,
And let the rest rent-free to rain and sheep.
Shall we avoid them as unlucky places?
Or, after dark, will dubious women come
To make their children touch a particular stone;
Pick simples for a cancer; or on some
Advised night see walking a dead one?
Power of some sort will go on
In games, in riddles, seemingly at random;
But superstition, like belief, must die,
And what remains when disbelief has gone?
Grass, weedy pavement, brambles, buttress, sky,
A shape less recognisable each week,
A purpose more obscure. I wonder who
Will be the last, the very last, to seek
This place for what it was; one of the crew
That tap and jot and know what rood-lofts were?
Some ruin-bibber, randy for antique,
Or Christmas-addict, counting on a whiff
Of gown-and-bands and organ-pipes and myrrh?
Or will he be my representative,
Bored, uninformed, knowing the ghostly silt
Dispersed, yet tending to this cross of ground
Through suburb scrub because it held unspilt
So long and equably what since is found
Only in separation - marriage, and birth,
And death, and thoughts of these - for which was built
This special shell? For, though I've no idea
What this accoutred frowsty barn is worth,
It pleases me to stand in silence here;
A serious house on serious earth it is,
In whose blent air all our compulsions meet,
Are recognized, and robed as destinies.
And that much never can be obsolete,
Since someone will forever be surprising
A hunger in himself to be more serious,
And gravitating with it to this ground,
Which, he once heard, was proper to grow wise in,
If only that so many dead lie round.
”
”
Philip Larkin
“
All was still and quiet. It seemed as if a magician had placed an enchantment upon the earth and that everything in the world was bound in an eternal sleep and would remain frozen and unchanging forevermore underneath the watchful gaze of the twinkling stars.
”
”
Christopher Paolini (Brisingr (The Inheritance Cycle, #3))
“
Its back was to him, showing broad shoulders armored in bark and stone, black as night, and a thick mane cascading down its spine to a short deer-tail.
For a moment all he could do was stare at the tail and think, Nothing on a Great Spirit should be that cute.
”
”
H. Anthe Davis (The Light of Kerrindryr (The War of Memory Cycle #1))
“
She puts her head on his shoulder, and for a second, it's like the other good night, the night of the bonfire, the brief lifting of the yoke, freedom from the circle: Marco hurting Anna, Anna hurting Ted, Ted hurting Rachel, these endless rounds of jealousy and harm.
”
”
Kristen Roupenian (You Know You Want This: Cat Person and Other Stories)
“
They follow their hearts. I know it sounds like madness, Arlen, but deep down, men want to fight, like they did in tales of old. They want to protect their women and children as men should. But they can't, because the great wards are lost, so they knot themselves like caged hares, sitting terrified through the night. But sometimes, especially when you see loved ones die, the tension breaks you and you just snap.
”
”
Peter V. Brett (The Warded Man (Demon Cycle #1))
“
They'd eaten every meal outdoors, hard-boiled eggs and cheese from a picnic basket, and drunk wine under the lilac tree in the walled garden. They'd disappeared inside the woods, and stolen apples from the farm next door, and floated down the stream in her little boat as one silken hour spun itself into the next. On a clear, still night, they'd dug the old bicycles out of the shed and cycled together along the dusty lane, racing, laughing, breathing in salt from the warm air as moonlight made the stones, still hot from the day, shine lustrous white.
”
”
Kate Morton (The Lake House)
“
Marriages suffer from this same cycle. You start dating someone with wonder and anticipation, drunk on love. You romanticize everything about your partner, and even mundane activities like going to the grocery store together can seem like a fantastic date. But then you fall into a routine, and years later, you’ve become roommates, circling the same safe topics while packing lunches, the monotony broken only by occasional date nights. Deep down, you know why these parts of your life have gone stale. It’s because nothing new is happening. You may say you fear change, but the lack of change in your life is why you feel so blah. Monotony will drive any human relationship or endeavor into a ditch.
”
”
Mel Robbins (Stop Saying You're Fine: Discover a More Powerful You)
“
Fragile is the flower that grows in darkness. Precious is the flower that blossoms at night. Their gardeners absent, blind, or uncaring. But bent and broken petals still have beauty All their own. Have care where you tread, lest you Trample the treasures scattered before your feet.
”
”
Christopher Paolini (Murtagh (The Inheritance Cycle #5))
“
I was still profoundly alone. And I remained alone, watching the stars—did you know, aside from their regular nightly and yearly cycles there is another, longer movement? So, so much slower, and I was watching this, and admiring it, alone, until someone arrived to break my solitude.
”
”
Ann Leckie (The Raven Tower)
“
And now at last authentic word I bring,
Witnessed by every dead and living thing;
Good tidings of great joy for you, for all:
There is no God; no Fiend with names divine
Made us and tortures us; if we must pine,
It is to satiate no Being's gall.
It was the dark delusion of a dream,
That living Person conscious and supreme,
Whom we must curse for cursing us with life;
Whom we must curse because the life he gave
Could not be buried in the quiet grave,
Could not be killed by poison or the knife.
This little life is all we must endure,
The grave's most holy peace is ever sure,
We fall asleep and never wake again;
Nothing is of us but the mouldering flesh,
Whose elements dissolve and merge afresh
In earth, air, water, plants, and other men.
We finish thus; and all our wretched race
Shall finish with its cycle, and give place
To other beings with their own time-doom:
Infinite aeons ere our kind began;
Infinite aeons after the last man
Has joined the mammoth in earth's tomb and womb.
”
”
James Thomson (The City of Dreadful Night)
“
Only Time is universal; Night and Day are merely quaint local customs found on those planets that tidal forces have not yet robbed of their rotation. But however far they travel from their native world, human beings can never escape the diurnal rhythm, set ages ago by its cycle of light and darkness.
”
”
Arthur C. Clarke (2061: Odyssey Three (Space Odyssey, #3))
“
Fake smiles and hellos are not something I want to be a part of. I watched my mother do it, and I despised it. I want real.
I know I’m young, but losing my mother, whom I never really knew, made me think about what I want from life. I don’t want to have to do something to please someone else. I want to break the cycle and not get trapped in their kind of life. I want love, a family, bake sales, date nights, fighting over not taking out the stupid trash.
”
”
Alexa Riley (My New Step-Dad)
“
Back in Henrietta, night proceeded.
Richard Gansey was failing to sleep. When he closed his eyes: Blue’s hands, his voice, black bleeding from a tree. It was starting, starting. No. It was ending. He was ending. This was the landscape of his personal apocalypse. What was excitement when he was wakeful melted into dread when he was tired.
He opened his eyes.
He opened Ronan’s door just enough to confirm that Ronan was inside, sleeping with his mouth ajar, headphones blaring, Chainsaw a motionless lump in her cage. Then, leaving him, Gansey drove to the school.
He used his old key code to get into Aglionby’s indoor athletic complex, and then he stripped and swam in the dark pool in the darker room, all sounds strange and hollow at night. He did endless laps as he used to do when he had first come to the school, back when he had been on the rowing team, back when he had sometimes come earlier than even rowing practice to swim. He had nearly forgotten what it felt like to be in the water: It was as if his body didn’t exist; he was just a borderless mind. He pushed himself off a barely visible wall and headed towards the even less visible opposite one, no longer quite able to hold on to his concrete concerns. School, Headmaster Child, even Glendower. He was only this current minute. Why had he given this up? He couldn’t remember even that.
In the dark water he was only Gansey, now. He’d never died, he wasn’t going to die again. He was only Gansey, now, now, only now.
He could not see him, but Noah stood on the edge of the pool and watched. He had been a swimmer himself, once.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Lithium regulates the proteins that control the body’s inner clock. This clock runs, oddly, on DNA, inside special neurons deep in the brain. Special proteins attach to people’s DNA each morning, and after a fixed time they degrade and fall off. Sunlight resets the proteins over and over, so they hold on much longer. In fact, the proteins fall off only after darkness falls—at which point the brain should “notice” the bare DNA and stop producing stimulants. This process goes awry in manic-depressives because the proteins, despite the lack of sunlight, remain bound fast to their DNA. Their brains don’t realize they should stop revving. Lithium helps cleave the proteins from DNA so people can wind down. Notice that sunlight still trumps lithium during the day and resets the proteins; it’s only when the sunlight goes away at night that lithium helps DNA shake free. Far from being sunshine in a pill, then, lithium acts as “anti-sunlight.” Neurologically, it undoes sunlight and thereby compresses the circadian clock back to twenty-four hours—preventing both the mania bubble from forming and the Black Tuesday crash into depression.
”
”
Sam Kean (The Disappearing Spoon: And Other True Tales of Madness, Love, and the History of the World from the Periodic Table of the Elements)
“
The sensation of having already met someone, or what the French called deja vu, the feeling of having already seen something. There was probably a scientific explanation for it, but the older she got, the more she was inclined to give ino the the feeling that these moments were glimpses into a world greater than this physical one. It was as if there were cycles that repeated themselves over and over, but most people never saw the repetition; they were too deeply enmeshed in their own path to see.
”
”
Malinda Lo (Last Night at the Telegraph Club)
“
The cycles of Eric’s life took in stony beaches and pine forests where you could walk in a daylight all but night dark and fields where there was no grass, only stones and moss, alongside tar and macadam measured at its edge with poles and wires and solar panels, and water, broken, flickering, so much water, as much water—salt and silver—as there was sky, enough to make you scream or laugh at such absurd vastness, swelling within until Eric became his self exploding through today toward tomorrow, water green as glass falling between rocks and wet grass, the smell of dust and docks and distances, and sometimes Shit stepped up and took Eric’s rough hand in his rough hand.
”
”
Samuel R. Delany (Through the Valley of the Nest of Spiders)
“
Later, when Ged thought back upon that night, he knew that had none had touched him when he lay thus spirit-lost, had none called him back in some way, he might have been lost for good. It was only the dumb instinctive wisdom of the beast who licks his hurt companion to comfort him, and yet in that wisdom Ged saw something akin to his own power, something that went as deep as wizardry. From that time forth he believed that the wise man is one who never sets himself apart from other living things, whether they have speech or not, and in later years he strove long to learn what can be learned, in silence, from the eyes of animals, the flight of birds, the great slow gestures of trees.
”
”
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
“
Ronan didn't care to think about this. It gave him the same vibe he used to get back at the Barns some nights, when he got trapped in one particular train of thought, where he imagined he and Adam had been together a very long time and then Ronan died of old age or bad choices and Adam found someone else and later they all three died and were reunited in the afterlife, and rather than getting to spend the rest of eternity together, Adam had to split his time between Ronan and this stupid usurper he'd fallen in love with as a widower, which completely ruined the point of Heaven. And that was before Ronan even got to worrying if Adam made it to the afterlife at all, with his agnostic tendencies.
