Cutting Dead Weight Quotes

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It won’t always go your way, so you can’t get trapped in this idea that just because you’ve imagined a possibility for yourself that you somehow deserve it. Your entitled mind is dead weight. Cut it loose. Don’t focus on what you think you deserve. Take aim on what you are willing to earn!
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
Your entitled mind is dead weight. Cut it loose. Don’t focus on what you think you deserve. Take aim on what you are willing to earn! I
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
The past is a distraction, a source of envy, enmity, bitterness. Only the present matters, for only in the present can we shape the future. Cut loose the past; it is dead weight. Let the Extirpation continue. Let it never end.
Stephen Baxter (Exultant (Destiny's Children, #2))
J_Doe032692 wrote: I am not a thin person. However this does not give people the right to taunt me, calling me ugly and worthless, telling me to kill myself because no one will ever want me, or to make up songs about why I am so fat and how much food I eat. NO ONE, I repeat, NO ONE HAS THE RIGHT TO HURT ANOTHER HUMAN BEING THIS BADLY. My throat constricts. The neck brace feels as if it's shrinking and cutting off my esophagus. I reach up and cover the words with my hand and the web site dissolves. I want to go. Now.
Julie Anne Peters (By the Time You Read This, I'll Be Dead)
The Waystone Inn lay in silence, and it was a silence of three parts. The most obvious part was a hollow, echoing quiet, made by things that were lacking. If there had been a wind it would have sighed trough the trees, set the inn’s sign creaking on its hooks, and brushed the silence down the road like trailing autumn leaves. If there had been a crowd, even a handful of men inside the inn, they would have filled the silence with coversation and laughter, the clatter and clamour one expects from a drinking house during the dark hours of the night. If there had been music…but no, of curse there was no music. In fact there were none of these things, and so the silence remained. Inside the Waystone a pair of men huddled at one corner of the bar. they drank with quiet determination, avoiding serious discussions of troubling news. In doing these they added a small, sullen silenceto the lager, hollow one. it made an alloy of sorts, a counterpoint. The third silence was not an easy thing to notice. If you listened for an hour, you might begin to feel it in the wooden floor underfoot and in the rough, splintering barrels behind the bar. It was in the weight of the black stone heart that held the heat of a long-dead fire. It was in the slow back and forth of a white linen cloth rubbing along the grain of the bar. and it was in the hands of the man who stood there, polishing a strech of mahogany that already gleamed in the lamplight. The man had true-red hair, red as flame. his eyes was dark and distant, and he moved with the subtle certainty that comes from knowing many things. The Waystone was is, just as the third silence was his. This was appropriate, as it was the greatest silence of the three, wapping the other inside itself. It was deep and wide as autumn’s ending. It was heavy as a great river-smooth stone. It was the patient, cut-flower sound of a man who is waiting to die.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
I am mouthy, and I get easily annoyed, and I don't know how to shoot a bow and arrow, so dystopias are a solid no from me. I'm basically Peeta from The Hunger Games, except gay. I am here for the baked goods and then basically I'm going to be dead weight. Cut your losses.
R. Eric Thomas (Here for It; Or, How to Save Your Soul in America: Essays)
I never realized how much bullshit is bound to the bottom of your hair. How it carries with it the years and experiences, all it has witnessed, has endured. The reason you can’t let go of your past is that it’s still attached. That weight on your shoulders, the strain on your back and neck. It’s your dead ends. Cut your hair! I’m going to scream it from the rooftops and while running down the street, all across America.
Rachel Harrison (Cackle)
It was night again. The Waystone Inn lay in silence, and it was a silence of three parts. The most obvious part was a hollow, echoing quiet, made by things that were lacking. If there had been a wind it would have sighed through the trees, set the inn’s sign creaking on its hooks, and brushed the silence down the road like trailing autumn leaves. If there had been a crowd, even a handful of men inside the inn, they would have filled the silence with conversation and laughter, the clatter and clamor one expects from a drinking house during the dark hours of night. If there had been music...but no, of course there was no music. In fact there were none of these things, and so the silence remained. Inside the Waystone a pair of men huddled at one corner of the bar. They drank with quiet determination, avoiding serious discussions of troubling news. In doing this they added a small, sullen silence to the larger, hollow one. It made an alloy of sorts, a counterpoint. The third silence was not an easy thing to notice. If you listened for an hour, you might begin to feel it in the wooden floor underfoot and in the rough, splintering barrels behind the bar. It was in the weight of the black stone hearth that held the heat of a long dead fire. It was in the slow back and forth of a white linen cloth rubbing along the grain of the bar. And it was in the hands of the man who stood there, polishing a stretch of mahogany that already gleamed in the lamplight. The man had true-red hair, red as flame. His eyes were dark and distant, and he moved with the subtle certainty that comes from knowing many things. The Waystone was his, just as the third silence was his. This was appropriate, as it was the greatest silence of the three, wrapping the others inside itself. It was deep and wide as autumn’s ending. It was heavy as a great river-smooth stone. It was the patient, cut-flower sound of a man who is waiting to die.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle #1))
