Cycle Lover Quotes

Who am I to deny gravity, Aurora? When you shine brighter than any constellation in the sky?

Lover," she whispers, and closes her eyes. It falls upon her. Love is like dying.

Closing The Cycle One always has to know when a stage comes to an end. If we insist on staying longer than the necessary time, we lose the happiness and the meaning of the other stages we have to go through. Closing cycles, shutting doors, ending chapters - whatever name we give it, what matters is to leave in the past the moments of life that have finished. Did you lose your job? Has a loving relationship come to an end? Did you leave your parents' house? Gone to live abroad? Has a long-lasting friendship ended all of a sudden? You can spend a long time wondering why this has happened. You can tell yourself you won't take another step until you find out why certain things that were so important and so solid in your life have turned into dust, just like that. But such an attitude will be awfully stressing for everyone involved: your parents, your husband or wife, your friends, your children, your sister, everyone will be finishing chapters, turning over new leaves, getting on with life, and they will all feel bad seeing you at a standstill. None of us can be in the present and the past at the same time, not even when we try to understand the things that happen to us. What has passed will not return: we cannot for ever be children, late adolescents, sons that feel guilt or rancor towards our parents, lovers who day and night relive an affair with someone who has gone away and has not the least intention of coming back. Things pass, and the best we can do is to let them really go away. That is why it is so important (however painful it may be!) to destroy souvenirs, move, give lots of things away to orphanages, sell or donate the books you have at home. Everything in this visible world is a manifestation of the invisible world, of what is going on in our hearts - and getting rid of certain memories also means making some room for other memories to take their place. Let things go. Release them. Detach yourself from them. Nobody plays this life with marked cards, so sometimes we win and sometimes we lose. Do not expect anything in return, do not expect your efforts to be appreciated, your genius to be discovered, your love to be understood. Stop turning on your emotional television to watch the same program over and over again, the one that shows how much you suffered from a certain loss: that is only poisoning you, nothing else. Nothing is more dangerous than not accepting love relationships that are broken off, work that is promised but there is no starting date, decisions that are always put off waiting for the "ideal moment." Before a new chapter is begun, the old one has to be finished: tell yourself that what has passed will never come back. Remember that there was a time when you could live without that thing or that person - nothing is irreplaceable, a habit is not a need. This may sound so obvious, it may even be difficult, but it is very important. Closing cycles. Not because of pride, incapacity or arrogance, but simply because that no longer fits your life. Shut the door, change the record, clean the house, shake off the dust. Stop being who you were, and change into who you are.

If through no fault of his own the hero is crushed by a bulldozer in Act II, we are not impressed. Even though life is often like this—the absconding cashier on his way to Nicaragua is killed in a collision at the airport, the prominent statesman dies of a stroke in the midst of the negotiations he has spent years to bring about, the young lovers are drowned in a boating accident the day before their marriage—such events, the warp and woof of everyday life, seem irrelevant, meaningless. They are crude, undigested, unpurged bits of reality—to draw a metaphor from the late J. Edgar Hoover, they are “raw files.” But it is the function of great art to purge and give meaning to human suffering, and so we expect that if the hero is indeed crushed by a bulldozer in Act II there will be some reason for it, and not just some reason but a good one, one which makes sense in terms of the hero’s personality and action. In fact, we expect to be shown that he is in some way responsible for what happens to him.

The Cycle of True Love: First I see and think I love, then I say I know I love, today and forever more I decide to love.

There is no pain equal to that which two lovers can inflict on one another... It is when we begin to hurt those whom we love that the guilt with which we are born becomes intolerable, and since all those whom we love intensely and continuously grow part of us, and since we hate ourselves in them, so we torture ourselves and them together.

Late October Carefully the leaves of autumn sprinkle down the tinny sound of little dyings and skies sated of ruddy sunsets of roseate dawns roil ceaselessly in cobweb greys and turn to black for comfort. Only lovers see the fall a signal end to endings a gruffish gesture alerting those who will not be alarmed that we begin to stop in order to begin again.

Life cannot be lived without irritations and angers; fights and placation-A cycle of Karma, wheels of succor.

I look into my eyes, but they aren’t really mine, not the eyes I used to have. They’re the eyes of someone very tired and very sad, and once I see them I feel even sadder and then I see that sadness, that compassion, for the sadness in my eyes, and I see the water rising in them. I’m both the sad person and the person wanting to comfort the sad person. And then I feel sad for that person who has so much compassion because she’s clearly been through the same thing, too. And the cycle keeps repeating. It’s like when you go into a dressing room with a three-paneled mirror and you line them up just right to see the long narrowing hallway of yourselves diminishing into infinity. It feels like that, like I’m sad for an infinite number of my selves.

The physical as a symbol of the spiritual world. The people who keep old rags, old useless objects, who hoard, accumulate: are they also keepers and hoarders of old ideas, useless information, lovers of the past only, even in its form of detritus?…I have the opposite obsession. In order to change skins, evolve into new cycles, I feel one has to learn to discard. If one changes internally, one should not continue to live with the same objects. They reflect one’s mind and psyche of yesterday. I throw away what has no dynamic, living use. I keep nothing to remind me of the passage of time, deterioration, loss, shriveling.

A woman must choose her friends and lovers wisely, for both can become like a bad stepmother and rotten stepsisters. In the case of our lovers, we often invest them with the power of a great Mage - a great magician. This is easy to do , for if we become truly intimate, it dislike unlocking a lead crystal atelier, a magic one, or so it feels to us. A lover can engender and/or destroy even our most durable connections to our own cycle and ideas. The destructive lover must be avoided. A better sort of lover is one finely wrought of strong psychic muscle and tender flesh. For Wild Woman it also helps if the lover is just a bit psychic too, a person who can "see into" her heart.