”
”
Maggie Stiefvater (Mister Impossible (Dreamer Trilogy, #2))
“
If you want to work your stinking job and pay into a pension plan for the rest of your days then fine; if you want to visit the supermarket once a week and feel great about yourself for finding the best offers on low fat microwave meals then fine; if you want to click around them computers all night, chatting to your Aunt Sally in Honolulu then fine; if you want to drink in moderation so you don’t end up shitting the bed then fine; if you want to continue the cycle of obedient drones then fine; if you want to resent how average your life has turned out in return for a salary that buys you nothing more than permanent misery then fine. All fine and dandy. Go right ahead. Just leave me the fuck out of it.
”
”
Rupert Dreyfus (Prezident Scumbag! A Sick Bastard Novella)
“
Like a horseman who reins in a wild stallion that has borne him, will he, nill he, across several counties; or a ship's captain who, after scudding before a gale through a bad night, hoists sail, and gets underway once more, navigating through unfamiliar seas- thus Dr. Daniel Waterhouse, anno domini 1685, watching King Charles II die at Whitehall Palace.
”
”
Neal Stephenson (Quicksilver (The Baroque Cycle, #1))
“
That night, after Gansey had gone to meet Blue, Ronan retrieved one of Kavinsky’s green pills from his still-unwashed pair of jeans and returned to bed. Propped up in the corner, he stretched out his hand to Chainsaw, but she ignored him. She had stolen a cheese cracker and now was very busily stacking things on top of it to make sure Ronan would never take it back. Although she kept glancing back at his outstretched hand, she pretended not to see it as she added a bottle cap, an envelope, and a sock to the pile hiding the cracker.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
What use are tears? Ying had murmured to her once, back when they had
just crossed their twelfth cycle of life and the wounds of Lan’s losses still cut
deep every night. The dead will neither feel them nor be called by them. Grief
is for the survivors, and I think that, rather than living my life in pain, I would
live it in laughter and love. To the fullest.
”
”
Amélie Wen Zhao (Song of Silver, Flame Like Night (Song of the Last Kingdom, #1))
“
The world was full of broken things. Promises. Dreams. Plans.
”
”
Cass Morris (Give Way to Night (Aven Cycle, #2))
“
And what happens later that night might be a judgment from God, or a jest of those older gods that men worshipped from the safety of stone circles on moonlit nights—oh,
”
”
Stephen King (Cycle of the Werewolf)
“
She sat at the table with a cup of tea, looking plump and angelic as always, no sign of having lost any sleep the night before.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
His wife (although he didn’t like to use that word, wife, because it made him think that he was now over thirty, which he was, but still, he didn’t need to be reminded, and anyway, he still had his boyish good looks; in fact, the cashier at the grocery store had flirted with him just last night, and even though it could have been the fact that he was overawingly overdressed for a cheese-cracker run, he thought it was probably his aquamarine eyes because she had been virtually swimming in them) was taking the move to Henrietta better than he had expected.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
Inadequate sleep impairs brain functioning, including working memory and long-term memory, attention, decision-making, hand-eye coordination, calculation accuracy, logical reasoning, and creativity.20 People who’ve been awake for nineteen hours (say, woke up at 7 A.M. and now it’s 2 A.M.) are as impaired in their cognitive and motor functioning as a person who is legally intoxicated.21 People who’ve slept just four hours the previous night are similarly impaired, as are those who’ve slept six or fewer hours every night for the last two weeks. Anything you wouldn’t do drunk—drive, lead a work meeting, raise a child—don’t try it if you’ve been awake for nineteen hours, slept only four hours the previous night, or slept fewer than six hours every night for two weeks.
”
”
Emily Nagoski (Burnout: The Secret to Unlocking the Stress Cycle)
“
You’re being awful generous with your late husband’s possessions,” he told her.
She grinned back at him. “You’ve loosened me up maybe? Besides, you’ve already slept with his wife, why not drive his truck? Kira drank his 1925 Chateau Feytit Clinet red wide today.”
Did he look pale? Noah swore he could feel himself blanch. His 1925 Chateau Feytit Clinet? No. She hadn’t shared that with Kira Richards. The one person in the world besides Sabella who knew exactly how horrified he’d be to hear that Sabella had dipped into his treasure trove of wines?
“He had a 1925 Feytit Clinet?” He almost wheezed. How he kept his voice calm and level he didn’t know. Hell, his training had just been shot to hell. “And you shared it with Ian Richard’s wife?”
“He had lots of wine.” She turned and shot him a look over her shoulder. “Maybe one of these nights I’ll share the other one with you. Do you want me to meet you at the garage with the pickup? It won’t take me long.”
Let her drive his pickup? Had she lost her damned mind?
“I can leave the cycle here.” He nodded to the back drive as he stepped to the porch. “I’ll just help you lock up.”
“Okay.” There was a swing to her hips that almost had his tongue hanging out of his mouth. And he almost—only almost—forgot about the wine and the truck.
She drank his wine? Drove his truck? And Rory hadn’t warned him ahead of time?
”
”
Lora Leigh (Wild Card (Elite Ops, #1))
“
Really, in a lot of ways being a cyclist is like being a vampire. First of all, both cyclists and vampires are cultural outcasts with cult followings who clumsily walk the line between cool and dorky. Secondly, both cyclists and vampires resemble normal humans, but they also lead secret double lives, have supernatural powers, and aren’t governed by the same rules as the rest of humanity—though cycling doesn’t come with the drawbacks of vampirism. Cyclists can ride day or night, we can consume all the garlic we want, and very few of us are afflicted with bloodlust or driven by a relentless urge to kill.
”
”
BikeSnobNYC (Bike Snob: Systematically & Mercilessly Realigning the World of Cycling)
“
On Rachel's show for November 7, 2012:
Ohio really did go to President Obama last night. and he really did win. And he really was born in Hawaii. And he really is legitimately President of the United States, again. And the Bureau of Labor statistics did not make up a fake unemployment rate last month. And the congressional research service really can find no evidence that cutting taxes on rich people grows the economy. And the polls were not screwed to over-sample Democrats. And Nate Silver was not making up fake projections about the election to make conservatives feel bad; Nate Silver was doing math. And climate change is real. And rape really does cause pregnancy, sometimes. And evolution is a thing. And Benghazi was an attack on us, it was not a scandal by us. And nobody is taking away anyone's guns. And taxes have not gone up. And the deficit is dropping, actually. And Saddam Hussein did not have weapons of mass destruction. And the moon landing was real. And FEMA is not building concentration camps. And you and election observers are not taking over Texas. And moderate reforms of the regulations on the insurance industry and the financial services industry in this country are not the same thing as communism.
Listen, last night was a good night for liberals and for democrats for very obvious reasons, but it was also, possibly, a good night for this country as a whole. Because in this country, we have a two-party system in government. And the idea is supposed to be that the two sides both come up with ways to confront and fix the real problems facing our country. They both propose possible solutions to our real problems. And we debate between those possible solutions. And by the process of debate, we pick the best idea. That competition between good ideas from both sides about real problems in the real country should result in our country having better choices, better options, than if only one side is really working on the hard stuff. And if the Republican Party and the conservative movement and the conservative media is stuck in a vacuum-sealed door-locked spin cycle of telling each other what makes them feel good and denying the factual, lived truth of the world, then we are all deprived as a nation of the constructive debate about competing feasible ideas about real problems. Last night the Republicans got shellacked, and they had no idea it was coming. And we saw them in real time, in real humiliating time, not believe it, even as it was happening to them. And unless they are going to secede, they are going to have to pop the factual bubble they have been so happy living inside if they do not want to get shellacked again, and that will be a painful process for them, but it will be good for the whole country, left, right, and center. You guys, we're counting on you. Wake up. There are real problems in the world. There are real, knowable facts in the world. Let's accept those and talk about how we might approach our problems differently. Let's move on from there. If the Republican Party and the conservative movement and conservative media are forced to do that by the humiliation they were dealt last night, we will all be better off as a nation. And in that spirit, congratulations,
everyone!
”
”
Rachel Maddow
“
He has no friends that I know of, and his few neighbours consider him a bit of a weirdo, but I like to think of him as my friend as he will sometimes leave buckets of compost outside my house, as a gift for my garden. The oldest tree on my property is a lemon, a sprawling mass of twigs with a heavy bow. The night gardener once asked me if I knew how citrus trees died: when they reach old age, if they are not cut down and they manage to survive drought, disease and innumerable attacks of pests, fungi and plagues, they succumb from overabundance. When they come to the end of their life cycle, they put out a final, massive crop of lemons. In their last spring their flowers bud and blossom in enormous bunches and fill the air with a smell so sweet that it stings your nostrils from two blocks away; then their fruits ripen all at once, whole limbs break off due to their excessive weight, and after a few weeks the ground is covered with rotting lemons. It is a strange sight, he said, to see such exuberance before death. One can picture it in animal species, those million salmon mating and spawning before dropping dead, or the billions of herrings that turn the seawater white with their sperm and eggs and cover the coasts of the northeast Pacific for hundreds of miles. But trees are very different organisms, and such displays of overripening feel out of character for a plant and more akin to our own species, with its uncontrolled, devastating growth. I asked him how long my own citrus had to live. He told me that there was no way to know, at least not without cutting it down and looking inside its trunk. But, really, who would want to do that?
”
”
Benjamín Labatut (When We Cease to Understand the World)
“
Our modern lifestyle, in which we spend most of our time indoors looking at bright screens and turn on bright lights at night, activates melanopsin at the wrong times of day and night, which then disrupts our circadian rhythms and reduces the production of the sleep hormone melatonin; as a result, we cannot get restorative sleep. When we wake up the next day and spend most of the day indoors, the dim indoor light cannot fully activate melanopsin, which means that we cannot align our circadian clock to the day-night cycle, making us feel sleepy and less alert. After a few days or weeks, we get into depression and anxiety.
”
”
Satchin Panda (The Circadian Code: Lose weight, supercharge your energy and sleep well every night)
“
Virtually every element of significant interest to industry is known to exist on the Red Planet. 1 With its twenty-four-hour day/ night cycle and an atmosphere thick enough to shield its surface against solar flares, Mars is the only extraterrestrial planet that will readily allow large-scale greenhouses lit by natural sunlight. Mars can be settled. For our generation and many that will follow, Mars is the New World.