Quantum physicists discovered that physical atoms are made up of vortices of energy that are constantly spinning and vibrating; each atom is like a wobbly spinning top that radiates energy. Because each atom has its own specific energy signature (wobble), assemblies of atoms (molecules) collectively radiate their own identifying energy patterns. So every material structure in the universe, including you and me, radiates a unique energy signature. If it were theoretically possible to observe the composition of an actual atom with a microscope, what would we see? Imagine a swirling dust devil cutting across the desert’s floor. Now remove the sand and dirt from the funnel cloud. What you have left is an invisible, tornado-like vortex. A number of infinitesimally small, dust devil–like energy vortices called quarks and photons collectively make up the structure of the atom. From far away, the atom would likely appear as a blurry sphere. As its structure came nearer to focus, the atom would become less clear and less distinct. As the surface of the atom drew near, it would disappear. You would see nothing. In fact, as you focused through the entire structure of the atom, all you would observe is a physical void. The atom has no physical structure—the emperor has no clothes! Remember the atomic models you studied in school, the ones with marbles and ball bearings going around like the solar system? Let’s put that picture beside the “physical” structure of the atom discovered by quantum physicists. No, there has not been a printing mistake; atoms are made out of invisible energy not tangible matter! So in our world, material substance (matter) appears out of thin air. Kind of weird, when you think about it. Here you are holding this physical book in your hands. Yet if you were to focus on the book’s material substance with an atomic microscope, you would see that you are holding nothing. As it turns out, we undergraduate biology majors were right about one thing—the quantum universe is mind-bending. Let’s look more closely at the “now you see it, now you don’t” nature of quantum physics. Matter can simultaneously be defined as a solid (particle) and as an immaterial force field (wave). When scientists study the physical properties of atoms, such as mass and weight, they look and act like physical matter. However, when the same atoms are described in terms of voltage potentials and wavelengths, they exhibit the qualities and properties of energy (waves). (Hackermüller, et al, 2003; Chapman, et al, 1995; Pool 1995) The fact that energy and matter are one and the same is precisely what Einstein recognized when he concluded that E = mc2. Simply stated, this equation reveals that energy (E) = matter (m, mass) multiplied by the speed of light squared (c2). Einstein revealed that we do not live in a universe with discrete, physical objects separated by dead space. The Universe is one indivisible, dynamic whole in which energy and matter are so deeply entangled it is impossible to consider them as independent elements.
Bruce H. Lipton (The Biology of Belief: Unleasing the Power of Consciousness, Matter and Miracles)
First we must study how colonization works to decivilize the colonizer, to brutalize him in the true sense of the word, to degrade him, to awaken him to buried instincts, to covetousness, violence, race hatred, and moral relativism; and we must show that each time a head is cut off or an eye put out in Vietnam and in France they accept the fact, each time a little girl is raped and in France they accept the fact, each time a Madagascan is tortured and in France they accept the fact, civilization acquires another dead weight, a universal regression takes place, a gangrene sets in, a center of infection begins to spread; and that at the end of all these treaties that have been violated, all these lies that have been propagated, all these punitive expeditions that have been tolerated, all these prisoners who have been tied up and interrogated, all these patriots who have been tortured, at the end of all the racial pride that has been encouraged, all the boastfulness that has been displayed, a poison has been instilled into the veins of Europe and, slowly but surely, the continent proceeds toward savagery.
Aimé Césaire (Discourse on Colonialism)
It is the sheer weight of the robot that makes us feel we are living in a ‘wooden world’. We can see for example that the moment Ouspensky or Ward returned from the mystical realm of perfect freedom and found themselves ‘back in the body’ they once again found themselves saddled with all their boring old habits and worries and neuroses, all their old sense of identity built up from the reactions of other people, and above all the dreary old heaviness, as if consciousness has turned into a leaden weight. This is the sensation that made the romantics feel that life is a kind of hell — or at the very least, purgatory. Yet we know enough about the robot to know that this feeling is as untrustworthy as the depression induced by a hangover. The trouble with living ‘on the robot’ is that he is a dead weight. He takes over only when our energies are low. So when I do something robotically I get no feedback of sudden delight. This in turn makes me feel that it was not worth doing. ‘Stan’ reacts by failing to send up energy and ‘Ollie’ experiences a sinking feeling. Living becomes even more robotic and the vicious circle effect is reinforced. Beyond a certain point we feel as if we are cut off from reality by a kind of glass wall: suddenly it seems self-evident that there is nothing new under the sun, that all human effort is vanity, that man is a useless passion and that life is a horrible joke devised by some demonic creator. This is the state I have decribed as ‘upside-downness’, the tendency to allow negative emotional judgements to usurp the place of objective rational judgements. Moreover this depressing state masquerades as the ‘voice of experience’, since it seems obvious that you ‘know’ more about an experience when you’ve had it a hundred times. This is the real cause of death in most human beings: they mistake the vicious circle effects of ‘upside-downness’ for the wisdom of age, and give up the struggle.