Well," he said slowly, "sometimes there's a passion that comes in its springtime to ill fate or death. And because it ends in its beauty, it's what the harpers sing of and the poets make stories of: the love that escapes the years.... "All or nothing, the true lover says, and that's the truth of it. My love will never die, he says. He claims eternity. And rightly. How can it die when it's life itself? What do we know of eternity but the glimpse we get of it when we enter in that bond?

And the Old Matchmaker of the Moon said to the lovers, 'This red thread I bestow upon you. It may stretch and it may tangle, but it will never break. Across cycles and worlds and lifetimes, your souls are now destined.

It is funny how we hurt ourselves, isn’t it? We’re the reason of what happens to us, we’re the reason of our suffering, we choose the wrong people to hang with, to date and to love. The mind blames the heart, the heart blames the lover and that's how the cycle of life and love goes. Sometimes, we’re so afraid to lose people and end up alone. Despite of their hurting, we think that if we chase them away we’ll never be able to fill their places, we fear feeling empty and alone and most of all we fear the fact that they may move on before us.

Suppose time is a circle, bending back on itself. The world repeats itself, precisely, endlessly. For the most part, people do not know they will live their lives over. Traders do not know that they will make the same bargain again. Politicians do not know they will shout from the same lectern an infinite number of times in the cycle of time. Parents treasure the first laugh from their child as if they will not hear it again. Lovers making love the first time undress shyly, show surprise at the supple thigh, the fragile nipple. How would they know that each secret glimpse, each touch will be repeated again and again and again, exactly as before?

It was as good as magic. It was magic. I let it seep from my fingertips when I touched him, and Tristan gripped me tight even as he shuddered. I did it again, again. I’d never touched a lover with magic. I had never been myself, even in those most private moments. Always hiding, never free. Freed, I dragged him down for another kiss.

Human, you are a machine, an organism, an animal, a primate, an artist, an athlete, a thinker, a sponge, a spirit, a comedian, a connoisseur, a cycle of breath in and breath out, an inventor, an expressor, an orator, a lover, an explorer, a creator, evolved. Your mind paints the flowers and the sky using the mind's eye as a paintbrush and light as paint. Splashing life across the blank canvas of reality. That's what you do. Every moment of every day.

It struck Rosie that nowadays everyone lived the way gay men like Kraft had always lived; in brief collisions, restless, among lovers whom there was no way to fix except for as long as you could hold their hands. And then what? And then remember them, and keep in touch: friends.

Because loving is reciprocal physiologic influence, it entails a deeper and more literal connection than most realize. Limbic regulation affords lovers the ability to modulate each other’s emotions, neurophysiology, hormonal status, immune function, sleep rhythms, and stability. If one leaves on a trip, the other may suffer insomnia, a delayed menstrual cycle, a cold that would have been fought off in the fortified state of togetherness.

Love thrives on a virtuous cycle of mutual growth under dynamic complementarity.

That time of the month for a woman with a good lover is an unwelcome vacation.

There are some who say the world is evil, and that they wish to depart from this life. For my part, I like the world ! Unless the desire to die is due to a lover's quarrel, I advise the desperate man to have patience for a year. The consolations will come. But if a human being has any other reason to wish to die than this, then let him die, I'm not stopping him. I merely call attention to the fact that one cannot escape this world entirely. The elements of which our body is made belong to the cycle of nature; and as for our soul, it's possible that it might return to limbo, until it gets an opportunity to reincarnate itself. But it would vex me if everybody wanted to have done with life. To make death easier for people, the Church holds out to them the bait of a better world. We, for our part, confine ourselves to asking man to fashion his life worthily. For this, it is sufficient for him to conform to the laws of nature. Let's seek inspiration in these principles, and in the long run we'll triumph over religion.

We fail to take responsibility, to act productively in the interest of ourselves and others. And in our attempts at a better life, we are often severely limited or thwarted by the immature and socially inept behavior of ourselves and others. There is a great fabric of relations, behaviors and emotions, reverberating with human and animal bliss and suffering, a web of intimate and formal relations, both direct and indirect. Nasty whirlwinds of feedback cycles blow through this great multidimensional web, pulsating with hurt and degradation. My lacking human development blocks your possible human development. My lack of understanding of you, your needs perspectives, hurts you in a million subtle ways. I become a bad lover, a bad colleague, a bad fellow citizen and human being. We are interconnected: You cannot get away from my hurt and wounds. They will follow you all of your life—I will be your daughter’s abusive boyfriend, your belligerent neighbor from hell. And you will never grow wings because there will always be mean bosses, misunderstanding families and envious friends. And you will tell yourself that is how life must be. But it is not how life has to be. Once you begin to be able to see the social-psychological fabric of everyday life, it becomes increasingly apparent that the fabric is relatively easy to change, to develop. Metamodern politics aims to make everyone secure at the deepest psychological level, so that we can live authentically; a byproduct of which is a sense of meaning in life and lasting happiness; a byproduct of which is kindness and an increased ability to cooperate with others; a byproduct of which is deeper freedom and better concrete results in the lives of everyone; a byproduct of which is a society less likely to collapse into a heap of atrocities.

The Poet" His teeth splayed in a way he'd notice and pity in his closest enemies or friends. Youth held his eye; he blinked at passing beauties, birds of passage that could not close the gap. His wife was high-blooded, he counted on her living-- she lived, past sixty, then lived on in him, and often when he plotted lines, she breathed her acrid sweetness past his imaginings. She was still a magnificent handle of a woman-- did she have her lover as a novelist wished her? No--hating someone nearer, she found her voice-- no wife so loved; though Hardy, home from cycling, was glad to climb unnoticed to his study by a circling outside staircase, his own design.

