Cute Aggression Quotes

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A moment of reserve. "That was it? The whole story?" "Yes. God, you're right. That was pants." I sidestep another aggressive couscous vendor. "Pants?" "Rubbish. Crap. Shite." Pants. Oh heavens, that's cute.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
when she was 7, a boy pushed her on the playground she fell headfirst into the dirt and came up with a mouthful of gravel and lines of blood chasing each other down her legs when she told her teacher what happened, she laughed and said ‘boys will be boys honey don’t let it bother you he probably just thinks you’re cute’ but the thing is, when you tell a little girl who has rocks in her teeth and scabs on her knees that hurt and attention are the same you teach her that boys show their affection through aggression and she grows into a young woman who constantly mistakes the two because no one ever taught her the difference ‘boys will be boys’ turns into ‘that’s how he shows his love’ and bruises start to feel like the imprint of lips she goes to school with a busted mouth in high school and says she was hit with a basketball instead of his fist the one adult she tells scolds her ‘you know he loses his temper easily why the hell did you have to provoke him?’ so she shrinks folds into herself, flinches every time a man raises his voice by the time she’s 16 she’s learned her job well be quiet, be soft, be easy don’t give him a reason but for all her efforts, he still finds one ‘boys will be boys’ rings in her head ‘boys will be boys he doesn’t mean it he can’t help it’ she’s 7 years old on the playground again with a mouth full of rocks and blood that tastes like copper love because boys will be boys baby don’t you know that’s just how he shows he cares she’s 18 now and they’re drunk in the split second it takes for her words to enter his ears they’re ruined like a glass heirloom being dropped between the hands of generations she meant them to open his arms but they curl his fists and suddenly his hands are on her and her head hits the wall and all of the goddamn words in the world couldn’t save them in this moment she touches the bruise the next day boys will be boys aggression, affection, violence, love how does she separate them when she learned so early that they’re inextricably bound, tangled in a constant tug-of-war she draws tally marks on her walls ratios of kisses to bruises one entire side of her bedroom turns purple, one entire side of her body boys will be boys will be boys will be boys when she’s 20, a boy touches her hips and she jumps he asks her who the hell taught her to be scared like that and she wants to laugh doesn’t he know that boys will be boys? it took her 13 years to unlearn that lesson from the playground so I guess what I’m trying to say is i will talk until my voice is hoarse so that my little sister understands that aggression and affection are two entirely separate things baby they exist in different universes my niece can’t even speak yet but I think I’ll start with her now don’t ever accept the excuse that boys will be boys don’t ever let him put his hands on you like that if you see hate blazing in his eyes don’t you ever confuse it with love baby love won’t hurt when it comes you won’t have to hide it under long sleeves during the summer and the only reason he should ever reach out his hand is to hold yours
Fortesa Latifi
I didn't hear you complaining last night.' 'That's because I wasn't,' she argued. 'Then what's the problem?' he asked aggressively. 'There is no problem. We had a good time and now it's over.' 'Just like that?' 'You want flowers?
Michelle Conder (Girl Behind the Scandalous Reputation)
I do not eschew the shoulder pads and jewel tones I see on the mannequins, silly though they may be. Everything in fashion these days seems so childlike and bellicose, bright yet aggressive, a cute positivity that recasts every woman as a cross between a majorette and a Sherman tank.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
the little mage was so sweet, so giving, and sometimes Nico just wanted to glomp onto him and squeeze. The cute-aggression was strong in Nico.
A.J. Sherwood (A Mage's Guide to Human Familiars (R'iyah Family Archives #1))
Now I was interested in difficult, gritty fictions, in large, expansive novels, in social realism. I was interested in Pynchon, Amis, Dos Passos. I was interested in Faulkner and Didion and Bowles, writers whose bleak, relentless styles stood in stark opposition to what I imagined Salinger to be: insufferably cute, aggressively quirky, precious. I had no interest in Salinger’s fairy tales of Old New York, in precocious children expounding on Zen koans or fainting on sofas, exhausted by the tyranny of the material world. […] I didn’t want to be entertained. I wanted to be provoked.