Colin Wilson (Beyond the Occult: Twenty Years' Research into the Paranormal)
Merry Christmas,Ja-" To which he immediately cut her off with a very testy, "Bloody hell it is." Though he did halt his progress to offer her a brief smile, adding, "Good to see you,Molly," then in the very same breath, "Where's that worthless brother of mine?" She was surprised enough to ask, "Ah,which brother would that be?" when she knew very well he would never refer to Edward or Jason, whom the two younger brothers termed the elders, in that way.But then,Jason shared everything with her about his family, so she knew them as well as he did. So his derogatory answer didn't really add to her surprise. "The infant." She winced at his tone,though, as well as his expression, which had reverted to deadly menace at mention of the "infant." Big,blond, and handsome, James Malory was,just like his elder brothers, and rarely did anyone actually see him looking angry. When James was annoyed with someone, he usually very calmly ripped the person to shreds with his devilish wit, and by his inscrutable expression, the victim had absolutely no warning such pointed barbs would be headed his or her way. The infant, or rather, Anthony, had heard James's voice and, unfortunately, stuck his head around the parlor door to determine James's mood, which wasn't hard to misinterpret with the baleful glare that came his way. Which was probably why the parlor door immediately slammed shut. "Oh,dear," Molly said as James stormed off. Through the years she'd become accustomed to the Malorys' behavior, but a times it still alarmed her. What ensued was a tug of war in the reverse, so to speak, with James shoving his considerable weight against the parlor door, and Anthony on the other side doing his best to keep it from opening. Anthony managed for a bit. He wasn't as hefty as his brother, but he was taller and well muscled. But he must have known he couldn't hold out indefinitely, especially when James started to slam his shoulder against the door,which got it nearly half open before Anthony could manage to slam it shut again. But what Anthony did to solve his dilemma produced Molly's second "Oh,dear." When James threw his weight against the door for the third time, it opened ahead of him and he unfortunately couldn't halt his progress into the room. A rather loud crash followed. A few moments later James was up again suting pine needles off his shoulders. Reggie and Molly,alarmed by the noise, soon followed the men into the room. Anthony had picked up his daughter Jamie who had been looking at the tree with her nursemaid and was now holding her like a shield in front of him while the tree lay ingloriously on its side. Anthony knew his brother wouldn't risk harming one of the children for any reason, and the ploy worked. "Infants hiding behind infants, how apropos," James sneered. "Is,aint it?" Anthony grinned and kissed the top of his daughter's head. "Least it works." James was not amused, and ordered, barked, actually. "Put my niece down." "Wouldn't think of it, old man-least not until I find out why you want to murder me." Anthony's wife, Roslynn, bent over one of the twins, didn't turn about to say, "Excuse me? There will be no murdering in front of the children.
Johanna Lindsey (The Holiday Present)
Is something wrong?” he asked. “You seem to have forgotten that someone cut my bike in half.” “And you seem to have forgotten that I have a truck,” said Miles. “I can give you a ride. To school, at least.” “No thanks,” I said. “Really. I’m not joking. Unless you’re that against having anything to do with me. I don’t care. You can get in line.” He turned onto the main road. The line from the notebook felt like a dead weight in my stomach. “No, not against it.” I realized with a strange sort of happy dread that we were falling back into the easy conversation we’d had at the bonfire. “But I’d like to know why you’re offering.” “What do you mean?” Honest confusion crossed his face. “Isn’t that the good thing to do?” I burst out laughing. “Since when have you been good? Are you feeling guilty or something?” “A little sentimental, maybe. My first idea was to drive up and down in front of you a few times to prove I had a car and you didn’t.” His tone was light and he was smiling. Holy crap, he was smiling. A real, teeth-showing, nose-scrunching, eyes-crinkling smile. The smile slipped off his face. “What? What’s wrong?” “You were smiling,” I said. “It was kind of weird.” “Oh,” he said, frowning. “Thanks.” “No, no, don’t do that! The smile was better.” The words felt wrong coming out of my mouth. I shouldn’t say things like that to him, but they hung neatly in the air and cleared out the tension. Miles didn’t smile again.
Francesca Zappia (Made You Up)
Take it easy, friend," siad Peter, regaining his balance, quickly understanding the condition Henry was in. "Friend? You left us. In the caves." Henry's muscles tensed. Peter stepped back cautiously. Henry didn't look like himself. "Seems someone can't hold his drink," Peter said. He didn't go further, sensing then that Valerie might be thinking of her father. "And now," Henry continued on his own track, stepping closer to meet him, the smell of alcohol on his breath, "my father, too is dead." Valerie moved to Henry. "Please, don't do this," she said, stepping in. "It's not worth it." Henry pushed past her, not realizing his own weight. The force knocked her back. Peter grabbed Henry's arm and twisted it. Overreacting, Henry reared back his fist and landed a punch in the hollow of Peter's eye. The crowd laughed as Peter fell hard to the ground. Henry scrambled on top him, held him by the collar, forced Peter to face him as he'd never done. He looked into the eyes of the man he wanted to blame for his parents' deaths, because it was a shelter from the terrible thought that everything could be lost to a simple slip of fate. "You filth," he spat out. This really got the villagers going. But Peter didn't laugh. He pulled a knife from his boot and leapt up, thrusting it viciously in Henry's face. "Keep your hands off her or I'll cut them off!
Sarah Blakley-Cartwright (Red Riding Hood)
He has no friends that I know of, and his few neighbours consider him a bit of a weirdo, but I like to think of him as my friend as he will sometimes leave buckets of compost outside my house, as a gift for my garden. The oldest tree on my property is a lemon, a sprawling mass of twigs with a heavy bow. The night gardener once asked me if I knew how citrus trees died: when they reach old age, if they are not cut down and they manage to survive drought, disease and innumerable attacks of pests, fungi and plagues, they succumb from overabundance. When they come to the end of their life cycle, they put out a final, massive crop of lemons. In their last spring their flowers bud and blossom in enormous bunches and fill the air with a smell so sweet that it stings your nostrils from two blocks away; then their fruits ripen all at once, whole limbs break off due to their excessive weight, and after a few weeks the ground is covered with rotting lemons. It is a strange sight, he said, to see such exuberance before death. One can picture it in animal species, those million salmon mating and spawning before dropping dead, or the billions of herrings that turn the seawater white with their sperm and eggs and cover the coasts of the northeast Pacific for hundreds of miles. But trees are very different organisms, and such displays of overripening feel out of character for a plant and more akin to our own species, with its uncontrolled, devastating growth. I asked him how long my own citrus had to live. He told me that there was no way to know, at least not without cutting it down and looking inside its trunk. But, really, who would want to do that?