”
”
Robert Zubrin (Case for Space: How the Revolution in Spaceflight Opens Up a Future of Limitless Possibility)
“
Merit. No. Ma— No. There’s an m word for bravery, but I can’t recall it. My frontal lobe is still drunk from last night.” “Mettle.” “Yes, yes, that’s it. This is a test of mettle. That’s the Ganseylike part.” Gansey
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Adam hadn’t let himself dwell on that possibility. Every time his thoughts came close to touching on the near miss, it opened up something dark and sharp edged inside him. It was hard to remember what life at Aglionby had been like before Gansey. The distant memories seemed difficult, lonely, more populated with late nights where Adam sat on the steps of the double-wide, blinking tears out of his eyes and wondering why he bothered.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
“
Almost everything people did throughout history was fuelled by solar energy that was captured by plants and converted into muscle power. Human history was consequently dominated by two main cycles: the growth cycles of plants and the changing cycles of solar energy (day and night, summer and winter). When sunlight was scarce and when wheat fields were still green, humans had little energy. Granaries were empty, tax collectors were idle, soldiers found it difficult to move and fight, and kings tended to keep the peace. When the sun shone brightly and the wheat ripened, peasants harvested the crops and filled the granaries. Tax collectors hurried to take their share. Soldiers flexed their muscles and sharpened their swords. Kings convened councils and planned their next campaigns. Everyone was fuelled by solar energy – captured and packaged in wheat, rice and potatoes.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
I figure there are a couple of reasons why Kamusari villagers are so easygoing. One is that most of them are involved in forestry, where you have to think in cycles of a century; the other is that there’s no place to hang out at night, so when it gets dark everybody just hits the hay. “Running around won’t make the trees grow faster. Get plenty of rest, eat hearty, and tomorrow take what comes”: that seems to be the prevailing philosophy
”
”
Shion Miura (The Easy Life in Kamusari (Forest, #1))
“
Thus, when we awaken, finding ourselves in a state of presence, we look with a bare attention into the face of that very state of presence to see what may be there. ... Thereby, a nondual primal awareness becomes present.
”
”
Namkhai Norbu (Cycle of Day and Night)
“
got dropped off at the airport in a better mood than I had arrived in. In the third third of life, you may become just as miserable and prickly as ever, but you cycle through more quickly. You remember other dark nights of the soul and how by dawn they always broke. You discover that everything helps you learn who you are, and that this is why we are here. You roll your eyes at yourself more gently. You sigh and go make yourself a cup of tea.
”
”
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
“
I began to ask each time: “What’s the worst that could happen to me if I tell this truth?” Unlike women in other countries, our breaking silence is unlikely to have us jailed, “disappeared” or run off the road at night. Our speaking out will irritate some people, get us called bitchy or hypersensitive and disrupt some dinner parties. And then our speaking out will permit other women to speak, until laws are changed and lives are saved and the world is altered forever. Next time, ask: What’s the worst that will happen? Then push yourself a little further than you dare. Once you start to speak, people will yell at you. They will interrupt you, put you down and suggest it’s personal. And the world won’t end.
”
”
Maisie Hill (Period Power: Harness Your Hormones and Get Your Cycle Working For You)
“
I didn’t sleep at all that night. Soon after leaving the station, the lights were out. It was just an old passenger train from Dixie to the Midwest, with no amenities of any kind. No lights, no reading, nothing to do but make friends with the sounds of the night train. The wheels on the track made endless patterns, and I was caught up in it almost at once. Years later, studying with Alla Rakha, Ravi Shankar’s great tabla player and music partner, I practiced the endless cycles of 2s and 3s that form the heart of the Indian tal system. From this I learned the tools by which apparent chaos could be heard as an unending array of shifting beats and patterns. But on this memorable night, I was innocent of all that.
”
”
Philip Glass (Words Without Music: A Memoir)
“
Adam Parrish was always thinking about his resources: money, time, sleep. On a school night, even one with supernatural threats breathing on his collar, Ronan knew that Adam would be stingy with all of these; this was how he had stayed alive.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
On the whiteboard next to him, the Sheikh drew a line. Next to it, he sketched a circle. The line represented your space, the environment in which you find yourself. The space could be anywhere - a well, a prison cell, a state ruled by a despot, or a foreign country. Next he pointed to the circle. That symbolised the cycle of a Muslim's life, the steady bit of night and day, ticking away, for as long as God chose to keep you on this earth. The space you found yourself in was not in your control, said Akram. The cycle was. Your circumstances were given to you by Allah; using the cycle of your days to practice taqwa, or love and awe of God, was your job. Tend to this cycle of faith, said Akram, rather than worrying about your circumstances.
”
”
Carla Power (If the Oceans Were Ink: An Unlikely Friendship and a Journey to the Heart of the Quran)
“
When Adam kissed him, it was every mile per hour Ronan had ever gone over the speed limit. It was every window-down, goose-bumps-on-skin, teeth-chattering-cold night drive. It was Adam's ribs under Ronan's hands and Adam's mouth on his mouth, again and again and again. It was stubble on lips and Ronan having to stop, to get his breath, to restart his heart. They were both hungry animals, but Adam had been starving for longer.
Inside, they pretended they would dream, but they did not. They sprawled on the living room sofa and Adam studied the tattoo that covered Ronan's back: all the sharp edges that hooked wondrously and fearfully into each other.
"Unguibus et rostro," Adam said.
Ronan put Adam's fingers to his mouth.
He was never sleeping again.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
The metabolic rate of history is too fast for us to observe it. It's as if, attending to the day-long life cycle of a single mayfly, we lose sight of the species and its fate. At the same time, the metabolic rate of geology is too slow for us to perceive it, so that, from birth to death, it seems to us who are caught in the beat of our own individual human hearts that everything happening on this planet is what happens to us, personally, privately, secretly. We can stand at night on a high, cold plain and look out toward the scrabbled, snow-covered mountains in the west, the same in a suburb of Denver as outside a village in Baluchistan in Pakistan, and even though beneath our feet continent-sized chunks of earth grind inexorably against one another, go on driving one or the other continent down so as to rise up and over it, as if desiring to replace it on the map, we poke with our tongue for a piece of meat caught between two back teeth and think of sarcastic remarks we should have made to our brother-in-law at dinner.
”
”
Russell Banks (Continental Drift)
“
For most of the day and night, time oppresses me. It is only when I am at work on the innards of a clock-or a lock-that time stops."
"The clock stops, you mean."
"No. Time stops, or so it seems. I do not sense its passage. Then something interrupts me-I become aware that my bladder is full, my mouth dry, my stomach rumbling, the fire’s gone out, and the sun’s gone down. But there before me on the table is a finished clock-" now suddenly a snicker from the mechanism, and a deft movement of his hands. "Or an opened lock.
”
”
Neal Stephenson (The System of the World (The Baroque Cycle, #3))
“
When a man loves a woman she begins to shine with love and fulfillment. Most men naïvely expect that shine to last forever. But to expect her loving nature to be constant is like expecting the weather never to change and the sun to shine all the time. Life is filled with rhythms—day and night, hot and cold, summer and winter, spring and fall, cloudy and clear. Likewise in a relationship, men and women have their own rhythms and cycles. Men pull back and then get close, while women rise and fall in their ability to love themselves and others.
”
”
John Gray (Men Are from Mars, Women Are from Venus: The Classic Guide to Understanding the Opposite Sex)
“
And it came to me while I [Merlin] was singing - watching the ring of faces around the night's fire, their eyes glinting like dark sparks, gazing raptly as the song kindled and took light in their souls - it came to me that the way to men's souls was through their hearts, not through their minds. As much as a man might be convinced in his mind, as long as his heart remained unchanged all persuasion would fail. The surest way to the heart is through song and story: a single tale of high and noble deeds spoke to men more forcefully than all of blessed Dafyd's homilies.
I do not know why this should be, but I believe it to be true. I have seen the humble folk crowd into the chapel in the wood to receive the mass. In all sincerity they kneel before the holy altar, mute, reverent, as they should be, but also uncomprehending.
Yet, I have seen the eyes of their souls awaken when Dafyd reads out, "Listen, in a far country there lived a king who had two sons..."
Perhaps it is how we are made; perhaps words of truth reach us best through the heart, and stories and songs are the language of the heart.
”
”
Stephen R. Lawhead (Merlin (The Pendragon Cycle, #2))
“
Obstructive Sleep Apnea — When you have obstructive sleep apnea, you stop breathing for seconds or even minutes while you are sleeping. Usually, you stop each episode by snorting or coughing yourself awake. The cycle can repeat itself five to 30 times per hour throughout the night.
”
”
Alex Brecher (The BIG Book on the Gastric Sleeve: Everything You Need To Know To Lose Weight and Live Well with the Vertical Sleeve Gastrectomy (The BIG Books on Weight Loss Surgery 2))
“
The water cycle consists of three phenomena – evaporation, precipitation, and collection- which are the three phenomena that make up what is known as “the water cycle.” Evaporation, the first of these phenomena, is the process of water turning into vapor and eventually forming clouds, such as those found in cloudy skies, or on cloudy days, or even cloudy nights. These clouds are formed by a phenomenon known as “evaporation,” which is the first of three phenomena that make up the water cycle. Evaporation, the first of these three, is simply a term for a process by which water turns into vapor and eventually forms clouds. Clouds can be recognized by their appearance, usually on cloudy days or nights, when they can be seen in cloudy skies. The name for the process by which clouds are formed – by water, which turns into vapor and becomes part of the formation known as “clouds” – is “evaporation,” the first phenomenon in the three phenomena that make up the cycle of water, otherwise known as “the water cycle,” and surely you must be asleep by now and so can be spared the horrifying details of the Baudelaires' journey.
”
”
Lemony Snicket (The Grim Grotto (A Series of Unfortunate Events, #11))
“
So I loathed all the fruit of my effort, for which I worked so hard on earth, because I must leave it behind in the hands of my successor. Who knows if he will be a wise man or a fool? Yet he will be master over all the fruit of my labor for which I worked so wisely on earth! This also is futile!
What does a man acquire from all his labor and from the anxiety that accompanies his toil on earth? For all day long his work produces pain and frustration, and even at night his mind cannot relax! This also is futile!
There is nothing better for people than to eat and drink, and to find enjoyment in their work.