Joanna Rakoff (My Salinger Year)
It’s no secret that kids with ASD can be aggressive, and people never understand that it’s not because they’re violent. It’s almost always because they’re intensely frustrated or can’t communicate what they want, but nobody ever sees it that way, and their judgment toward Mason only gets worse the older he gets. People used to be so sweet and kind to us. Back then, he was cute as a button, and his huge, half-terrified blue eyes melted your heart even if he was kicking or throwing things at you. All you wanted to do was help him feel better. But now? All that’s different. I see the way everyone looks at him. How they clutch their purses next to themselves when he comes close, like violence and stealing go hand in hand. Nobody’s kind, and they’re definitely not helpful. They turn their noses up at him like they smell something funny when he starts smacking his hands together or repeating the same sentence over and over again. People purposefully cross to the other side of the street when they see us coming. It makes me so angry and heartsick.
Lucinda Berry (Under Her Care)
Once people believed her careful documentation, there was an easy answer—since babies are cute and inhibit aggression, something pathological must be happening. Maybe the Abu langur population density was too high and everyone was starving, or male aggression was overflowing, or infanticidal males were zombies. Something certifiably abnormal. Hrdy eliminated these explanations and showed a telling pattern to the infanticide. Female langurs live in groups with a single resident breeding male. Elsewhere are all-male groups that intermittently drive out the resident male; after infighting, one male then drives out the rest. Here’s his new domain, consisting of females with the babies of the previous male. And crucially, the average tenure of a breeding male (about twenty-seven months) is shorter than the average interbirth interval. No females are ovulating, because they’re nursing infants; thus this new stud will be booted out himself before any females wean their kids and resume ovulating. All for nothing, none of his genes passed on. What, logically, should he do? Kill the infants. This decreases the reproductive success of the previous male and, thanks to the females ceasing to nurse, they start ovulating. That’s the male perspective. What about the females? They’re also into maximizing copies of genes passed on. They fight the new male, protecting their infants. Females have also evolved the strategy of going into “pseudoestrus”—falsely appearing to be in heat. They mate with the male. And since males know squat about female langur biology, they fall for it—“Hey, I mated with her this morning and now she’s got an infant; I am one major stud.” They’ll often cease their infanticidal attacks. Despite initial skepticism, competitive infanticide has been documented in similar circumstances in 119 species, including lions, hippos, and chimps. A variant occurs in hamsters; because males are nomadic, any infant a male encounters is unlikely to be his, and thus he attempts to kill it (remember that rule about never putting a pet male hamster in a cage with babies?). Another version occurs among wild horses and gelada baboons; a new male harasses pregnant females into miscarrying. Or suppose you’re a pregnant mouse and a new, infanticidal male has arrived. Once you give birth, your infants will be killed, wasting all the energy of pregnancy. Logical response? Cut your losses with the “Bruce effect,” where pregnant females miscarry if they smell a new male. Thus competitive infanticide occurs in numerous species (including among female chimps, who sometimes kill infants of unrelated females). None of this makes sense outside of gene-based individual selection. Individual selection is shown with heartbreaking clarity by mountain gorillas, my favorite primate. They’re highly endangered, hanging on in pockets of high-altitude rain forest on the borders of Uganda, Rwanda, and the Democratic Republic of the Congo. There are only about a thousand gorillas left, because of habitat degradation, disease caught from nearby humans, poaching, and spasms of warfare rolling across those borders. And also because mountain gorillas practice competitive infanticide. Logical for an individual intent on maximizing the copies of his genes in the next generation, but simultaneously pushing these wondrous animals toward extinction. This isn’t behaving for the good of the species.
Robert M. Sapolsky
The Bradford Exchange—a knockoff of [Joseph] Segel’s [Franklin Mint] business—created a murky secondary market for its collector plates, complete with advertisements featuring its “brokers” hovering over computers, tracking plate prices. To underscore the idea of these mass-produced tchotchkes as upmarket, sophisticated investments, the company deployed some of its most aggressive ads (which later led to lawsuits) in magazines like Kiplinger’s Personal Finance and Architectural Digest. A 1986 sales pitch offered “The Sound of Music,” the first plate in a new series from the Edwin M. Knowles China Company, at a price of $19.50. Yet the ad copy didn’t emphasize the plate itself. Rather, bold type introduced two so-called facts: “Fact: ‘Scarlett,’ the 1976 first issue in Edwin M. Knowles’ landmark series of collector’s plates inspired by the classic film Gone With the Wind, cost $21.60 when it was issued. It recently traded at $245.00—an increase of 1,040% in just seven years.” And “Fact: ‘The Sound of Music,’ the first issue in Knowles’ The Sound of Music series, inspired by the classic film of the same name, is now available for $19.50.” Later the ad advised that “it’s likely to increase in value.” Currently, those plates can be had on eBay for less than $5 each. In 1993 U.S. direct mail sales of collectibles totaled $1.7 billion
Zac Bissonnette (The Great Beanie Baby Bubble: Mass Delusion and the Dark Side of Cute)
My manager IMs me. We get along pretty well. His name is Phil. Phil is an old copy of Microsoft Middle Manager 3.0. His passive-aggressive is set to low. Whoever configured him did me a solid. The only thing, and this isn’t really that big a deal, is that Phil thinks he’s a real person. He likes to talk sports, and tease me about the cute girl in Dispatch, whom I always have to remind him I’ve never met, never even seen.