Benjamín Labatut (When We Cease to Understand the World)
The man who had him pinned kicked him over again and pointed down at the tire. "Stay down, you little bastard, or we'll rape your mum and skin her alive." Chris clamped his hands over Michael's ears. When Dean edged the truck forwards, Tommy's eyes jumped from his face. "Mum! Mummy! Help me, Mummy! Mum!" The engine bellowed, Tommy cried, Marie screamed, Frank roared, and Chris' pulse thumped in his ears. Locked in a maniacal fit, Dean cackled at the sky, his pointy nose and gaunt face making him look like a satanic Mr. Punch. He edged forward again. As Michael fought against Chris' restraint, he eased off a little. Should he just let him go? Were the images in his mind worse than those outside? When the truck moved forward again, the thick treads of the huge tires biting into the back of Tommy's head, he squeezed tightly once more. No mind could create anything worse than that. Chris looked away too.  Tommy's scream was so shrill Chris thought all of the glass in the cul-de-sac would crack, and he fought harder against his thrashing son to keep him restrained. When he felt like he couldn't fight the boy's will any more, he let go.  Instead of looking outside, Michael fell to the floor in a ball, scuttled beneath some blankets, and covered his ears. From beneath the sheets, Chris heard his small voice singing, "Twinkle Twinkle Little Star." Nudging his boy, Chris waited for him to resurface and put a finger to his lips again. They couldn't afford for the looters to hear them no matter how much it took his son away from their dark reality. The sound of a beeping horn was accompanied by Dean howling and laughing, the vehicle's engine releasing a war cry under the weight of his heavy foot. The cacophony of chaos outside got louder. Frank wailed, Marie let out louder screams, the engine roared, the horn beeped, Dean laughed, and Tommy shrieked. Looking outside again, Chris kept his eyes away from Tommy. Instead, he watched George. If there was anyone who would save them, it was him.  Crunch! Crash!  The truck dropped by six inches. Tommy stopped screaming.  When Dean cut the engine, silence settled over the cul-de-sac, spreading outwards like the thick pool of blood from Tommy's crushed head. Marie's face was locked in a silent scream. Frank slumped further and shook with inaudible sobs. The men, even the weasel with the tennis racket, stood frozen. None of them looked at the dead boy.  Turning away from the murder, Chris looked down to find Michael staring back at him. What could he say to him? Tommy was his best friend. Then, starting low like a distant air-raid siren, Marie began to wail.  After rapidly increasing in volume, it turned into a sustained and brutal cry as if she was being torn in two. Chilled
Michael Robertson (Crash (Crash, #1))
Sunday, May 7, 1944 I should be deeply ashamed of myself, and I am. What's done can't be undone, but at least you can keep it from happening again...I'm not all that ugly, or that stupid, I have a sunny disposition, and I want to develop a good character! Monday, May 22, 1944 ...Could anyone, regardless of whether they're Jews or Christians, remain silent in the face of German pressure? Everyone knows it's practically impossible, so why do they ask the impossible of the Jews? Thursday, May 25, 1944 The world's been turned upside down. The most decent people are being sent to concentration camps, prisons and lonely cells, while the lowest of the low rule over young and old, rich and poor...Unless you're a Nazi, you don't know what's going to happen to you from one day to the next. ...We're going to be hungry, but nothing's worse than being caught. Friday, May 26, 1944 ...That gap, that enormous gap, is always there. One day we're laughing at the comical side of life in hiding, and the next day (there are many such days), we're frightened, and the fear, tension and despair can be read on our faces. ...But they also have their outings, their visits with friends, their everyday lives as ordinary people, so that the tension is sometimes relieved, if only for a short while, while ours never is, never has been, not once in the two years we've been here. How much longer will this increasingly oppressive, unbearable weight press down on us? ... ...What will we do if we're ever...no, I mustn't write that down. But the question won't let itself be pushed to the back of my mind today; on the contrary, all the fear I've ever felt is looming before me in all its horror. ... I've asked myself again and again whether it wouldn't have been better if we hadn't gone into hiding, if we were dead now and didn't have to go through this misery, especially so that the others could be spared the burden. But we all shrink from this thought. We still love life, we haven't yet forgotten the voice of nature, and we keep hoping, hoping for...everything. Let something happen soon, even an air raid. Nothing can be more crushing than this anxiety. Let the end come, however cruel; at least then we'll know whether we are to be victors or the vanquished. Tuesday, June 13, 1944 Is it because I haven't been outdoors for so long that I've become so smitten with nature? ... Many people think nature is beautiful, many people sleep from time to time under the starry sky, and many people in hospitals and prisons long for the day when they'll be free to enjoy what nature has to offer. But few are as isolated and cut off as we are from the joys of nature, which can be shared by rich and poor alike. It's not just my imagination - looking at the sky, the clouds, the moon and the stars really does make me feel calm and hopeful. It's much better medicine than Valerian or bromide. Nature makes me feel humble and ready to face every blow with courage! ...Nature is the one thing for which there is no substitute.