”
”
Solomon (Ecclesiastes, a New Tr. With Notes by J.N. Coleman)
“
Daniel saw in a way he’d never seen anything before: his mind was a homunculus squatting in the middle of his skull, peering out through good but imperfect telescopes and listening horns, gathering observations that had been distorted along the way, as a lens put chromatic aberrations into all the light that passed through it. A man who peered out at the world through a telescope would assume that the aberration was real, that the stars actually looked like that—what false assumptions, then, had natural philosophers been making about the evidence of their senses, until last night? Sitting in the gaudy radiance of those windows hearing the organ play and the choir sing, his mind pleasantly intoxicated from exhaustion, Daniel experienced a faint echo of what it must be like, all the time, to be Isaac Newton: a permanent ongoing epiphany, an endless immersion in lurid radiance, a drowning in light, a ringing of cosmic harmonies in the ears.
”
”
Neal Stephenson (The Baroque Cycle: The Complete New York Times Bestselling Trilogy of Historical Intrigue and Adventure)
“
Also may your way be plain, that you not stray from the true path /A And while you complete your journey together to the Pine Forest /A May the days be of greater length and the nights pass quickly /A May you always have clothes to wear, and your pace never falter /A After sunset, may you always find a place to camp for the night /A And may you have protection from all predators of the twilight /A And may Shamash preserve you on your way to the Pine Forest /A[16] Whether it be a month or ten months, a year or even ten years.” /A
”
”
Timothy J. Stephany (The Gilgamesh Cycle: The Fully Restored Epic of Gilgamesh (Updated 2nd Ed.))
“
Ronan was suddenly afraid of him. He was afraid of him in the same way that he was afraid of the night horrors. Because they had killed him before, and they would kill him again, and he precisely remembered the pain of each death. He felt the fear in his chest, and in his face, and in the back of his head. Sharp and stinging, like a tire iron.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Later, when Ged thought back upon that night, he knew that had none had touched him when he lay thus spirit-lost, had none called him back in some way, he might have been lost for good. It was only the dumb instinctive wisdom of the beast who licks his hurt companion to comfort him, and yet in that wisdom Ged saw something akin to his own power, something that went as deep as wizardry. From that time forth he believed that the wise man is one who never sets himself apart from other living things, whether they have speech or not, and in later years he strove long to learn what can be learned, in silence, from the eyes of animals, the flight of birds, the greet slow gestures of trees.
”
”
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
“
Adam Parrish was uncanny.
Perhaps standing next to Ronan Lynch, dreamer of dreams, he looked ordinary, but it was only because everything uncanny about him was turned inside instead of out. He, too, had a connection with the peculiar ley line energy that seemed to power Ronan's dreams, except that Adam's connection happened while he was awake, and only ever produced knowledge instead of objects. He was something like a psychic, if there was such a thing as a psychic whose powers extended more towards the future of the world than the future of people. During the idyllic summer he'd spent at the Barns with Ronan, he'd played with energy nearly every single day. He'd gaze into a bowl of dark liquid and lose himself in the unfathomable pulse that connects all living things. While on the phone with Gansey or Blue, he'd take out his deck of haunted tarot cards and read one or three cards for them. At night, he'd sit on the end of Ronan's childhood bed and meet Ronan in dreamspace--Ronan, asleep, in a dream, Adam, awake, in a trance.
He had put all of that away to go to Harvard.
”
”
Maggie Stiefvater (Call Down the Hawk (Dreamer, #1))
“
Hennessy?" Ronan said, in a slightly different voice.
"Lynch."
"I've been alone a long time," he said.
Part of her thought he hadn't, though. His brothers, his boyfriend, his friends who called him with information in the middle of the night.
But the bigger part of her understood it, because she'd been alone, too. Because at the end of the day, no one else could fathom what it was like living with these endless possibilities inside your head.
Hennessy had come tonight thinking she didn't want Jordan to sleep forever if this failed.
But now she knew this, too: She didn't want to die, either.
She reached between them and fumbled until she felt his leather wristbands, then found his hand. She held it. He held back tightly.
”
”
Maggie Stiefvater (Call Down the Hawk (Dreamer, #1))
“
Someone once asked the celebrated biologist, Sir Frederick Grant Banting, why he cared so much about daily Communion. “Have you ever reflected,” he answered, “what would happen if the dew did not fall every night? No plant would develop. The grass and flowers could not survive the evaporations and the dryness that the day’s heat brings in one way or another. Their cycle of energies, their natural renewal, the balance of their lymphatic fluids, the very life of plants requires this dew….” After a pause, he continued: “Now my soul is like a little plant. It is something rather frail that the winds and heat do battle with every day. So it is necessary that every morning I go get my fresh stock of spiritual dew, by going to Holy Communion.
”
”
Stefano M. Manelli (Jesus Our Eucharistic Love: Eucharistic Life Exemplified by the Saints)
“
There was probably a scientific explanation for it, but the older she got, the more she was inclined to give in to the feeling that these moments were glimpses into a world greater than this physical one. It was as if there were cycles that repeated themselves over and over, but most people never saw the repetition; they were too deeply enmeshed in their own path to see.
”
”
Malinda Lo (Last Night at the Telegraph Club)
“
Ged saw all these things from outside and apart, alone, and his heart was very heavy in him, though he would not admit to himself that he was sad. As night fell he still lingered in the streets, reluctant to go back to the inn. He heard a man and a girl talking together merrily as they came down the street past him towards the town square, and all at once he turned, for he knew the man's voice.
He followed and caught up with the pair, coming up beside them in the late twilight lit only by distant lantern-gleams. The girl stepped back, but the man stared at him and then flung up the staff he carried, holding it between them as a barrier to ward off the threat or act of evil. And that was somewhat more than Ged could bear. His voice shook a little as he said, "I thought you would know me, Vetch."
Even then Vetch hesitated for a moment.
"I do know you," he said, and lowered the staff and took Ged's hand and hugged him round the shoulders-" I do know you! Welcome, my friend, welcome! What a sorry greeting I gave you, as if you were a ghost coming up from behind– and I have waited for you to come, and looked for you-
”
”
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
“
My shamans have read the sands. They have learned much of your future. (...)’
Gamet was scowling. ‘I do not wish to offend, Warchief, but I hold little faith in divination. No mortal—no god—can say we are doomed, or destined. The future remains unknown, the one thing we cannot force a pattern upon.’
(...)
‘Do you not see patterns in history, Fist? Are you blind to the cycles we all suffer through? Look upon this desert, this wasteland you cross. Yours is not the first empire that would claim it. And what of the tribes? Before the Khundryl, before the Kherahn Dhobri and the Tregyn, there were the Sanid, and the Oruth, and before them there were others whose names have vanished. Look upon the ruined cities, the old roads. The past is all patterns, and those patterns remain beneath our feet, even as the stars above reveal their own patterns—for the stars we gaze upon each night are naught but an illusion from the past.’ He raised the jug again and studied it for a moment. ‘Thus, the past lies beneath and above the present, Fist. This is the truth my shamans embrace, the bones upon which the future clings like muscle.
”
”
Steven Erikson (House of Chains (Malazan Book of the Fallen, #4))
“
He who by progress has grown from the darkness, lifted himself from the night into light, free is he made of the Halls of Amenti, free of the Flower of Light and of Life.
Guided he then, by wisdom and knowledge, passes from men, to the Master of Life.
There he may dwell as one with the Masters, free from the bonds of the darkness of night.
Seated within the flower of radiance sit seven Lords from the Space-Times above us, helping and guiding through infinite Wisdom, the pathway through time of the children of men.
Mighty and strange, they, veiled with their power, silent, all-knowing, drawing the Life force, different yet one with the children of men.
Different, and yet One with the Children of Light.
Custodians and watchers of the force of man’s bondage, ready to loose when the light has been reached.
First and most mighty, sits the Veiled Presence, Lord of Lords, the infinite Nine,
over the other from each the Lords of the Cycles; Three, Four, Five, and Six, Seven, Eight, each with his mission, each with his powers, guiding, directing the destiny of man.
There sit they, mighty and potent, free of all time and space.
”
”
Hermes Trismegistus (The Emerald Tablet Of Hermes)
“
She blamed herself and hated herself and punished herself because that’s what women are taught to do. Blame themselves. Blame the victims. Tell themselves that since the Angela Dunleavys and Taylor Morrisons and Madeline Forresters of the world had sat through the same lessons on assault, received the same tiny bottles of pepper spray, and endured the same self-defense classes, it must have been their fault they were attacked. Or raped. Or killed. No one tells women that none of it is their fault. That the blame falls squarely on the awful men who do terrible things and the fucked-up society that raises them, molds them, makes excuses for them. People don’t want to admit that there are monsters in their midst, so the monsters continue to roam free and the cycle of violence and blame continues.
”
”
Riley Sager (Survive the Night)
“
Gansey felt the entire year reshaping itself in his head. Every night he'd been terrified for Ronan's well-being. All of the times Ronan had said, It's not like that. At once he was incensed Ronan would have allowed him such continuous fear and relieved that Ronan was not such a foreign creature after all. It was easier for Gansey to wrap his head around a Ronan who made dreams real than a Ronan who wanted to die.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
hadn’t seen the quote in any other coverage or on Twitter, so I tweeted it out to my now-few thousand followers. From there it took on a life of its own—the New York Times and viral online outlets like BuzzFeed posted stories about it. It was all over cable news that night, including Rachel Maddow’s show on MSNBC. A single tweet disrupted the presidential news cycle, throwing Romney’s campaign off message for days.
”
”
Lis Smith (Any Given Tuesday: A Political Love Story – An Entertaining and Intimate New York Times Bestseller)
“
In one corner of the chamber, she saw the tip of a thick green vine force its way between the painted tiles, cracking them. More vines appeared next to the first; they poked through the wall from the outside and spread across the floor, covering it in a sea of writhing, snakelike appendages.
Watching them crawl toward her, Nasuada began to chuckle. Is this all he can think of? I have stranger dreams nearly every night.
”
”
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
“
In interviews with riders that I've read and in conversations that I've had with them, the same thing always comes up: the best part was the suffering. In Amsterdam I once trained with a Canadian rider who was living in Holland. A notorious creampuff: in the sterile art of track racing he was Canadian champion in at least six disciplines, but when it came to toughing it out on the road he didn't have the character.
The sky turned black, the water in the ditch rippled, a heavy storm broke loose. The Canadian sat up straight, raised his arms to heaven and shouted: 'Rain! Soak me! Ooh, rain, soak me, make me wet!'
How can that be: suffering is suffering, isn't it?
In 1910, Milan—San Remo was won by a rider who spent half an hour in a mountain hut, hiding from a snowstorm. Man, did he suffer!