What we face is not a loss of books but the loss of a world. As in Alexandria after Aristotle’s time, or the universities and monasteries of the early Renaissance, or the cluttered-up research libraries of the nineteenth century, the Word shifts again in its modes, tending more and more to dwell in pixels and bits instead of paper and ink. It seems to disappear thereby, as it must have for the ancient Peripatetics, who considered writing a spectral shibboleth of living speech; or the princely collectors of manuscripts in the Renaissance, who saw the newly recovered world of antiquity endangered by the brute force of the press; or the lovers of handmade books in the early nineteenth century, to whom the penny dreadful represented the final dilution of the power of literature. And yet, the very fact that the library has endured these cycles seems to offer hope. In its custody of books and the words they contain, the library has confronted and tamed technology, the forces of change, and the power of princes time and again.

Like all the great nobles of the period, he rode and fought to perfection. But unlike most of the Grands, his scholastic education hadn’t been overlooked. Porthos pretended to understand the scraps of Latin that Aramis deployed, but Athos just smiled at them. Two or three times, to the great astonishment of his friends, he’d even caught Aramis in some fundamental error and restored a verb to its proper tense or a noun to its case. On top of all this, his integrity was irreproachable, in a century when men of war routinely trampled on the dictates of conscience and religion, lovers behaved without the least delicacy or decorum, and the poor roundly ignored God’s seventh commandment.

Eventually every woman who stays away from her soul-home for too long, tires. This is as it should be. Then she seeks her skin again in order to revive her sense of self and soul, in order to restore her deep-eyed and oceanic knowing. This great cycle of going and returning, going and returning, is reflexive within the instinctual nature of women and is innate to all women for all their lives, from throughout girlhood, adolescence, and young adulthood, through being a lover, through motherhood, through being a craftswoman, a wisdom-holder, an elderwoman, and beyond. These phases are not necessarily chronological, for mid-age women are often newborn, old women are intense lovers, and little girls know a good deal about cronish enchantment.

The sea may be your lover, but she is not your friend. You cannot safely turn your back to her. Her loyalty is that of an ex- wife, her characteristics more of a new mistress; she will bring you to your highest peaks, but beware for on the other side of the high ground lie valleys of unspeakable misery. Her mind games are second to none. She will lead you down darker alleys of your mind than you ever knew existed within. She will make you question all that you are.

I look beat up, like someone who has gotten ill and aged a decade in a few months. I look into my eyes, but they aren’t really mine, not the eyes I used to have. They’re the eyes of someone very tired and very sad, and once I see them I feel even sadder and then I see that sadness, that compassion, for the sadness in my eyes, and I see the water rising in them. I’m both the sad person and the person wanting to comfort the sad person. And then I feel sad for that person who has so much compassion because she’s clearly been through the same thing, too. And the cycle keeps repeating.

Love's Question " And is this all true, My ever-loving friend? That the lightning-flash of the light in my eyes Makes the clouds in your heart explode and blaze, Is this true? That my sweet lips are red as a blushing new bride, My ever-loving friend, Is this true? That a tree of paradise flowers withing me, That my foosteps ring like vinas beneath me, Is this true? That the night sheds drops of dew at the sight of me, That the dawn surrounds me with light from delight in me, Is this true? That the touch of my hot cheek intoxicates the breeze, My ever-loving friend, Is this true? That daylight hides in the dark of my hair, That my arms hold life and death in their power, Is this true? That the earth can be wrapped in the end of my sari, That my voice makes the world fall silent to hear me, Is this true? That the univrse is nothing but me and what loves me, My ever-loving friend, Is this true? That for me alone your love has been waiting Through worlds and ages awake and wandering, Is this true? That my voice, eyes, lips have brought you relief, In a trice, from the cycle of life after life, Is this true? That you read on my soft forehead inginite Truth, My ever-loving friend, Is this true?

Declan Lynch was a liar. He'd been a liar his entire life. Lies came to him fluidly, easily, instinctively. What does your father do for a living? He sells high-end sports cars in the summer, life insurance in the winter. He's an anesthesiologist. He does financial consulting for divorcees. He does advertising work for international companies in English-speaking markets. He's in the FBI. Where did he meet your mother? They were on yearbook together in high school. They were set up by friends. She took his picture at the county fair, said she wanted to keep his smile forever. Why can't Ronan come to a sleepover? He sleepwalks. Once he walked out to the road and my father had to convince a trucker who'd stopped before hitting him he was really his son. How did your mother die? Brain bleed. Rare. Genetic. Passes from mother to daughter, which is the only good thing, 'cause she only had sons. How are you doing? Fine. Good. Great. At a certain point, the truth felt worse. Truth was a closed-casket funeral attended by its estranged living relatives, Lies, Safety, Secrets. He lied to everyone. He lied to his lovers, his friends, his brothers. Well. More often he simply didn't tell his brothers the truth.

Wagner’s Ring Cycle has kept one version of one of the great Norse stories alive in the minds of music lovers. Readers of modern fantasy will find many echoes of the Norse tales as well. Neil Gaiman, Douglas Adams and others have explicitly taken some of the Norse gods and put them into a modern setting with strange, sad and humorous results. Echoes of Norse tales and creatures abound in the speculative fiction of Ursula Le Guin, J.R.R. Tolkien, C.S. Lewis, Tad Williams and others. Something in these old and puzzling stories still has the power to move and unsettle us, and to inspire new acts of creation.

(From FORTUNE'S SON) "Philip had long ago begun drinking to excess, simply to obliterate the reality that he was half a man, living half a life. He had a title without the fortune, a wife that was no lover, and a lover, the only light in his darkened existence, who could never be his wife; thus, he drank...drink and despair had made him reckless and rash. He’d gambled and he’d lost. Sunk in self-denigration, the cycle began anew; he drank. Though aspiring for oblivion, he had only achieved piss-faced, when Lady Hastings had arrived after the race. The inevitable row had ensued, and then the world had retracted into blessed blackness.