Anne Frank (The Diary Of a Young Girl)
Bram stared into a pair of wide, dark eyes. Eyes that reflected a surprising glimmer of intelligence. This might be the rare female a man could reason with. “Now, then,” he said. “We can do this the easy way, or we can make things difficult.” With a soft snort, she turned her head. It was as if he’d ceased to exist. Bram shifted his weight to his good leg, feeling the stab to his pride. He was a lieutenant colonel in the British army, and at over six feet tall, he was said to cut an imposing figure. Typically, a pointed glance from his quarter would quell the slightest hint of disobedience. He was not accustomed to being ignored. “Listen sharp now.” He gave her ear a rough tweak and sank his voice to a low threat. “If you know what’s good for you, you’ll do as I say.” Though she spoke not a word, her reply was clear: You can kiss my great woolly arse. Confounded sheep. “Ah, the English countryside. So charming. So…fragrant.” Colin approached, stripped of his London-best topcoat, wading hip-deep through the river of wool. Blotting the sheen of perspiration from his brow with his sleeve, he asked, “I don’t suppose this means we can simply turn back?” Ahead of them, a boy pushing a handcart had overturned his cargo, strewing corn all over the road. It was an open buffet, and every ram and ewe in Sussex appeared to have answered the invitation. A vast throng of sheep bustled and bleated around the unfortunate youth, gorging themselves on the spilled grain-and completely obstructing Bram’s wagons. “Can we walk the teams in reverse?” Colin asked. “Perhaps we can go around, find another road.” Bram gestured at the surrounding landscape. “There is no other road.” They stood in the middle of the rutted dirt lane, which occupied a kind of narrow, winding valley. A steep bank of gorse rose up on one side, and on the other, some dozen yards of heath separated the road from dramatic bluffs. And below those-far below those-lay the sparkling turquoise sea. If the air was seasonably dry and clear, and Bram squinted hard at that thin indigo line of the horizon, he might even glimpse the northern coast of France. So close. He’d get there. Not today, but soon. He had a task to accomplish here, and the sooner he completed it, the sooner he could rejoin his regiment. He wasn’t stopping for anything. Except sheep. Blast it. It would seem they were stopping for sheep. A rough voice said, “I’ll take care of them.” Thorne joined their group. Bram flicked his gaze to the side and spied his hulking mountain of a corporal shouldering a flintlock rifle. “We can’t simply shoot them, Thorne.” Obedient as ever, Thorne lowered his gun. “Then I’ve a cutlass. Just sharpened the blade last night.” “We can’t butcher them, either.” Thorne shrugged. “I’m hungry.” Yes, that was Thorne-straightforward, practical. Ruthless. “We’re all hungry.” Bram’s stomach rumbled in support of the statement. “But clearing the way is our aim at the moment, and a dead sheep’s harder to move than a live one. We’ll just have to nudge them along.” Thorne lowered the hammer of his rifle, disarming it, then flipped the weapon with an agile motion and rammed the butt end against a woolly flank. “Move on, you bleeding beast.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
First, we must study how colonization works to decivilize the colonizer, to brutalize him in the true sense of the word, to degrade him, to awaken him to buried instincts, to covetousness, violence, race hatred, and moral relativism; and we must show that each time a head is cut off or an eye put out in Vietnam and in France they accept the fact, each time a little girl is raped and in France they accept the fact, each time a Madagascan is tortured and in France they accept the fact, civilization acquires another dead weight, a universal regression takes place, a gangrene sets in, a center of infection begins to spread; and that at the end of all these treaties that have been violated, all these lies that have been propagated, all these punitive expeditions that have been tolerated, all these prisoners who have been tied up and "interrogated," all these patriots who have been tortured, at the end of all the racial pride that has been encouraged, all the boastfulness that has been displayed, a poison has been distilled into the veins of Europe and, slowly but surely, the continent proceeds toward savagery.
Aimé Césaire (Discourse on Colonialism)
First we must study how colonization works to decivilize the colonizer, to brutalize him in the true sense of the word, to degrade him, to awaken him to buried instincts, to covetousness, violence, race hatred, and moral relativism; and we must show that each time a head is cut off or an eye put out in Vietnam and in France they accept the fact, each time a little girl is raped and in France they accept the fact, each time a Madagascan is tortured and in France they accept the fact, civilization acquires another dead weight, a universal regression takes place, a gangrene sets in, a center of infection begins to spread; and that at the end of all these treaties that have been violated, all these lies that have been propagated, all these punitive expeditions that have been tolerated, all these prisoners who have been tied up and interrogated, all these patriots who have been tortured, at the end of all the racial pride that has been encouraged, all the boastfulness that has been displayed, a poison has been instilled into the veins of Europe and, slowly but surely, the continent proceeds toward savagery. And then one fine day the bourgeoisie is awakened by a terrific reverse shock: the gestapos are busy, the prisons fill up, the torturers around the racks invent, refine, discuss. People are surprised, they become indignant. They say: “How strange! But never mind — it’s Nazism, it will pass!” And they wait, and they hope; and they hide the truth from themselves, that it is barbarism, but the supreme barbarism, the crowning barbarism that sums up all the daily barbarisms; that it is Nazism, yes, but that before they were its victims, they were its accomplices; that they tolerated that Nazism before it was inflicted on them, that they absolved it, shut their eyes to it, legitimized it, because, until then, it had been applied only to non-European peoples; that they have cultivated that Nazism, that they are responsible for it, and that before engulfing the whole of Western, Christian civilization in its reddened waters, it oozes, seeps, and trickles from every crack.
Aimé Césaire (Discourse on Colonialism)
Luck is a capricious bitch. It won’t always go your way, so you can’t get trapped in this idea that just because you’ve imagined a possibility for yourself that you somehow deserve it. Your entitled mind is dead weight. Cut it loose. Don’t focus on what you think you deserve. Take aim on what you are willing to earn!
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
Jessica… Jesse! You have to stop this now!” Patrick held the arm that she was going to use to strike her victim still as gently as he could while still retaining control of the limb. Jessica stopped and forcefully pulled her arm out of Patrick's grip before glaring at him and the now unconscious doctor. Then she spoke firmly and resolutely. “What was I supposed to do? Let her cut open our son? Let her risk any chance of us saving him?” “No, of course not! But look closer Jessica. Look at the table! Look at the boy.” When Patrick asked her to look, she was suddenly furious at him. She did not want to look at her poor dead Alexander, cold on a metal slab. She knew, however, that she would eventually have to look so she did. What she saw made her feel worse not better. It was not her son on the autopsy table. It was another teenage boy that was about Alexander's age but not the same weight, eye colour, or hair colour. She put her hands to her face and cried then.