In 1919, Brussels—Amiens was won by a rider who rode the last forty kilometers with a flat front tire. Talk about suffering! He arrived at 11.30 at night, with a ninety-minute lead on the only other two riders who finished the race. The day had been like night, trees had whipped back and forth, farmers were blown back into their barns, there were hailstones, bomb craters from the war, crossroads where the gendarmes had run away, and riders had to climb onto one another's shoulders to wipe clean the muddied road signs.
Oh, to have been a rider then. Because after the finish all the suffering turns into memories of pleasure, and the greater the suffering, the greater the pleasure. That is Nature's payback to riders for the homage they pay her by suffering. Velvet pillows, safari parks, sunglasses: people have become woolly mice. They still have bodies that can walk for five days and four nights through a desert of snow, without food, but they accept praise for having taken a one-hour bicycle ride. 'Good for you.' Instead of expressing their gratitude for the rain by getting wet, people walk around with umbrellas. Nature is an old lay with few suitors these days, and those who wish to make use of her charms she rewards passionately.
That's why there are riders.
Suffering you need; literature is baloney.
”
”
Tim Krabbé (The Rider)
“
When Adam kissed him, it was every mile per hour Ronan had ever gone over the speed limit. It was every window-down, goose-bumps-on-skin, teeth-chattering-cold night drive. It was Adam’s ribs under Ronan’s hands and Adam’s mouth on his mouth, again and again and again. It was stubble on lips and Ronan having to stop, to get his breath, to restart his heart. They were both hungry animals, but Adam had been starving for longer.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
I wish I could do to you what you did to me, he wished. But it can’t be done to an android because they don’t care. If I had killed you last night, my goat would be alive now. There’s where I made the wrong decision. Yes, he thought; it can all be traced back to that and to my going to bed with you. Anyhow, you were correct about one thing; it did change me. But not in the way you predicted.
A much worse way, he decided.
And yet I don’t really care. Not any longer. Not, he thought, after what happened to me up there, toward the top of the hill. I wonder what would have come next, if I had gone on climbing and reached the top. Because that’s where Mercer appears to die. That’s where Mercer’s triumph manifests itself, there at the end of the great sidereal cycle.
But if I’m Mercer, he thought, I can never die, not in ten thousand years. Mercer is immortal.
”
”
Philip K. Dick (Do Androids Dream of Electric Sheep?)
“
The truth a fairly important thing to hold on to when you’ve been pulled out of the sea after wanting to drown in it. I could’ve let the sea take me. I could easily be dead now, which is funny when you think of it. When I say funny, what I actually mean is weird and kind of disturbing.
When there’s the loud sound of a siren screaming in your head it doesn’t take too long before a feeling of not caring what happens washed over you and you become recklessly self- destructive. I used to be full of energy and happiness but I could barely remember those kinds of feelings. The cheerful, childish things I used to think had been replaced. A whole load of new realisations had begun to grow inside me like tangled weeds, and they were starting to kill me. That’s why I’d make the decision that involved heading ogg to the pier on my pike in the middle of the night and cycling off it.
”
”
Sarah Moore Fitzgerald (The Apple Tart of Hope)
“
performance during PMS: Take 250 milligrams of magnesium, 45 milligrams of zinc, 80 milligrams of aspirin (baby aspirin), and 1 gram of omega-3 fatty acids (flaxseed and fish oil) each night for the 7 days before your period starts. Pretraining: Take 5 to 7 grams of branched-chain amino acid supplement (BCAAs) to fight the lack of mojo. These amino acids cross the blood-brain barrier and decrease the estrogen-progesterone effect on central nervous system fatigue. In training: Consume a few more carbohydrates per hour. In this high-hormone phase, aim for about 0.45 gram of carbohydrate per pound of body weight (about 61 grams for a 135-pound woman) per hour. In the low-hormone phase (first 2 weeks of the cycle), you can go a bit lower—about 0.35 gram of carbohydrate per pound of body weight (about 47 grams for a 135-pound woman) per hour. (For reference: 2.2 kilograms = 1 pound.) Post-training: Recovery is critical. Progesterone is extremely catabolic (breaks muscle down) and inhibits recovery. Aim to consume 20 to 25 grams of protein within 30 minutes of finishing your session. Overall you should aim to get 0.9 to 1 gram of protein per pound per day (a 135-pound woman needs about 122 to 135 grams of protein per day; see the Roar Daily Diet Cheat Sheet for Athletes for more information). THE MARTIAL ARTIST WHO BEAT HER BLOAT It may not be nice to fool Mother Nature, but there are definitely times when you need to trick her a little.
”
”
Stacy T. Sims (Roar: How to Match Your Food and Fitness to Your Unique Female Physiology for Optimum Performance, Great Health, and a Strong, Lean Body for Life)
“
Once I abandon the fight to return to sleep and claim my wakefulness, I can find a slanting love for this part of the night, the almost-morning. As the only one awake, I luxuriate in a space in which I can drink in the silence. It’s an undemanding moment in the twenty-four-hour cycle. Nobody can reasonably expect you to be checking texts or emails, and the scrolling feeds of social media have fallen quiet. In a world where it’s hard to feel alone, this finally represents solitude.
”
”
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
“
The little Otak was hiding in the rafters of the house, as it did when strangers entered. There it stayed while the rain beat on the walls and the fire sank down and the night wearing slowly along left the old woman nodding by the hearthpit. Then the otak crept down and came to Ged where he lay stretched stiff and still upon the bed. It began to lick his hands and wrists, long and patiently, with its dry leaf-brown tongue. Crouching beside his head it licked his temple, his scarred cheek, and softly his closed eyes. And very slowly under that soft touch Ged roused. He woke, not knowing where he had been or where he was or what was the faint grey light in the air about him, which was the light of dawn coming to the world. Then the otak curled up near his shoulder as usual, and went to sleep.
Later, when Ged thought back upon that night, he knew that had none touched him when he lay thus spirit-lost, had none called him back in some way, he might have been lost for good. It was only the dumb instinctive wisdom of the beast who licks his hurt companion to comfort him, and yet in that wisdom Ged saw something akin to his own power, something that went as deep as wizardry. From that time forth he believed that the wise man is one who never sets himself apart from other living things, whether they have speech or not, and in later years he strove to learn what can be learned, in silence, from the eyes of animals, the flight of birds, the great slow gestures of trees
”
”
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
“
I'm sorry," Gansey said, not looking at her as she leaned on the car beside him. "That was very rude."
Blue thought of a few things to reply, but couldn't say any of them out loud. She felt like one of the night birds had gotten inside her. It tumbled and fumbled every time she breathed.
He's going to die; this is going to hurt--
But she touched his neck, right where his hair was cut evenly above the collar of his shirt. He was very still. His skin was hot, and she could very, very faintly feel his pulse beneath her thumb. It wasn't like when she was with Adam. She didn't have to guess what to do with her hands. They knew. This was what it should have felt like with Adam. Less like playacting and more like a foregone conclusion.
He closed his eyes and leaned, just a little, so that her palm was flat on his neck, fingers sprawled from his ear to his shoulder.
Everything in Blue was charged. Say something. Say something.
Gansey lifted her hand gently from his skin, holding it as formally as a dance. He put it against his mouth.
Blue froze. Absolutely still. Her heart didn't beat. She didn't blink. She couldn't say don't kiss me. She couldn't even form don't.
He just leaned his cheek and the edge of his mouth against her knuckles, and then set her hand back.
"I know," he said. "I wouldn't."
Her skin burned with the memory of his mouth. The thrashing bird of her heart shivered and shivered again. "Thank's for remembering."
He looked back over the valley. "Oh, Jane."
"Oh, Jane, what?"
"He didn't want me to, did you know? He told me not to try to get you to come to the table that night at Nino's. I had to talk him into it. And then I made such an idiot of myself--" He turned back to her. "What are you thinking?"
She just looked at him. That I went out with the wrong boy. That I destroyed Adam tonight for no reason at all. That I'm not sensible at all--"I thought you were an asshole."
Gallantly, he said, "Thank God for past tense." Then: "I can't--we can't do this to him."
It was jagged inside her. "I'm not a thing. To have."
"No. Jesus. Of course you're not. But you know what I mean."
She did. And he was right. They couldn't do this to him. She shouldn't do it to herself, anyway. But how it made a disaster of her chest and her mouth and her head.
"I wish you could be kissed, Jane," he said. "Because I would beg one off you. Under all this." He flailed an arm toward the stars. "And then we'd never say anything about it again.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
15. Profound connection to the natural world. I’ve written a bit, mostly in general terms, about Indigenous spirituality and how, throughout the world, native cultures have a deep connection to the cycles, beauty, and mystery of nature. Think of the power and mystery in the last words of Chief Crowfoot, quoted in 1890: “What is life? It is the flash of a firefly in the night. It is the breath of a buffalo in the wintertime. It is the little shadow which runs across the grass and loses itself in the sunset.
”
”
Rainn Wilson (Soul Boom: Why We Need a Spiritual Revolution)
“
It was an exquisite kind of torture, cycling through those posts. Merritt judged the clothing, the poses, the captions, the hashtags, all with a level of snark and bile that embarrassed her. She felt immensely sorry for herself, and then immediately congealed thst feeling into one of self-loathing. Why the fuck did she care? What was any of this for and why couldn’t she leave it alone and do something worth doing?
But she didn’t. She’d eat some things. Fall asleep for awhile. And the next night she’d haunt again.
”
”
Emily M. Danforth (Plain Bad Heroines)
“
Paint thinner is the boatyard’s morning dew. The stringent smell awakens the mind of a sailor as spring flowers awaken the mind of a poet.
The boatyard, a reflection of your life, reminds us that the least desirable jobs often prove to be the most important and fulfilling. The harder the task, the more one feels rewarded when accomplishing it. Paint erratically splatters on skin in the same fashion that the stars come to fill up the night sky, the constellations on your forearms telling of the most recent project.
”
”
Kenton Geer (Vicious Cycle: Whiskey, Women, and Water)
“
I lost the ability to fear and panic. Instead I felt practical and causal. I had never known time to pass so acutely before. I sat out through the night with the patrol, watching the bitter glow of stars overhead, listening as the season exhaled and the layers of vegetation shrugged and compressed, like the ashes of burnt wood. On the hills I was aware of every corporeal moment, every cycle of light. I felt every fibre of myself conveying energy, and I understood that it was finite, that the chances I had in life would not come again.
”
”
Sarah Hall (Daughters of the North)
“
They talked for another few minutes, then Arya made her excuses and rose to leave.
As she stepped past him, Eragon reached toward her, as if to stop her, then quickly drew back his hand. “Wait,” he said softly, unsure of what he hoped for, but hoping nevertheless. The beat of his heart increased, pounding in his ears, and his cheeks grew warm.