Eh? How 'bout that?" Bill nudged her. "Did I promise to show you love or did I promise to show you love?" "Sure,they seem like they're in love." Luce shrugged. "But-" "But what?Do you have any idea how painful that is? Look at that guy. He makes getting inked look like being caressed by a soft breeze." Luce squirmed on the branch. "Is that the lesson here? Pain equals love?" "You tell me," Bill said. "It may surprise you to hear this,but the ladies aren't exactly banging down Bill's door." "I mean,if I tattooed Daniel's same on my body would that mean I loved him more than I already do?" "It's a symbol,Luce." Bill let out a raspy sigh. "You're being too literal. Think about it this way: Daniel is the first good-looking boy LuLu has ever seen. Until he washed ashore a few months ago, this girl's whole world was her father and a few fat natives." "She's Miranda," Luce said, remembering the love story from The Tempest, which she'd read in her tenth-grade Shakespeare seminar. "How very civilized of you!" Bill pursed his lips with approval. "They are liek Ferdinand and Miranda: The handsome foreigner shipwrecks on her shores-" "So,of course it was love at first sight for LuLu," Luce murmured. This was what she was afraid of: the same thoughtless,automatic love that had bothered her in Helston. "Right," Bill said. "She didn't have a choice but to fall for him.But what's interesting here is Daniel. You see, he didn't have to teach her to craft a woven sail, or gain her father's trust by producing a season's worth of fish to cure,or exhibit C"-Bill pointed at the lovers on the beach-"agree to tattoo his whole body according to her local custom.It would have been enough if Daniel had just shown up.LuLu would have loved him anyway." "He's doing it because-" Luce thought aloud. "Because he wants to earn her love.Because otherwise,he would just be taking advantage of their curse. Because no matter what kind of cycle they're bound to,his love for her is...true.

Add Healthy Coping Mechanisms Regardless of how much work we do to heal our root issues, we will always need to deal with life, people, our family, assholes, emotions, pain, disappointment, anxiety, depression, loss, grief, and stress. So we need to not only work on the root causes and break the cycle of addiction, but also to replace our crappy coping mechanisms with healthy and constructive ones. Some examples of healthy coping mechanisms are: breathing techniques, spiritual practices, essential oils, chants and sound therapies, supplements, meditations, positive affirmations, and so on. We need to learn how to incorporate these healthy substitutes—not just know what we “should do.” We need to create an existence where we naturally and impulsively reach for something that builds us up or reinforces us or heals us (a poem or mantra, a meditation, a cup of hot water with lemon) instead of something that just takes us down further (a cigarette, a text to an abusive ex-lover, a bottle of wine, a new pair of shoes we can’t afford).

The photographer was taking pictures with a small pocket camera but the sergeant sent him back to the car for his big Bertillon camera. Grave Digger and Coffin Ed left the cellar to look around. The apartment was only one room wide but four storeys high. The front was flush with the sidewalk, and the front entrance elevated by two recessed steps. The alleyway at the side slanted down from the sidewalk sufficiently to drop the level of the door six feet below the ground-floor level. The cellar, which could only be entered by the door at the side, was directly below the ground-floor rooms. There were no apartments. Each of the four floors had three bedrooms opening on to the public hall, and to the rear was a kitchen and a bath and a separate toilet to serve each floor. There were three tenants on each floor, their doors secured by hasps and staples to be padlocked when they were absent, bolts and chains and floor locks and angle bars to protect them from intruders when they were present. The doors were pitted and scarred either because of lost keys or attempted burglary, indicating a continuous warfare between the residents and enemies from without, rapists, robbers, homicidal husbands and lovers, or the landlord after his rent. The walls were covered with obscene graffiti, mammoth sexual organs, vulgar limericks, opened legs, telephone numbers, outright boasting, insidious suggestions, and impertinent or pertinent comments about various tenants’ love habits, their mothers and fathers, the legitimacy of their children. “And people live here,” Grave Digger said, his eyes sad. “That’s what it was made for.” “Like maggots in rotten meat.” “It’s rotten enough.” Twelve mailboxes were nailed to the wall in the front hall. Narrow stairs climbed to the top floor. The ground-floor hallway ran through a small back courtyard where four overflowing garbage cans leaned against the wall. “Anybody can come in here day or night,” Grave Digger said. “Good for the whores but hard on the children.” “I wouldn’t want to live here if I had any enemies,” Coffin Ed said. “I’d be scared to go to the john.” “Yeah, but you’d have central heating.” “Personally, I’d rather live in the cellar. It’s private with its own private entrance and I could control the heat.” “But you’d have to put out the garbage cans,” Grave Digger said. “Whoever occupied that whore’s crib ain’t been putting out any garbage cans.” “Well, let’s wake up the brothers on the ground floor.” “If they ain’t already awake.

I want to end here with the most common and least understood sexual problem. So ordinary is this problem, so likely are you to suffer from it, that it usually goes unnoticed. It doesn't even have a name. The writer Robertson Davies dubs it acedia. “Acedia” used to be reckoned a sin, one of the seven deadly sins, in fact. Medieval theologians translated it as “sloth,” but it is not physical torpor that makes acedia so deadly. It is the torpor of the soul, the indifference that creeps up on us as we age and grow accustomed to those we love, that poisons so much of adult life. As we fight our way out of the problems of adolescence and early adulthood, we often notice that the defeats and setbacks that troubled us in our youth are no longer as agonizing. This comes as welcome relief, but it has a cost. Whatever buffers us from the turmoil and pain of loss also buffers us from feeling joy. It is easy to mistake the indifference that creeps over us with age and experience for the growth of wisdom. Indifference is not wisdom. It is acedia. The symptom of this condition that concerns me is the waning of sexual attraction that so commonly comes between lovers once they settle down with each other. The sad fact is that the passionate attraction that so consumed them when they first courted dies down as they get to know each other well. In time, it becomes an ember; often, an ash. Within a few years, the sexual passion goes out of most marriages, and many partners start to look elsewhere to rekindle this joyous side of life. This is easy to do with a new lover, but acedia will not be denied, and the whole cycle happens again. This is the stuff of much of modern divorce, and this is the sexual disorder you are most likely to experience call it a disorder because it meets the defining criterion of a disorder: like transsexuality or S-M or impotence, it grossly impairs sexual, affectionate relations between two people who used to have them. Researchers and therapists have not seen fit to mount an attack on acedia. You will find it in no one’s nosology, on no foundation's priority list of problems to solve, in no government mental health budget. It is consigned to the innards of women's magazines and to trashy “how to keep your man” paperbacks. Acedia is looked upon with acceptance and indifference by those who might actually discover how it works and how to cure it. It is acedia I wish to single out as the most painful, the most costly, the most mysterious, and the least understood of the sexual disorders. And therefore the most urgent.