L.B. Ó Ceallaigh (Souls' Inverse (Red Sun #1))
To the west, the sinking sun was a red orb, streaking the evening sky with wisps of dark gray and pink. Loretta no longer sat erect on the horse to keep her breasts from touching the Comanche’s naked back. She slumped against him, her lolling head pillowed by the muscular cleavage of his spine. Pain shot up her cramped legs from the bonds of coarse wool braid. The rawhide around her wrists had cinched tight, cutting into her skin. Her tongue was a parched lump. One more mile, and she felt sure she would die. She imagined herself sinking into blackness, escaping. It would be cool and dark in heaven. The water there would flow sparkling and icy. There would be no Comanche with cruel, midnight blue eyes. Hunter’s voice rumbled inside him, vibrating against her cheek. Loretta felt the stallion slowing down. Angry words in a language she couldn’t understand ricocheted around her, high, low, growling, shrill. She fluttered her lashes, too miserable to care why the men argued, just thankful for the reprieve. She felt Hunter shift his weight backward, felt his hard hands fumbling with the tight band of leather that bound her wrists. The next second her arms were freed and fell like dead weights to her sides. Hunter’s strong back disappeared. She slumped forward on the horse, not caring about anything as long as she could rest. Something cold touched her left ankle. In some distant part of her mind, she realized that someone was cutting the wool braid that bound her feet. She kept her eyes closed, her cheek pressed against the horse’s sweaty neck, her arms hanging. A moment later her right ankle was freed as well. And then came a new kind of pain. Not fire, but thousands of needles pricking her legs, the agony shooting to her hips. She gasped and bolted upright. When she did, she pitched sideways. The world turned upside down. Arms caught her. The sky spun above her. Someone yelled. Torture. She was being carried, but the arms that cradled her were made of white-hot fire, singeing her wherever they touched. She didn’t think there could be any pain more excruciating. Then cruel hands lowered her to a soft mat of grass, but the blades of the grass turned to sharp spikes, piercing her flesh. Loretta closed her eyes and gave herself up to the pain. Someone held her and rocked her--someone strong with a deep voice that whispered like silk through her mind. The words were sometimes strange, but the few she understood made the meaning of the others absolutely clear. She was safe where she was, sure enough safe--forever.
Catherine Anderson (Comanche Moon (Comanche, #1))
When the shot rang out, she jerked as if the ball had plowed into her own body. The blast echoed and reechoed, loud and reverberating, punctuating her worst fear with a cutting finality. Running, running. She saw only Hunter, sitting on his horse one second, beautiful and proud, then thrown forward, as if a mighty hand had slammed into his back. He pitched sideways off his horse. Falling, falling, forever falling. Hunter, shot. Loretta couldn’t think beyond that. The other Comanches were a blur. Hunter was her only reality, and the cold fingers of death were curling around him. The events of the last three months spun through her head like the acts in a play. Her fierce captor, her trusted friend, her gentle lover. She couldn’t lose him like this. “Hunter! Oh, please, dear God, not Hunter!” Loretta reached him and dropped to her knees, trying to gather him into her arms. Dead weight. She couldn’t lift him. Blood, everywhere blood. A tortured moan worked its way up her throat. Not Hunter. With a trembling hand, she cupped the side of his jaw, sobbing his name. This Comanche cannot change his face. She touched the scar that slashed his cheek, the lifeless lips that had so frequently whispered comfort to her. If her face was carved on his heart, his was carved on her soul. “Don’t die! Hunter, please, don’t die! I love you! Hunter--” A sob tore the words from her guts in ragged spurts. “I love--you. Nah-ich-ka, you hear? I love you! You can’t die and leave me. Please, don’t leave me!
Catherine Anderson (Comanche Moon (Comanche, #1))
I stood on a rise, overlooking the plague valley. Matthew was beside me. The last thing I remembered was crawling into my sleeping bag after the whiskey had hit me like a two-by-four to the face. Now my friend was here with me. “I’ve missed you. Are you feeling better?” How much was this vision taking out of him? “Better.” He didn’t appear as pale. He wore a heavy coat, open over a space camp T-shirt. “I’m so relieved to hear that, sweetheart. Why would you bring us here?” “Power is your burden.” I surveyed all the bodies. “I felt the weight of it when I killed these people.” “Obstacles multiply.” “Which ones?” A breeze soughed over the valley. “Bagmen, slavers, militia, or cannibals?” He held up the fingers of one hand. “There are now five. The miners watch us. Plotting.” “But miners are the same as cannibals, right?” He shuffled his boots with irritation. “Miners, Empress.” “Okay, okay.” I rubbed his arm. “Are you and Finn being safe?” His brows drew together as he gazed out. “Smite and fall, mad and struck.” I looked with him, like we were viewing a sunset, a beautiful vista. Not plague and death. “You’ve told me those words before.” “So much for you to learn, Empress. Beware the inactivated card.” One Arcana’s powers lay dormant—until he or she killed another player. “Who is it?” “Don’t ask, if you ever want to know.” Naturally, I started to ask, but he cut me off. “Do you believe I see far?” He peered down at me. “Do you believe I see an unbroken line that stretches on through eternity? Centuries ago, I told an Empress that a future incarnation of hers would live in a world of ash where nothing grew. She never believed me.” I could imagine Phyta or the May Queen surveying verdant fields and crops, doubting the Fool. “Now I tell you that dark days are ahead. Will you believe me?” “I will. I do. Please tell me what will happen. How dark?” “Darkest. Power is your burden; knowing is mine.” His expression turned pleading, his soft brown eyes imploring. “Never hate me.” I raised my hands, cradling his face. “Even when I was so mad at you, I never hated you.” “Remember. Matthew knows best.” He sounded like his mom—when she’d tried to drown him: Mother knows best, son. I dropped my hands. “It scares me when you say that.” “Do you know what you really want? I see it. I feel it. Think, Empress. See far.” I was trying! “Help me, then. I’m ready. Help me see far!” “All is not as it seems. What would you sacrifice? What would you endure?” “To end the game?” His voice grew thick as he said, “Things will happen beyond your wildest imaginings.” “Good things?” His eyes watered. “Good, bad, good, bad, good, good, bad, bad, good-bye. You are my friend.