Arya paused with her back to him by the entrance of the tent. “Good night, Eragon,” she said. Then she slipped out between the entrance flaps and vanished into the night, leaving him to sit alone in the dark.
”
”
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
“
Love's Question "
And is this all true,
My ever-loving friend?
That the lightning-flash of the light in my eyes
Makes the clouds in your heart explode and blaze,
Is this true?
That my sweet lips are red as a blushing new bride,
My ever-loving friend,
Is this true?
That a tree of paradise flowers withing me,
That my foosteps ring like vinas beneath me,
Is this true?
That the night sheds drops of dew at the sight of me,
That the dawn surrounds me with light from delight in me,
Is this true?
That the touch of my hot cheek intoxicates the breeze,
My ever-loving friend,
Is this true?
That daylight hides in the dark of my hair,
That my arms hold life and death in their power,
Is this true?
That the earth can be wrapped in the end of my sari,
That my voice makes the world fall silent to hear me,
Is this true?
That the univrse is nothing but me and what loves me,
My ever-loving friend,
Is this true?
That for me alone your love has been waiting
Through worlds and ages awake and wandering,
Is this true?
That my voice, eyes, lips have brought you relief,
In a trice, from the cycle of life after life,
Is this true?
That you read on my soft forehead inginite Truth,
My ever-loving friend,
Is this true?
”
”
Rabindranath Tagore
“
But what offering can I consecrate to you, oh Master? -
You, who have bestowed hearing upon all creatures?
- My memory of one spring day,
In the evening, in Russia, - a stallion ...
Running alone from the hamlet across to us
The pale horse, a tethering-peg dangling from his fetlock,
To spend a night solitary in the meadow;
How he shook his tangled mane,
Tossed in time to his haughty step,
Despite his clumsily impeded gallop.
How the fountains leapt up of his charger’s blood!
He intuited the vastnesses and, oh from that
He sang! He heard! - yes, your cycle of legends
Was embraced within him.
His image: that I offer.
”
”
Rainer Maria Rilke (Sonnets to Orpheus)
“
Our REM sleep in 90-minute bursts, in a 24 hour cycle "digests" trauma that is experienced on a daily basis. In dreaming, the brain compares the trauma with early memory traces of similar experience, and files the memories of the day's events according to an affect-based associative system for further use and potential survival value. Comforting figures may appear in the dream to give care, advice, counsel, and relief, if necessary. The nightly dream process helps the dreamer receive positive resolution of his or her experience, and the dreamer moves on to the next day's activities restored, refreshed, and prepared for survival-based action.
”
”
Marion F. Solomon (Healing Trauma: Attachment, Mind, Body and Brain (Norton Series on Interpersonal Neurobiology))
“
What fresh hell is this?” Gansey asked pleasantly. Ronan was wearing headphones as usual, so Gansey stretched forward far enough to tug them down around his neck. Music wailed faintly into the air. Ronan lifted his head. As he did, the wicked flowers on his back shifted and hid behind his sharp shoulder blades. In his lap was the half-formed raven, its head tilted back, beak agape. “I thought we were clear on what a closed door meant,” Ronan said. He held a pair of tweezers in one hand. “I thought we were clear that night was for sleeping.” Ronan shrugged. “Perhaps for you.” “Not tonight. Your pterodactyl woke me. Why is it making that sound?
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
“
Calf-deep in the soothing water I indulge myself in the wishful vision. I am not unaware of what such daydreams signify, dreams of becoming an unthinking savage, of taking the cold road back to the capital, of groping my way out to the ruins in the desert, of returning to the confinement of my cell, of seeking out the barbarians and offering myself to them to use as they wish. Without exception they are dreams of ends: dreams not of how to live but of how to die. And everyone, I know, in that walled town sinking now into darkness (I hear the two thin trumpet calls that announce the closing of the gates) is similarly preoccupied. What has made it impossible for us to live in time like fish in the water, like birds in air, like children? It is the fault of Empire! Empire has created the time of history. Empire has located its existence not in the smooth recurrent spinning time of the cycle of the seasons but in the jagged time of rise and fall, of beginning and end, of catastrophe. Empire dooms itself to live in history and plot against history. One thought alone preoccupies the submerged mind of Empire: how not to end, how not to die, how to prolong its era. By day it pursues its enemies. It is cunning and ruthless, it sends its bloodhounds everywhere. By night it feeds on images of disaster: the sack of cities, the rape of populations, pyramids of bones, acres of desolation. A mad vision yet a virulent one: I, wading in the ooze, am no less infected with it than the faithful Colonel Joll as he tracks the enemies of Empire through the boundless desert, sword unsheathed to cut down barbarian after barbarian until at last he finds and slays the one whose destiny it should be (or if not his then his son's or unborn grandson's) to climb the bronze gateway to the Summer Palace and topple the globe surmounted by the tiger rampant that symbolizes eternal domination, while his comrades below cheer and fire their muskets in the air.
”
”
J.M. Coetzee (Waiting for the Barbarians)
“
The problem is particularly acute for teenagers because their circadian cycles can be up to two hours adrift from those of their elders, turning them into comparative night owls. When a teenager struggles to get up in the morning, that isn’t laziness; it’s biology. Matters are compounded in America by what The New York Times in an editorial called “a dangerous tradition: starting high school abnormally early.” According to the Times, 86 percent of U.S. high schools start their day before 8:30 a.m., and 10 percent start before 7:30. Later start times have been shown to produce better attendance, better test results, fewer car accidents, and even less depression and self-harm.
”
”
Bill Bryson (The Body: A Guide for Occupants)
“
Bless me, readers, for I have published. It's been five years since my last book. Greetings, fellow sinners! If you picked up a copy of this book, it means you are either: 1) wracked with guilt and are looking for penance, or 2) need to spend over $10.00 at the airport newsstand so you can use your credit card. Either way, welcome to Stephen Colbert's Midnight Confessions.
As America's foremost TV Catholic, it was natural for me to do a segment inspired by the church. After all, the Catholic Church and late night TV actually have a lot in common: our shows last about an hour, we're obsessed with reaching younger demographics, and the hosts are almost always men. This religious-adjacent tome contains all my favorite confessions from The Late Show. These are things that aren't necessarily sins, but I do feel guilty about them. For instance, repackaging material from the show and selling it in a book.
I've always been a big fan of confession. The confessional is a great place to go to relieve yourself of your sins. Unless you're claustrophobic, in which case it's a suffocating death trap of despair!
And while most confession books just give you run-of-the-mill mortal sins, I go one step further and provide you with mortal sins, venial sins, deadly sins, and even sins of omission (Notice that the previous sentence didn't have a period!)
This book is a throwback to a simpler life when people would go to a priest to confess their sins. As opposed to how it's done now - getting drunk and weeping to Andy Cohen on Bravo.
Confessing your sins is a great way to get things off your chest. Second only to waxing.
The only downside is that you get introduced to it as a kid, before you have any juicy sins to confess. Oh, you stole a cookie? That's adorable, Becky. Come back when you total your dad's Chevy.
Now you might be asking yourself, "What if I'm not Catholic - can I still enjoy this book?" Of course. After all, no matter what religion you are - be it Jewish, Muslim, Lutheran, Pagan, or SoulCycle - we all have things to feel guilty about. For example, not being Catholic.
”
”
Stephen Colbert (Stephen Colbert's Midnight Confessions)
“
Darkness Always Ends No matter how your day goes, the sun always rises the next day. You get a fresh start. Likewise, I’ve learned every dark season in life comes to an end. If you hang in there long enough, you’ll reach the dawn. I believe God created that sunrise-sunset pattern as a reminder for us when life gets difficult. For official records, we measure time by the midnight hour. Our calendar days go from midnight to midnight. We begin and end our days in darkness. And when we consider our days, we split them into two parts: daytime first, followed by nighttime. Light first, then the darkness. But not everyone views the cycle that way. The biblical account of creation reverses our cycle: “And there was evening and there was morning, one day” (Genesis 1:5). The Jewish calendar follows suit with that original creation account. That calendar runs from sunset to sunset. The full hours of darkness come first, followed by the full hours of light. In other words, from God’s perspective, each day ends with light. Year after year, I’ve derived such encouragement from that picture. I believe this is why the psalmist David wrote, “Weeping may last for the night, but a shout of joy comes in the morning” (Psalm 30:5). You have every reason to believe for a miracle. You have every reason to believe God won’t abandon you. Nothing in this life lasts forever. Your dark season will come to an end. And chances are, it won’t take until your dying day. It won’t kill you. Things might look bleak at first, but they can improve. With night and day, God has given us a picture of hope. The sun always rises. Things will always get brighter. “The end of a matter is better than its beginning” (Ecclesiastes 7:8). Whether it’s a day or a season in your life, it doesn’t matter how things look in the midst of it. What matters is how it ends. Oftentimes, for the circumstances to improve, we must take particular steps along the way. A bright outcome might depend, in part, on how we choose to respond to what has occurred. Or preemptive steps might put us at an advantage down the road. God give us a role to perform. But the breakthrough is available.
”
”
John Herrick (8 Reasons Your Life Matters)
“
My sleep cycle is a bit more elaborate. The seven stages of sleep (according to my body) STAGE 1: You take the maximum dose of sleeping pills, but they don’t work at all and then you glare at their smug bottles at three a.m., whispering, “You lying bastards.” STAGE 2: You fall asleep for eight minutes and you have that dream where you’ve missed a semester of classes and don’t know where you’re supposed to be and when you wake up you realize that even in sleep you’re fucking your life up. STAGE 3: You close your eyes for just a minute but never lose consciousness and then you open your eyes and realize it’s been hours since you closed your eyes and you feel like you’ve lost time and were probably abducted by aliens. STAGE 4: This is the sleep that you miss because you’re too busy looking up “Symptoms of Alien Abduction” on your phone. STAGE 5: This is the deep REM sleep that recharges you completely and doesn’t actually exist but is made up by other people to taunt you. STAGE 6: You hover in a state of half sleep when you’re trying to stay under but someone is touching your nose and you think it’s a dream but now someone is touching your mouth and you open your eyes and your cat’s face is an inch from yours and he’s like, “BOOP. I got your nose.” STAGE 7: You finally fall into the deep sleep you desperately need. Sadly, this sleep only comes after you’re supposed to be awake, and you feel guilty about getting it because you should have been up hours ago but you’ve been up all night and now your arms are missing.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
Living one’s desire is an adventure like no other. There are no safety nets, no seat belts. In fact, when you plight your troth to your desires, you’re kind of asking for it. You’re grabbing the hand of the Great Pussy in the Sky and asking to be broken open. Asking to be remade. Asking for the current version of you to be shattered and reassembled into the woman you were born to become. This is part of the life cycle of what it means to be a woman. Just as the seasons are cyclical, with winter as necessary as spring, and the sun and moon move in cycles, with times of light and times of darkness, so moves the body and soul of a woman. We each require the dark night of the soul as much as we require the light. The word I use to describe this undoing? Rupture.