Since they had established a household at Riverton, Beatrix had increased the size of her menagerie, and was constantly occupied with animal-related charities and concerns. She had also compiled a report for the newly established natural history society in London. For some reason it had not been at all difficult to convince the group of elderly entomologists, ornithologists, and other naturalists to include a pretty young woman in their midst. Especially when it became clear that Beatrix could talk for hours about migration patterns, plant cycles, and other matters relating to animal habitats and behavior. There was even discussion of Beatrix's joining a board to form a new natural history museum, to provide a lady's perspective on various aspects of the project.

A Petrichor Chaser And Lover By: Lorena Tamayo Castillo We grow, glow, learn, and yearn. Walk, and work for a row and worn. We go, goes, gone, to get somewhere . And we know, we are gloomy of the storm. But nature bloom and blossom on jubilant roar. So are we? Go, get up and take shower that rain. For after the withered, there is the great restore. A Petrichor chaser and lover, is never in vain. For that very scent of weather is a gain. Where a wonder land is in reign.

Turned out, her version of true love had a compulsive element to it. Made sense. Happiness had always bored her. A cycle of aching need, followed by ecstatic acquisition or fulfillment, culminating with a glow of satisfaction? That was her fucking jam.

I look into my eyes, but they aren’t really mine, not the eyes I used to have. They’re the eyes of someone very tired and very sad, and once I see them I feel even sadder and then I see that sadness, that compassion, for the sadness in my eyes, and I see the water rising in them. I’m both the sad person and the person wanting to comfort the sad person. And then I feel sad for that person who has so much compassion because she’s clearly been through the same thing, too. And the cycle keeps repeating.

When I am with you Irma Life is an experience of learnings and undoings, A ceaseless cluster of moments adored and detested, But for lovers it is all about love and its choosings, Where the heart investigates the feelings against which the mind protested, A pursuit that never ends, A cycle of feelings always in a state of motion, For what the mind dislikes the love smitten heart often defends, Only to prove that lovers have its own notion, About life, about time, about reality and about dreams too, They somehow can enslave time and bend the reality, Whenever a lover says, “my darling I love you!” At this moment of serenity, time gets installed in their lives as the patron deity, And reality begins to please them in all possible ways, As these lovers live in this self made reality, They do not yearn for anything, not even new days, Because when in love, life is like the Summer rose, a life of beauty and perfect austerity!

Your and our sea of love! The night sea, calm and silent, With the lapping sound of waves, There my heart wanders, my heart indulgent, And floats with these waves, Into the ocean of feelings, Into the depths of emotions, And I doubt my heart’s dealings, As it creates new waves of emotions, Where I feel wet with your embrace, And the waves of life surround me from every side, And I seek you riding these waves and merge with your grace, Feeling the beauty of your beautiful face that now stares at me from every side, And then my love Irma, I let myself sink to the bottom, As your feelings, your memories, your touch pile over me, And now I can even feel your every atom, As your conscience of love sinks into me, At the bottom of the life’s sea, Where ripples and waves distract the casual seeker of love, Because the pearls lie at the bottom of the sea, Just like you, every moment sinking into me silently, in this sea of love, Where I am the waves, I am the ripples, I am the sea, And you are the motion that keeps me alive, And in this state I shall now forever be, With you and the sea of life forever in me alive, Then at the bottom as you secretly kiss me, Some mariner shall feel the joy in his heart, And so shall begin the cycle of new waves, new tides in the sea, Where now the sea, the waves, the pearl, everything is part of our heart, That beats endlessly over the surface of the sea, To inspire the true mariner of the sea seeking life and love, To him we shall bear the visions of what he can be, A lover, just like you and me, who always finds his true love, So Irma, let the sea of feelings and your memories grow over me, And let me at the bottom lie submerged, in this vivid presence of thee, Where you are the water, the sea, and everything for me, For my true world is created only when I love thee! And this is what my wish for the true mariner of life shall always be, Seeking love, seeking a wave of passion to ride, And dearing to dive into this sea, At the bottom to discover you and me, Lying in the wet embrace that spreads in all directions, Wherever a true mariner turns to see, Our reflections to discover love’s true sensations, And imagines about the wonder if he too with his lover could dwell in this sea, our sea! And see, The wonder of love and the wonder of the sea, Where life grows on the surface and at the bottom too, For I love you Irma on the surface of the sea, And at its bottom too, So let this mariner come and brave the sea of life, As we cast our spell of love in the form of waves and infinite ripples, Let him discover his own meaningful strife, And flow endlessly with these ripples, To finally tarry at the bottom of this sea, Where now his lover shall tame his weary mind, Just like you do it for me, And make me believe even your heart has a mind, a beautiful mind! That often thinks of me, And dares to plunge into the darkness of the sea, Only to seek me, And realise that at the bottom you and I are the life of the sea! Where many mariners and lovers lie in their state humbled, To flow with these waves endlessly, As we at the bottom of this sea lie passionately cuddled, Like the pearl in an oyster, forever and endlessly!