Kresley Cole
As the battle began Ivo Taillefer, the minstrel knight who had claimed the right to make the first attack, advanced up the hill on horseback, throwing his lance and sword into the air and catching them before the English army. He then charged deep into the English ranks, and was slain. The cavalry charges of William’s mail-clad knights, cumbersome in manœuvre, beat in vain upon the dense, ordered masses of the English. Neither the arrow hail nor the assaults of the horsemen could prevail against them. William’s left wing of cavalry was thrown into disorder, and retreated rapidly down the hill. On this the troops on Harold’s right, who were mainly the local “fyrd”, broke their ranks in eager pursuit. William, in the centre, turned his disciplined squadrons upon them and cut them to pieces. The Normans then re-formed their ranks and began a second series of charges upon the English masses, subjecting them in the intervals to severe archery. It has often been remarked that this part of the action resembles the afternoon at Waterloo, when Ney’s cavalry exhausted themselves upon the British squares, torn by artillery in the intervals. In both cases the tortured infantry stood unbroken. Never, it was said, had the Norman knights met foot-soldiers of this stubbornness. They were utterly unable to break through the shield-walls, and they suffered serious losses from deft blows of the axe-men, or from javelins, or clubs hurled from the ranks behind. But the arrow showers took a cruel toll. So closely, it was said, were the English wedged that the wounded could not be removed, and the dead scarcely found room in which to sink upon the ground. The autumn afternoon was far spent before any result had been achieved, and it was then that William adopted the time-honoured ruse of a feigned retreat. He had seen how readily Harold’s right had quitted their positions in pursuit after the first repulse of the Normans. He now organised a sham retreat in apparent disorder, while keeping a powerful force in his own hands. The house-carls around Harold preserved their discipline and kept their ranks, but the sense of relief to the less trained forces after these hours of combat was such that seeing their enemy in flight proved irresistible. They surged forward on the impulse of victory, and when half-way down the hill were savagely slaughtered by William’s horsemen. There remained, as the dusk grew, only the valiant bodyguard who fought round the King and his standard. His brothers, Gyrth and Leofwine, had already been killed. William now directed his archers to shoot high into the air, so that the arrows would fall behind the shield-wall, and one of these pierced Harold in the right eye, inflicting a mortal wound. He fell at the foot of the royal standard, unconquerable except by death, which does not count in honour. The hard-fought battle was now decided. The last formed body of troops was broken, though by no means overwhelmed. They withdrew into the woods behind, and William, who had fought in the foremost ranks and had three horses killed under him, could claim the victory. Nevertheless the pursuit was heavily checked. There is a sudden deep ditch on the reverse slope of the hill of Hastings, into which large numbers of Norman horsemen fell, and in which they were butchered by the infuriated English lurking in the wood. The dead king’s naked body, wrapped only in a robe of purple, was hidden among the rocks of the bay. His mother in vain offered the weight of the body in gold for permission to bury him in holy ground. The Norman Duke’s answer was that Harold would be more fittingly laid upon the Saxon shore which he had given his life to defend. The body was later transferred to Waltham Abbey, which he had founded. Although here the English once again accepted conquest and bowed in a new destiny, yet ever must the name of Harold be honoured in the Island for which he and his famous house-carls fought indomitably to the end.
Winston S. Churchill (The Birth of Britain (A History of the English Speaking Peoples, #1))
SPECULATION In the coolness here I care Not for the down-pressed noises overhead, I hear in my pearly bone the wear Of marble under the rain; nothing is truly dead, There is only the wearing away, The changing of means. Nor eyes I have To tell how in the summer the mourning dove Rocks on the hemlock’s arm, nor ears to rend The sad regretful mind With the call of the horned lark. I lie so still that the earth around me Shakes with the weight of day; I do not mind if the vase Holds decomposed cut flowers, or if they send One of their kind to tidy up. Such play I have no memories of, Nor of the fire-bush flowers, or the bark Of the rough pine where the crows With their great haw and flap Circle in kinned excitement when a wind blows. I am kin with none of these, Nor even wed to the yellowing silk that splits; My sensitive bones, which dreaded, As all the living do, the dead, Wait for some unappointed pattern. The wits Of countless centuries dry in my skull and overhead I do not heed the first rain out of winter, Nor do I care what they have planted. At my center The bone glistens; of wondrous bones I am made; And alone shine in a phosphorous glow, So, in this little plot where I am laid.