”
”
Regena Thomashauer (Pussy: A Reclamation)
“
At night, fishermen are paid for their hard work with one of the Pacific’s greatest views—the gates to the heavens above. Hawaii’s remoteness to the rest of the world leaves the skies unpolluted by man’s industrial byproducts and artificial light known on the mainland. A man can actually look back in time when he gets far enough away from the shores of Hawaii and leaves modern society behind. He will find a sky above him before the hustle and bustle of mankind, a place where a stunning display of rhythmically twinkling stars are the norm and planets lay boldly pronounced. Shooting stars are commonplace and so is the humbling feeling a man gets when looking at this masterpiece before him. The boat churns up neon-green phosphoresce that glows in the water below like fireflies. When the ocean is calm enough and the moon dark enough, it is completely impossible to tell where the earth ends and where the heavens begin.
”
”
Kenton Geer (Vicious Cycle: Whiskey, Women, and Water)
“
CYCLES NOT HOURS: SEVEN STEPS TO SLEEP SMARTER Your constant wake time is the anchor that holds in place the R90 technique – set one, and stick to it. If you share your bed with a partner, get them to do the same, and ideally make them the same time. Think of sleep in ninety-minute cycles, not hours. Your sleep time is flexible, but it is determined by counting back in ninety-minute slots from your wake time. Look at sleep in a broader tract of time to take the pressure off. One ‘bad night’s sleep’ won’t kill you – think of it in cycles per week. Try to avoid three nights of fewer cycles than your ideal back to back. It’s not simply quality vs. quantity. Know how much you need. For the average person, thirty-five cycles per week is ideal. Twenty-eight (six hours per night) to thirty is OK. If you’re getting anything less which isn’t planned for, you might be overdoing it. Aim to achieve your ideal amount at least four times per week.
”
”
Nick Littlehales (Sleep: Change the way you sleep with this 90 minute read)
“
becomes more powerful. It believes alcohol is necessary for survival (again, more than food, more than sex), and it’s on a mission to get it. If you’ve ever woken up hungover and resolved to never drink again, and at five p.m. found yourself standing in line with a bottle of red in your hand, this is the flip. Your top-down controls—which made promises to not drink, which are horrified by your perceived weakness, which know that alcohol does you no favors, which want a social life and a future and a sober night with your kids—are weakened, and the part of you that thinks in terms of the next fifteen seconds, which is concerned only with your survival, is running the show and telling you to fuck it, the wine is what matters. This is the cycle of addiction. It doesn’t matter how much we want to quit or hate that we haven’t; we feel compelled to ingest a substance or engage in a behavior we think will provide relief, or make us feel good, and whatever relief or goodness we get in the
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
I made an appointment with a sleep doctor, who explained that during the sleep study people would be watching me sleep and monitoring my brain waves to see how I reacted during the four stages of sleep. I'd explain those stages if I could spell all the complicated words but they basically range from "Wide awake" to "Just barely not dead."
My sleep cycle is a bit more elaborate.
The seven stages of sleep (according to my body)
STAGE 1: You take the maximum dose of sleeping pills, but they don't work at all and then you glare at their smug bottles at three a.m., whispering, "You lying bastards."
STAGE 2: You fall asleep for eight minutes and you have that dream where you've missed a semester of classes and don't know where you're supposed to be and when you wake up you realize that even in your sleep you're fucking your life up.
STAGE 3: You close your eyes for just a minute but never lose consciousness and then you open your eyes and realize it's been hours since you closed your eyes and you feel like you've lost time and were probably abducted by aliens.
STAGE 4: This is the sleep that you miss because you're too busy looking up "Symptoms of Alien Abduction" on your phone.
STAGE 5: This is the deep REM sleep that recharges you completely and doesn't actually exist but is made up by other people to taunt you.
STAGE 6: You hover in a state of half sleep when you're trying to stay under but someone is touching your nose and you think it's a dream but now someone is touching your mouth and you open your eyes and your cat's face is an inch from yours and he's like, "BOOP. I got your nose."
STAGE 7: You finally fall into the deep sleep you desperately need. Sadly, this sleep only comes after you're suppose to be awake, and you feel guilty about getting it because you should have been up hours ago but you've been up all night and now your arms are missing.
I suspected that the only stage of sleep I'd have during the sleep study would be the sleep you don't get because strangers are watching you.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
So how are we going to handle this?”
“This is going to sound strange, but what if we pretend, for the next ten minutes, that I don’t live here. I’ll walk you to the door. You go inside, then I’ll get back in my car and drive around the block.”
I giggled. “That seems a little drastic.”
“Yeah, but if we don’t do it like this I’m going to be kissing you all the way to your room. We sorta need to break the cycle.”
“Okay.”
He kissed me again. Slow. So Slow. His fingers in my hair. His thumb drawing a circle on my cheek.
He drew back. “Okay.”
He opened the car door and climbed out. I opened the door on my side, and by the time I got out, he was standing there. He took my hand, gave me a quick kiss, and led me to the front porch where my parents had left the light on.
“I had a really nice time,” I said with a very serious face.
He chuckled lightly. “Yeah, me, too. Maybe we could go out again sometime.”
I almost burst out laughing. “I’d like that.”
“Good night, Dani,” he said quietly.
Then he took me in his arms and gave me a good-night kiss to remember.
”
”
Rachel Hawthorne (The Boyfriend League)
“
Keep this thought at the ready at daybreak, and through the day and night—there is only one path to happiness, and that is in giving up all outside of your sphere of choice, regarding nothing else as your possession, surrendering all else to God and Fortune.” —EPICTETUS, DISCOURSES, 4.4.39 This morning, remind yourself of what is in your control and what’s not in your control. Remind yourself to focus on the former and not the latter. Before lunch, remind yourself that the only thing you truly possess is your ability to make choices (and to use reason and judgment when doing so). This is the only thing that can never be taken from you completely. In the afternoon, remind yourself that aside from the choices you make, your fate is not entirely up to you. The world is spinning and we spin along with it—whichever direction, good or bad. In the evening, remind yourself again how much is outside of your control and where your choices begin and end. As you lie in bed, remember that sleep is a form of surrender and trust and how easily it comes. And prepare to start the whole cycle over again tomorrow.
”
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Ryan Holiday (The Daily Stoic: 366 Meditations on Wisdom, Perseverance, and the Art of Living)
“
Kekulé dreams the Great Serpent holding its own tail in its mouth, the dreaming Serpent which surrounds the World. But the meanness, the cynicism with which this dream is to be used. The Serpent that announces, "The World is a closed thing, cyclical, resonant, eternally-returning," is to be delivered into a system whose only aim is to violate the Cycle. Taking and not giving back, demanding that "productivity" and "earnings" keep on increasing with time, the System removing from the rest of the World these vast quantities of energy to keep its own tiny desperate fraction showing a profit: and not only most of humanity—most of the World, animal, vegetable, and mineral, is laid waste in the process. The System may or may not understand that it's only buying time. And that time is an artificial resource to begin with, of no value to anyone or anything but the System, which must sooner or later crash to its death, when its addiction to energy has become more than the rest of the World can supply, dragging with it innocent souls all along the chain of life. Living inside the System is like riding across the country in a bus driven by a maniac bent on suicide . . . though he's amiable enough, keeps cracking jokes back through the loudspeaker . . . on you roll, across a countryside whose light is forever changing--castles, heaps of rock, moons of different shapes and colors come and go. There are stops at odd hours of teh mornings, for reasons that are not announced: you get out to stretch in lime-lit courtyards where the old men sit around the table under enormous eucalyptus trees you can smell in the night, shuffling the ancient decks oily and worn, throwing down swords and cups and trumps major in the tremor of light while behind them the bus is idling, waiting--"passengers will now reclaim their seats" and much as you'd like to stay, right here, learn the game, find your old age around this quiet table, it's no use: he is waiting beside the door of the bus in his pressed uniform, Lord of the Night he is checking your tickets, your ID and travel papers, and it's the wands of enterprise that dominate tonight...as he nods you by, you catch a glimpse of his face, his insane, committed eyes, and you remember then, for a terrible few heartbeats, that of course it will end for you all in blood, in shock, without dignity--but there is meanwhile this trip to be on ... over your own seat, where there ought to be an advertising plaque, is instead a quote from Rilke: "Once, only once..." One of Their favorite slogans. No return, no salvation, no Cycle--that's not what They, nor Their brilliant employee Kekule, have taken the Serpent to mean.
”
”
Thomas Pynchon
“
Ronan's trying to wake up the world. I'm trying to think of how to talk him out of it, but what he's talking about is a world where she never fell asleep. A world where Matthew's just a kid. A world where it doesn't matter what Hennessy does, if something happens to her. A level playing field. I don't think it's a good idea, but it's not like I can't see the appeal, because now I'm biased, I'm too biased to be clear." Declan shook his head a little. "I said I would never become my father, anything like him. And now look at me. At us."
Ah, there it was.
It took no effort to remember the way he'd looked at her the first moment he realized she was a dream.
"I'm a dream," Jordan said. "I'm not your dream."
Declan put his chin in his hand and looked back out the window; that, too, would be a good portrait. Perhaps it was just because she liked looking at him that she thought each pose would make a good one. A series. What a future that idea promised, nights upon nights like this, him sitting there, her standing here.
"By the time we're married," Declan said eventually, "I want you to have applied for a different studio in this place because this man's paintings are very ugly."
Her pulse gently skipped two beats before continuing on as before. "I don't have a social security number of my own, Pozzi."
"I'll buy you one," Declan said. "You can wear it in place of a ring."
The two of them looked at each other past the canvas on her easel.
Finally, he said, voice soft, "I should see the painting now."
"Are you sure?"
"It's time, Jordan."
Putting his jacket to the side, he stood. He waited. He would not come around to look without an invite.
It's time, Jordan.
Jordan had never been truly honest with anyone who didn't wear Hennessy's face. Showing him this painting, this original, felt like being more honest than she had ever been in her life.
She stepped back to give him room.