I go up the stairs, past the presidents, directly to the bathroom even though I’m already wearing my uniform. It’s empty. I catch myself in the mirror over the sink. It’s tilted away from the wall for people in wheelchairs so that I’m at a slightly unfamiliar angle to myself. I look beat up, like someone who has gotten ill and aged a decade in a few months. I look into my eyes, but they aren’t really mine, not the eyes I used to have. They’re the eyes of someone very tired and very sad, and once I see them I feel even sadder and then I see that sadness, that compassion, for the sadness in my eyes, and I see the water rising in them. I’m both the sad person and the person wanting to comfort the sad person. And then I feel sad for that person who has so much compassion because she’s clearly been through the same thing, too. And the cycle keeps repeating. It’s like when you go into a dressing room with a three-paneled mirror and you line them up just right to see the long narrowing hallway of yourselves diminishing into infinity. It feels like that, like I’m sad for an infinite number of my selves.

There's no less or greater in an absolute thing," Sparrowhawk said. "All or nothing at all, the true lover says, and that's the truth of it. My love will never die, he says. He claims eternity. And rightly. How can it die when it's life itself? What do we know of eternity but the glimpse we get of it when we enter in that bond?" He spoke softly but with fire and energy; then he leaned back, and after a minute said, with a half smile, "Every oaf of a farm boy sings that, every young girl that dreams of love knows it.

What you consume is what you create. Reader becomes writer, listener becomes speaker, music lover becomes singer, driver becomes fleet owner, it's the cycle we're bound to.

Vaginal lubrication is a largely involuntary reaction. It is not a window into my brain, it is not a Magic 8-Sex Ball that will help you predict the likelihood of any sexual encounters. Some women are hugely turned on and not wet at all. That’s why lube exists. Shit, things like where you are in your cycle and menopause can affect it. You can’t. Assume. Consent. Based on an observable bodily phenomenon,

Jimi, Orla’s mother, was as tall as Orla, but several times wider. She had all of Orla’s grace, too, which was to say that she knocked her hips into every piece of furniture in Blue’s room. Every time she did, she said things like “mother lover!” and “fasten it all.” They sounded worse than real swear words.

(courtesy Travel Africa magazine) sums up the feeling rather well –: “Surely everyone who has had the honour of setting foot on African soil understands how difficult it is to answer the question: “Why Africa?” I’ve often found it impossible to do Africa justice in words. In the past I’ve felt that my answers never conveyed the joy I feel when I hear the word Africa, see a glimpse of her on television, or hear African people talking in the street. My answers are most often unsatisfying and frequently leave my audience unconvinced. But of late I’ve found a much simpler way to explain it. Africa is a feeling. Africa is an emotion. Of course it is much more detailed than that, but also just as simple. Africa is the awe-inspiring landscapes, the beauty in the people, the wild creatures that inhabit the land and the seas, and it’s the speed in which the sun leaves in the evening and comes again in the morning. The feeling of Africa waking up is indescribable, dramatic and incomparable. Africa seems to breathe life, into itself and into all things. And death. And the cycles in between. Africa is the longed-for lover, the oft-missed friend, and the trusted elder. Africa is all of these things but maybe none of them. Africa affects us in a deep, personal, individual way. It comes to us in an instant, inhabits our being, and never leaves. I long for Africa. I miss it every day. It embodies all that I believe about life, space and freedom, even though such things are often scarce commodities on the ground. Africa is a memory, a constant presence and is all future possibilities. Africa is old and wise, new and dynamic, and I will be there again.” Enough said...

My lover and I had unconsciously entered the kingdom. Neither of us realized we had attained ‘moksha’ (emancipation, liberation or release) from Saṃsāra - the repeating cycle of birth, life and death. We dwelt in this sensually spirited realm, unaware of time, allowing our unhindered consciousness to guide us towards euphoric provenance, where all things are possible. A distant voice called us to reality. Neither my lover nor I desired to return. With our sacred gyrations suspended, we had not the need for release, but we wanted to sustain the momentum our divinity beckoned us uninterrupted. This was my first and certainly not the last of such subliminal providence.               When we finally egressed from our cogitation, we found the Zentologist dumbfounded and in awe, overwhelmed by what he later described as witnessing the Sahasrāra (“thousand-petaled” – White Lotus) above our heads. The glowing rainbow halo of Kundalini Shanti illuminated my lover and me, encircling our sacred union with asama-prajnata-samadhi – a state in which there is no activity of the mind, no knower, no knowledge, nothing to be known: knowledge, knower and known become unified and liberated.               His virility was deeply buried within my core. My lover and I remained in our Garden of Love. Our guiltlessness deterred us from separation. We abided in this state until our rapturous Samadhi subsided. Only then did we dress and follow my teacher back towards the madding crowd.               That day at the poppy field, Andy and I regained our spiritual eroticism, which the Zentologist canalized as “Divine Providence.

Women discharge roughly 35 percent of sperm within 30 minutes of the time of insemination, averaged across all instances of intercourse. If the woman has an orgasm, however, she retains 70 percent of the sperm, ejecting only 30 percent. This 5 percent difference is not large, but if it occurred repeatedly, in woman after woman, generation after generation, it could add up to a large selection pressure over evolutionary time. Lack of an orgasm leads to the ejection of more sperm. This evidence is consistent with the hypothesis that a woman’s orgasm functions to draw the sperm from the vagina into the cervical canal and uterus, increasing the probability of conception (Puts et al., 2012). The number of sperm a woman retains is also linked with whether she is having an affair. Women time their adulterous liaisons in a way that is reproductively detrimental to their husbands. In a nationwide sex survey of 3,679 women in Britain, all women recorded their menstrual cycles as well as the timing of their copulations with their husbands and, if they were having affairs, with their lovers. It turned out that women having affairs time their copulations, most likely unconsciously, to coincide with the point in their menstrual cycle when they were most likely to be ovulating and hence were most likely to conceive (Baker & Bellis, 1995). Furthermore, women who are having affairs are more likely to be orgasmic with their affair partner than with their regular partner (Buss, 2016 b). Other studies find that women are especially likely to experience sexual orgasm with men who are masculine and physically attractive—qualities women typically desire in short-term mating (Puts, Welling, Burriss, & Dawood, 2012).