Ruth Stone (Essential Ruth Stone)
Lucy is no longer embarrassed, can talk about anything with him. In the beginning, it was a different story, a horror and humiliation that a benign pituitary macroadenoma—a brain tumor-was causing an over production of the hormone prolactin that fooled her body into thinking she was pregnant. Her periods stopped. She gained weight. She didn't have galactorrhea, or begin produce milk, but had she not discovered what was wrong when she did, that would have been next. "Sounds like you're not seeing anyone." He slides her MR films out of their envelopes, reaches up, and attaches them to light boxes. "Nope." "How's your libido?" He dims the lights in the office and flips on the light boxes, illuminating films of Lucy's brain. "Dostinex is sometimes called the sex drug, you know. Well, if you can get it." She moves close to him and looks at her films. "I'm not having sur gery, Nate." She stares dismally at the somewhat rectangular-shaped region of hy pointensity at the base of the hypothalamus. Every time she looks at one of her scans, she feels there must be a mistake. That can't be her brain. A young brain, as Nate calls it. Anatomically, a great brain, he says, t cept for one little glitch, a tumor about half the size of a penny I don't care what the journal articles say. No one's cutting on me How do I look? Please tell me okay," she says. Nate compares the earlier film to the new one, studies them side by side. "Not dramatically different. Still seven to eight millimeters. Nothing in the suprasellar cistern. A little shift left to right from the infundibu lum of the pituitary stalk." He points with a pen. "Optic chiasm is clea Points again. "Which is great." He puts down the pen and holds up two fingers, starts with them together, then moves them apart to check her peripheral vision. "Great," he says again. "So almost identical. The lesion isn't growing." "It isn't shrinking." "Have a seat.
Patricia Cornwell (Book of the Dead (Kay Scarpetta, #15))
Your entitled mind is dead weight. Cut it loose. Don’t focus on what you think you deserve. Take aim on what you are willing to earn!
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
I never realized how much bullshit is bound to the bottom of your hair. How it carries with it the years and experiences, all it has witnessed, has endured. The reason you can’t let go of your past is that it’s still attached. That weight on your shoulders, the strain on your back and neck. It’s your dead ends. Cut your hair!
Rachel Harrison (Cackle)
Luck is capricious. It won’t always go your way, so you can’t get trapped in this idea that just because you’ve imagined a possibility for yourself that you somehow deserve it. Your entitled mind is dead weight. Cut it loose. Don’t focus on what you think you deserve. Take aim on what you are willing to earn! I never blamed anyone for my failures, and I didn’t hang my head in Nashville. I stayed humble and sidestepped my entitled mind because I knew all too well I hadn’t earned my record. The scoreboard does not lie, and I didn’t delude myself otherwise. Believe it or not, most people prefer delusion. They blame others or bad luck or chaotic circumstance. I didn’t, which was positive.
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
Knowledge as a past fact, as something dead and done with—knowledge by the time it gets into encyclopaedias and text-books—does consist of assertion, and those who treat it as an affair of encyclopaedias and text-books may be forgiven for thinking that it is assertion and nothing else. But those who look upon it as an affair of discovery and exploration have never fallen into that error. People who are acquainted with knowledge at first hand have always known that assertions are only answers to questions. So Plato described true knowledge as ‘dialectic’, the interplay of question and answer in the soul’s dialogue with itself; so Bacon pointed out once for all that the scientist’s real work was to interrogate nature, to put her, if need be, to the torture as a reluctant witness; so Kant mildly remarked that the test of an intelligent man was to know what questions to ask, and the same truth has lately dawned on the astonished gaze of the pragmatists. Questioning is the cutting edge of knowledge, assertion is the dead weight behind the edge that gives it driving force
R.G. Collingwood (Speculum Mentis)
The Waystone Inn lay in silence, and it was a silence of three parts. The most obvious part was a hollow, echoing quiet, made by things that were lacking. If there had been a wind it would have sighed trough the trees, set the inn’s sign creaking on its hooks, and brushed the silence down the road like trailing autumn leaves. If there had been a crowd, even a handful of men inside the inn, they would have filled the silence with conversation and laughter, the clatter and clamour one expects from a drinking house during the dark hours of the night. If there had been music… but no, of course there was no music. In fact there were none of these things, and so the silence remained. Inside the Waystone a pair of men huddled at one corner of the bar. They drank with quiet determination, avoiding serious discussions of troubling news. In doing these they added a small, sullen silence to the lager, hollow one. It made an alloy of sorts, a counterpoint. The third silence was not an easy thing to notice. If you listened for an hour, you might begin to feel it in the wooden floor underfoot and in the rough, splintering barrels behind the bar. It was in the weight of the black stone hearth that held the heat of a long-dead fire. It was in the slow back and forth of a white linen cloth rubbing along the grain of the bar. And it was in the hands of the man who stood there, polishing a stretch of mahogany that already gleamed in the lamplight. The man had true-red hair, red as flame. His eyes were dark and distant, and he moved with the subtle certainty that comes from knowing many things. The Waystone was his, just as the third silence was his. This was appropriate, as it was the greatest silence of the three, wrapping the others inside itself. It was deep and wide as autumn’s ending. It was heavy as a great river-smooth stone. It was the patient, cut-flower sound of a man who is waiting to die.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
She stepped on the trashcan's foot pedal and tossed her dress and shoes in the garbage. The warrior in her shouted as if she'd done something amazing...until she remembered how much the shoes had cost. She'd thought of setting them on fire in the bathtub, but it seemed a bit over the top, and even she wasn't that dramatic. The trashcan would do. She'd move forward smarter, stronger, and happy to have cut the dead weight from her life. Small Town Hero, Kim Koby
Kim Koby
Part of the problem is that they have become terrified of pulling that second cord because if it’s also fucked up, then they truly will be helpless. That is a mental trap set by fear. We cannot afford to remain afraid of cutting away dead weight to save ourselves.
David Goggins (Never Finished: Unshackle Your Mind and Win the War Within)