Declan took it in. His eyes flickered to and from the likeness, from the jacket on Portrait Declan's leg to the real jacket he'd left behind on the chair. She watched his gaze follow the line edge she had taken such care to paint, that subtle electricity of complementary colors at the edge of his form.
"It's very good," Declan muttered. "Jordan, it's very good."
"I thought it might be."
"I don't know if it's a sweetmetal. But you're very good."
"I thought I might be."
"The next one will be even better."
"I think it might be."
"And in ten years your scandalous masterpiece will get you thrown out of France, too," he said. "And later you can triumphantly sell it to the Met. Children will write papers about you. People like me will tell stories about you to their dates at museums to make them think they're interesting."
She kissed him. He kissed her. And this kiss, too, got all wrapped up in the art-making of the portrait sitting on the easel beside them, getting all mixed in with all the other sights and sounds and feelings that had become part of the process.
It was very good.
”
”
Maggie Stiefvater (Mister Impossible (Dreamer Trilogy, #2))
“
MT: The arrival of Christ disturbs the sacrificial order, the cycle of little false periods of temporary peace following sacrifices? RG: The story of the “demons of Gerasa” in the synoptic Gospels, and notably in Mark, shows this well. To free himself from the crowd that surrounds him, Christ gets on a boat, crosses Lake Tiberias, and comes to shore in non-Jewish territory, in the land of the Gerasenes. It's the only time the Gospels venture among a people who don't read the Bible or acknowledge Mosaic law. As Jesus is getting off the boat, a possessed man blocks his way, like the Sphinx blocking Oedipus. “The man lived in the tombs and no one could secure him anymore, even with a chain. All night and all day, among the tombs and in the mountains, he would howl and gash himself with stones.” Christ asks him his name, and he replies: “My name is Legion, for there are many of us.” The man then asks, or rather the demons who speak through him ask Christ not to send them out of the area—a telling detail—and to let them enter a herd of swine that happen to be passing by. And the swine hurl themselves off the edge of the cliff into the lake. It's not the victim who throws himself off the cliff, it's the crowd. The expulsion of the violent crowd is substituted for the expulsion of the single victim. The possessed man is healed and wants to follow Christ, but Christ tells him to stay put. And the Gerasenes come en masse to beg Jesus to leave immediately. They're pagans who function thanks to their expelled victims, and Christ is subverting their system, spreading confusion that recalls the unrest in today's world. They're basically telling him: “We'd rather continue with our exorcists, because you, you're obviously a true revolutionary. Instead of reorganizing the demoniac, rearranging it a bit, like a psychoanalyst, you do away with it entirely. If you stayed, you would deprive us of the sacrificial crutches that make it possible for us to get around.” That's when Jesus says to the man he's just liberated from his demons: “You're going to explain it to them.” It's actually quite a bit like the conversion of Paul. Who's to say that historical Christianity isn't a system that, for a long time, has tempered the message and made it possible to wait for two thousand years? Of course this text is dated because of its primitive demonological framework, but it contains the capital idea that, in the sacrificial universe that is the norm for mankind, Christ always comes too early. More precisely, Christ must come when it's time, and not before. In Cana he says: “My hour has not come yet.” This theme is linked to the sacrificial crisis: Christ intervenes at the moment the sacrificial system is complete. This possessed man who keeps gashing himself with stones, as Jean Starobinski has revealed, is a victim of “auto-lapidation.” It's the crowd's role to throw stones. So, it's the demons of the crowd that are in him. That's why he's called Legion—in a way he's the embodiment of the crowd. It's the crowd that comes out of him and goes and throws itself off of the cliff. We're witnessing the birth of an individual capable of escaping the fatal destiny of collective violence. MT
”
”
René Girard (When These Things Begin: Conversations with Michel Treguer (Studies in Violence, Mimesis, & Culture))
“
We tend to be unaware that stars rise and set at all. This is not entirely
due to our living in cities ablaze with electric lights which reflect back at us from our fumes, smoke, and artificial haze. When I discussed the stars with a well-known naturalist, I was surprised to learn that even a man such as he, who has spent his entire lifetime observing wildlife and nature, was totally unaware of the movements of the stars. And he is no prisoner of smog-bound cities. He had no inkling, for instance, that the Little Bear could serve as a reliable night clock as it revolves in tight circles around the Pole Star (and acts as a celestial hour-hand at half speed - that is, it takes 24 hours rather than 12 for a single revolution).
I wondered what could be wrong. Our modern civilization does not ignore
the stars only because most of us can no longer see them. There are definitely deeper reasons. For even if we leave the sulphurous vapours of our Gomorrahs to venture into a natural landscape, the stars do not enter into any of our back-to-nature schemes. They simply have no place in our outlook any more. We look at them, our heads flung back in awe and wonder that they can exist
in such profusion. But that is as far as it goes, except for the poets. This is simply a 'gee whiz' reaction. The rise in interest in astrology today does not result in much actual star-gazing. And as for the space programme's impact on our view of the sky, many people will attentively follow the motions of a visible satellite against a backdrop of stars whose positions are absolutely meaningless to them. The ancient mythological figures sketched in the sky were taught us as children to be quaint 'shepherds' fantasies' unworthy of the attention of adult minds. We are interested in the satellite because we made it, but the stars are alien and untouched by human hands - therefore vapid. To such a level has our technological mania, like a bacterial solution in which we have been stewed from birth, reduced us.
It is only the integral part of the landscape which can relate to the stars.
Man has ceased to be that. He inhabits a world which is more and more his own fantasy. Farmers relate to the skies, as well as sailors, camel caravans,
and aerial navigators. For theirs are all integral functions involving the fundamental principle - now all but forgotten - of orientation. But in an
almost totally secular and artificial world, orientation is thought to be un- necessary. And the numbers of people in insane asylums or living at home doped on tranquilizers testifies to our aimless, drifting metaphysic. And to our having forgotten orientation either to seasons (except to turn on the air- conditioning if we sweat or the heating system if we shiver) or to direction (our one token acceptance of cosmic direction being the wearing of sun-glasses because the sun is 'over there').
We have debased what was once the integral nature of life channelled by cosmic orientations - a wholeness - to the ennervated tepidity of skin sensations and retinal discomfort. Our interior body clocks, known as circadian rhythms, continue to operate inside us, but find no contact with the outside world.
They therefore become ingrown and frustrated cycles which never interlock with our environment. We are causing ourselves to become meaningless body machines programmed to what looks, in its isolation, to be an arbitrary set of cycles. But by tearing ourselves from our context, like the still-beating heart ripped out of the body of an Aztec victim, we inevitably do violence to our psyches. I would call the new disease, with its side effect of 'alienation of the young', dementia temporalis.
”
”
Robert K.G. Temple (The Sirius Mystery: New Scientific Evidence of Alien Contact 5,000 Years Ago)
“
People with wombs have always known that bodies and consciousness are cyclical, tied to a rhythm that is larger than the individual. The cycle is twenty-eight days, full moon to full moon. Moon sounds like a name or a noun. But let us remember that moon is a gerund. Always moving. Always moon-ing. It is time to give the masculine back its lunar knowledge. Wombs swell, yearn, mulch, and release in twenty-eight days. But a womb is not just an organ. It is an invitation that anyone of any physicality and any gender expression can accept. It is an invitation to dance inside change for twenty-eight days. To practice softness for a cycle. The masculine has a womb, too. A moon. All it need do is look up at the night sky. What is lunar wisdom? Even on a new moon night, the moon is still present: replete and whole, while also void and occluded. This is a completion that holds loss tenderly inside its body. It is neatly summed up by Octavia Butler’s powerful words: “God is change.”1 The moon is every gender, every sexuality, mostly both, always trans: waxing and waning. The moon only ever flirts with fullness or emptiness for a brief, tenuous moment before slipping into change. Here is our blended, androgynous Dionysus. Wine-drunk, love-swollen, wind-swept, in ecstatic union with the holy, the moon encourages us to dissolve our edges rather than affirm them. Lunar knowledge keeps us limber. Keeps us resilient. Awe, whether somatic or spiritual, transforms us. The alternative to patriarchy and sky gods is not equal and opposite. It is not a patriarchy with a woman seated on a throne. The Sacred Masculine isn’t a horned warrior bowing down to his impassive empress. The divine, although it includes us, is mostly inhuman. Mutable. Mostly green. Often microscopic. And it is everything in between. Interstitial and relational. The light and the dark. Moonlight on moving water. The lunar bowl where we all mix and love and change.
”
”
Sophie Strand (The Flowering Wand: Rewilding the Sacred Masculine)
“
Arya?”
“Yes?” She drew the word out, her voice rising and falling with a faint lilt.
“What do you want to do once this is all over?” If we’re still alive, that is.
“What do you want to do?”
He fingered Brisingr’s pommel as he considered the question. “I don’t know. I haven’t let myself think much past Urû-baen…It would depend on what she wants, but I suppose Saphira and I might return to Palancar Valley. I could build a hall on one of the foothills of the mountains. We might not spend much time there, but at least we would have a home to return to when we weren’t flying from one part of Alagaësia to another.” He half smiled. “I’m sure there will be plenty to keep us busy, even if Galbatorix is dead…But you still haven’t answered my question: what will you do if we win? You must have some idea. You’ve had longer to think about it than I have.”
Arya drew one leg up onto the stool, wrapped her arms around it, and rested her chin on her knee. In the dim half-light of the tent, her face appeared to float against a featureless black background, like an apparition conjured out of the night.
“I have spent more time among humans and dwarves than I have among the älfakyn,” she said, using the elves’ name in the ancient language. “I have grown used to it, and I would not want to return to live in Ellesméra. Too little happens there; centuries can slip by without notice while you sit and stare at the stars. No, I think I will continue to serve my mother as her ambassador. The reason I first left Du Weldenvarden was because I wanted to help right the balance of the world. As you said, there will still be much htat needs doing if we manage to topple Galbatorix, much that needs putting right, and I would be a part of it.”
“Ah.” It was not exactly what he had hoped she might say, but at least it presented the possibility that they would not entirely lose contact after Urû’baen, and that he would still be able to see her now and then.
If Arya noticed his discontent, she gave no sign of it.
They talked for another few minutes, then Arya made her excuses and rose to leave.
As she stepped past him, Eragon reached toward her, as if to stop her, then quickly drew back his hand. “Wait,” he said softly, unsure of what he hoped for, but hoping nevertheless. The beat of his heart increased, pounding in his ears, and his cheeks grew warm.
Arya paused with her back to him by the entrance of the tent. “Good night, Eragon,” she said. Then she slipped out between the entrance flaps and vanished into the night, leaving him to sit alone in the dark.
”
”
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))