Then one night at Buttercup’s he met this Swedish woman, Birgit, who was famous for her glass. She had dropped in to look over the brothers. She and Marcus found their affinity immediately. Both of them were serious, both were seeking, both were extraordinarily stupid. But she taught him brotherly love. She was hipped on brotherly love. Although it didn’t mean the same thing to her as it did to him. She had had a number of brothers as lovers and in time she had become enthusiastic about brotherly love. But Marcus had the vision of Brotherhood.

At home, when I’m anxious, I cycle. When I need a boost of energy, I cycle. When I need to knock myself out, I cycle. When I can’t focus, I cycle.

The Goddess of the Witches?” After Ana had met Breda, she had made Veronika promise to light a black candle for Morana every time she tried to do magic. Her sister’s spells had a way of going wrong in the worst possible way. “Yes. She is also the goddess of winter and of death.” “Goran gave me a book. It has a picture of girls drowning Morana in the river, so the spring can return.” Ana wrinkled her nose. “You didn’t like the story?” Breda smiled at her. “It said Vesna, the spring, and Morana can’t exist at the same time. I know it can’t be summer and winter both, but the seasons are one thing, a cycle.” Breda’s smile broadened. “Well done. In older stories, Morana was first the goddess of life—that whole cycle, as you said, from birth to death. Dažbog, the Sun God, loved her—and she loved him as all life loves the Sun. But she was the goddess of every living thing and had many lovers. In jealousy, Dažbog cast her into Nav, the place of the dead. He still loved her though and had to be with her, even there. So for half the year he joined her in the Nav, bringing winter.

Shh,” I murmur, taking care to keep my voice low. “It is only a dream. You’re safe. I’ve got you.” [...] "A dream,” she repeats, pupils dilated as she stares up at me. She licks her lips, and I follow the movement with my eyes, a heat pulsing low at the base of my spine. “It was just a dream.” I nod, trying to angle my hips away from her in a futile attempt to hide my thickening cock. But her body is pressed close to mine, tucked beside me under my and Jadi’s wool traveling blankets. I see the moment she realizes, my preternatural vision able to take in the details of her shock. I see the way her pale eyes go wide, cheeks flushing pink. Hear her breath hitch in surprise. I feel my own cheeks heat in response, a flush of shame tightening in my chest. Shame at how much I want her. At how I’ve treated her. Shame at how jealously I guarded Jadi’s affections. At the way I cruelly tried to drive him away from her. “Asterion?” My name is barely a whisper on her lips, but she doesn’t pull away from me. Instead, her thigh presses against my hardening length. Almost like she’s seeking me out. But of course, that can’t be right. No woman would seek me out. Not after the way I’ve treated her. “Yes?” My voice catches in my throat, but I don’t dare look away. “Do you – are you…” her voice trails off, but she keeps her eyes locked on mine. Guilt tightens its hold behind my ribs, but I nod. There’s no point in denying it. No point in lying to her. Not when she can feel the proof of my attraction to her pressing against her. “I’m sorry,” I grit out, pulling my hand away from her face. “I don’t mean to… Please, just ignore it.” I roll away until I’m lying on my back, my erection almost painful as it pushes against the weight of the blankets. “Because of Jadi?” she asks, her voice thready and uncertain. I furrow my brow, glaring with irritation into the darkness. “Jadi? What does Jadi have to do with it?” “I mean – just that you and Jadi are together. Lovers? I not know word,” she babbles. “And I know that. Respect that. I not want come between you and Jadi. At party, he asked if he could court me,” she confesses. “I sorry if I…” I cut her off with a frustrated hiss, hating myself even more for this proof of how I’ve hurt Jadi. How successfully I have pushed her away from him. “You have nothing to apologize for,” I grind out. “Jadi has every right to court you. Every right. The only one who could deny him that is you.” “But you and Jadi…” “Are lovers? Intertwined as closely as two threads woven into the same cloth? Yes.” I bark out a bitter, mirthless laugh. “Which makes my treatment of him – of you – even worse.” The words are spilling out now, like water into the hull of a ship once the wood has cracked. Now that I’ve started, there is no stopping it. “I’ve known for moon cycles that he cares for you, and I hurt him for it. I was cruel to him and tried to chase you away. Because I was afraid you would steal him away from me, and he’s all I have. He’s everything to me. He’s my heart. My heart.” I clutch my fist against my chest in emphasis, still staring at the ceiling, not daring to turn and meet her eyes with my own. “I was jealous, and it was wrong, and now the gods are probably laughing at me. Because I want you. I want you. After trying to drive Jadi away from you, now I want you for myself. But I don’t deserve you. Not after the way I’ve treated you. And even then, even if I hadn’t…” [...] “I want you too.” Her words are no more than a whisper, and I tense, my first instinct to dismiss them the moment I register what she’s said. “I want you. And Jadi,” she admits, and there’s a raw vulnerability in those simple words that I don’t understand. “I shouldn’t, should I? Want you both, I mean? Like that?” I roll to my side to stare at her in disbelief.

It’s okay to be selfish, sometimes,” Patricia says. “My whole family’s a fucking mess. That didn’t stop me going after what I want. I’m going to keep working. Keep saving money. Make something of myself. If they want to stay in the same cycle forever, that’s their problem.