Charles Yu (How to Live Safely in a Science Fictional Universe)
Have you ever heard of cute animal aggression?” Zeke asked. His lips were sinfully close to mine. “That’s you right now. You’re so fucking adorable that I want to strangle you.
Lizzie Lioness (Not Another Broken Heart)
Holy shit. Is Wyn Foster giving me cute aggression? Is that what this is? Can a person give you cute aggression? I look down and surreptitiously tap on my phone. Shit. I just Googled it. Wyn is giving me cute aggression.
Jesse H. Reign (Work: Strictly Professional (Bad Decisions #2))
I’m the boss,” he said as I pulled down my pants and got into position. “Even if you’re trying to be cute, no trying to passive-aggressively top me.” There
Skye Callahan (Irrevocable (Serpentine #1))
Cute aggression. It’s when you see something so cute it makes you want to squeeze it.
Jess Mastorakos (The Fake Date (Brides of Beaufort #4))
Is Wyn Foster giving me cute aggression? Is that what this is? Can a person give you cute aggression? I look down and surreptitiously tap on my phone. Shit. I just Googled it. Wyn is giving me cute aggression.
Jesse H. Reign (Work: Strictly Professional (Bad Decisions #2))
Personally, Tabitha couldn’t wait to see how her newest student dealt with her particular method of instruction, since her lessons were all structured around making the adolescent Bakas think about their preconceptions when it came to other species. Her aim was simple: to teach them that not everything was a slight to their culture or their honor. That shit was cute as a plot device on a sci-fi show, but it wasn’t going to cut it in the real world. Neither was the superiority complex ingrained in the males from birth. Rather than the Bakas getting exterminated when they faced Ooken, Tabitha needed them working with the rest of the civilian force. Those who didn’t get it the first time had learned quickly enough when the consequences of their aggression played out the painful way. Take Ch’Irzt, who was an extreme case. He had to learn that fucking up everyone’s hard work because someone he deemed as socially inferior was ahead of him in line was not acceptable. Most of the males had accepted her as the superior warrior, allowing them to submit to her demands without infringing their personal honor. Of course, Tabitha had no
Michael Anderle (Finish What You Started (The Kurtherian Endgame, #5))
Are you still having trouble with Jeremy at work?” Dad knows Joshua’s actual name by now. He just chooses to not use it. "Joshua. And yes. He still hates me.” I take a fist of cashews and begin eating them a little aggressively. Dad is flatteringly mystified. “Impossible. Who could?” “Who even could,” Mom echoes, reaching up to finger the skin by her eye. “She’s little and cute. No one hates little cute people.” Dad seamlessly agrees with her and they begin talking as though I’m not even here.
Sally Thorne, The Hating Game
We live with a distinct double standard about male and female aggression. Women’s aggression isn’t considered real. It isn’t dangerous; it’s only cute. Or it’s always self-defence or otherwise inspired by a man. In the rare case where a woman is seen as genuinely responsible, she is branded a monster – an “unnatural’ woman”.’ – KATHERINE DUNN
Kate Hodges (Warriors, Witches, Women: Mythology's Fiercest Females)
I stripped out of my clothes, tossing them to Gabriel a little aggressively before shifting into my smallest snake form. Gabriel scooped me up, slipping me into his pocket and I wriggled around to get more comfortable. He started laughing, patting me lightly. “Stop it, that tickles.” I hissed angrily, managing to poke my head out and glaring up at him which only made him laugh harder. “You’re so fucking cute like that, Ryder,” he snorted then his wings burst from his back and he took off into the sky.
Caroline Peckham (Warrior Fae (Ruthless Boys of the Zodiac, #5))