In the precapitalist world, patriarchy allowed all men to completely rule women in their families, to decide their fate, to shape their destiny. Men could freely batter women with no fear of punishment. They could decide whom their daughters were to marry, whether they would read or write, etc. Many of these powers were lost to men with the development of the capitalist nation-state in the United States. This loss of power did not correspond with decreased emphasis on the ideology of male supremacy. However, the idea of the patriarch as worker, providing for and protecting his family, was transformed as his labor primarily benefited the capitalist state. Men not only no longer had complete authority and control over women; they no longer had control over their own lives. They were controlled by the economic needs of capitalism. As workers, most men in our culture (like working women) are controlled, dominated. Unlike working women, working men are fed daily a fantasy diet of male supremacy and power. In actuality, they have very little power and they know it. Yet they do not rebel against the economic order nor make revolution. They are socialized by ruling powers to accept their dehumanization and exploitation in the public world of work and they are taught to expect that the private world, the world of home and intimate relationships, will restore to them their sense of power which they equate with masculinity. They are taught that they will be able to rule in the home, to control and dominate, that this is the big pay-off for their acceptance of an exploitative economic social order. By condoning and perpetuating male domination of women to prevent rebellion on the job, ruling male capitalists ensure that male violence will be expressed in the home and not in the work force. The entry of women into the work force, which also serves the interests of capitalism, has taken even more control over women away from men. Therefore men rely more on the use of violence to establish and maintain a sex role hierarchy in which they are in a dominant position. At one time, their dominance was determined by the fact that they were the sole wage earners. Their need to dominate women (socially constructed by the ideology of male supremacy) coupled with suppressed aggression towards employers who "rule" over them make the domestic environment the center of explosive tensions that lead to violence. Women are the targets because there is no fear that men will suffer or be severely punished if they hurt women, especially wives and lovers. They would be punished if they violently attacked employers, police officers. Black women and men have always called attention to a "cycle of violence" that begins with psychological abuse in the public world wherein the male worker may be subjected to control by a boss or authority figure that is humiliating and degrading. Since he depends on the work situation for material survival, he does not strike out or oppose the employer who would punish him by taking his job or imprisoning him. He suppresses this violence and releases it in what I call a "control" situation, a situation where he has no need to fear retaliation, wherein he does not have to suffer as a consequence of acting violently. The home is usually this control situation and the target for his abuse is usually female. Though his own expression of violence against women stems in part from the emotional pain he feels, the pain is released and projected onto the female. When the pain disappears he feels relief, even pleasure. His pain is gone even though it was not confronted or resolved in a healthy way. As the psychology of masculinity in sexist societies teaches men that to acknowledge and express pain negates masculinity and is a symbolic castration, causing pain rather than expressing it restores men's sense of completeness, of wholeness, of masculinity.

Bud Light?” she asks in a distasteful tone. “Did you think you would be getting a microbrew? It’s a college house.” “Still”—she takes a sip and cringes—“I thought you’d have a little more class.” “You’re giving me too much credit.” I nod my head toward the corner of the loft where there are less people. When she doesn’t initially follow me, I turn back around, grab her hand like I had to in class, and pull her across the loft until we’re settled in the corner. I lean against the wall and prop one leg behind me. She eyes me, giving me a full once-over. I do the same. She’s damn hot, and I’m regretting my actions last Saturday, passing out mid grope. Finally she says, “You seem to have lost your shirt.” She motions with her finger over my bare chest. I look down at her legs and reply, “Must be where the other half of your skirt is.” “Think they’re making out in a laundromat somewhere?” She takes a sip of her beer and cringes again. A few more sips and she’ll get used to it; always happens for me. “If they are, I hope they use the gentle cycle.” Her brow pulls together. “Not sure if that makes sense.” “Oh, because half of a skirt and a shirt making out in a laundromat does?” “In children’s books, sure.” “What kind of perverted children’s books did you read growing up?” I counter. “You know, the classics,” she answers causally. “One Fish, Two Fish, Red Fish, Blue Fish and Skirt and Shirt, Lovers for Life.” “Ah, yes, I forgot about that passionate yet eye-opening youth literature that took the New York Times by storm.” “I have five signed first-edition copies in a box in my parents’ attic. Banking on them to clear out my student loans.” She sips her beer, flips her hair behind her shoulder, glances at my chest again. “Five?” I answer sarcastically. “Damn, forget college loans, you’re set for life.” “You think?” She glances around. “What the hell am I doing here then?” “To see me of course,” I answer with a smile. She rolls her eyes. “More like dragged to this party because my roommate has a crush on one of your freshmen.” “Yeah, which one?” I look over her head, eyeing all the partygoers. “No idea, but apparently he has amazing blue eyes.” “Amazing, huh? Has to be Gunner. I was even stunned by his eyes when he was recruited.” No joke, the dude won the lottery for irises. I’m even jealous with how . . . aqua they are. “Not ashamed to admit that?” she asks, shifting on her heels. “Not even a little.

To take responsibility is painful. It is hard to admit that the reason for your situation is you. Admitting this often fuels shame. And shame is a dirty lover. Shame says, “See - I told you you weren’t good enough. You should feel horrible about this.” And when I embrace shame - an interesting thing happens. I feel bad. And then we are driven to the same wrong behaviors - porn - overeating - drugs - booze - anger - because hey make you feel better - until the shame kicks in. Getting caught in that cycle is destructive.

look into my eyes, but they aren’t really mine, not the eyes I used to have. They’re the eyes of someone very tired and very sad, and once I see them I feel even sadder and then I see that sadness, that compassion, for the sadness in my eyes, and I see the water rising in them. I’m both the sad person and the person wanting to comfort the sad person. And then I feel sad for that person who has so much compassion because she’s clearly been through the same thing, too. And the cycle keeps repeating.

Tell her that if a demon really came to me, as Nietzsche once imagined, and told me that I would have to live this existence over and over again without any change at all, I would embrace him and demand another cycle. I would gladly lock this choice for the circle of eternity. I am so glad I met you, Munazah, even though you weren’t. I’d let you drive me mad every time. Munazah the nymph! Munazah, my hamartia.

Sadly, there are many forces more powerful and devestating than love... Among them for example, the anger and jealousy of a spurned husband or lover. Fire begets passions, but it also burns.

This is what the theologian Reinhold Niebuhr talked about as “the sin of sensuality.” And it’s what the Hindus talk about as maya—the dance of illusion, the intoxicating (addictive) dance of sensuous things that enchants and enthralls the mind, catching us up in the cycles of pleasure and pain.